|
S t ntang Satan s Tango
|
| 00:00:01 |
for Alf Bold |
| 00:00:10 |
present |
| 00:01:03 |
starring |
| 00:01:09 |
a film by |
| 00:01:24 |
SATANTANGO |
| 00:09:07 |
One October morning before |
| 00:09:11 |
autumn rains which turn |
| 00:09:19 |
which cut the town off, |
| 00:09:27 |
Futaki was woken |
| 00:09:32 |
The solitary chapel |
| 00:09:38 |
had no bell and its tower |
| 00:09:43 |
The town was too far away, |
| 00:09:50 |
THE NEWS IS |
| 00:13:28 |
What is it? |
| 00:13:31 |
Nothing. Sleep. |
| 00:13:38 |
I'll pick up my share |
| 00:13:57 |
Or tomorrow the latest. |
| 00:14:12 |
Tomorrow morning. |
| 00:15:33 |
- You had a bad dream? |
| 00:15:37 |
I was sitting in the room. |
| 00:15:40 |
Suddenly there was a knock |
| 00:15:45 |
I didn't dare to open it. |
| 00:15:47 |
I peeped through the curtains. |
| 00:15:51 |
I could only see his back, |
| 00:15:56 |
and his mouth as he was shouting, |
| 00:16:01 |
His face was unshaved... |
| 00:16:05 |
His eyes as if made of glass. |
| 00:16:09 |
I wanted to shout |
| 00:16:14 |
Then... Mrs. Halics looked in |
| 00:16:21 |
You know what she's like |
| 00:16:25 |
She was staring in |
| 00:16:29 |
He kept kicking the door, |
| 00:16:36 |
I rushed to the sideboard, |
| 00:16:42 |
In crashed the door. |
| 00:16:46 |
Whoever he was was coming |
| 00:16:51 |
At last I tore the drawer open |
| 00:16:55 |
And he was coming toward me. |
| 00:16:57 |
Suddenly he was lying |
| 00:17:02 |
He had red and blue saucepans. |
| 00:17:06 |
They rolled all over... |
| 00:17:10 |
And then the ground |
| 00:17:14 |
The whole kitchen |
| 00:17:18 |
...like in a car. |
| 00:17:22 |
I was woken by bells. |
| 00:17:25 |
Where? Here? |
| 00:17:28 |
They tolled twice. |
| 00:17:31 |
- We'll go mad in the end. |
| 00:17:35 |
I'm sure something's |
| 00:17:47 |
It's my husband, I'm sure. |
| 00:17:51 |
Oh, come on. |
| 00:18:01 |
You do what I tell you, |
| 00:18:05 |
is that clear? |
| 00:18:09 |
Start packing. Move! |
| 00:18:14 |
Tonight we're off. |
| 00:18:18 |
the boots, coats, radio, |
| 00:18:22 |
We've got to get away tonight! |
| 00:18:25 |
You understand? |
| 00:18:31 |
- You got it? |
| 00:18:33 |
What are you saying? |
| 00:18:36 |
I've talked to Kráner, |
| 00:18:39 |
If we split it eight ways |
| 00:18:43 |
You think the others |
| 00:18:45 |
Halics, the schoolmaster and Futaki? |
| 00:18:49 |
I didn't work for a year |
| 00:18:54 |
I'll send them to hell. |
| 00:18:55 |
But there'll be nothing of that. |
| 00:18:58 |
We can buy the farm at last, |
| 00:19:01 |
You're out of your mind. |
| 00:19:05 |
Start packing: the demijohn, |
| 00:19:30 |
I left my cane outside. |
| 00:20:00 |
Clear out. |
| 00:21:26 |
Schmidt, are you in? |
| 00:21:39 |
You wanted to get away |
| 00:21:42 |
I wouldn't have believed |
| 00:21:46 |
I can explain. |
| 00:21:50 |
Kráner's involved too? |
| 00:21:52 |
Fifty-fifty. |
| 00:21:57 |
So now what happens? |
| 00:22:00 |
What happens? |
| 00:22:05 |
We wait till night |
| 00:22:11 |
What do you mean? |
| 00:22:15 |
I mean we split three ways. |
| 00:22:19 |
I don't want to be ruined. |
| 00:22:23 |
All I'm asking is |
| 00:22:29 |
Just for a short time... |
| 00:22:33 |
Till we find a place to settle. |
| 00:22:40 |
Where else you need a kiss? |
| 00:22:43 |
You said you wouldn't move |
| 00:22:46 |
I don't want to stay here |
| 00:22:51 |
I'm not asking for a gift. |
| 00:22:56 |
I worked as much as the others. |
| 00:22:59 |
And now you're saying "a loan". |
| 00:23:02 |
So you don't trust me? |
| 00:23:05 |
Of course I don't. |
| 00:23:07 |
You're siding with Kráner. |
| 00:23:10 |
You want to get away |
| 00:23:12 |
And I should trust you |
| 00:23:20 |
- What about the others? |
| 00:23:26 |
We've got to wait till dark |
| 00:23:31 |
We said the same to Kráner. |
| 00:23:40 |
Why did you come back? |
| 00:23:45 |
It came into our mind only |
| 00:23:49 |
And leave the woman behind? |
| 00:23:52 |
That's true. |
| 00:23:59 |
- And the Kráners? |
| 00:24:04 |
Kráner's wife heard of |
| 00:26:02 |
It's raining. |
| 00:26:07 |
I can hear it. |
| 00:26:21 |
I'm going south, |
| 00:26:27 |
I'll rent a farm. |
| 00:26:30 |
Close to a prosperous town. |
| 00:26:35 |
Soak my feet all day, |
| 00:26:39 |
Or... |
| 00:26:42 |
I'll be a watchman |
| 00:26:46 |
Or porter in a girls' dorm. |
| 00:26:51 |
And try to forget everything. |
| 00:26:57 |
A washbowl of hot water |
| 00:27:02 |
Only watch how |
| 00:27:31 |
Where the hell do we wanna go? |
| 00:27:35 |
We'd be caught by the police |
| 00:27:38 |
They wouldn't even ask us |
| 00:27:45 |
- Your pockets full of money... |
| 00:27:50 |
Pack a suitcase and leave |
| 00:27:54 |
- None of your business. |
| 00:28:00 |
Nothing. |
| 00:28:02 |
Quiet or he'll wake up. |
| 00:29:19 |
What are we waiting for? |
| 00:29:22 |
Why don't we divide the money? |
| 00:30:10 |
Can't it wait? |
| 00:30:16 |
Let's divide it now. |
| 00:30:22 |
Don't worry |
| 00:30:27 |
Let's wait till Kráner |
| 00:30:36 |
It's all very simple. |
| 00:30:39 |
We'll split what you have. |
| 00:30:42 |
And the rest we're to get, |
| 00:30:51 |
Fetch me the flashlight. |
| 00:31:04 |
The document... |
| 00:31:15 |
To see the money better |
| 00:31:23 |
Let's count it. |
| 00:33:02 |
It's exactly that. |
| 00:33:15 |
Mrs. Schmidt! |
| 00:33:18 |
- Mrs. Schmidt. |
| 00:33:22 |
Send her to hell! |
| 00:33:25 |
If she sets foot in here, |
| 00:33:57 |
- Your wife's out a long time. |
| 00:34:13 |
- What did she want? |
| 00:34:15 |
She's saying that Irimiás and |
| 00:34:19 |
Perhaps they're already in the pub. |
| 00:34:22 |
They may have arrived... |
| 00:34:28 |
The conductor's seen them leave. |
| 00:34:32 |
He also said |
| 00:34:38 |
Then at the Elek crossroad. |
| 00:34:42 |
The Bible's driven her mad. |
| 00:34:44 |
- But what if it's really so? |
| 00:34:48 |
They died a year and a half ago, |
| 00:34:52 |
Don't fall for that, |
| 00:34:54 |
Sanyi Horgos might've lied. |
| 00:34:58 |
- We only heard it from him. |
| 00:35:03 |
I suspected it then |
| 00:35:08 |
He told us a lie. |
| 00:35:12 |
You're out of your minds. |
| 00:35:28 |
Everything's going to change, |
| 00:35:33 |
Irimiás the wizard. |
| 00:35:38 |
He could build a castle |
| 00:35:42 |
if he wanted to. |
| 00:35:45 |
No way. |
| 00:35:48 |
- You won't screw up my plans. |
| 00:35:54 |
A dead man come back to life? |
| 00:35:57 |
You, at least, should be sensible. |
| 00:36:02 |
They suspect something |
| 00:36:09 |
- I'm going to the pub. |
| 00:36:13 |
Damn fools. |
| 00:36:15 |
You can't run from Irimiás. |
| 00:36:20 |
You know that. So? |
| 00:36:24 |
You're damn fools. |
| 00:36:28 |
- If you don't believe it... |
| 00:36:33 |
But you'd better leave |
| 00:36:38 |
Let your wife go first. |
| 00:36:42 |
And the money? |
| 00:36:44 |
Well... |
| 00:36:48 |
You sure trust her? |
| 00:37:01 |
Then I'll go. |
| 00:38:16 |
Have you heard? |
| 00:38:18 |
My husband sent me to tell you. |
| 00:38:21 |
But you must know. |
| 00:38:25 |
My husband says fuck the money. |
| 00:38:29 |
Hide and run for it? |
| 00:38:34 |
No way! |
| 00:38:37 |
I knew the Horgos kid |
| 00:38:43 |
And we believed it from the start. |
| 00:38:49 |
- You're in it too! |
| 00:39:12 |
So, we're going? |
| 00:40:44 |
So Schmidt went first, |
| 00:40:49 |
He was trying to feel his way |
| 00:40:55 |
And the relentless rain |
| 00:40:59 |
Futaki's cheery, encouraging |
| 00:41:03 |
"Never mind, old man, you'll see |
| 00:41:07 |
A great life!" |
| 00:41:25 |
RISE FROM THE DEAD |
| 00:45:50 |
The two clocks show |
| 00:45:56 |
Both wrong, of course. |
| 00:46:03 |
The other, as if it showed the |
| 00:46:10 |
We relate to it |
| 00:46:15 |
we cannot defend ourselves. |
| 00:46:19 |
Twigs and rain? |
| 00:46:26 |
You're a great poet, |
| 00:46:43 |
- Think there's a snackbar here? |
| 00:47:04 |
What are you waiting for? |
| 00:47:07 |
- We got summonses. |
| 00:47:15 |
Can't you read? |
| 00:47:21 |
- The second. |
| 00:48:29 |
Identification. |
| 00:48:31 |
Can I have the summons |
| 00:48:40 |
Fill this out and read |
| 00:49:22 |
Follow me. |
| 00:50:29 |
- Irimiás? |
| 00:50:34 |
Sit down. |
| 00:50:40 |
- You're gipsy? |
| 00:50:44 |
Petrina? |
| 00:50:48 |
Rumanian. |
| 00:50:50 |
- Did you know your mother? |
| 00:50:57 |
Irimiás. |
| 00:51:06 |
So here... |
| 00:51:15 |
it all depends |
| 00:51:29 |
I'd like to ask you... |
| 00:51:31 |
after you were released, |
| 00:51:44 |
Time must've been short |
| 00:51:48 |
You're under surveillance. |
| 00:51:51 |
But you've never thought |
| 00:51:58 |
You know us, Captain. |
| 00:52:03 |
Not that well. |
| 00:52:05 |
You mean your future? |
| 00:52:08 |
But you're a young man... |
| 00:52:13 |
Me neither, I'm not in love |
| 00:52:16 |
but... you fancy being |
| 00:52:24 |
Yes. |
| 00:52:25 |
Here's this document, see, |
| 00:52:29 |
you do not respect work, |
| 00:52:34 |
or those who work hard. |
| 00:52:37 |
Nice words. |
| 00:52:40 |
But time goes by. |
| 00:52:43 |
Do you have a wife and kids? |
| 00:52:47 |
You expect your son |
| 00:52:51 |
When your leg is broken, or your |
| 00:52:56 |
...when you can't look |
| 00:53:01 |
We're on the side of the law, |
| 00:53:08 |
We know the law and |
| 00:53:13 |
According to this document |
| 00:53:17 |
- No... |
| 00:53:23 |
That's just what it looks like. |
| 00:53:26 |
And what is the truth |
| 00:53:30 |
That we're law-abiding. |
| 00:53:32 |
- And why start right now? |
| 00:53:37 |
You've respected the law |
| 00:53:41 |
- That's it. |
| 00:53:44 |
That was your grandfather. |
| 00:53:48 |
Talk about yourself, |
| 00:53:53 |
We're loyal citizens |
| 00:53:58 |
Our services have been used |
| 00:54:09 |
How did this happen? |
| 00:54:14 |
Don't call your lives a tragedy. |
| 00:54:19 |
Be modest about it, |
| 00:54:22 |
- You know us, Captain. |
| 00:54:26 |
But this is no tragedy, |
| 00:54:29 |
Why don't we leave it at that? |
| 00:54:32 |
Leave it at that? |
| 00:54:37 |
Not that human life |
| 00:54:43 |
Keeping order appears to be |
| 00:54:49 |
But it's the business of all. |
| 00:54:54 |
Freedom, however, |
| 00:55:00 |
It's something divine, |
| 00:55:06 |
our lives are too short |
| 00:55:09 |
If you're searching for a link, |
| 00:55:15 |
think of Pericles, |
| 00:55:23 |
order and freedom are linked |
| 00:55:27 |
We have to believe in both, |
| 00:55:32 |
Both from order and freedom. |
| 00:55:37 |
But human life is meaningful, |
| 00:55:41 |
It links everything. |
| 00:55:44 |
It mistreats freedom only... |
| 00:55:48 |
as if it was junk. |
| 00:55:51 |
People don't like freedom, |
| 00:55:57 |
The strange thing is there is |
| 00:56:06 |
order, on the other hand, |
| 00:56:17 |
I must call your attention |
| 00:56:21 |
In actual fact you... |
| 00:56:26 |
have no choice but collaborate. |
| 00:56:31 |
If you really respect the law, |
| 00:56:37 |
then I'm just a little ahead of |
| 00:56:43 |
Practically you have... |
| 00:56:47 |
We do respect you a lot, |
| 00:56:50 |
Not a captain. The law! |
| 00:56:54 |
You're the law itself, Captain. |
| 00:56:57 |
Oh, no. The law, |
| 00:57:01 |
Why don't we leave things |
| 00:57:03 |
Right now you, for instance, |
| 00:57:07 |
But you know very well why. |
| 00:57:12 |
I don't suppose |
| 00:57:16 |
I won't say this again. |
| 00:57:19 |
From now on |
| 00:57:22 |
or I must say you have no choice. |
| 00:57:31 |
Mr. Irimiás. |
| 00:57:48 |
You can go now. |
| 00:59:01 |
Two rum and liqueurs... |
| 00:59:05 |
and a packet of cigarettes. |
| 00:59:15 |
- Large ones I meant. |
| 00:59:18 |
Come on, make a move. |
| 00:59:28 |
May I remind you |
| 00:59:32 |
Sorry, I forgot. |
| 00:59:35 |
Could you tell us what's so funny? |
| 00:59:38 |
Nothing. Sorry. |
| 00:59:55 |
Can you hear that? |
| 01:00:01 |
What is it? |
| 01:00:03 |
A machine? |
| 01:00:09 |
The lights? |
| 01:00:12 |
Someone's singing? |
| 01:00:16 |
Who dares to sing here? |
| 01:00:22 |
Quiet. |
| 01:01:01 |
We'll blow everything up. |
| 01:01:05 |
- Lets call the police? |
| 01:01:15 |
We'll blow them all up. |
| 01:01:19 |
We'll plant it in their |
| 01:01:23 |
We'll stick the dynamite |
| 01:01:30 |
We'll have to stop this somehow, |
| 01:01:43 |
Sure, why complicate things? |
| 01:01:46 |
We'll blow them up one by one. |
| 01:01:58 |
We'll do them all in. |
| 01:02:01 |
In a very short time. |
| 01:02:40 |
How do you know |
| 01:02:43 |
They ran away a long time ago... |
| 01:02:47 |
Them? They were servants |
| 01:02:53 |
They sit in the kitchen, |
| 01:02:55 |
shit in the corner |
| 01:02:58 |
I know them inside out. |
| 01:03:01 |
What makes you so sure? |
| 01:03:04 |
Nobody's there. Houses empty, |
| 01:03:09 |
One or two rats in the mill, |
| 01:03:13 |
They just sit on the same |
| 01:03:18 |
Stuff themselves with potatoes |
| 01:03:23 |
They eye each other suspiciously |
| 01:03:27 |
and wait, because they think |
| 01:03:34 |
Slaves that lost their master, |
| 01:03:36 |
but they can't live without pride, |
| 01:03:40 |
Yet deep down they feel |
| 01:03:46 |
For they only like living |
| 01:03:48 |
Cut it out, will you. |
| 01:03:50 |
They go after that shadow |
| 01:03:55 |
For they can't live |
| 01:04:00 |
Leave them alone with these |
| 01:04:05 |
and they go mad and ruin the lot. |
| 01:04:10 |
What they need is a heated room |
| 01:04:14 |
they're happy if at night |
| 01:04:15 |
under the warm quilt they find |
| 01:04:20 |
- Are you listening at all? |
| 01:05:37 |
- I've been waiting for you. |
| 01:05:40 |
- From the conductor. |
| 01:05:43 |
- Kelemen. |
| 01:05:46 |
On the coach. |
| 01:05:49 |
But it doesn't run now. |
| 01:05:55 |
You promised that if I put it |
| 01:05:59 |
- I'd be put in touch with Mrs. Schmidt. |
| 01:06:03 |
And you've promised Mrs. Kráner. |
| 01:06:08 |
That'll happen too, Sanyi... |
| 01:06:11 |
Since you left here |
| 01:06:15 |
The schoolmaster's still |
| 01:06:18 |
Mrs. Schmidt with Futaki... |
| 01:06:21 |
My sister's nuts, |
| 01:06:27 |
Mum beats her, |
| 01:06:29 |
but they still say |
| 01:06:32 |
The Doctor broods at home... |
| 01:06:36 |
He sits in his armchair, leaves |
| 01:06:45 |
There are times he sleeps |
| 01:06:49 |
His place smells like hell, |
| 01:06:56 |
drinks his fruit brandy. |
| 01:07:03 |
Schmidt and Kráner are bringing |
| 01:07:09 |
Everyone's been doing that |
| 01:07:12 |
Those bastards didn't take her: |
| 01:07:17 |
The bar owner's |
| 01:07:20 |
and bought a piece of crap |
| 01:07:24 |
He uses that to go to town |
| 01:07:27 |
though now he lives at my sister's |
| 01:07:33 |
to buy seeds with |
| 01:11:41 |
In the east the sky clears |
| 01:11:46 |
At dawn, it leans all red |
| 01:11:51 |
As the morning beggar trudges |
| 01:11:58 |
the sun rises to give life |
| 01:12:03 |
and to separate earth and sky, |
| 01:12:06 |
man and animal from the disturbing, |
| 01:12:11 |
in which they became |
| 01:12:15 |
He saw the fleeing night |
| 01:12:19 |
its terrifying elements in turn |
| 01:12:23 |
like a desperate, |
| 01:12:30 |
KNOW SOMETHING |
| 01:18:51 |
Futaki... it seems... |
| 01:18:58 |
is afraid... of something. |
| 01:19:06 |
Early... morning... |
| 01:19:14 |
he was looking... |
| 01:19:22 |
Futaki... |
| 01:19:25 |
is terrified... |
| 01:19:57 |
They'll kick off anyway. |
| 01:26:29 |
Schmidt... comes out through... |
| 01:26:40 |
and stands... on top of... |
| 01:26:44 |
the path to... the sodic meadow. |
| 01:26:54 |
Futaki... carefully... |
| 01:27:06 |
crosses... to the stables... |
| 01:27:22 |
F. doesn't move... |
| 01:27:28 |
He waits... for a moment, |
| 01:27:34 |
then... he too... dashes... |
| 01:27:45 |
knocks, and... comes |
| 01:27:57 |
What a... hustle... |
| 01:28:08 |
It has started... to rain... |
| 01:28:15 |
It won't... stop... |
| 01:29:59 |
It is fascinating to see... |
| 01:30:02 |
the erosion caused by water |
| 01:30:09 |
at the edge of the Ponticum, |
| 01:30:11 |
when the sea on the Great Plain |
| 01:30:17 |
It looked like a shallow lake, |
| 01:31:45 |
Good morning, Doctor, |
| 01:31:52 |
Come, Doctor, |
| 01:31:55 |
Take it away from here. |
| 01:32:21 |
You see, it's raining, |
| 01:32:25 |
My husband says you might |
| 01:32:30 |
He has a car, |
| 01:32:34 |
You mean you won't anymore? |
| 01:32:39 |
I will but I can't go to town |
| 01:32:44 |
Besides he could do your |
| 01:32:48 |
The buses only start in spring. |
| 01:32:51 |
It's all right, Mrs. Kráner, |
| 01:32:56 |
Then you'll talk to the publican? |
| 01:32:58 |
I'll talk to whoever |
| 01:33:03 |
- Where shall I put the keys? |
| 01:33:11 |
Goodbye. |
| 01:36:31 |
K. has quit... |
| 01:36:39 |
She can't... |
| 01:36:43 |
...do it any longer. |
| 01:36:48 |
Last autumn... |
| 01:36:54 |
...mind... |
| 01:37:00 |
...the rain... |
| 01:37:04 |
Nor that... |
| 01:37:09 |
she has to... walk... |
| 01:37:19 |
K. has... |
| 01:37:27 |
a plan... |
| 01:37:38 |
She's thinking over... |
| 01:41:28 |
It seems I got pretty drunk. |
| 01:46:35 |
Today I ran out... of the last drop... |
| 01:46:47 |
It looks like I need... |
| 01:46:53 |
to leave... the house... |
| 01:52:27 |
Come on, cut that out. |
| 01:52:32 |
You hear me? Stop that. |
| 01:52:36 |
Look after the fire instead, |
| 01:52:38 |
I'll look after my ass, man. |
| 01:52:40 |
I've just looked after it... |
| 01:52:44 |
- You hear me? |
| 01:52:50 |
We're going to freeze again. |
| 01:52:59 |
- How long are we to wait? |
| 01:53:03 |
Leave me alone. |
| 01:53:05 |
To hell with the whole thing. |
| 01:55:20 |
Stop whining. Someone's coming. |
| 01:55:26 |
Good evening. |
| 01:55:31 |
Haven't seen you for ages, Doc. |
| 01:55:35 |
Feel like a screw? |
| 01:55:37 |
I'd like to warm up a bit |
| 01:55:39 |
- Only warm up, Doc? |
| 01:55:47 |
And what about a good fuck |
| 01:55:51 |
Come on, Doctor. |
| 01:55:57 |
For such an old friend. |
| 01:56:06 |
Could I have a cigarette? |
| 01:56:11 |
- Right there, at your feet. |
| 01:56:39 |
- How's business going? |
| 01:56:43 |
We sit here day after day |
| 01:56:51 |
We're all nerves, |
| 01:56:55 |
What's going to become |
| 01:56:58 |
It's the way a person loses |
| 01:57:05 |
What do you think we live on? |
| 01:57:10 |
We have Sanyi living with us, |
| 01:57:18 |
They keep asking, |
| 01:57:22 |
Give it to them. |
| 01:57:24 |
The money this, the money that, |
| 01:57:28 |
but who cares? |
| 01:57:31 |
We'll leave here anyway. |
| 01:57:35 |
Cut the crap out. |
| 01:57:39 |
It'd make you happy |
| 01:57:43 |
Today, when they finally get |
| 01:57:47 |
They're not coming. |
| 01:57:51 |
They'll come. I know them. |
| 01:57:54 |
When they've got money, |
| 01:57:58 |
You think Kráner admits |
| 01:58:02 |
There'll be a hell |
| 01:58:05 |
- Can I have a cigarette for the road? |
| 01:58:13 |
- Matches? |
| 01:58:22 |
You won't change your mind, Doctor? |
| 01:58:25 |
No. Good luck. |
| 01:58:30 |
You too. |
| 01:58:53 |
He hasn't got a lot |
| 01:58:59 |
You'd hardly recognize him. |
| 01:59:06 |
What the hell does he do here |
| 01:59:09 |
He hardly leaves the house. |
| 01:59:17 |
Idiot. Didn't you see the bottle? |
| 01:59:19 |
Goes to pick up his brandy. |
| 01:59:25 |
He doesn't even have |
| 02:04:03 |
- Doctor. |
| 02:04:05 |
- Doctor. |
| 02:04:09 |
- Leave me, go now, you brat. |
| 02:04:13 |
Leave me alone, you brats. |
| 02:04:18 |
Fucking hell. |
| 02:04:25 |
Where're you going now? |
| 02:04:32 |
Where're you going? |
| 02:04:37 |
Stop. |
| 02:04:40 |
I won't hurt you. |
| 02:04:43 |
Stop it now. |
| 02:04:48 |
Where're you running? |
| 02:04:50 |
Wait. Where're you running? |
| 02:06:32 |
Now. |
| 02:06:34 |
Now there... |
| 02:09:50 |
Time to leave. |
| 02:10:49 |
My heart - he thought |
| 02:10:55 |
He longed to lie in a warm room, |
| 02:10:59 |
and be taken care of by sweet |
| 02:11:05 |
then turn towards the wall. |
| 02:11:09 |
He felt light and easy |
| 02:11:11 |
and the conductor's scolding |
| 02:11:17 |
You shouldn't have done it, |
| 02:11:20 |
You shouldn't have done it... |
| 02:11:30 |
INTERVAL |
| 00:01:07 |
You could light a fire. |
| 00:01:14 |
I could. |
| 00:01:26 |
I said could you light a fire. |
| 00:01:40 |
Stop pointing. |
| 00:01:58 |
A liter. |
| 00:02:30 |
Pick up the hundred for me too. |
| 00:02:36 |
You only got the denomination wrong. |
| 00:02:44 |
Don't worry, pinhead: |
| 00:02:48 |
I won't do you any harm. |
| 00:04:29 |
It's raining. |
| 00:04:38 |
Awful weather. |
| 00:04:46 |
Yeah. |
| 00:04:50 |
It destroys everything. |
| 00:04:55 |
Look at this coat. |
| 00:05:03 |
This used to be as soft as butter |
| 00:05:12 |
and now... it's so dried out, |
| 00:05:16 |
if I want to sit, |
| 00:05:20 |
Look. |
| 00:05:22 |
Here, at the abdomen, |
| 00:05:27 |
that's how I do it... |
| 00:05:34 |
Flexibility, you know, |
| 00:05:39 |
Totally missing... |
| 00:05:42 |
Then the wind... |
| 00:05:47 |
The whole thing's creased. |
| 00:05:55 |
You go here and there... |
| 00:06:01 |
and it gets soaked inside |
| 00:06:07 |
Because the worst is not this |
| 00:06:10 |
but the one in here. |
| 00:06:16 |
You haven't heard of inside |
| 00:06:21 |
You've been saying this for years. |
| 00:06:27 |
They wash your organs |
| 00:06:33 |
They come from the heart... |
| 00:06:36 |
and wash the liver, the stomach, |
| 00:06:48 |
I am soaking wet... |
| 00:06:52 |
If it were not for this coat, |
| 00:06:58 |
I don't even dare unbutton it. |
| 00:07:03 |
A glass of wine would help. |
| 00:07:17 |
Then there's the demand |
| 00:07:21 |
the stomach, |
| 00:07:28 |
They have to work all the time. |
| 00:07:33 |
Without a break. |
| 00:07:36 |
Then this constant drenching |
| 00:07:40 |
into sudden drying out. |
| 00:07:44 |
Which can soon turn fatal. |
| 00:07:57 |
Listen, give me a glass. |
| 00:08:01 |
Schmidt and Kréner |
| 00:08:05 |
they'll count |
| 00:08:12 |
Fine. |
| 00:08:36 |
Nice little wine. |
| 00:08:38 |
Lets have another. |
| 00:09:16 |
He's fallen asleep. |
| 00:09:26 |
How much you think |
| 00:09:30 |
It doesn't eat, it devours. |
| 00:09:38 |
It can eat half a pig at one go. |
| 00:09:45 |
I would. |
| 00:09:55 |
This was very close. |
| 00:10:18 |
Irimiés and Petrina |
| 00:10:29 |
- They can't be. |
| 00:10:32 |
The carter from the |
| 00:10:36 |
two loaders... |
| 00:10:40 |
the schoolmaster from school, |
| 00:10:48 |
the night barman from |
| 00:10:53 |
just sat there... |
| 00:10:55 |
and couldn't believe my eyes. |
| 00:11:03 |
There they were: |
| 00:11:07 |
Irimiés and Petrina, |
| 00:11:12 |
Then I waited |
| 00:11:16 |
went up to them... |
| 00:11:18 |
Irimiés gave me a hug and... said... |
| 00:11:21 |
Kelemen: How's it going? |
| 00:11:25 |
Then he told me everything. |
| 00:11:30 |
Then off they went. |
| 00:11:33 |
I had to see Hochan, |
| 00:11:41 |
then I met young Tóth... |
| 00:11:44 |
who used to be my neighbor |
| 00:11:50 |
and he told me that |
| 00:11:55 |
had been at the Steigerwalds'... |
| 00:12:00 |
and mentioned gunpowder... |
| 00:12:04 |
The Steigerwald kids were |
| 00:12:10 |
And when I was on my way... back |
| 00:12:15 |
and left the road... |
| 00:12:20 |
at the Elek crossroad... |
| 00:12:25 |
I caught sight of them. |
| 00:12:29 |
And then I understood... |
| 00:12:33 |
what, which way, and why... |
| 00:14:53 |
Irimiés: |
| 00:14:56 |
I'll bar them, drunken pigs: |
| 00:15:00 |
I'll turn the lights off |
| 00:15:04 |
Irimiés and Petrina: |
| 00:15:08 |
Mine: Everything here is mine: |
| 00:15:11 |
Irimiés: Petrina: |
| 00:15:17 |
Petrina: |
| 00:17:59 |
Then I went up to them, |
| 00:18:01 |
Irimiés hugged me and says |
| 00:18:06 |
"Kelemen: How's it going?" |
| 00:18:09 |
And right away he got a round. |
| 00:18:13 |
The waitresses smiled |
| 00:18:19 |
And then he told me everything. |
| 00:18:25 |
So tell me, |
| 00:18:28 |
What lesson? |
| 00:18:30 |
Leave me alone. |
| 00:18:34 |
You've never learnt anything, |
| 00:18:36 |
I've learnt it all, |
| 00:18:38 |
I want no one meddling |
| 00:18:41 |
In your books though... |
| 00:18:44 |
this resurrection is written... |
| 00:18:46 |
- Don't give me that nonsense. |
| 00:18:49 |
Boozing, sure I'm boozing. |
| 00:18:52 |
Listen here, you old witch, |
| 00:18:57 |
I'm no rosebud on your spotted ass. |
| 00:19:01 |
You know what's waiting |
| 00:19:03 |
No one happens to be waiting for me. |
| 00:19:05 |
The blackest fire |
| 00:19:06 |
You may have seen a black fucking ass, |
| 00:19:10 |
so fuck the black ass and the fire |
| 00:19:14 |
You think they'll stand |
| 00:19:16 |
No. |
| 00:19:18 |
Think they sit up there and just |
| 00:19:22 |
That's exactly it. |
| 00:19:24 |
There'll be weeping and mourning, |
| 00:19:29 |
No Creation. Spritzer: |
| 00:19:35 |
- None of your business. |
| 00:19:38 |
A hell of a witch. |
| 00:19:43 |
You'd better read this. |
| 00:19:45 |
Leave the poor thing alone. |
| 00:19:48 |
Get him a spritzer instead. |
| 00:19:50 |
Spritzer withdrawal |
| 00:19:55 |
Don't read Genesis, |
| 00:19:58 |
That's a mystery. |
| 00:20:01 |
...read the Apocalypse. |
| 00:20:03 |
You know what |
| 00:20:07 |
For you to go to hell. |
| 00:20:14 |
But there's no use waiting, |
| 00:20:19 |
doesn't matter we don't see you |
| 00:20:23 |
you leave your stench behind. |
| 00:20:26 |
It lasts forever. |
| 00:20:29 |
It's no use opening a window |
| 00:20:33 |
it remains. |
| 00:20:43 |
Mrs. Schmidt. |
| 00:20:46 |
Halics can't imagine |
| 00:20:52 |
You see, this lousy weather. |
| 00:21:06 |
What can I get you? |
| 00:21:11 |
- Some cherry pélinka? |
| 00:21:17 |
A small one. |
| 00:21:39 |
- Did you hear that? |
| 00:21:44 |
Must be. |
| 00:21:47 |
They'll be here before morning. |
| 00:22:02 |
They'll be here by midnight. |
| 00:22:07 |
- It's not three hours. |
| 00:22:09 |
Because it takes much longer. |
| 00:22:12 |
Won't be any arrivals |
| 00:22:15 |
Why the morning? |
| 00:22:17 |
If the three hours took me three |
| 00:22:21 |
will take them four hours. |
| 00:22:25 |
Then it'll be by midnight. |
| 00:22:28 |
By morning, that road's |
| 00:22:32 |
They'll go round the potholes. |
| 00:22:35 |
They won't go to the potholes, |
| 00:22:38 |
you're right, |
| 00:22:40 |
so they won't be here |
| 00:22:45 |
By morning if they use the road. |
| 00:22:48 |
They can only come by that road, |
| 00:22:51 |
- they care about their shoes. |
| 00:22:54 |
Yes. That road takes such a turn... |
| 00:22:56 |
- It's soaking. |
| 00:22:59 |
Their shoes. Never mind them. |
| 00:23:02 |
They'll be here by midnight. |
| 00:23:04 |
They weren't soaking wet. |
| 00:23:07 |
Have you been here? Are you from |
| 00:23:10 |
I saw them, I plodded along |
| 00:23:13 |
I saw them |
| 00:23:16 |
They come by the road and won't |
| 00:23:19 |
- Don't give me that. |
| 00:23:23 |
and that takes a turn like |
| 00:23:28 |
Don't give me that, |
| 00:23:35 |
What's wrong with this |
| 00:23:38 |
This is a pub, |
| 00:23:42 |
- What time is it? |
| 00:23:46 |
the latest... |
| 00:23:53 |
Who's taken my wine? |
| 00:23:55 |
You've spilt it. |
| 00:23:58 |
- You're a liar, pinhead. |
| 00:24:03 |
Then get me another one. |
| 00:24:13 |
What's the smell? |
| 00:24:16 |
There wasn't any a minute ago. |
| 00:24:20 |
Just the spiders... |
| 00:24:23 |
or the coke... |
| 00:24:26 |
No. |
| 00:24:56 |
It's the earth. |
| 00:25:18 |
COMES UNSTITCHED |
| 00:26:13 |
Come on. |
| 00:29:12 |
Give me the money. |
| 00:29:48 |
See, with the knot upwards... |
| 00:29:58 |
Are you sure the moneystalk starts |
| 00:30:00 |
Sure. But only if you give it |
| 00:30:08 |
- We're going to be rich? |
| 00:30:15 |
- The others'll envy us? |
| 00:30:24 |
- I can stay in the best room that night? |
| 00:30:30 |
Here, take that home. |
| 00:32:30 |
Hi... Come on in. |
| 00:32:33 |
What's up? |
| 00:33:10 |
Where're you supposed to sit? |
| 00:33:14 |
Behave yourself. |
| 00:43:13 |
You've made a mess in you pants. |
| 00:43:32 |
How do you have the nerve? |
| 00:44:14 |
I can do whatever |
| 00:44:37 |
I'm stronger than you are. |
| 00:45:17 |
Come on now. |
| 00:45:25 |
Come on. |
| 00:45:51 |
You're dead: |
| 00:46:08 |
So come on, then. Come on. |
| 00:47:49 |
See you soon. |
| 01:00:52 |
Sanyi: |
| 01:00:58 |
Sanyi, come here: |
| 01:01:02 |
- Oh, come on. |
| 01:01:06 |
It wasn't stolen, I needed it. |
| 01:01:09 |
- It was my money, too. |
| 01:01:13 |
- Why? Did you know? |
| 01:01:17 |
Go away now. |
| 01:01:20 |
I won't say it again. |
| 01:01:27 |
Come back here. |
| 01:01:33 |
I said, come here: |
| 01:01:37 |
Come on, move: |
| 01:01:54 |
Rat-poison. |
| 01:01:57 |
You stole it. |
| 01:01:59 |
And you have the whole house |
| 01:02:02 |
Now, here, but be careful, |
| 01:02:05 |
And now clear off. |
| 01:02:08 |
I said, clear off. |
| 01:08:35 |
- Doctor: |
| 01:08:38 |
- Doctor: |
| 01:08:40 |
- Doctor: |
| 01:08:44 |
Fucking hell: |
| 01:08:54 |
What the hell do you want? |
| 01:08:57 |
Come on, tell me. |
| 01:09:00 |
What're you doing? |
| 01:09:05 |
Where are you going? |
| 01:09:07 |
Stop. |
| 01:09:11 |
I won't do you any harm. |
| 01:15:20 |
Yes, she said to herself softly. |
| 01:15:24 |
The angels see this |
| 01:15:28 |
She felt serene and the trees, |
| 01:15:34 |
and the night all breathed |
| 01:15:38 |
Everything that happens is good, |
| 01:15:42 |
Everything was, |
| 01:15:46 |
She recalled the previous day |
| 01:15:49 |
and, smiling, she realized |
| 01:15:54 |
She felt that these events |
| 01:15:59 |
but there's an indescribably |
| 01:16:05 |
And she knew she wasn't alone |
| 01:16:09 |
her father upstairs, her mother, |
| 01:16:13 |
the cat, these acacias, |
| 01:16:18 |
this night down here |
| 01:16:21 |
just as she herself |
| 01:16:26 |
She had no reason to be worried. |
| 01:16:29 |
She knew well that her angels |
| 01:17:21 |
THE SPIDER'S FUNCTION II |
| 01:17:30 |
I was plodding and plodding, |
| 01:17:33 |
The Steigerwald kids and Hochan, |
| 01:17:37 |
as they jumped like grasshoppers |
| 01:17:41 |
and asked |
| 01:17:44 |
and bought a round |
| 01:17:49 |
and they were drinking |
| 01:17:51 |
even then I was plodding |
| 01:17:54 |
and plodding and plodding along. |
| 01:17:56 |
They'll be here. |
| 01:18:01 |
They'll be here. |
| 01:18:05 |
Irimiés und Petrina... |
| 01:18:08 |
and they've been |
| 01:18:11 |
And as I was plodding along, |
| 01:18:18 |
they are leaving for the yard, |
| 01:18:24 |
Irimiés and Petrina |
| 01:18:29 |
I met Hochan, the butcher |
| 01:18:36 |
And as I was plodding along... |
| 01:18:39 |
for I had to plod, |
| 01:18:43 |
and saw them by the road, |
| 01:18:47 |
revelation... |
| 01:18:49 |
which way... why... |
| 01:18:54 |
and the plodding, the why, |
| 01:18:59 |
the Tóth kid, |
| 01:19:04 |
Irimiés and Petrina |
| 01:19:07 |
and the gunpowder |
| 01:19:13 |
And the Steigerwald kids talking |
| 01:19:17 |
and me plodding and plodding... |
| 01:19:20 |
And the Steigerwald kids |
| 01:19:23 |
And the Steigerwald kids... |
| 01:19:29 |
But the Tóth kid... |
| 01:19:32 |
he was there... |
| 01:19:37 |
- Put some soda in it. |
| 01:19:39 |
- And the Steigerwald kids... |
| 01:19:43 |
Gunpowder's not gun-powder. They |
| 01:19:47 |
- Careful or it goes to your head. |
| 01:19:51 |
I was plodding, |
| 01:19:53 |
Gunpowder's not gun-powder: |
| 01:19:59 |
He hugged me... The waitresses |
| 01:20:04 |
They were drinking |
| 01:20:06 |
I know I shouldn't have any more |
| 01:20:12 |
You're offering it so invitingly. |
| 01:20:14 |
Just goes straight to your head: |
| 01:20:18 |
As you plod along |
| 01:20:21 |
Don't fucking give her another: |
| 01:20:28 |
I shouldn't drink. When I do |
| 01:20:31 |
The Tóth kid, the Steigerwalds |
| 01:20:37 |
the girls jumped |
| 01:20:40 |
and bought a round, |
| 01:20:44 |
and he told me everything |
| 01:20:47 |
plodding, plodding, |
| 01:20:53 |
but there's a huge difference |
| 01:20:58 |
I knew exactly when I saw them |
| 01:21:04 |
why, how which way, |
| 01:21:09 |
I'm plodding, plodding |
| 01:21:14 |
How am I plodding? |
| 01:21:16 |
The gunpowder, |
| 01:21:20 |
The whole street was talking, |
| 01:21:28 |
Why did they do this? |
| 01:21:32 |
I know why they're coming |
| 01:21:36 |
This heat is unbearable. |
| 01:21:39 |
You don't begrudge the coal? |
| 01:21:42 |
He's coming at the road |
| 01:21:47 |
Why, why and why they're coming |
| 01:21:51 |
- It's nice and warm in here... |
| 01:21:56 |
What the hell you want? There's |
| 01:22:01 |
For I was plodding and |
| 01:22:08 |
They're coming and coming... |
| 01:22:10 |
- This is no whore-house. |
| 01:22:12 |
...coming and coming. |
| 01:22:16 |
Let's go to the mill. |
| 01:22:18 |
They get here. |
| 01:22:21 |
- Where the hell are you going? |
| 01:22:26 |
I'll show you who's honey-pot |
| 01:22:29 |
Nothing, nothing. |
| 01:22:34 |
They're coming for I saw them |
| 01:22:38 |
Give me a shot. |
| 01:22:40 |
The Steigerwald kids talked |
| 01:22:42 |
Irimiés and Petrina |
| 01:22:46 |
Gunpowder, Steigerwald... |
| 01:22:51 |
They're here in a short while. |
| 01:22:55 |
We were plodding along... |
| 01:22:57 |
My man's is a good man... |
| 01:23:00 |
if it wasn't for that, |
| 01:23:05 |
He can be a blessed good man |
| 01:23:08 |
He's a hard worker. |
| 01:23:11 |
He can do the work of two. |
| 01:23:14 |
Only this tiny mistake, |
| 01:23:16 |
Who doesn't have one? Who? |
| 01:23:19 |
They're coming, plodding. |
| 01:23:24 |
Someone's coming. |
| 01:24:01 |
I was plodding, plodding, |
| 01:24:07 |
They didn't talk much. |
| 01:24:12 |
Good evening. |
| 01:24:14 |
The girls jumped around |
| 01:24:21 |
Irimiés hugged me, |
| 01:24:24 |
And bought us a round. |
| 01:24:25 |
The girls jumped around |
| 01:24:29 |
And I was plodding, plodding |
| 01:24:34 |
Have you seen my daughter? |
| 01:24:37 |
- Which one? |
| 01:24:40 |
Estike. |
| 01:24:43 |
She hasn't been here. |
| 01:24:44 |
When they started toward |
| 01:24:48 |
I've known everything. |
| 01:24:51 |
Irimiés and Petrina |
| 01:24:55 |
I met Hochan, the butcher |
| 01:24:59 |
- at the Weighing Bridge. |
| 01:25:02 |
A little trouble with Halics. |
| 01:25:08 |
Now he doesn't even say "Hello", |
| 01:25:10 |
I saw them by the road. |
| 01:25:13 |
Revelation... |
| 01:25:16 |
Which way, why, where to... |
| 01:25:20 |
and the plodding, the why and |
| 01:25:24 |
I slept all day. I wake up |
| 01:25:30 |
The house is empty. |
| 01:25:31 |
No Mari, no Juli, no Sanyika. |
| 01:25:39 |
And plodding, plodding |
| 01:25:44 |
The Steigerwald kids |
| 01:25:46 |
But that's all right, the little |
| 01:25:54 |
If she comes back she'll get it. |
| 01:25:57 |
She'll come back. |
| 01:26:03 |
She's not the wandering type. |
| 01:26:06 |
She's really not. |
| 01:26:09 |
...the gunpowder's no gun-powder... |
| 01:26:15 |
Wandering in this rain |
| 01:26:18 |
No wonder I must stay in bed |
| 01:26:23 |
The waitresses jumped |
| 01:26:27 |
They were drinking |
| 01:26:29 |
That's good for my stomach. |
| 01:26:34 |
Do you want coffee? |
| 01:26:38 |
Why? I'd be tossing |
| 01:26:44 |
Then what for? |
| 01:26:46 |
Nothing. |
| 01:26:50 |
In a little while |
| 01:26:54 |
The Tóth kid, the Steigerwalds... |
| 01:27:00 |
The girls jumped |
| 01:27:04 |
he bought us a round, |
| 01:27:07 |
He told me everything |
| 01:27:11 |
Well, good night. |
| 01:27:14 |
If you happen to see them, |
| 01:27:16 |
tell them to hit the road home. |
| 01:27:19 |
I can't be wandering |
| 01:27:25 |
Here's the bill. |
| 01:27:28 |
...why, how, which way, |
| 01:27:33 |
Plodding and plodding |
| 01:27:35 |
And how am I plodding? |
| 01:27:40 |
The gunpowder, Hochan, |
| 01:27:44 |
Everybody was talking |
| 01:27:49 |
hiding gunpowder. Why? |
| 01:27:53 |
And why are Irimiés and Petrina |
| 01:27:56 |
I know why they're coming. |
| 01:27:58 |
Because I had a revelation. |
| 01:28:02 |
I know why they're coming. |
| 01:28:06 |
They're coming at the junction. |
| 01:28:10 |
They stop but they're coming. |
| 01:30:26 |
Futaki, that stupid ass, |
| 01:30:29 |
rolls in the mud like a pig, |
| 01:30:32 |
then he goes out in the rain |
| 01:30:36 |
You're out of your mind? |
| 01:30:41 |
You know you're not supposed |
| 01:31:00 |
And without eating, too. |
| 01:31:19 |
Wash your face. |
| 01:31:23 |
Dry yourself. |
| 01:32:00 |
Do you have anything to eat? |
| 01:32:03 |
Milk chocolate... |
| 01:32:06 |
or cheese rolls. |
| 01:32:10 |
Give me two cheese rolls. |
| 01:32:32 |
Bloody hell. |
| 01:32:36 |
What can't be moved, |
| 01:32:40 |
and foul, everything. |
| 01:32:43 |
I could spend my whole life |
| 01:32:48 |
The legs of the table, |
| 01:32:58 |
The worst is |
| 01:33:07 |
If I start to watch them, |
| 01:33:10 |
they can feel it |
| 01:33:15 |
and get out of sight. |
| 01:33:25 |
That damn Swabian |
| 01:33:28 |
did me in, |
| 01:33:31 |
he never talked about spiders. |
| 01:33:37 |
Nothing will come of nothing. |
| 01:33:45 |
No. |
| 01:33:48 |
The real threat comes from |
| 01:33:53 |
Suddenly |
| 01:33:55 |
one's frightened by the silence: |
| 01:33:58 |
doesn't move, |
| 01:34:00 |
crouches down in the corner |
| 01:34:03 |
Chewing becomes pain, |
| 01:34:09 |
Then all slows down |
| 01:34:12 |
comes the most terrible thing, |
| 01:34:15 |
a standstill. |
| 01:34:18 |
There's no way out. |
| 01:34:23 |
Who can understand? |
| 01:34:26 |
I could live till the end of time, |
| 01:34:30 |
but I have to go down |
| 01:34:36 |
But there's Irimiés coming... |
| 01:34:39 |
Irimiés? |
| 01:34:41 |
He's been drinking on the house |
| 01:34:44 |
and he has the bloody nerve |
| 01:34:47 |
Because, okay, he said, |
| 01:34:51 |
And it succeeded. |
| 01:34:52 |
Great ideas are always simple. |
| 01:34:56 |
But it's a bit too much |
| 01:35:00 |
I owe him everything. |
| 01:35:03 |
And for a fortnight |
| 01:35:09 |
And he has the nerve to come |
| 01:35:12 |
Everything here is mine. |
| 01:35:20 |
I have done everything here. |
| 01:35:27 |
Do they think |
| 01:35:31 |
They come in off the street |
| 01:35:35 |
you can go: |
| 01:35:44 |
There will be law and order here, |
| 01:35:48 |
There will be order here one day: |
| 01:46:10 |
You see, here's Halics: |
| 01:46:36 |
May I have a tango? |
| 01:46:47 |
Dancing is my soft spot. |
| 01:47:23 |
You're not like the others. |
| 01:47:41 |
You need a settled, sober man, |
| 01:47:48 |
not a Schmidt, |
| 01:48:02 |
whose roughness |
| 01:48:06 |
disagrees with your tender person. |
| 01:48:23 |
Listen, |
| 01:48:28 |
if those most excellent people |
| 01:48:32 |
can occupy again the positions |
| 01:48:40 |
and I am schoolmaster again, |
| 01:48:46 |
I would take you to the city... |
| 01:49:34 |
Tango is my life. |
| 01:49:41 |
My mother's the sea... |
| 01:49:45 |
My father's the earth, |
| 01:49:47 |
my name is tango... |
| 01:49:53 |
My father's the sea... |
| 01:50:11 |
Tango... |
| 01:50:17 |
is my life, tango... |
| 01:50:30 |
My father's the sea, |
| 01:50:33 |
My mother's the earth... |
| 01:50:36 |
Never mind. |
| 01:50:38 |
Is my life... |
| 01:50:41 |
Tango... |
| 01:50:46 |
Tango: |
| 01:50:48 |
Tango... |
| 01:51:02 |
Is my life... |
| 01:51:18 |
My mother's the sea |
| 01:51:29 |
No sea, no land either... |
| 01:51:34 |
Fuck you. |
| 01:51:39 |
What have you done to the sea, |
| 01:51:48 |
Is my life, |
| 01:51:51 |
Tango... |
| 01:51:55 |
Tango, tango... |
| 01:52:00 |
My mother's the sea... |
| 01:57:15 |
That was all. |
| 01:58:34 |
And for the tender sound |
| 01:58:37 |
the spiders in the pub |
| 01:58:41 |
They sewed loose webs |
| 01:58:43 |
on top of the glasses, |
| 01:58:46 |
around the legs of the tables |
| 01:58:50 |
Then they bound them together |
| 01:58:53 |
so that in their hidden corners |
| 01:58:58 |
they notice every little move |
| 01:59:02 |
until this almost invisible web |
| 01:59:07 |
They sewed a web on the sleepers |
| 01:59:11 |
Then hurried back to |
| 01:59:15 |
waiting for an ethereal thread |
| 01:59:18 |
to start it all again. |
| 01:59:21 |
INTERVAL |
| 00:01:28 |
I am in a state of deep emotion, |
| 00:01:31 |
you can imagine, |
| 00:01:37 |
I am bewildered and shocked. |
| 00:01:42 |
Yet I must pull myself together. |
| 00:01:46 |
Though right now all I can say |
| 00:01:50 |
I share in this broken-hearted |
| 00:01:56 |
in a mother's never-ending |
| 00:02:01 |
is the grief of losing the one |
| 00:02:07 |
This tragic event weighs us all |
| 00:02:10 |
I don't think there's anyone |
| 00:02:17 |
And now the hardest thing is, |
| 00:02:23 |
with our teeth clenched, |
| 00:02:25 |
to get our minds |
| 00:02:29 |
to defy our tears |
| 00:02:34 |
For, and I would like to call |
| 00:02:39 |
nothing can be more important |
| 00:02:43 |
this shocking event, |
| 00:02:46 |
which led to the terrible death |
| 00:02:50 |
of an innocent child, |
| 00:02:55 |
before the police start |
| 00:03:01 |
You'd better expect |
| 00:03:04 |
to come and make us responsible |
| 00:03:09 |
Yes, my friends, |
| 00:03:13 |
For, to be quite honest, |
| 00:03:17 |
with a little caution, |
| 00:03:22 |
we could have prevented it. |
| 00:03:26 |
Just imagine |
| 00:03:30 |
wandering all night long |
| 00:03:33 |
at the mercy of the first |
| 00:03:36 |
of anybody. |
| 00:03:39 |
She was whipped by the wind, |
| 00:03:43 |
she fell an easy prey |
| 00:03:46 |
She must have been around here. |
| 00:03:52 |
She may have looked |
| 00:03:54 |
and saw that you were all drunk |
| 00:04:03 |
Don't get me wrong, I don't mean |
| 00:04:07 |
I am not accusing the mother, |
| 00:04:12 |
herself for getting up too late |
| 00:04:16 |
I am not accusing |
| 00:04:19 |
nor other members of the family. |
| 00:04:23 |
I am not accusing anyone. |
| 00:04:25 |
But let me ask you the question: |
| 00:04:30 |
aren't we all guilty? |
| 00:04:37 |
You will, of course, |
| 00:04:41 |
But then, what do we call |
| 00:04:45 |
The victim of the innocent? |
| 00:04:48 |
The martyr of the faultless. |
| 00:04:51 |
The slaughtered of the sinless. |
| 00:04:56 |
I'd rather call her innocent. |
| 00:05:00 |
I spent the night turning in my bed |
| 00:05:07 |
Not only we do not know |
| 00:05:11 |
but we have no knowledge |
| 00:05:16 |
I am quite convinced |
| 00:05:21 |
Now you seem to suspect that. |
| 00:05:25 |
It is not enough, however, |
| 00:05:28 |
things are to be understood |
| 00:05:30 |
and said with no delay. |
| 00:05:34 |
It had been quite clear for you |
| 00:05:39 |
that this yard was ruled |
| 00:05:42 |
you didn't dare talk about it. |
| 00:05:47 |
the irrevocable judgement |
| 00:05:54 |
You are slouching around |
| 00:05:57 |
far away from everything |
| 00:06:01 |
Your plans come to nothing, |
| 00:06:03 |
your dreams, still blind, |
| 00:06:07 |
You expect some miracle |
| 00:06:11 |
But what kind of misfortune |
| 00:06:15 |
Is it the crumbling plaster... |
| 00:06:19 |
the roofs without tiles... |
| 00:06:25 |
the sour taste our friend Futaki |
| 00:06:31 |
Isn't it the shattered prospects, |
| 00:06:33 |
the broken dreams, |
| 00:06:36 |
that bends our knees |
| 00:06:43 |
I'm speaking harshly |
| 00:06:48 |
If you felt the yard was ruled |
| 00:06:51 |
why didn't you try to do |
| 00:06:54 |
You thought a bird in the hand |
| 00:07:00 |
But this is a coward's way; |
| 00:07:04 |
careless and it has serious |
| 00:07:10 |
This is called impotence, |
| 00:07:14 |
This is weakness, |
| 00:07:18 |
This is cowardice, |
| 00:07:24 |
Because, and keep that |
| 00:07:29 |
it's not just to others |
| 00:07:32 |
but also to ourselves. |
| 00:07:35 |
And this, my friends, |
| 00:07:39 |
Yes, if I think about it, |
| 00:07:43 |
sins against ourselves. |
| 00:07:49 |
But, you know, my friends, |
| 00:07:53 |
and see you lying half dead |
| 00:07:58 |
on top of each other, |
| 00:08:02 |
dribbling, exhausted, |
| 00:08:06 |
my heart sinks and |
| 00:08:10 |
for I will never be able |
| 00:08:15 |
From your panting, |
| 00:08:20 |
I heard your cry for help |
| 00:08:25 |
We know each other well. |
| 00:08:28 |
I have been keeping my eyes |
| 00:08:32 |
I bitterly observe that, |
| 00:08:33 |
under the thick veil |
| 00:08:37 |
nothing has changed. |
| 00:08:38 |
Misery has remained misery. |
| 00:08:43 |
The two extra spoonfuls of food |
| 00:08:45 |
only makes the air thinner |
| 00:08:50 |
But I realized what |
| 00:08:54 |
A much deeper solution is needed. |
| 00:08:57 |
So, using the opportunity, |
| 00:09:01 |
I decided |
| 00:09:05 |
to get some people together |
| 00:09:08 |
and set up a model farm which |
| 00:09:12 |
and bind this tiny group |
| 00:09:17 |
I am creating an island |
| 00:09:20 |
where no one is powerless, |
| 00:09:23 |
where everyone will live |
| 00:09:27 |
and will feel safe. |
| 00:09:30 |
That is why I left |
| 00:09:34 |
The main building |
| 00:09:36 |
the contract is a simple matter. |
| 00:09:39 |
There's one problem... |
| 00:09:42 |
no use to try and keep it a secret... |
| 00:09:45 |
money. |
| 00:09:46 |
Without a penny the thing is dead. |
| 00:09:50 |
Capital is needed for production |
| 00:09:55 |
there's no point |
| 00:10:00 |
And you'll understand that |
| 00:10:04 |
made me feel uncertain, whether |
| 00:10:09 |
Whether you would be able |
| 00:10:16 |
the result of hard work |
| 00:10:20 |
to realize a hasty idea. |
| 00:10:24 |
Think about it... |
| 00:10:27 |
Do not decide straightaway. |
| 00:10:32 |
But if fate decides |
| 00:10:34 |
that from now on |
| 00:10:37 |
inseparably: |
| 00:10:40 |
do remember the price |
| 00:10:43 |
Do not forget the child... |
| 00:10:49 |
who may have to perish |
| 00:10:54 |
to make our star rise. |
| 00:11:00 |
Who knows, my friends? |
| 00:11:06 |
If it is so... |
| 00:11:09 |
life is very hard upon us. |
| 00:13:25 |
PERSPECTIVE FROM THE FRONT |
| 00:14:01 |
I told you she shouldn't have |
| 00:14:24 |
I don't know why you |
| 00:17:17 |
Friends, |
| 00:17:20 |
words fail me |
| 00:17:22 |
now that I let you go |
| 00:17:27 |
It's hard to describe |
| 00:17:30 |
For what could I say |
| 00:17:35 |
of your enthusiasm, |
| 00:17:41 |
for the sake of |
| 00:17:45 |
Of that precious thing |
| 00:17:50 |
your confidence. |
| 00:17:52 |
What else could I say but |
| 00:17:54 |
that all this gives me courage |
| 00:17:58 |
which I would like to accept |
| 00:18:04 |
Your enthusiasm and confidence |
| 00:18:07 |
makes me confident |
| 00:18:13 |
I'm thinking of the future |
| 00:18:16 |
Goodbye, my friends. |
| 00:18:20 |
See you tomorrow at 6 a.m. |
| 00:18:25 |
Go ahead and |
| 00:18:31 |
From now on you are free. |
| 00:19:29 |
And you were screwed, |
| 00:19:33 |
Fuck off. Bastards. |
| 00:19:36 |
Go fuck yourselves. |
| 00:19:40 |
Fuck off. |
| 00:19:52 |
Fuck off! |
| 00:20:29 |
You see? |
| 00:20:32 |
- Keep your mouth shut, okay? |
| 00:20:41 |
Stop crowing and go to hell. |
| 00:20:45 |
- Up and down. |
| 00:20:47 |
I've been saying |
| 00:20:51 |
Now you're finished. |
| 00:20:55 |
Go home, will you? |
| 00:20:58 |
Leave me alone. |
| 00:20:59 |
My husband was the same, |
| 00:21:03 |
Then where did he end up? |
| 00:21:09 |
Stop bothering me. |
| 00:21:21 |
Go get your daughters |
| 00:21:27 |
- They'll never. They're locked up. |
| 00:21:30 |
They won't leave me |
| 00:21:34 |
When them from the yard leave, |
| 00:21:37 |
Go home now. |
| 00:21:40 |
Go. |
| 00:21:57 |
Now, come on, go. |
| 00:28:57 |
- You've finished it? |
| 00:29:59 |
The wind is blowing the clouds, |
| 00:30:03 |
behind the sky is burning, |
| 00:30:07 |
Give me, my dear, |
| 00:30:12 |
God knows if I'll see you again; |
| 00:30:16 |
Whether I'll close you |
| 00:30:20 |
whether I'll kiss you, dear? |
| 00:30:24 |
God only knows the day |
| 00:30:32 |
Whether I'll close you... |
| 00:31:39 |
You're lovely, |
| 00:32:46 |
Folks. We forgot the doctor. |
| 00:32:50 |
Never mind the doctor. |
| 00:32:55 |
He would have surely come |
| 00:33:01 |
Come on, |
| 00:33:06 |
But he's going to starve now. |
| 00:33:09 |
He can't even arrange it |
| 00:33:13 |
Then let him starve to death. |
| 00:33:20 |
If you miss him so much, |
| 00:33:37 |
I haven't seen him for months. |
| 00:33:40 |
There's no need to cry over him. |
| 00:33:44 |
He's fine; gets pissed every day, |
| 00:33:55 |
I wouldn't mind feeling |
| 00:34:20 |
Are we all here? |
| 00:34:23 |
No one's lagging behind? |
| 00:35:35 |
We've done it! |
| 00:35:38 |
We have done it, anyhow. |
| 00:36:32 |
Now you're well prepared |
| 00:36:36 |
Come on, Lajos, |
| 00:44:09 |
How could those poor fellows |
| 00:54:34 |
Didn't I tell you? |
| 00:54:40 |
we have to have trust |
| 00:54:45 |
Otherwise what would become of us? |
| 00:54:49 |
Tell me, what? |
| 00:54:55 |
I can imagine. |
| 00:55:00 |
You've seen the out-buildings, |
| 00:55:05 |
there's about five of them. |
| 00:55:10 |
I bet the workshops |
| 00:55:20 |
Workshops? What workshops? |
| 00:55:27 |
Please be quiet. |
| 00:55:35 |
All right, all right. |
| 00:55:56 |
I think it'll be |
| 00:56:01 |
we'll get them to live in |
| 00:56:05 |
and the workshops will be here. |
| 00:56:07 |
Won't you keep quiet? |
| 00:56:19 |
Who was that? |
| 00:56:22 |
Leave me alone. |
| 00:56:28 |
Nobody? |
| 00:56:34 |
Look, |
| 00:56:36 |
I'll agree to anything |
| 00:56:46 |
Listen, |
| 00:56:48 |
if everyone works hard, |
| 00:56:57 |
We have great prospects |
| 00:57:06 |
Tomorrow it'll turn out |
| 00:57:14 |
By tomorrow. |
| 00:58:02 |
Halics was pursued |
| 00:58:06 |
And after all sorts of trials |
| 00:58:10 |
but he's started to lose heart, |
| 00:58:12 |
every time he came up for air |
| 00:58:16 |
the little man hit his head |
| 00:58:20 |
And each time he shouted |
| 00:58:24 |
"Now you'll get it." |
| 00:58:33 |
The schoolmaster persuaded |
| 00:58:36 |
to go with him to somewhere |
| 00:58:40 |
the man agreed, |
| 00:58:45 |
He could hardly control himself |
| 00:58:46 |
and when they turned into a deserted |
| 00:58:51 |
to reach a bench surrounded |
| 00:58:56 |
He made the man lie down |
| 00:58:59 |
kissed him on the neck, |
| 00:59:01 |
but in seconds some doctors appeared |
| 00:59:05 |
embarrassed, |
| 00:59:09 |
but he started to reproach |
| 00:59:12 |
by then, |
| 00:59:23 |
The ground trembled |
| 00:59:26 |
As if he was walking on the moors. |
| 00:59:30 |
He climbed up into a tree, |
| 00:59:32 |
but he felt, |
| 00:59:37 |
He was lying on the bed |
| 00:59:39 |
and tried to get the nightgown |
| 00:59:42 |
But she started to yell, |
| 00:59:44 |
he jumped after her, |
| 00:59:48 |
She laughed, |
| 00:59:52 |
and the nipples |
| 00:59:55 |
two beautiful roses. |
| 01:00:24 |
Mrs Halics was washing |
| 01:00:26 |
the rosary on the rim of the tub |
| 01:00:33 |
Mrs Schmidt said she had enough, |
| 01:00:35 |
her skin was burning |
| 01:00:38 |
but Mrs Halics pushed her |
| 01:00:40 |
and went on scrubbing her back; |
| 01:00:43 |
that Mrs Schmidt |
| 01:01:04 |
Mrs Kráner heard |
| 01:01:08 |
but she didn't know |
| 01:01:11 |
She put on a fur coat |
| 01:01:16 |
She had almost reached the road |
| 01:01:20 |
She turned and saw |
| 01:01:25 |
"The chopped wood. Christ, |
| 01:01:29 |
she screamed and ran back. |
| 01:01:33 |
Kráner was sitting at the table, |
| 01:01:40 |
"Jóska, are you crazy? |
| 01:01:45 |
But Kráner didn't move. |
| 01:01:55 |
Mrs Schmidt was a bird, |
| 01:02:01 |
She saw that someone down there |
| 01:02:04 |
She came down a bit |
| 01:02:07 |
"Why didn't you cook anything, |
| 01:02:11 |
But she flew over him |
| 01:02:16 |
You won't starve till then. |
| 01:02:19 |
She felt the warmth |
| 01:02:22 |
she came down a bit. |
| 01:02:24 |
She wanted to snatch a bug. |
| 01:02:31 |
Futaki's shoulders were beaten |
| 01:02:34 |
He couldn't move, |
| 01:02:39 |
He stretched out |
| 01:02:43 |
He looked at his shoulders |
| 01:02:48 |
he turned his head, |
| 01:02:54 |
He was sitting on an excavator, |
| 01:02:56 |
the grab was scooping |
| 01:02:59 |
A man came up to him and said |
| 01:03:01 |
"Hurry up, I won't give you any |
| 01:03:05 |
But it was no use scooping |
| 01:03:09 |
He tried again but failed... |
| 01:03:14 |
Then he cried... |
| 01:03:18 |
He was sitting at the window of |
| 01:03:22 |
whether it was daybreak or |
| 01:03:24 |
it just didn't end; |
| 01:03:28 |
he was sitting, |
| 01:03:31 |
nothing had changed outside, |
| 01:03:32 |
morning didn't come, |
| 01:03:35 |
day was beginning to break |
| 01:04:58 |
GO TO HEAVEN? |
| 01:05:11 |
Friends. |
| 01:05:12 |
Words fail me, now that |
| 01:05:19 |
It's hard to describe |
| 01:05:22 |
For what can I say |
| 01:05:26 |
of your enthusiasm, |
| 01:05:32 |
for the sake of |
| 01:05:37 |
That precious thing you gave me, |
| 01:05:41 |
your confidence. |
| 01:05:44 |
What else could I say but |
| 01:05:47 |
that all this gives me courage, |
| 01:05:50 |
which I would like to accept |
| 01:05:57 |
And that your |
| 01:05:59 |
makes me |
| 01:06:04 |
I'm thinking of the future |
| 01:06:09 |
Goodbye, dear friends. |
| 01:06:11 |
See you tomorrow at 6 a.m. |
| 01:06:15 |
Go now and think of the future |
| 01:06:19 |
From now on you are free. |
| 01:07:00 |
And you were screwed, |
| 01:07:05 |
Fuck off. You bastards. |
| 01:07:23 |
I'm shit scared, master, |
| 01:07:27 |
how do we get out of this? |
| 01:07:31 |
I'd be surprised if you weren't |
| 01:07:34 |
Do you want some paper? |
| 01:07:36 |
This is no fucking joke, |
| 01:07:42 |
I wouldn't say |
| 01:07:47 |
Stop it, will you? |
| 01:07:52 |
Would you be surprised |
| 01:07:56 |
What the hell |
| 01:08:01 |
Listen to old Petrina this time. |
| 01:08:04 |
Look, let's take the first train |
| 01:08:08 |
and get away from here. |
| 01:08:09 |
We're going to get |
| 01:08:12 |
if they realize what's going on. |
| 01:08:15 |
Shut up. |
| 01:08:25 |
Don't you see |
| 01:08:28 |
in this persistent and hopeless |
| 01:08:36 |
Petrina, our time has come. |
| 01:08:39 |
Our time has come... |
| 01:08:41 |
You keep saying this, |
| 01:08:45 |
Our time will never come. |
| 01:08:48 |
I had faith and confidence... |
| 01:08:52 |
And there we are. |
| 01:09:03 |
The web - understand? |
| 01:09:08 |
Irimiás's nationwide cobweb. |
| 01:09:13 |
Is it getting clear? |
| 01:09:23 |
Where something stirs... |
| 01:12:43 |
Go on. |
| 01:13:09 |
You've never seen fog |
| 01:14:54 |
The horses got away |
| 01:15:02 |
Who do you support? |
| 01:15:08 |
Myself. |
| 01:17:24 |
How are you? |
| 01:17:27 |
Fine. |
| 01:17:36 |
You haven't changed. |
| 01:17:40 |
What about you? |
| 01:17:43 |
Nothing special. |
| 01:17:45 |
- I thought... - Two rum and |
| 01:18:00 |
Here you are. |
| 01:18:03 |
Listen, drink this up... |
| 01:18:05 |
then you go see Páyer |
| 01:18:36 |
Steigerwald. |
| 01:18:41 |
What is it now? |
| 01:18:43 |
We're staying here for tonight |
| 01:18:54 |
But then I want the money |
| 01:19:00 |
All right. |
| 01:19:20 |
- And three bean soups. |
| 01:19:27 |
- With ham. |
| 01:20:57 |
I'm going to dictate. |
| 01:21:00 |
Dear Captain, |
| 01:21:07 |
Eternity |
| 01:21:11 |
lasts forever |
| 01:21:15 |
because it doesn't compare |
| 01:21:23 |
the changeable, |
| 01:21:27 |
the temporary. |
| 01:21:34 |
The intensity of light |
| 01:21:39 |
seems weaken. |
| 01:21:43 |
Seems weak... |
| 01:21:47 |
There is discontinuance... |
| 01:21:52 |
interruptions, |
| 01:21:55 |
holes, |
| 01:22:02 |
then finally the black nothing. |
| 01:22:07 |
Then there are myriads of stars |
| 01:22:10 |
in an unreachable distance... |
| 01:22:17 |
with a tiny spark |
| 01:22:21 |
the Ego. |
| 01:22:23 |
A tiny spark. |
| 01:22:31 |
Our deeds can be rewarded |
| 01:22:34 |
punished... |
| 01:22:46 |
because everything has a place, |
| 01:22:56 |
where it has its place, |
| 01:23:00 |
where it has always been, |
| 01:23:03 |
where it has been... |
| 01:23:06 |
where it is going to be, |
| 01:23:10 |
where it is now. |
| 01:23:21 |
The only authentic place. |
| 01:25:36 |
I hope I didn't wake you. |
| 01:25:38 |
You didn't wake me |
| 01:25:51 |
- My collaborators. |
| 01:25:55 |
Horgos. |
| 01:25:57 |
Very nice young man. |
| 01:26:02 |
He can have a nice career. |
| 01:26:09 |
Would you get me something |
| 01:26:12 |
You got me out of bed? |
| 01:26:16 |
What would you like? |
| 01:26:19 |
Don't ask me what I'd like, |
| 01:26:26 |
Get me a glass of plum brandy. |
| 01:26:30 |
Sanyi. |
| 01:26:39 |
The gun dealer... |
| 01:26:42 |
Sports guns... |
| 01:26:45 |
I don't love this job, |
| 01:26:48 |
We'd better talk to Páyer. |
| 01:26:51 |
Mr. Páyer. |
| 01:26:53 |
I asked you to come here |
| 01:26:57 |
because soon |
| 01:26:59 |
I will need |
| 01:27:39 |
I'm going to think about it |
| 01:27:45 |
and decide as I see best. |
| 01:27:49 |
And I hope you will do |
| 01:28:02 |
It's not entirely up to me. |
| 01:28:09 |
But I need to know |
| 01:28:11 |
whether you can give more |
| 01:28:16 |
with a so called good start? |
| 01:28:21 |
Certainly. |
| 01:28:29 |
You are a gentleman, |
| 01:28:33 |
Mr. Irimiás. |
| 01:28:43 |
Let me ask you something. |
| 01:28:51 |
This something new |
| 01:28:54 |
which is waiting for us after |
| 01:29:00 |
- Well... |
| 01:29:07 |
Regard me as a sad researcher |
| 01:29:09 |
who investigates why everything |
| 01:29:15 |
Would you like |
| 01:29:24 |
No, thank you. |
| 01:29:29 |
Well then, we'll discuss |
| 01:29:35 |
I'll see you at the weekend. |
| 01:29:50 |
Well, gentlemen... |
| 01:30:00 |
Sleep well... |
| 01:30:07 |
Look, |
| 01:30:08 |
25 years ago I could sleep |
| 01:30:15 |
Since then I've been turning |
| 01:30:18 |
Thank you all the same. |
| 01:32:49 |
Our Father |
| 01:32:51 |
who art in heaven, |
| 01:32:55 |
Hallowed be thy name. |
| 01:33:00 |
Thy kingdom come, |
| 01:33:04 |
Thy will be done. |
| 01:33:09 |
On earth |
| 01:33:15 |
As it is in heaven, |
| 01:33:20 |
Give us, too, peace and bread. |
| 01:33:27 |
The power... |
| 01:33:35 |
Amen... |
| 01:34:10 |
PERSPECTIVE FROM THE REAR |
| 01:36:20 |
I don't understand Irimiás. |
| 01:36:23 |
He was one of us. |
| 01:36:27 |
You just can't understand |
| 01:36:31 |
what he wants... |
| 01:36:33 |
all the nonsense he said. |
| 01:36:36 |
Bent knees and cries for help! |
| 01:36:40 |
Then threatening with the child... |
| 01:36:44 |
The way he spoke yesterday, |
| 01:36:49 |
Why the hell |
| 01:36:52 |
If I'd known he wanted the same, |
| 01:36:55 |
I'd have saved him the trouble. |
| 01:36:59 |
It's crazy to say |
| 01:37:02 |
that it was my fault. |
| 01:37:04 |
I had nothing to do |
| 01:37:10 |
Even her name drove me |
| 01:37:13 |
Estike, what's that? |
| 01:37:16 |
Is that a name? |
| 01:37:17 |
She's eaten a lot of rat poison |
| 01:37:21 |
Perhaps it was better |
| 01:37:24 |
But what's the whole thing |
| 01:37:27 |
He lured us here, |
| 01:37:30 |
And we acted like sheep. |
| 01:37:34 |
God knows where he's drinking |
| 01:37:38 |
A whole year's pay. |
| 01:37:43 |
And I'm flat broke again. |
| 01:37:47 |
And if he's back in a minute, |
| 01:37:53 |
You're the one to say that? |
| 01:37:58 |
Stop for a minute! |
| 01:37:59 |
Whose fault is it that I was robbed? |
| 01:38:01 |
Who said that... |
| 01:38:05 |
Irimiás and Petrina, that's who! |
| 01:38:11 |
You fucker... |
| 01:38:13 |
Give me my money back, |
| 01:38:17 |
Give me my money back. |
| 01:38:25 |
Let's give him two minutes |
| 01:39:15 |
- Are the two minutes up now? |
| 01:39:19 |
What on earth are you doing? |
| 01:39:22 |
- Use your heads. |
| 01:39:26 |
Here he is. |
| 01:39:30 |
Do you really think it's my fault? |
| 01:39:34 |
Give my money back. |
| 01:39:37 |
I don't believe my eyes. |
| 01:39:43 |
You get lost. |
| 01:39:45 |
Don't worry about it. |
| 01:39:50 |
Get away from here. |
| 01:39:54 |
What's going on here? |
| 01:40:09 |
I want to know what's going on! |
| 01:40:14 |
We thought you wouldn't come. |
| 01:40:16 |
You said you'd be here |
| 01:40:21 |
I do my best to help you. |
| 01:40:23 |
I've had no sleep for three days, |
| 01:40:26 |
I walked hours |
| 01:40:29 |
I run here and there |
| 01:40:33 |
and you behave like piglets |
| 01:40:42 |
What happened to you? |
| 01:40:49 |
- My nose's bleeding. |
| 01:40:59 |
I never expected that from you. |
| 01:41:05 |
From you neither. |
| 01:41:09 |
And we've just begun. |
| 01:41:12 |
What's it going to be like |
| 01:41:15 |
You'll kill each other? |
| 01:41:19 |
Sad. |
| 01:41:22 |
This is very sad. |
| 01:41:27 |
I'm going to forget it this time. |
| 01:41:30 |
But such a thing |
| 01:41:38 |
So let's talk sense. |
| 01:41:41 |
There is something important |
| 01:41:49 |
We must postpone our plans |
| 01:41:54 |
Because in certain circles |
| 01:41:57 |
if an establishment for such |
| 01:42:05 |
Their primary objection is |
| 01:42:10 |
the fact that the manor, |
| 01:42:12 |
being almost totally isolated |
| 01:42:16 |
and a long way from town, |
| 01:42:18 |
could hardly be brought |
| 01:42:22 |
Therefore |
| 01:42:24 |
in the present situation |
| 01:42:28 |
the only way to succeed is |
| 01:42:32 |
to scatter around the county |
| 01:42:36 |
until |
| 01:42:38 |
these gentlemen get so confused |
| 01:42:43 |
that we can come back here |
| 01:42:50 |
From now on you are |
| 01:42:54 |
For you are helping in a matter |
| 01:42:57 |
in which loyalty, |
| 01:43:03 |
absolutely necessary. |
| 01:43:07 |
Our goals are significant |
| 01:43:11 |
Scattering is just a tactic, |
| 01:43:14 |
you're going to keep |
| 01:43:16 |
though not with each other. |
| 01:43:21 |
In the meantime, |
| 01:43:23 |
that we are going to remain |
| 01:43:26 |
and wait for things |
| 01:43:30 |
What you have to do is |
| 01:43:32 |
to listen to people around you. |
| 01:43:37 |
Views, |
| 01:43:38 |
stories, events which are |
| 01:43:42 |
connected to the matter. |
| 01:43:53 |
Every one of you will need |
| 01:43:56 |
to distinguish between |
| 01:44:01 |
In other words, |
| 01:44:04 |
And how are we going to live |
| 01:44:09 |
Don't worry. |
| 01:44:11 |
Don't worry. |
| 01:44:13 |
Everything is organized, |
| 01:44:18 |
You will all have work to do. |
| 01:44:21 |
And at the beginning you'll get |
| 01:44:26 |
from our common capital. |
| 01:44:29 |
But do not waste our time |
| 01:44:33 |
We are late anyway. |
| 01:44:35 |
We have to start right now, |
| 01:44:39 |
Go pack your things. |
| 01:44:44 |
Take your things and go. |
| 01:44:47 |
Come on, move. |
| 01:44:57 |
Kráner, you too, you hear me? |
| 01:45:02 |
Wait a second. |
| 01:45:08 |
You hear me?! |
| 01:45:17 |
The money? |
| 01:45:20 |
Is that what you want? |
| 01:45:33 |
Here, here's your money. |
| 01:45:35 |
Do what you want to do with it. |
| 01:45:40 |
A year's hard work. |
| 01:45:48 |
Jóska, give the money back. |
| 01:45:52 |
No. Take it. |
| 01:45:55 |
Perhaps it's better. |
| 01:45:58 |
So it has turned out that you |
| 01:46:04 |
Good to know from the start |
| 01:46:10 |
Your husband may be right. |
| 01:46:16 |
I cannot realize my plans |
| 01:46:25 |
I need people who are at least |
| 01:46:29 |
their own interests. |
| 01:46:33 |
I have to go now. |
| 01:46:36 |
Wait. |
| 01:46:42 |
And... |
| 01:46:46 |
the farm will be working? |
| 01:46:51 |
I don't think you're interested |
| 01:47:06 |
Give him the money. |
| 01:47:12 |
I didn't mean that. |
| 01:47:16 |
Now, take the money. |
| 01:47:24 |
This rain, you know, |
| 01:47:26 |
we were cold during the night... |
| 01:47:32 |
It's not me. |
| 01:47:34 |
It's the fact that you deserted |
| 01:47:37 |
scared away |
| 01:47:40 |
Yet the whole thing is based |
| 01:47:46 |
Take the money now. |
| 01:47:53 |
We trust you. Take it. |
| 01:47:57 |
Look, I have no time |
| 01:48:02 |
You disappointed me. |
| 01:48:06 |
But I will forget it this time. |
| 01:48:13 |
I'm going to try and forget |
| 01:49:36 |
Mind how you sit there |
| 01:49:38 |
it takes two hours even in this. |
| 01:49:42 |
Button your coats. |
| 01:49:44 |
Put on your hoods and hats. |
| 01:49:47 |
And just turn your backs |
| 01:49:51 |
to the bright future |
| 01:49:53 |
or this bloody rain will get |
| 01:55:32 |
Schmidts, Halicses, Kráners, |
| 01:55:38 |
Futaki, Mr Schoolmaster, |
| 01:57:02 |
What's the matter, |
| 01:57:47 |
Is there a pub here? |
| 01:57:50 |
- We could have a drink. |
| 01:57:57 |
Schmidt and family, |
| 01:57:59 |
you're going to Elek. |
| 01:58:04 |
I've put everything down, |
| 01:58:14 |
There you'll get work |
| 01:58:19 |
And what work is there? |
| 01:58:22 |
This is a butcher's. |
| 01:58:25 |
There's plenty to do. |
| 01:58:28 |
You can serve the customers. |
| 01:58:33 |
Now the Kráners, |
| 01:58:35 |
you ask for István Kalmár |
| 01:58:38 |
in Keresztur. Listen carefully, |
| 01:58:44 |
There's a street before the church. |
| 01:58:47 |
You go down that street until |
| 01:58:51 |
That's Kalmár's house. |
| 01:58:55 |
Tell him |
| 01:58:57 |
Dönci has sent you, he may have |
| 01:59:02 |
He has a laundry, |
| 01:59:06 |
Is that clear? |
| 01:59:08 |
Yes, Dönci. |
| 01:59:11 |
A street after the church |
| 01:59:16 |
Right. |
| 01:59:18 |
Halics. |
| 01:59:21 |
You go to the presbytery |
| 01:59:26 |
and ask for Gyivicsán, |
| 01:59:29 |
Gyivicsán. |
| 01:59:33 |
There's plenty of wine there. |
| 01:59:36 |
You can clean the church |
| 01:59:39 |
and do the cooking |
| 01:59:43 |
Here's a thousand forints |
| 01:59:48 |
per head |
| 01:59:51 |
if anything comes up. |
| 02:00:11 |
But don't waste a penny. |
| 02:00:20 |
And don't forget |
| 02:00:27 |
I think all's clear. |
| 02:00:29 |
We'd like to thank you for |
| 02:00:34 |
You don't have to say thank you. |
| 02:00:39 |
Me too, I'm only a servant |
| 02:00:46 |
So remember what you have to do. |
| 02:00:51 |
Take good care. |
| 02:00:57 |
Take care of yourselves. |
| 02:01:23 |
Listen, |
| 02:01:25 |
you sit up there |
| 02:01:29 |
and we'll take you |
| 02:01:31 |
We'll pick you up in an hour |
| 02:01:36 |
Okay. |
| 02:01:39 |
Futaki. |
| 02:01:41 |
Don't worry about me. |
| 02:01:44 |
I could find a job as a watchman. |
| 02:01:49 |
You'd be better off |
| 02:02:00 |
What? No way to come |
| 02:02:08 |
Come to Steigerwald's by eight |
| 02:02:21 |
All right, I'll do it your way. |
| 02:02:24 |
Here. |
| 02:02:27 |
A thousand forints. |
| 02:02:32 |
Buy yourself your dinner |
| 02:03:13 |
Futaki is the biggest sucker |
| 02:03:18 |
What did he think? |
| 02:03:23 |
What did the poor devil expect? |
| 02:04:38 |
JUST TROUBLE AND WORK |
| 02:06:26 |
Leave out the part |
| 02:06:32 |
"Though I don't believe it's |
| 02:06:38 |
to show my willingness, |
| 02:06:43 |
I am following |
| 02:06:45 |
I've taken into account that you |
| 02:06:48 |
in all circumstances. |
| 02:06:50 |
No doubts can be had on |
| 02:06:53 |
I hope I could convince you |
| 02:06:56 |
This is important |
| 02:06:58 |
because these lines might have |
| 02:07:02 |
To keep my base working, |
| 02:07:06 |
to keep in touch with my people. |
| 02:07:08 |
Anything else would lead to |
| 02:07:11 |
- I think it's alright. |
| 02:08:26 |
Mrs Schmidt... |
| 02:08:28 |
Type it in! |
| 02:08:32 |
Instead of a stupid female |
| 02:08:35 |
mentally immature person, who |
| 02:08:38 |
mostly emphasizes her |
| 02:08:41 |
And what about |
| 02:08:43 |
Could be a "lady of easy virtue" |
| 02:08:47 |
We'd better write a "woman |
| 02:08:49 |
without hesitation." |
| 02:08:51 |
Okay. |
| 02:09:22 |
- Finished? |
| 02:09:25 |
"She went to bed with anyone |
| 02:09:27 |
And if she didn't that was only |
| 02:09:30 |
She's a paragon of |
| 02:09:48 |
Finished? |
| 02:09:53 |
Instead of "a stench created |
| 02:09:57 |
with some putrid smell"... |
| 02:10:02 |
"She attempts to relieve |
| 02:10:05 |
- in an unusual way." |
| 02:10:29 |
Mrs Kráner. |
| 02:10:36 |
"A termagant with a big mouth" |
| 02:10:40 |
"indescrete transmittor |
| 02:10:43 |
- And instead of "a fat sow"? |
| 02:10:46 |
- We shouldn't. |
| 02:10:49 |
- "Overweight". |
| 02:10:57 |
- Can we leave Mrs Halics? |
| 02:11:16 |
And what about "wrinkled worm, |
| 02:11:19 |
"Elderly alcoholic, |
| 02:11:23 |
"Eager beaver". |
| 02:11:25 |
"Inert dullness, blind wandering." |
| 02:11:27 |
We can leave that out. |
| 02:13:54 |
You finished? |
| 02:14:10 |
Schmidt. |
| 02:14:17 |
What's this "crude dullness |
| 02:14:21 |
featurelessness in the abyss |
| 02:14:27 |
"Extreme stupidity, |
| 02:14:30 |
inert anxiety stiffened in |
| 02:14:34 |
the solid darkness of being." |
| 02:14:36 |
Write |
| 02:14:38 |
"His modest mental ability, |
| 02:14:47 |
his submissive attitude to |
| 02:14:50 |
authority... |
| 02:14:59 |
make him specially suited |
| 02:15:07 |
to accomplish the activity |
| 02:15:15 |
to a high level." |
| 02:15:22 |
The schoolmaster. |
| 02:15:30 |
He must have been |
| 02:15:32 |
Listen to this. |
| 02:15:35 |
"If someone who's about to commit |
| 02:15:39 |
were to hesitate at the last moment |
| 02:15:42 |
he should remember |
| 02:15:45 |
and he will realize |
| 02:15:48 |
- to jump." |
| 02:15:52 |
"He's like a withered cucumber. |
| 02:15:55 |
he remains below Schmidt, |
| 02:16:00 |
Let's put "appearance: |
| 02:16:03 |
- How did the two come together? |
| 02:16:18 |
"His cowardice |
| 02:16:20 |
he compensates for |
| 02:16:23 |
He's rather sentimental |
| 02:16:25 |
as often is the case |
| 02:16:32 |
Then... |
| 02:16:34 |
- "sexually immature." |
| 02:16:55 |
As for Kráner, |
| 02:16:57 |
he's a "Boorish sloppy buffalo |
| 02:17:01 |
strongly built... |
| 02:17:04 |
"A strongly built smith?" |
| 02:17:06 |
"A stupid ass with dull eyes." |
| 02:17:32 |
"The only dangerous one |
| 02:17:35 |
A rebel but more of a coward. |
| 02:17:38 |
He could have a nice career. |
| 02:17:41 |
of his obsessions. |
| 02:17:44 |
I'm sure he's the one |
| 02:17:47 |
- So? |
| 02:17:49 |
No. Write. |
| 02:17:53 |
"Dangerous |
| 02:18:01 |
Cleverer than the others. |
| 02:18:14 |
- Is that all? |
| 02:18:15 |
Then sign his name. |
| 02:18:33 |
Okay. |
| 02:20:13 |
- Is it still raining? |
| 02:20:44 |
They shook hands outside the gate. |
| 02:20:46 |
- You go by? |
| 02:20:49 |
Okay. Bye then, said the clerk. |
| 02:20:53 |
Nice day we had, eh? |
| 02:20:56 |
Yeah, bloody good. |
| 02:20:59 |
They shook hands again |
| 02:21:04 |
At home both were asked |
| 02:21:09 |
You had a bad day, dear? |
| 02:21:12 |
To which, |
| 02:21:16 |
they could only say: Nothing |
| 02:21:28 |
NO WAY OUT |
| 02:26:49 |
During the thirteen days... |
| 02:26:54 |
I spent in hospital... |
| 02:27:00 |
Mrs Kráner... |
| 02:27:04 |
didn't turn up... |
| 02:27:11 |
again... |
| 02:27:15 |
everything is... |
| 02:27:21 |
like I'd left it. |
| 02:27:33 |
Neither of them dares... |
| 02:27:39 |
to leave the house. |
| 02:27:48 |
They must be... |
| 02:27:54 |
lying on their beds, |
| 02:27:59 |
or staring at the ceiling. |
| 02:28:06 |
They haven't a clue... |
| 02:28:11 |
that it is this dull |
| 02:28:19 |
inertia... |
| 02:28:25 |
that leaves them... |
| 02:28:30 |
at the mercy... |
| 02:28:33 |
what they most fear. |
| 02:29:54 |
A cosmic wirtschaft. |
| 02:30:05 |
My hearing... |
| 02:30:10 |
is getting worse. |
| 02:34:56 |
The Turks are coming! |
| 02:35:03 |
The Turks are coming! |
| 02:38:23 |
I must be crazy! |
| 02:38:26 |
I've mistaken the bells |
| 02:38:30 |
for the sound of the knell. |
| 02:42:35 |
One morning... |
| 02:42:42 |
at the end of October... |
| 02:42:46 |
not long before... |
| 02:42:51 |
the first drops... |
| 02:42:57 |
of the insufferably long... |
| 02:43:03 |
autumn rains... fell... |
| 02:43:09 |
on the parched... |
| 02:43:13 |
sodic ground... |
| 02:43:18 |
on the western side of the yard... |
| 02:43:25 |
for... |
| 02:43:29 |
the stinking bog... |
| 02:43:34 |
to make the tracks... |
| 02:43:42 |
impassable... |
| 02:43:53 |
and the town cut off... |
| 02:44:09 |
Futaki was woken... |
| 02:44:14 |
by the sound of bells. |
| 02:44:21 |
Closest... |
| 02:44:25 |
eight kilometers |
| 02:44:34 |
on the old Hochmeiss field... |
| 02:44:40 |
was a solitary chapel... |
| 02:44:47 |
but not only no bell there... |
| 02:44:56 |
even its tower collapsed... |
| 02:45:03 |
during the war... |
| 02:45:10 |
Directed by Béla Tarr |
| 02:45:13 |
From the novel of the same title |
| 02:45:17 |
Script by László Krasznahorkai |
| 02:45:22 |
Editor and co-auteur: |
| 02:45:25 |
Visual treatment: Béla Tarr |
| 02:45:29 |
Camera: Gábor Medvigy |
| 02:45:32 |
Art Consultant: Gyula Pauer |
| 02:45:36 |
Music: Mihály Vig |
| 02:45:39 |
Sound: György Kovács |
| 02:45:50 |
Cast: |
| 02:46:08 |
Voice of Peter Berling: |
| 02:46:13 |
Narrator: Mihály Ráday |
| 02:46:16 |
Assistants: |
| 02:48:01 |
Produced by: |
| 02:48:18 |
Production crew: |
| 02:48:33 |
Assistance was provided by: |
| 02:48:35 |
Magyar Televizió, |
| 02:48:39 |
Télévision Suisse Romande, |
| 02:48:42 |
Filmförderung Berlin, |
| 02:48:44 |
Magyar Mozgókép Alapitvány, |
| 02:48:50 |
With special thanks to |
| 02:48:52 |
Aerocaritas |
| 02:48:55 |
The Town Council and people |
| 02:48:59 |
for their unstinting help |
| 02:49:02 |
Magyar Filmlaboratórium |
| 02:49:05 |
and Geyer Werke GmbH. |
| 02:49:08 |
Light provider: András Bederna |
| 02:49:14 |
1991 - 1994 |
