|
Russkiy kovcheg Russian Ark
|
| 00:01:27 |
Russian Ark |
| 00:01:41 |
I open my eyes and I see nothing. |
| 00:01:49 |
I only remember |
| 00:01:54 |
Everyone ran for safety |
| 00:02:00 |
I just can't remember |
| 00:02:15 |
How strange. Where am I? |
| 00:02:17 |
Marie, I must tell you something. |
| 00:02:18 |
Judging by the clothes, |
| 00:02:22 |
Where are they rushing to? |
| 00:02:33 |
What if we are denied entry? |
| 00:02:35 |
I've never been so frightened! |
| 00:02:41 |
Don't forget, |
| 00:02:43 |
Where are you all going? |
| 00:03:01 |
It's cold! Close the doors! |
| 00:03:33 |
Quickly! |
| 00:03:35 |
Move ahead! |
| 00:03:47 |
I went looking |
| 00:03:52 |
Those officers don't know the way. |
| 00:04:05 |
Can it be that I'm invisible? |
| 00:04:41 |
Can it be? |
| 00:04:47 |
Am I expected to play a role? |
| 00:04:58 |
What kind of play is this? |
| 00:05:03 |
Let's hope it's not a tragedy. |
| 00:05:28 |
What does it all mean? |
| 00:05:30 |
- Where should we go? |
| 00:05:33 |
No, it's there. |
| 00:05:37 |
That man in black... |
| 00:05:41 |
He nods to me but goes away. |
| 00:05:46 |
Pardon me for speaking |
| 00:05:49 |
What city is this? |
| 00:05:52 |
What city? Well, |
| 00:05:55 |
I so hoped this was chambord |
| 00:06:02 |
- What language are we speaking? |
| 00:06:04 |
Russian? |
| 00:06:06 |
How strange! |
| 00:06:11 |
What are they doing in there? |
| 00:06:17 |
Shall we enter? |
| 00:06:18 |
- Where? There? |
| 00:06:21 |
No, I have to find out |
| 00:06:24 |
These wanderings about, |
| 00:06:26 |
I want to leave. |
| 00:06:29 |
Could all this be theatre? |
| 00:06:32 |
Farewell! |
| 00:06:35 |
Our paths must part. |
| 00:06:38 |
Farewell. |
| 00:06:39 |
You have answered all my questions. |
| 00:06:42 |
- Farewell then. |
| 00:06:46 |
What a pity. |
| 00:06:49 |
We will never meet again. |
| 00:06:58 |
He was obviously a foreigner. |
| 00:07:02 |
Why would he be so rude otherwise? |
| 00:07:41 |
It's best... |
| 00:07:42 |
not to get involved in this. |
| 00:07:47 |
Let's not disturb them. |
| 00:07:53 |
In any case, it's much too late. |
| 00:08:07 |
Sir, sir! I'm here. |
| 00:08:16 |
My russian cicerone! |
| 00:08:20 |
- Yes, let's go together. |
| 00:08:23 |
Yes, but not my century. |
| 00:08:27 |
I think I saw peter the great. |
| 00:08:29 |
I hear delight in your voice. |
| 00:08:34 |
Yes, very interesting. |
| 00:08:37 |
Really. |
| 00:08:39 |
In asia, tyrants are adored. |
| 00:08:41 |
The more terrible the tyrant, |
| 00:08:45 |
Alexander the great, timur... |
| 00:08:48 |
and your peter the great. |
| 00:08:50 |
You're wrong about peter. |
| 00:08:51 |
He taught russians |
| 00:08:56 |
A spiral staircase. |
| 00:09:01 |
I see. But why? |
| 00:09:05 |
What's so interesting up there? |
| 00:09:08 |
You'll see... |
| 00:09:12 |
peter ordered his son's execution. |
| 00:09:15 |
The same man who taught the people |
| 00:09:20 |
I thought you knew |
| 00:09:24 |
He built a european city |
| 00:09:26 |
He introduced order |
| 00:09:30 |
- Where are they going? |
| 00:09:33 |
To a party. |
| 00:09:35 |
They were taught to have fun. |
| 00:09:39 |
And the officer and the lady? |
| 00:09:41 |
- At the party. |
| 00:09:43 |
They've gone to the underworld. |
| 00:09:48 |
And they are no more. |
| 00:09:53 |
Be careful. |
| 00:09:56 |
Thank you. I can see. |
| 00:10:04 |
Do you see where we are? |
| 00:10:08 |
No, I don't know yet. |
| 00:10:38 |
Sir, be careful! |
| 00:10:40 |
Don't betray our presence. |
| 00:10:43 |
No need to remind me. |
| 00:10:47 |
Do not forget I brought you here. |
| 00:10:50 |
Please don't get involved |
| 00:10:52 |
And you, do not get too close |
| 00:10:55 |
Bend towards me. |
| 00:11:01 |
- Do you remember? |
| 00:11:04 |
Good. |
| 00:11:28 |
- Why are you pushing me? |
| 00:11:37 |
- Why is she pushing me? |
| 00:11:42 |
What an impressive orchestra! |
| 00:11:46 |
They must be europeans! |
| 00:11:49 |
No, they're russian musicians. |
| 00:11:51 |
No, europeans! |
| 00:11:53 |
Italians! |
| 00:11:55 |
They're russians, for god's sake! |
| 00:13:07 |
So? |
| 00:13:10 |
I say it's good. |
| 00:13:14 |
Very good! |
| 00:13:18 |
I need to piss! |
| 00:13:33 |
I can't hold it in anymore! |
| 00:14:11 |
No, no, don't, don't... |
| 00:14:17 |
ah! Yes, yes. |
| 00:14:23 |
Sir, sir! |
| 00:14:27 |
Don't yell! |
| 00:14:28 |
- Where are you? |
| 00:14:33 |
Follow me! |
| 00:14:38 |
I love the 18th century. |
| 00:14:44 |
I would have to agree with you. |
| 00:14:47 |
- Never contradict me. |
| 00:14:51 |
Where's the empress? Gone! |
| 00:14:54 |
Russia is like a theatre. A theatre. |
| 00:14:58 |
Careful! |
| 00:15:00 |
I think I know where we are. |
| 00:15:04 |
How pretentious they are! |
| 00:15:09 |
Don't lag behind, sir. |
| 00:15:12 |
I'm not. |
| 00:15:16 |
No matter. |
| 00:15:19 |
I'm careful. |
| 00:15:24 |
Theatre... what actors! |
| 00:15:36 |
Thank you, sirs. Thank you. |
| 00:15:39 |
They can't see me. |
| 00:15:49 |
This seems like the vatican. |
| 00:15:58 |
Those reliefs are painted, |
| 00:16:01 |
What naturalism! |
| 00:16:04 |
Weren't those decorations inspired |
| 00:16:09 |
Raphael, yes. |
| 00:16:14 |
Better than the vatican. |
| 00:16:17 |
So they're copies? |
| 00:16:18 |
Your authorities don't trust |
| 00:16:23 |
Russians are so talented at copying! |
| 00:16:27 |
Why? |
| 00:16:30 |
Because you don't |
| 00:16:33 |
Your authorities don't want you |
| 00:16:38 |
In fact, they are as lazy |
| 00:16:44 |
Lazy! |
| 00:16:46 |
There was a painting gallery here. |
| 00:16:49 |
- On the upper floor. |
| 00:16:54 |
- But not the best masters. |
| 00:16:59 |
The Tsars were mainly russophiles. |
| 00:17:07 |
But sometimes |
| 00:17:09 |
Wasn't the hermitage created |
| 00:17:14 |
- Raphael isn't for you. |
| 00:17:17 |
- For italy. |
| 00:17:19 |
- It's warm there! |
| 00:17:28 |
What beauty! |
| 00:17:36 |
The small italian gallery... |
| 00:17:48 |
who are these people? |
| 00:17:52 |
Of which milieu are they? |
| 00:17:55 |
Do you see that vase? |
| 00:17:57 |
Yes! Empire style is everywhere. |
| 00:18:00 |
- And those voronikhine lamps. |
| 00:18:06 |
empire, empire, empire! |
| 00:18:07 |
I have no enthusiasm for it. |
| 00:18:15 |
Don't forget |
| 00:18:19 |
Then it became fashionable here... |
| 00:18:21 |
to the point of |
| 00:18:26 |
to the detriment of its originality. |
| 00:18:28 |
We battled Napoleon, |
| 00:18:31 |
Who are they? |
| 00:18:34 |
Petersburgers, of when the city |
| 00:18:39 |
It's better that way. |
| 00:18:43 |
an ancient city like Moscow. |
| 00:18:48 |
- Who are these people? |
| 00:18:50 |
- Only if it's not impolite. |
| 00:18:55 |
Oleg Konstantinovich, |
| 00:18:58 |
Lev Mikhailovich, actor. |
| 00:19:00 |
Shouldn't they rise? |
| 00:19:03 |
My European friend, |
| 00:19:05 |
- My pleasure. |
| 00:19:12 |
Medicine is a fine profession. |
| 00:19:15 |
I haven't spoken for years. |
| 00:19:19 |
Aside from my new accomplice. |
| 00:19:22 |
Such a long time... |
| 00:19:25 |
Odour? |
| 00:19:27 |
A curious odour. |
| 00:19:29 |
Have you been |
| 00:19:32 |
Yes, for one hour. |
| 00:19:34 |
- And you came straight here? |
| 00:19:38 |
You must love art! |
| 00:19:41 |
Are you interested in beauty |
| 00:19:44 |
No, marquis. |
| 00:19:47 |
"Marquis"? |
| 00:19:49 |
How do you rest? |
| 00:19:51 |
Today, we've come together. |
| 00:19:55 |
It smells of formaldehyde. |
| 00:19:57 |
Formaldehyde. |
| 00:19:58 |
Marquis, |
| 00:20:02 |
These men are emitting |
| 00:20:05 |
Marquis, look at |
| 00:20:09 |
The marquis smells of formaldehyde. |
| 00:20:13 |
No, it's you. |
| 00:20:17 |
I know this painting. |
| 00:20:22 |
It comes from paris, |
| 00:20:25 |
Catherine II acquired it in 1772. |
| 00:20:30 |
One of the earliest pieces |
| 00:20:33 |
Such information is for specialists. |
| 00:20:38 |
For us, detail is more interesting. |
| 00:20:41 |
Look closely here. |
| 00:20:43 |
A chicken and a cat |
| 00:20:48 |
They are symbolic figures. |
| 00:20:51 |
The chicken represents greed, |
| 00:20:54 |
the cat, cynicism and cruelty. |
| 00:20:58 |
Cynicism and cruelty... the cat... |
| 00:21:00 |
they are both |
| 00:21:03 |
How interesting. |
| 00:21:05 |
Why is he dressed like that? |
| 00:21:12 |
Cleopatra, for example... |
| 00:21:16 |
Massimo stanzione... |
| 00:21:19 |
cleopatra is on the same wall... |
| 00:21:22 |
as the circumcision of christ |
| 00:21:26 |
- What bothers you? |
| 00:21:30 |
Right next to saint cecilia? |
| 00:21:35 |
By carlo dolci! |
| 00:21:37 |
And next to eastern still life! |
| 00:21:40 |
- Why does that bother you? |
| 00:21:44 |
As a catholic, that shocks me. |
| 00:21:49 |
What do you think of wagner? |
| 00:21:50 |
Who is wagner? |
| 00:21:53 |
Oleg, he doesn't know wagner! |
| 00:21:56 |
Wagner is that child |
| 00:21:59 |
with my best friend, meyerbeer. |
| 00:22:04 |
I have never listened to wagner. |
| 00:22:06 |
- Broaden your horizons! |
| 00:22:10 |
- But I'm not sick! |
| 00:22:15 |
Sir, why are they badly dressed? |
| 00:22:18 |
My friends, how could I think... |
| 00:22:21 |
that you would get along so badly? |
| 00:22:24 |
I'll tell you one day. |
| 00:22:28 |
Why quarrel with everyone? |
| 00:22:32 |
If you do, we will never discover |
| 00:22:35 |
Such clothing kills |
| 00:22:41 |
Why do you find it necessary |
| 00:22:46 |
For what reason? |
| 00:22:49 |
Why borrow also europe's mistakes? |
| 00:22:54 |
My god! What is all this? |
| 00:23:02 |
Mother! |
| 00:23:13 |
Canova! |
| 00:23:15 |
What an elevated approach to art! |
| 00:23:18 |
What feel for the material! |
| 00:23:22 |
How wonderful! |
| 00:23:27 |
He is a true heir |
| 00:23:31 |
Canova almost married my mother. |
| 00:23:34 |
Was your mother a sculptress? |
| 00:23:37 |
Yes. In rome. |
| 00:23:39 |
In rome? |
| 00:23:43 |
in this canova collection, |
| 00:23:49 |
that Tsar Alexander |
| 00:23:52 |
of napoleon? |
| 00:23:54 |
Yes. It was 1815, |
| 00:23:58 |
What were you doing there? |
| 00:24:00 |
- I was a diplomat. |
| 00:24:03 |
This collection was the object |
| 00:24:08 |
Look where we are now! |
| 00:24:12 |
Is this a dream? |
| 00:24:15 |
Maybe, maybe. |
| 00:24:20 |
I don't know about you, |
| 00:24:26 |
it's amazing how well i speak Russian! |
| 00:24:29 |
Yes, quite well. |
| 00:24:34 |
Who was that small man? |
| 00:24:41 |
- Good day. |
| 00:24:44 |
Is that your great poet? |
| 00:24:47 |
I read him in French. |
| 00:24:51 |
Sir. |
| 00:24:52 |
My god, how touchy you are! |
| 00:24:56 |
Pardon me! |
| 00:25:00 |
I'm sorry if i've offended |
| 00:25:04 |
What is that, nationalist sympathy? |
| 00:25:13 |
What's that there? |
| 00:25:15 |
- Please... |
| 00:25:18 |
Please don't rush. |
| 00:25:20 |
All alone, without an escort? |
| 00:25:22 |
It would be wiser |
| 00:25:28 |
Don't bother her. |
| 00:25:32 |
Let's move along. |
| 00:25:45 |
Excuse me, madam, |
| 00:25:51 |
Thank you for your concern. |
| 00:25:55 |
Of course. Do you work here? |
| 00:26:00 |
Not at all. I'm here to admire the works |
| 00:26:08 |
Would you accompany me |
| 00:26:12 |
To see the flemish masters? |
| 00:26:19 |
With pleasure. |
| 00:26:23 |
- 140 paces, straight ahead. |
| 00:26:29 |
How many are left? |
| 00:26:35 |
Watch your step. |
| 00:26:38 |
- One cannot be so intrusive, I told you. |
| 00:26:43 |
It's all your fault. |
| 00:26:49 |
- You are compromising me! |
| 00:26:53 |
How dare you! Quiet! |
| 00:27:11 |
- We're here. |
| 00:27:15 |
Can we go closer to that painting? |
| 00:27:18 |
Would you like me |
| 00:27:22 |
The virgin with partridges |
| 00:27:26 |
Catherine II acquired it. |
| 00:27:30 |
Tell me about this painting. |
| 00:27:33 |
Please, tell me. |
| 00:27:36 |
See the calm and serenity |
| 00:27:40 |
- Joseph, yes. |
| 00:27:44 |
There is no doubt |
| 00:27:48 |
The apple tree represents life. |
| 00:27:52 |
On the upper right, |
| 00:27:55 |
- They're flying away. |
| 00:27:58 |
angels dance and play. |
| 00:28:01 |
So many other symbols |
| 00:28:03 |
Sir, leave her. She's an angel. |
| 00:28:22 |
Why have you gone quiet? |
| 00:28:25 |
The partridges, the children, |
| 00:28:32 |
thank you, madam. Thank you. |
| 00:28:36 |
I highly value your opinion |
| 00:28:43 |
You'll definitely be interested |
| 00:28:46 |
Be very careful! |
| 00:28:48 |
A rubens. |
| 00:28:51 |
Sir, do not disturb me! |
| 00:28:58 |
The feast in the house |
| 00:29:00 |
The pharisee... |
| 00:29:03 |
I don't see it. |
| 00:29:08 |
Where is it? |
| 00:29:11 |
Thirty-six, thirty-five... |
| 00:29:25 |
no, that painting isn't here. |
| 00:29:35 |
Not part of the Tsar's collection. |
| 00:29:41 |
Yes, it's here. |
| 00:29:44 |
That particular rubens is not here! |
| 00:29:48 |
Yes, it was from |
| 00:29:52 |
like the virgin with partridges. |
| 00:29:54 |
But that rubens isn't on exhibit. |
| 00:29:57 |
But it's here. |
| 00:30:10 |
- Where are you? |
| 00:30:13 |
The scent of oils... |
| 00:30:18 |
sir, let's leave here now. |
| 00:30:23 |
No, let's stay a while. |
| 00:30:28 |
What wonderful paintings! |
| 00:30:33 |
What are those men counting? |
| 00:30:39 |
You were right. I found it. |
| 00:30:44 |
Let's take a closer look. |
| 00:30:47 |
There it is. |
| 00:30:51 |
We're almost there. |
| 00:30:57 |
There it is. |
| 00:31:02 |
Yes, there it is. |
| 00:31:07 |
- Something to say about rubens? |
| 00:31:11 |
Rubens considered Van Dyck |
| 00:31:16 |
You know, there was a time |
| 00:31:20 |
were placed much higher |
| 00:31:23 |
The Tsar himself supervised |
| 00:31:27 |
- Who are you? |
| 00:31:31 |
- Insignias. |
| 00:31:34 |
The Tsar visited his collection |
| 00:31:38 |
He personally saved all this... |
| 00:31:40 |
during the fire. |
| 00:31:44 |
- Which fire? |
| 00:31:51 |
so you are asking me? |
| 00:31:53 |
Enough, let's go. |
| 00:31:59 |
It's time for me to go. |
| 00:32:01 |
May I accompany you? |
| 00:32:04 |
What a pity. |
| 00:32:07 |
I must ask you to leave. |
| 00:32:11 |
The museum is closing. |
| 00:32:13 |
Please see yourself to the exit. |
| 00:32:18 |
Quiet. Close the door. |
| 00:32:24 |
The museum is closing. |
| 00:33:40 |
- How was my scene? |
| 00:33:45 |
I was joking. |
| 00:33:50 |
Joking... |
| 00:34:10 |
- do you hear music? |
| 00:34:25 |
Russian music makes me break out in hives. |
| 00:34:31 |
That has nothing |
| 00:35:00 |
Why do you look at me like that? |
| 00:35:19 |
- Rags... a dog... |
| 00:35:23 |
- eternal people... |
| 00:35:28 |
live and go on living. |
| 00:35:33 |
- You'll outlive them all. |
| 00:35:44 |
what are you doing? |
| 00:35:52 |
Are you interested in painting? |
| 00:35:59 |
What nice little hands! |
| 00:36:06 |
Stay away from me! |
| 00:36:42 |
Amen. Amen. |
| 00:36:46 |
- Beautiful, isn't it? |
| 00:36:51 |
- Are you catholic? |
| 00:36:56 |
Why do you ask? |
| 00:37:00 |
It seemed to me that you were deep |
| 00:37:03 |
while admiring the images |
| 00:37:08 |
I don't know. |
| 00:37:14 |
You were not... |
| 00:37:16 |
do you know that |
| 00:37:22 |
Yes, that's what I heard. |
| 00:37:25 |
That's what you heard. And so? |
| 00:37:36 |
I looked at them |
| 00:37:39 |
You like them... |
| 00:37:42 |
- one day, all men... |
| 00:37:46 |
...will become like them. |
| 00:37:51 |
How can you know |
| 00:37:59 |
if you don't know the scriptures? |
| 00:38:16 |
Why aren't you saying anything? |
| 00:38:27 |
Look at their hands. |
| 00:38:34 |
The hands are beautiful. And so? |
| 00:38:44 |
How can you know what will become |
| 00:38:47 |
if you don't know the scriptures? |
| 00:38:50 |
For you, |
| 00:38:55 |
- Just flesh. |
| 00:38:58 |
from their long road to appear |
| 00:39:06 |
- What happened? |
| 00:39:09 |
How can you know their character... |
| 00:39:12 |
if you have not read the gospels? |
| 00:39:14 |
How can you know all that? |
| 00:39:17 |
Sir, why are you frightening him? |
| 00:39:21 |
He's not afraid. |
| 00:39:24 |
Leave him alone. |
| 00:39:26 |
Better to appreciate the scent |
| 00:39:30 |
- It smells good. |
| 00:39:43 |
You need not fear. |
| 00:39:45 |
So strange to hear those words. |
| 00:39:50 |
Now I understand. |
| 00:39:54 |
Yes... |
| 00:39:58 |
I understand. |
| 00:40:01 |
We're in the Tsar's gallery... |
| 00:40:03 |
near the portrait |
| 00:40:07 |
Where have we wandered to? |
| 00:40:13 |
That music was good, after all. |
| 00:40:18 |
- Glinka. |
| 00:40:21 |
a Russian. |
| 00:40:22 |
No, he's german. |
| 00:40:26 |
All composers are german? |
| 00:40:43 |
El greco. |
| 00:40:55 |
Very nice. |
| 00:40:57 |
Looks like a rembrandt. |
| 00:41:03 |
El greco... dust from the roads. |
| 00:41:07 |
What dust from the roads? |
| 00:41:16 |
Nice, very nice. |
| 00:41:18 |
- Something you don't like? |
| 00:41:20 |
- It's nice, very nice. |
| 00:41:23 |
more flesh... very nice. |
| 00:41:32 |
These are nice paintings. |
| 00:41:36 |
Nice paintings... |
| 00:41:38 |
they're getting better and better. |
| 00:41:52 |
There's an angel. |
| 00:42:30 |
Pardon me for addressing you |
| 00:42:34 |
To whom was that directed? |
| 00:42:40 |
Do tell. |
| 00:42:41 |
- I'm speaking to the painting. |
| 00:42:46 |
How interesting! |
| 00:42:48 |
- I must speak my mind. |
| 00:42:52 |
And so you talk to the painting. |
| 00:42:56 |
Would you like to try? |
| 00:42:59 |
Must I try? Very well. |
| 00:43:06 |
- Like that. |
| 00:43:10 |
Now, like this. |
| 00:43:13 |
Now a turn. |
| 00:43:25 |
Sometimes |
| 00:43:31 |
This painting and I... |
| 00:43:36 |
we have a secret. |
| 00:43:40 |
Really? |
| 00:43:42 |
- Yes. |
| 00:43:45 |
That's all, gentlemen. Good-bye! |
| 00:43:51 |
Where are you going, madam? |
| 00:43:56 |
She's offended. |
| 00:44:13 |
Hi! |
| 00:44:16 |
Good-bye! |
| 00:44:24 |
Farewell, gentleman! |
| 00:44:26 |
How charming! |
| 00:44:30 |
She's offended. But so charming! |
| 00:44:42 |
Where has she gone? |
| 00:46:54 |
Marble... |
| 00:46:57 |
a white stone... |
| 00:47:00 |
very white. |
| 00:47:04 |
Rather cold, isn't it? |
| 00:47:06 |
When you first came here, |
| 00:47:10 |
That was just after the fire. |
| 00:47:13 |
I have been here before, |
| 00:47:16 |
What luxury! |
| 00:47:22 |
What is that? |
| 00:47:24 |
It's under the convention that |
| 00:47:28 |
you don't know 20th-century Russian history. |
| 00:47:32 |
Our convention lasted 80 years. |
| 00:47:36 |
A real revolution... very sad. |
| 00:47:41 |
What kind of system is there now? |
| 00:47:45 |
I don't know. |
| 00:47:48 |
I have never believed |
| 00:47:51 |
for a country as large as russia. |
| 00:47:54 |
You europeans are democrats |
| 00:47:57 |
- You are French, is that it? |
| 00:48:04 |
Excuse us, we're lost. |
| 00:48:06 |
- Please be on your way. |
| 00:48:09 |
- Remaining here is forbidden! |
| 00:48:13 |
Who forbids it? |
| 00:48:16 |
What language! |
| 00:48:19 |
It's better not to argue. |
| 00:48:23 |
We're going, we're going. |
| 00:48:27 |
I know where we can hide. |
| 00:48:29 |
I suddenly feel afraid. |
| 00:48:42 |
- Not that door, sir! |
| 00:48:47 |
- Such a beautiful door! |
| 00:48:58 |
Why is it so cold? |
| 00:49:00 |
I told you not to enter. |
| 00:49:03 |
What cold! Frames... |
| 00:49:10 |
where are the canvases? |
| 00:49:13 |
Let's go back, I beg you. |
| 00:49:17 |
- Who's there? |
| 00:49:19 |
- Why have you come here? |
| 00:49:26 |
- Come closer. |
| 00:49:28 |
Maybe you need help, kind sir. |
| 00:49:34 |
Who is the "kind sir"? |
| 00:49:37 |
Me... you... |
| 00:49:40 |
not here, not there. |
| 00:49:42 |
There is no one. |
| 00:49:44 |
Only coffins and corpses. |
| 00:49:49 |
- I'm coming. |
| 00:49:52 |
- Your coffin? |
| 00:49:55 |
Why that strange tone, kind sir? |
| 00:49:59 |
Why coffins in the hermitage? |
| 00:50:02 |
"Kind sir"! |
| 00:50:06 |
- It's my coffin. |
| 00:50:10 |
- He looks well-fed! |
| 00:50:14 |
Why do you ask "where"? |
| 00:50:16 |
He looks well-fed! |
| 00:50:22 |
- What happened? |
| 00:50:27 |
Which war? Against whom? |
| 00:50:29 |
- Against germany. |
| 00:50:34 |
The unified state of the germans. |
| 00:50:37 |
In the 20th century, |
| 00:50:42 |
The germans surrounded the city. |
| 00:50:45 |
But the city did not surrender. |
| 00:50:47 |
More than 1 million dead. |
| 00:50:51 |
- More than 1 million? |
| 00:50:52 |
That's a high price to pay. |
| 00:50:57 |
Saint petersburg |
| 00:51:02 |
In russia, it is said that |
| 00:51:05 |
A very high price. |
| 00:51:07 |
But maybe not. |
| 00:51:09 |
But it has already been paid. |
| 00:51:11 |
I was wrong, by the way... |
| 00:51:16 |
when I criticised your Tsars... |
| 00:51:19 |
for all this beauty and opulence. |
| 00:51:24 |
Even if they all were... |
| 00:51:27 |
tyrants. |
| 00:51:30 |
Quieter, please. |
| 00:51:36 |
But it is beautiful, isn't it? |
| 00:51:41 |
What do you see? Who is it? |
| 00:51:47 |
Maybe Catherine II, |
| 00:51:53 |
Nothing could be less certain. |
| 00:51:58 |
That's enough! Lisa, |
| 00:52:02 |
Don't go too near to her. |
| 00:52:04 |
If it is Catherine, |
| 00:52:14 |
like this. |
| 00:52:19 |
Lower, lower! |
| 00:52:22 |
That will be all. |
| 00:52:26 |
The candles, the candles. |
| 00:52:31 |
It's stuffy in here. |
| 00:52:38 |
- There. |
| 00:52:51 |
That's it. |
| 00:52:56 |
But it's cold outside. |
| 00:53:02 |
That's it. |
| 00:53:27 |
Sir! |
| 00:53:30 |
Where are you? |
| 00:53:33 |
I hear your footsteps. |
| 00:53:44 |
Mortals must not chase royalty. |
| 00:53:52 |
You won't catch up anyway. |
| 00:54:27 |
I hear your footsteps. |
| 00:54:30 |
I hear them. |
| 00:54:35 |
Sir, what are you doing? It's cold! |
| 00:54:41 |
- Come this way. |
| 00:54:44 |
- She disappeared. |
| 00:54:47 |
- She disappeared again. |
| 00:54:50 |
- Do you know where to go? |
| 00:54:56 |
Let us through. We are allowed. |
| 00:55:00 |
Where is the door? Where is it? |
| 00:55:04 |
Greetings! |
| 00:55:06 |
Don't be shy. Come. |
| 00:55:10 |
Thank you very much. |
| 00:55:16 |
What beautiful hair you have! |
| 00:55:22 |
Tea! Would you like tea? |
| 00:55:27 |
I don't either, but they insist. |
| 00:55:31 |
We're in a hurry. Where is it? |
| 00:55:33 |
- I know I'm beautiful. |
| 00:55:37 |
What do you want me to say? |
| 00:55:43 |
- Come on! |
| 00:55:47 |
What is that? |
| 00:55:48 |
- Did you write this book? |
| 00:55:53 |
Neither he nor I. |
| 00:56:00 |
Follow me. |
| 00:56:04 |
Sir, what are you looking at? |
| 00:56:07 |
What do I see? |
| 00:56:12 |
Some people are obviously waiting |
| 00:56:14 |
Let's proceed with caution. |
| 00:56:20 |
They liked your hair. |
| 00:56:22 |
Of course, good writers always have |
| 00:56:26 |
- Be more careful and quiet now. |
| 00:56:30 |
- Close the door quickly. |
| 00:56:38 |
When I was last received here |
| 00:56:43 |
it was being renovated |
| 00:56:50 |
- The parquet doesn't creak. |
| 00:57:02 |
- the ambassador of persia! |
| 00:57:07 |
Sir, let's go. |
| 00:57:13 |
The ambassador |
| 00:57:20 |
prince Khozrev-Mirza... |
| 00:57:24 |
the son of the future shah, |
| 00:57:27 |
- Do you know what is happening? |
| 00:57:33 |
We are witnesses. |
| 00:57:35 |
Nicholas i received an apology from the persian emissaries... |
| 00:57:41 |
regarding the murder of Russian diplomats. |
| 00:57:45 |
Griboedov was one, I think. |
| 00:57:48 |
How interesting. |
| 00:57:52 |
Are you able to see? |
| 00:57:55 |
What uniforms! |
| 00:57:58 |
Luxury, empire... |
| 00:58:02 |
power... |
| 00:58:04 |
look over there. Higher. |
| 00:58:10 |
Can you see? |
| 00:58:14 |
Yes, I see now! |
| 00:58:16 |
One must not trust this world. |
| 00:58:30 |
Beware, court officials are cunning. |
| 00:58:35 |
Some of them are mediums. |
| 00:58:37 |
They could sense your presence. |
| 00:58:40 |
Thank you for your advice. |
| 00:58:45 |
I'll move ahead. |
| 00:58:49 |
Good luck. I'll find you later. |
| 01:00:02 |
Mighty sovereign emperor! |
| 01:00:05 |
The peaceful nature of persia |
| 01:00:10 |
among his majesty and the shah |
| 01:00:14 |
Under its power, |
| 01:00:17 |
committed unheard-of acts of evil. |
| 01:00:19 |
the resulting victim was the Russian mission. |
| 01:00:22 |
The honest heart of Fetkh-Ali-Shah... |
| 01:00:25 |
was horrified by the idea |
| 01:00:29 |
might destroy our peace and union. |
| 01:00:32 |
His majesty the shah has sent me, |
| 01:00:38 |
to request that you, sovereign... |
| 01:00:40 |
erase from memory this event. |
| 01:00:43 |
Let the world know that, |
| 01:00:48 |
two wise monarchs, |
| 01:00:51 |
speak openly |
| 01:00:54 |
With the greatest joy, |
| 01:00:57 |
your imperial majesty. |
| 01:01:01 |
I carry out my grandfather's will... |
| 01:01:04 |
that we strengthen peace... |
| 01:01:07 |
between our two peoples. |
| 01:01:32 |
His imperial majesty... |
| 01:01:35 |
commands me |
| 01:01:39 |
of his pleasure |
| 01:01:45 |
as well as the righteous plea... |
| 01:01:49 |
of your sovereign. |
| 01:02:47 |
I've been observing you. |
| 01:02:50 |
- You have no business here. |
| 01:02:53 |
Then you must leave at once. |
| 01:02:58 |
Off you go, sir! Away! |
| 01:03:01 |
- I had no intention of staying. |
| 01:03:04 |
This ceremony will continue |
| 01:03:11 |
As a former diplomat, |
| 01:03:14 |
A terrible boredom |
| 01:03:20 |
Leave me alone! |
| 01:03:22 |
- And what is that? |
| 01:03:32 |
I adore luxury |
| 01:03:37 |
Stasov wasn't a bad architect. |
| 01:03:43 |
He loved discipline, |
| 01:03:52 |
We cannot stay here. |
| 01:03:54 |
The ceremony will finish. |
| 01:03:58 |
My god! |
| 01:04:02 |
Sevres porcelain, my weakness! |
| 01:04:08 |
- Beautiful. |
| 01:04:12 |
- Inimitable! |
| 01:04:15 |
This is the cameo service? |
| 01:04:21 |
Yes, it is. |
| 01:04:29 |
Not so close, please. |
| 01:04:39 |
What gold! |
| 01:04:42 |
Sir, it's awkward setting the table |
| 01:04:48 |
You can admire it later |
| 01:04:51 |
What pure tones! |
| 01:04:53 |
The blue and gold are enchanting. |
| 01:04:58 |
And the wine-sediment colour! |
| 01:05:02 |
Always such marvellous cooks here |
| 01:05:07 |
Do you recall the taste of food? |
| 01:05:10 |
No, I have forgotten. |
| 01:05:11 |
You've forgotten... |
| 01:05:18 |
visit the other salons while waiting |
| 01:05:23 |
- That blue! |
| 01:05:34 |
There's dancing. Come on. |
| 01:05:36 |
Let's leave here. |
| 01:05:37 |
- We're being chased away. |
| 01:05:42 |
it's so dark here. |
| 01:05:50 |
Heavens! |
| 01:05:53 |
I see you have never seen a Tsar... |
| 01:06:00 |
nor grand princes |
| 01:06:04 |
- Monarchy is not eternal. |
| 01:06:09 |
don't I have the right |
| 01:06:14 |
We are free, you and I. |
| 01:06:16 |
There's someone here. |
| 01:06:29 |
Sir, don't you hear them? |
| 01:06:32 |
No, I don't hear anything. |
| 01:06:40 |
Look, someone is moving there. |
| 01:06:44 |
Where? |
| 01:06:51 |
Mr. Orbeli, I don't understand. |
| 01:06:57 |
You and my father know: |
| 01:07:02 |
- It's made of silver and treated oak. |
| 01:07:06 |
I'm very worried. |
| 01:07:09 |
See that velour from lyons. |
| 01:07:13 |
- We'll restore it. Be patient. |
| 01:07:16 |
You're right, Boris. |
| 01:07:21 |
You won't ever see him again. |
| 01:07:25 |
Speak! |
| 01:07:27 |
He's your son. |
| 01:07:31 |
What difficulty are they having? |
| 01:07:37 |
What do you expect? |
| 01:07:40 |
You descend from the heavens... |
| 01:07:42 |
and no longer know how to behave. |
| 01:07:46 |
Your son is hermitage director. |
| 01:07:50 |
Like you and I before him. |
| 01:07:52 |
The wars ahead... terrible wars. |
| 01:07:54 |
But we managed to preserve all this |
| 01:07:58 |
I can't hear anymore. |
| 01:08:01 |
And you? |
| 01:08:02 |
Yes, I hear. But not very clearly. |
| 01:08:06 |
What are they saying? |
| 01:08:09 |
The elder piotrovsky is asking... |
| 01:08:13 |
whether the director's telephone is |
| 01:08:17 |
His son tells him, "forget that. |
| 01:08:20 |
"I would prefer telling you |
| 01:08:25 |
"They are still here..." |
| 01:08:32 |
there are so many people |
| 01:08:34 |
Ten years have passed. |
| 01:08:40 |
But everyone speaks well of you. |
| 01:08:42 |
Your books are still in print. |
| 01:08:46 |
That's particularly admirable. |
| 01:08:48 |
The dead weep with joy |
| 01:08:51 |
Especially 37 years later, Mikhail. |
| 01:08:55 |
Is something still troubling you? |
| 01:08:59 |
Is it the authorities? |
| 01:09:02 |
They want acorns from oak trees. |
| 01:09:05 |
They are not interested in knowing |
| 01:09:09 |
But it will be their doom |
| 01:09:12 |
Then there will be nothing left. |
| 01:09:15 |
Mr. Orbeli, what awaits us? |
| 01:09:22 |
- I'm coming! |
| 01:09:25 |
- Listen, Mikhail... |
| 01:09:28 |
You're completely alone. |
| 01:09:36 |
They won't tell him anything. |
| 01:09:42 |
I am asking you... |
| 01:09:45 |
everyone can see the future... |
| 01:09:48 |
but no one remembers the past. |
| 01:09:52 |
Look how handsome they are! |
| 01:09:57 |
Beautiful uniforms, |
| 01:10:05 |
You didn't answer my question. |
| 01:10:16 |
Nothing, you know nothing. |
| 01:10:33 |
Sir! Wait! |
| 01:10:37 |
He doesn't hear me. |
| 01:10:40 |
I must apologise. |
| 01:10:43 |
They said other things. |
| 01:10:46 |
I could hardly hear them. |
| 01:10:49 |
I made it all up, about orbeli... |
| 01:10:54 |
- Only god can judge you. |
| 01:10:57 |
We are free, you and I. |
| 01:11:07 |
Please, don't run. |
| 01:11:10 |
Run! I can't keep up with you. |
| 01:11:17 |
Little birds. |
| 01:11:25 |
Children! |
| 01:11:28 |
Anastasia, where are you going? |
| 01:11:33 |
They are... |
| 01:11:36 |
so light! |
| 01:11:38 |
You're always watching me. |
| 01:11:46 |
I have a bad feeling. |
| 01:11:48 |
Don't be alarmed. |
| 01:11:50 |
Pray. And I shall pray for you. |
| 01:11:53 |
Did you hear that? |
| 01:11:58 |
- Did you hear shots? |
| 01:12:07 |
I think someone is following us. |
| 01:12:11 |
calm down, Alexandra. |
| 01:12:13 |
If only alexis could run... |
| 01:12:17 |
doctors are good for nothing. |
| 01:12:21 |
It's my fault. |
| 01:12:23 |
Children! |
| 01:12:26 |
Children, behave yourselves! |
| 01:12:28 |
Sorry, excuse us. |
| 01:12:30 |
Come here, Anastasia. |
| 01:12:35 |
I looked for you all morning. |
| 01:12:36 |
We were playing. |
| 01:12:39 |
Let's go. |
| 01:12:43 |
Where is Alexei? |
| 01:12:58 |
- Thank you, I can manage. |
| 01:13:01 |
- Are you in pain? |
| 01:13:05 |
Move your chair forward. |
| 01:13:10 |
You are late for tea. |
| 01:13:14 |
Forgive me. |
| 01:13:20 |
What do you think? |
| 01:13:22 |
Anastasia won't do it again. |
| 01:13:24 |
It looks like it's not your fault. |
| 01:13:30 |
Good-bye. |
| 01:13:43 |
Fly away, my little angels! |
| 01:14:08 |
And here's their cage. |
| 01:14:16 |
They're all here, of course. |
| 01:14:18 |
There haven't been so many guests |
| 01:14:27 |
Good evening. |
| 01:14:32 |
Look at that strange fellow. |
| 01:14:53 |
But... |
| 01:14:57 |
where has my European gone? |
| 01:15:04 |
Where is he? |
| 01:15:25 |
There he is! |
| 01:15:31 |
He doesn't see me. |
| 01:15:35 |
I should go up to him. |
| 01:15:40 |
Otherwise he will be offended. |
| 01:16:05 |
Sir! He can't hear me. |
| 01:16:09 |
But I'll see him later. |
| 01:16:36 |
Wouldn't it be nice |
| 01:16:53 |
You know... |
| 01:16:54 |
aristarkh konstantinovich |
| 01:17:05 |
What a tiger! |
| 01:17:50 |
Your mother has trained |
| 01:18:01 |
Don't be shy! You are doing very well. |
| 01:18:10 |
you are doing great. |
| 01:21:57 |
Thank you. |
| 01:21:59 |
Saint petersburg has the best balls |
| 01:22:03 |
Everyone is so easygoing. |
| 01:22:11 |
There must be over 3,000 people. |
| 01:22:16 |
Maybe less. |
| 01:22:32 |
I've forgotten everything! |
| 01:22:34 |
I dance so poorly! |
| 01:22:44 |
But it's all coming back to me! |
| 01:22:50 |
Good, very good! |
| 01:25:03 |
Bravo! More! More! |
| 01:25:25 |
Where were you? I lost you. |
| 01:25:28 |
I'm here. |
| 01:25:33 |
I lost you. |
| 01:25:40 |
Lost... |
| 01:25:42 |
I'm sad. |
| 01:25:56 |
Let's go. |
| 01:25:57 |
To where? |
| 01:25:59 |
Where? Forward. |
| 01:26:04 |
Forward... |
| 01:26:10 |
what will we find over there? |
| 01:26:11 |
Over there? I don't know. |
| 01:26:14 |
I'm staying. |
| 01:26:26 |
Farewell, europe. |
| 01:26:42 |
It's over. |
| 01:26:52 |
You might say I grew up here. |
| 01:26:56 |
But I'm not quite myself. |
| 01:27:01 |
It's as if |
| 01:27:30 |
Listen up! Look here! |
| 01:27:37 |
Poor man, your lady has gone away! |
| 01:27:42 |
- Flown away like a bird! |
| 01:27:48 |
in a flash! |
| 01:28:23 |
Shall we dine together? |
| 01:28:28 |
I'll wait downstairs. |
| 01:28:31 |
Have our coats brought up. |
| 01:28:57 |
When we return to kursk, |
| 01:29:02 |
Just before lent, for example. |
| 01:29:26 |
I think we should invite your nephew |
| 01:30:18 |
Nathalie! |
| 01:30:20 |
It feels like we're floating. |
| 01:30:23 |
It seems all this is but a dream. |
| 01:30:29 |
But you have found her! |
| 01:31:08 |
Custine! |
| 01:31:26 |
Let me pass! |
| 01:32:46 |
Sir, sir... |
| 01:32:51 |
it's a pity you're not here with me. |
| 01:32:57 |
You would understand everything. |
| 01:33:02 |
Look. |
| 01:33:05 |
The sea is all around. |
| 01:33:11 |
We are destined to sail forever. |
| 01:33:16 |
To live forever. |
