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Rojo Sangre en
00:01:25	As soon as I saw you I
00:01:29	Actually, you shouldn't be here.
00:01:33	It's never too late for another
00:01:36	Want one? -No, Thanks.
00:01:38	I don't smoke cigarettes,
00:01:43	I don't know how many times I've
00:01:48	Tobacco is a horrible vice,
00:01:50	I'm into absinthe and older women.
00:01:53	That's how I get high,
00:01:58	A little? Just a little?
00:02:01	I understand. I understand everything.
00:02:04	When I get depressed, which
00:02:09	I turn to an infallible
00:02:13	- I shove mice up my ass.
00:02:18	The little animals suffer a bit,
00:02:21	but someone always suffers
00:02:25	- And... how do you do that?
00:02:28	I put the mice in a condom,
00:02:33	The little animals stir
00:02:38	That movement,
00:02:40	that death rattling inside
00:02:46	You try it. It's like
00:02:50	Some guy used to sing
00:02:54	Mr. Thevenet, you can go in now.
00:02:59	If it weren't for the money,
00:03:03	They would need mice to get relief.
00:03:05	Take it easy, you're a star.
00:03:08	Well, you were, but
00:03:11	The boss is always the boss.
00:03:14	We must survive, and
00:03:18	You can say that again. Well, see you.
00:03:22	Mr. Thevenet. Please!
00:03:26	I'm coming, miss.
00:03:35	Are you always so slow?
00:03:37	I'm sorry, the smaller parts are
00:03:41	You pay very little.
00:03:45	That's all there is for this
00:03:49	Listen, honey, look at
00:03:54	- You don't recognize me?
00:03:58	This is the first time I've seen you.
00:04:00	Listen, beautiful,
00:04:02	while you were sucking your Mom's
00:04:06	Shakespeare, Pirandello,
00:04:10	And I starred in many
00:04:13	Madrid al desnudo, "El
00:04:16	El huerto del frances,
00:04:19	and above all "Amores", 1978.
00:04:23	It was a indescribable
00:04:26	I'm sorry, sir. In '78, when
00:04:30	I wasn't born yet.
00:04:32	Of course, that's true. You're right.
00:04:47	Mr. Thevenet.
00:04:50	Hello. -Sit down.
00:05:09	Well, Mr. Thevenet,
00:05:11	remember, you're a bank director,
00:05:13	tough, of course, but
00:05:17	Pepa, action! Read that text.
00:05:19	Mr. Longoria, please, I need that loan!
00:05:23	Yanes, this isn't a charity
00:05:28	Cut...!
00:05:29	You're not Marlon Brando, so
00:05:33	above your possibilities.
00:05:37	Pepa, action! Read that text.
00:05:39	Mr. Longoria, please, I need that loan!
00:05:43	- Yanes, this isn't a charity...
00:05:48	Kid, I am being myself.
00:05:50	I don't need to imitate.
00:05:54	I've done it all in theatre and cinema.
00:05:56	You may have done it all in
00:06:02	- Chema... We do it again?
00:06:08	My test.
00:06:10	Was it okay?
00:06:12	Will I do the spot?
00:06:16	I can't answer yet, there's
00:06:20	Having done it all in cinema,
00:06:24	And don't fuckin' yell!
00:06:26	Mr. Thevenet, we'll
00:06:30	We'll call you. I've
00:06:33	But the phone never rings. Never!
00:06:38	The screen test is over.
00:06:40	Just get out without raising a ruckus.
00:06:43	Listen, I played Don Juan Tenorio
00:06:48	That should tells you
00:06:52	Okay, Mr. Brando, I
00:06:55	You are not going to do the spot, no,
00:06:58	because you seem to me a
00:07:02	Send Coppola a picture, he may
00:07:06	Or drop by the Teatro
00:07:09	I hear they don't have a Don Juan.
00:07:13	This is a load of shit!
00:07:15	The glory, the fame, the money.
00:07:18	If it was necessary you'd even sell
00:07:23	But there are many deep throats
00:07:29	Look, I came apart on the way a
00:07:34	Because I'm an honest guy.
00:07:37	Mr. Thevenet, I am very
00:07:41	your getting the fuck out of
00:07:46	Now could I drink hot blood
00:07:51	as the day would quake to look on.
00:08:02	Hamlet.
00:08:05	Well, that's nice,
00:08:29	Mr. Thevenet, your coat.
00:08:32	Thank you,
00:08:34	you're very pretty.
00:08:35	You have the qualities to
00:08:39	A pretty face and a model's figure.
00:08:43	- I want to be an actress.
00:08:47	Shit, get the next one,
00:08:50	Good luck, beautiful.
00:08:53	And remember, with good silicone,
00:08:57	Good-bye, beautiful.
00:09:22	BLOOD RED
00:09:26	Pablo, I do what I can
00:09:28	but some put me off
00:09:32	Young directors don't know you,
00:09:37	I had trouble getting
00:09:40	I don't want to lie or
00:09:44	I think you'd better spend
00:09:47	Something else! But what else?
00:09:50	I'm forsaken, doors have closed.
00:09:52	That's life. You're not producing or
00:09:57	Your next stop is oblivion.
00:10:00	Martin, I beg you. I need to work.
00:10:03	I'm disappointed in you, Pablo.
00:10:06	The production director
00:10:09	The director won't see you.
00:10:10	That director's an arrogant
00:10:16	What about Alejo?
00:10:17	He says they've cast all the parts.
00:10:20	The cast is complete.
00:10:23	Things are rather fucked up, Pablo.
00:10:26	Fuck Matin, what are you telling me?
00:10:28	Pablo, there's work for whoever
00:10:33	You know what sells.
00:10:35	Love affairs, divorces, beatings,
00:10:38	sex, appearing nude in magazines.
00:10:41	In short, hoax after hoax.
00:10:45	Weird people work,
00:10:48	Martin, it's not always like that. A
00:10:53	Why can't I be one of them?
00:10:56	Listen, I have an idea.
00:10:58	The light bulb has gone on.
00:11:00	A friend from a stag club
00:11:04	They need an actor.
00:11:05	I don't joke nor dance nude.
00:11:08	No, they want someone
00:11:12	What's it about?
00:11:15	It's something like
00:11:18	Doorman-entertainer?
00:11:19	You'd have to make yourself up
00:11:22	to do a little act at the door.
00:11:24	That's ending up in the garbage
00:11:27	Don't exaggerate.
00:11:29	This is their business card and that's
00:11:34	Go see her soon, there'll
00:11:39	Dora Grizzel, what a weird name.
00:11:43	You go see her. Try it.
00:11:45	I'll go, but find me
00:11:48	Listen Pablo, don't take this badly,
00:11:51	but maybe it's convenient
00:11:55	We're both wasting our time, Pablo.
00:11:58	Son of a bitch, you drop
00:12:16	POTATO OMELETTE SANDWICH 2.30
00:12:18	Wow, what melons! See the photos?
00:12:22	It was about time she
00:12:23	Yes uncle, after the bit with
00:12:26	She had an affair with a director
00:12:31	But she ran off with a producer.
00:12:35	Yeah, she ran off and
00:12:37	She's starring in Buenaventura
00:12:41	She is rehearsing "The Ripper".
00:12:46	Cool, a famous woman doing a classic!
00:12:49	Producers are starting
00:13:38	I see you've accepted our invitation.
00:13:41	Can I sit down?
00:13:49	I only accepted because I want to
00:13:52	Films gave me glory and money,
00:13:58	You're a great artist.
00:14:00	It moves me that you want to update,
00:14:03	and open up to new
00:14:12	You hate everyone, don't you?
00:14:17	I thought my fame
00:14:20	and that my friends from the good
00:14:23	But I was wrong, and here I am.
00:14:28	Recognition isn't frequent
00:14:32	It's worse than
00:14:36	Remember, vengeance is
00:14:39	Your luck can change
00:14:44	At 12 we have a meeting with
00:14:55	Good evening.
00:15:00	Tell me Mr. Thevenet, you've
00:15:03	That shocking trifle that
00:15:07	it is so ephemeral.
00:15:09	I was never nominated.
00:15:12	Providence was generous
00:15:16	We can offer you a second chance.
00:15:18	Does that mean that I'll work for you?
00:15:21	Of course you will.
00:15:29	Martin told me a bit, but
00:15:35	I don't know. What's it about?
00:15:37	You'll love it. You'll be a
00:15:40	You'll be Rasputin, Ivan
00:15:44	Jack the Ripper. Since
00:15:47	we'll use yours, if you don't mind.
00:15:51	History is full of swine,
00:15:55	Gilles de Rais, Ivan the Terrible,
00:16:00	We need a first-class actor. What do
00:16:05	- That's just to start with.
00:16:09	That sound good, very good. I accept.
00:16:14	Congratulations.
00:16:16	Here's to a long and fruitful
00:16:23	I'd like to give you this
00:16:30	Pull on the handle.
00:16:36	I'm guessing you like blades.
00:16:39	I don't know what to say,
00:16:43	I wouldn't be so sarcastic.
00:16:45	Cutlery is an art with
00:16:49	I'll give you the address of
00:16:53	Pure craftsmanship.
00:16:55	If you ever need a knife,
00:16:59	Go there. And you will see.
00:17:01	Thank you.
00:17:05	Hi, Tick-Tock. How are you?
00:17:07	I am calling you to inform you that:
00:17:11	We needyou here right away.
00:17:14	You'll get details tomorrow
00:17:17	I hope things work out
00:17:21	Cordially yours.
00:18:23	Good evening.
00:18:27	Can I help you?
00:18:34	I'll show you the best I've got.
00:18:38	Pure Japanese craftsmanship.
00:18:41	The samurai made their
00:18:48	Tell me, don't they look like gems?
00:18:51	Well, yes... maybe...
00:18:54	You don't realize how
00:19:00	Please pick that cork up by one end.
00:19:08	Show it to me.
00:19:11	Higher, please.
00:19:19	I told you, it's extraordinary material,
00:19:23	of an almost magical precision.
00:19:29	I see you know Mr. Reficul.
00:19:32	I supplied him that rapier.
00:19:35	I'm one of his most important suppliers.
00:19:39	You must be of high esteem
00:19:42	a piece like that one.
00:19:44	He wants me to work
00:19:48	- How much are the knives?
00:19:53	His dealings are worldwide.
00:19:56	He pays generously.
00:19:58	But he is demanding, very demanding.
00:20:03	Thank you and good night.
00:20:11	New and surprising news...
00:20:13	Our pals at "Pink Winter"
00:20:15	surprised the couple Jaime Ferrero
00:20:20	As far as we know, she
00:20:25	Is that right, my dear Carlos?
00:20:27	We have surprising news,
00:20:30	- Do we know if it's his child?
00:20:33	Yes, the lines are open for any query.
00:21:52	Good evening, Mr. Thevenet.
00:21:55	May I sit down?
00:21:59	My name is Rebecca Voisin.
00:22:01	I work with Miss
00:22:04	They called, they'll be a bit late.
00:22:07	- But they want you to wait.
00:22:11	Delighted, Mr. Thevenet.
00:22:14	By the way, my friends
00:22:17	Well, delighted, Miss Tick-Tock.
00:22:20	You are a genetic wonder, a masterpiece.
00:22:29	Did you go to the cutlery shop?
00:22:31	Yes.
00:22:32	Buy anything? -A set
00:22:35	Good choice. You are a
00:22:41	What did you think of Miss Tick-Tock?
00:22:45	A very pleasant girl.
00:22:49	Come on, Mr. Thevenet, as
00:22:53	Nefertiti reincarnated. Pleasant?
00:22:57	Yes, and very exotic.
00:23:02	A streetwalker in Paris.
00:23:05	and sensed her natural talent.
00:23:08	She works for us and is efficient.
00:23:10	She will be your link with the company.
00:23:16	Why Tick-Tock?
00:23:19	As a prostitute, she timed
00:23:23	- That's why her nickname.
00:23:28	Mr. Thevenet, here are the contracts,
00:23:31	an exact transcription of
00:23:37	They are written in several
00:23:41	Others in French, in German.
00:23:44	We are multinational.
00:23:50	All right, I'll sign.
00:24:05	Welcome on board, Mr.
00:24:10	Well, I smoke only at home.
00:24:14	But thank you.
00:24:17	Thank you. May I have
00:24:28	Here is the schedule
00:24:32	You will receive the costumes
00:24:36	and make any necessary changes.
00:24:40	Mr. Reficul, right now I'm going
00:24:43	through an economic situation...
00:24:48	Here, 10.000 euros in advance.
00:24:54	When do I start?
00:25:53	I'm in the garbage can,
00:25:57	I've accepted playing the fool.
00:25:59	Don't complain, you've been lucky.
00:26:02	10.000 euros for being
00:26:06	I mean 10.000 less my
00:26:10	Ivan the Terrible,
00:26:14	no script, no colleagues.
00:26:18	get me something more decent.
00:26:22	I'm not the agent you need.
00:26:24	Find yourself another who's
00:26:27	Please, Martin, Martin.
00:26:44	What a night.
00:26:49	Look at that guy! -Who is he?
00:26:53	Have you looked in the mirror?
00:26:56	Pathetic!
00:26:57	He looks like Rasputin.
00:27:25	So Pablo, are the beans
00:27:27	the best around, first-rate.
00:27:31	So have you found a job?
00:27:34	In theatre or cinema?
00:27:38	But it's a job. Paco,
00:27:41	Okay, okay, what do you
00:27:44	A breaded steak and some fried potatoes.
00:27:46	Coming up!
00:27:53	Hi, Pablo, enjoy your meal.
00:27:56	Pablo, you know I don't like
00:28:01	Sit down, I'll treat you,
00:28:04	Careful, you'll hurt yourself.
00:28:06	Paco, a special for my friend.
00:28:09	Well, those beans are not gluttony,
00:28:12	they are sheer lust.
00:28:17	...her new movie in our next
00:28:23	I'm going through hell, Pablo.
00:28:26	Old actors, well, you
00:28:34	At first, we all fool ourselves
00:28:38	and all that rubbish. Fuck all that.
00:28:44	Look, Brutus, I'll tell you something.
00:28:47	In this profession success
00:28:53	- One's tongue?
00:28:55	You have to lick many asses.
00:29:00	Producers, directors,
00:29:05	casting directors. Well, you know.
00:29:07	Just look at me.
00:29:09	After nearly 100 films
00:29:13	And a Don Juan Tenorio that
00:29:18	As you see, now
00:29:20	I'm a human statue at
00:29:24	Yes, playing the
00:29:29	Do they pay you well?
00:29:34	I was a mime on the
00:29:38	I was the Fountain of Love.
00:29:41	Do you think there could be
00:29:45	I'll do what I can, but
00:29:53	Look.
00:29:57	Here.
00:29:59	Keep the change for some more hot meals.
00:30:04	Brutus,
00:30:05	Good luck, really.
00:30:08	See you.
00:30:25	I'm going to pair
00:30:28	the young actress with
00:30:31	And Dani's selling well.
00:30:33	Involving him with
00:30:37	and breaking-off...
00:30:40	you sell garbage well.
00:30:43	What the audience wants... And
00:30:46	If they want shit, they get
00:30:51	I'm shit to you. You didn't
00:30:55	Yes, you're right,
00:30:59	There's no part for me, Martin.
00:31:03	Borja said he had a short
00:31:08	If you rejected it, you did wrong.
00:31:10	He's got forsight. His last
00:31:16	Good evening.
00:31:19	She's Yola Pena. I guess
00:31:24	Delighted. Of course I know her.
00:31:27	She was to be a steady
00:31:30	but I'm going to give
00:31:34	She's going to be one of
00:31:37	Excuse me. The lead star.
00:31:40	Congratulations, Yola.
00:31:42	By the way, Borja, you have
00:31:47	Yes, I said I did. It's
00:31:51	Very weighty.
00:31:53	If it's short, I can read
00:31:57	- What's the character's name?
00:32:04	It has none?
00:32:05	No, but it's a character
00:32:10	I see. Well, give me an idea, guide me.
00:32:15	Let's see. Get up, beautiful.
00:32:17	Imagine the scene, Pablo. Okay?
00:32:20	A Visconti style
00:32:25	It's carnival time, everyone
00:32:30	The lovebirds dance a marvelous waltz,
00:32:33	but the two villains who
00:32:37	watch through their masks, with hate,
00:32:39	the evolution of the innocent lovers.
00:32:42	Wandesa has forced a nephew
00:32:47	to perform Satanic rituals.
00:32:49	Yes, that's great. But, when
00:32:54	Yes, your character. Well,
00:32:57	in the middle of this lavish ball
00:33:00	you run in naked.
00:33:05	Naked?
00:33:08	you know, stark naked.
00:33:12	It's vital to the plot, Pablo.
00:33:17	The part was an insult,
00:33:22	You've stabbed yourself. We
00:33:27	Listen Martin, that kid
00:33:31	has lost it. He has nothing.
00:33:36	I killed him.
00:33:38	Besides, I'm sure many of the
00:33:42	- What, for my face or my ass?
00:33:46	we all know no one hires you, okay?
00:33:48	I'm doing you a favour.
00:33:50	You could at least appreciate
00:33:53	Why are you getting upset?
00:33:55	I told you it's a... meaty character.
00:33:58	Yes... But we could improve it a bit.
00:34:02	I guess, let's hear your
00:34:07	I don't know.
00:34:08	What if I rip your heart
00:34:12	Pablo! Have you gone
00:34:16	It may be a joke, but it'll
00:34:22	Him and a broad that was
00:34:28	It was spectacular.
00:34:29	I think I should get a
00:34:36	And you know why?
00:34:37	Because I'm fed up, because
00:34:41	I'm going to wage a war
00:34:45	You're lying. That's not
00:34:48	Don't give me your bullshit!
00:34:50	Pablo, take it easy.
00:35:03	Well, actually, I should get an Oscar.
00:35:06	And I will, once I finish
00:35:11	That will be soon. I'll
00:35:15	Pablo, you're not well.
00:35:17	You've lost it since her
00:35:21	Forgive me, but you
00:35:24	I know a very good one.
00:35:30	Pick the one you like the most.
00:35:33	Stop joking around!
00:35:41	A good catharsis,
00:35:43	and until they catch me...
00:36:10	"Dear Mr. Thevenet,
00:36:12	we acknowledge yourexperience
00:36:16	Presentyourselfat 4 p. m.
00:36:20	in Monttjuic Cemetery. We deeply
00:36:25	HerrFuchs. "
00:37:03	I know about your distressing
00:37:08	you shouldn't be in
00:37:11	Herr Fuchs, the world is
00:37:16	And I have a job now.
00:37:18	I know everything
00:37:21	I know you are a living
00:37:24	Pandora. -Pandora.
00:37:27	Yes, But I make Good money.
00:37:31	If you work for me,
00:37:35	and forget all those scraps.
00:37:37	- I'm offering you cinema.
00:37:40	To act, direct.
00:37:43	Your proposal is interesting,
00:37:47	Don't worry, no problem.
00:37:49	Stay there. If we reach
00:37:53	I'm on good terms with Mr. Reficul.
00:37:55	He is precisely who got
00:38:00	And why me?
00:38:01	I have a trivial job,
00:38:05	and now I play the asshole
00:38:09	Expensive whores though.
00:38:13	I also know your work, Mr. Thevenet.
00:38:15	I've seen your films, and I like them.
00:38:17	You have an Anglo-Saxon style.
00:38:20	I want that look for my productions.
00:38:22	Evidently, there are other
00:38:26	Very powerful.
00:38:30	Berenice will call you, and if
00:38:36	Mr. Thevenet, don't worry about a thing.
00:38:38	Delighted, Herr Fuchs.
00:38:43	Good-Bye.
00:39:12	The outcome isn't bad.
00:39:14	A series, two films,
00:39:16	and the front cover of
00:39:19	Shit, that's fucking great!
00:39:22	And I'm going to
00:39:25	And next week I sign a
00:39:29	- to represent their wines.
00:39:35	Jaume, did you hear that?
00:39:39	Fuck, that sounded like spurs. Let's go.
00:39:50	Is anyone there?
00:39:53	Is anyone there?
00:39:58	Friend, I'm getting fed
00:40:12	Who are you?
00:40:14	I'm Gilles de Rais, Bluebeard.
00:40:16	The greatest murderer in history.
00:40:31	Relax, I'll take care of this guy.
00:40:34	He's flying high.
00:40:35	Be careful, that guy's dangerous.
00:40:41	Holy shit!
00:40:42	But you are Pablo Thevenet.
00:40:46	Where the fuck have you
00:40:49	In hell, you pig!
00:40:51	Pushed by you and the
00:40:56	Why?
00:40:57	Because you didn't want to be
00:41:01	I didn't want to? You're so cynical!
00:41:04	You tricked and kicked me out.
00:41:08	I know I did you wrong,
00:41:13	Besides, if we talk, maybe
00:41:21	You and that hypocrite Puertolas
00:41:25	stole my project.
00:41:28	The beginning of my disaster.
00:41:30	I know you had trouble, but
00:41:36	I'm sorry about your daughter's death.
00:41:39	A true misfortune! Poor girl.
00:41:42	Ferrero, you're not
00:41:46	But...
00:41:47	someone else will
00:42:16	The Gilles de Rais suit is stained.
00:42:19	I went over them and
00:42:22	In a carpark in the early hours
00:42:26	and companion Vanesa Bernal
00:42:30	You like those shows, Mr. Thevenet?
00:42:33	No. They've turned this
00:42:41	Could you offer me a drink? -Please.
00:42:47	There's something I want you to know.
00:42:54	Before working between the
00:42:58	I knew you were full of surprises.
00:43:02	In Mexico I organized exhibits
00:43:06	- You know what I mean?
00:43:15	It's a different way to conceive art.
00:43:19	We exposed bloodstained sheets
00:43:25	By the way,
00:43:26	your Gilles suit could be exhibited.
00:43:30	It is stained. Blood
00:44:34	Now, information on the actress
00:44:38	You know, Brutus,
00:44:40	it would be great if someone
00:44:44	Someone already is.
00:44:46	Didn't you read about the crimes
00:44:49	Yes, a bit, but don't call them crimes.
00:44:53	Call it reconstructive surgery.
00:44:56	Shit, Pablo,
00:44:57	you sound as if you enjoy their deaths.
00:45:01	Don't you?
00:45:02	Look at yourself, you look a wretch.
00:45:06	In misery. You're like a ghost in
00:45:10	They are to blame!
00:45:16	I'm telling you.
00:45:21	What are you insinuating?
00:45:25	What do you mean, my love?
00:45:28	You left us once. I
00:45:32	Why don't you stay here forever?
00:45:36	I swear there's no other woman.
00:45:41	Cut. Go on to the scene
00:45:44	Good, a Havana cigar?
00:45:47	Not everyone smokes these.
00:45:49	Listen, I think that take was excellent.
00:45:54	Don't you?
00:45:56	It's the first time she was
00:45:59	Well, Buenaventura, it's her first film.
00:46:03	They're happy with her in the series.
00:46:05	In the series where she
00:46:10	Come on, Enrique!
00:46:11	I take all this because
00:46:14	and I owe you favors.
00:46:16	But Nuria cannot be a leading
00:46:21	Be patient and work on her,
00:46:25	- Get it out of her!
00:46:28	The stuntman Is ready. -Okay.
00:46:31	Places, everyone. We're going to shoot!
00:46:37	24-2, take one.
00:46:39	Action!
00:46:43	You're not an actress,
00:46:46	Next time I'll slash your gut
00:46:53	What dramatic register. What
00:46:57	She's fainted! The actress has fainted.
00:47:01	A glass of water, please!
00:47:09	Darling, my love,
00:47:12	don't get so into it,
00:47:15	He's right, you were great,
00:47:19	Save that anger, that
00:47:24	It looks like she's
00:47:28	Someone attacked the stuntman!
00:47:31	Fuchs and Berenice are on the set.
00:47:36	We Can go through the mausoleum.
00:47:39	How funny. A mixture of
00:47:44	Yes.
00:47:46	The land belongs to Herr Fuchs.
00:47:49	He could have speculated,
00:47:50	torn the cemetery down and
00:47:55	but he's very respectful of the dead,
00:47:58	and I assure you that
00:48:01	not a single bone has been moved.
00:48:09	I could write a great
00:48:13	An idea. Do you know
00:48:17	Of course, he was a petty Satanist,
00:48:20	coprophiliac, drug addict.
00:48:22	He ate shit and
00:48:25	- He was on amphetamines.
00:48:29	How about this one?
00:48:32	Your daughter is raped,
00:48:35	your father dies, your friends
00:48:40	You beg for work but find only contempt
00:48:44	and the darkest oblivion.
00:48:47	you like that?
00:48:50	I was blacklisted,
00:48:55	on the verge of suicide.
00:48:56	Tie by Hermes, shirt
00:48:59	Custom made Italian shoes,
00:49:03	Yaipur. -Yaipur.
00:49:04	Does that say anything to you?
00:49:07	It says clothes do make the
00:49:11	I dress as per my status,
00:49:15	But we'll change that, because
00:49:19	Yes, I am going to produce
00:49:24	And for that I need a talented
00:49:28	A great delicacy is required.
00:49:31	Berenice will show you the candidates
00:49:33	we've selected in Third World countries.
00:49:37	In my productions, their disappearance
00:49:40	will give happiness to
00:49:46	Look at it this way.
00:49:48	They have disposable, miserable lives
00:49:51	that aren't worth living.
00:49:53	Besides, I can't lie to you.
00:49:57	Don't say anything. It's a case of
00:50:01	sincerity.
00:50:02	We can start casting.
00:50:04	I have many scripts
00:50:06	You see, I think it's very harsh
00:50:10	- to kill innocent people.
00:50:16	Yes, that is true.
00:50:19	I am a professional.
00:51:03	The Lizard? -Yes. Want a drink?
00:51:08	This place stinks and I
00:51:19	I have a Star MM 763. Nine shots.
00:51:23	A Beretta, 9 mm., and a
00:51:26	- The revolver is a Rubi 38.
00:51:31	The Beretta is reliable. I recommend it.
00:51:34	I'll take it. How much?
00:51:38	700 euros, with 4 boxes of ammunition.
00:51:42	Okay.
00:52:06	Rufino has told me you quit films.
00:52:08	I saw some of yours on TV.
00:52:25	- Hello?
00:52:29	- I've got something going on.
00:52:33	I'll tell you sometime soon.
00:52:35	Rememberyou've got a
00:52:38	Don't worry. I'll comply,
00:52:42	- Next Saturday, Rasputin.
00:52:45	- Tick-Tock, I'd like to
00:53:12	Mr. Kurinov, good evening and welcome.
00:53:15	Good evening, Dora,
00:53:18	I had something important
00:53:21	I'm the last to arrive, aren't I?
00:53:24	That doesn't matter. We
00:53:28	Come with me.
00:53:29	Dora, my beautiful friend. Ivan?
00:53:34	Is that him?
00:53:37	He's perfect. I'm very impressed.
00:53:42	He is better than last year's. He is...
00:53:47	sublime. -Please.
00:54:15	You're magnificent, a
00:54:18	This Ivan is terrible.
00:54:21	Listen,
00:54:23	can I see you later?
00:54:25	I'd like to, but I can't.
00:54:28	When you've finished,
00:54:31	I'm sorry, Pablo.
00:54:33	Bye, Tick-Tock.
00:54:56	Yes, Warhol is always a good investment.
00:54:59	I made a deal with Bischofberger
00:55:03	Remind Williams I'm just interested in
00:55:07	Thanks, keep me
00:55:10	Excuse me.
00:55:13	Yes, Tomehed, that's
00:55:16	Close the deal and tell
00:55:21	No, tell Florescu no
00:55:25	Thanks. Bye.
00:55:30	Tell me Mr. Thevenet, who is this
00:55:36	He's of German origin,
00:55:40	- I think you've already met.
00:55:45	He has funeral parlours the world over,
00:55:47	publishing houses,
00:55:51	Filmmaking must be an
00:55:56	We're in talks right now but
00:55:59	no conclusion has been reached.
00:56:01	I have a contract with you
00:56:05	Remember that phrase from the Bible...
00:56:07	Behold, I send you out
00:56:11	Watch what you sign.
00:56:14	I'll keep that in mind.
00:56:49	The stuntman had a real knife.
00:56:52	I thought he'd slit my
00:56:56	It's okay, there was a mix-up.
00:56:58	Someone gave him the real
00:57:01	But that helped you
00:57:05	His breath smelt of blood.
00:57:07	Let's fuck. Tonight I feel like a tiger.
00:57:15	I want to be a great actress,
00:57:19	He's better than Tom Cruise.
00:58:33	I'm not a mime, nor
00:58:36	I'm just your faithful
00:58:54	Well, Mr. Thevenet,
00:58:58	We start shooting our first film.
00:59:01	Everything's under control.
00:59:06	And I hope to resolve
00:59:09	It's important that you
00:59:14	The more depraved it is,
00:59:17	I'm working on the next
00:59:21	- I'll bring it tomorrow.
00:59:23	The technical crew is important,
00:59:27	We have a magnificent
00:59:30	and a superb assistant.
00:59:32	Besides, 11 years ago both
00:59:36	Yes, Jose Torquemada and
00:59:40	Of course, they shot "The Night
00:59:44	They were bastards.
00:59:46	Very professional, very
01:00:00	Whore! Bitch!
01:00:04	Open, open, open!
01:00:13	Sayyes, sayyes.
01:00:14	Now go to the girl.
01:00:21	Bitch!
01:00:42	More, more, more!
01:00:48	More, more, more!
01:00:51	Look at me, look at me!
01:00:53	Leave my daughter...
01:01:01	Leave my daughter!
01:01:22	Scoundrels!
01:01:49	Pablo, it's time to put both
01:01:54	Your crimes lead you to
01:01:57	I've been in hell for years.
01:01:59	Why haven't the police caught you yet?
01:02:02	Normally, you'd be rotting in jail.
01:02:05	I don't care, I just
01:02:08	You're old and suddenly, you're
01:02:15	They, the unnameable
01:02:20	And you, don't you
01:02:24	You know I do. You
01:02:28	But your hate doesn't let you see.
01:02:31	I'm a Voisin, I belong
01:02:36	I've been cursed since birth.
01:02:44	This is Mr. Reficul's password.
01:02:46	Access his computer and
01:02:50	Thanks.
01:03:53	What, warming up my chair?
01:03:58	Mr. Reficul, I was looking for...
01:04:00	I know exactly what you were consulting,
01:04:03	smoking my cigars as
01:04:07	As you expected, today I
01:04:10	but, at the last moment, Miss Grizzel,
01:04:13	I mean Beelzebub, went in my place.
01:04:17	Then you're Lucifer,
01:04:21	I was afraid of that.
01:04:23	I was so hungry I didn't
01:04:27	Yes, yes, yes,
01:04:28	I'm in that group of angels
01:04:33	He threw us in hell. His
01:04:37	From then on we declared
01:04:40	An endless battle.
01:04:41	An endless struggle.
01:04:54	You, Thevenet, were born
01:04:58	You came at 6 a. m., on a September 6th.
01:05:01	Six... six.
01:05:02	You were the 6th son. Six, six, six.
01:05:06	3 times 6. But something was missing.
01:05:10	Yes, the blood of a virgin.
01:05:13	- My daughter's blood, right?
01:05:16	We needed your own flesh
01:05:20	Our black priest said mass on the altar
01:05:22	that was the naked body
01:05:26	I'm sorry.
01:05:27	- Swine!
01:05:30	You're living a moment
01:05:33	Your incredible vanity,
01:05:36	and revenge did the rest.
01:05:38	You became a murderer.
01:05:40	With a bit of a show,
01:05:43	And all your victims died in mortal sin.
01:05:46	Someone said: The flesh is weak.
01:05:49	And, well, Mr. Lucifer, what now?
01:05:54	We protect you, and
01:05:57	The police can do
01:06:00	Actually, no one can!
01:06:01	After, you'll comply with
01:06:08	How could I forget?
01:06:10	You sold us your soul.
01:06:12	In time, we'll kick your ass
01:06:16	You didn't read the fine print.
01:06:18	Bad mistake.
01:06:19	I'm a fuckin' loser. I
01:06:24	I fear not God nor the Devil.
01:06:25	I love atheists. They always
01:06:29	Your diabolic stories don't
01:06:33	I am eternal.
01:06:35	I've always existed and
01:06:38	A divine puff created the world,
01:06:42	You pathetic little man!
01:07:22	I killed Reficul. I shot
01:07:26	He's a failed devil, he died too.
01:07:29	No horns, tail, sulphur or trident.
01:07:32	No one can kill a spirit. -I can.
01:07:34	You've rebelled and
01:07:37	Tick-Tock, let's get
01:07:41	This will be a mess.
01:07:42	It does not matter where
01:07:47	But it's okay, I'll go with
01:07:50	Let's go.
01:08:28	Hi, Tick-Tock.
01:08:31	- How are you?
01:08:34	I need to recover those documents.
01:08:36	Damn my signing them!
01:08:39	Those documents link you
01:08:43	I want to rip them up!
01:08:45	You're a son of Satan,
01:08:49	Hand me the towel. I'll help you.
01:09:28	Mr. Thevenet, put the gun away.
01:09:33	I knew you'd come, but not so soon.
01:09:36	- You want the contract.
01:09:40	Because of Mr. Reficul's
01:09:43	I have gained the
01:09:45	and I'm going to reorganize
01:09:49	to make them more efficient.
01:09:53	Now you're a qualified serial killer.
01:09:56	You've made a work of art out of crime.
01:09:58	That's why you'll have
01:10:03	with more income and responsibilities.
01:10:06	What about my contract? -No problem.
01:10:08	I think contracts are obsolete.
01:10:11	Mr. Reficul was very
01:10:13	Signing papers to buy a
01:10:17	I believe what's important for you is
01:10:19	to have a revenge of
01:10:22	You struck down the false,
01:10:26	but you should raise your sights.
01:10:28	For example.
01:10:29	The hunt for successful directors,
01:10:32	important producers, vain actors
01:10:37	Give them hell, Mr. Thevenet.
01:10:40	- I killed Reficul.
01:10:43	But I am not going to
01:10:46	As for Herr Fuchs, he was a bastard.
01:10:49	I beg you, give me the contract.
01:10:52	I'll do whatever you want.
01:10:54	Give it to me.
01:10:55	All right, I'll give it to you.
01:10:58	It's in a safe in a bank.
01:11:00	You can pick it up tomorrow,
01:11:05	I'll be here.
01:11:49	The 20th century was ours,
01:11:53	These images comfort my heart.
01:11:56	We have an advantage
01:11:59	I'm busting my ass laughing!
01:12:02	We fallen angels make a good team.
01:12:04	And, without much investment,
01:12:14	- Yes, Dora?
01:12:16	He'llpick the contract up
01:12:21	That's done.
01:12:22	The end and beginning of
01:12:25	Everything went like a
01:12:32	Let's go, Reficul is waiting for us.
01:13:11	Who'd think a guy like this
01:13:15	Serial killers are usually
01:13:20	Like your neighbour
01:13:22	who walks the dog and has
01:13:27	He doesn't look like it.
01:13:32	He seems to be waiting for someone.
01:13:35	And it's the seventh one today.
01:13:38	If it's not him either,
01:14:32	Yes, Galindo, don't worry, we're ready.
01:14:36	He's ours.
01:14:39	The son of a bitch won't get away.
01:14:45	- Where's he going? Leave
01:14:49	Falcon, this is the right
01:15:04	Madam,
01:15:05	excuse me. Is this Babylonia St.?
01:15:10	Was there ever a Pandora Club here?
01:15:13	I've been here 50 years and
01:15:41	I must be mistaken. Thanks. Good-bye.
01:15:53	Stop! Police!
01:15:55	Put your hands up and don't move!
01:17:19	a few years later...
01:17:21	And once again Roja Maria Salvaje.
01:17:25	Here I am again.
01:17:26	Orson Welles said some films
01:17:30	and some people shouldn't be paid.
01:17:34	I hope no producer heard that because,
01:17:37	to them, the word "free"
01:17:43	A wonderful evening, a magical moment
01:17:46	when we'll find out the name
01:17:49	of this year's winner of the Murillo for
01:17:53	best actor.
01:17:54	The nominees are:
01:17:59	Alberto Martinez for "Zero",
01:18:05	Javier Nuevo for "Dusk",
01:18:09	Antonio Arenas for "Before and After",
01:18:13	Leonardo Capistrano for
01:18:17	and Sergio Armisen
01:18:22	And the winner of the Murillo is
01:18:27	is...
01:18:32	Leonardo Capistrano for
01:18:52	I bet you'll come live with me.
01:19:10	Thank you.
01:19:20	Good evening
01:19:23	Dear colleagues, Dear colleagues,
01:19:26	I recall the words of
01:19:29	who, a short time ago,
01:19:30	"Mr. Capistrano,
01:19:32	have you won a Murillo,
01:19:34	that shocking trifle
01:19:40	And I replied
01:19:45	Life is full ofsuprises
01:19:47	and now you've given me this award.
01:19:49	Thank you all very much.
01:19:51	And ladies and gentlemen,
01:19:53	be very careful what you sign.

Rojo Sangre