|
Assassins
|
| 00:02:21 |
Son of a bitch! |
| 00:02:23 |
When I first saw you, I wasn't scared. |
| 00:02:26 |
Just wondered why you wore those boots. |
| 00:02:28 |
Now I know. |
| 00:03:03 |
We've both played this game, Rath. |
| 00:03:06 |
What kind of shoes will you be wearing... |
| 00:03:08 |
...when your day comes? |
| 00:03:12 |
I'll double the contract. |
| 00:03:14 |
Say you couldn't find me. |
| 00:03:20 |
Listen to me. |
| 00:03:22 |
I'm talking like a mark! |
| 00:03:37 |
Don't pull yet. |
| 00:03:38 |
Not yet. |
| 00:03:42 |
I've killed a few innocents in my time. |
| 00:03:45 |
You're so high and mighty! |
| 00:03:49 |
Someone had to do |
| 00:03:54 |
I can't die like this! |
| 00:03:57 |
I'm not a mark. |
| 00:03:59 |
Not like a mark. |
| 00:04:19 |
It's chambered. |
| 00:04:27 |
Thanks, Rath. |
| 00:04:35 |
Good-bye, old friend. |
| 00:07:17 |
I don't care what you believe. I've had it. |
| 00:07:20 |
I want out. I quit. |
| 00:07:27 |
Go away, you son of a bitch. |
| 00:07:39 |
You should be. |
| 00:08:51 |
The attention is not for the man being |
| 00:08:56 |
Just arriving is reclusive |
| 00:08:59 |
...attending the funeral of his brother, |
| 00:09:03 |
Branch was last seen testifying |
| 00:09:07 |
...for his alleged financing of... |
| 00:09:10 |
... right wing death squads throughout |
| 00:09:13 |
Branch was born in Queens, |
| 00:09:16 |
...from the wheelchair, |
| 00:09:19 |
10 years ago Alan Branch was brought |
| 00:09:24 |
...about his alleged involvement in |
| 00:09:28 |
...and death-squad financing. |
| 00:10:24 |
Let us pray. |
| 00:10:26 |
Lord Jesus Christ... |
| 00:10:28 |
... by the 3 days you lay in the tomb... |
| 00:10:30 |
... you made holy the graves |
| 00:10:33 |
Though their bodies lie in the earth, |
| 00:10:39 |
Bless this grave, Lord, |
| 00:10:57 |
My God! |
| 00:11:00 |
He's been shot! |
| 00:11:48 |
Come on, you little bastard, be brave. |
| 00:11:51 |
Run for it. |
| 00:12:08 |
Put it down! |
| 00:12:11 |
Fuck. |
| 00:12:12 |
Throw the gun away! |
| 00:12:14 |
On the ground! |
| 00:12:16 |
Face down! |
| 00:12:17 |
Alright! |
| 00:12:18 |
Throw it away! |
| 00:12:23 |
Don't move! |
| 00:12:26 |
Hands behind your back! |
| 00:12:28 |
What's he doing? |
| 00:12:33 |
Check him for more weapons. |
| 00:12:35 |
Where is it? |
| 00:12:37 |
- Don't worry. |
| 00:12:39 |
There. |
| 00:12:44 |
The area's secure. |
| 00:12:52 |
Nice to meet you. |
| 00:13:32 |
Wait. Ambulance, let's go! |
| 00:13:39 |
Hold it! |
| 00:13:40 |
#1, move it out! |
| 00:13:43 |
#2, come on! |
| 00:13:47 |
Get out of here! |
| 00:14:18 |
What is the disposition of your suspect? |
| 00:14:21 |
1 Bravo 5. |
| 00:14:23 |
We're proceeding to the precinct... |
| 00:14:25 |
... suspect in custody. |
| 00:14:26 |
Roger. I show you en route to |
| 00:14:33 |
Look. |
| 00:14:34 |
Watch it. |
| 00:14:52 |
Look out! |
| 00:15:24 |
Don't fucking try it! |
| 00:15:31 |
Officers down. |
| 00:15:32 |
Victoria Ave. 2700 block. |
| 00:15:39 |
Repeat... |
| 00:15:40 |
... officers down. |
| 00:15:51 |
1 Bravo 3, what's your status? |
| 00:16:02 |
1 Bravo 3, please respond. |
| 00:16:33 |
Repeat, officers down. |
| 00:16:55 |
All units, suspect in the four-officer- |
| 00:16:59 |
Male Hispanic, thirty years, |
| 00:17:02 |
Monitor all bus stations and the airport. |
| 00:17:21 |
Goddamn it! |
| 00:17:22 |
You okay? |
| 00:17:23 |
I just got this car! |
| 00:17:25 |
I'm sorry. Are you okay? |
| 00:17:27 |
What's it going to take? |
| 00:17:30 |
Take it. |
| 00:17:32 |
I'm sorry. |
| 00:17:45 |
Who's near Denny Way and 5th? |
| 00:17:49 |
Who's near Christina's? |
| 00:17:53 |
501, I'm there. |
| 00:18:07 |
Come on. Be the right one. |
| 00:18:19 |
Taxi! |
| 00:18:20 |
I'm booked. |
| 00:18:22 |
We saw it first! |
| 00:18:25 |
Airport. |
| 00:18:26 |
You got it. |
| 00:18:34 |
You got a cut on your head. You see that? |
| 00:18:39 |
I had an accident at work. |
| 00:18:41 |
What kind of work do you do? |
| 00:18:44 |
I am, how do you say... |
| 00:18:45 |
...dead tired. |
| 00:18:47 |
So, save the chitchat for someone else. |
| 00:18:51 |
Chitchat. |
| 00:19:13 |
What're you doing? |
| 00:19:15 |
There was a turnoff. |
| 00:19:16 |
I'm sorry. |
| 00:19:18 |
You blew your tip. |
| 00:19:19 |
Think I'm trying to run you up? |
| 00:19:21 |
Just do your job. |
| 00:19:22 |
I never ran up a fare in my life! |
| 00:19:25 |
Do your job! |
| 00:19:31 |
Get out. |
| 00:19:34 |
You think I'm running you up? |
| 00:19:38 |
You can't just... |
| 00:19:40 |
The hell I can't. |
| 00:19:43 |
Out. |
| 00:19:44 |
Find another cab. |
| 00:19:49 |
I don't believe this. |
| 00:20:03 |
Robert... |
| 00:20:04 |
...Rath. |
| 00:20:09 |
You can't shoot me through the glass. |
| 00:20:13 |
Bulletproof. |
| 00:20:16 |
So, I get out... |
| 00:20:18 |
...you got me. |
| 00:20:23 |
So... |
| 00:20:25 |
...now what? |
| 00:20:27 |
Who are you? |
| 00:20:30 |
Robert Rath... |
| 00:20:32 |
...wants to know me. |
| 00:20:35 |
I don't believe this. |
| 00:20:38 |
Bain. |
| 00:20:40 |
Miguel Bain. |
| 00:20:44 |
Let me see. You rolled some cabbie... |
| 00:20:47 |
...then waited for the right call. |
| 00:20:50 |
That's genius. |
| 00:20:53 |
Then you got the balls to bullshit with me. |
| 00:20:56 |
No way I could have done that. |
| 00:20:58 |
You stole my contract. |
| 00:21:01 |
How'd you know of it? |
| 00:21:03 |
A silenced... |
| 00:21:05 |
...Ruger.22. |
| 00:21:08 |
Classic. |
| 00:21:11 |
You know, I switched... |
| 00:21:14 |
...when I heard you used one. |
| 00:21:19 |
Excuse this. |
| 00:21:21 |
It was a long shot. |
| 00:21:23 |
But a good one. |
| 00:21:24 |
Wasn't it? |
| 00:21:27 |
Who's your contractor? |
| 00:21:31 |
Why don't you drive? |
| 00:21:33 |
We can get acquainted. |
| 00:21:36 |
Chitchat. |
| 00:21:39 |
Let's sit. |
| 00:21:41 |
Okay? |
| 00:22:01 |
Drive. |
| 00:22:05 |
Number 13 looks tired. |
| 00:22:08 |
Maybe she needs a rest. |
| 00:22:11 |
Drive. |
| 00:22:13 |
Drive. |
| 00:22:15 |
Drive. |
| 00:22:37 |
Protect the innocent. |
| 00:22:39 |
That's weak. |
| 00:22:41 |
You could've had me at the cemetery |
| 00:22:45 |
You are anticuado. |
| 00:22:54 |
I had to try! Who knows? |
| 00:23:08 |
They look pissed, huh? |
| 00:23:11 |
They get that way when you kill 4 of them. |
| 00:23:14 |
How do you like the cemetery? |
| 00:23:18 |
Rome, 14 B.C. |
| 00:23:21 |
They killed a general, Flavius, |
| 00:23:25 |
I couldn't wait for Branch's brother to die, |
| 00:23:29 |
Proud of me, Bobby? |
| 00:23:33 |
Well... |
| 00:23:36 |
It was nice meeting you. |
| 00:23:38 |
Someday, I'll tell my little niños |
| 00:24:09 |
Shit! |
| 00:24:39 |
Who's your contractor, kid? |
| 00:24:47 |
You blew it! |
| 00:24:49 |
I am still alive! |
| 00:24:58 |
Not for long. |
| 00:25:08 |
What are you doing? |
| 00:25:10 |
What the hell are you doing? |
| 00:25:15 |
You'll get us killed! |
| 00:25:18 |
Let's get them. |
| 00:25:20 |
2 Robert 2, in pursuit of Yellow Cab, 501. |
| 00:25:23 |
In pursuit. Request backup. |
| 00:25:26 |
2 Robert 3 responding. |
| 00:25:28 |
All units, Yellow Cab number 501... |
| 00:25:31 |
... stolen near vicinity of officers down. |
| 00:25:33 |
10-4, Regional Air responding. |
| 00:25:35 |
Regional Air has joined the pursuit. |
| 00:25:39 |
Suspects considered |
| 00:25:41 |
Robert 2, received. |
| 00:25:46 |
Turn here! |
| 00:25:47 |
I know this area! |
| 00:25:48 |
Hit it! |
| 00:25:58 |
Don't give any more advice. |
| 00:26:02 |
This is Regional Air. We're heading |
| 00:26:07 |
All units, maintain your positions. |
| 00:26:11 |
Don't lose him. |
| 00:26:13 |
This is Regional Air. We copy. |
| 00:26:17 |
I studied everything you ever did. |
| 00:26:22 |
Goddamn it, you were good! |
| 00:26:25 |
You and the Russian, Nicolai Talinkov. |
| 00:26:28 |
Tachlinkov. |
| 00:26:33 |
Tachlinkov. |
| 00:26:39 |
You know, |
| 00:26:43 |
But I say, you were the best! |
| 00:26:45 |
I say, Nicolai's dead as a doornail! |
| 00:26:47 |
Am I right, Bob? |
| 00:26:50 |
I heard you guys played chess coded |
| 00:26:53 |
Ten fucking miles of microfilm! |
| 00:26:55 |
But I found it! I found it! |
| 00:26:58 |
The last game ends before anyone wins! |
| 00:27:03 |
He thought you were his friend. |
| 00:27:06 |
And now I know, that's how you took him. |
| 00:27:10 |
You killed him to be number one. |
| 00:27:25 |
Bishop... |
| 00:27:26 |
...takes rook pawn. |
| 00:27:44 |
All units, Regional Air has a visual. |
| 00:27:48 |
Suspect headed east on Sycamore St. |
| 00:28:13 |
- Regional Air, do you have a visual? |
| 00:28:26 |
We don't got him. |
| 00:28:53 |
What is he talking about, |
| 00:29:08 |
15 years, and I still remember this game. |
| 00:29:12 |
It's like yesterday. |
| 00:29:24 |
I hate to admit it, |
| 00:29:31 |
Yeah, I remember that one. |
| 00:29:39 |
Let's see what the kid knows. |
| 00:29:41 |
Enter next move. |
| 00:29:43 |
Bishop takes... |
| 00:29:46 |
...rook pawn. |
| 00:30:06 |
A mark. |
| 00:30:09 |
I'm a goddamn mark. |
| 00:30:23 |
Miguel Bain. |
| 00:30:27 |
Don't play with me now. |
| 00:30:35 |
Are you setting me up? |
| 00:30:37 |
Is this how it went, Nicolai? |
| 00:30:48 |
That's it. I'm gone. |
| 00:30:53 |
Where're you going? |
| 00:31:08 |
$2 million and I'm out of here. |
| 00:31:12 |
I'm gone. |
| 00:31:19 |
Seattle. |
| 00:31:26 |
Surveillance expert. |
| 00:31:29 |
Buyers. |
| 00:32:15 |
The mark. Who's the mark? |
| 00:32:57 |
Here you go, Pearl. |
| 00:32:59 |
Here you go. |
| 00:33:00 |
No, thanks. I won't have any. |
| 00:33:10 |
You know what? I forgot to tell you. |
| 00:33:13 |
We got our pictures. |
| 00:33:16 |
Let's see what we have here. |
| 00:33:20 |
This is good. I like this one. |
| 00:33:22 |
It's your good side. Look. |
| 00:33:24 |
That's not so bad. |
| 00:33:26 |
And you say you don't photograph well. |
| 00:33:29 |
I don't have time |
| 00:33:32 |
- You never have time to talk about it! |
| 00:33:36 |
But now is not a good time! |
| 00:33:38 |
I wanted to talk about this |
| 00:33:40 |
I had to get my sleep! |
| 00:33:52 |
Hi, Mrs. Slattery. What you making? |
| 00:33:56 |
Every time we start talking about this we... |
| 00:33:59 |
Why'd you bring it up? |
| 00:34:01 |
Guys... |
| 00:34:02 |
...what are you doing? |
| 00:34:04 |
Don't walk away, |
| 00:34:10 |
You're not helping matters here. |
| 00:34:13 |
Stop it! |
| 00:34:14 |
You're so concerned about |
| 00:34:25 |
You want to slam doors? |
| 00:34:40 |
Room 115. |
| 00:34:41 |
I have the disk. |
| 00:34:43 |
The buyers arrive at noon. Flight 1055. |
| 00:34:46 |
I'll attempt contact at 12:30 |
| 00:34:51 |
Do you have hard copy images? |
| 00:34:53 |
Yes. What do I call the principal? |
| 00:34:56 |
- Call him Remy. How'll they know? |
| 00:34:59 |
Try and trace that one. |
| 00:35:10 |
Poor baby. |
| 00:35:16 |
Hi. Welcome. How are you today? |
| 00:35:18 |
Keep the car handy. |
| 00:35:20 |
Great. |
| 00:35:25 |
Let me get your ticket here. |
| 00:35:27 |
- Need help with your bags? |
| 00:35:30 |
You need your ticket. |
| 00:35:42 |
I hated that restaurant. |
| 00:35:45 |
I didn't like anything about it. |
| 00:35:49 |
What an awful, awful restaurant. |
| 00:35:55 |
Don't make another reservation there. |
| 00:35:58 |
You can certainly find a better spot. |
| 00:36:07 |
Fourth floor. |
| 00:36:18 |
You're welcome, baby. My pleasure. |
| 00:36:21 |
Arriving passenger Remy, |
| 00:36:25 |
Passenger Remy, |
| 00:36:41 |
This is Remy. |
| 00:36:43 |
Are you ready to go shopping on the |
| 00:36:47 |
Where are you? |
| 00:36:48 |
Are you ready? Yes or no. |
| 00:36:51 |
Yes. |
| 00:36:52 |
The Marriott Hotel. There are pay |
| 00:36:56 |
You've got 20 minutes, |
| 00:37:31 |
Cut your hair. |
| 00:38:38 |
Good, you're early. |
| 00:38:41 |
Get the Yellow Pages. |
| 00:38:42 |
Right. |
| 00:38:44 |
Lonely? |
| 00:38:45 |
In town on business? |
| 00:38:47 |
Check the escorts. |
| 00:38:59 |
Got it. |
| 00:39:00 |
Room 718. I smell a rat... |
| 00:39:02 |
... the disk and I are gone. |
| 00:39:04 |
We simpatico? |
| 00:39:06 |
Simpatico, yes. |
| 00:39:24 |
Hold the elevator, please. |
| 00:39:27 |
Damn. |
| 00:39:34 |
Excuse me. |
| 00:39:35 |
It's okay. |
| 00:39:36 |
Maintenance. |
| 00:39:47 |
Operator. |
| 00:39:48 |
I'd like to report a problem on |
| 00:39:54 |
Fourth floor. |
| 00:40:03 |
The 12th floor? What room? |
| 00:40:07 |
I'll check the circuit breakers. |
| 00:40:11 |
Seventh floor. |
| 00:40:15 |
Excuse me. Sorry. |
| 00:40:37 |
I'd like to make a reservation. |
| 00:40:40 |
Buyers, seller, |
| 00:40:48 |
Come out, wherever you are. |
| 00:41:00 |
718. |
| 00:41:12 |
Hey, fellas, slow down. |
| 00:41:15 |
Relax. |
| 00:41:17 |
First, I'll need a $10,000 deposit. |
| 00:41:20 |
That's wasn't the deal. |
| 00:41:23 |
Then we have nothing to discuss. |
| 00:41:26 |
Wait. Hang on. |
| 00:41:29 |
Here's today's menu. |
| 00:41:31 |
One second... |
| 00:41:32 |
...I must put in a disk. |
| 00:41:39 |
All right, it's in. |
| 00:41:47 |
Where? |
| 00:41:57 |
There's a screwdriver on the table. |
| 00:42:03 |
Chicago Bulls. Good team. Twenty rooms. |
| 00:42:12 |
Katz. Two rooms: 718, 542. |
| 00:42:15 |
Paid in cash. |
| 00:43:06 |
Twin 9 millimeters. |
| 00:43:08 |
Room 718, nothing. Room 542... |
| 00:43:14 |
Coffee, coffee, coffee, coffee... |
| 00:43:18 |
...tuna fish. |
| 00:43:24 |
Tuna fish? |
| 00:43:29 |
Here it comes. |
| 00:43:35 |
Look out, Pearl! |
| 00:43:41 |
Pennies from heaven. |
| 00:43:43 |
Baby, you keep this warm for me. |
| 00:43:50 |
I'm going to format your disk, |
| 00:44:01 |
You getting this, Hans Brinker? |
| 00:44:24 |
Interpol. |
| 00:44:46 |
Telephone? |
| 00:44:48 |
It come from here. |
| 00:44:52 |
This is not my beeper. |
| 00:45:21 |
Interpol. |
| 00:45:24 |
What's going on? |
| 00:45:27 |
Hello? Can you hear me? |
| 00:45:31 |
Hans Brinker, Mr. Dutchman, talk to me. |
| 00:45:36 |
Hello? |
| 00:45:37 |
Complete the transmission. |
| 00:45:42 |
Who is this? |
| 00:45:47 |
Who is this? |
| 00:45:49 |
Please complete the transmission. |
| 00:45:51 |
Shit! |
| 00:45:57 |
No, wait. |
| 00:46:04 |
Fuck. |
| 00:46:07 |
Honey... |
| 00:46:09 |
...I'll tear your heart out. |
| 00:46:11 |
Holy Mary. |
| 00:46:20 |
Let's get you your case. |
| 00:46:25 |
Don't do this to me. |
| 00:46:32 |
Pearl, come on. Come on, please. |
| 00:46:40 |
Come on. |
| 00:46:54 |
Don't! |
| 00:46:56 |
Don't? |
| 00:46:59 |
Don't what? |
| 00:47:05 |
Rath... |
| 00:47:09 |
...is that you? |
| 00:47:14 |
The disk. |
| 00:47:16 |
It's you. |
| 00:47:18 |
It's you. |
| 00:47:19 |
Disk. |
| 00:47:21 |
You tried the move. |
| 00:47:23 |
Bishop takes rook pawn. |
| 00:47:25 |
It's a powerful move. |
| 00:47:27 |
Would have been Nicolai's move. |
| 00:47:32 |
You got a move for me? |
| 00:47:35 |
You know, it's like chess. |
| 00:47:38 |
Is she alive? |
| 00:47:40 |
Did you kill her? |
| 00:47:43 |
Did you kill my mark? |
| 00:47:47 |
Are you there? |
| 00:47:53 |
542. |
| 00:47:55 |
Is she dead yet? |
| 00:47:59 |
I took care of business on my end. |
| 00:48:11 |
A woman. |
| 00:48:14 |
You have to pull the trigger a different way. |
| 00:48:19 |
Is she beautiful? |
| 00:48:26 |
Pull the trigger. Kill her. |
| 00:48:28 |
Come on. Do it. Do it. |
| 00:48:31 |
Pull the trigger. |
| 00:48:38 |
Pull the trigger. Kill her. Be professional. |
| 00:48:41 |
Kill her. |
| 00:48:55 |
It's my beeper. |
| 00:49:26 |
Go on. |
| 00:49:27 |
- Where's your car? |
| 00:49:30 |
I got your car right here. |
| 00:49:43 |
That's all right. I got it. |
| 00:50:07 |
Who are you? |
| 00:50:08 |
A government employee. |
| 00:50:10 |
Bullshit. |
| 00:50:11 |
Just drive and don't speed. |
| 00:50:12 |
Where? |
| 00:50:13 |
You'll know when we get there. |
| 00:50:33 |
Slow down. |
| 00:50:33 |
I can't, I'm too nervous. |
| 00:50:36 |
Slow down. |
| 00:50:38 |
This other guy, |
| 00:50:42 |
It's between you and him, right? |
| 00:50:44 |
Just leave me out of it. |
| 00:50:47 |
We can't. |
| 00:50:49 |
You're the mark. |
| 00:51:23 |
Take it easy! |
| 00:51:27 |
My cat! |
| 00:51:53 |
Damn! |
| 00:52:27 |
Pearl, come out, don't be afraid. |
| 00:52:32 |
Where's her mama? |
| 00:52:34 |
I was going to ask you that. |
| 00:52:47 |
Thank you, pussycat. |
| 00:52:51 |
Cold. |
| 00:52:57 |
Cold. |
| 00:53:02 |
Hot. |
| 00:53:06 |
So that's where you live. |
| 00:53:21 |
I really love you. |
| 00:53:23 |
I love you, too. |
| 00:53:37 |
Baby! |
| 00:53:48 |
Where is he? |
| 00:53:49 |
You sick bitch. |
| 00:53:51 |
Downstairs. |
| 00:53:55 |
Do you want to live? |
| 00:54:25 |
Give me your house keys. |
| 00:54:30 |
Meet me at the pet shop. |
| 00:55:20 |
Blank. Shit. |
| 00:55:26 |
Blank. |
| 00:55:31 |
Jennifer, wait! |
| 00:55:36 |
Come on! Move it! |
| 00:56:21 |
I'm sorry! |
| 00:56:36 |
Jasmine. |
| 00:57:07 |
Your gun is slow! |
| 00:57:11 |
I'm not the one shooting at mirrors. |
| 00:57:13 |
Who do you think... |
| 00:57:15 |
Surprise. |
| 00:57:16 |
The disk. |
| 00:57:18 |
The disk! |
| 00:57:20 |
Wait, wait! |
| 00:57:33 |
I said to wait. Shut up! |
| 00:57:43 |
Disk. |
| 00:57:44 |
Get out. |
| 00:57:52 |
I got the buyers. |
| 00:57:53 |
Now, I beat you to the mark. |
| 00:57:57 |
I'm sorry... |
| 00:57:58 |
...but I think I picked the |
| 00:58:05 |
Macho. Macho. |
| 00:58:09 |
You know... |
| 00:58:11 |
...it's my birthday. |
| 00:58:13 |
Today... |
| 00:58:14 |
...I become number one. |
| 00:58:18 |
And I got a present... |
| 00:58:32 |
Fuck! |
| 00:58:34 |
Fuck! Fuck! Fuck! Fuck! |
| 00:59:01 |
Happy birthday. |
| 00:59:54 |
Goddamn it. |
| 01:00:01 |
The girl from downstairs, |
| 01:00:04 |
She's not in her apartment. She could |
| 01:00:11 |
She's dead. |
| 01:00:47 |
Come here. |
| 01:00:50 |
Get back here. |
| 01:00:53 |
Come here, girl. |
| 01:00:55 |
She likes me. |
| 01:00:56 |
She likes dead fish too. |
| 01:01:00 |
What's your name? |
| 01:01:03 |
Robert Rath. |
| 01:01:05 |
Right. |
| 01:01:08 |
I'm Electra. |
| 01:01:12 |
Are you one of them? |
| 01:01:17 |
Was. |
| 01:01:19 |
Retired. |
| 01:01:22 |
I don't believe you. |
| 01:01:26 |
I told you... |
| 01:01:28 |
...if I wanted to kill you... |
| 01:01:30 |
...I would have already. |
| 01:01:39 |
Look what she did. |
| 01:01:41 |
It's not loaded? |
| 01:01:47 |
It's loaded. It's silenced. |
| 01:01:50 |
Just shoot. |
| 01:01:53 |
I could. |
| 01:01:55 |
I'd be 500 miles away |
| 01:01:58 |
How's that? |
| 01:02:06 |
Stop! She doesn't like it! |
| 01:02:09 |
I say she's afraid she might hit you. |
| 01:02:18 |
Sorry I have the gun? |
| 01:02:20 |
You think it was a mistake? |
| 01:02:25 |
You don't know me! |
| 01:02:27 |
Shut up! |
| 01:02:31 |
Today was supposed to be a good day. |
| 01:02:33 |
Payday. |
| 01:02:34 |
40 grand. |
| 01:02:39 |
Now two people are dead. |
| 01:02:43 |
I'm in way over my head. |
| 01:02:46 |
I just want out. |
| 01:02:49 |
You got the gun. The key's on the dresser. |
| 01:02:52 |
Go. |
| 01:02:54 |
I don't have a social security number, |
| 01:02:57 |
I barely remember my real name. |
| 01:03:00 |
I'm a ghost. I'm nobody. |
| 01:03:03 |
I'll disappear. |
| 01:03:05 |
I found you. So did he. You can't hide. |
| 01:03:09 |
I just want my life back. |
| 01:03:12 |
That's all. |
| 01:03:20 |
I'm sorry. |
| 01:03:36 |
I'll take that. |
| 01:03:43 |
I need to be alone. |
| 01:03:46 |
I haven't spent this much |
| 01:04:01 |
Neither have I. |
| 00:00:51 |
You'll get it. |
| 00:01:16 |
Fuck you. |
| 00:01:25 |
I don't care what you are. |
| 00:01:34 |
Fuck you! |
| 00:01:52 |
Then who the hell's Miguel Bain? |
| 00:02:12 |
Who the hell is Miguel Bain? |
| 00:02:15 |
Christ. |
| 00:02:37 |
What'd they say about the shooting? |
| 00:02:39 |
Nothing. |
| 00:02:41 |
I don't need details, just in general. |
| 00:02:43 |
- Nothing. |
| 00:02:45 |
Not really. Not if... |
| 00:02:47 |
If what? |
| 00:02:48 |
The CIA or Interpol... |
| 00:02:54 |
What's on this? |
| 00:02:56 |
It's encrypted. |
| 00:02:58 |
Breaking the code on my lap top |
| 00:03:02 |
Aren't you a genius? |
| 00:03:04 |
I am. |
| 00:03:05 |
I was the best. |
| 00:03:08 |
Was? |
| 00:03:10 |
Yeah, I'm retiring too. |
| 00:03:14 |
I wish I had an insight... |
| 00:03:16 |
...but it was anonymous, |
| 00:03:19 |
Probably just industrial secrets. |
| 00:03:26 |
There's one bed. |
| 00:03:28 |
I guess you noticed that. |
| 00:03:30 |
- It's yours. |
| 00:03:31 |
No, thanks. |
| 00:03:39 |
A trick so you don't get comfortable? |
| 00:03:44 |
Tie a string from your toe to the doorknob. |
| 00:03:47 |
It opens in. |
| 00:03:53 |
You wouldn't feel it. |
| 00:03:55 |
Yeah, I got it. I understand. |
| 00:04:47 |
Thanks. |
| 00:04:49 |
For what? |
| 00:04:51 |
I don't know. |
| 00:04:53 |
Saving my life, I guess. |
| 00:05:01 |
How'd you like to make $1 million? |
| 00:05:04 |
What do I have to do? |
| 00:05:08 |
Nothing cheap, I hope. |
| 00:05:12 |
What is it? |
| 00:05:13 |
Tell you tomorrow. |
| 00:05:14 |
I can't sleep. |
| 00:05:16 |
Be patient. |
| 00:05:17 |
What? Tell me. |
| 00:05:20 |
Thanks for the chocolate. |
| 00:05:23 |
Good night. |
| 00:05:46 |
Forget something? |
| 00:05:56 |
You be careful. |
| 00:07:59 |
I'm right here. |
| 00:08:32 |
What's going on? |
| 00:08:34 |
I'll move! |
| 00:09:04 |
I hate that music. |
| 00:09:06 |
Let's go. |
| 00:09:11 |
Got it? Is it all there? |
| 00:09:15 |
What're you doing? |
| 00:09:16 |
Drive! |
| 00:09:18 |
Drive, fast! |
| 00:09:20 |
I mean, fast! |
| 00:09:25 |
Get off this street! |
| 00:09:31 |
Stop! |
| 00:09:36 |
Hit it! |
| 00:09:55 |
No money, no disk. |
| 00:10:00 |
What's so funny? |
| 00:10:02 |
I wasn't sure you'd come back |
| 00:10:06 |
And all they have is file names. |
| 00:10:08 |
- No, you didn't. |
| 00:10:10 |
And they got bubkes. Zero, zilch... |
| 00:10:13 |
...zot, nix, nada, dry hump, squirt... |
| 00:10:16 |
...diddley-squat. |
| 00:10:18 |
I read a slang dictionary once. |
| 00:10:26 |
Keep reading. |
| 00:10:30 |
Contractor tried to kill you. |
| 00:10:32 |
That's not good. |
| 00:10:44 |
I have caviar for you. |
| 00:10:46 |
Come here. |
| 00:10:48 |
Good girl. |
| 00:10:51 |
"Caviar" is not a Russian word. |
| 00:10:54 |
Ikra. I think the word is ikra. |
| 00:10:58 |
How do you know? |
| 00:11:00 |
I had a Russian friend. He told me. |
| 00:11:04 |
Had a friend? |
| 00:11:07 |
About 15 years ago he was taken. |
| 00:11:12 |
He was killed? |
| 00:11:25 |
Yes, I'm still alive, you bastard. |
| 00:11:39 |
Not this time. |
| 00:11:42 |
Let's see how valuable he thinks this is. |
| 00:11:46 |
Three million? |
| 00:11:48 |
Four? |
| 00:11:51 |
More. |
| 00:12:00 |
$20 fucking million? |
| 00:12:09 |
Where do you suppose this |
| 00:12:12 |
A mile away? |
| 00:12:13 |
1,000 miles from here? |
| 00:12:17 |
Never thought about it till now. |
| 00:12:20 |
You quit your job, |
| 00:12:23 |
Sounds like a mid-life crisis. |
| 00:12:30 |
You're right. |
| 00:12:53 |
Twenty million dollars. |
| 00:13:04 |
We're partners? |
| 00:13:16 |
That's $10 million a piece. |
| 00:13:17 |
8. The bank keeps 20% . |
| 00:13:19 |
I thought I was a thief. |
| 00:13:22 |
Passport? |
| 00:13:23 |
12. Where to? |
| 00:13:25 |
To the bank. |
| 00:14:43 |
What happened to the hotel? |
| 00:14:45 |
They had a fire years ago. |
| 00:14:50 |
Wait here. |
| 00:14:54 |
Keep the air on and watch my cat. |
| 00:14:56 |
You got it. |
| 00:15:04 |
Is that our bank? |
| 00:15:05 |
Where our money is? |
| 00:15:12 |
What's up there? |
| 00:15:13 |
He'll be. |
| 00:15:58 |
Hug the wall. |
| 00:16:00 |
Careful. |
| 00:16:01 |
Go light. |
| 00:17:11 |
You okay? |
| 00:17:18 |
Ten o'clock tomorrow morning, |
| 00:17:21 |
He'll be in the plaza somewhere, |
| 00:17:25 |
When he sees me go in, |
| 00:17:28 |
You'll be in the cafe over there. |
| 00:17:30 |
You'll see him when he goes inside. |
| 00:17:33 |
Then we wait. |
| 00:17:36 |
We wait. |
| 00:17:38 |
Tomorrow will be a long day for him. |
| 00:17:41 |
He'll begin to doubt himself. |
| 00:17:45 |
He'll want to see whether |
| 00:17:50 |
Then it'll be sunset... |
| 00:17:52 |
...closing time. |
| 00:17:56 |
He'll get desperate... |
| 00:17:57 |
...real desperate... |
| 00:18:00 |
...but he must leave his rifle... |
| 00:18:03 |
...inside. |
| 00:18:04 |
He's right-handed. |
| 00:18:07 |
He won't take a pistol because |
| 00:18:10 |
...and he'll be nervous. |
| 00:18:15 |
When he's out of sight... |
| 00:18:17 |
...you come get the rifle. |
| 00:18:19 |
He'll shoot you before you go in. |
| 00:18:25 |
He'll wait for the prime shot. |
| 00:18:29 |
When I come out. |
| 00:18:33 |
He'll want to see my eyes. |
| 00:18:42 |
Why're you so sure? |
| 00:18:47 |
He loves history. |
| 00:18:50 |
15 years ago... |
| 00:18:53 |
...in this room... |
| 00:18:56 |
...in this same window... |
| 00:18:59 |
...I was here. |
| 00:19:06 |
Oh, my God. |
| 00:19:09 |
Your friend, Nicolai. He was taken. |
| 00:19:16 |
You killed him. |
| 00:19:48 |
It's fine. |
| 00:20:58 |
Who is it? |
| 00:20:59 |
Room service. |
| 00:21:01 |
I didn't order room service. |
| 00:21:04 |
I did. |
| 00:21:08 |
You should tell me these things. |
| 00:21:17 |
Where should I put the tray? |
| 00:21:20 |
Over here's fine. |
| 00:21:27 |
What's going on outside? |
| 00:21:32 |
The Day of the Dead. |
| 00:21:33 |
What're the flowers for? |
| 00:21:35 |
The families make a path from |
| 00:21:39 |
...with the flower petals... |
| 00:21:41 |
...so the souls of the dead |
| 00:21:45 |
That's nice. |
| 00:21:46 |
Call me anytime for the tray. |
| 00:21:58 |
Sounds great, huh? Can we go? |
| 00:22:01 |
No, he's here now. I know he is. |
| 00:22:03 |
So we're staying in the hotel. |
| 00:22:06 |
The enemy of fun. |
| 00:22:09 |
I got you a beer. |
| 00:22:59 |
I wish I could explain to you why... |
| 00:23:01 |
...I killed Nicolai. |
| 00:23:04 |
At the time it was |
| 00:23:07 |
...I'm sorry I did it. |
| 00:23:09 |
It's something I've had to |
| 00:23:14 |
I used to wish it would happen to me... |
| 00:23:16 |
...and that'd be my way out. |
| 00:23:19 |
Permanently. |
| 00:23:22 |
But not any more. |
| 00:23:27 |
Not since I met you. |
| 00:24:24 |
Too bad you don't understand English. |
| 00:24:26 |
I would like to tell you how wonderful |
| 00:24:30 |
I love cemeteries. I really do. I really do. |
| 00:24:34 |
You're here, the next day you're there. |
| 00:24:40 |
A lot of people down there. |
| 00:25:27 |
Jasmine. |
| 00:26:42 |
Jasmine. |
| 00:26:46 |
It's all over the place. |
| 00:27:14 |
I just killed your brother. |
| 00:27:31 |
"Contract has been paid... |
| 00:27:33 |
"...transferred to the specified account." |
| 00:27:38 |
And her disk? |
| 00:27:43 |
"You'll be advised. Good-bye, Robert." |
| 00:27:46 |
Good-bye. |
| 00:27:49 |
Let's get ready. |
| 00:27:54 |
Don't lose this. |
| 00:27:56 |
Two-way? |
| 00:27:57 |
They saw you coming. |
| 00:28:02 |
Tell me when he leaves the hotel, |
| 00:28:06 |
- What's this for? |
| 00:28:08 |
No. I can't shoot anybody. |
| 00:28:11 |
I can't. |
| 00:28:11 |
You almost shot me. |
| 00:28:13 |
I aimed at the lamp. |
| 00:28:15 |
Aim at him. |
| 00:28:20 |
Ever play cowboys and Indians? |
| 00:28:22 |
- Sure. Everybody did. |
| 00:28:26 |
An Indian. |
| 00:28:28 |
- I was always an Indian. |
| 00:28:31 |
Just pretend he's a cowboy... |
| 00:28:33 |
...and pull the trigger. |
| 00:28:34 |
Then pretend he gets up after. |
| 00:28:37 |
But you must pull the trigger. |
| 00:28:39 |
You've got to. |
| 00:28:43 |
I never depended on anyone in my life. |
| 00:28:47 |
I'm depending on you. |
| 00:29:16 |
I don't see him. |
| 00:29:19 |
I'm looking all around the square. |
| 00:29:25 |
I'm in the bank. |
| 00:29:33 |
Where do I go for transfers? |
| 00:29:35 |
Oh, my God! |
| 00:29:38 |
He's here. |
| 00:29:39 |
He's going to the hotel. |
| 00:29:43 |
He's almost at the door. |
| 00:29:49 |
He's going in. He's going in. |
| 00:29:52 |
That's what we wanted. |
| 00:29:55 |
He must be upstairs now. |
| 00:29:59 |
No. Stay? Wait, wait. I'll just wait. |
| 00:30:02 |
It's hot. |
| 00:30:03 |
Goddamn, it's hot. |
| 00:30:05 |
I'd rather be out there than in here. |
| 00:30:10 |
May I help you? |
| 00:30:11 |
I'm expecting a transfer. |
| 00:30:43 |
Señor, we have received your transfer. |
| 00:30:45 |
I'd like to close the account. |
| 00:30:47 |
Today? |
| 00:30:49 |
Close it today? |
| 00:30:50 |
Right now. |
| 00:30:52 |
- How would you like the funds? |
| 00:30:55 |
Would you please step right over there. |
| 00:30:58 |
No problem. |
| 00:31:35 |
Mr. Rath? |
| 00:31:38 |
You're aware there may |
| 00:31:41 |
Yes, I am. |
| 00:31:43 |
This will take some time. |
| 00:31:46 |
I've got all day. |
| 00:31:48 |
Take care of him. |
| 00:31:49 |
Please, follow me. Right this way. |
| 00:31:54 |
You may sit right here. |
| 00:31:56 |
Relax. We'll get you some coffee. |
| 00:32:26 |
What are you doing there? |
| 00:32:46 |
Fuck! |
| 00:33:26 |
Talk to me. |
| 00:33:27 |
No sign of him. |
| 00:33:30 |
I mean, talk to me. |
| 00:33:34 |
Tell you weird stuff. |
| 00:33:37 |
Like what? |
| 00:33:38 |
Tell me a joke. |
| 00:33:41 |
May I? |
| 00:33:42 |
Sure. |
| 00:33:44 |
Tell me something to distract me. |
| 00:33:49 |
I'm not getting paid. |
| 00:33:51 |
Be generous. |
| 00:33:53 |
Once upon a time... |
| 00:33:55 |
...there was a little sparrow... |
| 00:33:57 |
...who, while flying south for the winter, |
| 00:34:00 |
... and fell to the ground. |
| 00:34:02 |
To make matters worse, |
| 00:34:05 |
But the manure was warm |
| 00:34:08 |
So there he is, warm and happy to |
| 00:34:13 |
A cat comes along... |
| 00:34:14 |
...and he clears off the manure |
| 00:34:18 |
The moral of the story is this: |
| 00:34:21 |
Everyone who craps on you is |
| 00:34:24 |
...and everyone who gets you out of crap... |
| 00:34:27 |
... is not necessarily your friend. |
| 00:34:30 |
And if you're warm and happy... |
| 00:34:32 |
...no matter where you are, |
| 00:34:39 |
You like that? |
| 00:34:56 |
I think I'm running out of stories. |
| 00:34:59 |
Keep your eye on that building. |
| 00:35:02 |
He must be getting impatient. |
| 00:35:04 |
He'll make his move soon. |
| 00:35:07 |
Thanks for the stories. |
| 00:35:35 |
Sorry I've been taking up the table. |
| 00:35:37 |
Thank you. Thank you. |
| 00:35:52 |
Fuck! Shit! Motherfucker! |
| 00:35:54 |
Fuck! Shit! |
| 00:36:08 |
We have deducted our fee and |
| 00:36:11 |
The funds will be available in a half hour. |
| 00:36:14 |
I hope you are comfortable. |
| 00:37:56 |
Oh, my God. He's coming. |
| 00:37:58 |
He's coming. |
| 00:37:59 |
He waited longer than I did. |
| 00:38:01 |
Here he is. |
| 00:38:04 |
Go. |
| 00:38:09 |
- I have your property. |
| 00:38:16 |
Where are you? |
| 00:38:17 |
I'm here in room 303. |
| 00:38:21 |
The rifle should be on the right. |
| 00:38:23 |
If so, the gun is going to be right here. |
| 00:38:27 |
It's not. |
| 00:38:28 |
What's happening? |
| 00:38:31 |
It's not here. |
| 00:38:33 |
Listen to me. |
| 00:38:35 |
Get out now. |
| 00:38:40 |
Damn it. |
| 00:38:41 |
Forget the rifle. Get out. |
| 00:38:55 |
Have you left? |
| 00:39:01 |
Found it! |
| 00:39:46 |
Damn hot day, isn't it? |
| 00:39:48 |
Scorcher. |
| 00:39:54 |
I got it. |
| 00:40:02 |
Tell me... |
| 00:40:06 |
...how did you know? |
| 00:40:08 |
Who the hell taught you? |
| 00:40:11 |
History. |
| 00:40:13 |
Nicolai. |
| 00:40:15 |
15 years ago I walked into |
| 00:40:18 |
That makes you good... |
| 00:40:20 |
...because I was the best. |
| 00:40:23 |
Now you feel like a mark. |
| 00:40:25 |
You think you were sold out. |
| 00:40:27 |
Don't know who to trust. |
| 00:40:30 |
And you, anticuado? |
| 00:40:33 |
Who do you trust? |
| 00:40:34 |
No one. |
| 00:40:35 |
You're alone. Same as me. |
| 00:40:44 |
I don't have it! |
| 00:40:46 |
I don't have the gun. |
| 00:40:53 |
Why the sunglasses, kid? |
| 00:40:55 |
Afraid I'll see your eyes? |
| 00:40:59 |
Just between you and me... |
| 00:41:02 |
...I'm nervous. |
| 00:41:09 |
I have $16 million in there. |
| 00:41:13 |
This is where we can change history. |
| 00:41:16 |
Our history. |
| 00:41:18 |
I'm willing to give it to you... |
| 00:41:21 |
...if you'll let me walk. |
| 00:41:22 |
But... |
| 00:41:26 |
...you won't do that. |
| 00:41:38 |
Excuse me, but... |
| 00:41:42 |
...you are... |
| 00:41:44 |
...pathetic. |
| 00:41:46 |
You sound like a mark. |
| 00:41:48 |
What happened to you? |
| 00:41:50 |
Nothing. I know where you're going. |
| 00:41:53 |
I tell you... |
| 00:41:55 |
...that night in the taxi... |
| 00:41:57 |
...I thought I was lucky just to be alive. |
| 00:42:00 |
Now... |
| 00:42:01 |
...I think differently. |
| 00:42:04 |
You were the lucky one. |
| 00:42:11 |
I'm a very, very lucky man. |
| 00:42:16 |
No more chitchat. |
| 00:42:22 |
Good luck. |
| 00:42:43 |
Where are you? Talk to me. |
| 00:42:56 |
Can you hear me? |
| 00:42:58 |
Fuck. |
| 00:43:07 |
Everything is in order. |
| 00:43:33 |
This is awkward. It's not really my affair... |
| 00:43:35 |
...but I was told you would |
| 00:43:58 |
Oh God, I'm fucked. I'm fucked. |
| 00:44:23 |
Now... |
| 00:44:24 |
...we are closed. |
| 00:44:51 |
Step outside. |
| 00:44:55 |
Step outside... |
| 00:44:56 |
...and I'll set you free. |
| 00:44:58 |
Excuse me, sir, |
| 00:45:05 |
I got the sword... |
| 00:45:07 |
...right here. |
| 00:45:09 |
There is no shame. |
| 00:45:12 |
You won't feel a thing. |
| 00:45:17 |
Thank you for your business. |
| 00:45:19 |
You're welcome. |
| 00:45:33 |
Here he is. |
| 00:45:35 |
Here he is. |
| 00:45:36 |
Thank you. |
| 00:45:43 |
We've got it. |
| 00:45:44 |
We did it. |
| 00:45:47 |
Come on. |
| 00:45:49 |
Step outside. |
| 00:45:50 |
We're in. |
| 00:45:52 |
You there? |
| 00:45:54 |
Where are you? |
| 00:46:01 |
You there? |
| 00:46:07 |
Can you hear me? |
| 00:46:08 |
Look up. |
| 00:46:10 |
I want to see your eyes, motherfucker. |
| 00:46:14 |
Look up. |
| 00:46:34 |
Jasmine? |
| 00:46:35 |
Howdy. |
| 00:47:31 |
You have something of mine. |
| 00:47:33 |
I need it now. |
| 00:47:44 |
We got something for you here! |
| 00:47:50 |
What the fuck do I do with this? |
| 00:47:52 |
Two against one! |
| 00:47:54 |
Is that your edge, Rath? |
| 00:47:58 |
You didn't take the mark! |
| 00:48:08 |
Don't worry! |
| 00:48:09 |
Don't worry, I'll take her! |
| 00:48:11 |
He's serious, Rath! |
| 00:48:14 |
Even the odds! |
| 00:48:16 |
Are you scared, honey? |
| 00:48:19 |
I'm going to find you! |
| 00:48:39 |
I told you I was going to |
| 00:48:45 |
And I will! |
| 00:48:48 |
I will! |
| 00:48:50 |
I promise you that! |
| 00:50:10 |
Wait here. |
| 00:50:26 |
I said, stay up there! |
| 00:50:28 |
I'm not going to. The floor could give way! |
| 00:50:31 |
Goddamn it, why don't you listen to me? |
| 00:50:35 |
Don't move. |
| 00:50:37 |
Throw it away. |
| 00:50:39 |
Throw it away! |
| 00:50:45 |
That was no way to talk to a lady. |
| 00:50:54 |
Nicolai. |
| 00:51:00 |
It's been a long time. |
| 00:51:08 |
The years have been good to you. |
| 00:51:11 |
Miguelito? |
| 00:51:13 |
Never pictured him so young. A shame. |
| 00:51:16 |
Second best, after all. |
| 00:51:18 |
He killed you... |
| 00:51:19 |
...15 years ago. |
| 00:51:20 |
Yes, he did. |
| 00:51:23 |
I don't understand. |
| 00:51:24 |
Walking out of that bank was |
| 00:51:29 |
He always went for the heart. |
| 00:51:32 |
Predictable. |
| 00:51:38 |
15 years. |
| 00:51:41 |
For 15 goddamn years... |
| 00:51:45 |
...you let me think I'd killed you. |
| 00:51:50 |
Son-of-a-bitch. |
| 00:51:53 |
Son-of-a-bitch. |
| 00:51:55 |
You're forgetting you shot me. |
| 00:51:59 |
Why? |
| 00:52:00 |
Why did you set me up? |
| 00:52:02 |
The Cold War was ending. |
| 00:52:04 |
I needed to die... |
| 00:52:06 |
...to leave no past behind. |
| 00:52:08 |
You delivered me. |
| 00:52:11 |
You're the mark? |
| 00:52:13 |
You must be the contractor. |
| 00:52:15 |
I'm disappointed. You were to kill her. |
| 00:52:24 |
You're a thief. |
| 00:52:27 |
A good one. |
| 00:52:31 |
I retired. |
| 00:52:33 |
You were so good. |
| 00:52:35 |
I had to use both my |
| 00:52:39 |
There's something on that disk |
| 00:52:42 |
Enough information to expose us all. |
| 00:52:45 |
Especially me. |
| 00:52:49 |
Can't you kiss and make up? |
| 00:52:53 |
This is sad for me, Robert. |
| 00:52:55 |
Sentimental, but... |
| 00:52:57 |
...I did not want to find you alive. |
| 00:53:01 |
First things first. |
| 00:53:20 |
Don't do this. |
| 00:53:25 |
She's right. |
| 00:53:27 |
She always is. |
| 00:53:29 |
Female intuition. |
| 00:53:35 |
Where are you going? |
| 00:53:38 |
To finish something... |
| 00:53:40 |
...you didn't finish years ago. |
| 00:53:43 |
What? |
| 00:53:48 |
Just to make sure. |
| 00:53:55 |
Take it. |
| 00:53:59 |
Are you going to kill me? |
| 00:54:01 |
I never wanted to kill you at all. |
| 00:54:09 |
Help me up. |
| 00:54:10 |
Will you? |
| 00:54:12 |
Don't even breathe hard. |
| 00:54:18 |
You want to die? |
| 00:54:24 |
Help me up. |
| 00:54:34 |
Thank you. |
| 00:54:41 |
Now what? |
| 00:54:44 |
I'm finished. |
| 00:54:46 |
What do you mean? |
| 00:54:48 |
The history stops here. |
| 00:54:50 |
No more. |
| 00:54:52 |
I'm gone. |
| 00:54:54 |
I quit. |
| 00:55:04 |
That would make me number one. |
| 00:55:08 |
Number one. |
| 00:55:12 |
I can live with that... |
| 00:55:14 |
...can you? |
| 00:55:18 |
Absolutamente, compañero. |
| 00:55:21 |
Then live with it, Miguel. |
| 00:55:23 |
Live with it. |
| 00:55:28 |
It was very nice meeting you... |
| 00:55:31 |
...Robert Rath. |
| 00:55:33 |
It was very dangerous meeting you, |
| 00:55:48 |
You know... |
| 00:55:50 |
...as long as you're out there... |
| 00:55:53 |
...I'll never be number one. |
| 00:55:58 |
Say good-bye... |
| 00:56:00 |
...Bobby. |
| 00:56:05 |
No good-byes. |
| 00:56:09 |
Good-bye, Miguel. |
| 00:56:37 |
Thank you. |
| 00:56:47 |
Wait a minute. |
| 00:56:58 |
You'd better keep the disk, Robert. |
| 00:57:01 |
My real name is Joseph. |
| 00:57:03 |
I'm Anna. Nice to meet you, Joseph. |
| 00:57:06 |
So, Joseph, let's go get Pearl a boyfriend. |
| 00:57:09 |
Sure. And after that, if you don't mind, |
