Rose Tattoo The
|
00:01:55 |
Hey, lady, what kind of tattoo |
00:01:58 |
- I got a rose tattoo. |
00:02:00 |
- Where did he put it on you? |
00:02:14 |
64 Front Street, lady. |
00:02:21 |
Wait here. |
00:02:23 |
- Little girl. |
00:02:27 |
- You're a twig off the old rosebush. |
00:02:30 |
Is the lady that does |
00:02:32 |
Nobody's here but Daddy and me. |
00:02:34 |
And Daddy's asleep. |
00:02:36 |
Do you mind if I wait on the porch |
00:02:39 |
She won't be long. |
00:02:40 |
Where is your mama? |
00:02:42 |
Ideal Grocery Store. |
00:02:46 |
Look, she buys Grade A. |
00:02:49 |
- Now, which is which? |
00:02:51 |
Don't mix up those eggs. |
00:02:53 |
What difference is it? |
00:02:55 |
I'll tell you the difference. |
00:02:57 |
I got a Grade A husband, |
00:02:59 |
Oh, then I got a Grade B husband? |
00:03:02 |
I don't know which grade |
00:03:04 |
I got a Grade A husband, |
00:03:07 |
Yeah, I know the difference, |
00:03:09 |
and I don't give a Grade A husband |
00:03:13 |
- OK? |
00:03:14 |
Where is somebody, please, to carry |
00:03:18 |
My husband don't allow me |
00:03:19 |
- to carry big packages... |
00:03:21 |
- Like a horse on the street. Please! |
00:03:23 |
Oh, my. |
00:03:28 |
OK. |
00:03:30 |
Thank you, huh? |
00:03:35 |
- Buon giorno, Serafina. |
00:03:38 |
You are dressed for a party? |
00:03:39 |
No, I am dressed |
00:03:41 |
I got some wonderful news |
00:03:44 |
Oh? What news? |
00:03:45 |
I got to tell this news |
00:03:48 |
I'm sorry, Father. Goodbye. |
00:03:50 |
Goodbye. |
00:03:52 |
Oh, my. |
00:03:58 |
Mama. |
00:04:02 |
- Is Papa home, cara? |
00:04:04 |
A lady's waiting for you |
00:04:06 |
- Lady? |
00:04:08 |
- Open the door for me. |
00:04:09 |
Ale! |
00:04:12 |
Oh, please. |
00:04:18 |
Let me see. Let me see! |
00:04:19 |
Let me see. |
00:04:22 |
Such a perfume. |
00:04:25 |
- My! Where is Papa? |
00:04:28 |
- Sleeping? |
00:04:29 |
Why don't you tell me he was |
00:04:32 |
- Scimmia. |
00:04:36 |
Don't make any noise. |
00:05:06 |
Amore. |
00:05:11 |
Come sai di buono. |
00:05:16 |
I like the smell of rose oil |
00:05:22 |
Good. |
00:05:23 |
Good. |
00:05:25 |
Oh, love, tonight is a feast, you know. |
00:05:28 |
Because I have been to the doctor. |
00:05:31 |
I have a new life in my body. |
00:05:34 |
Yeah. |
00:05:36 |
I have a new life in my body. |
00:05:39 |
It's true. It's true. |
00:05:42 |
Oh, love, stay with me tonight. |
00:05:45 |
Don't go, please. |
00:05:47 |
I don't understand these strange |
00:05:51 |
I don't understand. I don't like it. |
00:05:55 |
I don't like it. |
00:05:56 |
Stay with me, please. |
00:06:01 |
This... This night run |
00:06:05 |
Is the last. You hear me? |
00:06:07 |
You hear me, darling? |
00:06:10 |
You... You promise me, darling. |
00:06:13 |
- Si, last run. Si. |
00:06:18 |
OK, thank you. OK. |
00:06:21 |
Mama? The lady says she can't wait. |
00:06:24 |
Yeah. Vengo. |
00:06:27 |
Rest, love. Rest. |
00:06:29 |
I come back right away. Right away. |
00:06:55 |
- Hello. |
00:06:57 |
- Do you want something? |
00:07:00 |
Talk soft, please. My husband |
00:07:03 |
What do you want sewed? |
00:07:05 |
How fast can you make |
00:07:07 |
Oh, that depends. |
00:07:08 |
I have some silk with me |
00:07:12 |
- There. |
00:07:13 |
Look at that colore. |
00:07:17 |
Wonderful stuff |
00:07:19 |
Oh, I want a man's shirt |
00:07:22 |
Silk this color for a...? |
00:07:26 |
Well, this man's wild like a Gypsy. |
00:07:28 |
silk on his skin and wants |
00:07:32 |
A woman should not encourage |
00:07:35 |
If a man's wild, he's hard |
00:07:38 |
But if he's tame, would a woman |
00:07:41 |
I told you soft, please. |
00:07:44 |
Oh, I'm sorry. |
00:07:45 |
I'm a married woman in business. |
00:07:47 |
I don't know nothing about wild men |
00:07:53 |
I'll give you twice |
00:07:55 |
Money isn't the object, |
00:07:57 |
- Tomorrow? Oh, it's impossible. |
00:08:00 |
- Impossible. |
00:08:02 |
Because tomorrow's the anniversary |
00:08:04 |
me and this man I love. |
00:08:06 |
I want him to wear this shirt |
00:08:10 |
I have his measurements |
00:08:13 |
Mama! The black goat |
00:08:16 |
- The black goat is loose in the yard! |
00:08:19 |
Stop shouting. Let Papa sleep. |
00:08:25 |
Pin the measurements, |
00:08:27 |
and the shirt will be ready |
00:08:29 |
My name's Estelle Hohengarten. |
00:08:32 |
I'm sorry. I'm sorry. |
00:08:37 |
Catch him! My tomat... |
00:08:40 |
- The goat is loose. |
00:08:45 |
Hey! Come back here! |
00:08:48 |
- Mardi Gras Club. |
00:08:57 |
You go in the house! |
00:08:59 |
- Why do you call her a witch? |
00:09:01 |
- Go in the house. |
00:09:03 |
On strillare. |
00:09:05 |
She did not shake hands with the devil. |
00:09:08 |
Malocchio. On strillare. |
00:09:10 |
And wash your face with saltwater, |
00:09:13 |
Go in the house! |
00:09:18 |
Go in, quick! She's coming. |
00:09:22 |
Malocchio. |
00:09:28 |
Rosario. |
00:09:41 |
Mama... |
00:09:42 |
...why did Papa run away like that? |
00:09:46 |
I don't know, Rosa. |
00:10:00 |
Car 61 calling Car 62. |
00:10:04 |
Car 62, come in. |
00:10:05 |
Be on the lookout. Five-ton truck |
00:10:10 |
Left the Mardi Gras Club |
00:10:14 |
The Baron of Roses |
00:10:16 |
at the Mardi Gras Club |
00:10:19 |
Check with Micky at the Four-Mile |
00:10:22 |
Standby. I think he's coming now. |
00:11:39 |
- He made his last night run. |
00:11:42 |
He should've stuck |
00:12:00 |
Who's gonna tell her, Father? |
00:12:03 |
I think a woman should. |
00:12:16 |
I hear the sewing machine. |
00:12:19 |
She's holding up a piece |
00:12:24 |
I think Assunta should tell her. |
00:12:27 |
I think she already knows |
00:12:36 |
- Something is wrong. |
00:12:49 |
Come, ladies, we must go inside. |
00:13:21 |
Don't speak. |
00:13:29 |
Don't speak. |
00:13:34 |
Don't speak. Don't speak. |
00:13:37 |
Don't speak. |
00:13:39 |
Don't speak. |
00:13:41 |
Don't speak. Please don't. |
00:13:43 |
Don't speak. Please don't. |
00:13:45 |
Don't speak. |
00:13:47 |
Don't speak. |
00:13:49 |
Don't speak, please. Don't speak. |
00:13:52 |
Don't speak. Don't speak. |
00:13:59 |
She's lost the baby. |
00:14:01 |
But Serafina's a strong woman. |
00:14:02 |
She's going to pull |
00:14:05 |
But she's trying not to breathe. |
00:14:06 |
So she's got to be watched |
00:14:09 |
- You know how to give injections? |
00:14:11 |
Needle. I use. |
00:14:13 |
- I know how. |
00:14:16 |
Doctor, I wanted to talk to you. |
00:14:21 |
The... The body. |
00:14:23 |
The body of the man |
00:14:26 |
Rosario's body was burned |
00:14:29 |
Deliberate cremation |
00:14:31 |
She wants the body cremated |
00:14:33 |
so she can keep the man's |
00:14:35 |
Well, if keeping the ashes in the house |
00:14:38 |
But the body is dead. |
00:14:41 |
Just a moment. |
00:14:43 |
Father. |
00:14:47 |
Where's the body? |
00:14:49 |
Who are you? |
00:14:55 |
Who are you? Please, who are you? |
00:14:58 |
- Estelle Hohengarten. |
00:15:00 |
See him, I have to. |
00:15:01 |
- The body cannot be seen. |
00:15:03 |
- You must go away, please. |
00:15:05 |
- Please, you cannot go in there. |
00:15:08 |
- I've gotta see him. |
00:15:10 |
- I've gotta see him. |
00:15:12 |
The widow knows nothing about you. |
00:15:14 |
- Assassina! |
00:15:16 |
Sporcacciona! |
00:15:38 |
Somebody stop the piano! |
00:15:41 |
Stop it! |
00:15:44 |
Stop it. Ferma! |
00:15:46 |
Ferma. |
00:16:15 |
Go home. |
00:16:16 |
My father is dead. |
00:16:31 |
Rosa, you're not going |
00:16:34 |
unless you just forget |
00:16:36 |
Mama made five formals |
00:16:38 |
She wouldn't make one for me. |
00:16:39 |
She said if my Daddy was living |
00:16:41 |
he wouldn't allow me to go |
00:16:43 |
But your father's been dead |
00:16:46 |
Rosa, you stop crying, or I won't |
00:16:49 |
I'm the only girl without a formal. |
00:16:51 |
Wait. Just a minute. |
00:16:53 |
Lutie, this is Jack Hunter. |
00:16:55 |
- Hello. |
00:16:56 |
Who is that boy with Pauline Hunter? |
00:16:58 |
That's her brother, Jack. |
00:17:00 |
I think he's a dream of a dream. |
00:17:02 |
- Girls, this is Art Noble and Ray Brinn. |
00:17:07 |
- Good evening, Rosa and Violetta. |
00:17:09 |
Jack, I'd like you to meet |
00:17:13 |
Why did Rosa run away like that? |
00:17:15 |
She's all upset because |
00:17:18 |
Well, it's not important. |
00:17:20 |
Excuse me. |
00:17:32 |
La tua voca gentile |
00:17:40 |
Piu non allieta il mio core |
00:17:48 |
Come le rose d'Aprile |
00:17:55 |
Le gioie d'amore... |
00:17:59 |
Rose? |
00:18:04 |
How do you know my name? |
00:18:06 |
What other name could it be? |
00:18:45 |
I'm not disappointed. |
00:18:49 |
Well, I'm disappointed, sure, but... |
00:18:52 |
What I mean is, I... |
00:18:54 |
I respect you for it. |
00:18:57 |
Actually, I did want to let you kiss me. |
00:19:06 |
You know something? |
00:19:08 |
We're locked in this place. |
00:19:10 |
Locked? |
00:19:12 |
Mama will kill me. |
00:19:30 |
Hey, back there, did you |
00:19:33 |
I was scared to, though. |
00:19:34 |
- My heart was beating so fast... |
00:19:37 |
- Maybe next time I... |
00:19:39 |
Is tomorrow OK? |
00:19:41 |
Tomorrow and tomorrow |
00:19:46 |
Then tomorrow, I'll let you kiss me. |
00:19:59 |
Civics, you study civics... |
00:20:02 |
...till a quarter past one? |
00:20:04 |
Yes, I study civics. |
00:20:06 |
Civics is very important, |
00:20:09 |
Oh, I know. |
00:20:11 |
I'm very tired, Mama. |
00:20:13 |
Help me unfold the sofa, will you? |
00:20:15 |
Come here, Rosa. |
00:20:19 |
Kneel to Our Lady and swear |
00:20:22 |
No, I will not. |
00:20:24 |
Because you don't study |
00:20:26 |
"Don't study no civics. " |
00:20:28 |
Why do you talk like you just |
00:20:32 |
This isn't Sicily, Mother, |
00:20:35 |
You do sewing. Daddy... |
00:20:39 |
He hauled bananas and something |
00:20:48 |
You don't study no civics no more. |
00:20:52 |
- Hey, where you going? |
00:20:55 |
Yesterday she don't |
00:20:57 |
She don't even open the door. |
00:20:59 |
We break in and get them. |
00:21:01 |
And to me, she said all week, |
00:21:05 |
But yesterday I told her, you know. |
00:21:07 |
"Wait, Serafina, domani is |
00:21:10 |
"and I gotta have the dress, |
00:21:13 |
Because my daughter got fat, |
00:21:16 |
Come on, let's go for the dresses. |
00:21:24 |
- Giuseppina, go open the door. |
00:21:28 |
Serafina! |
00:21:29 |
Serafina Delle Rose! |
00:21:36 |
Serafina, we want the dresses! |
00:21:40 |
Rosa, take it off, |
00:21:42 |
Mama, please. |
00:21:44 |
- It's the last day. |
00:21:45 |
- Let me at least go out for graduation. |
00:21:48 |
Now I'm mad! And she's gotta give me |
00:21:52 |
I'm going to give them their dresses. |
00:21:54 |
You ain't running out! |
00:21:57 |
OK? |
00:21:58 |
Rosa! Rosa! |
00:22:10 |
You know I don't understand Italian, |
00:22:14 |
- Now, what's happening here? |
00:22:17 |
You know, we came here |
00:22:19 |
- She cut her wrist, my daughter! |
00:22:23 |
Call the doctor, please, someone. |
00:22:26 |
Come in! |
00:22:27 |
Mrs. Delle Rose, your daughter |
00:22:30 |
- No? What? |
00:22:32 |
And you ladies, please, go away. |
00:22:34 |
We don't go without our dresses. |
00:22:36 |
The graduation begins, |
00:22:39 |
Rosa. Come here. |
00:22:42 |
- that you're not bleeding to death. |
00:22:44 |
Leave me alone. I'm so ashamed |
00:22:48 |
This is the way she goes |
00:22:51 |
She hasn't put dress on |
00:22:53 |
For three years, |
00:22:55 |
or goes out of the house, |
00:22:58 |
Now she has locked up |
00:23:01 |
She wants me to be like her, |
00:23:04 |
The way she is! |
00:23:05 |
Next time I won't cut my wrist, |
00:23:08 |
On parlare cosi! |
00:23:09 |
Mrs. Delle Rose, please give me |
00:23:13 |
so she can dress for the graduation. |
00:23:17 |
Please, Serafina, give us |
00:23:20 |
Now, you ladies, please. |
00:23:23 |
I know, I know. |
00:23:26 |
Thank you. Just a moment. |
00:23:30 |
Now, Mrs. Delle Rose, your daughter |
00:23:34 |
But her grades have been so good |
00:23:38 |
with her class and take |
00:23:41 |
You understand me, |
00:23:44 |
You see? I got a wild thing |
00:23:47 |
Now, let's not have any more |
00:23:50 |
What? |
00:23:52 |
Outbur...? |
00:23:53 |
You make me sick. |
00:23:55 |
Sick at my stomach, you make me. |
00:23:58 |
Your school. |
00:24:00 |
You make all this trouble. |
00:24:03 |
You give this dance |
00:24:05 |
Where she gets mixed up |
00:24:09 |
You're talking about |
00:24:11 |
who attended the dance |
00:24:13 |
- Attended with sister? |
00:24:15 |
What sister? My... My daughter, |
00:24:17 |
Don't listen to her, Miss Yorke. |
00:24:22 |
- Rosa... |
00:24:27 |
She's lovely. |
00:24:29 |
Come kiss Mama, darling. |
00:24:33 |
- Kiss mama once... |
00:24:36 |
Don't go like that! Please! |
00:24:40 |
Don't you dare come out |
00:24:43 |
Rosa! How high is this high school |
00:24:45 |
where she gets mixed up |
00:24:47 |
How high is this high school? |
00:24:50 |
It's high like that horse's dirt |
00:24:52 |
That's your high school! |
00:24:54 |
Scuola maledetta! |
00:24:55 |
- Scuola maledetta! |
00:24:58 |
I don't understand how a woman |
00:25:01 |
could have such a sweet and refined |
00:25:04 |
Oh, my. |
00:25:06 |
Do you want me to talk refined, |
00:25:09 |
Then do me one thing, please. |
00:25:10 |
Stop ruining the girls |
00:25:14 |
- OK? |
00:25:17 |
All these ladies here, |
00:25:19 |
I'm dressed OK! I'm not naked! |
00:25:24 |
I'm so ashamed I could die. |
00:25:32 |
Mama, you look disgusting. |
00:25:34 |
Yes, disgusting! |
00:25:46 |
Disgusting. |
00:25:56 |
Did you hear what...? |
00:25:58 |
What my daughter say to me? |
00:26:02 |
"You look disgusting. " |
00:26:05 |
She calls me disgusting. |
00:26:07 |
Serafina, now we must |
00:26:09 |
Come on. Come on. |
00:26:19 |
How pretty she look, my daughter, |
00:26:26 |
How pretty. |
00:26:33 |
Go away, please. |
00:26:35 |
Go away, please. |
00:26:40 |
Did you hear what my daughter |
00:26:43 |
She called me disgusting. |
00:26:47 |
Disgusting. |
00:27:05 |
There, Serafina. Thank you |
00:27:19 |
Disgusting. |
00:28:11 |
Oh, the band. |
00:28:15 |
I go to the high school. |
00:28:19 |
I go to the high school. |
00:29:08 |
Shut up, you. |
00:29:21 |
I fail to understand why |
00:29:24 |
missing the 12:00 |
00:29:27 |
I told you this blouse can mean |
00:29:30 |
and a very good time |
00:29:33 |
Wait till you see how sexy. |
00:29:35 |
Where did I put the wristwatch? |
00:29:39 |
Is my blouse ready, honey? |
00:29:41 |
Oh, I'm late for the graduation |
00:29:44 |
- I can't find her graduation present. |
00:29:46 |
- Come on, now. Where's the blouse? |
00:29:49 |
What blouse? |
00:29:51 |
Oh, no ready. |
00:29:53 |
I had to make 14 graduation |
00:29:56 |
Well, now, a promise is a promise, |
00:29:59 |
Yeah, but I got to go |
00:30:01 |
Yeah, I know, but we gotta go |
00:30:04 |
- Where is that wristwatch? |
00:30:09 |
Now, come on, woman. |
00:30:11 |
Get started and sew them |
00:30:14 |
If you don't do it, I'm gonna report you |
00:30:17 |
and have your license revoked. |
00:30:19 |
What license you talking about? |
00:30:20 |
I have no license. |
00:30:22 |
You hear that, Flora? |
00:30:23 |
- She don't have no license. |
00:30:25 |
She's operating against the law |
00:30:28 |
Yeah. |
00:30:30 |
I stitch them together, OK. |
00:30:33 |
OK. OK. |
00:30:38 |
OK. |
00:30:41 |
Train's pulling out! |
00:30:43 |
- You and your stinking blouse. |
00:30:46 |
You know there's another one |
00:30:49 |
I fail to understand |
00:30:51 |
for you to pick up |
00:30:53 |
- You make me sick. |
00:30:56 |
You're gonna wear your feet out |
00:30:58 |
You let me worry about my own feet. |
00:31:01 |
I heard that the convention delegates |
00:31:05 |
- Yeah? |
00:31:08 |
and sent her home in a taxi! |
00:31:17 |
I double-dog dare anybody |
00:31:21 |
You? |
00:31:22 |
You'd walk home. |
00:31:25 |
You two ladies, |
00:31:28 |
watch how you talk in here. |
00:31:29 |
This is a respectable house. |
00:31:31 |
Oh, well... |
00:31:33 |
...excuse me. |
00:31:39 |
Polly want a cracker? |
00:31:40 |
No, he don't want a cracker. |
00:31:43 |
There's some delegates |
00:31:45 |
- No kidding? |
00:31:49 |
Yell something at them! |
00:31:52 |
Mademoiselle from Armentieres |
00:31:54 |
- Parlay-voo |
00:31:56 |
Mademoiselle from Armentieres |
00:32:00 |
Mademoiselle from Armentieres |
00:32:05 |
Look at that one. Isn't he cute? |
00:32:07 |
- Come on over here. |
00:32:14 |
I told you women. |
00:32:17 |
You are not in a honky-tonk. |
00:32:20 |
You. Take your blouse now |
00:32:23 |
Get out on the streets |
00:32:26 |
This is the house |
00:32:28 |
and I won't have dirty talk in here. |
00:32:32 |
- Who's talking dirty? |
00:32:34 |
You. You are. You are. |
00:32:36 |
Dirty talk. |
00:32:39 |
- You two man-crazy things, you. |
00:32:41 |
Sour grapes is your trouble. |
00:32:43 |
You are just wild with envy. |
00:32:44 |
Come on, Bessie, let's get |
00:32:47 |
Now just wait a minute. I don't accept |
00:32:50 |
Go on. Go on the street and pick up |
00:32:55 |
but not in my house at my windows. |
00:32:58 |
Here is the memory of my husband, |
00:33:01 |
With a body like a young boy |
00:33:03 |
and skin on him smooth and sweet |
00:33:07 |
I'm satisfied to remember, |
00:33:10 |
and not the second best, |
00:33:14 |
- A rose, was he? |
00:33:16 |
Yeah, a rose of an Italian |
00:33:18 |
smuggling stuff under a load |
00:33:20 |
Get out. Get out! I'm satisfied |
00:33:24 |
that was mine, only mine. |
00:33:29 |
Nobody but me. Just me. |
00:33:31 |
- Never touched by nobody? |
00:33:35 |
Well, I know somebody |
00:33:39 |
And not no further |
00:33:42 |
Estelle Hohengarten, |
00:33:45 |
Bessie, get into your blouse, |
00:33:48 |
Well, everybody knows. |
00:33:51 |
Serafina was laying there in bed |
00:33:54 |
and the sheet pulled over her head |
00:33:58 |
Tie this blasted thing on me, |
00:34:02 |
It was a romance too. |
00:34:05 |
but a real steady affair |
00:34:09 |
Oh, leave her in ignorance. |
00:34:12 |
He had a rose tattoo on his chest, |
00:34:15 |
Estelle was so gone on him that |
00:34:18 |
and had one put on her too. |
00:34:21 |
Yeah, a rose tattoo on her chest, |
00:34:27 |
- Liar! Liar! |
00:34:29 |
- Let's get out of here. |
00:34:32 |
You don't know what you're saying! |
00:34:34 |
- You don't understand! Liar! |
00:34:37 |
- Police! |
00:34:39 |
- Get out! |
00:34:42 |
- Get out! |
00:34:45 |
- Sour grapes! |
00:34:47 |
I'm gonna have her arrested. |
00:34:50 |
I'm gonna have you arrested, |
00:34:53 |
- Oh, leave. Let's go. |
00:34:55 |
You and your yellow rose petals. |
00:34:58 |
- Sour grapes! |
00:35:00 |
Sour grapes! |
00:35:15 |
Rosario, give me a sign. |
00:35:19 |
Tell me is not true. |
00:35:22 |
Rosario, tell me is not true. |
00:35:25 |
Tell me is not true. |
00:35:28 |
Lady, give me a sign. |
00:35:39 |
It's my money. |
00:35:41 |
Well, pretend you didn't |
00:35:43 |
Tell Mama they're for her. |
00:35:45 |
You're sure dying for me to make |
00:35:48 |
She's got the wrong idea about you, |
00:35:52 |
Now, say the roses are for her. |
00:35:56 |
Please, Jack. |
00:36:04 |
Mama must have gone out. |
00:36:06 |
There is a key in the mailbox. |
00:36:23 |
- How do you know she's out? |
00:36:26 |
And all the shutters are closed. |
00:36:31 |
Put down the flowers. |
00:36:44 |
Come here. |
00:36:47 |
I want to teach you a little Italian word. |
00:36:50 |
- The word is bacio. |
00:36:57 |
This. |
00:37:00 |
And this. |
00:37:05 |
Just think. |
00:37:07 |
A week ago Friday |
00:37:11 |
Did you know girls existed |
00:37:14 |
I knew they existed. |
00:37:17 |
Do you remember what you said |
00:37:20 |
"Honey, you are dancing too close. " |
00:37:22 |
Well, it was hot in the gym, |
00:37:27 |
When my girlfriend was teaching |
00:37:32 |
"How do you know which way |
00:37:36 |
And she said, |
00:37:38 |
"You've got to feel how the boy's |
00:37:43 |
I said, |
00:37:45 |
"How do you feel |
00:37:48 |
And she said, |
00:37:52 |
That's why I pressed up close. |
00:37:55 |
I didn't realize that I was. |
00:37:59 |
You're blushing. |
00:38:01 |
Don't go away. |
00:38:05 |
And a few minutes later |
00:38:08 |
"Gee, you're beautiful. " |
00:38:12 |
I said, "Excuse me," |
00:38:15 |
Do you know why? |
00:38:17 |
To look at myself in the mirror. |
00:38:21 |
For the first time in my life, |
00:38:24 |
I felt I was beautiful. |
00:38:29 |
You made me feel beautiful |
00:38:32 |
You are beautiful, Rosa. |
00:38:37 |
So much, I... |
00:38:39 |
Sta' zitta, cretina. |
00:38:41 |
- I knew somebody was in here. |
00:38:43 |
- Are you there, Mama? |
00:38:48 |
I'm dead and buried. |
00:38:51 |
- Maybe I'd better go wait outside. |
00:38:55 |
Mama... |
00:38:57 |
...Jack is with me. |
00:39:00 |
Are you dressed up nicely? |
00:39:04 |
Why is it so dark in here? |
00:39:07 |
Jack, open the shutters. |
00:39:12 |
- Hadn't I better go out...? |
00:39:20 |
Mama, you said you were |
00:39:24 |
Jack, stay out for a minute, huh? |
00:39:28 |
What's happened? |
00:39:32 |
Look, put this on. |
00:39:36 |
So... So... Here. |
00:39:40 |
Here we are. |
00:39:42 |
Good. |
00:39:45 |
Let's fix your hair. |
00:39:48 |
There you are. |
00:39:50 |
Fine. |
00:39:59 |
Jack? |
00:40:02 |
Mama is ready to meet you. |
00:40:07 |
Mama, su. Su, Mama. |
00:40:10 |
Mama didn't sleep good last night. |
00:40:14 |
Mama, this is Jack Hunter. |
00:40:18 |
Hello, Mrs. Delle Rose. |
00:40:21 |
I was hoping to see you |
00:40:24 |
My sister was graduating. |
00:40:28 |
I... I was hoping you could |
00:40:33 |
Mama. |
00:40:35 |
Jack... Jack brought you |
00:40:40 |
I hope you are as partial |
00:40:44 |
Mama. |
00:40:45 |
Mama, say something. |
00:40:47 |
Say something simple, like, "Thanks. " |
00:40:54 |
Thanks. |
00:40:57 |
- I think your mama... |
00:40:59 |
Oh, my diploma. |
00:41:02 |
- Where is it? |
00:41:04 |
Excuse me. I'll get it. |
00:41:06 |
Mama. Mama, what's happened? |
00:41:10 |
Is it because of this morning? |
00:41:14 |
Forget it, Mama. |
00:41:16 |
Think it was just a bad dream |
00:41:21 |
Here it is. |
00:41:23 |
Look what I got, my diploma. |
00:41:29 |
- Diploma? |
00:41:31 |
You got the diploma? |
00:41:36 |
Put it in the drawer, |
00:41:42 |
Mrs. Delle Rose, you should be very, |
00:41:45 |
You know, Rosa was so pretty |
00:41:48 |
that people went: |
00:41:50 |
Just like that. |
00:41:52 |
They all went: |
00:41:54 |
Because your daughter, Rosa, |
00:41:59 |
How does it feel to be the mother |
00:42:03 |
Would you mind shutting up? Pazza. |
00:42:08 |
Shut the front door, please. |
00:42:11 |
There was a policeman come here |
00:42:14 |
Mama, I've never seen you like this. |
00:42:18 |
What do I care what Jack thinks? |
00:42:21 |
You wild, wild, crazy thing, you, |
00:42:25 |
with the eyes of your father. |
00:42:27 |
Yes, ma'am, you certainly got a right |
00:42:31 |
I'm proud of the memory |
00:42:35 |
He was a baron. |
00:42:41 |
And who are you? |
00:42:44 |
- What are you? |
00:42:49 |
- His name is Jack Hunter. |
00:42:51 |
Yes, ma'am, Hunter. Jack Hunter. |
00:42:54 |
- What are you hunting, Jack? |
00:42:59 |
What all of them are hunting. |
00:43:02 |
To have a good time, |
00:43:07 |
I'm sick of men, |
00:43:10 |
You, Rosa, get out... till I talk |
00:43:15 |
- I didn't bring Jack here to be insulted. |
00:43:18 |
Go on, let your mama talk to me. |
00:43:21 |
I think your mama's just got |
00:43:24 |
I got a... I got an impression. |
00:43:28 |
Well, I'll get dressed. |
00:43:30 |
Mama... Mama, please don't |
00:43:33 |
The happiest day of my life. |
00:43:43 |
- Mrs. Delle Rose... |
00:43:45 |
- Mrs. Delle Rose... |
00:43:48 |
I'm sorry about all this. Believe me, |
00:43:51 |
was getting mixed up |
00:43:54 |
Look, I come home |
00:43:56 |
My sister was going to a high-school |
00:43:59 |
And there I met your daughter. |
00:44:01 |
- What did you do? |
00:44:04 |
- We danced. |
00:44:08 |
We went to a place and had |
00:44:11 |
You mean you haven't been |
00:44:15 |
Alone or not alone, |
00:44:17 |
- I still don't see the point of it. |
00:44:20 |
I'll show you the point. |
00:44:23 |
We don't leave the girls with the boys |
00:44:27 |
Mrs. Delle Rose, |
00:44:30 |
I know, but we are Sicilians. |
00:44:35 |
My girl is innocent, pure. |
00:44:38 |
She is, or she was. |
00:44:43 |
Mrs. Delle Rose, |
00:44:46 |
You may not believe it. |
00:44:48 |
Say it. Say it. |
00:44:51 |
Well, maybe I'm a sailor and all that, |
00:44:53 |
and the things they say about sailors... |
00:44:56 |
But all of us... |
00:45:00 |
- No? |
00:45:04 |
I haven't got a girl in no port, |
00:45:08 |
What I'm getting at is... |
00:45:11 |
...I am innocent too. |
00:45:14 |
What? No. |
00:45:16 |
- I don't believe it. |
00:45:19 |
This is the first time |
00:45:22 |
Wanted to what? |
00:45:24 |
Make love. |
00:45:26 |
You, a sailor. |
00:45:29 |
Well, I had opportunities to, but... |
00:45:31 |
Well, I always thought of my mother. |
00:45:34 |
Well, I always asked myself, |
00:45:37 |
this or that person was decent. |
00:45:41 |
But... |
00:45:43 |
But with my daughter, my Rosa, |
00:45:46 |
"OK, go ahead, son. " Huh, no? |
00:45:49 |
Oh, Mrs. Delle Rose... |
00:45:51 |
She say she's in love. |
00:45:54 |
And you? |
00:45:57 |
Yes, ma'am, I do. |
00:46:01 |
Cretini. Tutti e due. |
00:46:05 |
I'm ready for Diamond Key. |
00:46:07 |
Get out on the porch, Diamond Key. |
00:46:10 |
Ale, ale. |
00:46:13 |
Ale. |
00:46:16 |
- Yes, Mama. |
00:46:22 |
- What are you, Catholic? |
00:46:25 |
- You don't look Catholic to me. |
00:46:28 |
Do they look different |
00:46:30 |
You will stay out on the porch. Huh? |
00:46:34 |
- All right. |
00:46:37 |
Turn around, will you? |
00:46:38 |
- Do what, ma'am? |
00:46:40 |
Mama, what are you doing? |
00:46:42 |
Get out till I call you! |
00:46:49 |
Why do they make them Navy pants |
00:46:53 |
That's a question you'll have to ask |
00:46:56 |
Mama, will you stop asking |
00:47:01 |
You see what I got? |
00:47:03 |
A wild thing in the house. |
00:47:06 |
Mrs. Delle Rose... |
00:47:08 |
I guess Sicilians |
00:47:11 |
I want nobody |
00:47:14 |
Look, you got the wrong idea |
00:47:18 |
I know what men want. |
00:47:20 |
Not to eat ice cream with girls |
00:47:24 |
And boys are the same, |
00:47:27 |
- Come here. |
00:47:30 |
Mama! Let me in the door, Jack! |
00:47:33 |
Mrs. Delle Rose, |
00:47:35 |
Let her call. Don't worry about it. |
00:47:38 |
- You said you're a Catholic, ain't you? |
00:47:43 |
- Kneel down here. |
00:47:46 |
Go away, will you? |
00:47:50 |
And say after me what I say. |
00:47:52 |
What? Why? Why? |
00:47:55 |
I promise the Holy Mother |
00:47:57 |
- that I will respect the... |
00:47:59 |
Today I kill you if you don't leave. |
00:48:07 |
- Are you gonna say it? |
00:48:09 |
OK. |
00:48:12 |
- Go ahead. |
00:48:16 |
I promise the Holy Mother... |
00:48:19 |
I promise the Holy Mother... |
00:48:21 |
That I will respect the innocence... |
00:48:24 |
That I will respect the innocence... |
00:48:26 |
Of the daughter Rosa |
00:48:29 |
Of the daughter Rosa |
00:48:34 |
No, Rosario Delle Rose. |
00:48:37 |
Of Rosario Delle Rose. |
00:48:44 |
Get up. |
00:48:45 |
I'm satisfied. |
00:48:48 |
- Wonderful! |
00:48:49 |
- Wonderful, Mama. |
00:48:52 |
Let me go! Let me go! |
00:48:55 |
- No, please, Mama. |
00:48:57 |
- Jack, kiss Mama. |
00:49:00 |
Won't kiss Jack! Won't kiss Jack! |
00:49:02 |
Are you crazy, kiss? Me? Me? |
00:49:05 |
Oh, my. |
00:49:08 |
Kiss my hand. |
00:49:10 |
- OK. |
00:49:22 |
There, there. |
00:49:25 |
Oh, they're here. |
00:49:28 |
Come on, Jack! |
00:49:30 |
OK, OK! Goodbye, Mama. |
00:49:33 |
- Good night, Mrs. Delle Rose. |
00:49:36 |
But the wine. |
00:49:38 |
Come on, let's go! |
00:49:44 |
The wristwatch. |
00:49:46 |
Where is it? |
00:49:49 |
Rosa! Rosa! |
00:49:51 |
Your little wristwatch! |
00:49:53 |
With seventeen jewels in it! Rosa! |
00:49:55 |
Rosa, Rosa. |
00:49:58 |
Rosa, Rosa. |
00:50:16 |
Oh, Lady, speak to me. |
00:50:20 |
Tell me it isn't true. |
00:50:25 |
Give me a sign. |
00:50:32 |
Give me a sign. |
00:50:37 |
Get your ice-cold lemonade. |
00:50:47 |
N-37. |
00:50:50 |
N-37. |
00:50:53 |
Thirty-one. N-31. |
00:50:57 |
B-46. |
00:51:00 |
B-46. |
00:51:14 |
Serafina Delle Rose, come sta, cara? |
00:51:19 |
I got to see Father De Leo. |
00:51:21 |
- Sit down, please. |
00:51:24 |
- Have a seat, lady. |
00:51:27 |
- Pleased to... |
00:51:29 |
- Take my chair. |
00:51:31 |
This is the bachelor brother |
00:51:34 |
He is working. |
00:51:36 |
I am sorry you should meet him |
00:51:39 |
Yeah, I got a big load of bananas |
00:51:41 |
- I bring the folks here, now I go. |
00:51:43 |
Later I come back to pick up the folks. |
00:51:45 |
Silence. Shut up, stupid. |
00:51:48 |
Speak English. |
00:51:49 |
You look tired. |
00:51:52 |
Father De Leo! |
00:51:54 |
I'm sorry. |
00:51:57 |
- B-10! |
00:52:00 |
Bingo, bingo. Bingo. |
00:52:03 |
Father De Leo... |
00:52:07 |
- I got to see you, Father. |
00:52:09 |
Let me talk to you, Father, please. |
00:52:12 |
You know these ladies. |
00:52:14 |
- I know, I know. Hello. |
00:52:17 |
But this is private, Father. |
00:52:19 |
You ladies, please, go. |
00:52:22 |
Thank you. |
00:52:24 |
Bingo! I can't talk here, Father. |
00:52:27 |
Calm yourself, Serafina. |
00:52:29 |
- We can talk in my office. |
00:52:36 |
No. No, Father. |
00:52:39 |
- What's the matter? |
00:52:42 |
Where you were married, where |
00:52:45 |
No, Father, please. |
00:53:01 |
Here. |
00:53:05 |
We can talk here. |
00:53:14 |
I fell down when I was married. |
00:53:17 |
Do you remember, Father? |
00:53:19 |
You collapsed at the altar. |
00:53:22 |
I had just come to this country. |
00:53:27 |
Yes, I remember. |
00:53:29 |
The marriage had been |
00:53:32 |
exchanged between you and... |
00:53:34 |
You remember. |
00:53:36 |
I thought he would be ugly. |
00:53:39 |
I couldn't speak. |
00:53:41 |
I couldn't speak |
00:53:44 |
till the night after the marriage. |
00:53:48 |
Then I said only, "Oh, love. " |
00:53:52 |
"Oh, love. " |
00:53:55 |
I had married a rose. |
00:53:58 |
I didn't know I was |
00:54:03 |
I couldn't speak nothing in English |
00:54:08 |
"Oh, love. " |
00:54:11 |
"Oh, love. " Oh, Father! |
00:54:17 |
I can't breathe in this building |
00:54:22 |
Serafina. Serafina. |
00:54:25 |
I am not going to spare |
00:54:27 |
I'm gonna talk to you honestly, |
00:54:32 |
I am shocked. I am shocked |
00:54:35 |
In your appearance and behavior |
00:54:39 |
Grief is a natural and dignified thing, |
00:54:42 |
but like every other emotion, Serafina, |
00:54:46 |
it can become excessive. |
00:54:48 |
Then... Then it becomes |
00:54:52 |
I knew this was going to happen |
00:54:53 |
when you refused to obey |
00:54:56 |
and had your husband cremated. |
00:54:59 |
I remember you dressed in blue silk. |
00:55:02 |
Yes, yes. Like a lady wearing |
00:55:05 |
You walked tall and proud. |
00:55:07 |
Now, you crouch and you shuffle. |
00:55:10 |
You... You live and dress |
00:55:13 |
You have no companions. |
00:55:15 |
You're rude to your neighbors. |
00:55:18 |
They make the life without glory. |
00:55:21 |
They make the life without glory. |
00:55:24 |
I gave my husband much glory. |
00:55:28 |
I was the peasant, |
00:55:32 |
I came to him with one dress, |
00:55:36 |
He was a baron, |
00:55:40 |
I brought him glory, glory. |
00:55:43 |
Glory. |
00:55:45 |
I don't believe that he took this glory |
00:55:49 |
I don't believe he gave me horns, |
00:55:56 |
What do you want from me? |
00:55:58 |
Go to the bingo. |
00:55:59 |
- Per I'amor di Dio. |
00:56:02 |
Serafina, the ladies only want |
00:56:05 |
Friendly? |
00:56:07 |
They think they know something |
00:56:10 |
They think I have these on my head. |
00:56:12 |
But I ain't. No, I ain't! |
00:56:15 |
Serafina, I think you |
00:56:17 |
The ladies want to be |
00:56:19 |
Companions. Them ladies. |
00:56:21 |
The dummies I got in my house, |
00:56:24 |
because they don't make up no lies. |
00:56:26 |
No, no. What kind of ladies |
00:56:31 |
At 30 years old, they got |
00:56:33 |
except for the money, |
00:56:37 |
- What do you call this kind of ladies? |
00:56:39 |
To me the marriage was beautiful, |
00:56:42 |
Now my marriage |
00:56:45 |
And I don't believe that the man |
00:56:48 |
I don't believe, no! |
00:56:50 |
I don't believe! |
00:56:54 |
The whole village is... Well, |
00:56:57 |
Me too, I'm laughing. |
00:56:59 |
- Listen to me! I'm laughing too! |
00:57:02 |
- Laughing! |
00:57:04 |
- Why aren't you laughing anymore? |
00:57:07 |
- Serafina. |
00:57:08 |
I think you had better go home. |
00:57:10 |
No. Later's too late, Father. |
00:57:14 |
Tell you what? |
00:57:18 |
You used to... You used to hear |
00:57:22 |
Father, please, |
00:57:25 |
did my husband ever speak of a...? |
00:57:27 |
- Of a woman to you? |
00:57:30 |
Oh, Father, rispondetemi... |
00:57:32 |
...this one question. |
00:57:34 |
Did he ever speak of a woman to you? |
00:57:37 |
- Serafina, how...? |
00:57:39 |
- How can I tell you something I...? |
00:57:42 |
Serafina... |
00:57:44 |
- Father, tell me. Please, tell me. |
00:57:47 |
You know better than to ask me |
00:57:50 |
The secrets of the confessional |
00:57:53 |
- I know. |
00:57:55 |
- They are never repeated. |
00:57:57 |
You got to tell me. |
00:57:59 |
- Tell me, Father. |
00:58:01 |
Not till you tell me this question, |
00:58:04 |
Let go of me. Let go of me. |
00:58:06 |
- Tell me, I let go. |
00:58:07 |
- You don't tell, I never let go. |
00:58:09 |
I go mad! I go crazy! I never let go! |
00:58:12 |
I never let go, Father. |
00:58:14 |
- I tell you, Father. |
00:58:16 |
Mr. Mangiacavallo, please help me |
00:58:19 |
I'll speak to her later, |
00:58:21 |
Father! Father! |
00:58:22 |
Oh, please. Please. |
00:58:27 |
Father De Leo! |
00:58:28 |
Father De Leo! |
00:58:30 |
Father De Leo, tell me please. |
00:58:34 |
Tell me, please. Tell me, please. |
00:58:37 |
Tell me. Tell me. |
00:58:43 |
Come on. |
00:58:45 |
You'll be all right. |
00:59:01 |
- Where am I? |
00:59:04 |
It's OK. |
00:59:05 |
- No, where...? |
00:59:07 |
I drive you home from the church. |
00:59:09 |
You rest. |
00:59:13 |
I'm sorry I couldn't take |
00:59:16 |
But I'm a bachelor |
00:59:17 |
I can't afford no cab fare. |
00:59:21 |
Oh, yeah. Where is my purse? |
00:59:23 |
- Did you have a purse with you? |
00:59:26 |
You want to go back and get it? |
00:59:27 |
- We'll look for it? |
00:59:29 |
- You sure? |
00:59:30 |
That's almost where you are now. |
01:00:43 |
When somebody else |
01:00:46 |
I'm sympathetic. |
01:00:50 |
Don't cry. Why should you cry? |
01:00:52 |
I know. It ain't like a man. |
01:00:56 |
Oh, a man sometimes |
01:00:59 |
You're very understanding. |
01:01:01 |
Sometimes a man has to cry |
01:01:04 |
A man is not so different |
01:01:07 |
- Take it. |
01:01:18 |
You stop that, then I'll stop too, huh? |
01:01:20 |
No, you stop first, and I'll stop. |
01:01:22 |
No, you first. |
01:01:28 |
Ladies first. |
01:01:37 |
I stop. OK? |
01:01:38 |
OK, me too. I stop, see? |
01:01:46 |
Your shirt is torn, huh? |
01:01:48 |
Oh, yes, Mrs. Delle Rose. |
01:01:49 |
You tore it when I pulled you |
01:01:52 |
- Yeah? |
01:01:54 |
- I'll sew it for you. |
01:01:57 |
- Forget it. |
01:02:01 |
I'm ready to laugh now. |
01:02:05 |
Oh, my. |
01:02:06 |
I'm sorry you lost your pocketbook, |
01:02:08 |
How much money you got |
01:02:10 |
Don't worry about it. |
01:02:12 |
Give me your shirt. |
01:02:15 |
And, please, will you |
01:02:17 |
- I can't see. |
01:02:26 |
A little bit. |
01:02:31 |
What, lady? |
01:02:33 |
The light on the body was like |
01:02:40 |
- What? |
01:02:42 |
Ma che strano. |
01:02:44 |
Your people, |
01:02:45 |
- No, no. Sicily. |
01:02:48 |
Well, what's the matter? |
01:02:50 |
- Nothing. Nothing. |
01:02:54 |
Nothing. Nothing. |
01:02:58 |
You got a bathroom in your house? |
01:03:00 |
- You got a bathroom in your house? |
01:03:03 |
- We don't have one at our house. |
01:03:04 |
And I would like to wash up, |
01:03:07 |
like a goat, you know? |
01:03:08 |
- Oh, please. Help yourself. |
01:03:10 |
- This way. |
01:03:12 |
Prego. |
01:03:14 |
Oh, Madonna Santa. |
01:03:17 |
Madonna Santa, my husband's |
01:03:22 |
A clown that smells like a goat. |
01:03:25 |
Oh, Lady. Lady, speak to me. |
01:03:27 |
Is it the sign, this? |
01:03:33 |
Oh, please. |
01:03:52 |
- Ciao! |
01:03:54 |
I washed up. I feel better. |
01:03:57 |
Yeah, much better, thank you. |
01:03:58 |
Now I cried, and I feel much better. |
01:04:01 |
That's good. |
01:04:03 |
Yeah, and now I can't get up. |
01:04:06 |
- You mean you can't get down. |
01:04:14 |
What's that you got in your hand? |
01:04:16 |
- What? |
01:04:18 |
Yeah, Spumanti it is. Yeah. |
01:04:20 |
It comes from the house |
01:04:24 |
A very great family, you know. |
01:04:27 |
- Barons? |
01:04:29 |
I was a peasant, |
01:04:32 |
I married a baron |
01:04:34 |
Oh, shoes. What shoes? |
01:04:36 |
You had three very sweet things. |
01:04:39 |
And even a baron's human. |
01:04:41 |
- You know, like a truck driver. |
01:04:43 |
- I sew the shirt now for you, huh? |
01:04:48 |
I'm a very frank person. |
01:04:51 |
My old-maid sister, she wanted us |
01:04:54 |
- Yeah? Why? |
01:04:55 |
"This very nice lady, this widow, |
01:04:59 |
"she's lonely and you're lonely. |
01:05:01 |
She wanted us to meet each other |
01:05:04 |
- Really? |
01:05:07 |
I'm a frank person, too, |
01:05:11 |
You can tell your sister |
01:05:14 |
because my husband is with me. |
01:05:17 |
I turn around, and I see my husband |
01:05:19 |
Bottle? |
01:05:21 |
Bottle. |
01:05:23 |
Urn. Marble urn. Come here. |
01:05:27 |
You see, the ashes of the rose |
01:05:31 |
I'm sorry, I... |
01:05:34 |
No, it's nothing. |
01:05:36 |
The priest was against it. |
01:05:39 |
It broke the laws of the church. |
01:05:41 |
I know. |
01:05:43 |
But I had... |
01:05:46 |
And this was all I could have. |
01:05:50 |
I think God has forgiven. |
01:05:52 |
What makes you think |
01:05:54 |
- I know him. |
01:05:56 |
I know him. He has forgiven. |
01:05:59 |
Nobody knows how lonely |
01:06:03 |
There's nothing wrong with it. |
01:06:05 |
but the ashes always stay clean, |
01:06:08 |
Gentle. |
01:06:10 |
You see, |
01:06:13 |
Hey. Che bell'uomo. |
01:06:18 |
Yeah, a rose of a man, my husband. |
01:06:22 |
On his chest he had |
01:06:24 |
- A rose tattoo? |
01:06:25 |
- No. |
01:06:27 |
- Let me see. |
01:06:29 |
- "Let me see. " |
01:06:32 |
Do you believe strange things? |
01:06:34 |
I would like to tell you something, |
01:06:38 |
Speak frankly. We're both |
01:06:40 |
Yeah. You know, my husband, |
01:06:44 |
One night I woke up |
01:06:48 |
I turned on the light in the bedroom, |
01:06:52 |
On my breast, I saw |
01:06:55 |
On me here, his tattoo. |
01:06:57 |
- Strano. |
01:06:59 |
And this was the night that... |
01:07:02 |
- Yeah, but I got to speak frankly. |
01:07:06 |
That was the night that I got my son. |
01:07:09 |
The little boy that I lost |
01:07:13 |
- When I lost my husband. |
01:07:15 |
Ah, si. Che davvero. |
01:07:18 |
Would you be willing |
01:07:21 |
- What? |
01:07:22 |
It's gone now. Oh, please. |
01:07:25 |
It only lasted a moment, |
01:07:29 |
So clearly, I saw it. |
01:07:30 |
- You believe me? |
01:07:33 |
Maybe it could be back, no? |
01:07:35 |
I don't know why I told you, |
01:07:37 |
- Well, I just... |
01:07:41 |
That bodies decay, but the ashes |
01:07:47 |
But there are some people... |
01:07:49 |
Oh, there are some people, |
01:07:52 |
Everything dirty, believe me. |
01:07:55 |
Two of them kind of people |
01:07:58 |
and told me a terrible lie... |
01:08:01 |
So terrible a lie that if I thought |
01:08:04 |
I would smash it. |
01:08:06 |
- Like this! |
01:08:08 |
- Not the wine. |
01:08:10 |
- Not the wine. |
01:08:14 |
Not the wine. Not the wine. |
01:08:16 |
- Will you open the wine for me? |
01:08:18 |
- Thank you. Oh, my head. |
01:08:21 |
Well, what kind of a lie |
01:08:23 |
No, no, no. |
01:08:26 |
I don't believe the lie. |
01:08:30 |
The memory of the rose |
01:08:41 |
Oh, I like a lady that laughs |
01:08:46 |
And a lady that cries with her heart? |
01:08:48 |
I like everything a lady |
01:08:51 |
- Look at your face! |
01:08:55 |
- Here. |
01:08:57 |
Hey, you kids! Get off of that truck! |
01:09:00 |
Keep your paws off |
01:09:03 |
Oh, I forgot. |
01:09:04 |
- You haul bananas? |
01:09:06 |
I was supposed to get my truck |
01:09:09 |
It's a five-ton truck? |
01:09:11 |
- A three-ton truck. |
01:09:13 |
My husband hauled bananas |
01:09:15 |
- Well, he was a baron. |
01:09:17 |
- Yeah. Did you haul just bananas? |
01:09:21 |
My husband hauled bananas, |
01:09:23 |
was something else, you know. |
01:09:25 |
Oh, he was wild like a Gypsy. |
01:09:28 |
He was wild like a Gypsy. |
01:09:32 |
Where did I hear that before? |
01:09:34 |
He was wild like a Gyp... |
01:09:37 |
I hate to start to remember, |
01:09:40 |
And then not to remember, |
01:09:41 |
I better call my boss in Biloxi, |
01:09:44 |
- It's a long-distance call? |
01:09:47 |
No, no, please. I don't worry |
01:09:51 |
- Hello, operator? |
01:09:52 |
Get me the Southern Fruit Company |
01:09:56 |
- Yes, sir. |
01:09:59 |
That's right. |
01:10:04 |
You know, you got a nice, |
01:10:06 |
Yeah. How is the place |
01:10:10 |
I got a place with three |
01:10:14 |
The line is busy. |
01:10:15 |
- Prego. |
01:10:16 |
What dependents? |
01:10:20 |
- Is good Spumanti. |
01:10:22 |
Well, there's... |
01:10:25 |
one feeble-minded grandmother |
01:10:27 |
who ain't worth the powder it takes |
01:10:31 |
You know, |
01:10:33 |
- Yeah? |
01:10:34 |
morning, night and noon. |
01:10:36 |
And they pass the cans of beer |
01:10:39 |
They got the beer habit too? |
01:10:41 |
And the numbers habit. |
01:10:42 |
You know, this spring |
01:10:44 |
she gets some kind of lady trouble. |
01:10:47 |
And she turns the housekeeping over |
01:10:50 |
who's a very sweet old lady, |
01:10:53 |
to pay the grocery bills |
01:10:54 |
as long as she's got money |
01:10:58 |
She plays the numbers. |
01:11:00 |
but it don't ever work. |
01:11:01 |
And the grocery bills go up, up, |
01:11:06 |
- I better try my boss again. |
01:11:12 |
I'll tell you my hopes and dreams. |
01:11:13 |
- Who, me? |
01:11:16 |
Oh, excuse me. |
01:11:18 |
The Southern Fruit Company |
01:11:21 |
- That's right. |
01:11:22 |
My number is 6-6-9-9. |
01:11:25 |
- 6-6-9-9, that's right. |
01:11:27 |
I'm hoping to meet some |
01:11:30 |
I don't care if she's a little bit too plump |
01:11:34 |
The important thing |
01:11:37 |
- Good sense, you know? |
01:11:38 |
And I want her to have a nice, |
01:11:41 |
and a profitable little business |
01:11:43 |
I see. And... |
01:11:46 |
...such a lady, with a well-furnished |
01:11:49 |
what does she want with a man |
01:11:51 |
and the Parchesi and the beer habit, |
01:11:53 |
plays the numbers? Oh, my! |
01:11:56 |
Love and affection in a world that... |
01:11:59 |
Yeah, it might be lonely, but I would |
01:12:04 |
Love and affection is what I got |
01:12:06 |
in this lonely old world. |
01:12:08 |
- Mangiacavallo has nothing. |
01:12:11 |
- Me! Alvaro Mangiacavallo. |
01:12:13 |
You know, Mangiacavallo means |
01:12:16 |
But I don't have a horse to eat, |
01:12:18 |
I'm the grandson |
01:12:21 |
- Oh, I see you like to make jokes now. |
01:12:24 |
He chased my grandmother |
01:12:26 |
She slipped on a wet rock: |
01:12:28 |
Ecco, here I am. |
01:12:31 |
Oh, please. You should be |
01:12:34 |
What have I got to respect? |
01:12:38 |
Yourself at least. |
01:12:40 |
Hey, if I don't work for a living |
01:12:42 |
- Yeah? |
01:12:45 |
Hey, I exist without |
01:12:47 |
I look at them pictures |
01:12:49 |
Them girls in the advertisements, |
01:12:51 |
They got a little bitty thing here, |
01:12:54 |
That's all they need, |
01:12:57 |
Yeah. It's a long-distance call, |
01:13:00 |
Is the line busy? |
01:13:01 |
- Not the line, the boss. |
01:13:04 |
Get your boss on the phone |
01:13:06 |
- OK, OK. |
01:13:08 |
Oh, hello! |
01:13:11 |
How's things at the Southern |
01:13:13 |
Yeah, Mangiacavallo! |
01:13:14 |
- I got a complaint about you. |
01:13:17 |
- What happened? |
01:13:20 |
Joe passed the church |
01:13:22 |
with the bananas and |
01:13:24 |
Ow, you get them bananas here. |
01:13:26 |
- What? |
01:13:28 |
Mr. Pilade! |
01:13:33 |
- What's happened? |
01:13:35 |
A man with three dependents |
01:13:37 |
And my truck ain't even paid for. |
01:13:42 |
I can't see no more. I got |
01:13:45 |
Open that drawer, and you will |
01:13:49 |
- This one? |
01:13:51 |
and call for this one later. |
01:13:55 |
- There's a name on it. |
01:13:58 |
Throw it away. Out the window. |
01:14:01 |
Ecco fatto. |
01:14:04 |
Seta! Seta puro! |
01:14:07 |
Oh, this shirt's too good |
01:14:09 |
Everything here is too good |
01:14:11 |
Nothing's too good for a man, |
01:14:14 |
Put it on. You are welcome to it. |
01:14:25 |
- Bella? |
01:14:28 |
- Can I...? |
01:14:37 |
- How does it feel, the silk on you? |
01:14:42 |
It will make you less trouble, |
01:14:45 |
You know, there's nothing more |
01:14:49 |
- No? |
01:14:51 |
You like me a little better now, huh? |
01:14:55 |
You know what they should |
01:14:58 |
- What? |
01:15:01 |
on your ears... to hold them back. |
01:15:04 |
Like this. Lookit. |
01:15:08 |
So when you grow up, |
01:15:11 |
like the wings of a little kewpie. |
01:15:18 |
Lady, lady! The black goat |
01:15:20 |
II becco della strega. |
01:15:23 |
Look at my...! Oh, the strega. |
01:15:26 |
Now, don't get excited. |
01:15:28 |
I will catch the black goat, and I'll give |
01:15:50 |
Come on! Come on! |
01:15:56 |
I got a friendship with goats. |
01:16:10 |
Come on! |
01:16:46 |
It was nothing. |
01:16:52 |
Oh, no. Please. |
01:16:53 |
Look. |
01:16:55 |
Oh, my. |
01:17:02 |
In here. Yeah. |
01:17:05 |
- OK. |
01:17:09 |
Delle Rose. |
01:17:11 |
Signora Delle Rose. |
01:17:15 |
I have to go now. |
01:17:16 |
I know, I know. Please. Please. |
01:17:25 |
Wonderful. Oh, wonderful! |
01:17:30 |
Excuse the way I'm not dressed. |
01:17:32 |
I'm not always like this, no. |
01:17:34 |
Sometimes I fix myself up, yeah. |
01:17:37 |
When my husband was living, |
01:17:40 |
When he was living, I had |
01:17:44 |
And sometimes even... |
01:17:46 |
Even I put a rose in my hair. |
01:17:49 |
A rose in your hair would be pretty. |
01:17:51 |
Oh, yeah, but not for a widow. |
01:17:54 |
Why? You make a mistake. |
01:17:56 |
It's always for everybody |
01:17:59 |
- Yeah? |
01:18:00 |
The rose is the heart |
01:18:02 |
Like the heart is the heart |
01:18:05 |
Good, eh? |
01:18:06 |
But you, baronessa, you know |
01:18:09 |
- What have I done? |
01:18:10 |
in the marble urn with the ashes. |
01:18:13 |
And if in a storm sometimes, |
01:18:14 |
or sometime if a five-ton truck |
01:18:16 |
and the marble urn was to break... |
01:18:20 |
Look! Look, baronessa! |
01:18:24 |
Look what? I don't see. |
01:18:26 |
I was pointing to your heart. |
01:18:30 |
Rondinella felice! |
01:18:33 |
Rondinella felice! |
01:18:37 |
Che buffone. I take you serious, |
01:18:42 |
Your heart is a happy bird. |
01:18:48 |
When I can bring the shirt back? |
01:18:53 |
- When you pass by again. |
01:18:58 |
OK. |
01:19:02 |
Then look at the window tonight. |
01:19:04 |
If the shutters are open |
01:19:07 |
you can stop by for your shirt. |
01:19:10 |
But if the shutters are closed, |
01:19:11 |
you better not stop because |
01:19:14 |
- Rosa? |
01:19:18 |
There's nothing wrong in two grown-up |
01:19:21 |
but Rosa's 15. |
01:19:24 |
I must be careful to set her |
01:19:27 |
- I will look at the window! |
01:19:30 |
I will look at the win... |
01:19:31 |
- Bang, bang! |
01:19:33 |
- Get down off that truck. |
01:19:36 |
Come on. Come on. Get down. |
01:19:38 |
Here we go. Come on. |
01:19:40 |
Jump! |
01:19:45 |
You little monkey, |
01:19:47 |
They're the property |
01:19:52 |
Of which I am no longer |
01:20:05 |
Ciao. |
01:20:13 |
Hey, you! |
01:20:30 |
Oh, Rosario, forgive me |
01:20:33 |
for thinking the terrible lie |
01:20:37 |
Forgive me. |
01:20:47 |
You're in a mood. |
01:20:49 |
You act disgusted with me. |
01:20:53 |
Ever since you met Mother, |
01:20:56 |
How different? |
01:20:58 |
Cold. |
01:21:00 |
Honey, your mother made me |
01:21:02 |
- Of what? |
01:21:06 |
I'm old enough to get married. |
01:21:09 |
Married? |
01:21:11 |
Yes! Married and have a baby. |
01:21:14 |
That's something to dream of. |
01:21:17 |
You dream. |
01:21:20 |
I am not a dreamer. |
01:21:22 |
I am not satisfied with dreams. |
01:21:27 |
Look, they can see us. |
01:21:29 |
Lift the anchor and |
01:21:32 |
Miss Yorke has field glasses. |
01:21:34 |
Field glasses! Field glasses! |
01:21:37 |
Well, they're German military field |
01:21:40 |
Field glasses! |
01:21:54 |
- Alvaro, what happened? |
01:21:57 |
- Oh, che bello! |
01:22:00 |
- What? What? |
01:22:03 |
- How's the Parchesi today? |
01:22:05 |
Sei tu che sei un imbroglione! |
01:22:07 |
- Imbroglione? |
01:22:10 |
- Onna, gioca. Tocca a te. |
01:22:13 |
Perche' gli lasci prendere |
01:22:16 |
Ma perche' tu imbrogli sempre, |
01:22:51 |
- Hello. |
01:22:54 |
You Mama Shigura? |
01:22:56 |
You want tattoo? Portrait? |
01:22:59 |
No. Tattoo. |
01:23:00 |
But can you do it now? |
01:23:03 |
OK. Very fast. Very good. |
01:23:06 |
Formerly New Orleans. |
01:23:10 |
Formerly Yokohama. |
01:23:15 |
I want a rose tattooed here, |
01:23:19 |
You understand? A rose. |
01:23:20 |
OK. Six dollar. |
01:23:24 |
Oh, no. That's too much. |
01:23:26 |
I give you $2. |
01:23:28 |
OK. Four dollar. No stem. |
01:23:32 |
Just a rose. |
01:23:35 |
Two-fifty is all I got to spend |
01:23:39 |
I'll show you. |
01:23:41 |
OK. Very good. |
01:23:42 |
Take off shirt. Sit down. |
01:23:44 |
But you got to make me a nice, |
01:23:48 |
But for $2.50, |
01:23:53 |
- The rose is all I need. |
01:24:07 |
It's cold! |
01:24:17 |
I give you a little stem. |
01:25:01 |
Where is it? Where is it? |
01:25:13 |
Eccola qua. Quarda dov'era. |
01:25:18 |
Rondinella felice! |
01:25:20 |
I will look at the window! |
01:25:25 |
C'e nessuno? |
01:25:26 |
Anybody home? |
01:25:28 |
Sono qua. |
01:25:30 |
Here I am. |
01:25:37 |
Where you go? |
01:25:39 |
- Well, good evening. |
01:25:41 |
- Well! |
01:25:43 |
Say, you... Hey! |
01:25:45 |
- You... Look, your hair... |
01:25:49 |
I didn't expect to see |
01:25:51 |
You're a young little widow, |
01:25:53 |
- You are... Fix yourself up. |
01:25:58 |
I got the whole works, |
01:25:59 |
- No! |
01:26:01 |
Magnifique! |
01:26:03 |
Oh, you got oil of roses |
01:26:06 |
Si, si! Olio di rose. |
01:26:07 |
- You like the smell of it? Smell it. |
01:26:10 |
You don't like the smell of it. |
01:26:13 |
I like it! I like it! I like. |
01:26:16 |
I like the smell of it. I like. |
01:26:19 |
OK. |
01:26:22 |
Shall we sit down |
01:26:24 |
I guess that's better than |
01:26:27 |
I think so. OK. OK. |
01:26:30 |
Oh, hey. Let me help you. |
01:26:32 |
Oh, grazie. |
01:26:34 |
Oh, excuse me. Ladies first. |
01:26:43 |
Shall we...? Shall we sit |
01:26:44 |
Yeah. You... You take the sofa. |
01:26:48 |
But it's more easy to talk |
01:26:50 |
Yeah, but I lean back |
01:26:52 |
and I like a straight back |
01:26:56 |
But it's more easy to talk with two |
01:26:59 |
I talk just good on this chair as I talk |
01:27:08 |
- Oh, can I help you? |
01:27:10 |
- It's all right. |
01:27:16 |
- I got a good surprise for you. |
01:27:18 |
- Wait till you see. |
01:27:22 |
- Father De Leo had it in his office. |
01:27:24 |
Open it. Count the money. |
01:27:26 |
- Why should I count the money? |
01:27:28 |
How do you know |
01:27:30 |
Oh, such an idea. |
01:27:34 |
I would never dream of it, |
01:27:36 |
I want you to know that |
01:27:42 |
I'll put away the purse. |
01:27:44 |
- Excuse me, eh? |
01:28:03 |
- Good evening again. |
01:28:06 |
Good evening. |
01:28:10 |
I bet you counted the money, huh? |
01:28:12 |
Yeah. I see you like |
01:28:17 |
- I got another surprise for you. |
01:28:19 |
- For you. |
01:28:22 |
Chocolate... Chocolates... |
01:28:26 |
Thank you, but, you know, |
01:28:29 |
- Oh, no. |
01:28:30 |
Oh, no. You're not fat. |
01:28:32 |
You're just pleasing |
01:28:35 |
Yeah. |
01:28:36 |
- Don't make me nervous now, huh? |
01:28:41 |
Thank you. Thank you. |
01:28:43 |
- It's all right. |
01:28:48 |
Oh, I see you got a piano. |
01:28:49 |
Yeah, yeah. |
01:28:53 |
It's electric. You know, |
01:28:55 |
I think it might give me a shock. |
01:28:58 |
- I'm afraid of this. I'm afraid. |
01:29:02 |
I'll show you. |
01:29:03 |
- It's very simple. |
01:29:05 |
- You press this. |
01:29:07 |
I'm afraid, oh... |
01:29:09 |
Look at... He's crazy, he's... |
01:29:13 |
Will you stop the dance?! Please! |
01:29:17 |
Oh, look! |
01:29:25 |
Chiudi quella finestra! Ma che modi! |
01:29:28 |
- A guardano! |
01:29:31 |
Dio mio! Turn on the lights! |
01:29:34 |
- What? What? |
01:29:36 |
Turn on the lights! |
01:29:38 |
I can't hear you! |
01:29:41 |
Sit down like a gentleman, |
01:29:43 |
- Oh, scusatemi, baronessa! |
01:29:44 |
- I like the music too much. |
01:29:46 |
OK. Take it easy. Take it easy. |
01:29:48 |
Sit down. |
01:29:50 |
Oh, I'm afraid now. |
01:29:52 |
Oh, now, don't be afraid. |
01:29:54 |
There you are. OK. |
01:29:55 |
Oh, please. Look at this. |
01:29:59 |
- Fifteen daughters? |
01:30:01 |
Age 15. One daughter. Clown! |
01:30:04 |
- I just make a joke. |
01:30:07 |
- Oh, excuse me. |
01:30:11 |
- Well, I'm so nervous tonight. |
01:30:14 |
Why are you nervous? |
01:30:15 |
- Because she's going out with a sailor. |
01:30:18 |
Yeah. Sit down, please. |
01:30:19 |
No, no. Not here. |
01:30:23 |
I made him promise to respect |
01:30:29 |
But how do I know that he will |
01:30:32 |
Oh, baronessa, you got to face facts. |
01:30:35 |
Sooner or later the innocence |
01:30:37 |
if the family's gonna continue, |
01:30:39 |
Please, don't make comparisons, |
01:30:43 |
Did he have a tattoo? |
01:30:45 |
Did who have a what? |
01:30:48 |
"Did who have a...?" The sailor. |
01:30:50 |
The sailor your daughter has met, |
01:30:53 |
Why do you ask me if he had a tattoo? |
01:30:56 |
Well, you know, most sailors |
01:30:59 |
How do I know if he had a tattoo |
01:31:05 |
- I got a tattoo. |
01:31:06 |
Yeah! |
01:31:09 |
Oh, you make me laugh. |
01:31:11 |
What kind of a tattoo you got? |
01:31:13 |
- What kind do you think? |
01:31:16 |
A South Sea girl without clothes on. |
01:31:19 |
- Oh, no, no. |
01:31:20 |
- I'm sure. |
01:31:23 |
- No? |
01:31:26 |
A big, red heart with "Mama". |
01:31:28 |
"Mama" written across it. |
01:31:30 |
You're wrong again, baronessa. |
01:31:33 |
- What kind of tattoo you got? |
01:31:37 |
See? |
01:31:43 |
Well, what's the matter? |
01:31:44 |
- I'm sorry. |
01:31:46 |
I don't feel good. |
01:31:48 |
Oh, I'm sorry, I... |
01:31:49 |
- I got to go outside. |
01:31:52 |
I got to go outside to breathe, |
01:31:54 |
Mi dispiace molto. |
01:31:56 |
I didn't mean to surprise you. |
01:31:58 |
Don't talk about it. |
01:32:00 |
Anybody could have a rose tattoo. |
01:32:02 |
- Sure, I know. |
01:32:04 |
It's too hot tonight. |
01:32:06 |
You know how a tin roof is. |
01:32:08 |
Yeah, I know. |
01:32:10 |
- and it don't cool off until midnight. |
01:32:12 |
Then it gets hot in the bedroom, |
01:32:14 |
No, please! Please. |
01:32:16 |
We got a strega. |
01:32:19 |
Please don't touch me! |
01:32:22 |
You got a bright house. |
01:32:25 |
- You're burning kilowatt hours. Why? |
01:32:27 |
You don't have to pay |
01:32:29 |
Yeah, I know. But don't you feel |
01:32:32 |
Everybody looks in. They watch us. |
01:32:34 |
Nothing is going on here |
01:32:39 |
- Nothing. |
01:32:40 |
Nothing. |
01:32:48 |
Yeah. What are you |
01:32:51 |
You know, the night is warm, |
01:32:54 |
- Bad circulation. |
01:32:57 |
I feel the sweet warmth of a lady. |
01:33:00 |
You talk a sweet mouth |
01:33:02 |
- To fool a woman, huh? |
01:33:04 |
That's what warms the world, |
01:33:07 |
Without it, the rose wouldn't |
01:33:09 |
The fruit wouldn't grow on the tree. |
01:33:10 |
And the truck would not haul |
01:33:12 |
Mr. Mangiacavallo, I know! |
01:33:14 |
What, you don't like my poetry? |
01:33:16 |
No, I don't like your poetry! |
01:33:17 |
How can a man talk to you? |
01:33:21 |
No, please! |
01:33:25 |
Is that your poetry? |
01:33:27 |
Is that your poetry? |
01:33:29 |
Andate a casa. Cialtrone! |
01:33:32 |
- Go home! |
01:33:34 |
- I understand plenty. Go home! |
01:33:37 |
- Go home! Don't touch me! |
01:33:39 |
Go home. |
01:33:41 |
Everything in my life |
01:33:44 |
Get up, you idiot's grandson! |
01:33:49 |
Get up. |
01:33:57 |
Go home! |
01:34:03 |
And where is the shirt I loaned you? |
01:34:06 |
- What? |
01:34:16 |
My sister wrapped it up. |
01:34:18 |
She was happy I met this nice lady. |
01:34:20 |
Your sister. |
01:34:23 |
Now, Mr. Mangiacavallo, please. |
01:34:25 |
Tell me the truth about something. |
01:34:28 |
When you put on the tattoo |
01:34:34 |
I got it tonight. |
01:34:36 |
You got it because I told you |
01:34:39 |
No, I wanted to be near you, |
01:34:42 |
Tell it to the Marines, please. |
01:34:44 |
You are not smart enough. |
01:34:45 |
Now, take the shirt back. |
01:34:47 |
I don't want it! You can keep it now! |
01:34:50 |
You just asked me for it. |
01:34:52 |
Oh, you make me so nervous. |
01:34:54 |
Is it my fault you been |
01:34:56 |
- You make a mistake. |
01:34:58 |
Both of us make a mistake tonight. |
01:34:59 |
Both of us make a mistake! |
01:35:03 |
You know, we should |
01:35:05 |
I think maybe we meet |
01:35:07 |
I'll go out again, come in. |
01:35:08 |
No, no. I think it's no use, |
01:35:11 |
because the day was |
01:35:14 |
Because of two women. |
01:35:15 |
They told me my husband |
01:35:18 |
with a woman at the Mardi Gras Club, |
01:35:20 |
You know? |
01:35:23 |
What was the name on the shirt? |
01:35:26 |
On the slip of paper? |
01:35:28 |
- I threw it out the window. |
01:35:31 |
You remember the name? |
01:35:33 |
I remember the name |
01:35:35 |
- What is...? |
01:35:38 |
That was the name. |
01:35:40 |
That was the woman. |
01:35:43 |
Yeah. You made me forget |
01:35:51 |
OK. OK! |
01:35:54 |
- Take me there! |
01:35:56 |
- Take me to the Mardi Gras now. |
01:35:58 |
Take me to the Mardi Gras now, |
01:36:16 |
Baronessa. |
01:36:18 |
Serafina, please. |
01:36:20 |
We go someplace else. |
01:36:21 |
- We have fun. |
01:36:33 |
Where is the woman |
01:36:37 |
Where is the woman |
01:36:39 |
Nobody knows where is the woman |
01:36:45 |
Go away. I want to speak |
01:36:51 |
Where is this woman? Please! |
01:36:56 |
Please. |
01:36:58 |
Oh, please! |
01:37:05 |
What do you know about my husband? |
01:37:08 |
I'm the wife, remember? |
01:37:10 |
What is the lie? |
01:37:12 |
You liar! |
01:37:14 |
- Liar! |
01:37:16 |
- Tell her! |
01:37:18 |
Liar! Liar! |
01:37:21 |
Remember? I brought you the |
01:37:24 |
You said, "For a man?" I said, "Yes, |
01:37:27 |
Remember? |
01:37:29 |
I remember. |
01:37:32 |
Let me at her! Let go of me! |
01:37:37 |
Let me at her! I'll show her |
01:37:40 |
I have the proof. I have proof! |
01:37:42 |
What proof? Please! What proof? |
01:37:46 |
If she thinks it's a lie, |
01:37:50 |
This! |
01:37:55 |
See for yourself. |
01:38:04 |
Let go of me! I'm gonna kill her! |
01:38:06 |
I'm gonna kill her! |
01:38:08 |
Let me get at her! |
01:38:09 |
Let go of me! |
01:38:11 |
Let go of me! Oh! |
01:38:14 |
Let me go! |
01:38:24 |
Hey! |
01:38:26 |
- That'll be 2.50, please. |
01:38:29 |
- Two dollars? |
01:38:35 |
Hey! |
01:38:41 |
- What did you do? |
01:38:43 |
I smashed the urn. |
01:38:47 |
Hey, mister. |
01:38:49 |
Two-fifty. |
01:38:51 |
- We don't have the money. |
01:38:55 |
- The lady's sick. |
01:38:56 |
- Her husband just died. |
01:38:58 |
- That's all right. |
01:39:04 |
Don't look at it. |
01:39:06 |
Don't look at it. |
01:39:10 |
Look outside. You know? |
01:39:13 |
Look out at the moon. |
01:39:15 |
- Yes. |
01:39:19 |
After a while, you will stop |
01:39:24 |
You need human comfort. |
01:39:33 |
I don't want that. |
01:39:35 |
What? Tell me. |
01:39:37 |
You go now. |
01:39:39 |
- I go? |
01:39:42 |
But leave the truck somewhere else. |
01:39:45 |
So everybody can't hear. |
01:39:47 |
And say to me in a loud voice: |
01:39:49 |
"Goodbye, Mrs. Delle Rose. |
01:39:52 |
Si, si, ho capito. |
01:39:54 |
I understand you very good, |
01:39:56 |
- OK. |
01:39:58 |
- Goodbye! |
01:40:01 |
Goodbye, Mrs. Delle Rose! |
01:40:03 |
- Tell everybody hello! |
01:40:07 |
- Goodbye! |
01:40:16 |
Give everybody my love! |
01:40:20 |
Goodbye. |
01:40:25 |
Give everybody my love. |
01:41:09 |
Who's that out there? |
01:41:48 |
Who's out there? |
01:42:23 |
Baronessa, where are you? |
01:42:26 |
In the parlor. |
01:42:29 |
You turned out the lights. |
01:42:31 |
Well, the... |
01:42:34 |
Vengo! Vengo! |
01:42:38 |
Amore! Amore! |
01:42:47 |
What's happened? |
01:42:49 |
- Hey! |
01:42:52 |
You! |
01:42:53 |
You! Hey! |
01:42:56 |
Please! Blood? |
01:42:59 |
Whiskey. |
01:43:07 |
Get up. Get up. |
01:43:10 |
Get up, you! |
01:43:15 |
A clown has passed out in my house. |
01:43:18 |
You want to sleep, huh? |
01:43:21 |
A clown like that |
01:43:36 |
There. |
01:43:56 |
Go on. Don't wait for me. |
01:44:04 |
When are you going back |
01:44:08 |
Tomorrow. |
01:44:10 |
What time must you be |
01:44:12 |
Ship. Why? |
01:44:15 |
Just tell me what time. |
01:44:18 |
Five. Why? |
01:44:22 |
What will you be doing till five? |
01:44:24 |
Well, what difference |
01:44:26 |
It don't make no difference |
01:44:32 |
All right. |
01:44:34 |
All right, I'll tell you what |
01:44:36 |
I'm gonna check in |
01:44:38 |
I'm gonna check in at the Rampart, |
01:44:43 |
Do me a little favor. |
01:44:46 |
Before you get loaded, |
01:44:48 |
look in the lobby of the Rampart Hotel |
01:44:51 |
Why? |
01:44:53 |
You might find me there... |
01:44:56 |
...waiting for you. |
01:44:58 |
Look, are you trying to buy me |
01:45:01 |
I want you to give me the little |
01:45:08 |
Are you talking about getting married? |
01:45:10 |
Yes. |
01:45:13 |
Yes, I want to give you my heart |
01:45:22 |
In all my born days, |
01:45:26 |
as the feel of your warm |
01:45:33 |
Honey... |
01:45:35 |
...I gotta leave now. |
01:45:38 |
Only if you promise |
01:45:41 |
I gotta go, Rosa! |
01:45:43 |
Look for me! |
01:45:47 |
I'll be there. |
01:47:40 |
Che bella. |
01:47:55 |
Che bella. |
01:48:09 |
Sporcaccione! |
01:48:13 |
Oh, baronessa. |
01:48:14 |
Baronessa! |
01:48:17 |
I didn't know what I was doing. |
01:48:20 |
Young lady, I thought you was |
01:48:22 |
"Your mama"?! Oh, please! |
01:48:25 |
- Mama. Mama, stop! |
01:48:27 |
Mama! |
01:48:30 |
- Baronessa, please! |
01:48:33 |
No, that's...! That's enough! |
01:48:35 |
- I kill you! |
01:48:36 |
- I kill you. |
01:48:39 |
- No. No! |
01:48:41 |
- Do you want everybody to know? |
01:48:44 |
Just give him his clothes |
01:48:46 |
- What clothes? |
01:48:47 |
- I didn't know... |
01:48:49 |
- But, baronessa... |
01:48:51 |
Who is this man? I don't know |
01:48:54 |
Don't say anymore. Just give him |
01:48:56 |
What clothes are you |
01:48:59 |
- Get out, please! |
01:49:01 |
- Get out, please! |
01:49:02 |
- Get... Put your shirt on! |
01:49:04 |
- Put your shirt on, you idiot's grandson. |
01:49:07 |
You idiot's grandson, you. |
01:49:09 |
- Don't talk to me. |
01:49:10 |
Don't tell me nothing, or I kill you. |
01:49:13 |
- But, baronessa, I love you. |
01:49:16 |
Put your shirt on! Cialtrone! |
01:49:19 |
Cialtrone! |
01:49:20 |
Baronessa, I love you. |
01:49:22 |
Again? |
01:49:25 |
Baronessa! I love you! |
01:49:29 |
Go home. Go home! |
01:49:32 |
Cialtrone! |
01:49:34 |
Them Italians is at it again. |
01:49:37 |
Had a truck driver |
01:49:45 |
Has the man gone? |
01:49:47 |
- That man? |
01:49:50 |
I don't know how that man get in. |
01:49:54 |
- Maybe the back door was open. |
01:49:58 |
Why not, cara? Maybe... |
01:50:00 |
Or fell down the chimney, maybe. |
01:50:09 |
Why do you put on the white things |
01:50:12 |
Because I want to. |
01:50:14 |
That's a good enough reason. |
01:50:17 |
Rosa, darling. |
01:50:18 |
I want you to understand |
01:50:22 |
That was a man... |
01:50:24 |
- That... That was... |
01:50:28 |
He was a truck driver, cara. |
01:50:30 |
He was chased by policemen. |
01:50:32 |
Did they chase him |
01:50:34 |
Bedroom? |
01:50:36 |
In the dining room. |
01:50:38 |
I took pity on him. |
01:50:40 |
I gave him first aid. |
01:50:42 |
I let him sleep on the floor. |
01:50:44 |
- He gave me his promise, you know? |
01:50:47 |
Did he promise he would |
01:50:50 |
Did he? |
01:50:54 |
Rosa. |
01:51:02 |
He was Sicilian. |
01:51:07 |
He had oil of roses in his hair. |
01:51:11 |
And the... And the rose tattoo |
01:51:16 |
I closed my eyes... |
01:51:19 |
...and dreamed he was your father. |
01:51:22 |
But he came to me drunk, |
01:51:27 |
Stop it! |
01:51:29 |
The only thing worse than a liar |
01:51:36 |
Rosa, don't look at me like that, with... |
01:51:39 |
With the eyes of your father. |
01:51:40 |
Yes, I look at you with |
01:51:42 |
I see you the way he saw you. |
01:51:44 |
- Don't, please. |
01:51:46 |
This pig! |
01:51:50 |
I need $5 so I can go |
01:52:09 |
Go in. |
01:52:11 |
Go in the house. |
01:52:13 |
Thanks. |
01:52:24 |
Rosa... |
01:52:26 |
Rosa, I couldn't sleep. |
01:52:35 |
My Rosa. |
01:52:37 |
Rosa. |
01:52:43 |
My daughter, she has on the white |
01:52:50 |
Will...? Will you marry my daughter? |
01:52:59 |
Mama. |
01:53:02 |
That man didn't touch me. |
01:53:06 |
He just said "che bella. " |
01:53:10 |
How beautiful she is, my daughter. |
01:53:15 |
Get up. |
01:53:17 |
Go with the boy. |
01:53:18 |
Oh, Mama. |
01:53:23 |
Oh, don't cry. Don't cry. |
01:53:26 |
Don't cry. |
01:53:28 |
Don't cry. Go with the boy. |
01:53:31 |
Go with the boy. |
01:53:48 |
The wristwatch. |
01:53:51 |
Oh, my. |
01:53:54 |
Rosa! |
01:53:56 |
Rosa! |
01:54:00 |
The wristwatch. |
01:54:09 |
Rondinella felice! |
01:54:11 |
Rondinella felice! |
01:54:16 |
I'm a happy bird! |
01:54:18 |
Rondinella felice! |
01:54:21 |
- Rondinella felice! |
01:54:24 |
- Serafina Delle Rose! |
01:54:27 |
Baronessa Delle Rose! |
01:54:29 |
There is a man on the roof |
01:54:31 |
Si, si. Senza camicia! |
01:54:33 |
All he's got on his chest |
01:54:36 |
Come on, Serafina. Why do you |
01:54:38 |
So he can't go to the high school? |
01:54:42 |
- Serafina! |
01:54:47 |
Here is a silk shirt for him! |
01:54:51 |
OK? |
01:55:04 |
I'm a happy bird! |
01:55:22 |
Va! |
01:55:37 |
Baronessa? |
01:55:47 |
Serafina? |
01:56:08 |
Now we can go on |