Romancing the Stone

en
00:00:55 What's it gonna be, Angelina?
00:00:58 It was Grogan - the filthiest, dirtiest, dumbest
00:01:03 You can die two ways, angel.
00:01:05 Quick, like the tongue of a snake,
00:01:08 or slower than the molasses in January.
00:01:13 - But it was October...
00:01:17 Where is it?
00:01:25 Get over there.
00:01:32 I told him to get out,
00:01:35 Not quite, angel.
00:01:39 Take 'em off. Do it.
00:01:55 Come on.
00:02:14 That was the end of Grogan,
00:02:17 raped and murdered my sister,
00:02:20 shot my dog and stole my Bible.
00:02:38 But if there was one law of the West,
00:02:41 bastards had brothers
00:02:45 who seemed to ride forever.
00:02:50 But suddenly there he was,
00:03:04 He was the one man I trusted, the only man.
00:03:10 My heart leapt as I watched him ride near.
00:03:14 I could barely wait to feel
00:03:38 At the moment his lips met mine,
00:03:56 I knew then that we would spend
00:04:01 Forever.
00:04:04 Oh, God, that's good.
00:04:17 The...
00:04:19 ...End.
00:05:11 I finished, sweetheart. You wanna celebrate?
00:05:18 So do I.
00:05:56 Romeo, Romeo. Where art thou, Romeo?
00:06:02 It's Bumble Bee, kiddo.
00:06:04 Just so you know,
00:06:53 Here's looking at you, Jessie.
00:06:57 Whoever you are.
00:07:12 Are you finished?
00:07:15 Thank you.
00:07:24 Come here, Romeo.
00:08:17 Hello?
00:08:27 Oh, my God, Romeo. Is that the time?
00:08:30 Gloria. I'm gonna be late.
00:08:52 - Hi.
00:08:56 Mrs Irwin, why won't you take the elevator?
00:09:00 Oh, pumpkin, I never get in an elevator alone.
00:09:04 - Where are you running off to?
00:09:09 By the way, the mailman couldn't fit this
00:09:16 Some love letter.
00:09:21 - Mrs Irwin, you're a tease.
00:09:36 Hey, lady.
00:09:39 I'll give you it for $10. Great deal.
00:09:42 It's really nice.
00:09:46 $9. $8, bottom line.
00:09:49 Thank you, but I really don't need a monkey.
00:09:52 But, lady, it's kinda cute...
00:09:58 Hey. That's Miss Wilder's apartment.
00:10:01 Can I help you?
00:10:09 Excuse me.
00:10:12 Get away from that door.
00:10:15 What's this?
00:10:23 Wimp. Wimp.
00:10:26 Loser. Loser.
00:10:30 Major loser.
00:10:34 Too angry. Too vague.
00:10:37 Too desperate. God, too happy.
00:10:42 Look at this guy.
00:10:45 Total sleaze bucket.
00:10:47 Wait a minute.
00:10:50 Hold everything. Get a load of this character.
00:10:54 Now what about him?
00:10:56 No, he's just not...
00:10:59 Who? Jessie?
00:11:02 Maybe it's silly, but I know that
00:11:07 Oh, yeah? Where?
00:11:10 Certainly not here.
00:11:13 Gloria, why do we always
00:11:16 Because I like you, Joan,
00:11:19 waiting for somebody
00:11:23 OK, Gloria.
00:11:28 Here it is.
00:11:32 Read it and weep. I always do.
00:11:37 - I'll call you, OK?
00:11:41 - I can't.
00:11:47 I'm sorry I even dragged you to this place.
00:11:52 I know how hard you've been working.
00:11:56 How is she? Have you heard from her?
00:11:59 Elaine? I spoke to her last week.
00:12:03 Have they found her husband's body yet?
00:12:08 Just the one piece.
00:12:11 You know what's creepy?
00:12:16 Must have been mailed just before he...
00:12:20 God.
00:12:22 Can you imagine?
00:12:25 How is she holding up?
00:12:27 Oh, she'll be fine. Elaine always manages.
00:12:33 CARTAGENA, COLOMBIA
00:14:24 Hey, Ira.
00:14:28 The kid's here with the broad.
00:14:31 Look at these snappers, will ya?
00:14:35 We shoulda just rifled her room.
00:14:38 Ralph, how many times do I have to tell you?
00:14:42 This kidnapping stuff makes me real nervous.
00:14:47 It's a piss-poor idea. It's nothing but trouble.
00:14:50 Look. We've stolen enough
00:14:54 to keep us living comfortably
00:14:57 Let's kiss off this Third World toilet.
00:14:59 One last big one. Trust me, Ralph.
00:15:04 Did you see that? That ugly,
00:15:07 Somebody's gonna get killed, and you
00:15:11 Come on, Ira. Let's forget this one.
00:15:16 Will you stop worrying?
00:15:19 I will never hurt you. I can't hurt you.
00:15:23 We're not two people. We are one person.
00:15:30 Look at those snappers.
00:16:11 Romeo. Oh, baby.
00:16:20 - Hello?
00:16:22 - Can you hear me?
00:16:25 Listen to me. Listen very carefully.
00:16:29 - I'm in trouble.
00:16:32 - Joanie, I am in real trouble.
00:16:37 Has any mail been forwarded to you
00:16:41 Any big envelope?
00:16:43 - Yes.
00:16:45 See if there's some kind
00:16:51 It says El Corazón.
00:16:54 I need you to bring that map
00:16:59 Colombia?
00:17:04 My God. What kind of trouble are you in?
00:17:06 Joanie, please...
00:17:08 Get to the Hotel Cartagena in Cartagena.
00:17:12 When you arrive, call this number.
00:17:15 64-58-24.
00:17:18 - Are you writing this down?
00:17:20 And remember, you mustn't tell anybody.
00:17:26 Elaine, I can't go to Colombia.
00:17:31 Joanie?
00:17:32 They'll cut me. They'll hurt me.
00:17:41 Do you know what it's like in Colombia? I do.
00:17:46 They have jungles there, Joanie.
00:17:51 - Revolutionaries. Have you had your shots?
00:17:55 See? You're completely unprepared.
00:17:57 Would you tell me what's going on?
00:18:02 Elaine is in some trouble.
00:18:04 She has a little domestic problem.
00:18:07 Elaine's last domestic problem was
00:18:12 I'm not gonna let you do this. You cannot go!
00:18:15 Here's Romeo. I want you to promise me
00:18:25 You'll need something stronger than that.
00:18:28 Listen to me. You get bus sick,
00:18:32 You practically puke
00:18:36 Well, a lot of people
00:18:39 Joanie, please. Don't go.
00:18:43 You're not up to this, Joan, and you know it.
00:18:46 I know, but she's my sister.
00:18:52 I'll feed him, but I'm not picking him up.
00:19:06 You're crazy.
00:19:59 The plane from New York, has it arrived yet?
00:20:12 Is this the bus to Cartagena?
00:20:23 Cartagena?
00:20:26 Oh, you speak English. Good.
00:20:28 Can you tell me,
00:20:34 Yes. Cartagena.
00:20:36 Great. Thank you.
00:20:44 Thank you.
00:21:09 Hey, you're on the wrong bus!
00:21:12 Miss Wilder!
00:22:19 Excuse me.
00:22:35 Excuse me.
00:22:42 I'm very sorry. I'm really sorry.
00:22:52 I'm sorry to bother you.
00:22:55 Can you tell me
00:23:00 Is this the bus to Cartagena?
00:23:02 I need to get to Cartagen...
00:23:43 What are we gonna do now?
00:23:47 Where's my suitcase?
00:24:06 You don't have to walk.
00:24:11 What?
00:24:12 They know nothing. They are peasants.
00:24:15 Another bus? Really?
00:24:18 Of course.
00:24:20 There are schedules to be maintained,
00:24:22 even in Colombia.
00:25:15 - What?
00:25:17 What do you...
00:26:38 What the hell...?
00:26:42 Jesus Christ!
00:26:48 Son of a bitch!
00:27:08 Hi.
00:27:18 I demand this car in the name of the law.
00:27:21 Turn the car around. Let's go!
00:27:23 Oh, no. Talk about breaks.
00:27:39 Don't I know you?
00:27:44 You are American.
00:27:52 I spit on 'em. I hate americanos.
00:27:59 Are you French?
00:28:11 Well, honey, looks like we're gonna
00:28:21 Excuse me. Could you please
00:28:26 - No, lady. I don't have any idea. I'm sorry.
00:28:31 Well, we've all got
00:28:34 Can you tell me where the nearest town is?
00:28:37 - How about Miami?
00:28:41 This is it. You got rush hour.
00:28:46 - I have to get to Cartagena.
00:28:49 Angel, you are hell and gone from Cartagena.
00:28:54 - But they told me this bus...
00:28:57 - That man that...
00:29:02 What else did he tell you?
00:29:06 - Please, I need your help.
00:29:09 - It's very imp...
00:29:11 Half a year's work just flew south
00:29:15 My Jeep is totalled.
00:29:17 In about five minutes, everything I own
00:29:23 I'll pay you. You don't understand.
00:29:28 How much?
00:29:32 $50?
00:29:36 You said you lost everything you owned.
00:29:39 - Not my sense of humour.
00:29:43 200.
00:29:52 I'll do it.
00:29:56 - For five.
00:30:00 I'll pay you $250.
00:30:04 Now, I ain't cheap, but I can be had.
00:30:09 My minimum price for taking
00:30:15 - Will you take 375 in traveller's cheques?
00:30:19 - Of course.
00:30:22 Good.
00:31:04 - Assemble your men!
00:31:39 You got any valuables in that suitcase?
00:31:42 No. Yes, all my clothes and things.
00:31:45 - You got an umbrella?
00:31:49 - You got a good pair of walking shoes?
00:32:09 OK, let's make some time.
00:32:12 You ba...!
00:33:03 Goddamn it, what a ride, huh?
00:33:08 I'm telling you, this is turning out
00:33:14 You OK?
00:33:16 I said, are you hurt?
00:33:18 What's the matter? Paralysed
00:33:22 - No.
00:33:25 What's your name?
00:33:28 I'm Joan Wilder.
00:33:31 Joan Wilder, welcome to Colombia.
00:33:44 Ira...
00:33:46 Oh, hi, Ma. It's me, Irving.
00:33:48 - Ralph, you little twerp, where are you?
00:33:53 For Christ's sake, tell me the story.
00:33:55 All right, cousin. As usual,
00:33:59 First of all, the stupid dame
00:34:02 Now I'm stuck in some kind
00:34:08 They're mobilising for lwo Jima here.
00:34:11 - Do they know who you are?
00:34:14 I'm going up, introducing
00:34:19 And another little tidbit, cousin.
00:34:22 Guess who else is here?
00:34:25 - Zolo.
00:34:28 You're goddamned right, Zolo.
00:34:32 Not only are we kidnappers, but I'm about
00:34:37 - Has he got his boys with him?
00:34:40 He's making do with the local yo-yos.
00:34:43 Oh, no.
00:34:47 - Look.
00:34:50 Don't yell at me, Ira. Don't yell at me.
00:34:52 Look, you wanna kill me?
00:34:54 Take me back to Queens and kill me. Don't let
00:34:59 Ralph, goddamn it, I don't care
00:35:08 Little sister took the wrong road.
00:35:11 And that third party I told you about,
00:35:17 - The man who killed my husband?
00:35:22 A very powerful man with
00:35:26 And whether he calls himself
00:35:30 or Colonel Zolo,
00:35:34 he's still just a butcher.
00:35:41 Look at those snappers, will ya?
00:35:56 - What's the matter? You sick?
00:36:02 - You lost what?
00:36:07 You're gonna lose a lot more than that.
00:36:26 - These were Italian.
00:36:29 Is nothing that I own sacred to you?
00:36:32 Only your $375.
00:36:41 Cops.
00:36:44 What the hell do they want?
00:36:47 I haven't done anything lately.
00:36:57 I'm shooting at a cop.
00:37:01 Wait a minute. He's after you.
00:37:05 - Who the hell are you?
00:37:09 You're what?
00:37:13 - What are you doing here?
00:37:17 Don't give me that shit. I thought
00:37:22 Christ, here they come.
00:37:24 This may be a good time
00:37:35 - Wait.
00:37:39 Wait!
00:37:47 Lady, you are bad news.
00:37:54 What'd you do?
00:37:57 "Today I'm gonna ruin a man's life"?
00:38:13 - Do you know where you're going?
00:38:16 This is a trail?
00:38:33 Lady, you are a jinx.
00:38:37 What about the bridge?
00:38:40 That ain't a bridge.
00:38:43 We can't get across that.
00:38:50 All right.
00:38:52 We're gonna hold them off right from here.
00:38:58 Goddamn it.
00:39:24 I could've been a cosmetic surgeon.
00:39:42 Lady, I hope you're taking notes,
00:39:44 cos you got a real-live death scene
00:39:59 Romantic novelist, my ass.
00:40:40 Holy shit.
00:41:32 - We can't cross.
00:41:36 What the hell are you doing?
00:41:39 Drinkin'? I could've been killed,
00:41:49 Wait.
00:41:50 Oh, yes. I will catch them up. Let's go!
00:42:14 Are we stopping?
00:42:27 Be my guest.
00:43:27 You OK?
00:43:39 Come on.
00:44:02 - Is anybody else in there?
00:44:05 No, it's a cargo plane.
00:44:10 What is all this?
00:44:12 All this? About five to life in the States.
00:44:17 Oh, marijuana.
00:44:20 Oh, you smoke it?
00:44:23 I went to college.
00:44:25 Sure.
00:45:04 All right. OK.
00:45:10 Oh, God, do I love those flyboys.
00:45:32 What?
00:45:35 This is Elaine's favourite drink.
00:45:47 You gonna tell me about that sister of yours?
00:45:53 I already did.
00:46:00 Her husband died and
00:46:10 It's the truth.
00:46:18 Right. Yeah, it's the truth.
00:46:25 All right. I'm gonna make a fire.
00:46:33 You got any dry matches in here?
00:46:39 Well, looky here.
00:46:44 Oh, no, don't!
00:46:51 You and I ought to have a talk.
00:46:57 All right.
00:47:07 Yeah, that's what I call a campfire.
00:47:19 So they're ransoming your sister
00:47:24 That's Spanish for "the heart".
00:47:28 This map here leads to the heart.
00:47:33 But the heart of what?
00:47:36 I don't care.
00:47:42 You see here where it says this El Corazón
00:47:49 So we're sitting right in the middle of it.
00:47:52 All I care about is my sister.
00:47:57 Like hell it is. Whatever's at the end
00:48:00 Now, we get our hands on this El Corazón,
00:48:04 then you got something to bargain with.
00:48:08 - I knew it would happen.
00:48:12 All you care about is yourself. I knew that
00:48:16 Oh, was that the first moment
00:48:19 You see? There you go.
00:48:25 A real man doesn't have to
00:48:29 You're just... You're a mondo-dizmo.
00:48:35 What am I?
00:48:37 You're a man who takes money
00:48:41 A real man is honest and forthright,
00:48:45 and trustworthy.
00:48:50 Would you please do me the courtesy of
00:48:55 I mean, this is exactly what I'm talking about.
00:48:58 If you had any kind of manners...
00:49:26 Goddamn bushmaster.
00:49:29 Is it poisonous?
00:49:31 Yeah...
00:49:33 But very tasty.
00:50:20 See, you gotta figure
00:50:24 they go for about 800 a shot.
00:50:28 Then you got gentle red-tails.
00:50:34 I figure I lost close to 15,000 bucks
00:50:39 Wow.
00:50:43 You want to know something crazy?
00:50:45 - What?
00:50:48 Well, you never asked me.
00:50:54 - Excuse me. I'd really like to know.
00:51:01 - What does the T stand for?
00:51:04 The Doobie Brothers broke up.
00:51:07 - When did that happen?
00:51:13 Forever. I don't know.
00:51:16 Were you always into birds?
00:51:19 No, no. I was...
00:51:24 I was into shortcuts.
00:51:27 Birds just seemed to be
00:51:30 And a hell of a lot healthier
00:51:35 What is it you want?
00:51:42 - I think I'll throw another key on the fire.
00:51:49 What do you want, seriously?
00:51:52 I'd really like to know.
00:51:59 Came down here on a coffee boat
00:52:04 Christ, what a job that was.
00:52:08 But I couldn't get over that ocean, you know.
00:52:13 Yeah, I love the ocean.
00:52:17 You know, you just gotta
00:52:22 Nobody else around.
00:52:25 It's beautiful.
00:52:29 So that's what I want.
00:52:31 Try to get enough money together,
00:52:37 So you're just gonna sail away,
00:52:43 Yeah.
00:52:46 Sounds lonely, Jack T Colton.
00:53:01 Well,
00:53:03 what does the T stand for?
00:53:09 Trustworthy.
00:53:27 Man, I tell ya... one hell of a morning.
00:53:32 It's turned into a bitch of a day.
00:53:55 Tenedor del Diablo.
00:54:01 The Devil's Fork.
00:54:29 Zolo.
00:54:54 - Friendly, aren't they?
00:54:59 Just try to look mean.
00:55:09 - What's the matter?
00:55:36 - OK, here we go.
00:55:38 I knew I should have listened to my mother.
00:55:43 You ready?
00:55:48 Excuse me.
00:55:56 Can any of you lovely gentlemen
00:56:01 Only one car in village. Juan, the bell maker.
00:56:06 The bell maker.
00:56:10 Thank you.
00:56:17 Bell maker, my ass. That fuselage we slept in
00:56:22 - You mean he's a drug de...?
00:56:26 - A dope...?
00:56:46 You hold back. This one, I'll handle.
00:57:06 - What do you want, gringo?
00:57:10 We understand that you have a car.
00:57:14 We have to get to a town.
00:57:16 What do you call this I'm livin' in? A pigsty?
00:57:21 No. This is lovely...
00:57:23 - Hit the road.
00:57:27 - Hit the road.
00:57:36 It's cool.
00:57:38 It's no problem.
00:57:50 OK, Joan Wilder. Write us out of this one.
00:57:53 Joan Wilder?
00:57:56 Joan Wilder? The Joan Wilder?
00:58:02 - You are Joan Wilder, the novelist?
00:58:06 I read your books.
00:58:10 This is Juanita Wilder, who writes
00:58:20 Come in.
00:58:23 I can't believe you're here. Joan Wilder.
00:58:27 I've been reading your books all these years.
00:58:30 I'm so honoured to have you here.
00:58:32 Welcome to my humble house.
00:58:38 I'm sorry. I haven't introduced myself.
00:58:45 The greatest novelist. Get the door, please.
00:59:44 Come in. Make yourself at home.
00:59:47 - Ever read The Return of Angelina?
00:59:49 That woman makes me hungry.
00:59:53 - How about Love's Wicked Kiss?
00:59:56 Take it. I have many copies.
00:59:59 and I am waiting for
01:00:02 I am so glad you're here in Colombia. I want
01:00:08 We have colourful tile roofs, typical
01:00:13 - I was born here, and so was my poor family.
01:00:17 No phones. I hate phones.
01:00:21 But have a drink. Let's hang out.
01:00:24 Look.
01:00:26 Like it? I can be in one of your books.
01:00:29 Oh, your drink. I got Southern Comfort.
01:00:32 Or Michelob, Kirin, Becks, Dos Equis,
01:00:39 - How about a Xerox machine?
01:00:47 - Where is the nearest phone?
01:00:51 - Can we get there in your car?
01:00:55 The men in the village.
01:00:57 They told you I had a car?
01:01:00 They meant my little mule, Pepe.
01:01:16 Not bad for a little mule, eh?
01:01:21 Now Pepe's warming up.
01:01:27 - What are we stopping for?
01:01:45 Look out!
01:01:55 See over there by the fence?
01:01:59 See that tree? The third tree up the ridge?
01:02:10 OK, Pepe, let's lose 'em.
01:02:21 - This guy's crazier than I am.
01:02:51 - What the hell ya doin'? That field was cover.
01:03:00 This guy who's following you,
01:03:21 No problem. My little mule is fireproof.
01:03:31 - See that river?
01:03:36 - It is the water supply for many villages.
01:03:40 - It feeds into the Amazon.
01:03:44 - Where the hell you going?
01:04:29 You're OK now.
01:04:31 You need little mule to use Lupe's Escape.
01:04:35 That river is impossible to cross
01:04:40 In fact, over that mountain
01:04:46 Waterfalls, rapids.
01:04:49 Angelina country. Right, Joan?
01:04:52 Whatever happened to Lupe?
01:04:55 - Terrible disappointment to family.
01:04:58 He entered the priesthood.
01:05:02 Is for the best. I'm not so reckless.
01:05:04 He might have ended up hanging
01:05:07 - It used to happen to bandidos.
01:05:15 Hey, let's hit it. We're on a roll.
01:05:17 I'm sorry I cannot take you to Cartagena.
01:05:22 But the bus will take you in the morning.
01:05:34 Of all the things
01:05:38 "I've lost her", Ralph, is gonna get
01:05:43 If they're hiking through the jungle,
01:05:47 I have a car. I am not Tarzan.
01:05:50 I have been through every one-horse shithole
01:05:55 You shoulda seen the river
01:05:59 So don't give me any of your crap,
01:06:02 You have been an embarrassment to me and
01:06:06 And one more thing, Ira...
01:06:10 You are the luckiest son of a bitch that
01:06:15 - She's there?
01:06:19 She's coming right toward the phone booth.
01:06:23 She's with some guy.
01:06:25 How do I know? She likes guys.
01:06:43 - Yeah, all the rooms have baths.
01:06:50 You wouldn't have a Xerox machine
01:06:54 Yeah. We have one in the back.
01:06:58 And it's big enough to take map size?
01:07:02 Yeah. Complete.
01:07:05 Yes, I understand. I'll do that.
01:07:12 Elaine is all right.
01:07:16 - That's great. Slide, man. You're covered.
01:07:22 - Who?
01:07:24 Sure he is.
01:07:28 Yeah.
01:07:32 Well, I guess this is it.
01:07:39 I guess so.
01:07:44 - $375. That was the contract, right?
01:07:56 The least I can do is buy you dinner.
01:08:00 I'd like that.
01:08:02 Listen, I got a room in the hotel.
01:08:04 Why don't you go get cleaned up?
01:08:08 - Number seven.
01:08:14 Mine too.
01:08:52 It's just beautiful.
01:08:55 Thank you, Jack.
01:09:14 I think your writing's hot. It's great.
01:09:17 I mean it. I'm tellin' ya, I'm impressed. I am.
01:09:20 - You've never even read the book.
01:09:26 I suppose...
01:09:28 it's my way of living in another age.
01:09:31 If you did that, I never would have met you.
01:09:37 I got you something.
01:09:48 El Corazón?
01:10:17 - Let's dance.
01:10:20 I'll show you.
01:11:10 I lost my langostino.
01:12:49 Someday, if I had the money,
01:12:51 I'd take you and sail away.
01:12:56 Just the two of us.
01:12:59 Around the world and back again.
01:13:05 I promise you we'd do that.
01:13:17 Why haven't you taken
01:13:23 What are you talking about?
01:13:26 I saw that tree today,
01:13:31 - You know how close we are?
01:13:36 I was thinking about what you said,
01:13:40 Yeah. Your best way to help Elaine
01:13:43 Then you could waltz into Cartagena.
01:13:49 I'd love to see you on that boat.
01:13:53 But, Jack, if we have to give it up
01:13:57 Then we give it up. It's your sister.
01:13:59 Hell, yeah. Of course we give it up.
01:14:15 Let's go for it.
01:15:11 He just won't quit.
01:15:28 - What are you doing?
01:15:31 Try the key.
01:16:01 There it is. That's the shrine.
01:16:04 Let's go.
01:16:37 This can't be all.
01:16:40 Well, landmarks change, things grow.
01:16:48 You hear that?
01:16:51 Waterfall.
01:16:53 Look, Jack.
01:16:57 All right!
01:17:20 - You all right?
01:17:27 This has got to be it.
01:17:31 What does Leche de la Madre mean?
01:17:37 - Leche de la Madre?
01:17:42 It means "mother's milk".
01:17:44 Mother's milk?
01:18:02 I'll be goddamned.
01:18:05 Mama, I'm home.
01:18:14 - I can't believe I'm doing this.
01:18:17 Digging for treasure with you.
01:18:22 Jack?
01:18:25 Yeah?
01:18:27 You're the best time I've ever had.
01:18:33 Never been anybody's best time before.
01:19:12 It's a priceless statue.
01:19:19 Somebody out there's got
01:19:23 Wait a minute.
01:19:27 I hid the treasure inside the statue.
01:19:52 Jesus Christ, we're in a lot of trouble.
01:19:57 Understatement of the year, asshole.
01:20:01 Is there anybody who isn't following you?
01:20:06 Put the goods in the bag.
01:20:13 Now move it, before Batman comes home.
01:20:15 It's time I had a chauffeur, Miss Wilder.
01:20:20 - Back off me, creep. Just back off.
01:20:25 I'm stealin' this stone. I'm not tryin'
01:20:30 Wait a minute.
01:20:35 That's what all the good
01:20:38 He made you think you needed it, you sap.
01:20:40 Get in and drive. Move it.
01:20:47 Move it.
01:20:49 See how you like being stuck in...
01:20:52 Holy shit!
01:20:57 Get in.
01:21:03 - Which way do we go?
01:21:23 Mounties!
01:21:35 Hit it.
01:21:59 - Where the hell are you goin'?
01:22:03 How about Lupe's Escape?
01:22:26 Where you goin'? Quit steering.
01:22:40 What are we gonna do now?
01:22:42 Jump.
01:23:18 Joan Wilder! What a comeback!
01:23:25 Man, I thought you drowned.
01:23:27 I did.
01:23:30 - You OK?
01:23:33 I'm great. I'm fine.
01:23:36 Only you're on that side.
01:23:39 - There's no way across this sucker.
01:23:43 What the hell you talkin' about?
01:23:46 Admit it. You planned this all along.
01:23:56 What's the name of that hotel in Cartagena?
01:23:58 Hotel Cartagena. What do you care?
01:24:01 All right. Now you just head towards the
01:24:07 Yeah, sure. With El Corazón
01:24:12 Well, they don't have to know about this.
01:24:16 - You got the map.
01:24:25 I'll meet you there. Trust me.
01:24:29 What?
01:25:10 So you made it finally.
01:25:14 - Got the map?
01:25:18 No, you can't talk to her till I get it.
01:25:22 Look out your window.
01:25:25 See the fort across the bay? The tower?
01:25:29 You take a water taxi right outside your hotel.
01:25:32 You meet me there in two hours,
01:25:36 all by yourself.
01:25:57 - Has Jack Colton checked in?
01:27:22 Over here.
01:27:35 Stop right there.
01:27:38 - Let me see the map.
01:27:41 - Let me see the map.
01:27:48 Joanie?
01:28:00 Drop the map and back off.
01:28:12 If this isn't genuine...
01:28:17 If you've pulled a fast one...
01:28:37 Joan Wilder,
01:28:39 you and your sister...
01:28:44 can go.
01:28:52 It's OK.
01:29:06 I missed you at the hotel.
01:29:13 We all did.
01:29:24 You brainless broad.
01:29:34 This map is nothing.
01:29:36 They already have the stone.
01:29:43 I had it in my hands, Ira.
01:29:46 These hands that are gonna break
01:29:55 Later.
01:30:08 Where is it?
01:30:11 I don't know.
01:30:14 - Where is the stone?
01:30:21 We dug. We didn't find anything.
01:30:56 Crocodiles shed tears
01:30:59 You have heard of these tears, I am sure.
01:31:02 But have you seen them?
01:31:07 Stop it!
01:31:27 Look at those snappers.
01:31:31 You can forego this agony.
01:31:36 Where is the heart? Where is the stone?
01:31:39 All right. Just let her go, will ya?
01:31:42 - She doesn't know where it is. I've got it.
01:31:51 - In a safe place.
01:31:58 Where is it?
01:32:42 Choke on it.
01:32:56 Thank you.
01:33:10 Get down!
01:33:28 Come on.
01:33:53 Hurry.
01:33:58 All right, muchachos. Bring the boat around!
01:34:02 Hold them down! Let me get to the boat!
01:34:43 Just a little more.
01:35:04 Ira!
01:35:08 - Come back here, Ira.
01:35:11 - I can't swim. You know that, Ira.
01:35:16 - You promise?
01:35:19 - When?
01:35:21 - How soon?
01:35:32 No!
01:35:39 Where do you think you're going, pal?
01:35:43 Wait.
01:35:51 Joanie?
01:35:55 How will you die, Joan Wilder?
01:35:58 Slow like a snail?
01:36:03 Or fast like a shooting star?
01:36:41 Jack!
01:36:59 Come on, you bastard. Give me a break.
01:37:11 Damn it.
01:38:31 Jack.
01:38:35 It's OK.
01:38:37 Come on back, Ira.
01:38:39 You're my cousin, Ira. Don't you remember?
01:38:42 Your mother, my mother.
01:38:47 That way. He's gettin' away.
01:38:50 He's got it all. Go that way.
01:38:53 Joanie?
01:38:55 OK. Here's what we gotta do. Get to
01:38:59 - Where are you going?
01:39:02 Don't mention my name.
01:39:06 - Elaine, it's been a pleasure.
01:39:24 You're gonna be all right, Joan Wilder.
01:39:45 You always were.
01:39:56 Jack Colton!
01:40:06 Damn.
01:40:30 Well, that is far and away your best book.
01:40:34 I can't believe how fast you cranked this out.
01:40:37 - So you really like it?
01:40:41 It made me cry.
01:40:44 I love the end where he
01:40:47 Then he meets her at the airport.
01:40:52 God, I can't believe how this got to me.
01:40:55 Well, I was inspired.
01:40:59 Joanie, you are now
01:41:04 No. Hopeful.
01:41:11 Hopeful romantic.
01:41:18 No, thank you.
01:41:22 Never wear 'em.
01:42:12 I like your boots.
01:42:14 That poor old yellow-tailed guy
01:42:19 Died right in my arms.
01:42:22 I can't blame him. If I were to die,
01:42:26 I couldn't stop thinking about you.
01:42:32 Then you know how they all end.
01:45:33 Subtitles by Visiontext
01:45:40 ENGLISH PAL