Roman Holiday
|
00:01:44 |
Paramount News |
00:01:46 |
of Princess Ann's visit to London. |
00:01:48 |
The first stop on her much publicised |
00:01:53 |
She gets a royal welcome. |
00:01:55 |
Thousands cheer a young member of |
00:02:01 |
After three days of continuous activity |
00:02:05 |
Ann flew to Amsterdam, |
00:02:07 |
where she dedicated |
00:02:10 |
and an ocean liner. |
00:02:12 |
Then she went to Paris, |
00:02:16 |
to cement trade relations |
00:02:19 |
and the Western European nations. |
00:02:22 |
And so to Rome, the Eternal City, |
00:02:24 |
where the princess's visit |
00:02:28 |
highlighted by the band |
00:02:37 |
The smiling young princess |
00:02:40 |
of the strain of the week's |
00:02:43 |
At her country's |
00:02:45 |
a formal reception |
00:02:48 |
was given by her country's |
00:03:09 |
Her Royal Highness. |
00:04:07 |
His Excellency, the Papal Nuncio, |
00:04:18 |
Sir Hugo Macey de Farmington. |
00:04:21 |
- Good evening, Sir Hugo. |
00:04:25 |
His Highness, the Maharajah |
00:04:30 |
I'm so glad you could come. |
00:04:33 |
Thank you, madam. |
00:04:36 |
Friherre Erick af |
00:04:41 |
Prince Istvar Barlossy Nagayavaros. |
00:04:46 |
How do you do? |
00:04:49 |
Der Furst und die Furstin |
00:05:01 |
Sir Hari Singh and Kmark Singh. |
00:05:06 |
The Count and Countess |
00:05:10 |
Good evening, Countess. |
00:05:13 |
Good evening. |
00:05:20 |
Senhor e senhora |
00:05:24 |
Good evening. |
00:05:29 |
Hassan El Din Pasha. |
00:05:32 |
How do you do? |
00:07:21 |
I hate this nightgown. |
00:07:24 |
I hate all my nightgowns, |
00:07:28 |
- My dear, you have lovely things. |
00:07:33 |
- Why can't I sleep in pyjamas? |
00:07:36 |
Just the top part. |
00:07:41 |
Did you know there are people |
00:07:46 |
I rejoice to say I did not. |
00:07:51 |
Listen. |
00:07:58 |
Oh, and your slippers. |
00:08:04 |
Please put on your slippers |
00:08:14 |
- Your milk and crackers. |
00:08:18 |
They'll help you to sleep. |
00:08:20 |
I'm too tired to sleep. |
00:08:25 |
Now, my dear, if you don't mind, |
00:08:28 |
if that's your preferred |
00:08:31 |
8.30, breakfast with |
00:08:34 |
9 o'clock, leave for the |
00:08:37 |
to be presented with a small car. |
00:08:39 |
- Thank you. |
00:08:42 |
- No, thank you. |
00:08:43 |
inspect agriculture organisation, |
00:08:48 |
- No, thank you. |
00:08:52 |
Thank you. |
00:08:54 |
10.55, the new Foundling |
00:08:57 |
Laying of cornerstone, |
00:09:00 |
- Trade relations. |
00:09:04 |
- For the orphans? |
00:09:08 |
- Youth and progress. |
00:09:11 |
11.45, back here to rest. |
00:09:13 |
No, that's wrong. 11.45, |
00:09:17 |
Sweetness and decency. |
00:09:18 |
One o'clock sharp, |
00:09:21 |
You'll wear white lace |
00:09:24 |
of very small pink roses. |
00:09:27 |
- 3.05, presentation of a plaque. |
00:09:31 |
- 4.10, review special guard of police. |
00:09:35 |
- 4.45, back here to change... |
00:09:39 |
Stop! |
00:09:41 |
Stop, stop! |
00:09:45 |
- It's all right, dear, it didn't spill. |
00:09:51 |
My dear, you're ill. |
00:09:57 |
I don't want him. |
00:10:00 |
- You're not dying. |
00:10:04 |
It's nerves. Control yourself, Ann. |
00:10:07 |
I don't want to. |
00:10:09 |
Your Highness! |
00:10:12 |
- I'll get Doctor Bannochhoven. |
00:10:16 |
I'll be dead before he gets here. |
00:10:27 |
- She's asleep. |
00:10:34 |
- Are you asleep, ma'am? |
00:10:40 |
I'll only disturb Your Royal |
00:10:42 |
I'm very ashamed, Doctor. |
00:10:49 |
To cry is perfectly normal. |
00:10:51 |
It's important she be calm and |
00:10:55 |
Don't worry, Doctor, |
00:10:58 |
I'll bow and I'll smile, |
00:11:01 |
I'll improve trade relations and I'll... |
00:11:04 |
There she goes again. |
00:11:07 |
Uncover her arm, please. |
00:11:13 |
- What's that? |
00:11:15 |
This will relax you |
00:11:19 |
It's a new drug, quite harmless. |
00:11:25 |
There. |
00:11:28 |
I don't feel any different. |
00:11:30 |
You will. It may take |
00:11:34 |
Just now, lie back. |
00:11:37 |
- Can I keep just one light on? |
00:11:42 |
The best thing I know is to do |
00:11:47 |
Thank you, Doctor. |
00:11:52 |
Oh, the General! Doctor, quick. |
00:12:00 |
I'm perfectly all right. |
00:12:02 |
Goodnight, ma'am. |
00:12:05 |
- Goodnight, ma'am. |
00:17:02 |
- Bet five hundred. |
00:17:07 |
One. |
00:17:11 |
- I'll take one. |
00:17:14 |
Four. |
00:17:21 |
Two for Papa. |
00:17:26 |
- 500 more. |
00:17:28 |
500, and I'll raise you 1,000. |
00:17:40 |
- Two pairs. |
00:17:44 |
A nervous straight. |
00:17:49 |
Look at that, 6,500. |
00:17:56 |
One more round and I'm gonna throw |
00:18:02 |
I gotta get up early. |
00:18:04 |
A date with Her Highness, who'll |
00:18:08 |
What do you mean early? |
00:18:12 |
Could it be because you're ahead? |
00:18:15 |
- It could. |
00:18:17 |
This is my last 5,000 and |
00:18:22 |
Thanks, Irving. |
00:18:25 |
- Ciao, Joe. |
00:18:28 |
All right, a little seven-card stud. |
00:18:44 |
So happy. |
00:18:52 |
How are you this evening? |
00:18:58 |
Hey, hey. |
00:19:01 |
- Wake up. |
00:19:04 |
- Wake up. |
00:19:07 |
Charmed. |
00:19:12 |
Charmed too. |
00:19:18 |
You may sit down. |
00:19:21 |
You'd better sit up, or you'll |
00:19:24 |
- Police? |
00:19:26 |
2.15 and back here to change. |
00:19:29 |
2.45... |
00:19:33 |
You know, people who can't |
00:19:38 |
"If I were dead and buried |
00:19:43 |
"beneath the sod my heart of dust |
00:19:50 |
Do you know that poem? |
00:19:54 |
Whadda ya know? |
00:19:55 |
You're well read, well dressed, |
00:20:01 |
snoozing away in a public street. |
00:20:06 |
What the world needs |
00:20:09 |
is a return to sweetness and decency |
00:20:22 |
Yeah, I couldn't agree |
00:20:37 |
Get yourself some coffee, |
00:21:02 |
Look, you take the cab. |
00:21:11 |
Come on, climb in |
00:21:16 |
- So happy. |
00:21:19 |
- Never carry money. |
00:21:23 |
All right. I'll drop you off, come on. |
00:21:26 |
- It's a taxi! |
00:21:33 |
Where are we going? |
00:21:36 |
- Where do you live? |
00:21:39 |
- Colosseum. |
00:21:44 |
You're so smart, I'm not drunk at all. |
00:21:47 |
- I'm just being very happy. |
00:21:55 |
Where are we going? |
00:21:59 |
Where do you want to go? |
00:22:05 |
Where do you live? |
00:22:08 |
Come on. Where do you live? |
00:22:13 |
Come on, where do you live? |
00:22:17 |
Colosseum. |
00:22:22 |
- She lives in the Colosseum. |
00:22:26 |
Look, for me it is very late night. |
00:22:28 |
My wife... I have three bambino, |
00:22:36 |
My taxi go home, |
00:22:39 |
Via Margutta 51. |
00:22:41 |
Via Margutta 51! |
00:22:58 |
Here is Via Margutta 51. |
00:23:04 |
A thousand lire. Mila lire. |
00:23:18 |
One, two, three, four mila. |
00:23:21 |
- OK. |
00:23:26 |
OK. Now, look, |
00:23:32 |
Take her wherever she wants to go. |
00:23:38 |
Goodnight. |
00:23:43 |
Oh! No, no. Momento. |
00:23:47 |
All right. Look, when she wakes up, |
00:23:52 |
Momento. |
00:23:57 |
You understand? |
00:23:59 |
Look, pal, this is not my problem. |
00:24:02 |
I never see her before. OK. |
00:24:05 |
Is not your problem, |
00:24:08 |
What you want? |
00:24:14 |
Police. Maybe she want girl! |
00:24:17 |
Stay calm, stay calm. OK. |
00:25:02 |
So happy. |
00:25:04 |
So happy. |
00:25:29 |
I ought to have my head examined. |
00:25:35 |
Is this the elevator? |
00:25:38 |
It's my room! |
00:25:42 |
I'm terribly sorry to mention it, |
00:25:48 |
- Can I sleep here? |
00:25:53 |
Can I have a silk nightgown |
00:26:00 |
I'm afraid |
00:26:03 |
- In these. |
00:26:06 |
Sorry, honey, I haven't |
00:26:12 |
Will you help me |
00:26:21 |
OK. |
00:26:35 |
There you are. |
00:26:49 |
May I have some? |
00:26:53 |
No! |
00:26:55 |
- Now, look! |
00:26:59 |
I've never been alone with a man |
00:27:05 |
With my dress off, it's most unusual. |
00:27:10 |
I don't seem to mind. Do you? |
00:27:17 |
I think I'll go out for a cup of coffee. |
00:27:23 |
Oh, no. On this one. |
00:27:25 |
You're terribly nice. |
00:27:28 |
Hey, come here. |
00:27:31 |
These are pyjamas, they're |
00:27:36 |
- Understand? |
00:27:38 |
And you sleep on the couch. Not on |
00:27:43 |
- Do you know my favourite poem? |
00:27:47 |
"Arethusa arose |
00:27:51 |
"In the Acroceraunian Mountains." |
00:27:55 |
- Keats. |
00:27:57 |
Keep your mind off the poetry |
00:28:00 |
- You'll be fine. |
00:28:03 |
Shelley. I'll be back |
00:28:06 |
Keats. |
00:28:15 |
You have my permission to withdraw. |
00:28:19 |
Thank you very much. |
00:28:29 |
- Well? |
00:28:31 |
- Did you search the grounds? |
00:28:34 |
You must swear not to |
00:28:37 |
I must remind you that the princess |
00:28:41 |
This must be classified as top |
00:28:46 |
- Yes, sir. |
00:28:50 |
Now we must notify Their Majesties. |
00:30:16 |
- So happy. |
00:30:23 |
Screwball! |
00:31:11 |
Holy smoke, |
00:31:15 |
Eleven forty-five! |
00:31:18 |
Oh, sh! |
00:32:03 |
Hi, Joe. |
00:32:05 |
- Morning, Joe. |
00:32:11 |
Mr Hennessy has been |
00:32:15 |
Uh-oh. |
00:32:19 |
Thanks a lot, hon. |
00:32:22 |
Come in. |
00:32:31 |
- Looking for me? |
00:32:34 |
- Who, me? |
00:32:38 |
- We pick up our assignments... |
00:32:41 |
- What assignment was that? |
00:32:48 |
You've already been to the interview? |
00:32:50 |
Sure, I just got back. |
00:32:54 |
- Well, well. All my apologies. |
00:32:58 |
- Interesting. |
00:33:00 |
Did she answer |
00:33:02 |
Of course. I've got 'em |
00:33:06 |
Don't disturb yourself, |
00:33:09 |
How did Her Highness react to |
00:33:14 |
- She thought it was just fine. |
00:33:19 |
- She thought there'd be two effects. |
00:33:24 |
- The direct and the indirect. |
00:33:29 |
Naturally, she thought that the indirect |
00:33:36 |
- That is, not right away. |
00:33:38 |
Later on, of course, nobody knows. |
00:33:42 |
Well, well. |
00:33:45 |
That was a shrewd observation. |
00:33:47 |
They fool you, these royal kids. |
00:33:53 |
How did she feel about |
00:33:59 |
Youth. She felt that |
00:34:04 |
must lead the way to a better world. |
00:34:09 |
Original. |
00:34:12 |
By the way, what was she wearing? |
00:34:16 |
- You mean what did she have on? |
00:34:21 |
- Is it too warm for you? |
00:34:24 |
Naturally, with a story |
00:34:27 |
- Did you say she was wearing grey? |
00:34:31 |
- She usually wears grey. |
00:34:36 |
I think I know the dress, |
00:34:40 |
That's the one. I didn't know |
00:34:43 |
I think you described it very well, |
00:34:47 |
in view of the fact that |
00:34:51 |
put to bed with a high fever, |
00:34:54 |
and has had all her appointments |
00:34:59 |
- In toto? |
00:35:07 |
- That's pretty hard to swallow. |
00:35:12 |
Here it is, Mr Bradley, all over the |
00:35:16 |
All right, I overslept. |
00:35:19 |
If you ever got up |
00:35:22 |
you might discover little news events, |
00:35:26 |
that might stop you getting |
00:35:30 |
triple-decked, star-spangled |
00:35:34 |
If I were you I'd try some other |
00:35:38 |
- Is this the princess? |
00:35:41 |
It isn't Annie Oakley, Dorothy Lamour |
00:35:45 |
Take a good look. You might |
00:35:49 |
Am I fired? |
00:35:51 |
No. When I want to fire you, |
00:35:56 |
You'll know you're fired. |
00:36:02 |
The man's mad. |
00:36:26 |
Giovanni, it's Joe Bradley. |
00:36:29 |
Now listen carefully. |
00:36:31 |
Hurry up to my place and see |
00:36:36 |
Aha. Si, Mr Joe. |
00:36:39 |
I look, you wait. |
00:37:04 |
- Mr Joe? |
00:37:11 |
Giovanni, I love you! Now listen. |
00:37:14 |
Yes, Mr Joe. |
00:37:18 |
A gun? No. |
00:37:20 |
Yes, a gun, a knife, anything. |
00:37:23 |
But nobody goes in |
00:37:28 |
OK. |
00:37:43 |
You still here? |
00:37:45 |
What would a real interview |
00:37:48 |
- Are you referring to Her Highness? |
00:37:52 |
- How much? |
00:37:54 |
- You've got no chance... |
00:37:58 |
Just a plain talk on world |
00:38:02 |
Her views on clothes, a lot more. |
00:38:05 |
- Maybe 1,000. |
00:38:07 |
I'm talking about |
00:38:11 |
The private and secret |
00:38:16 |
Her innermost thoughts, as revealed |
00:38:20 |
in a private, personal, |
00:38:32 |
Can't use it, huh? |
00:38:39 |
Come here. |
00:38:42 |
- Love angle too, I suppose? |
00:38:46 |
With pictures? |
00:38:48 |
Could be. How much? |
00:38:50 |
That particular story would be worth |
00:38:54 |
But tell me, Mr Bradley, |
00:38:57 |
how you are going to |
00:39:00 |
I'll enter her sick room |
00:39:04 |
You said five grand? |
00:39:10 |
You realise she's in bed |
00:39:14 |
- Yes. |
00:39:17 |
Five hundred says |
00:39:28 |
- What are you looking at that for? |
00:39:33 |
- It's a deal. |
00:39:40 |
You're into me for about $500 now. |
00:39:43 |
When you lose this bet, |
00:39:46 |
You poor sucker, |
00:39:49 |
You practically have for a couple |
00:39:53 |
I'm going to win that money and buy |
00:39:58 |
Go on, I love to hear you whine. |
00:40:01 |
When I'm back in a real |
00:40:04 |
sitting here with an empty leash |
00:40:08 |
So long, pigeon. |
00:40:40 |
- Signor Bradley. |
00:40:43 |
Si Signor Joe. |
00:40:47 |
- Absolutely nobody. |
00:40:53 |
Oh... Giovanni... |
00:40:59 |
- Money? |
00:41:01 |
That's the stuff. I've got a sure thing. |
00:41:05 |
- Double your money back in two days. |
00:41:09 |
I need a little investment |
00:41:13 |
Now if you'll lend me a little cash... |
00:41:18 |
You owe me two months rent |
00:41:24 |
and you want me to lend you money? |
00:41:27 |
No. |
00:41:31 |
Tomorrow you'll be sorry. |
00:42:39 |
Your Highness? |
00:42:43 |
Your Royal Highness? |
00:42:49 |
Yes, what is it? |
00:44:30 |
Dear Dr Bannochhoven... |
00:44:35 |
Oh, sure, yes, well... |
00:44:38 |
You're fine, much better. |
00:44:42 |
- So many things. |
00:44:47 |
Tell the good doctor everything. |
00:44:50 |
I dreamt and I dreamt... |
00:44:53 |
Yes? Well, what did you dream? |
00:44:58 |
I dreamt I was asleep in the street, |
00:45:02 |
and a young man came, |
00:45:08 |
He was so mean to me. |
00:45:12 |
He was? |
00:45:20 |
It was wonderful. |
00:45:55 |
Good morning. |
00:46:01 |
- Where's Dr Bannochhoven? |
00:46:07 |
- Wasn't I talking to him just now? |
00:46:13 |
Have I had an accident? |
00:46:16 |
No. |
00:46:19 |
Quite safe for me to sit up, huh? |
00:46:23 |
Perfectly. |
00:46:35 |
Thank you. |
00:46:46 |
Are these yours? |
00:46:55 |
- Did you lose something? |
00:47:02 |
Would you be so kind |
00:47:07 |
This is what is laughingly |
00:47:11 |
- Did you bring me here by force? |
00:47:18 |
- Have I been here all night... alone? |
00:47:27 |
So I've spent the night here with you? |
00:47:31 |
Well, I don't know that |
00:47:36 |
but from a certain angle, yes. |
00:47:58 |
- How do you do? |
00:48:01 |
- And you are? |
00:48:05 |
- Delighted. |
00:48:09 |
- You may sit down. |
00:48:18 |
What's your name? |
00:48:23 |
- You may call me Anya. |
00:48:32 |
- Coffee? |
00:48:34 |
About one-thirty. |
00:48:35 |
One-thirty! I must get dressed and go! |
00:48:38 |
Why the hurry? There's lots of time. |
00:48:41 |
No there isn't, and I've been |
00:48:45 |
Trouble? |
00:48:51 |
- I'm not? |
00:49:13 |
There you are. |
00:49:57 |
Here we go now. |
00:50:01 |
There you are, that does it. All right. |
00:50:06 |
Give me a little slack, will you? |
00:50:11 |
Irving! Why don't you answer? |
00:50:13 |
It's Joe. Can you |
00:50:16 |
No, I can't come now, Joe, I'm busy. |
00:50:20 |
Oh, no. |
00:50:22 |
Joe, I'm up to my ears in work. |
00:50:26 |
Get into your next outfit. |
00:50:30 |
I can't talk over the phone. |
00:50:32 |
This whole thing |
00:50:35 |
It's front-page stuff, |
00:50:38 |
It might be political or |
00:50:41 |
but it's a big story. |
00:50:44 |
But I can't come now, Joe, I'm busy. |
00:50:48 |
And I'm meeting Francesca |
00:51:50 |
- Don't understand. |
00:52:14 |
There you are. |
00:52:17 |
I was looking at all the people. |
00:52:22 |
It has its moments. I can give you |
00:52:26 |
I must go. |
00:52:29 |
- I only waited to say goodbye. |
00:52:36 |
- How about breakfast? |
00:52:39 |
It must be a pretty important date |
00:52:44 |
- It is. |
00:52:47 |
That's all right, I can find the place. |
00:52:53 |
Thank you for letting me |
00:52:57 |
- That's all right. Think nothing of it. |
00:53:02 |
You must've been awfully |
00:53:05 |
No, I do it all the time. |
00:53:12 |
- Goodbye, Mr Bradley. |
00:53:19 |
Go right through there, |
00:53:21 |
Thank you. |
00:53:54 |
- Well... Small world! |
00:53:57 |
I almost forgot. |
00:54:01 |
Oh, yeah. |
00:54:03 |
That's right, |
00:54:10 |
How much was it you wanted? |
00:54:12 |
I don't know. How much have you got? |
00:54:16 |
Suppose we just split this fifty-fifty. |
00:54:20 |
A thousand! |
00:54:24 |
- It's about a dollar and a half. |
00:54:27 |
I'll arrange for it to be sent back to you. |
00:54:33 |
Via Margutta 51. |
00:54:35 |
Via Margutta 51. |
00:54:38 |
Joe Bradley. |
00:54:40 |
Goodbye. Thank you. |
00:54:56 |
Double my money, eh? |
00:55:00 |
- Tomorrow. |
00:57:37 |
What a wonderful hair you have. |
00:57:42 |
- Just cut, thank you. |
00:57:45 |
- Well, then... Cut so? |
00:57:50 |
- Higher? Here? |
00:57:56 |
- Here! |
00:57:59 |
Where? |
00:58:03 |
- There. |
00:58:06 |
- Are you sure, Miss? |
00:58:14 |
- All off? |
00:58:18 |
Off! |
00:58:29 |
- Are you sure? |
00:58:32 |
Yes! |
00:58:37 |
Off! |
00:58:43 |
Off! |
00:58:50 |
Off! |
00:59:01 |
Oh no, no. |
00:00:23 |
That's a nice camera |
00:00:28 |
You don't mind if I borrow it? |
00:00:32 |
- Miss Webber. |
00:00:34 |
No. |
00:00:36 |
Go, it's my camera. |
00:00:47 |
You musician, maybe? |
00:00:50 |
You artist, huh? |
00:00:53 |
Painter? |
00:00:57 |
I know. You model. |
00:01:00 |
- Model, huh? |
00:01:04 |
It's perfect. |
00:01:06 |
You're nice without long hair. |
00:01:12 |
It's just what I wanted. |
00:01:15 |
Now, why don't you |
00:01:19 |
You should see, it's so nice. |
00:01:22 |
It's on a boat, on the Tiber, |
00:01:26 |
Moonlight, music, romantic. |
00:01:31 |
- Please, you come? |
00:01:37 |
But your friends, |
00:01:43 |
No, I don't think they will. |
00:01:46 |
- Thank you very much. |
00:01:51 |
After nine I'll be there, dancing on |
00:01:57 |
All my friends... If you come, |
00:02:06 |
Thank you. |
00:02:08 |
- Goodbye. |
00:03:10 |
Thank you. |
00:03:37 |
A thousand lire. |
00:03:40 |
- No money. |
00:03:44 |
I'm sorry, I've really no money. |
00:03:51 |
Look. |
00:03:58 |
I'm sorry. |
00:04:32 |
- Well, it's you! |
00:04:36 |
Or is it? |
00:04:40 |
- Do you like it? |
00:04:47 |
So that was your |
00:04:50 |
- I have a confession to make. |
00:04:53 |
Yes, I ran away |
00:04:58 |
Why? |
00:05:00 |
- Trouble with the teacher? |
00:05:03 |
You wouldn't run away for nothing. |
00:05:06 |
It was only meant to be |
00:05:08 |
They gave me something |
00:05:12 |
Oh, I see. |
00:05:17 |
- I'd better get a taxi and go back. |
00:05:22 |
why not take a little time for yourself? |
00:05:26 |
Maybe another hour. |
00:05:27 |
Live dangerously, take the whole day. |
00:05:31 |
I could do some things |
00:05:34 |
Like what? |
00:05:35 |
You can't imagine. I'd like to do |
00:05:40 |
Like having your hair cut |
00:05:43 |
Yes, and I'd like to |
00:05:47 |
look in shop windows, |
00:05:50 |
Have fun, and maybe |
00:05:54 |
It doesn't seem much to you, |
00:05:57 |
It's great. |
00:05:59 |
Tell you what. Why don't we |
00:06:04 |
- Don't you have to work? |
00:06:08 |
You don't want to do |
00:06:11 |
Don't I? First wish, one sidewalk cafe. |
00:06:15 |
Coming right up. |
00:06:27 |
What will they say in school |
00:06:30 |
They'll have a fit. |
00:06:33 |
What would they say if they knew |
00:06:37 |
Tell you what, you don't tell your folks |
00:06:41 |
It's a pact. |
00:06:42 |
- Now, what would you like to drink? |
00:06:51 |
Champagne? |
00:06:54 |
Well, champagne, |
00:07:02 |
Must be quite a school, |
00:07:06 |
- Only on special occasions. |
00:07:09 |
The last time |
00:07:11 |
- Wedding? |
00:07:13 |
The fortieth anniversary |
00:07:18 |
Forty years on the job. |
00:07:22 |
What does he do? |
00:07:25 |
Well, mostly you might |
00:07:29 |
Oh, well that's hard work. |
00:07:31 |
- I wouldn't care for it. |
00:07:34 |
I've heard him complain about it. |
00:07:36 |
Why doesn't he quit? |
00:07:39 |
People in that line of work |
00:07:42 |
unless it's actually unhealthy |
00:07:45 |
Well, here's to his health then. |
00:07:49 |
You know, that's what |
00:07:56 |
- It's all right? |
00:08:00 |
What is your work? |
00:08:02 |
Oh, I'm in the selling game. |
00:08:06 |
Really? How interesting. |
00:08:07 |
What do you sell? |
00:08:12 |
Fertiliser. Chemicals, stuff like that. |
00:08:25 |
- Irving! Am I glad to see you! |
00:08:30 |
- Sit down. |
00:08:33 |
Yes. This is a very good friend of |
00:08:37 |
- Anya? |
00:08:39 |
- Oh. Hiya, Smitty. |
00:08:45 |
Hey, did anybody ever tell you |
00:08:55 |
- Well, I guess I'll be going. |
00:09:05 |
Well, just till Francesca gets here. |
00:09:09 |
Tell me Mr Radovich, |
00:09:13 |
- Oh, waiter! |
00:09:16 |
It means anyone who has |
00:09:21 |
Oh, thank you. |
00:09:24 |
You're welcome. |
00:09:30 |
Cousins. |
00:09:32 |
Mr Bradley's just been telling me |
00:09:36 |
- I'd like to have heard that. |
00:09:39 |
I'm in the same racket as Joe, |
00:09:42 |
I'm awfully sorry, Irving. |
00:09:45 |
- What are you? |
00:09:48 |
I can take a hint. I'll see you around. |
00:09:52 |
- But your drink's just here. |
00:09:57 |
I'm sorry about that. |
00:10:01 |
That's the boy. |
00:10:04 |
You're... You're twisting |
00:10:08 |
Just be a little more careful not to spill. |
00:10:11 |
- Spill? Who's been spilling? |
00:10:14 |
- Me? |
00:10:18 |
Where did you find this loony? |
00:10:23 |
You're OK. Here's to you, huh? |
00:10:28 |
If it wasn't for that hair, |
00:10:36 |
Thanks. |
00:10:39 |
You slipped, you almost hurt yourself. |
00:10:41 |
- I slipped? |
00:10:45 |
- I didn't slip. |
00:10:47 |
- Never mind! |
00:10:51 |
- Would you excuse us? |
00:10:55 |
Joe, what are you trying to do? |
00:11:00 |
- Got your lighter? |
00:11:01 |
- Have you? |
00:11:04 |
Listen, what would you do |
00:11:08 |
- Five grand? |
00:11:10 |
She doesn't know who I am. |
00:11:16 |
She's really the... |
00:11:18 |
Your pictures |
00:11:21 |
- The princess goes slumming. |
00:11:24 |
- Of 5,000? |
00:11:28 |
- That's $1,500! |
00:11:31 |
- Now you shake. |
00:11:35 |
That's $50! Are you gonna buy |
00:11:38 |
She's drinking champagne. |
00:11:42 |
We can't go running around |
00:11:45 |
Do you want in |
00:11:55 |
- This I want back Saturday. |
00:12:00 |
Let's go to work. |
00:12:09 |
- Better now? |
00:12:12 |
- Your ear. |
00:12:14 |
Oh, yeah, Joe fixed it. |
00:12:18 |
- Would you like a cigarette? |
00:12:22 |
You won't believe it, |
00:12:25 |
Your very first? |
00:12:27 |
- No smoking in school? |
00:12:38 |
There, the gismo works. |
00:12:42 |
Well, what's the verdict, OK? |
00:12:45 |
- Nothing to it. |
00:12:52 |
I'll stretch my legs a little. |
00:12:54 |
- I'll pick this one up, Irving. |
00:13:00 |
What next? |
00:13:04 |
Oh, not that word, please. |
00:13:07 |
I didn't mean a work schedule... |
00:13:11 |
- I meant a fun schedule. |
00:13:16 |
How about you, Irving, are you ready? |
00:13:19 |
- Yeah. |
00:13:24 |
Francesca. Oh, this is... |
00:13:28 |
- Smitty. |
00:13:31 |
Five grand. |
00:13:34 |
- Joe. |
00:13:37 |
Honey, I gotta work. |
00:14:21 |
Look at those men! They were |
00:14:26 |
You asked for plain clothes. |
00:16:18 |
Hey, stop, come back. |
00:18:17 |
I'm going straight from now on. |
00:18:20 |
News Service? What did he mean? |
00:18:22 |
Oh, you say you're with the press |
00:18:28 |
Going to church to get married |
00:18:41 |
Congratulations! |
00:18:56 |
Don't look so worried, |
00:19:00 |
Thank you very much. |
00:19:02 |
Don't be too grateful. |
00:19:04 |
OK, I won't. |
00:19:08 |
I'm a good liar too, aren't I? |
00:19:11 |
- The best I ever met. |
00:19:15 |
Say... Come with me. |
00:19:26 |
The Mouth of Truth. |
00:19:27 |
The legend is, if you're a liar |
00:19:31 |
it'll be bitten off. |
00:19:33 |
- What a horrid idea. |
00:20:03 |
Let's see you do it. |
00:20:07 |
Sure. |
00:20:27 |
Hello! |
00:20:29 |
- You beast, you're all right! |
00:20:35 |
- You never hurt your hand. |
00:20:39 |
- OK? |
00:20:41 |
All right, let's go. Look out! |
00:20:53 |
I'll park at the corner. |
00:21:16 |
What do they mean, |
00:21:20 |
Each one represents a wish fulfilled. |
00:21:23 |
It started during the war, in an air raid. |
00:21:26 |
A man with his four children |
00:21:30 |
He ran to that wall for shelter |
00:21:34 |
Bombs fell very close |
00:21:37 |
Later, he came back |
00:21:42 |
Now it's a sort of shrine. |
00:21:44 |
People come, |
00:21:45 |
and when their wishes are granted, |
00:21:51 |
Lovely story. |
00:21:56 |
Read some of the inscriptions. |
00:22:12 |
Make a wish? Tell the doctor? |
00:22:18 |
Anyway, the chances of it |
00:22:24 |
Well, what now? |
00:22:26 |
- I've heard you can dance on a boat. |
00:22:30 |
- Couldn't we go tonight? |
00:22:32 |
Anything you wish. |
00:22:34 |
At midnight I'll turn into a pumpkin |
00:22:40 |
That'll be the end of the fairytale. |
00:22:43 |
- I guess Irving has to go now. |
00:22:47 |
Yes, you know, that big business |
00:22:51 |
- That development. |
00:22:54 |
Yeah. See you later, Smitty. |
00:22:57 |
- Good luck with the big development. |
00:24:41 |
Hello. |
00:24:43 |
Hello. |
00:25:00 |
Mr Bradley, if you don't mind my |
00:25:05 |
A what? Oh, thanks very much. |
00:25:09 |
You've spent the whole day doing |
00:25:15 |
It seemed the thing to do. |
00:25:17 |
I've never heard of anybody so kind. |
00:25:22 |
It wasn't any trouble. |
00:25:24 |
Or so completely unselfish. |
00:25:32 |
Let's have a drink at the bar. |
00:25:40 |
There you are. |
00:25:43 |
I look for you a long time. |
00:25:48 |
- Off, all off! |
00:25:53 |
- Oh, very good. |
00:25:57 |
I Mario Delani. |
00:25:59 |
- Old friends? |
00:26:02 |
He invited me here tonight. |
00:26:05 |
- What was your name? |
00:26:09 |
Mario Delani. |
00:26:13 |
Me too. |
00:26:16 |
Oh, may I enjoy myself the pleasure? |
00:26:20 |
- You mind? |
00:26:23 |
I thank you. |
00:26:47 |
- Did I miss anything? |
00:26:51 |
- Who's Smitty dancing with? |
00:26:55 |
He cut her hair this afternoon, |
00:26:58 |
The princess and the barber? |
00:28:10 |
- What is it? |
00:28:41 |
August! |
00:28:51 |
Thank you. |
00:28:57 |
Bye. |
00:29:10 |
Your Highness. |
00:29:14 |
Dance quietly towards the entrance. |
00:29:18 |
- No. |
00:29:20 |
You've made a mistake. Let me go! |
00:29:24 |
Will you let me go? Mr Bradley! |
00:30:45 |
Hit him again, Smitty! |
00:30:57 |
- Here are my car keys. |
00:31:00 |
The other side of the bridge. |
00:32:13 |
- All right? |
00:32:16 |
Oh, fine. |
00:32:23 |
You were great back there. |
00:32:25 |
You weren't so bad yourself. |
00:32:54 |
I... |
00:32:57 |
I guess we'd better get out of here. |
00:33:21 |
This is the American Hour, |
00:33:22 |
continuing our programme |
00:33:51 |
- Everything ruined? |
00:33:58 |
Suits you. You should |
00:34:03 |
Seems I do. |
00:34:09 |
I thought a little wine might be good. |
00:34:14 |
- Shall I cook something? |
00:34:17 |
- I always eat out. |
00:34:21 |
Well, life isn't always what one likes. |
00:34:25 |
- Is it? |
00:34:38 |
- Tired? |
00:34:41 |
- You've had quite a day. |
00:34:44 |
This is the American Hour |
00:34:49 |
There is no further word |
00:34:52 |
who was taken ill yesterday |
00:34:57 |
Rumours suggest |
00:35:00 |
causing alarm and anxiety |
00:35:08 |
- The news can wait. |
00:35:10 |
May I have a little more wine? |
00:35:16 |
I'm sorry I couldn't |
00:35:20 |
Did you learn how in school? |
00:35:22 |
I'm a good cook. |
00:35:25 |
I can sew too, clean a house, iron. |
00:35:28 |
I learned to do all those things, |
00:35:31 |
I just haven't had the chance |
00:35:38 |
Well, looks like I'll have to move |
00:35:50 |
Yes. |
00:36:17 |
I shall have to go now. |
00:36:35 |
Anya... |
00:36:39 |
...there's something I want to tell you. |
00:36:47 |
No, please. |
00:36:49 |
Nothing. |
00:37:04 |
I must go and get dressed. |
00:37:47 |
Stop at the next corner, please. |
00:37:49 |
OK. |
00:38:08 |
- Here? |
00:38:20 |
I have to leave you now. |
00:38:29 |
I'm going to that |
00:38:35 |
You stay in the car and drive away. |
00:38:39 |
Promise not to watch me |
00:38:43 |
Just drive away and leave me. |
00:38:48 |
As I leave you. |
00:38:57 |
All right. |
00:39:01 |
I don't know how to say goodbye. |
00:39:06 |
I can't think of any words. |
00:39:11 |
Don't try. |
00:41:06 |
Your Royal Highness, |
00:41:08 |
twenty-four hours, |
00:41:15 |
They are not. |
00:41:18 |
What explanation am I |
00:41:21 |
I was indisposed. I am better. |
00:41:27 |
Ma'am, you must appreciate |
00:41:32 |
just as Your Royal |
00:41:35 |
Your Excellency, |
00:41:37 |
I trust you will not find it necessary |
00:41:42 |
Were I not completely aware of |
00:41:47 |
I would not have come back tonight. |
00:41:56 |
Or indeed, ever again. |
00:42:05 |
And now, since I understand |
00:42:13 |
you have my permission to withdraw. |
00:42:32 |
No milk and crackers. |
00:42:41 |
That will be all thank you, Countess. |
00:43:45 |
- Did you really get it? |
00:43:48 |
The princess exclusive. |
00:43:52 |
- No, I didn't. |
00:43:55 |
- Coffee? |
00:43:57 |
- Who's holding out? |
00:44:01 |
First you ask about an exclusive |
00:44:06 |
Then I hear a rumour from the |
00:44:10 |
Do you believe every rumour |
00:44:14 |
There's a lot of other rumours. |
00:44:19 |
and the arrest of eight secret |
00:44:23 |
Then she makes |
00:44:28 |
Don't think you'll raise the price, |
00:44:35 |
- Where is that story? |
00:44:41 |
- Now what was the idea... |
00:44:45 |
- Wait till you see these. |
00:44:48 |
Hi, Mr Hennessy. |
00:44:50 |
Irving! |
00:44:54 |
- What's the idea? |
00:44:58 |
- Me? |
00:45:01 |
- Remember? |
00:45:04 |
- Come and dry them off. |
00:45:08 |
- Did you tell him about Smitty? |
00:45:11 |
- Wait till you... |
00:45:13 |
There you go again, Irving. |
00:45:18 |
- Joe... |
00:45:22 |
- Why don't you go home and shave? |
00:45:26 |
Or else keep quiet |
00:45:30 |
What kind of routine is that? |
00:45:33 |
What are you up to? Who's Smitty? |
00:45:35 |
- A guy we met. |
00:45:38 |
Just some of Irving's dames. |
00:45:42 |
- Maybe you would. |
00:45:46 |
- Yesterday you said... |
00:45:49 |
But I was wrong, that's all |
00:45:56 |
OK. |
00:45:58 |
She's holding the press interview |
00:46:06 |
And you owe me $500. |
00:46:08 |
- Take it from my salary, $50 a week. |
00:46:15 |
What gives? |
00:46:18 |
Irving... |
00:46:20 |
I don't know just how |
00:46:24 |
Wait till I sit down. |
00:46:28 |
Well, in regard to the story |
00:46:35 |
there is no story. |
00:46:39 |
Why not? |
00:46:41 |
I mean, not as far as I'm concerned. |
00:46:56 |
The pictures came out pretty well. |
00:47:12 |
How about a blow-up |
00:47:18 |
- Her first cigarette! |
00:47:20 |
The Mouth of Truth. |
00:47:24 |
I had a caption in mind: |
00:47:30 |
Here's the key shot |
00:47:34 |
"The Wall Where |
00:47:37 |
Joe, that's good. |
00:47:39 |
Lead off with that, |
00:47:43 |
I got that from the file. |
00:47:47 |
Yeah... |
00:47:49 |
"Police Inspects Princess." |
00:47:52 |
- How about that? |
00:47:54 |
I got a topper for you. |
00:47:58 |
- Wow! |
00:48:00 |
- What a picture! |
00:48:03 |
"Bodyguard Gets Body Blow." |
00:48:05 |
No, how about this? |
00:48:09 |
Oh, I get it. Joe, you got... |
00:48:19 |
She's fair game, Joe. |
00:48:21 |
It's always open season |
00:48:26 |
- You must be out of your mind. |
00:48:30 |
Look, I can't prevent you from |
00:48:36 |
- You'll get a good price for them. |
00:48:45 |
- Are you going to the interview? |
00:48:49 |
Yeah. It's an assignment, isn't it? |
00:48:52 |
Yeah. |
00:48:59 |
I'll see you. |
00:49:15 |
It ain't much, but it's home. |
00:49:28 |
Ladies and gentlemen, |
00:50:01 |
Her Royal Highness. |
00:50:31 |
Your Royal Highness, |
00:50:33 |
the ladies and gentlemen |
00:51:13 |
Ladies and gentlemen, |
00:51:14 |
Her Royal Highness |
00:51:17 |
I believe at the outset, |
00:51:20 |
that I should express |
00:51:24 |
at your recovery |
00:51:29 |
Thank you. |
00:51:31 |
Does Your Highness believe |
00:51:33 |
that federation could be a solution |
00:51:40 |
I am in favour of any measure |
00:51:42 |
which would lead |
00:51:48 |
And what, in the opinion |
00:51:50 |
is the outlook for |
00:51:55 |
I have every faith in it... |
00:52:00 |
...as I have faith |
00:52:09 |
May I say, speaking for |
00:52:15 |
...we believe that Your Highness's |
00:52:23 |
I am so glad to hear you say it. |
00:52:28 |
Which of the cities visited |
00:52:47 |
Each in its own way |
00:52:52 |
It would be difficult to... |
00:52:56 |
Rome! By all means, Rome. |
00:53:04 |
I will cherish my visit here |
00:53:17 |
Despite your indisposition, |
00:53:23 |
Despite that. |
00:53:25 |
Photographs may now be taken. |
00:53:56 |
Thank you, ladies and gentlemen. |
00:53:59 |
Thank you very much. |
00:54:01 |
I would now like to meet some of |
00:54:22 |
Hitchcock, "Chicago Daily News". |
00:54:25 |
- I'm so happy to see you here. |
00:54:29 |
Scanziani, "La Suisse". |
00:54:35 |
Klinger, Deutsche Presse Agentur. |
00:54:41 |
Maurice Montabre, "Le Figaro". |
00:54:49 |
Sytske Galema, |
00:54:56 |
Jacques Ferrier, "Ici Paris". |
00:55:02 |
Gross, "Davar Tel Aviv". |
00:55:08 |
Cortes Cavanillas, "ABC Madrid". |
00:55:15 |
Lampe, "New York Herald Tribune". |
00:55:17 |
- Good afternoon. |
00:55:20 |
Irving Radovich, CR Photo Service. |
00:55:24 |
How do you do? |
00:55:27 |
May I present Your Highness |
00:55:29 |
with some commemorative photos |
00:55:38 |
Thank you so very much. |
00:55:49 |
Joe Bradley, American News Service. |
00:55:54 |
So happy, Mr Bradley. |
00:56:01 |
Moriones, "La Vanguardia", Barcelona. |
00:56:07 |
Stephen House, of the |
00:56:10 |
Good afternoon. |
00:56:14 |
De Aldisio, Agence Press. |
00:56:20 |
subrip£ºxunbao |