Ronin
|
00:02:20 |
Une bière, s'il vous plaît. |
00:02:41 |
Merci. |
00:04:23 |
We are closed. |
00:04:25 |
Just a small drink. |
00:04:33 |
The toilets? |
00:05:25 |
A quick drink and then I'll leave. |
00:05:32 |
Why are you rushing off? |
00:05:34 |
- Hmm? |
00:05:37 |
I don't understand. |
00:05:40 |
The man from Bristol called ya. |
00:05:47 |
- What man? |
00:06:25 |
What were you doing back here? |
00:06:29 |
Lady, |
00:06:30 |
I never walk into a place |
00:06:35 |
Then why would you get into that van? |
00:06:37 |
You know the reason. |
00:07:47 |
Make yourselves at home. |
00:07:49 |
You've come a long way. |
00:07:52 |
- Thanks for coming. |
00:07:55 |
There's some people |
00:07:59 |
- And we want you to get it from them. |
00:08:03 |
You must be tired. |
00:08:06 |
We'll tell you more tomorrow. |
00:08:14 |
Seven fat years |
00:08:18 |
- That's what it says in the Bible. |
00:08:21 |
I hurt somebody's feelings once. |
00:08:30 |
Don't I know you? |
00:08:33 |
I don't think so. I'd remember. |
00:08:44 |
Okay, two-hour shifts. |
00:08:45 |
I'll watch the front, |
00:08:50 |
Merci. |
00:09:04 |
You awake, then? |
00:09:08 |
Hmm? |
00:09:12 |
How we doin'? |
00:09:19 |
Yep. |
00:09:38 |
You labour or management? |
00:09:40 |
If I was management, |
00:09:45 |
I am the tour guide. |
00:09:49 |
Over here, the Louvre. |
00:09:52 |
What do I call you? |
00:09:54 |
- My name is Vincent. |
00:10:00 |
As per the agreement, |
00:10:05 |
with a minimum |
00:10:07 |
On the successful completion |
00:10:10 |
you will each receive |
00:10:15 |
And by the way, |
00:10:19 |
- The broad outlines of the mission are... |
00:10:22 |
For you, |
00:10:24 |
Huh? |
00:10:26 |
And what can we infer |
00:10:29 |
- Anything you like. |
00:10:32 |
Tell me what you need, make a list, |
00:10:34 |
- Some of the equipment's quite technical. |
00:10:37 |
This is what we're after. |
00:10:41 |
We need to take it intact from several |
00:10:45 |
- How many men? |
00:10:47 |
I think the group will be between |
00:10:51 |
- You don't know for sure? |
00:10:55 |
If you don't know, |
00:10:59 |
There's two to three cars. |
00:11:01 |
- They're not in Paris? |
00:11:02 |
Where are they? |
00:11:03 |
- You'll find out soon enough. |
00:11:07 |
Our plan, in broad strokes, is an ambush. |
00:11:10 |
It's to hit the car, |
00:11:13 |
- Transit? City? Country? |
00:11:17 |
But we've to move very quickly. |
00:11:19 |
We'll start with this: Ambush |
00:11:23 |
five to eight men, and our objective |
00:11:28 |
Tell Vincent |
00:11:32 |
What do we know about them? |
00:11:36 |
All you need to know right now |
00:11:40 |
- You've done this kind of thing before? |
00:11:44 |
How difficult can it be? |
00:11:45 |
We have no idea |
00:11:47 |
It seems they'll be |
00:11:50 |
Where are we going and |
00:11:52 |
lt'll be in France, and the group |
00:11:55 |
- What does she mean? |
00:11:59 |
- It's a military term. |
00:12:01 |
Larry, tell Vincent what you'll need. |
00:12:03 |
Something very fast. Audi S-8. |
00:12:08 |
I'm going to have it for you |
00:12:10 |
I'll also need a nitrous system. |
00:12:18 |
What do you use, weapons-wise? |
00:12:21 |
- Hmm? |
00:12:23 |
- I'm a... I'm a weapons man. |
00:12:26 |
- Yeah. |
00:12:28 |
They tend to settle the argument. |
00:12:32 |
Well, you know. It's a toolbox. |
00:12:36 |
What? |
00:12:37 |
You know, |
00:12:40 |
.45. Old gun. |
00:12:45 |
It served my country well. |
00:12:47 |
Your country! |
00:12:49 |
Not done too well, have you, |
00:12:52 |
Perhaps not, but at least |
00:12:56 |
You ex-military? |
00:12:57 |
No, I got my job |
00:13:01 |
- Don't let him get you down. |
00:13:04 |
I say what I think. |
00:13:06 |
Are you ex-military? |
00:13:08 |
Boys at Hereford? |
00:13:10 |
I'm sorry, but I'd like to go backwards. |
00:13:13 |
She just told you. |
00:13:18 |
I understand. I'm just trying to get |
00:13:21 |
We're gonna cause some animosity. |
00:13:27 |
- You worried about your own skin? |
00:13:30 |
It covers my body. |
00:13:33 |
All your concerns will be addressed |
00:13:37 |
- Electronics and commo. |
00:13:39 |
That is our information. |
00:13:41 |
- Can you get me a simulator? |
00:13:43 |
Gunpowder. Sound only, no lead. |
00:13:46 |
Quite diverting. |
00:13:48 |
Listen, I'm also gonna need |
00:13:52 |
The Bosch is not gonna do it. |
00:13:54 |
We going north? We going south? |
00:13:57 |
I'd like some new clothes. |
00:14:00 |
- Vincent will sort you out. |
00:14:10 |
- So what brought you here? |
00:14:14 |
The man in the wheelchair? |
00:14:17 |
How did he get there? |
00:14:19 |
That was in your neck of the woods, |
00:14:34 |
Good reflexes. |
00:14:37 |
Oh, yeah. |
00:14:39 |
They die hard. |
00:14:48 |
- Interrogation. |
00:14:51 |
- Methods to withstand interrogation. |
00:14:55 |
We were taught |
00:15:00 |
- Nobody can hold out indefinitely. |
00:15:04 |
Everybody has a limit. I spent |
00:15:09 |
- They make it hard on you? |
00:15:12 |
Yeah, it was unpleasant. |
00:15:16 |
All the stuff they tried. |
00:15:18 |
You just can't hold out for ever. |
00:15:21 |
- Impossible. |
00:15:23 |
- They gave me a grasshopper. |
00:15:26 |
That's two part gin, two part brandy, |
00:15:31 |
Fuckin' smartass! |
00:15:33 |
- Can you find this place? |
00:15:36 |
I know it. |
00:15:38 |
That's where |
00:15:41 |
You're gonna exchange for cash? |
00:15:44 |
- You know these people? |
00:15:48 |
Your people have done business |
00:15:50 |
Or these people |
00:16:03 |
Larry. |
00:16:09 |
Okay. If we're gonna do it, |
00:16:15 |
- Hey! |
00:16:19 |
Okay, come on. Let's go. |
00:16:22 |
The answers to your questions |
00:16:25 |
- I'll go with you. |
00:16:48 |
Who does this girl work for? |
00:16:49 |
Well, she works for our betters. |
00:16:54 |
It seems that's what |
00:17:04 |
Always a waiting game. |
00:17:07 |
- What? |
00:17:13 |
Hey, wait. |
00:17:18 |
Bad for the night vision, yeah? |
00:17:27 |
There they are. |
00:18:16 |
- You have the list? |
00:18:19 |
Give it to me. |
00:18:23 |
Money? |
00:18:27 |
Okay. You follow my lead. |
00:18:30 |
Just make sure you watch my back. |
00:18:36 |
Don't make any sudden moves. |
00:18:38 |
Just because we're buying guns |
00:18:42 |
Don't worry. Everything's fine. |
00:18:48 |
You want to back him up? |
00:18:54 |
What would I profit from your death? |
00:18:56 |
- Well, you'd have the money. |
00:19:01 |
I'll watch the back. |
00:19:07 |
- Have you got it all? |
00:19:11 |
- You're sure? |
00:19:24 |
There it is! |
00:19:44 |
It's not all here. |
00:19:48 |
- Vincent. |
00:19:54 |
It's not all here. |
00:19:57 |
- C'est tout? |
00:19:59 |
Le patron va contrôler I'argent. |
00:20:03 |
Tiens. Il est là dans la voiture, |
00:20:07 |
He said the rest is in the other car. |
00:20:11 |
If he agrees, we have no problem. |
00:20:14 |
Here, take the car keys. |
00:20:16 |
Go on. Take them. |
00:20:23 |
Come on. Come. |
00:20:26 |
Okay, give me... |
00:20:36 |
Give me some of the money! |
00:20:40 |
- Okay. |
00:20:43 |
- Yeah, I am, and so are you. |
00:20:47 |
- Why? To protect me. |
00:20:51 |
If it's a come-on, we're fish in a barrel. |
00:20:54 |
- What are you, crazy? |
00:20:57 |
Nobody ever told me that before. |
00:21:02 |
- What is it, Sam? |
00:21:07 |
Okay, okay. |
00:21:09 |
Okay, let's just do it. |
00:21:12 |
You don't wanna go in there. |
00:21:15 |
- I'm getting paid to go. It's that simple. |
00:21:19 |
If anything goes down, |
00:21:22 |
If there's a sniper, |
00:21:24 |
- Let's go! |
00:21:47 |
Stop! |
00:21:49 |
Stay where you are. |
00:22:06 |
So, everything's fine. |
00:22:19 |
Shit! I can't see! I can't see! |
00:22:34 |
Have some of this! |
00:22:40 |
Fuckin' arsehole! |
00:22:46 |
Fuckin' have some more, you bastards! |
00:22:51 |
Come on! Come on! |
00:22:54 |
Let's go! |
00:22:56 |
- No! You goddamn... |
00:23:13 |
- Is anybody hurt? |
00:23:17 |
Almost a bit of raspberry jam |
00:23:21 |
A bit of raspberry jam back there! |
00:23:27 |
Got the swag, kept the money. |
00:23:30 |
That's a fact. That is a fact. |
00:23:57 |
Slow down. Slow down. |
00:24:00 |
I think I have to stop. |
00:24:30 |
Thank you. |
00:24:42 |
Why did you take this job? |
00:24:46 |
My friend, I need the money. |
00:24:49 |
The money is here. |
00:24:55 |
That's what this is, you know? Money. |
00:25:02 |
Yeah, but who are our employers? |
00:25:07 |
You're right. |
00:25:36 |
Excuse me. |
00:25:38 |
Excuse me, monsieur. |
00:25:49 |
The Russians are bidding for the case. |
00:25:51 |
The case is in Nice. |
00:25:55 |
They're staying at |
00:25:59 |
- The team isn't ready. |
00:26:03 |
The Russians have decided to bid. |
00:26:07 |
Excuse me. |
00:26:09 |
I have the information. |
00:26:12 |
It'll definitely |
00:26:14 |
somewhere between here and here. |
00:26:18 |
We'll anticipate |
00:26:22 |
We will try and stop the target |
00:26:26 |
- What's in the case? |
00:26:28 |
Is it heavy? Is it explosive? |
00:26:30 |
Is it chained |
00:26:32 |
- Are we gonna have to chop it off? |
00:26:34 |
I don't have to let you know... |
00:26:36 |
Then the price has got to go up. |
00:26:39 |
I'll get you the case, |
00:26:41 |
If it's gonna be amateur night, |
00:26:44 |
I want it in a bank account. I want |
00:27:20 |
Okay. |
00:27:24 |
We've got shooters here, shooters here. |
00:27:28 |
I'll tell you an old trick. |
00:27:30 |
Hey. |
00:27:40 |
- What's your problem? |
00:27:43 |
Draw it again. |
00:27:47 |
It's a simple diagram. |
00:27:50 |
Draw it again! Draw it again. |
00:27:58 |
Two shooters. |
00:28:01 |
Shooters across from each other, |
00:28:03 |
- Oh, my. Where'd you learn that? |
00:28:06 |
- What regiment was that? |
00:28:08 |
What's the colour |
00:28:11 |
What's the colour |
00:28:13 |
- I don't like your attitude. |
00:28:15 |
- Fuck off! |
00:28:18 |
Do something. Go ahead. |
00:28:21 |
Do something. |
00:28:33 |
Tell me about an ambush? |
00:28:36 |
I ambushed you with a cup of coffee. |
00:28:43 |
You'll get your money |
00:28:45 |
- The others, too. |
00:28:48 |
Come on. |
00:28:57 |
Put this near the front. |
00:29:00 |
Careful! Careful with that! |
00:29:14 |
So what colour |
00:29:17 |
How the fuck should I know? |
00:29:41 |
This'll complete your compensation. |
00:29:46 |
Thanks for your time. |
00:29:50 |
Do I need to suggest that you forget us? |
00:29:55 |
Because we will not forget. |
00:30:59 |
- Morning. |
00:31:03 |
Well, either you're part of the problem, |
00:31:06 |
- or you're just part of the landscape. |
00:31:09 |
What's in the case? |
00:31:11 |
Something we're paying ya for. |
00:31:28 |
- You and the girl are in front of the hotel. |
00:31:32 |
Deirdre. |
00:31:35 |
He leaves the hotel for the villa, |
00:31:37 |
He activates his cellphone. |
00:31:39 |
How do you know |
00:31:41 |
- He'll use a phone. |
00:31:43 |
- I'm gonna call him on it. |
00:31:46 |
He's waitin' for a call. |
00:31:48 |
His people will call him to tell him |
00:31:52 |
- Okay? |
00:31:54 |
The villa, the hotel, the car, |
00:31:57 |
How good's their... |
00:31:59 |
- I can't tell you. |
00:32:02 |
The last report, they were at the hotel. |
00:32:04 |
- The case is at the hotel? |
00:32:06 |
- That's interesting. |
00:32:09 |
- It's tempting. |
00:32:12 |
Everybody wants to go to the party. |
00:32:16 |
- Please. |
00:32:18 |
The map is not the territory. |
00:32:22 |
Let's go look at the ground. |
00:32:24 |
Bring some money. |
00:32:35 |
Listen up. |
00:32:38 |
You're my wife. |
00:32:40 |
It's just a game. Just a game. |
00:32:44 |
Man and a woman going for a walk. |
00:32:46 |
Piece of cake. |
00:32:51 |
You look good cleaned up. |
00:32:57 |
Is that the hotel? |
00:33:14 |
Put your arm under mine. |
00:33:18 |
Why aren't they at the villa? |
00:33:22 |
Fun and games? |
00:33:37 |
Can I help you, sir? |
00:33:41 |
No. We're looking at the menu. |
00:33:49 |
Merci. |
00:34:19 |
Uh, excuse me? |
00:34:22 |
A little. |
00:34:23 |
Could you take a picture |
00:34:26 |
It's very easy. You press like that. |
00:34:28 |
- Sure. |
00:34:32 |
Okay? |
00:34:35 |
We're gonna do it over here. |
00:34:40 |
Can you get that palm tree in? |
00:34:45 |
- How many do you want? |
00:34:50 |
Very good. Again. |
00:34:54 |
Again. Get the background. |
00:34:58 |
Take a couple of my wife, alone. |
00:35:11 |
Take my luggage up right away. |
00:35:16 |
Thank you. |
00:35:19 |
Can we take one picture of you |
00:35:24 |
That's it. |
00:35:32 |
So? |
00:35:34 |
Well, they're good. |
00:35:37 |
Guy goes for the case, |
00:35:39 |
Nobody panics. They're good. |
00:35:41 |
- So what have we learned? |
00:35:44 |
It can be done. |
00:35:47 |
- We don't have two more men. |
00:35:50 |
- There is no handler. |
00:35:52 |
There's no handler. |
00:35:54 |
Listen, you want the case, |
00:35:57 |
There's no more help, |
00:36:00 |
Of course I'm afraid. You think |
00:36:02 |
We've made a good plan, |
00:36:10 |
What do we do? |
00:36:13 |
We wait. |
00:36:15 |
- So, who are they? |
00:36:25 |
- Qui est là? |
00:36:28 |
They've gone back to the villa. |
00:36:31 |
- Did they have the case with them? |
00:36:33 |
- Did you get the other cars? |
00:36:35 |
- And how do they run? |
00:36:41 |
Yeah. |
00:36:45 |
Well, what does that mean? |
00:36:49 |
It would be nice to do something. |
00:36:51 |
We are doing something. |
00:37:02 |
It's not gonna happen today. |
00:37:05 |
The buyers are out of town. |
00:37:07 |
Tomorrow at the earliest. |
00:37:13 |
You know what? |
00:37:15 |
- We've got the report. |
00:37:18 |
I can go see for myself. |
00:37:21 |
I'm gonna go take one last run |
00:37:31 |
I'll come with ya. |
00:38:05 |
So how did you get started |
00:38:10 |
A wealthy scoundrel |
00:38:15 |
Same with me. How 'bout that? |
00:38:19 |
Take out the map. Take out the map. |
00:38:37 |
So who are those guys inside? |
00:38:39 |
You tell me. |
00:38:42 |
Ex-military, Northern Sov Block, |
00:38:47 |
- They need a job. That's my excuse. |
00:38:53 |
Cops. |
00:39:34 |
System activated. |
00:39:38 |
System check. |
00:39:43 |
Repeat system check. |
00:39:51 |
There he is. He's being good. |
00:40:13 |
I'm in position. |
00:40:50 |
- They're passin' me now. |
00:41:34 |
Hell of a time to be workin'. |
00:41:38 |
What do you want for Christmas? |
00:41:39 |
My two front teeth. |
00:41:42 |
May your wish be granted. |
00:42:17 |
Target is 400 metres |
00:43:20 |
Come on! Come on! |
00:43:45 |
So far so good. |
00:43:51 |
Sam, escort car. |
00:43:53 |
- Four tenths of a click in front of you. |
00:44:24 |
Larry, you should see them in... |
00:44:28 |
Two cars. |
00:44:30 |
I got 'em. |
00:45:13 |
Target has escaped. |
00:45:56 |
Target heading for Vieux Nice. |
00:47:01 |
Through the market, then straight. |
00:47:12 |
Right at the fork, Maréchal Foch. |
00:47:22 |
Okay, you're in front of him. |
00:47:32 |
- Cut him off at the end of the port. |
00:47:39 |
He's coming from the right. |
00:47:42 |
He's yours. |
00:48:40 |
- I'm hit! Take the case! |
00:48:43 |
- Get the fucking case! |
00:48:46 |
Take this! |
00:48:48 |
Get out of here! |
00:48:54 |
Hey! Get rid of the case! |
00:49:10 |
Arrêtez-vous! |
00:49:12 |
- Where is Gregor? |
00:50:35 |
- How is it out there? |
00:50:37 |
- How you feeling? |
00:50:39 |
- Thanks for before. |
00:50:43 |
Could you clean the paint off this? |
00:50:47 |
- You got a pack of Camels in there? |
00:51:04 |
We must get out of here. |
00:51:07 |
I'm gonna need your people to help us. |
00:51:10 |
- And I need you to find the case. |
00:51:12 |
When we bring in the case, he'll help you. |
00:51:15 |
- How can I bring him the case? |
00:51:19 |
- Why? |
00:51:22 |
Why the Russians? Why not you? |
00:51:24 |
If we had the money to buy the case, |
00:51:26 |
we wouldn't have |
00:51:28 |
- Go to your people. Talk to them. |
00:51:31 |
We find Gregor, we find the case. |
00:51:33 |
- How do we find Gregor? |
00:51:36 |
I found him |
00:51:38 |
who gave me nothin' |
00:51:40 |
You and Spence |
00:51:45 |
We can find him through his cellphone. |
00:51:50 |
Can we trace his cellphone? |
00:51:55 |
They can triangulate it, |
00:51:58 |
Who has that equipment? |
00:52:03 |
Who has that equipment? |
00:52:07 |
Tell me. |
00:52:10 |
Who has it? |
00:52:12 |
All right. All right. |
00:52:15 |
Give me the number to his phone. |
00:52:57 |
So, how does the day find you? |
00:53:00 |
How do they say it in French? |
00:53:17 |
This was supposed to be |
00:53:19 |
- Life is uncertain. |
00:53:23 |
But, Gregor, |
00:53:26 |
I was sure you wouldn't mind. |
00:53:29 |
- Besides, the world these days is so... |
00:53:33 |
Exactly. |
00:53:36 |
I'll show you how unsafe it is. |
00:54:00 |
See that little girl down there? |
00:54:07 |
Have you lost your mind? |
00:54:11 |
To make a point. |
00:54:16 |
I don't know her, |
00:54:19 |
But you, |
00:54:23 |
Just imagine what I'll do to you if you |
00:54:42 |
Put down the gun. |
00:54:49 |
- I never liked you either, Gregor. |
00:54:56 |
I should have made you strip. |
00:54:58 |
- Now where's my package? |
00:55:29 |
Whoo-hoo! |
00:55:31 |
Clever girl. |
00:55:33 |
You liked it? |
00:55:35 |
My little sun. |
00:55:38 |
You make me so happy. |
00:55:49 |
Is it done? |
00:55:52 |
It's done, Mikhi. |
00:55:54 |
Natacha? |
00:55:57 |
Gregor? Is that you, Gregor? |
00:56:00 |
Much to your disappointment, |
00:56:02 |
It was a mistake. |
00:56:06 |
Well, if it happens again, |
00:56:09 |
- Don't do that. |
00:56:12 |
My price just went up 300%. |
00:56:16 |
I want the package, Gregor. |
00:56:20 |
Just wait for my next phone call. |
00:56:22 |
I'll find a place |
00:57:07 |
Excuse me. Excuse me. Excuse me. |
00:57:09 |
Could you tell me |
00:57:12 |
Do... Do I know you? |
00:57:15 |
How did you know I speak English? |
00:57:17 |
You got an English newspaper. |
00:57:20 |
Sorry. |
00:57:21 |
- I'm sorry. I beg your pardon. |
00:57:23 |
Uh, what do you need |
00:57:26 |
'Cause over here, |
00:57:29 |
I need your help. |
00:57:31 |
- I thought you left. |
00:57:33 |
- You did leave? You're out? |
00:57:35 |
Can you help me? I need your help. |
00:57:40 |
What's the number? |
00:57:46 |
Yeah, the post office is, uh, |
00:57:49 |
- Up on the left? Thanks. |
00:57:58 |
- A friend of yours? |
00:58:02 |
Everyone's your brother |
00:58:05 |
Ain't that the truth! |
00:58:07 |
Yes. Yes, on the terrace? |
00:58:09 |
Facing me? I see him. |
00:58:11 |
Yes, I'll get him. Hang on, please. |
00:58:18 |
Excuse me, sir. Are you Sam? |
00:58:22 |
Yeah. |
00:58:23 |
Telephone for you. |
00:58:33 |
Yeah, good to see you, too. |
00:58:35 |
If his position changes, I'll let you know. |
00:58:44 |
Gregor's in a town called Arles. |
00:59:59 |
He's at the arena. |
01:00:33 |
So this is the amphitheatre of Arles |
01:00:36 |
which was built |
01:00:39 |
It is built with limestone. |
01:00:49 |
I know those men. |
01:01:21 |
And you can see |
01:01:24 |
which is actually caused |
01:01:27 |
We're not sure that the walls |
01:01:29 |
And so, now we will continue |
01:01:31 |
and visit the Roman baths |
01:01:47 |
Yeah. |
01:01:51 |
Thank you, gentlemen. |
01:01:57 |
It's Sergi. I remember you. |
01:01:59 |
Yes, Gregor, it's me. |
01:02:01 |
- How have you been? |
01:02:05 |
- I'm sorry about the unfortunate incident. |
01:02:08 |
It was excessive. |
01:02:12 |
I couldn't agree with you more. |
01:02:14 |
Mikhi did it without consulting me. |
01:02:18 |
Yeah, he's turned rogue |
01:02:33 |
Excusez-moi. |
01:02:36 |
- I don't... I don't... |
01:02:39 |
Sorry. Such a fool. |
01:02:41 |
I was looking for Van Gogh's old house. |
01:02:43 |
So what could have been conducted |
01:02:47 |
is now fucked into a cocked hat. |
01:02:49 |
- What do you think? |
01:02:55 |
Yeah. Yes, so let's see it. Let's see it now. |
01:02:59 |
Where do you have it, in your belt? |
01:03:00 |
- Let's see it! |
01:03:05 |
You're great in the locker room, |
01:03:08 |
but you're weak |
01:03:11 |
- Gregor? Are you all right? |
01:03:15 |
But I think you're in a wee spot of trouble. |
01:03:19 |
- Where is it? Where is it? |
01:03:22 |
Where? |
01:03:23 |
I mailed it to myself. |
01:03:25 |
Hilfe! |
01:03:26 |
Help! He's robbing me! |
01:04:06 |
Pardon. Pardon. |
01:04:08 |
Pardon. Avancez! |
01:04:10 |
Pardon. |
01:05:12 |
Stop. |
01:05:17 |
- Where do I know you from? |
01:05:19 |
Of course. I'm sorry to have to do this. |
01:05:23 |
Hey! |
01:05:41 |
- Christ. |
01:06:04 |
Stop! Descends! Vite! Descends! |
01:06:26 |
- I'm gonna have to take care of this. |
01:06:33 |
Uh, get to a doctor |
01:06:36 |
I'll just boost what I need. |
01:06:42 |
- Could you do that? |
01:06:48 |
- How is it? |
01:06:52 |
I'm sorry. |
01:06:58 |
That girl sold us out. |
01:07:04 |
She sold us out. |
01:07:56 |
- Ready, Jean-Pierre? |
01:08:18 |
Get my legs up. |
01:08:20 |
Careful. |
01:08:31 |
Are you sure you can do this? |
01:08:33 |
Yeah. I once removed a guy's appendix |
01:08:37 |
- Have a drink. |
01:08:45 |
Easy, easy, easy. |
01:08:56 |
It's just below the surface. |
01:09:01 |
All right, let's do it. |
01:09:07 |
Take the gauze and wipe away |
01:09:10 |
Keep it clean so I can see it. |
01:09:16 |
Yeah. That's it. |
01:09:24 |
All right. |
01:09:27 |
I've done this many times before. |
01:09:29 |
There are no vital organs, arteries. |
01:09:31 |
You won't kill me. |
01:09:33 |
- before you pry it out. |
01:09:36 |
Take that scalpel. |
01:09:42 |
The upper part. |
01:09:45 |
Over here. Just cut up there. |
01:09:47 |
Just a little cut. |
01:09:59 |
Okay. Got it. |
01:10:03 |
Now take the clamp. |
01:10:05 |
Take the clamp and open up... the hole. |
01:10:08 |
Just put it in there. |
01:10:11 |
Put it in there. |
01:10:13 |
That's it. Put it in. Just... |
01:10:15 |
Now open it up. Spread it. Spread it. |
01:10:17 |
Okay. Okay. |
01:10:20 |
Now get the other... |
01:10:23 |
Remember, don't take it out |
01:10:42 |
Do it again. Do it again. |
01:10:51 |
I'm sorry. |
01:10:57 |
When he pulls it out, put the gauze in. |
01:11:06 |
Put the gauze there. |
01:11:17 |
Fucker sprayed his bullet with Teflon. |
01:11:21 |
He was trying to stamp me "paid in full". |
01:11:25 |
- Is that why it went through the vest? |
01:11:29 |
You think you can stitch me up |
01:11:33 |
If you don't mind, |
01:12:24 |
You gonna kill me? |
01:12:27 |
No. I'm not gonna kill ya. |
01:12:57 |
Why would I want to kill ya? |
01:13:17 |
- I gave you a job. |
01:13:21 |
So how'd it go wrong? |
01:13:23 |
I thought you wanted the case. |
01:13:26 |
Oh, we'll get the case. |
01:13:28 |
We'll get the case, eh, Gregor? |
01:13:32 |
Don't you worry about the case. |
01:13:36 |
What I want's an explanation. |
01:13:39 |
An explanation? For what? |
01:13:41 |
You bollixed it up. |
01:13:43 |
- I bollixed it up? |
01:13:46 |
Through your fucking contact! |
01:13:54 |
- You didn't do your homework. |
01:13:58 |
Oh, Larry, is it? |
01:14:01 |
I was clearing up your mess. |
01:14:02 |
My mess? |
01:14:05 |
- Eh? |
01:14:07 |
It's you that's hiding, isn't it, Seamus? |
01:14:09 |
It's you that can't show your face. |
01:14:14 |
Who else thinks that? |
01:14:18 |
Isn't that the reason |
01:14:23 |
You're a good girl, Deirdre. |
01:14:26 |
Do your job, eh? |
01:14:41 |
He's tough, your Yank. |
01:14:45 |
You're right about that. |
01:14:49 |
But who is he? |
01:14:51 |
That's not important. |
01:14:54 |
Didn't he work for the CIA? |
01:14:58 |
He used to. |
01:15:00 |
Not anymore? |
01:15:03 |
He's on the run. |
01:15:06 |
You're sure? |
01:15:08 |
I know what he can do. |
01:15:13 |
Why would he carve himself up |
01:15:15 |
He makes a call and it's taken care of. |
01:15:28 |
And you? How are you? |
01:15:38 |
We need some information. |
01:15:43 |
Who? |
01:15:45 |
An Irish man and woman, |
01:15:47 |
a German, an ex-KGB. |
01:15:50 |
They're professionals. |
01:15:52 |
They're in hiding. |
01:15:54 |
This is really important to you? |
01:15:59 |
He saved my life. |
01:16:04 |
Bon. |
01:16:07 |
I'll find them for you. |
01:16:28 |
Where's the case? |
01:16:34 |
It will come tomorrow. I'm sure. |
01:16:36 |
Well, I'm sure it will, too. Let's go. |
01:16:40 |
Let's hope so, for your sake, anyway. |
01:17:13 |
Are you feeling better? |
01:17:15 |
Yeah, enough to move around. Thanks. |
01:17:26 |
My hobby. |
01:17:29 |
One grows old. |
01:17:33 |
I knew a lot of fellas, friends of mine, |
01:17:35 |
they just wanted to live to open a bar. |
01:17:37 |
Had they lived, |
01:17:42 |
- Then they were spared their disillusion. |
01:17:47 |
Who were these people? |
01:17:52 |
- I wouldn't hurt a friend. |
01:17:56 |
That's right. |
01:18:03 |
Well, who are you? |
01:18:08 |
A fella like you, |
01:18:11 |
At the end of the day, we're likely |
01:18:15 |
You don't have to worry about me. |
01:18:45 |
The 47 ronin, do you know it? |
01:18:49 |
47 samurai whose master |
01:18:54 |
They became ronin, masterless samurai, |
01:18:58 |
disgraced by another man's treachery. |
01:19:01 |
For three years they plotted, |
01:19:04 |
mercenaries, even madmen. |
01:19:07 |
That I didn't have time to do. |
01:19:09 |
And then one night they struck, |
01:19:11 |
of their lord's betrayer, killing him. |
01:19:15 |
Nice. I like that. My kind of job. |
01:19:17 |
There's something more. |
01:19:20 |
All 47 of them committed seppuku, |
01:19:25 |
ritual suicide, |
01:19:28 |
Well, that I don't like so much. |
01:19:31 |
- But you understand it? |
01:19:36 |
The warrior code, the delight in the battle. |
01:19:41 |
But also something more. |
01:19:44 |
You understand there is something |
01:19:47 |
that has to be served. |
01:19:49 |
And when that need is gone, |
01:19:51 |
when belief has died, what are you? |
01:19:55 |
A man without a master. |
01:19:57 |
Right now I'm a man |
01:20:00 |
The ronin could have hired |
01:20:03 |
They could have fought |
01:20:05 |
But they chose honour. |
01:20:09 |
They chose wrong. |
01:20:19 |
Seppu... Seppu... what? |
01:20:21 |
Yes, seppuku. |
01:20:23 |
Disembowelment. |
01:20:26 |
The sword goes in here. |
01:20:38 |
Are you sure this address is good? |
01:20:40 |
Jean-Pierre gave it to me. |
01:21:14 |
Under the bridge by the river... |
01:21:17 |
How did you know |
01:21:20 |
Whenever there is any doubt, |
01:21:23 |
That's the first thing they teach you. |
01:21:28 |
Who taught you? |
01:21:31 |
I don't remember. |
01:21:39 |
All good things |
01:22:10 |
- Why is Gregor still alive? |
01:22:38 |
How ya doin'? |
01:22:46 |
What are you... |
01:22:49 |
Let's just be calm for one more moment. |
01:23:06 |
Why? Why? |
01:23:08 |
You know why. |
01:23:10 |
No. You don't wanna do that. |
01:23:16 |
You can't. |
01:23:22 |
Get back! |
01:23:24 |
Get in the fucking car! |
01:23:35 |
Why didn't you shoot her? |
01:24:27 |
Take the tunnel, now! |
01:24:29 |
Oh, Christ! |
01:24:33 |
Eh, merde! |
01:27:36 |
Come on! Come on! |
01:28:01 |
All right, you fuck! |
01:31:21 |
Where could he be? |
01:31:24 |
- Where could he be? |
01:31:28 |
The Irish and the Russians are looking |
01:31:31 |
He goes to the Russians |
01:31:35 |
Gregor ain't comin' in unless |
01:31:38 |
He knows they'll kill him for the case |
01:31:40 |
He's got to work it out soon |
01:31:47 |
So where does he go? |
01:31:50 |
You go to what you know. |
01:31:56 |
He's KGB. |
01:32:01 |
No, they're all blown. |
01:32:03 |
Where does he go? |
01:32:11 |
So, you're on the run. |
01:32:15 |
Hmm? |
01:32:20 |
Where's he been? Where's he been? |
01:32:36 |
He made the fake case. |
01:32:38 |
He had the fake case made. |
01:32:41 |
Gregor. He had it made. |
01:32:44 |
He had to have had it made. |
01:32:48 |
In Paris, before we went to Nice. |
01:32:51 |
He didn't have time to have it made. |
01:32:53 |
He bought something that looked like it, |
01:32:55 |
Where did he get the spray? |
01:32:58 |
Where did he get the case? |
01:33:09 |
Excusez-moi, monsieur. |
01:33:32 |
It's a case for ice skates. |
01:33:37 |
Why ice skates? |
01:33:41 |
And why would Gregor |
01:33:45 |
He didn't have time to have it made. |
01:33:47 |
He didn't have time to have it made. |
01:33:54 |
The Russians made it. |
01:33:59 |
We're following the wrong people. |
01:34:01 |
We don't have to find Gregor. |
01:34:04 |
We find the Russians, |
01:34:07 |
You've lived in Paris |
01:34:11 |
- I get around. |
01:34:14 |
You know how it is. |
01:34:18 |
Under diplomatic cover. |
01:34:22 |
KGB? |
01:34:23 |
Ex-KGB. |
01:34:24 |
Heavy hitters, gamblers, |
01:34:29 |
They live like tsars. |
01:34:30 |
Fur hats are expensive. |
01:34:32 |
- And bodyguards. |
01:34:37 |
I have a lot of work, no time. |
01:34:42 |
I understand. |
01:34:45 |
All right. Let's go. |
01:34:48 |
Okay. |
01:34:55 |
It will be fine. |
01:34:58 |
The guy is gonna reach out. |
01:35:00 |
Is he any good? |
01:35:02 |
Jean-Pierre says if it's Russian |
01:35:16 |
If I wanted to find Russians |
01:35:19 |
I'd go to the ice show. |
01:36:34 |
- Bonsoir, Pierre. |
01:36:36 |
Je vais payer pour votre sur. |
01:36:38 |
Oh, merci beaucoup, |
01:36:47 |
I'll trade you a cigarette for a favour. |
01:36:53 |
The favour is, steer clear of those guys. |
01:36:54 |
Who? The Russians? |
01:37:02 |
They sure throw their money around. |
01:37:05 |
Bonsoir. |
01:37:06 |
- Ça va? |
01:37:12 |
- Bonsoir. |
01:37:20 |
The Russian is seeing Natacha Kirilova, |
01:37:24 |
He spends every evening in the audience. |
01:37:29 |
How did you find that out? |
01:37:30 |
We went to high school together. |
01:38:06 |
Mikhi, is everything all right? |
01:38:09 |
Everything is fine. |
01:38:12 |
Sweet girl. |
01:38:16 |
Go. Go on. |
01:38:35 |
Ladies and gentlemen! |
01:38:36 |
We are very proud to present... |
01:38:40 |
...two-time Olympic champion |
01:38:46 |
...Natacha Kirilova! |
01:40:51 |
Let's go. |
01:41:06 |
Wait out here. |
01:41:12 |
Yes, he is. |
01:41:15 |
Hello, Mikhi. |
01:41:17 |
- The meeting is not till later tonight. |
01:41:24 |
You have the money? |
01:41:27 |
Well, we were going to go back |
01:41:30 |
I don't think so. |
01:41:33 |
You have the money? |
01:41:39 |
I might have the money. |
01:41:42 |
No, you have to do it. |
01:41:59 |
I have the money. |
01:42:01 |
We conclude this now |
01:42:03 |
Okay? |
01:42:08 |
Where is the case? |
01:42:20 |
I'd like to be paid now. |
01:42:28 |
No doubt. |
01:42:34 |
Now tell me the other part. |
01:42:37 |
The other part? |
01:42:40 |
I'm leaving. |
01:42:42 |
I'm taking my fee and I'm leaving. |
01:42:46 |
I have a person with a rifle in the stadium. |
01:42:49 |
I've worked with her for years. |
01:42:52 |
I will call. |
01:42:55 |
I have to call within 45 seconds |
01:42:57 |
to say that I'm leaving, |
01:42:59 |
and then in another 10 minutes |
01:43:04 |
Should I be unable to call, |
01:43:17 |
30 seconds, Mikhi. |
01:43:20 |
- We need to get inside. |
01:43:30 |
20 seconds. |
01:43:42 |
10 seconds. |
01:44:11 |
There were two of them. |
01:44:14 |
They were looking for those guys. |
01:44:15 |
Just a minute, sir! |
01:44:33 |
I am a Chilean citizen, |
01:44:37 |
Merci. |
01:45:16 |
- Mama! |
01:45:24 |
Katchev! |
01:45:26 |
Qu'est-ce qui se passe? |
01:45:41 |
Stay with him. |
01:46:14 |
Get out of here. |
01:46:16 |
Get out of the car. |
01:46:19 |
Walk away! Go. Go. |
01:46:22 |
- I will if you will. |
01:46:25 |
Come with me. |
01:46:31 |
I didn't come for the case. |
01:46:36 |
I came for Seamus. I came for him. |
01:46:39 |
Just get out of here. |
01:46:45 |
Get out of the way! |
01:46:56 |
Get out of the way! |
01:46:57 |
This way is blocked. |
01:47:25 |
I can take you in or leave you here. |
01:47:28 |
There. That's him with the case. |
01:47:30 |
Sir! Over here, please. |
01:47:32 |
Wait! Wait! |
01:47:40 |
There are more back there! |
01:48:18 |
Stay where you are! |
01:48:20 |
Don't move! Shut your fuckin' mouth up! |
01:48:37 |
You stupid shite. |
01:48:39 |
You're a dead man. |
01:49:04 |
This is the BBC World Service. |
01:49:07 |
It was announced today, |
01:49:09 |
of bloody and seemingly intractable |
01:49:13 |
that a peace agreement |
01:49:15 |
the predominantly Protestant |
01:49:18 |
and the Irish resistance... |
01:49:25 |
...have told CNN that it was |
01:49:29 |
in France of the Irish terrorist Seamus |
01:49:33 |
that contributed a stability, |
01:49:36 |
the negotiations to proceed |
01:49:40 |
O'Rourke had earlier |
01:49:42 |
the military wing of Sinn Fein, |
01:49:49 |
Well, then, good knowin' ya. |
01:50:02 |
Hmm? |
01:50:03 |
- I'm sorry? |
01:50:06 |
I said she would not |
01:50:12 |
Yeah. She would |
01:50:22 |
I can't even put my hand in my pocket |
01:50:24 |
I'll get it. |
01:50:29 |
I'll get the next one. |
01:50:37 |
What was in the case? |
01:50:38 |
I don't remember. |
01:50:42 |
Lesson number two. |
01:50:45 |
Keep in touch. |
01:51:05 |
Let's go. |
01:51:19 |
No questions, no answers. |
01:51:22 |
That's the business we're in. |
01:51:24 |
You accept it and move on. |
01:51:28 |
Maybe that's lesson number three. |