|
S raphine
|
| 00:02:50 |
I left you some bread |
| 00:02:53 |
Eat here before you go. |
| 00:02:57 |
Open the shutters downstairs |
| 00:03:00 |
I have a new tenant. |
| 00:05:20 |
Come on! |
| 00:05:29 |
Wait! |
| 00:05:56 |
I found some cups! |
| 00:06:08 |
Shall I ask her for some glasses? |
| 00:06:12 |
The landlady. |
| 00:06:14 |
Definitely not. |
| 00:06:41 |
- What? |
| 00:06:44 |
I don't know. |
| 00:06:48 |
Tell Vollard I'll send my Picasso article |
| 00:06:54 |
- Take care. |
| 00:08:42 |
Who are you? |
| 00:08:46 |
Madame Duphot gave me the keys. |
| 00:08:48 |
She told me to come in |
| 00:08:52 |
Would sir rather I left? |
| 00:08:59 |
Can you make some tea? |
| 00:09:00 |
Tea? |
| 00:09:03 |
You know how to make tea? |
| 00:09:06 |
Yes, sir. |
| 00:09:24 |
Thank you. |
| 00:09:48 |
I'm going now, sir. |
| 00:09:52 |
It'll be ten sous. |
| 00:10:02 |
There. |
| 00:10:06 |
Might I ask your name? |
| 00:10:08 |
Séraphine, sir. |
| 00:11:17 |
What are you doing here? |
| 00:11:21 |
Right, you brought the linen. |
| 00:11:28 |
Did you get them out? |
| 00:11:30 |
- The stains? |
| 00:11:36 |
We agreed three sous each. |
| 00:11:37 |
Five. |
| 00:11:39 |
- Are you sure? |
| 00:11:58 |
After that one, you can go. |
| 00:12:03 |
What will it be, sir? |
| 00:12:05 |
Two chops of mutton, please. |
| 00:12:06 |
Two chops. Fillet? |
| 00:12:08 |
Let's see what we've got. |
| 00:12:16 |
Do you know |
| 00:12:19 |
Duval's, down the street. |
| 00:12:24 |
Not local? |
| 00:12:27 |
Paris. |
| 00:12:29 |
English? |
| 00:12:34 |
German. |
| 00:12:36 |
That'll be eight sous. |
| 00:13:47 |
One franc. |
| 00:13:49 |
Wrapped up? |
| 00:13:50 |
No need. |
| 00:14:13 |
Who's he? |
| 00:14:15 |
Madame Duphot's new tenant. |
| 00:14:16 |
What is he, a Boche? |
| 00:14:18 |
Don't know. |
| 00:14:20 |
I'm not a bank, you know. |
| 00:14:24 |
You owe me |
| 00:14:25 |
4 francs and 4 sous, |
| 00:14:43 |
You'd be better off |
| 00:15:11 |
You owe me two months' rent. |
| 00:15:15 |
Don't you think that's enough? |
| 00:15:19 |
Just you wait! |
| 00:15:28 |
Mademoiselle Séraphine |
| 00:19:18 |
Veni Creator Spiritus |
| 00:19:24 |
Mentes tuorum visita |
| 00:19:32 |
Imple superna gracia |
| 00:19:41 |
Quae tu creasti pectora |
| 00:19:48 |
Accende lumen sensibus |
| 00:19:56 |
Infirma nostri corpuris |
| 00:20:04 |
Virtute firmans perpeti |
| 00:20:12 |
Amen |
| 00:20:55 |
There you are. |
| 00:21:06 |
I've almost finished, sir. |
| 00:21:09 |
Can I do the bedroom? |
| 00:21:10 |
Of course. |
| 00:22:08 |
Leave it, I'll do it. |
| 00:22:11 |
I enjoy cooking. |
| 00:22:19 |
You know, |
| 00:22:21 |
when I feel sad, |
| 00:22:25 |
and I touch the trees, |
| 00:22:26 |
I talk to the birds, |
| 00:22:31 |
and I feel better. |
| 00:22:32 |
I swear, I always feel better. |
| 00:24:13 |
You haven't lost the knack. |
| 00:24:15 |
It's good. It's very good. |
| 00:24:18 |
Rich. Full of butter. |
| 00:24:20 |
I baked it at one of my ladies', |
| 00:24:27 |
I'm glad to see you doing so well. |
| 00:24:30 |
Are you lacking for anything? |
| 00:24:32 |
Time, Mother Superior. |
| 00:24:36 |
And in there? |
| 00:24:39 |
Are you sure? |
| 00:25:13 |
Can you make me some tea? |
| 00:25:17 |
Tea again. |
| 00:25:51 |
- What's that? |
| 00:25:54 |
Later. I'm busy. |
| 00:25:56 |
No, now. |
| 00:26:07 |
It's strong. |
| 00:26:08 |
I make it myself. |
| 00:26:12 |
I'll finish it later. |
| 00:26:17 |
But I'd still like some tea. |
| 00:26:25 |
That's beautiful handwriting you have. |
| 00:26:30 |
Whenever you want some, just ask. |
| 00:27:34 |
Anatole? |
| 00:27:46 |
Here I am, Mummy. |
| 00:27:49 |
Have a good drive? |
| 00:27:53 |
Did the maid let you in? |
| 00:27:58 |
I told you I'd be gone till 6. |
| 00:28:00 |
Yes, Mummy. |
| 00:28:03 |
Gracious, it's hot! |
| 00:28:12 |
I didn't ask you to change the sheets. |
| 00:28:14 |
It's done now. |
| 00:28:16 |
Lose the habit of answering back. |
| 00:28:20 |
What's this I hear? |
| 00:28:22 |
Chairman Bouillot says that you paint. |
| 00:28:25 |
It would seem you paint. |
| 00:28:27 |
Answer me. |
| 00:28:29 |
Yes. |
| 00:28:30 |
Yes, what? |
| 00:28:32 |
Not bad, he says. |
| 00:28:37 |
No, ma'am. |
| 00:28:39 |
Bring me one tomorrow, |
| 00:28:40 |
so I can take a look. |
| 00:28:42 |
Run along. |
| 00:28:44 |
And next time, for the beds, |
| 00:30:54 |
" I have gone to Paris. |
| 00:30:58 |
"Carry on as usual." |
| 00:31:36 |
Shall I tell you what I think? |
| 00:31:41 |
These apples |
| 00:31:43 |
Aren't they, Anatole? |
| 00:31:46 |
Do you think? Not me. |
| 00:31:48 |
What do you mean, not you? |
| 00:31:51 |
They are supposed to be apples? |
| 00:31:53 |
Yes, ma'am. |
| 00:31:55 |
They could just as easily be plums. |
| 00:31:57 |
Or peaches. |
| 00:32:00 |
They look like apples to me. |
| 00:32:05 |
Go back to your cleaning. |
| 00:32:53 |
Leave me alone. |
| 00:32:55 |
Leave me alone. Go away. |
| 00:33:03 |
Sleep now. |
| 00:34:07 |
Your secret's out. |
| 00:34:11 |
I've invited a few artist friends round |
| 00:34:15 |
We'd be honoured to have |
| 00:34:17 |
a respected critic and art dealer |
| 00:34:19 |
join us. |
| 00:34:21 |
Don't say no, |
| 00:34:23 |
I should be horribly disappointed. |
| 00:34:34 |
They're dreadful. |
| 00:34:36 |
In my humble opinion, |
| 00:34:39 |
The problem |
| 00:34:41 |
is that people have no taste. |
| 00:34:43 |
- No sense of beauty. |
| 00:34:45 |
That doesn't apply to you, |
| 00:34:48 |
- You are a true artist. |
| 00:34:52 |
All these lunatics |
| 00:34:56 |
Did you visit the last Salon? |
| 00:35:00 |
- Apparently, it sells. |
| 00:35:03 |
What do you think, Monsieur Uhde? |
| 00:35:08 |
You're not very talkative. |
| 00:35:10 |
Forgive me, I'm very preoccupied. |
| 00:35:13 |
Understandably so. |
| 00:35:14 |
War seems inevitable. |
| 00:35:18 |
I don't know. |
| 00:35:25 |
I believe dessert is on its way. |
| 00:35:30 |
Make the most of it. |
| 00:35:37 |
You don't want any dessert? |
| 00:35:42 |
- Who painted this? |
| 00:35:47 |
Help us do justice to my baked Alaska. |
| 00:35:50 |
It won't stay alight forever. |
| 00:35:52 |
Tell me who painted this. |
| 00:35:54 |
Séraphine. |
| 00:35:56 |
What do you mean? |
| 00:35:57 |
Your... |
| 00:36:00 |
She worked at the convent. |
| 00:36:02 |
One day, her guardian angel |
| 00:36:08 |
My son insisted I keep hold of it. |
| 00:36:11 |
I'll buy it off you. |
| 00:36:15 |
You can add it to my rent. |
| 00:36:18 |
I'll take it with me. |
| 00:37:44 |
Do you have any others? |
| 00:37:48 |
I want to see them immediately. |
| 00:38:01 |
Wait here for me. |
| 00:39:43 |
Take a seat. |
| 00:39:52 |
Look... |
| 00:39:55 |
It's another of Wilhelm's discoveries. |
| 00:39:58 |
We'll exhibit it in a garage |
| 00:40:01 |
Who is it? |
| 00:40:02 |
Wouldn't you like to know? |
| 00:40:10 |
You're already tired out? |
| 00:40:14 |
A glass of water? |
| 00:40:22 |
That'll do you good. |
| 00:40:51 |
- Shall I fetch her? |
| 00:41:24 |
Willy... |
| 00:41:28 |
She's here. |
| 00:41:32 |
Who? |
| 00:41:34 |
Your genius. |
| 00:41:36 |
Has she brought another painting? |
| 00:41:39 |
Your genius is cleaning. |
| 00:41:55 |
What are you doing? |
| 00:41:58 |
Mopping the floor. |
| 00:42:00 |
We waited all day for you. |
| 00:42:03 |
I showed your work to a collector. |
| 00:42:05 |
He was as moved as I was. |
| 00:42:07 |
Sir shouldn't mock. |
| 00:42:09 |
- Do I look the type to mock. |
| 00:42:13 |
Where are you going? |
| 00:42:15 |
To fetch the wax. |
| 00:42:18 |
Why don't you ever listen? |
| 00:42:21 |
Everybody was very enthusiastic. |
| 00:42:23 |
Smart folks always are. |
| 00:42:25 |
They made |
| 00:42:29 |
If I told you the names... |
| 00:42:35 |
What's the matter? |
| 00:42:40 |
Why won't you tell me? |
| 00:42:42 |
It's very kind of sir to say |
| 00:42:44 |
that sir's friends said kind things |
| 00:42:49 |
You can't spend your life cleaning |
| 00:42:51 |
when you have gold in your hands. |
| 00:42:53 |
" Be ardent in your work |
| 00:42:56 |
"and you will find God |
| 00:42:59 |
said Saint Teresa of Avila. |
| 00:43:03 |
I'm not very religious, you know. |
| 00:43:06 |
But the Virgin Mary? |
| 00:43:08 |
Sir believes in the Virgin Mary, |
| 00:43:13 |
It depends. |
| 00:43:15 |
It depends on what? |
| 00:43:17 |
On how I'm feeling. |
| 00:43:20 |
It depends on how I'm feeling. |
| 00:43:24 |
But I believe in the soul. |
| 00:43:27 |
I believe |
| 00:43:30 |
It's what makes us so sad, |
| 00:43:33 |
compared to animals. |
| 00:43:35 |
Animals are never sad, are they? |
| 00:43:38 |
They are. |
| 00:43:40 |
Animals are sad. |
| 00:43:42 |
If you take her calf from a cow, |
| 00:44:23 |
What is it? |
| 00:44:25 |
It's me. |
| 00:44:28 |
Wilhelm Uhde. |
| 00:44:30 |
Open up. |
| 00:44:32 |
I know you were working last night. |
| 00:44:36 |
I want to see. |
| 00:44:43 |
I'll bring it over tomorrow. |
| 00:45:24 |
You never told me |
| 00:45:30 |
Someone in your family? |
| 00:45:32 |
I have no one, sir. |
| 00:45:36 |
A teacher? Did you take lessons? |
| 00:45:39 |
No, sir. |
| 00:45:41 |
There must have been a moment, |
| 00:45:48 |
It's an intriguing texture. |
| 00:45:52 |
This red, for example. |
| 00:45:55 |
What is it? |
| 00:46:01 |
I have my little secrets. |
| 00:46:04 |
I keep them to myself, |
| 00:46:08 |
In any case, it's good. Very good. |
| 00:46:12 |
I see plenty of flaws in it. |
| 00:46:24 |
What are you doing? |
| 00:46:26 |
I'm mopping the floor. |
| 00:46:48 |
Now I'm going to tell you |
| 00:46:54 |
You're talented. |
| 00:46:57 |
But you'll have to work very hard. |
| 00:47:02 |
Don't worry about |
| 00:47:04 |
They know nothing. |
| 00:47:08 |
I'll look after you. |
| 00:47:12 |
First, we'll try to place |
| 00:47:16 |
I have a gallery |
| 00:47:19 |
We could start there. |
| 00:47:22 |
Or perhaps I'll talk |
| 00:47:27 |
I'll write to him right away. |
| 00:47:39 |
You'll buy supplies from Paris. |
| 00:47:41 |
Or Chantilly. |
| 00:47:45 |
I'm only joking. |
| 00:47:47 |
Duval's is as solid as our army. |
| 00:47:51 |
We'll soon bring the Boche |
| 00:47:53 |
Kick them out, won't we? |
| 00:48:00 |
Have you won the lottery? |
| 00:48:01 |
Could be. |
| 00:48:11 |
Those are my last ones. |
| 00:48:14 |
It's all there. |
| 00:48:15 |
Good. |
| 00:48:55 |
Here, this is for you. |
| 00:48:58 |
Sir hasn't even looked |
| 00:49:00 |
I did. |
| 00:49:02 |
It's very good. |
| 00:49:05 |
But you can see this is a bad time. |
| 00:49:07 |
Did you iron my shirts? |
| 00:49:09 |
They're tidied away in sir's dresser. |
| 00:49:11 |
Would you mind fetching them? |
| 00:49:30 |
Will sir be away for long? |
| 00:49:32 |
I don't know. |
| 00:49:33 |
Perhaps I won't even go. |
| 00:49:35 |
People say the Germans |
| 00:49:40 |
but I'm German, |
| 00:49:44 |
I'm wary. |
| 00:49:46 |
What about me? |
| 00:49:53 |
Whatever happens, keep working. |
| 00:49:56 |
One day, your talent will be recognised. |
| 00:50:00 |
And if you don't come back? |
| 00:50:25 |
I don't want your money. |
| 00:50:29 |
I can't be bought. |
| 00:50:32 |
I won't be taken in by promises. |
| 00:50:37 |
Save that |
| 00:50:39 |
What's this got to do with her? |
| 00:50:41 |
She can't wait |
| 00:50:44 |
You're not making sense. |
| 00:50:48 |
I have eyes to see and ears to hear. |
| 00:50:52 |
You really think Anne-Marie... |
| 00:50:55 |
Sir thinks someone of my rank |
| 00:50:57 |
isn't able to understand things |
| 00:51:01 |
Not at all. |
| 00:51:03 |
Lies! |
| 00:51:04 |
Don't talk to me like that! |
| 00:51:06 |
How do you think people talk to me, |
| 00:51:10 |
How do you think people talk to me? |
| 00:51:20 |
I didn't mean to upset you. |
| 00:51:22 |
You think you're better than me |
| 00:51:26 |
your dirty shirts and underwear, |
| 00:51:29 |
and mop the floor you walk on |
| 00:51:32 |
I'd better go. |
| 00:51:33 |
This is silly. |
| 00:51:41 |
Let me explain. |
| 00:51:43 |
If I hurt you, it was unintentional. |
| 00:51:47 |
If my compatriots find me here, |
| 00:51:50 |
I'll be considered a deserter |
| 00:51:56 |
I don't think I'm superior to you, |
| 00:51:58 |
not at all. |
| 00:52:01 |
Anne-Marie is my sister. |
| 00:52:05 |
Your sister? |
| 00:52:07 |
My little sister, Anne-Marie Uhde. |
| 00:52:18 |
I'll never marry a woman. |
| 00:52:25 |
Never. |
| 00:52:32 |
Why do you think |
| 00:52:39 |
Go home! Filthy Boche! |
| 00:53:03 |
They're coming. |
| 00:53:11 |
We're going |
| 00:53:15 |
Have you got the money? |
| 00:53:17 |
Hurry up, for God's sake! |
| 00:53:34 |
Come on. |
| 00:55:15 |
It's you. |
| 00:55:18 |
He said he'd come. |
| 00:55:21 |
Don't just stand there, |
| 00:55:24 |
They ransack houses and kill people. |
| 00:55:26 |
What about Monsieur Wilhelm? |
| 00:55:28 |
They came for him this morning, |
| 00:55:33 |
I suppose he got away. |
| 00:55:35 |
Run along, |
| 00:03:56 |
- Sorry I'm late. |
| 00:03:59 |
Get in. |
| 00:04:20 |
You were the first person |
| 00:04:24 |
What drew you |
| 00:04:26 |
and all the Naives |
| 00:04:29 |
Naives? |
| 00:04:31 |
I don't care for the term. |
| 00:04:34 |
It scares me. |
| 00:04:42 |
I truly prefer the term |
| 00:04:49 |
Here, look... |
| 00:04:52 |
I rented a garage before the war |
| 00:04:55 |
to exhibit Rousseau's work, |
| 00:04:59 |
I sold nothing, |
| 00:05:02 |
we didn't have a single visitor. |
| 00:05:05 |
Now, he's in the Louvre |
| 00:05:08 |
and you come out here |
| 00:05:10 |
Thank you, Marie-Louise. |
| 00:05:14 |
You really want tea? |
| 00:05:16 |
Not something stronger? |
| 00:05:18 |
Tea's just fine. |
| 00:05:27 |
Why did you come back to France? |
| 00:05:28 |
To reclaim my collection! |
| 00:05:32 |
A collection interprets |
| 00:05:37 |
You can't break it up |
| 00:05:39 |
Yes, I heard. 17 Picassos, 13 Braques, |
| 00:05:44 |
Not to mention Dufy, |
| 00:05:46 |
Picasso's drawings... |
| 00:05:49 |
Requisitioned and auctioned off. |
| 00:05:58 |
I had to start again from scratch. |
| 00:06:01 |
Why not favour confirmed talents? |
| 00:06:04 |
I don't collect to sell, |
| 00:06:11 |
We're going for a ride. |
| 00:06:15 |
He shouldn't be riding a bike. |
| 00:06:23 |
Let me... |
| 00:06:24 |
It's okay. |
| 00:07:19 |
Helmut, they're here. |
| 00:07:21 |
You have to get up. |
| 00:08:05 |
Sir doesn't want breakfast in bed? |
| 00:08:08 |
I'll eat it later. |
| 00:08:12 |
Good morning. |
| 00:08:24 |
I told you |
| 00:08:27 |
Is it so difficult to understand? |
| 00:08:29 |
- You can't keep him locked up. |
| 00:08:40 |
K-o-l-l-e. |
| 00:08:44 |
Yes, that's right. |
| 00:08:47 |
I agree with you, |
| 00:08:49 |
but he has to start somewhere. |
| 00:08:51 |
He'll get there in the end. |
| 00:08:56 |
I heard your name ten times. |
| 00:08:58 |
Yes, speak to you soon. |
| 00:09:00 |
Goodbye. |
| 00:09:08 |
I have to go to Paris. |
| 00:09:09 |
Why? |
| 00:09:11 |
Bernheim's agreed to take 3 paintings, |
| 00:09:16 |
On condition that I arrange the sale |
| 00:09:19 |
I'll be back by evening. |
| 00:09:23 |
Well, Helmut, are you pleased? |
| 00:09:26 |
I wonder why you bother. |
| 00:09:32 |
I don't care about fame. |
| 00:09:34 |
I'll be dead first. |
| 00:09:36 |
Why do you say that? |
| 00:09:38 |
Don't talk like that! |
| 00:09:42 |
Can you bring us back |
| 00:10:34 |
A franc for the effort, |
| 00:10:38 |
Find less tiring jobs. |
| 00:11:37 |
Now then, old girl, |
| 00:11:40 |
Give me 50 centimes' worth of varnish. |
| 00:11:44 |
I'm out of varnish. |
| 00:11:56 |
There. |
| 00:11:58 |
Here's some veal |
| 00:12:00 |
I won't eat it. |
| 00:12:03 |
You may as well have it. |
| 00:12:09 |
You could say thank you. |
| 00:12:10 |
Thank you. |
| 00:12:13 |
Don't mention it. |
| 00:12:32 |
Open up. |
| 00:12:34 |
I know you're in there. |
| 00:12:36 |
I can't. |
| 00:12:39 |
Open the door, please. |
| 00:13:22 |
Here... |
| 00:13:26 |
I made it this afternoon. |
| 00:13:28 |
It's still warm. |
| 00:13:33 |
Did you go to the washhouse? |
| 00:13:35 |
Yes, I was at the washhouse. |
| 00:13:37 |
You slept a little last night? |
| 00:13:43 |
Eat. |
| 00:13:45 |
I'll save it for tomorrow. |
| 00:13:50 |
I'll wash the bowl. |
| 00:13:53 |
Go now, Minouche, I'm busy. |
| 00:14:26 |
Lift up the heart |
| 00:14:41 |
Leave that, Berthe, I'll do it. |
| 00:14:59 |
Wilhelm! |
| 00:15:10 |
Read this. |
| 00:15:13 |
Senlis. |
| 00:15:21 |
Organized |
| 00:15:25 |
the exhibition includes the works |
| 00:15:30 |
Do you think she still paints? |
| 00:15:32 |
Who? |
| 00:15:39 |
I'm convinced she's dead. |
| 00:15:41 |
How can you be so sure? |
| 00:15:43 |
Who are you talking about? |
| 00:15:46 |
Séraphine. |
| 00:15:48 |
Hasn't Willy ever told you |
| 00:15:53 |
She was his cleaner in Senlis. |
| 00:15:55 |
She infatuated him before the war. |
| 00:15:58 |
When she wasn't mopping the floor, |
| 00:16:02 |
Willy bought all her paintings |
| 00:16:06 |
Then we fled |
| 00:18:28 |
Is that you, Minouche? |
| 00:18:31 |
No, it's me. |
| 00:18:34 |
Wilhelm Uhde. |
| 00:18:52 |
Sir's come back. |
| 00:18:56 |
I was at the Town Hall. |
| 00:19:00 |
I saw your work. |
| 00:19:03 |
You have made great progress. |
| 00:19:06 |
Your paintings are very beautiful. |
| 00:19:10 |
Honestly? |
| 00:19:12 |
You think they're better than before? |
| 00:19:15 |
Much better. |
| 00:19:17 |
Like the great artists. |
| 00:19:20 |
Sir's mocking me. |
| 00:19:21 |
It's not mockery. |
| 00:19:25 |
Admiration. |
| 00:19:46 |
I hardly go looking for work anymore, |
| 00:19:49 |
I paint. |
| 00:19:52 |
But it's very difficult. |
| 00:20:18 |
My notebook. |
| 00:20:21 |
My little notebook. |
| 00:20:23 |
Thank you. |
| 00:20:27 |
Mademoiselle Anne-Marie? |
| 00:20:29 |
She's back in France, too. |
| 00:20:31 |
We've rented a house together. |
| 00:20:34 |
In Chantilly, this time. |
| 00:20:41 |
Horrible women, |
| 00:20:49 |
Come to see the gentle lamb |
| 00:20:52 |
The feast of the angels |
| 00:20:55 |
He came from heaven for us |
| 00:20:58 |
Adore him, one and all... |
| 00:21:32 |
"Séraphine is |
| 00:21:35 |
"This upstanding person |
| 00:21:37 |
"swapped her feather duster |
| 00:21:40 |
"She has had no lessons |
| 00:21:41 |
"and it is best she never take any." |
| 00:21:45 |
God forbid! |
| 00:21:46 |
"She possesses |
| 00:21:49 |
"whose alluring naivety |
| 00:21:53 |
As if mediaeval art were naïve! |
| 00:21:56 |
They truly have no idea. |
| 00:22:03 |
Our Séraphine, |
| 00:22:06 |
has become a fully-fledged artist. |
| 00:22:11 |
The wondrous thing is |
| 00:22:14 |
Just like Van Gogh was. |
| 00:22:18 |
Will you exhibit her in Paris? |
| 00:22:21 |
It's too early for Paris. |
| 00:22:26 |
By the way, what time is it? |
| 00:22:28 |
She'll soon be here. |
| 00:22:30 |
I'll tell them to set the table. |
| 00:23:38 |
- What is it? |
| 00:23:40 |
What do you want with him? |
| 00:23:42 |
I want with him |
| 00:23:46 |
At last! |
| 00:23:47 |
We'd begun to think |
| 00:23:50 |
How elegant you are! |
| 00:23:57 |
What's in the basket? |
| 00:24:11 |
You're lucky |
| 00:24:16 |
with such beautiful trees. |
| 00:24:31 |
Lunch! |
| 00:24:43 |
Let's go and have lunch. |
| 00:24:56 |
She talks to the trees! |
| 00:24:59 |
And she'll only eat |
| 00:25:02 |
Berthe! Marie-Louise! |
| 00:25:05 |
What about the lamb? |
| 00:25:07 |
We'll start with dessert. |
| 00:25:10 |
Yes, ma'am. |
| 00:25:23 |
From now on, |
| 00:25:29 |
You'll receive this amount |
| 00:25:34 |
I have also arranged for deliveries |
| 00:25:40 |
Don't worry about the paints. |
| 00:25:42 |
But I'd like some Ripolin gloss. |
| 00:25:47 |
and please make sure the canvases |
| 00:25:53 |
Two metres! |
| 00:25:57 |
It's very important. |
| 00:26:06 |
Will you write me |
| 00:26:09 |
with your beautiful handwriting? |
| 00:26:15 |
Of course. |
| 00:26:18 |
And you'll send it to me by post? |
| 00:26:21 |
Do you have my address? |
| 00:26:23 |
Séraphine Louis, |
| 00:26:27 |
Count on it. |
| 00:26:44 |
What kind of car is it? |
| 00:26:47 |
What kind of car is it, Helmut? |
| 00:26:48 |
A Horch. |
| 00:26:53 |
It's comfortable to sit in. |
| 00:26:58 |
If you don't mind me asking, |
| 00:27:01 |
how much |
| 00:27:03 |
I don't know. |
| 00:27:06 |
I've no idea. It's Wilhelm's. |
| 00:27:10 |
Because I'll need |
| 00:27:14 |
when I'm famous. |
| 00:27:26 |
Minouche told me |
| 00:27:28 |
It's empty, isn't it? |
| 00:27:30 |
- And that you can afford it. |
| 00:27:33 |
There are two large rooms. |
| 00:27:37 |
It's expensive. |
| 00:27:41 |
Fetch me the keys. |
| 00:28:19 |
Look! |
| 00:28:26 |
It's beautiful. |
| 00:28:46 |
- Yes, plates. |
| 00:28:48 |
Ransacking my store? |
| 00:28:49 |
The soup tureen, too? |
| 00:28:51 |
Yes, to serve soup. |
| 00:28:53 |
Soon perhaps, |
| 00:29:00 |
Yes, the samovar! |
| 00:29:03 |
What'll you do with it all? |
| 00:29:07 |
That's my business. |
| 00:29:09 |
Do you deliver? |
| 00:29:39 |
Louis Séraphine live here? |
| 00:29:41 |
I'm coming! |
| 00:30:38 |
You don't like it. |
| 00:30:42 |
I do. |
| 00:30:44 |
I like it enormously. |
| 00:30:48 |
We'll do wonders together. |
| 00:30:53 |
Several more like that |
| 00:31:27 |
She's nearly finished. |
| 00:31:46 |
Keep your eyes shut. |
| 00:31:51 |
When I tell you to open them, |
| 00:31:56 |
Is it true someone |
| 00:31:59 |
A Parisian gentleman? |
| 00:32:01 |
Yes, a real gentleman, |
| 00:32:05 |
With a name like a bird or a river. |
| 00:32:08 |
Monsieur Cazou, |
| 00:32:10 |
You can open them now! |
| 00:32:16 |
It's beautiful. |
| 00:32:57 |
Good gracious! |
| 00:32:59 |
It doesn't explain the racket! |
| 00:33:01 |
You paint with a brush? |
| 00:33:03 |
That's right, with a brush. |
| 00:33:10 |
Your flowers are strange. |
| 00:33:13 |
They look like insects. |
| 00:33:15 |
They look like eyes, wounded eyes. |
| 00:33:19 |
Terrifying things. |
| 00:33:22 |
I know, Madame Delonges. |
| 00:33:25 |
Me, too. When I look at them, |
| 00:33:28 |
what I've done scares me. |
| 00:33:50 |
Are you sure your guardian angel |
| 00:33:54 |
More than ever, Mother Superior. |
| 00:34:09 |
You say nothing, Mademoiselle. |
| 00:34:14 |
You don't like them anymore? |
| 00:34:20 |
Have you ever been in love? |
| 00:34:25 |
Those things are private. |
| 00:34:29 |
Please... |
| 00:34:31 |
You won't tell anyone? |
| 00:34:35 |
Once, long ago, I fell in love. |
| 00:34:40 |
His name was Cyril. An officer. |
| 00:34:45 |
He courted me. |
| 00:34:48 |
We were engaged |
| 00:34:50 |
and then, one day, |
| 00:34:53 |
You never tried to find him? |
| 00:34:57 |
When one paints, |
| 00:34:59 |
one loves in a different way. |
| 00:35:04 |
Often, I see him from the inside, |
| 00:35:07 |
or in other faces. |
| 00:35:12 |
I say to myself |
| 00:35:17 |
perhaps he still thinks of me. |
| 00:35:24 |
Can I take your photo? |
| 00:35:27 |
Yes. |
| 00:35:41 |
Look at me. |
| 00:35:42 |
I have to raise my eyes. |
| 00:35:45 |
My inspiration |
| 00:36:00 |
It's known as the Red Castle. |
| 00:36:03 |
It was built in 1870. |
| 00:36:06 |
The stained glass windows |
| 00:36:12 |
It has twelve rooms, |
| 00:36:17 |
Coal-fired central heating! |
| 00:36:19 |
In the cellar. |
| 00:36:21 |
And upstairs, six bedrooms, |
| 00:36:24 |
How big's the kitchen? |
| 00:36:26 |
Is there a pantry, at least? |
| 00:36:29 |
After the Wall Street Crash |
| 00:36:33 |
the international financial crisis |
| 00:36:36 |
The weakness of our currency... |
| 00:36:39 |
I can't listen to their doomsaying! |
| 00:36:44 |
- It's beautiful! |
| 00:36:48 |
Silk and taffeta. |
| 00:36:52 |
Just imagine, Minouche. |
| 00:36:54 |
Me, Séraphine Louis, |
| 00:36:56 |
daughter of Joseph Louis |
| 00:37:01 |
wearing taffeta and silk! |
| 00:37:06 |
May we ask who's the lucky man? |
| 00:37:09 |
You'll find out in good time. |
| 00:37:13 |
Will it be ready for next month? |
| 00:37:15 |
As promised. |
| 00:37:19 |
And make something for my friend, |
| 00:37:24 |
There's no need. |
| 00:37:26 |
I insist. |
| 00:37:29 |
In silk and taffeta, like mine. |
| 00:37:33 |
Here... |
| 00:37:37 |
This is a down-payment. |
| 00:37:39 |
Send the bill to my patron, |
| 00:37:42 |
Monsieur Uhde, |
| 00:38:21 |
I'm ready. |
| 00:38:54 |
You need to take it easy. |
| 00:38:59 |
You've been working so hard. |
| 00:39:01 |
Anne-Marie's right. |
| 00:39:04 |
It's not good for your work. |
| 00:39:09 |
I was told to do it. |
| 00:39:13 |
An order from on high. |
| 00:39:19 |
Something very important |
| 00:39:24 |
What? |
| 00:39:27 |
I can't tell you just yet. |
| 00:39:31 |
But that's not why we came. |
| 00:39:40 |
I received a letter from the notary. |
| 00:39:44 |
You want to buy a house? |
| 00:39:47 |
Yes, I nearly forgot. |
| 00:39:51 |
It's a big, beautiful house |
| 00:39:56 |
I'm sure that you'll both like it. |
| 00:39:58 |
Shall we go and visit it now? |
| 00:40:11 |
I'm sorry if this distresses you... |
| 00:40:16 |
but I can't afford |
| 00:40:20 |
the notary requires |
| 00:40:25 |
I can't. |
| 00:40:28 |
Really? |
| 00:40:30 |
You probably don't know |
| 00:40:34 |
The market's in bad shape. |
| 00:40:38 |
I also received an extravagant bill |
| 00:40:41 |
Yes, I meant to tell you. |
| 00:40:45 |
But my guardian angel |
| 00:40:50 |
I thought sir would understand. |
| 00:40:52 |
Understand what? |
| 00:40:56 |
That's not what Wilhelm means. |
| 00:40:58 |
The money isn't important. |
| 00:41:00 |
We're concerned. |
| 00:41:03 |
We have to be careful |
| 00:41:07 |
You can just sell |
| 00:41:12 |
There are no buyers. |
| 00:41:15 |
Sir has the wrong approach. |
| 00:41:19 |
He should present my paintings |
| 00:41:23 |
and clients will come running. |
| 00:41:25 |
It's more complicated than that. |
| 00:41:29 |
What about my exhibition? |
| 00:41:36 |
I'm ready, you know. |
| 00:41:42 |
I fear we may be obliged to wait |
| 00:41:47 |
But I told you, I'm ready. |
| 00:41:50 |
I know, and it pains me, |
| 00:41:52 |
believe me. |
| 00:42:04 |
But I don't have any choice. |
| 00:44:09 |
You will organise my exhibition, |
| 00:44:12 |
Of course, I will. |
| 00:44:14 |
You said, next month. |
| 00:44:18 |
I told them on high. |
| 00:44:20 |
The angels are coming, |
| 00:44:23 |
We don't know what might happen, |
| 00:44:28 |
They're expecting a lot of it. |
| 00:44:30 |
So I've been told. |
| 00:44:31 |
I'm sorry, but I can't do any more. |
| 00:44:36 |
For this year, at least, |
| 00:44:41 |
You no longer like my painting. |
| 00:44:43 |
That's not at issue. |
| 00:44:45 |
You don't like it |
| 00:44:48 |
Because I spend too much. |
| 00:44:50 |
Admit it. |
| 00:44:51 |
At least, |
| 00:44:54 |
You don't know what to say now! |
| 00:44:56 |
Don't say a word! Not a word! |
| 00:44:58 |
Leave me be! |
| 00:44:59 |
Anyhow, they'll come for me |
| 00:45:13 |
I think you should come upstairs. |
| 00:46:18 |
It's me. Open up. |
| 00:46:26 |
You can't stay cooped up like this. |
| 00:46:30 |
Leave me alone. I'm working. |
| 00:46:35 |
Well? |
| 00:46:38 |
- Should we break it open? |
| 00:46:40 |
I doubt it. |
| 00:46:43 |
Now, she doesn't sing, she talks... |
| 00:48:05 |
The angels... |
| 00:48:07 |
The angels, too... |
| 00:48:09 |
The angels will be invited. |
| 00:48:30 |
What's come over you? |
| 00:48:32 |
Take this, |
| 00:48:34 |
for this is my body |
| 00:48:36 |
and this is my blood. |
| 00:48:44 |
Fetch the police, quickly. |
| 00:48:50 |
My paintings are blessed. |
| 00:53:04 |
Bad girl! |
| 00:54:16 |
Can't you untie her? |
| 00:54:18 |
She could hurt herself. |
| 00:54:20 |
I want to talk to her. |
| 00:54:22 |
That's not a good idea. |
| 00:54:23 |
Open the door, please. |
| 00:55:48 |
Clermont Asylum, |
| 00:56:10 |
In the last months, |
| 00:56:13 |
She no longer infuriates the others. |
| 00:56:18 |
I sold some of her paintings. |
| 00:56:22 |
Do you think I could tell her? |
| 00:56:24 |
I'd prefer her not to see you. |
| 00:56:28 |
I'm afraid |
| 00:56:31 |
She has to know. |
| 00:56:33 |
She wants to be left alone. |
| 00:56:36 |
She says |
| 00:56:40 |
Those are her own words. |
| 00:56:44 |
What you could do |
| 00:57:31 |
I'll take it. |
| 01:01:26 |
Séraphine died in 1942 |
| 01:01:28 |
Thanks to Uhde, her work was exhibited |
| 01:01:33 |
She is known today |
| 01:05:30 |
Subtitles: Simon John |
