|
Royal Tenenbaums The
|
| 00:00:19 |
Shh. |
| 00:00:39 |
Royal Tenenbaum bought |
| 00:00:42 |
in the winter of his 35th year. |
| 00:00:48 |
Over the next decade |
| 00:00:50 |
he and his wife |
| 00:00:53 |
and then they separated. |
| 00:00:59 |
Are you |
| 00:01:01 |
At the moment, no... |
| 00:01:07 |
Do you still love us? |
| 00:01:08 |
Of course I do. |
| 00:01:10 |
Do you still love Mom? |
| 00:01:11 |
Yes, very much, but your |
| 00:01:13 |
and I must respect |
| 00:01:15 |
Is it our fault? |
| 00:01:16 |
No. |
| 00:01:19 |
Obviously, |
| 00:01:21 |
as a result of having children, |
| 00:01:23 |
no, Lord, no. |
| 00:01:24 |
Then why'd she ask you to leave? |
| 00:01:27 |
I don't really know anymore. |
| 00:01:32 |
Maybe, uh, I wasn't as true |
| 00:01:36 |
Well, she said... |
| 00:01:37 |
Let's just drop it |
| 00:01:38 |
shall we, uh, Chassie? |
| 00:01:39 |
They were never |
| 00:01:42 |
Thank you, Pagoda. |
| 00:01:43 |
Etheline Tenenbaum |
| 00:01:45 |
and raised the children |
| 00:01:46 |
and their education was |
| 00:01:49 |
Yes, I'll hold, please. |
| 00:01:51 |
Thank you. |
| 00:01:53 |
I need $187. |
| 00:01:55 |
Write yourself a check. |
| 00:02:03 |
Bene. Si. |
| 00:02:05 |
Grazie mille. |
| 00:02:09 |
She wrote a book |
| 00:02:15 |
- Chas, Chas! |
| 00:02:16 |
Uh, the gentleman |
| 00:02:19 |
Thank you. I have |
| 00:02:21 |
Go ahead. |
| 00:02:24 |
Chas Tenenbaum had, |
| 00:02:27 |
taken most of his meals |
| 00:02:29 |
standing up at his desk |
| 00:02:31 |
to save time. |
| 00:02:38 |
In the sixth grade, |
| 00:02:41 |
breeding Dalmatian mice |
| 00:02:42 |
which he sold to a pet shop |
| 00:02:45 |
He started buying real estate |
| 00:02:48 |
and seemed to have an almost |
| 00:02:52 |
of international finance. |
| 00:02:54 |
He negotiated the purchase |
| 00:02:58 |
on Eagle's Island. |
| 00:03:06 |
Hold it, Chassie. |
| 00:03:08 |
Hold it right there. |
| 00:03:09 |
What are you doing? |
| 00:03:13 |
There are no teams. |
| 00:03:19 |
The BB was still lodged |
| 00:03:23 |
in Chas's left hand. |
| 00:03:25 |
Margot Tenenbaum was adopted |
| 00:03:28 |
Her father had always noted |
| 00:03:32 |
This is my adopted daughter |
| 00:03:35 |
She was a playwright, and won |
| 00:03:39 |
in the ninth grade. |
| 00:03:46 |
She and her brother Richie |
| 00:03:50 |
and camped out |
| 00:03:51 |
in the African wing |
| 00:03:57 |
Hi, Eli. |
| 00:03:59 |
You said I could run away, too. |
| 00:04:01 |
No, I didn't, and don't |
| 00:04:04 |
They shared a sleeping bag |
| 00:04:06 |
and survived on crackers |
| 00:04:08 |
Four years later |
| 00:04:10 |
Margot disappeared alone |
| 00:04:13 |
and came back |
| 00:04:21 |
Richie Tenenbaum had been |
| 00:04:25 |
since the third grade. |
| 00:04:26 |
Do you copy, Anonymous? |
| 00:04:33 |
He turned pro at 17 |
| 00:04:35 |
and won the U.S. Nationals |
| 00:04:38 |
He kept a studio |
| 00:04:42 |
but had failed to develop |
| 00:04:45 |
Up... up... |
| 00:04:48 |
right... |
| 00:04:49 |
perfect. |
| 00:04:50 |
Pagoda? |
| 00:04:51 |
On weekends |
| 00:04:53 |
Royal took him on outings |
| 00:04:58 |
Put it out there. |
| 00:05:00 |
These invitations |
| 00:05:01 |
were never extended |
| 00:05:07 |
Richie's best friend, Eli Cash, |
| 00:05:12 |
in the building |
| 00:05:15 |
He was a regular fixture |
| 00:05:17 |
holidays, mornings before |
| 00:05:24 |
The three Tenenbaum children |
| 00:05:28 |
on the night |
| 00:05:31 |
They had agreed |
| 00:05:33 |
to invite their father |
| 00:05:37 |
What'd you think, Dad? |
| 00:05:38 |
Mmm... didn't seem |
| 00:05:41 |
Why are you wearing pajamas? |
| 00:05:42 |
Do you live here? |
| 00:05:44 |
He has permission to sleep over. |
| 00:05:46 |
Well, did you at least think |
| 00:05:48 |
the characters |
| 00:05:50 |
What characters? |
| 00:05:51 |
This is a bunch |
| 00:05:53 |
dressed up in animal costumes. |
| 00:05:54 |
Good night, everyone. |
| 00:05:56 |
Well, sweetie... |
| 00:05:57 |
don't be mad at me. |
| 00:05:58 |
That's just one man's opinion. |
| 00:06:03 |
# Happy birthday to you # |
| 00:06:07 |
# Happy birthday to you... # |
| 00:06:10 |
He had not been invited |
| 00:06:14 |
In fact, virtually all memory |
| 00:06:17 |
of the brilliance |
| 00:06:19 |
had been erased |
| 00:06:21 |
by two decades of betrayal, |
| 00:06:25 |
Go, Mordecai. |
| 00:06:28 |
# Na, na, na # |
| 00:06:31 |
# Na-na-na-na # |
| 00:06:37 |
# Hey Jude # |
| 00:06:41 |
# Na, na, na # |
| 00:06:44 |
# Na-na-na-na... # |
| 00:07:59 |
I've been instructed |
| 00:08:00 |
to refuse any further charges |
| 00:08:03 |
and to direct you, in writing |
| 00:08:05 |
to please vacate the premises |
| 00:08:08 |
What about Sing-Sang? |
| 00:08:11 |
I owe her $100. |
| 00:08:14 |
Royal had lived |
| 00:08:18 |
for 22 years. |
| 00:08:23 |
Can you pay her in cash? |
| 00:08:25 |
Uh-uh. |
| 00:08:26 |
He was a prominentlitigator |
| 00:08:31 |
when he was disbarred |
| 00:08:34 |
No one in his family had spoken |
| 00:08:42 |
Read it back to me so far, |
| 00:08:52 |
New paragraph. |
| 00:08:53 |
Richie had retired |
| 00:08:54 |
from professional tennis at 26. |
| 00:08:56 |
His last match had been |
| 00:09:03 |
"Your friend Richie." |
| 00:09:05 |
For the past year, |
| 00:09:08 |
on an ocean liner |
| 00:09:10 |
and had seen both poles, |
| 00:09:13 |
the Amazon and the Nile. |
| 00:09:15 |
"The crickets |
| 00:09:18 |
"among the nettles |
| 00:09:20 |
"'Vamanos, amigos,' |
| 00:09:22 |
"and threw |
| 00:09:25 |
"over the loose weave |
| 00:09:27 |
and they rode on |
| 00:09:32 |
Eli was an assistant professor |
| 00:09:34 |
of English literature |
| 00:09:36 |
The recent publication |
| 00:09:43 |
... had earned him a sudden, |
| 00:09:46 |
Well, everyone knows Custer |
| 00:09:50 |
What this book presupposes is... |
| 00:09:54 |
Let me ask you something. |
| 00:09:55 |
Why would a review |
| 00:09:57 |
someone's not a genius? |
| 00:09:58 |
You think I'm especially |
| 00:10:02 |
I know w... |
| 00:10:04 |
You didn't even have |
| 00:10:07 |
Well, I just don't use |
| 00:10:13 |
I have to go, Eli. |
| 00:10:18 |
Margot? |
| 00:10:19 |
Uh-huh. |
| 00:10:20 |
May I come in, please? |
| 00:10:37 |
How are you, my darling? |
| 00:10:38 |
Margo was married |
| 00:10:42 |
Raleigh St. Clair. |
| 00:10:46 |
I'm fine, thank you. |
| 00:10:49 |
You need to eat something. |
| 00:10:51 |
May I make you dinner? |
| 00:10:52 |
No, thank you. |
| 00:11:03 |
She was known |
| 00:11:06 |
For example, |
| 00:11:08 |
she was a smoker, which she |
| 00:11:11 |
Norwere they aware |
| 00:11:14 |
and divorce to |
| 00:11:17 |
She kept a private studio |
| 00:11:20 |
under the name "Helen Scott." |
| 00:11:23 |
She had not completed a play |
| 00:11:27 |
17 October, third examination |
| 00:11:33 |
All right, Dudley |
| 00:11:36 |
make yours like mine. |
| 00:11:40 |
Raleigh's next book was |
| 00:11:43 |
of a condition he called |
| 00:11:48 |
Where's that red one |
| 00:11:50 |
going to go? |
| 00:11:54 |
Done. |
| 00:11:58 |
Good. |
| 00:12:01 |
Very good. |
| 00:12:05 |
My goodness. |
| 00:12:06 |
How interesting. How bizarre. |
| 00:12:09 |
Dudley suffers |
| 00:12:12 |
combining symptoms |
| 00:12:15 |
and color blindness. |
| 00:12:17 |
He has a highly acute |
| 00:12:19 |
There is also evidence of... |
| 00:12:21 |
I'm not color blind, am I? |
| 00:12:22 |
I'm afraid you are. |
| 00:12:41 |
Ari, fire alarm! Let's go! |
| 00:12:44 |
Out you go! |
| 00:12:46 |
Let's go! |
| 00:12:52 |
Uzi, emergency! Let's go! |
| 00:12:57 |
Uzi... what did I just say?! |
| 00:13:01 |
Look alive! |
| 00:13:02 |
Fire! |
| 00:13:03 |
Chas's wife Rachael |
| 00:13:04 |
was killed in a plane crash |
| 00:13:07 |
What about Buckley? |
| 00:13:08 |
It's too late. You forgot him. |
| 00:13:09 |
Buckley! Buckley! |
| 00:13:14 |
No elevator! There's a fire. |
| 00:13:16 |
Go, go! |
| 00:13:18 |
Go, go, go, go, go! |
| 00:13:20 |
Chas and their two sons, |
| 00:13:24 |
were also on the flight |
| 00:13:27 |
as did their dog |
| 00:13:29 |
who was discovered in his cage |
| 00:13:31 |
several thousand yards |
| 00:13:42 |
Four minutes, 48 seconds. |
| 00:13:44 |
We're all dead, |
| 00:13:46 |
Over the last six months |
| 00:13:48 |
he had become increasingly |
| 00:13:51 |
We left Buckley. |
| 00:13:53 |
It doesn't matter. |
| 00:14:01 |
Etheline became |
| 00:14:03 |
and had overseen excavations |
| 00:14:05 |
for the Department of Housing |
| 00:14:08 |
Apropos of my question |
| 00:14:10 |
regarding l-40 |
| 00:14:15 |
um... |
| 00:14:17 |
She taught a bridge class |
| 00:14:20 |
with her friend and business |
| 00:14:26 |
It would probably be |
| 00:14:29 |
for your marital status |
| 00:14:31 |
to be legally established |
| 00:14:33 |
in light of the circumstances. |
| 00:14:35 |
What do you mean? |
| 00:14:36 |
I mean for tax purposes. |
| 00:14:38 |
But I thought... |
| 00:14:39 |
- Etheline... |
| 00:14:41 |
Will you marry me? |
| 00:14:45 |
I... |
| 00:14:46 |
I love you, uh... |
| 00:14:47 |
Did you already know that? |
| 00:14:49 |
No, I didn't. |
| 00:14:52 |
Since her separation |
| 00:14:54 |
she had had many suitors... |
| 00:15:02 |
... but had not considered |
| 00:15:06 |
This isn't really |
| 00:15:10 |
That's true, uh... |
| 00:15:13 |
I don't know why |
| 00:15:18 |
Let me think about it, Henry. |
| 00:15:24 |
Hello. Please tell Mr. Royal |
| 00:15:32 |
Lobby. |
| 00:15:34 |
Thank you, Dusty. |
| 00:15:37 |
You're welcome. |
| 00:15:40 |
Good morning, Jerry. |
| 00:15:42 |
Hmm... |
| 00:15:43 |
Oh, there's a call for you, |
| 00:15:47 |
Who is it, Frederick? |
| 00:15:48 |
A Mr. Pagoda. |
| 00:15:55 |
What do you got? |
| 00:15:56 |
The black man asked her |
| 00:16:00 |
No shit? |
| 00:16:03 |
What did Ethel say? |
| 00:16:05 |
She think about it. |
| 00:16:10 |
I don't like the sound of this |
| 00:16:12 |
I mean... Lord knows |
| 00:16:15 |
I've had my share |
| 00:16:19 |
but she's still my wife. |
| 00:16:24 |
And no damn two-bit, |
| 00:16:26 |
is going to change that. |
| 00:16:37 |
Hi. |
| 00:16:42 |
Hey, Pagoda, |
| 00:17:00 |
Chas? |
| 00:17:04 |
What's going on? |
| 00:17:06 |
We got locked out |
| 00:17:07 |
Did you call a locksmith? |
| 00:17:10 |
Uh-huh. |
| 00:17:12 |
Well, I don't understand. |
| 00:17:13 |
Did you pack your bags |
| 00:17:16 |
or how did you? |
| 00:17:17 |
It's not safe over there. |
| 00:17:19 |
Excuse me for a moment. |
| 00:17:25 |
What are you talking about? |
| 00:17:26 |
The apartment. |
| 00:17:27 |
I have to get |
| 00:17:29 |
and a backup |
| 00:17:32 |
But there are |
| 00:17:35 |
Well, we might have |
| 00:17:41 |
Okay. |
| 00:17:44 |
Isn't this fun, huh? |
| 00:17:46 |
Isn't this great? |
| 00:17:47 |
Feels like we're camping. |
| 00:17:49 |
When are we going home? |
| 00:17:51 |
Huh? |
| 00:17:52 |
Hey, look at this. |
| 00:17:54 |
Pretty cool, huh? |
| 00:17:57 |
# Who am I supposed to be? # |
| 00:17:59 |
Who put that in here? |
| 00:18:00 |
#... Look at me # |
| 00:18:06 |
# What am I supposed to be? # |
| 00:18:08 |
Okay. |
| 00:18:09 |
Well, I will see you boys |
| 00:18:12 |
- Good night. |
| 00:18:13 |
Good night. |
| 00:18:15 |
# Look at me # |
| 00:18:17 |
You know what? |
| 00:18:18 |
I think I'm going |
| 00:18:21 |
That way... |
| 00:18:24 |
...we can all be together. |
| 00:18:28 |
# Oh, my love # |
| 00:18:31 |
# Oh. # |
| 00:18:42 |
What kind of side effects |
| 00:18:44 |
Well, there are |
| 00:18:46 |
Severe nausea and dizziness |
| 00:18:48 |
A certain percentage of patients |
| 00:18:51 |
You mean, like flopping around |
| 00:18:54 |
In some cases. |
| 00:18:58 |
You have a visitor, my darling. |
| 00:19:02 |
Who is it? |
| 00:19:04 |
It's me, sweetie. |
| 00:19:18 |
Raleigh says you've been |
| 00:19:21 |
locked in here, |
| 00:19:23 |
and soaking in the tub. |
| 00:19:25 |
I doubt that. |
| 00:19:27 |
I don't think that's |
| 00:19:30 |
Nor do I think |
| 00:19:31 |
to keep an electrical gadget |
| 00:19:34 |
I tie it to the radiator. |
| 00:19:39 |
Well, it can't be very good |
| 00:19:51 |
Chas came home. |
| 00:19:54 |
What do you mean? |
| 00:19:56 |
He and Ari and Uzi |
| 00:19:58 |
with me for a little while. |
| 00:20:01 |
Why are they allowed |
| 00:20:04 |
I don't know exactly |
| 00:20:06 |
but I think he's been |
| 00:20:09 |
So am I. |
| 00:20:11 |
So are you, what? |
| 00:20:13 |
But why is this necessary? |
| 00:20:15 |
'Cause I'm in a rut, |
| 00:20:18 |
Hang on. |
| 00:20:25 |
Taxi! |
| 00:20:31 |
That cab has a dent in it. |
| 00:20:37 |
You don't love me anymore, |
| 00:20:39 |
I do, kind of. |
| 00:20:41 |
I can't explain it right now. |
| 00:20:43 |
Another dent here, |
| 00:20:55 |
I'll call you, okay? |
| 00:21:18 |
Hello. |
| 00:21:22 |
Hello? |
| 00:21:26 |
Hello, beautiful. |
| 00:21:39 |
Got a minute? |
| 00:21:42 |
What are you doing here? |
| 00:21:44 |
Uh, I need a favor. |
| 00:21:45 |
I want to spend some time |
| 00:21:48 |
Are you crazy? |
| 00:21:50 |
Well, wait a minute, damn it! |
| 00:21:51 |
Stop following me. |
| 00:21:52 |
Well, I want my family back. |
| 00:21:53 |
Well, you can't have it. |
| 00:21:55 |
I'm sorry for you, |
| 00:21:58 |
Well, listen... |
| 00:21:59 |
Baby, I'm dying. |
| 00:22:03 |
Yeah, I'm-I'm sick as a dog. |
| 00:22:06 |
I'll be dead in six weeks. |
| 00:22:09 |
I'm dying. |
| 00:22:19 |
What are you talking about? |
| 00:22:27 |
What's happening? |
| 00:22:33 |
Oh, I'm sorry. |
| 00:22:37 |
I didn't know. |
| 00:22:44 |
Well, what'd they say? |
| 00:22:46 |
What is the prognosis? |
| 00:22:48 |
Take it easy, Ethel. |
| 00:22:50 |
Now, hold-hold on, baby, |
| 00:22:52 |
Hold on, okay? |
| 00:22:58 |
Ethel, hold on, hold on. |
| 00:23:00 |
Where is the doctor? |
| 00:23:02 |
Don't... Well, just... |
| 00:23:03 |
W- Wait a second now. |
| 00:23:04 |
Wait a second. |
| 00:23:05 |
Okay, uh, listen, |
| 00:23:10 |
but I need some time. |
| 00:23:12 |
A month or so, okay? |
| 00:23:14 |
I want us... I want us to-to... |
| 00:23:17 |
What's wrong with you?! |
| 00:23:19 |
Damn! |
| 00:23:20 |
Ethel. |
| 00:23:21 |
Are you crazy?! |
| 00:23:22 |
Ethel, baby... |
| 00:23:24 |
I am dying. |
| 00:23:38 |
Are you or aren't you? |
| 00:23:41 |
What? Dying? |
| 00:23:44 |
Yeah. |
| 00:23:50 |
Have you told your children? |
| 00:23:51 |
More or less. |
| 00:23:53 |
And are they all right? |
| 00:23:54 |
It's hard to say. |
| 00:23:56 |
Who's your father? |
| 00:23:57 |
His name is Royal Tenenbaum. |
| 00:23:59 |
You told us he was already dead. |
| 00:24:01 |
Yeah, well, now |
| 00:24:03 |
- Ready. |
| 00:24:04 |
I am very sorry, Margo. |
| 00:24:05 |
That's okay. |
| 00:24:06 |
We're not actually related, |
| 00:24:09 |
True. |
| 00:24:12 |
I'd like to send a response, |
| 00:24:14 |
Yes, sir, go ahead. |
| 00:24:16 |
Dear Mom: |
| 00:24:17 |
I received your message. |
| 00:24:19 |
I'm coming home |
| 00:24:21 |
Who do I see about that? |
| 00:24:23 |
The ship's porter arranged for |
| 00:24:27 |
and transfer |
| 00:24:29 |
on board the Queen Helena |
| 00:24:31 |
destined for |
| 00:24:33 |
His trunks would not arrive |
| 00:24:37 |
Hey, Baumer. |
| 00:24:39 |
Do you mind if we get |
| 00:24:41 |
Not at all. |
| 00:24:44 |
He had made a request |
| 00:24:47 |
the one from his days |
| 00:24:49 |
to meet him at the pier |
| 00:24:53 |
Hi. |
| 00:24:56 |
As always, she was late. |
| 00:25:31 |
# I've been out walking # |
| 00:25:36 |
# I don't do too much talking |
| 00:25:42 |
# These days # |
| 00:25:47 |
# These days I seem |
| 00:25:50 |
# About the things |
| 00:25:57 |
# And other times, I... # |
| 00:26:01 |
Stand up straight. |
| 00:26:02 |
Let me get a look at you. |
| 00:26:08 |
What's so funny? |
| 00:26:13 |
Well it's nice to see you, too. |
| 00:26:25 |
That night, Etheline found |
| 00:26:28 |
living together under |
| 00:26:30 |
for the first time in 17 years. |
| 00:26:31 |
Where's your dad? |
| 00:26:40 |
The next morning, |
| 00:26:43 |
He had decided birds should not |
| 00:26:47 |
fed Mordecai three sardines, |
| 00:27:30 |
I've missed the hell out of you, |
| 00:27:33 |
Well, you know that, though, |
| 00:27:36 |
I hear you're dying. |
| 00:27:38 |
So they tell me. |
| 00:27:40 |
I'm sorry. |
| 00:27:42 |
Well, I've had a good run. |
| 00:27:44 |
You don't look so sick, Dad. |
| 00:27:46 |
Thank you. |
| 00:27:48 |
What have you got? |
| 00:27:50 |
I've got a pretty bad case |
| 00:27:52 |
How long you going to last? |
| 00:27:54 |
Not long. |
| 00:27:56 |
A month, a year? |
| 00:27:58 |
About six weeks. |
| 00:28:00 |
Let me get to the point. |
| 00:28:02 |
The three of you and your mother |
| 00:28:04 |
and I love you |
| 00:28:06 |
Ho-ho! |
| 00:28:07 |
- Ho-ho. |
| 00:28:08 |
finish here. |
| 00:28:10 |
Now, I've got six weeks |
| 00:28:14 |
and I aim to do it. |
| 00:28:15 |
Will you give me a chance? |
| 00:28:17 |
No. |
| 00:28:18 |
You speak |
| 00:28:19 |
for everyone? |
| 00:28:20 |
I speak for myself. |
| 00:28:22 |
Well, you've |
| 00:28:24 |
Let somebody else do some of |
| 00:28:26 |
What do you propose to do? |
| 00:28:28 |
I can't say, really. |
| 00:28:30 |
Um, make up for lost time, |
| 00:28:34 |
First thing I want to do is |
| 00:28:35 |
take you out to see |
| 00:28:38 |
I haven't been out there |
| 00:28:41 |
I haven't been out there at all. |
| 00:28:43 |
I was never invited. |
| 00:28:44 |
Well, she wasn't |
| 00:28:46 |
and I never knew how much |
| 00:28:50 |
Anyway, you're invited now. |
| 00:28:52 |
Thanks. |
| 00:28:53 |
You know, Rachael's buried |
| 00:28:55 |
out there, too. |
| 00:28:57 |
Who? |
| 00:28:58 |
My wife. |
| 00:29:00 |
Oh, that's right, isn't it? |
| 00:29:01 |
Well, we'll have to swing |
| 00:29:09 |
Uh, I'll be right back. |
| 00:29:12 |
Chas. |
| 00:29:15 |
Chas. |
| 00:29:18 |
Can I see my grandsons? |
| 00:29:20 |
Why? |
| 00:29:21 |
Because I finally want |
| 00:29:26 |
Don't give me that guff. |
| 00:29:30 |
I think we'll pass. |
| 00:29:39 |
Pagoda... |
| 00:29:40 |
where's my Havelina? |
| 00:29:45 |
I'll say good-night |
| 00:29:47 |
Dad. |
| 00:29:52 |
Thank you, my sweet boy. |
| 00:29:58 |
I'll contact you |
| 00:30:00 |
with further instructions. |
| 00:30:10 |
Look at that old |
| 00:30:12 |
grizzly bear. |
| 00:30:15 |
Hello, Ethel. |
| 00:30:17 |
Good evening, sir. |
| 00:30:18 |
Hold the cab, |
| 00:30:20 |
Royal, this is Henry Sherman. |
| 00:30:22 |
Hey, lay it on me, man. |
| 00:30:23 |
How do you do? |
| 00:30:24 |
Not too well. I'm dying. |
| 00:30:28 |
How's Richie? |
| 00:30:30 |
I don't know. |
| 00:30:32 |
I can't tell. |
| 00:30:33 |
Yeah, me neither. |
| 00:30:35 |
He wrote me a letter. |
| 00:30:37 |
He says he's |
| 00:30:41 |
What are you talking about? |
| 00:30:43 |
That's what he said. |
| 00:30:44 |
I don't know how |
| 00:30:48 |
Hang on. |
| 00:30:56 |
Hello. |
| 00:30:57 |
Sugar, it's Eli. |
| 00:30:59 |
Hey, baby, give me a second. |
| 00:31:01 |
What are we doing, Eli? |
| 00:31:03 |
Oh, I just got to pick |
| 00:31:07 |
Don't repeat that, by the way. |
| 00:31:09 |
About Richie. |
| 00:31:10 |
It was told to me in |
| 00:31:18 |
Good. |
| 00:31:20 |
Now just remove the loose soil |
| 00:31:23 |
and note the |
| 00:31:27 |
I'm sorry to interrupt |
| 00:31:29 |
Don't be silly. |
| 00:31:31 |
Come on. |
| 00:31:33 |
I just want to apologize |
| 00:31:35 |
when I proposed to you. |
| 00:31:37 |
Why? |
| 00:31:38 |
I thought it was very sweet. |
| 00:31:39 |
I know I'm not as accomplished |
| 00:31:42 |
you've been involved with. |
| 00:31:44 |
Uh, Franklin Benedict, |
| 00:31:47 |
and your ex-husband. |
| 00:31:48 |
Oh, that's ridiculous. |
| 00:31:49 |
But, but, I feel... |
| 00:31:51 |
I can offer |
| 00:31:54 |
I know I went about it |
| 00:31:57 |
Henry, I have no interest |
| 00:32:00 |
or Doug Cartwright... |
| 00:32:02 |
and as far as Royal's concerned, |
| 00:32:05 |
Henry? |
| 00:32:09 |
Henry, are you all right? |
| 00:32:11 |
Yeah, I'm fine. I'm fine. |
| 00:32:13 |
Anyway, let me know |
| 00:32:16 |
Henry, wait a second. |
| 00:32:19 |
I'm sorry, I'm very nervous. |
| 00:32:23 |
Th-That's okay. |
| 00:32:28 |
Oh, thank you. |
| 00:32:30 |
Why are you so nervous? |
| 00:32:34 |
Well, to tell you the truth |
| 00:32:37 |
I haven't slept |
| 00:32:41 |
# Dah-dah-dum # |
| 00:32:48 |
# Dah-dah, dah-dah, dah, |
| 00:32:55 |
# Dah-dah, dah-dah-dah # |
| 00:33:01 |
# Dah-dah, dah-dah, dah... # |
| 00:33:08 |
# La-dah-dah-dah-dah, |
| 00:33:15 |
# Lah-dah-dah-dah-dah, |
| 00:33:22 |
# Dah-dah, dah-dah-dah-dah... # |
| 00:33:28 |
# Dah, dah-dah-dah, |
| 00:33:36 |
# Dah, dah-dah-dah-dah, |
| 00:33:43 |
# Dah-dah, dah-dah... # |
| 00:33:44 |
That's a hell of an old |
| 00:33:47 |
What's he go by? |
| 00:33:48 |
Buckley. |
| 00:33:50 |
Buckley, sit. |
| 00:33:56 |
You know who I am? |
| 00:33:58 |
I'm Royal. |
| 00:33:59 |
Have you heard of me? |
| 00:34:03 |
I'm very sorry for your loss. |
| 00:34:05 |
Your mother was a terribly |
| 00:34:07 |
Thank you. |
| 00:34:09 |
Which one are you? |
| 00:34:11 |
Ari. |
| 00:34:12 |
Uzi, I'm your granddad. |
| 00:34:14 |
Hello. |
| 00:34:15 |
I'm sorry we haven't gotten |
| 00:34:17 |
I don't get invited around |
| 00:34:20 |
What do you think of that, |
| 00:34:22 |
Oh, you... |
| 00:34:23 |
you don't have to say anything. |
| 00:34:25 |
It's kind of a "fuck you" |
| 00:34:29 |
How's your daddy? |
| 00:34:30 |
Fine. |
| 00:34:31 |
You think so, huh? |
| 00:34:32 |
How often has he got you |
| 00:34:34 |
16 times a week. |
| 00:34:37 |
Do me a favor. |
| 00:34:38 |
Tell him you want to meet me. |
| 00:34:40 |
But we just met. |
| 00:34:41 |
No, we didn't. |
| 00:34:42 |
Look, I'd like us to have |
| 00:34:45 |
but we have to pull some strings |
| 00:34:48 |
Now, here's what you tell him. |
| 00:34:51 |
Well, I bet |
| 00:34:54 |
to meet him before he died. |
| 00:34:55 |
Wouldn't she? |
| 00:34:56 |
Don't you think? |
| 00:35:13 |
She was a tough old broad, |
| 00:35:15 |
I wouldn't know. |
| 00:35:18 |
Excuse me. Come on. |
| 00:35:19 |
Oh, that's right. |
| 00:35:20 |
We've got another body |
| 00:35:22 |
Uh, hold on. |
| 00:35:26 |
Take some of these. |
| 00:35:30 |
Come on. |
| 00:35:35 |
So what do you think |
| 00:35:37 |
moving in up there? |
| 00:35:38 |
Who? |
| 00:35:40 |
Henry Sherman. |
| 00:35:41 |
You know him? |
| 00:35:43 |
Yeah. |
| 00:35:44 |
Is he worth a damn? |
| 00:35:47 |
I believe so. |
| 00:35:55 |
What happened to your finger? |
| 00:35:57 |
Uzi, shh. |
| 00:35:58 |
It's okay, I'll tell you. |
| 00:35:59 |
I'm adopted. Did you know that? |
| 00:36:02 |
Well, I am. |
| 00:36:03 |
When I was 14, I went to find |
| 00:36:06 |
They live in Indiana. |
| 00:36:07 |
All right, now, just set one |
| 00:36:10 |
right up top there, |
| 00:36:21 |
Did you try to sew it back on? |
| 00:36:24 |
Wasn't worth it. |
| 00:36:33 |
Hell of a damn grave. |
| 00:36:36 |
Wish it were mine. |
| 00:36:39 |
It's a shame, isn't it? |
| 00:36:41 |
What? |
| 00:36:42 |
Well, you probably had another |
| 00:36:45 |
of competitive play in you. |
| 00:36:46 |
Probably. |
| 00:36:47 |
I had a lot riding on |
| 00:36:51 |
Financially and personally. |
| 00:36:53 |
Why did you choke out |
| 00:36:57 |
Mr. Gandhi leads 40-15. |
| 00:37:07 |
That's 72 unforced errors |
| 00:37:08 |
for Richie Tenenbaum. |
| 00:37:10 |
He's playing the worst tennis |
| 00:37:12 |
What's he feeling right now, |
| 00:37:14 |
I don't know, Jim. |
| 00:37:15 |
There's obviously |
| 00:37:17 |
He's taken off his shoes |
| 00:37:20 |
and... actually, |
| 00:37:21 |
I think you're right. |
| 00:37:23 |
Who's he looking at |
| 00:37:26 |
That's his sister, Margot |
| 00:37:28 |
and her new husband, |
| 00:37:30 |
They were just married |
| 00:37:32 |
Oh, yes. |
| 00:37:38 |
I've never seen anything |
| 00:37:42 |
Neither have I. |
| 00:37:44 |
Strange day out here |
| 00:37:47 |
I kind of disappeared |
| 00:37:50 |
Yeah. |
| 00:37:52 |
But I understood. |
| 00:37:55 |
I know you're not very good |
| 00:38:04 |
You still got that little BB |
| 00:38:06 |
in your hand, Chassie? |
| 00:38:16 |
Why did you shoot me? |
| 00:38:17 |
It was the object |
| 00:38:19 |
No. |
| 00:38:20 |
We were on the same team. |
| 00:38:23 |
Were we? |
| 00:38:25 |
Well... you sued me. |
| 00:38:28 |
Twice. Got me disbarred. |
| 00:38:30 |
I don't hold it |
| 00:38:33 |
And how is it possible |
| 00:38:34 |
for Mr. Tenenbaum |
| 00:38:36 |
without your written |
| 00:38:38 |
Objection, Your Honor. |
| 00:38:40 |
Why don't you leave |
| 00:38:42 |
Because I started the |
| 00:38:44 |
So, my father |
| 00:38:45 |
on most of my accounts. |
| 00:38:47 |
He also stole bonds |
| 00:38:48 |
out of my safety deposit box |
| 00:38:55 |
You think you could |
| 00:39:02 |
Why should I? |
| 00:39:04 |
Because you're hurting me. |
| 00:39:08 |
Come on. |
| 00:39:12 |
Were you in prison? |
| 00:39:14 |
Kind of. |
| 00:39:15 |
Minimum security. |
| 00:39:16 |
I got jacked by the IRS. |
| 00:39:19 |
Should we split? |
| 00:39:20 |
Yes, sir. |
| 00:39:21 |
No, call me Mr. Tenenbaum. |
| 00:39:23 |
Okay. |
| 00:39:24 |
No, I'm kidding; call me Pappy. |
| 00:39:27 |
Okay. |
| 00:39:28 |
Come on, let's shag ass. |
| 00:39:32 |
Well, just let me know |
| 00:39:34 |
if you need somebody |
| 00:39:36 |
I like Raleigh very much. |
| 00:39:38 |
I know he's a lot older |
| 00:39:40 |
and you two are having |
| 00:39:42 |
but... anyway, |
| 00:39:45 |
Okay. Thanks. |
| 00:39:46 |
Hey, Baumer! All right! |
| 00:39:49 |
All right! Ha! |
| 00:39:54 |
By the way, I heard about |
| 00:40:01 |
You dropped some cigarettes. |
| 00:40:07 |
Those aren't mine. |
| 00:40:09 |
They just fell |
| 00:40:24 |
Oh, my Lord, look at you. |
| 00:40:32 |
Come in. |
| 00:40:37 |
Did you tell Margot |
| 00:40:38 |
about that letter |
| 00:40:40 |
Why? Did she mention it? |
| 00:40:45 |
Yes, I did. |
| 00:40:48 |
Why would she |
| 00:40:51 |
Well, I would ask you |
| 00:40:55 |
Rightly so. |
| 00:41:04 |
What'd you say? |
| 00:41:07 |
Hmm? |
| 00:41:09 |
What? |
| 00:41:10 |
I didn't say anything. |
| 00:41:12 |
When? Right now? |
| 00:41:19 |
I'm sorry; don't listen to me. |
| 00:41:21 |
I'm on mescaline. |
| 00:41:22 |
I've been spaced out all day. |
| 00:41:26 |
Did you say you're on mescaline? |
| 00:41:29 |
I did, indeed. |
| 00:41:31 |
Very much so. |
| 00:41:33 |
How often do you, uh? |
| 00:41:35 |
I'm worried about you, Richie. |
| 00:41:37 |
Why? |
| 00:41:39 |
Well, actually, Margot is, |
| 00:41:42 |
But I did find it odd |
| 00:41:43 |
when you said |
| 00:41:49 |
She's married, you know. |
| 00:41:51 |
Yeah. |
| 00:41:53 |
And she's your sister. |
| 00:41:55 |
Adopted. |
| 00:42:08 |
Where are my encyclopedias? |
| 00:42:10 |
They've been placed in storage. |
| 00:42:12 |
Well, damn you. |
| 00:42:13 |
- Th-this is humiliating. |
| 00:42:15 |
Would you like to make |
| 00:42:17 |
Where am I supposed to go? |
| 00:42:18 |
You're turning me |
| 00:42:20 |
I'd be happy to make |
| 00:42:22 |
- at another hotel. |
| 00:42:23 |
Frederick. |
| 00:42:25 |
Hello there, Dusty. |
| 00:42:26 |
Hello. |
| 00:42:27 |
Could you spot me a quarter? |
| 00:42:29 |
Of course. |
| 00:42:32 |
Richie? Hi. |
| 00:42:34 |
It's your dad. |
| 00:42:40 |
I think he's very lonely... |
| 00:42:42 |
Ionelier than he lets on |
| 00:42:44 |
maybe lonelier |
| 00:42:47 |
Have you spoken |
| 00:42:49 |
Briefly, |
| 00:42:52 |
I'm sorry, maybe I'm |
| 00:42:54 |
What are you suggesting? |
| 00:42:55 |
That he come here |
| 00:42:58 |
Are you out of your mind? |
| 00:43:00 |
No, I'm not. |
| 00:43:02 |
he'd be much more comfortable |
| 00:43:04 |
Who gives a shit? |
| 00:43:05 |
I do. |
| 00:43:07 |
You poor sucker. |
| 00:43:08 |
You poor, washed-up papa's boy. |
| 00:43:10 |
All right, let's not |
| 00:43:12 |
Please, don't get in the middle |
| 00:43:14 |
This is a family matter. |
| 00:43:15 |
Don't talk to him like that. |
| 00:43:18 |
- Call me Henry. |
| 00:43:19 |
Call him Henry. |
| 00:43:21 |
Why? I don't know him |
| 00:43:22 |
You've known him for ten years. |
| 00:43:24 |
As your accountant, |
| 00:43:25 |
Where are you going to sleep? |
| 00:43:27 |
I'm just going |
| 00:43:28 |
We brought our sleeping bag... |
| 00:43:30 |
Uzi! |
| 00:43:31 |
We don't mind, Dad. |
| 00:43:32 |
We like him. |
| 00:43:33 |
Who, Pappy? |
| 00:43:34 |
"Pappy"? |
| 00:43:35 |
He can sleep in |
| 00:43:37 |
Ari, it's not your decision. |
| 00:43:39 |
Nor is it yours. |
| 00:43:40 |
Well, he's already up there. |
| 00:43:44 |
What?! |
| 00:43:46 |
I think he's asleep |
| 00:43:47 |
because of the medication |
| 00:43:49 |
but I... I guess you can |
| 00:43:53 |
ifMom says it's okay. |
| 00:44:03 |
Get out. |
| 00:44:06 |
All right. |
| 00:44:08 |
Let me just collect my things. |
| 00:44:12 |
Would you mind handing me |
| 00:44:15 |
Let me see, |
| 00:44:17 |
I'll get 'em. |
| 00:44:18 |
Oh, thanks. |
| 00:44:19 |
Oh! |
| 00:44:21 |
Dad! |
| 00:44:24 |
Mom! |
| 00:44:25 |
Grab me a Nembutal, |
| 00:44:28 |
Are you okay? |
| 00:44:29 |
What the fuck you care? |
| 00:44:31 |
Oh, my goodness. |
| 00:44:33 |
Pagoda? |
| 00:44:35 |
Call Doctor McClure. |
| 00:44:41 |
Take a breath and hold it. |
| 00:44:45 |
Now cough. |
| 00:44:50 |
His condition is stable. |
| 00:44:52 |
The attack was |
| 00:44:54 |
I recommend you push fluids |
| 00:44:57 |
and continue the stomach cancer |
| 00:45:06 |
Can we move him? |
| 00:45:08 |
Absolutely not. |
| 00:45:10 |
For how long? |
| 00:45:12 |
We'll have to wait and see. |
| 00:45:14 |
Is he going to be all right? |
| 00:45:16 |
That depends. Is he a fighter? |
| 00:45:18 |
Yeah. |
| 00:45:19 |
Then that's the best we've got. |
| 00:45:24 |
Pagoda's in possession |
| 00:45:26 |
of a parcel containing |
| 00:45:28 |
and some instructions |
| 00:45:32 |
including my epitaph, |
| 00:45:34 |
Proofread it for me |
| 00:45:35 |
before they carve it |
| 00:45:38 |
Okay. |
| 00:45:39 |
I never did stop loving you, |
| 00:45:43 |
Do you believe that? |
| 00:45:44 |
Not really. |
| 00:45:46 |
You look terrific. |
| 00:45:48 |
That dress is stunning. |
| 00:45:50 |
Thanks. |
| 00:46:14 |
# Tears that angels cry... # |
| 00:46:19 |
# And the dark |
| 00:46:23 |
Lights out, old man. |
| 00:46:25 |
I thought I'd read |
| 00:46:29 |
Sorry. 11:30. Lights out. |
| 00:46:31 |
I'm right in the middle |
| 00:46:33 |
Well, you'll have to finish it |
| 00:46:37 |
Them's the rules. |
| 00:46:38 |
Chas? |
| 00:46:42 |
Good night, my boy. |
| 00:46:44 |
# When the one you love |
| 00:46:49 |
# Sing a lullaby # |
| 00:46:53 |
# Dee-dee-dee, |
| 00:46:57 |
# Dee-dee-dee, dee-dee, |
| 00:47:01 |
Looks like you and Dad are |
| 00:47:04 |
He's your dad, too, Chas. |
| 00:47:07 |
- No, he's not. |
| 00:47:09 |
You really hate me, |
| 00:47:11 |
No. I don't. I love you. |
| 00:47:14 |
Well, I don't know |
| 00:47:16 |
you're going to get out of this |
| 00:47:18 |
but believe me, whatever it is, |
| 00:47:23 |
Chas... |
| 00:47:26 |
I don't want to hurt you. |
| 00:47:28 |
I know what you and the boys |
| 00:47:30 |
You're my brother, |
| 00:47:32 |
Stop saying that! |
| 00:47:49 |
What's that jackass doing? |
| 00:47:56 |
I know you, asshole! |
| 00:48:09 |
Did Eli send you that? |
| 00:48:12 |
Mm-hmm. |
| 00:48:14 |
He always sends me |
| 00:48:17 |
What for? |
| 00:48:20 |
I think he just likes |
| 00:48:22 |
He's done it for years. |
| 00:48:23 |
He used to send me |
| 00:48:27 |
That's ridiculous. |
| 00:48:36 |
How long do you intend |
| 00:48:39 |
I don't know. |
| 00:48:42 |
Are you ever coming home? |
| 00:48:45 |
Maybe not. |
| 00:48:49 |
You're joking. |
| 00:48:51 |
No. |
| 00:48:57 |
Well, I want to die. |
| 00:49:02 |
Raleigh, please... |
| 00:49:06 |
Have you met someone else? |
| 00:49:10 |
I couldn't even begin |
| 00:49:12 |
knowing how to answer |
| 00:49:21 |
I don't like the way |
| 00:49:27 |
What are you talking about? |
| 00:49:29 |
You don't even know him. |
| 00:49:30 |
Well, I've met him, |
| 00:49:32 |
Stay out ofit. |
| 00:49:35 |
You're two-timing him |
| 00:49:38 |
Eli Cash. |
| 00:49:41 |
Now, that's just not right, |
| 00:49:44 |
You used to be a genius. |
| 00:49:49 |
No, I didn't. |
| 00:49:54 |
Anyway, that's what |
| 00:50:03 |
Richard, I know you're |
| 00:50:05 |
and probably understand |
| 00:50:08 |
May I confide in you? |
| 00:50:14 |
Okay. |
| 00:50:17 |
I believe |
| 00:50:22 |
I'm utterly devastated. |
| 00:50:23 |
I... don't know |
| 00:50:27 |
Will you advise me? |
| 00:50:30 |
I don't know. |
| 00:50:31 |
What do you want to do? |
| 00:50:33 |
I don't know. |
| 00:50:34 |
Perhaps, uh... |
| 00:50:35 |
Find the guy and get him? |
| 00:50:37 |
Well, no, |
| 00:50:42 |
Who do you think it might be? |
| 00:50:45 |
I don't know at the moment. |
| 00:50:50 |
Let's look |
| 00:50:53 |
I agree with you |
| 00:50:55 |
That's why we have |
| 00:50:57 |
Hey. |
| 00:50:58 |
What do you say |
| 00:51:00 |
and get some fireworks? |
| 00:51:02 |
What do you need? |
| 00:51:04 |
Nothing. |
| 00:51:06 |
I see you got them, |
| 00:51:08 |
Please don't |
| 00:51:12 |
Chas has those boys cooped up |
| 00:51:14 |
like a pair ofjackrabbits, |
| 00:51:16 |
He has his reasons. |
| 00:51:17 |
Oh, I know that |
| 00:51:18 |
but you can't raise boys |
| 00:51:22 |
You got to brew |
| 00:51:25 |
I think that's terrible advice. |
| 00:51:29 |
No, you don't. |
| 00:51:33 |
We take boxing |
| 00:51:35 |
I'm not talking |
| 00:51:37 |
I'm talking about |
| 00:51:39 |
through the other guy's |
| 00:51:41 |
I'm talking about taking it out |
| 00:51:46 |
What do you mean? |
| 00:51:47 |
# The mama pajama |
| 00:51:50 |
# And she ran |
| 00:51:52 |
# When the papa found out, |
| 00:51:56 |
# And he started |
| 00:51:58 |
# It's against the law # |
| 00:52:00 |
Go! |
| 00:52:01 |
# It was against the law # |
| 00:52:03 |
# What the mama saw, |
| 00:52:08 |
# The mama looked down |
| 00:52:11 |
# Ev'ry time my name |
| 00:52:13 |
# The papa said, |
| 00:52:16 |
# I'm gonna stick him |
| 00:52:19 |
# Well, I'm on my way # |
| 00:52:21 |
# I don't know where I'm goin' # |
| 00:52:24 |
# I'm on my way # |
| 00:52:25 |
# I'm takin' my time # |
| 00:52:27 |
# But I don't know where # |
| 00:52:28 |
# Goodbye to Rosie, |
| 00:52:32 |
Come here. |
| 00:52:34 |
# See you, me and Julio # |
| 00:52:35 |
# Down by the schoolyard # |
| 00:52:37 |
# See you, me and Julio |
| 00:53:00 |
Whoo-hoo! |
| 00:53:02 |
Yippee! |
| 00:53:05 |
He saved my life, you know. |
| 00:53:07 |
30 years ago, I was |
| 00:53:11 |
He carried me |
| 00:53:15 |
Who stabbed you? |
| 00:53:17 |
He did. |
| 00:53:18 |
Yeah, there was |
| 00:53:20 |
and he was a hired assassin. |
| 00:53:23 |
Stuck me right in the gut |
| 00:53:36 |
Hey! |
| 00:53:38 |
What? |
| 00:53:41 |
Where have you been? |
| 00:53:43 |
Uh, we just stepped out |
| 00:53:47 |
What's that? |
| 00:53:48 |
Holy shit. |
| 00:53:49 |
That's not? |
| 00:53:51 |
What is that? |
| 00:53:53 |
Oh, no, no, |
| 00:53:56 |
Come here. |
| 00:53:57 |
What? |
| 00:54:03 |
You stay away from my children. |
| 00:54:05 |
Do you understand? |
| 00:54:06 |
My God, I haven't been |
| 00:54:08 |
Hey! Are you listening to me! |
| 00:54:09 |
Yes, I am! |
| 00:54:11 |
I think you've having |
| 00:54:14 |
I don't think you recovered |
| 00:54:15 |
from Rachael's death. |
| 00:54:17 |
I... |
| 00:54:30 |
There you are. |
| 00:54:43 |
How are you feeling? |
| 00:54:46 |
I'm having a ball. |
| 00:54:48 |
Scrapping and yelling |
| 00:54:51 |
Loving every minute |
| 00:54:56 |
I want to thank you |
| 00:54:58 |
by the way. |
| 00:55:00 |
Okay. |
| 00:55:02 |
I'm not kidding. |
| 00:55:05 |
You always put them first, |
| 00:55:07 |
I tried to. |
| 00:55:08 |
Lately I feel like maybe |
| 00:55:11 |
Goddamn it, |
| 00:55:14 |
I'm the one that failed them. |
| 00:55:16 |
Or, anyway, |
| 00:55:18 |
Plus, that... it doesn't... |
| 00:55:19 |
Why didn't you give |
| 00:55:22 |
Why didn't you care? |
| 00:55:25 |
I don't know. |
| 00:55:27 |
I'm ashamed of myself. |
| 00:55:32 |
I'll tell you |
| 00:55:35 |
you got more grit, fire and guts |
| 00:55:38 |
than any woman |
| 00:55:41 |
What... what are you |
| 00:55:43 |
Nothing. |
| 00:55:44 |
No, wha... what's so funny? |
| 00:55:46 |
Nothing. |
| 00:55:47 |
It's these little |
| 00:55:50 |
I don't know |
| 00:55:52 |
but I'll take it |
| 00:55:56 |
You're true blue, Ethel. |
| 00:55:59 |
You really are. |
| 00:56:04 |
How's your love life? |
| 00:56:07 |
None of your business. |
| 00:56:18 |
I'd like you to talk |
| 00:56:20 |
if you don't mind. |
| 00:56:21 |
I don't think the timing's right |
| 00:56:25 |
Well, I'd agree |
| 00:56:26 |
ifl thought he was really |
| 00:56:30 |
but I don't. |
| 00:56:33 |
Well, I hope you're right. |
| 00:56:36 |
Actually, I don't believe |
| 00:56:41 |
I'll call you in the morning. |
| 00:56:52 |
She said that? |
| 00:56:56 |
Great. |
| 00:56:58 |
Got the sucker on the ropes. |
| 00:57:18 |
Can I ask you something, Hank? |
| 00:57:25 |
Okay. |
| 00:57:29 |
Are you trying |
| 00:57:32 |
I beg your pardon? |
| 00:57:34 |
You heard me, Coltrane. |
| 00:57:36 |
Coltrane? |
| 00:57:38 |
What? |
| 00:57:40 |
Did you just call me "Coltrane"? |
| 00:57:42 |
No. |
| 00:57:43 |
You didn't? |
| 00:57:44 |
No. |
| 00:57:46 |
Okay. |
| 00:57:51 |
But ifl did... |
| 00:57:54 |
you wouldn't be able to do |
| 00:57:57 |
You don't think so? |
| 00:57:59 |
No, I don't. |
| 00:58:00 |
Listen, Royal |
| 00:58:01 |
if you think |
| 00:58:03 |
You want to talk some jive? |
| 00:58:04 |
I'll talk some jive. |
| 00:58:07 |
I'll talk some jive |
| 00:58:08 |
- Oh, yeah? |
| 00:58:10 |
- Sit down. |
| 00:58:11 |
Wh-what did you say? |
| 00:58:12 |
I said sit down, goddamn it! |
| 00:58:14 |
Oh, I heard you! |
| 00:58:15 |
This is not your house! |
| 00:58:16 |
I want your raggedy ass out! |
| 00:58:18 |
Don't talk semantics with me. |
| 00:58:19 |
Oh, this is not your... |
| 00:58:20 |
What's going on here? |
| 00:58:22 |
Nothing. |
| 00:58:27 |
Mmm. |
| 00:58:48 |
Hello, I'm calling in regards |
| 00:58:51 |
at Colby General. |
| 00:58:53 |
The name of the patient |
| 00:58:55 |
Hmm... |
| 00:58:57 |
Is that a Tic-Tac? |
| 00:59:11 |
How much is he paying you? |
| 00:59:14 |
I don't know what |
| 00:59:18 |
Well, I grew up with the |
| 00:59:21 |
Right. |
| 00:59:22 |
Across the street. |
| 00:59:23 |
Mm-hmm. |
| 00:59:24 |
They've fallen on hard times |
| 00:59:26 |
I can't say no. |
| 00:59:28 |
This is bullshit. |
| 00:59:30 |
Change it, huh? |
| 00:59:34 |
What did you do to your hand? |
| 00:59:36 |
Uh, nothing. |
| 00:59:41 |
Can we get somebody over here |
| 00:59:43 |
to kill these mice for us? |
| 00:59:45 |
No. They belong to Chas. |
| 00:59:48 |
Or anyway, he invented them. |
| 00:59:50 |
Well, get him to stick them |
| 00:59:53 |
or something. |
| 00:59:55 |
Etheline... mind coming up here |
| 00:59:59 |
What's cooking, Pops? |
| 01:00:01 |
You'll see. |
| 01:00:03 |
Now, your previous novel... |
| 01:00:04 |
Yes. Wildcat. |
| 01:00:06 |
Right. |
| 01:00:07 |
Not a success. |
| 01:00:09 |
Why? |
| 01:00:15 |
Well, Wildcat was written |
| 01:00:19 |
vernacular... |
| 01:00:25 |
Wildcat... |
| 01:00:27 |
Wild... cat... |
| 01:00:34 |
Wildcat... |
| 01:00:38 |
I'm going to go. |
| 01:00:40 |
I'm taking this off |
| 01:00:42 |
Stepping out. |
| 01:00:43 |
What the hell |
| 01:00:46 |
Open the door. |
| 01:00:48 |
He's on drugs. |
| 01:00:49 |
I'll be right back. |
| 01:00:54 |
James Bradley... |
| 01:00:55 |
Hold on a minute, please. |
| 01:00:57 |
What's going on? |
| 01:00:59 |
Pagoda has something to say. |
| 01:01:06 |
He has a cancer. |
| 01:01:08 |
No, he doesn't. |
| 01:01:11 |
I know what stomach cancer |
| 01:01:13 |
I've seen it. |
| 01:01:14 |
And you don't eat |
| 01:01:17 |
three cheeseburgers a day |
| 01:01:20 |
The pain is excruciating. |
| 01:01:22 |
How would you know? |
| 01:01:24 |
My wife had it. |
| 01:01:26 |
Not only is there |
| 01:01:30 |
there is no Colby General. |
| 01:01:32 |
It closed in 1974. |
| 01:01:35 |
Aw, shit, man. |
| 01:01:36 |
Oh, shit, man. |
| 01:01:49 |
Yes, can you send a taxi |
| 01:01:50 |
to 111 Archer Avenue |
| 01:01:52 |
Thank you. |
| 01:02:01 |
I guess we're back out |
| 01:02:05 |
Were you part of this, |
| 01:02:07 |
Of course he was. |
| 01:02:09 |
No, well, yeah, he was |
| 01:02:10 |
but, I mean, |
| 01:02:13 |
Where'd you get all |
| 01:02:15 |
A guy at St. Pete's |
| 01:02:18 |
I did some malpractice work |
| 01:02:22 |
I do have |
| 01:02:27 |
Look, I know I'm going to be |
| 01:02:31 |
But I just want to say, |
| 01:02:34 |
the best six days |
| 01:02:37 |
Immediately after |
| 01:02:40 |
Royal realized |
| 01:02:48 |
Why'd you do this to us, Royal? |
| 01:02:51 |
What was the point? |
| 01:02:54 |
I thought I could win you back. |
| 01:02:56 |
And then I thought I could |
| 01:03:00 |
and at least keep |
| 01:03:03 |
But we hadn't spoken |
| 01:03:05 |
I know. |
| 01:03:07 |
Plus, uh... |
| 01:03:10 |
I was broke. |
| 01:03:13 |
And I got kicked out |
| 01:03:16 |
You're a bastard. |
| 01:03:19 |
Good-bye, Royal. |
| 01:03:34 |
Take it easy |
| 01:03:37 |
I don't want this |
| 01:03:49 |
You know, Richie, this illness, |
| 01:03:52 |
has had a profound effect |
| 01:03:54 |
L- I feel like a different |
| 01:03:57 |
Dad, you were never dying. |
| 01:04:04 |
But I'm going to live. |
| 01:04:16 |
He's not your father. |
| 01:04:19 |
Neither are you. |
| 01:04:54 |
You son of a bitch! |
| 01:04:56 |
God... damn... |
| 01:05:01 |
That's the last time you put |
| 01:05:13 |
The 375th Street Y, please. |
| 01:05:33 |
Everyone's against me. |
| 01:05:35 |
It's your fault, man. |
| 01:05:37 |
Yeah, I know, but damn it, |
| 01:05:41 |
How much money you got? |
| 01:05:42 |
I don't have. |
| 01:05:43 |
What, you're broke? |
| 01:05:45 |
You got to be kidding me. |
| 01:05:48 |
How are we going to pay |
| 01:05:53 |
All right, |
| 01:05:57 |
Ow. |
| 01:06:16 |
I'm not in love |
| 01:06:21 |
I didn't know you ever were. |
| 01:06:23 |
Let's not make this |
| 01:06:25 |
than it already is. |
| 01:06:29 |
Okay. |
| 01:06:31 |
Okay, what? |
| 01:06:34 |
Okay, I'm not in love |
| 01:06:38 |
Yes, I know; |
| 01:06:42 |
which is sick and gross. |
| 01:06:48 |
Do you send my mother |
| 01:06:52 |
and your grades from college? |
| 01:06:57 |
Please stop belittling me. |
| 01:07:08 |
You never gave me |
| 01:07:10 |
till I started getting |
| 01:07:12 |
Your reviews aren't that good. |
| 01:07:15 |
But the sales are. |
| 01:07:25 |
Gentlemen... how much |
| 01:07:29 |
Very little, I'm afraid. |
| 01:07:32 |
Would you like |
| 01:07:34 |
Yes. |
| 01:07:47 |
# Jackie is a punk, |
| 01:07:50 |
# They both went down to Berlin, |
| 01:07:55 |
# And, oh, I don't know why # |
| 01:07:57 |
# Oh, I don't know why # |
| 01:07:59 |
# Perhaps they'll die, |
| 01:08:02 |
# Perhaps they'll die # |
| 01:08:03 |
# Oh, yeah # |
| 01:08:05 |
# Perhaps they'll die, |
| 01:08:07 |
# Perhaps |
| 01:08:10 |
# Second verse, |
| 01:08:13 |
# Jackie is a punk, |
| 01:08:15 |
# They both went down to Berlin, |
| 01:08:19 |
# And, oh, I don't know why # |
| 01:08:22 |
# Oh, I don't know why # |
| 01:08:25 |
# Perhaps they'll die, |
| 01:08:27 |
# Perhaps they'll die # |
| 01:08:29 |
# Oh, yeah # |
| 01:08:30 |
# Perhaps |
| 01:08:32 |
# Perhaps they'll die, |
| 01:08:46 |
# Third verse, |
| 01:08:49 |
# Jackie is a punk... # |
| 01:08:57 |
She smokes. |
| 01:08:59 |
Yes. |
| 01:09:07 |
All right, well. |
| 01:09:08 |
Everything seems |
| 01:09:10 |
I'll contact you |
| 01:09:13 |
I appreciate that. |
| 01:09:15 |
Uh, which way are you leaning, |
| 01:09:18 |
I'll inform you of my decision |
| 01:09:20 |
at the appropriate time. |
| 01:09:21 |
I get it. |
| 01:09:22 |
Uh, Dusty, put in a good word |
| 01:09:25 |
I already did. |
| 01:09:31 |
You want to play some word games |
| 01:09:34 |
or do some experiments |
| 01:09:36 |
No. |
| 01:09:40 |
# Your hand on his arm # |
| 01:09:42 |
# Haystack charm # |
| 01:09:45 |
# Around your neck # |
| 01:09:46 |
# Strung out and thin # |
| 01:09:49 |
# Calling some friend, |
| 01:09:53 |
# He's acting dumb # |
| 01:09:56 |
# That's what you've come... |
| 01:10:00 |
# Needle in the hay # |
| 01:10:29 |
# He's wearin' your clothes # |
| 01:10:31 |
# Head down to toes # |
| 01:10:32 |
# A reaction to you # |
| 01:10:35 |
# You say you know what he did # |
| 01:10:36 |
# But you idiot kid # |
| 01:10:39 |
# You don't have a clue # |
| 01:10:41 |
# Sometimes they just # |
| 01:10:43 |
# Get caught in the eye # |
| 01:10:45 |
# You're pulling him through # |
| 01:10:47 |
# Needle in the hay # |
| 01:10:51 |
# Needle in the hay... # |
| 01:10:53 |
I'm going to kill myself |
| 01:10:56 |
# Needle in the hay # |
| 01:10:59 |
# Needle in the hay. # |
| 01:11:46 |
Dudley, where is he? |
| 01:11:50 |
Who? |
| 01:11:55 |
He'll probably sleep |
| 01:11:57 |
and then I'll come back |
| 01:11:59 |
All right? |
| 01:12:05 |
How are you feeling? |
| 01:12:07 |
Fine, thanks. |
| 01:12:09 |
Are you in any pain? |
| 01:12:11 |
Not really. |
| 01:12:13 |
Why'd you try |
| 01:12:14 |
Don't press him right now. |
| 01:12:16 |
I wrote a suicide note. |
| 01:12:18 |
You did? |
| 01:12:20 |
Yeah. |
| 01:12:21 |
Right after I regained |
| 01:12:26 |
Can we read it? |
| 01:12:28 |
No. |
| 01:12:29 |
Can you paraphrase it for us? |
| 01:12:32 |
I don't think so. |
| 01:12:35 |
Is it dark? |
| 01:12:37 |
Of course it's dark. |
| 01:12:38 |
It's a suicide note. |
| 01:12:40 |
All right, that's enough. |
| 01:12:41 |
Doctor said to let him sleep. |
| 01:12:46 |
What?! |
| 01:12:52 |
Cover for us, will you, Dusty? |
| 01:12:54 |
Yes. Yes, Royal. |
| 01:13:06 |
You've made a cuckold of me. |
| 01:13:11 |
I know. |
| 01:13:14 |
Many times over. |
| 01:13:17 |
I'm sorry. |
| 01:13:21 |
And you nearly killed |
| 01:13:23 |
What's he talking about? |
| 01:13:27 |
It doesn't matter. |
| 01:13:29 |
She's balling Eli Cash. |
| 01:13:32 |
Oh, my goodness. |
| 01:13:38 |
May I have a cigarette? |
| 01:13:40 |
What? |
| 01:13:43 |
Shall I repeat the question? |
| 01:13:47 |
You don't smoke. |
| 01:13:49 |
I know that. |
| 01:14:02 |
And a light. |
| 01:14:13 |
Au revoir. |
| 01:14:24 |
How long have you been |
| 01:14:28 |
22 years. |
| 01:14:31 |
Well, I think you should quit. |
| 01:14:43 |
How can I help? |
| 01:14:47 |
Let me look at these forms. |
| 01:15:03 |
Oh, Henry. |
| 01:15:12 |
Richie Tenenbaum, please. |
| 01:15:14 |
Your name? |
| 01:15:15 |
Royal Tenenbaum. |
| 01:15:16 |
I'm afraid visiting hours |
| 01:15:20 |
Wh-Wh-What does it say there... |
| 01:15:22 |
L- I'm sorry. |
| 01:15:24 |
I have to refer you |
| 01:15:25 |
He'll be in |
| 01:15:41 |
We could shimmy up |
| 01:15:43 |
jump over that window ledge |
| 01:15:45 |
and then, uh, pry open |
| 01:15:48 |
There he is. |
| 01:15:50 |
Richie! |
| 01:15:53 |
Richie. |
| 01:15:57 |
Where's he going? |
| 01:16:01 |
Richie! |
| 01:16:14 |
Well, I have to say |
| 01:16:15 |
he didn't look half bad |
| 01:16:18 |
Attempted, anyway. |
| 01:16:22 |
Thanks. |
| 01:16:24 |
# Please # |
| 01:16:26 |
# Give me second grace # |
| 01:16:33 |
# Please # |
| 01:16:35 |
# Give me a second face # |
| 01:16:41 |
# I've fallen far down # |
| 01:16:44 |
# The first time around # |
| 01:16:49 |
# Now I just sit on the ground |
| 01:17:01 |
# Now # |
| 01:17:04 |
# lfit's time |
| 01:17:07 |
# For what's done... # |
| 01:17:08 |
Who's there? |
| 01:17:10 |
# Come # |
| 01:17:12 |
# Come sit down |
| 01:17:16 |
Hello? |
| 01:17:18 |
# And the clouds will roll by # |
| 01:17:23 |
# And we'll never deny... # |
| 01:17:33 |
W- What are you doing in my tent? |
| 01:17:37 |
Just listening to some records. |
| 01:17:40 |
Aren't you supposed to be |
| 01:17:43 |
I checked myself out. |
| 01:18:06 |
How many stitches did you get? |
| 01:18:10 |
I don't know. |
| 01:18:12 |
You want to see? |
| 01:18:16 |
# They seem to stay |
| 01:18:20 |
# And won't disappear... # |
| 01:18:21 |
Jesus. |
| 01:18:23 |
# I tried every way... # |
| 01:18:25 |
Richie, that looks horrible. |
| 01:18:29 |
I heard about your ex-husband. |
| 01:18:32 |
Desmond? |
| 01:18:33 |
I guess so. |
| 01:18:34 |
I didn't get his name. |
| 01:18:36 |
Yeah. |
| 01:18:38 |
I met him in the ocean. |
| 01:18:40 |
I was swimming |
| 01:18:41 |
and he came out to me |
| 01:18:44 |
We were only married |
| 01:18:47 |
And I heard about Eli. |
| 01:18:48 |
I know. |
| 01:18:50 |
Poor Eli. |
| 01:18:54 |
Anyway, they mostly |
| 01:18:58 |
They did? |
| 01:19:01 |
Yeah. |
| 01:19:03 |
I guess that was the attraction, |
| 01:19:08 |
# She smiled sweetly # |
| 01:19:16 |
# And says don't worry... # |
| 01:19:18 |
I have to tell you something. |
| 01:19:20 |
What's that? |
| 01:19:22 |
I love you. |
| 01:19:29 |
I love you, too. |
| 01:19:34 |
# There's no use tryin' # |
| 01:19:38 |
# You're here # |
| 01:19:41 |
# Begin again # |
| 01:19:45 |
# And o'er again # |
| 01:19:50 |
# That's what she said |
| 01:19:55 |
I can't stop thinking |
| 01:19:57 |
I went away for a year, |
| 01:20:01 |
and I don't know |
| 01:20:03 |
Let's lie down for a minute. |
| 01:20:11 |
# She smiled sweetly # |
| 01:20:13 |
# She smiled sweetly... # |
| 01:20:16 |
This is the sleeping bag |
| 01:20:18 |
we took to the museum, |
| 01:20:21 |
Mm-hmm. |
| 01:20:24 |
# Oh, no, no, no... # |
| 01:20:26 |
Why'd you do it? |
| 01:20:28 |
Because of me? |
| 01:20:31 |
Yeah, but it's not your fault. |
| 01:20:39 |
You're not going |
| 01:20:43 |
I doubt it. |
| 01:20:46 |
# She would never say # |
| 01:20:49 |
# Where she came from... # |
| 01:20:55 |
# Yesterday don't matter # |
| 01:20:59 |
# lfit's gone # |
| 01:21:05 |
# While the sun is bright # |
| 01:21:09 |
# Or in the darkest night # |
| 01:21:12 |
# No one knows... # |
| 01:21:14 |
I think we're just going |
| 01:21:16 |
secretly in love with each other |
| 01:21:17 |
and leave it at that, Richie. |
| 01:21:23 |
# Good-bye, Ruby Tuesday # |
| 01:21:27 |
# Who could hang a name |
| 01:21:32 |
# When you change |
| 01:21:36 |
# Still I'm gonna miss you... # |
| 01:21:40 |
Lobby floor. |
| 01:21:45 |
Thank you, sir. |
| 01:21:52 |
Going up? |
| 01:21:54 |
Yeah. |
| 01:21:55 |
What floor, sir? |
| 01:21:56 |
Doesn't matter. |
| 01:22:06 |
So, you're |
| 01:22:08 |
Yeah, just started. |
| 01:22:09 |
We'll get a bump as soon |
| 01:22:13 |
What made you decide |
| 01:22:15 |
We're broke. |
| 01:22:17 |
But in answer to your question |
| 01:22:20 |
I wanted to prove |
| 01:22:21 |
I could pay my dues, |
| 01:22:22 |
I just hope |
| 01:22:27 |
You asked me |
| 01:22:32 |
I think I may know the answer |
| 01:22:33 |
and I wanted your advice. |
| 01:22:36 |
Sure. |
| 01:22:45 |
Margot Tenenbaum? |
| 01:22:47 |
Yeah. |
| 01:22:48 |
Well, since when? |
| 01:22:50 |
Since always. |
| 01:22:53 |
Does she know? |
| 01:22:54 |
Uh-huh. |
| 01:22:56 |
Well, what does she feel |
| 01:22:59 |
I think she feels confused. |
| 01:23:01 |
Well, I can understand that. |
| 01:23:02 |
It's probably illegal. |
| 01:23:03 |
I don't think so. |
| 01:23:05 |
We're not related by blood. |
| 01:23:07 |
That's true. |
| 01:23:09 |
Still frowned upon. |
| 01:23:11 |
But then, what isn't |
| 01:23:23 |
I don't know, maybe it works. |
| 01:23:25 |
Why not, what the hell. |
| 01:23:26 |
You love each other. |
| 01:23:28 |
Nobody knows |
| 01:23:31 |
You know something. |
| 01:23:33 |
Don't listen to me. |
| 01:23:36 |
I never understood her myself. |
| 01:23:38 |
I never understood any of us. |
| 01:23:40 |
I wish I could tell you |
| 01:23:42 |
but I just can't. |
| 01:23:45 |
That's okay. |
| 01:23:47 |
No, it's not. |
| 01:23:50 |
You still consider me |
| 01:23:53 |
Sure, I do. |
| 01:23:57 |
I wish I had more to offer |
| 01:24:01 |
I know you do, Pop. |
| 01:24:10 |
I don't blame you, by the way. |
| 01:24:12 |
Uh, she's a |
| 01:24:14 |
and smart as a whip. |
| 01:24:16 |
Mordecai. |
| 01:24:17 |
# Stephanie says |
| 01:24:25 |
# Why she's given |
| 01:24:29 |
# To people she hates now... # |
| 01:24:34 |
Holy shit. |
| 01:24:36 |
You came back. |
| 01:24:39 |
Jiminy crickets. |
| 01:24:40 |
That damn bird must |
| 01:24:43 |
Is that true, Mordecai? |
| 01:24:45 |
L- I'm not so sure |
| 01:24:47 |
What do you mean? |
| 01:24:48 |
He flew right in here. |
| 01:24:49 |
This bird has much more |
| 01:24:54 |
Oh, the son of a bitch |
| 01:24:58 |
Oh. I need your help |
| 01:25:00 |
You got it. |
| 01:25:02 |
Well, um, I think Eli maybe... |
| 01:25:04 |
Hold it. |
| 01:25:05 |
Pagoda, meet me in the lobby. |
| 01:25:08 |
Let's hit it. |
| 01:25:11 |
I didn't mean right this second, |
| 01:25:15 |
I don't think it was Ramses. |
| 01:25:17 |
I believe |
| 01:25:19 |
Tutankhamen. |
| 01:25:20 |
Tutankhamen? |
| 01:25:21 |
Yes. Tutankhamen. |
| 01:25:27 |
Yes? |
| 01:25:34 |
Hey, Richie. |
| 01:25:43 |
We want to take you |
| 01:25:47 |
Is it just you guys? |
| 01:25:49 |
Would you |
| 01:25:52 |
excuse us, please? |
| 01:25:55 |
Okay. |
| 01:26:06 |
Are we still friends? |
| 01:26:10 |
What do you mean? |
| 01:26:11 |
Are we? |
| 01:26:12 |
Of course. |
| 01:26:13 |
How can you even ask me that? |
| 01:26:15 |
Well, it doesn't matter. |
| 01:26:17 |
It doesn't matter? |
| 01:26:18 |
It does matter. |
| 01:26:19 |
I heard about you and Margot. |
| 01:26:32 |
I'm sorry. |
| 01:26:33 |
I don't know what to say. |
| 01:26:35 |
You don't have to say anything. |
| 01:26:37 |
I always wanted |
| 01:26:41 |
Me, too. |
| 01:26:44 |
'Cause it doesn't mean |
| 01:26:46 |
what it used to though, does it? |
| 01:26:49 |
I wish he'd done this for me |
| 01:26:54 |
But you didn't have |
| 01:26:58 |
Yeah, but it would've meant |
| 01:27:00 |
Anyway, I'm glad |
| 01:27:02 |
I recognize |
| 01:27:06 |
and I want to get better. |
| 01:27:11 |
I'll just grab my stuff. |
| 01:27:24 |
There he goes. |
| 01:27:26 |
What?! |
| 01:27:27 |
There he goes. |
| 01:27:28 |
Tucker! |
| 01:27:29 |
Skiddly, skiddly. |
| 01:27:38 |
# Christmastime is here # |
| 01:27:42 |
# Happiness and cheer... # |
| 01:27:45 |
I'd like to order some ice cream |
| 01:27:48 |
What would you like, Margot? |
| 01:27:49 |
Nothing. I told you |
| 01:27:52 |
Oh. |
| 01:27:57 |
I'll have a butterscotch sundae, |
| 01:28:06 |
Your brother's all torn up |
| 01:28:09 |
Well, so am I, but I'm not going |
| 01:28:13 |
Oh... |
| 01:28:15 |
Can't somebody be a shit |
| 01:28:17 |
and try to repair the damage? |
| 01:28:19 |
L- I mean, I think people want |
| 01:28:22 |
Do they? |
| 01:28:23 |
Mmm. |
| 01:28:24 |
You probably don't even know |
| 01:28:26 |
my middle name. |
| 01:28:32 |
That's a trick question. |
| 01:28:34 |
You don't have one. |
| 01:28:36 |
Helen. |
| 01:28:37 |
That was my mother's name. |
| 01:28:40 |
I know it was. |
| 01:28:57 |
Anybody interested |
| 01:29:00 |
and hitting the cemetery? |
| 01:29:24 |
I got something for you, Ethel. |
| 01:29:26 |
Actually, I made it. |
| 01:29:27 |
What's this? |
| 01:29:29 |
It's a divorce. |
| 01:29:30 |
From you? |
| 01:29:32 |
Yes. |
| 01:29:33 |
This is Sanchez. |
| 01:29:34 |
He's a notary public. |
| 01:29:35 |
- Hello. |
| 01:29:37 |
You just sign here |
| 01:29:38 |
and initial here |
| 01:29:42 |
You own this building, |
| 01:29:45 |
Hmm. |
| 01:29:47 |
It's magnificent. |
| 01:29:50 |
I used to be a homeowner myself |
| 01:29:52 |
until our son expropriated it |
| 01:29:55 |
I got to catch my bus. |
| 01:29:56 |
Thanks, Sanchez. |
| 01:29:58 |
You're welcome. |
| 01:29:59 |
Are we divorced? |
| 01:30:01 |
Almost. |
| 01:30:02 |
Sanchez just has |
| 01:30:04 |
I love you, Etheline. |
| 01:30:06 |
Congratulations to both of you. |
| 01:30:08 |
I didn't think so much |
| 01:30:10 |
But now I get it. |
| 01:30:11 |
He's everything that I'm not. |
| 01:30:18 |
Take back Pagoda, will you? |
| 01:30:54 |
Uh, slightly uneven. |
| 01:30:56 |
Looks okay. You're just nervous. |
| 01:30:59 |
Henry? |
| 01:31:01 |
Hello, Richie. |
| 01:31:02 |
Hi. |
| 01:31:03 |
This is my son, Walter Sherman. |
| 01:31:05 |
Hi, Walter. Nice to meet you. |
| 01:31:08 |
Nice to meet you. |
| 01:31:09 |
Henry's your dad? |
| 01:31:10 |
Yes. |
| 01:31:13 |
So you've been married before. |
| 01:31:15 |
Yes. I'm a widower. |
| 01:31:18 |
Oh, yeah. |
| 01:31:20 |
I forgot. |
| 01:31:25 |
You know, I'm a widower myself. |
| 01:31:31 |
I know you are, Chas. |
| 01:31:36 |
What are you chewing on? |
| 01:31:38 |
My nicotine inhaler. |
| 01:31:40 |
It's supposed to help me quit. |
| 01:31:42 |
Is it working? |
| 01:31:45 |
Not really. |
| 01:31:51 |
Well, of course, |
| 01:31:53 |
but the children are |
| 01:31:55 |
So they were raised |
| 01:31:58 |
I believe so. |
| 01:32:00 |
I really don't know. |
| 01:32:11 |
Here I come. |
| 01:32:17 |
Boys! |
| 01:32:20 |
What was that? |
| 01:32:23 |
Eli just crashed his car |
| 01:32:25 |
Oh, my God. |
| 01:32:37 |
Where's my shoe? |
| 01:32:42 |
Ari, Uzi, where are you? |
| 01:32:44 |
They're okay, Chas. |
| 01:32:46 |
It's okay. They're safe. |
| 01:32:47 |
They're safe. |
| 01:32:49 |
Dad, they ran over Buckley. |
| 01:32:50 |
What? |
| 01:32:51 |
Yeah, I think we lost Buckley. |
| 01:32:53 |
He saved them. |
| 01:32:54 |
Who? |
| 01:32:55 |
Dad. He pulled them |
| 01:32:57 |
You did? |
| 01:33:00 |
Did I hit anyone? |
| 01:33:02 |
Is everybody okay? |
| 01:33:12 |
Eli! |
| 01:33:14 |
What's going on? |
| 01:33:24 |
Eli! |
| 01:33:27 |
What? |
| 01:33:30 |
Hey, man. |
| 01:33:32 |
You should try this. |
| 01:33:55 |
Tenenbaum! |
| 01:33:58 |
Chas? |
| 01:34:25 |
Did I hit the dog? |
| 01:34:27 |
Yeah. |
| 01:34:31 |
Is he dead? |
| 01:34:34 |
Yeah. |
| 01:34:39 |
I need help. |
| 01:34:41 |
So do I. |
| 01:34:49 |
Go around to the other side. |
| 01:34:52 |
You kids stay there. |
| 01:34:54 |
We'll be right back. |
| 01:34:55 |
Yeah. |
| 01:34:59 |
Can I say something |
| 01:35:00 |
Okay. |
| 01:35:01 |
I've always been considered |
| 01:35:03 |
for about as long |
| 01:35:05 |
That's just my style. |
| 01:35:06 |
But I'd really feel blue |
| 01:35:07 |
ifl didn't think |
| 01:35:09 |
I don't think |
| 01:35:13 |
I just think you're kind |
| 01:35:16 |
Well, I really |
| 01:35:20 |
Could you let us |
| 01:35:22 |
We've got a couple boys |
| 01:35:24 |
I think you may |
| 01:35:26 |
Well, that's not terribly |
| 01:35:29 |
Do you have an alternate? |
| 01:35:31 |
No. |
| 01:35:33 |
Ready? |
| 01:35:34 |
Are there priests on call? |
| 01:35:36 |
Why don't you bring |
| 01:35:38 |
At which point, I apparently |
| 01:35:42 |
smashed it into the house, |
| 01:35:45 |
You're Eli Cash. |
| 01:35:46 |
Yes indeed, I am. |
| 01:35:48 |
I love your work. |
| 01:35:49 |
Oh, how sweet of you to say. |
| 01:35:51 |
78-35, Code Six. |
| 01:35:53 |
105 North Sandler... |
| 01:35:55 |
I think he's part mutt. |
| 01:35:57 |
What kind of papers |
| 01:36:01 |
Spark Plug, sit, sit. |
| 01:36:03 |
Good boy. |
| 01:36:08 |
Put this on. |
| 01:36:14 |
What's so funny, Dudley? |
| 01:36:15 |
You look great. |
| 01:36:18 |
Can you see out ofit? |
| 01:36:20 |
Not really. |
| 01:36:21 |
Uh-huh. Minor corneal damage. |
| 01:36:23 |
Page me ifit spreads |
| 01:36:27 |
Who do I make it out to? |
| 01:36:28 |
Alex? Okay. |
| 01:36:32 |
But these aren't structure- |
| 01:36:34 |
It doesn't matter. |
| 01:36:35 |
It's still best |
| 01:36:37 |
and recoup the deductible. |
| 01:36:44 |
You boys come up here with me. |
| 01:36:46 |
But Buckley's |
| 01:36:48 |
I know, but there's nothing |
| 01:36:53 |
Come on. |
| 01:36:59 |
I got you a new dog |
| 01:37:01 |
I just bought him. |
| 01:37:03 |
You did? |
| 01:37:05 |
Sorry I let you down, Chas. |
| 01:37:08 |
All of you. |
| 01:37:10 |
I been trying |
| 01:37:19 |
What's his name? |
| 01:37:21 |
Spark Plug. |
| 01:37:26 |
Thank you. |
| 01:37:28 |
You're welcome. |
| 01:37:32 |
I've had a rough year, Dad. |
| 01:37:35 |
I know you have, Chassie. |
| 01:37:44 |
Hey. |
| 01:38:06 |
See, now he has |
| 01:38:08 |
more white feathers |
| 01:38:13 |
I wonder |
| 01:38:15 |
I don't know. |
| 01:38:17 |
Sometimes if a person |
| 01:38:20 |
their hair turns white. |
| 01:38:23 |
Well, I'm sure |
| 01:38:42 |
This was one |
| 01:38:48 |
How old do you think those are? |
| 01:38:52 |
I'd say about ten years. |
| 01:38:57 |
Come here. |
| 01:39:33 |
Royal dug a hole for Buckley |
| 01:39:36 |
and buried him |
| 01:39:38 |
All right, boys. |
| 01:39:40 |
Say a prayer. |
| 01:39:41 |
Dear Heavenly Father... |
| 01:39:42 |
I do. |
| 01:39:44 |
Etheline and Henry were married |
| 01:39:47 |
48 hours later |
| 01:39:49 |
Margot's new play was produced |
| 01:39:55 |
This is my adopted daughter, |
| 01:40:01 |
It ran for just under two weeks |
| 01:40:05 |
Yes, can the boy tell time? |
| 01:40:09 |
Oh, my Lord, no. |
| 01:40:10 |
No. No. |
| 01:40:12 |
Raleigh and Dudley |
| 01:40:14 |
to 11 universities |
| 01:40:15 |
in the promotion |
| 01:40:21 |
Eli checked himself into |
| 01:40:23 |
in North Dakota. |
| 01:40:25 |
Oh, hey, this is my sponsor, |
| 01:40:30 |
Wind's blowing up |
| 01:40:32 |
This is the grip |
| 01:40:34 |
Are you familiar with Laver? |
| 01:40:36 |
Richie started a program |
| 01:40:38 |
teaching competitive tennis |
| 01:40:41 |
at the 375th Street Y. |
| 01:40:43 |
Game. Change sides. |
| 01:40:57 |
Royal had a hear tattack |
| 01:41:03 |
Chas rode with him |
| 01:41:05 |
and was the only witness |
| 01:41:12 |
In his will, he stipulated |
| 01:41:14 |
that his funeral |
| 01:41:50 |
Among the few possessions |
| 01:41:54 |
was a set |
| 01:41:57 |
in storage |
| 01:42:00 |
under the names |
| 01:42:03 |
No one spoke at the funeral |
| 01:42:06 |
and Father Petersen's leg |
| 01:42:11 |
but it was agreed among them |
| 01:42:13 |
that Royal |
| 01:42:15 |
to be most satisfactory. |
| 01:42:20 |
Fire! |
| 01:42:24 |
Fire! |
| 01:42:27 |
Fire! |
| 01:42:39 |
# We shall walk again # |
| 01:42:44 |
# All along the lane # |
| 01:42:49 |
# Down the avenue # |
| 01:42:53 |
# Just like we used to # |
| 01:42:58 |
# With our heads so high # |
| 01:43:03 |
# Smile at passersby # |
| 01:43:07 |
# And we'll softly sigh # |
| 01:43:12 |
# Ai-yi-yi-yi-yi-yi-yi-yi # |
| 01:43:16 |
# Everyone, everyone, |
| 01:43:21 |
# Everyone, everyone, everyone, |
| 01:43:28 |
# By the winding stream # |
| 01:43:34 |
# We shall lay and dream # |
| 01:43:38 |
# And these dreams come true # |
| 01:43:43 |
# If we want them to # |
| 01:43:47 |
# Yes, all will come # |
| 01:43:52 |
# Playing pipes and drum # |
| 01:43:56 |
# Sing a happy song # |
| 01:44:01 |
# Yeah, we'll sing along # |
| 01:44:05 |
# Everyone, everyone, |
| 01:44:10 |
# Everyone, everyone, everyone, |
| 01:44:48 |
# We shall walk again # |
| 01:44:53 |
# All along down the lane # |
| 01:44:58 |
# Down the avenue # |
| 01:45:02 |
# Just like we used to # |
| 01:45:07 |
# With our heads so high # |
| 01:45:11 |
# Smile at passersby # |
| 01:45:16 |
# And we'll softly sigh # |
| 01:45:21 |
# Ai-yi-yi-yi- |
| 01:45:25 |
# Everyone, everyone, |
| 01:45:29 |
# Everyone, everyone, everyone, |
| 01:45:51 |
# Yeah, yeah, hey, yeah. # |
