|
Saint The
|
| 00:00:48 |
BOY: Simon Magus was a magician |
| 00:00:52 |
in...um... |
| 00:00:55 |
PRIEST: In Sumeria. |
| 00:00:58 |
What happened |
| 00:01:01 |
SECOND BOY: Jesus' disciples |
| 00:01:04 |
When Simon Magus |
| 00:01:07 |
he offered Peter gold |
| 00:01:10 |
PRIEST: |
| 00:01:13 |
John Rossi? |
| 00:01:17 |
Stand up! |
| 00:01:24 |
Answer, John Rossi. |
| 00:01:27 |
SIMON: That's not my name. |
| 00:01:30 |
PRIEST: You and all |
| 00:01:32 |
lucky enough to be here... |
| 00:01:34 |
children of sin, |
| 00:01:37 |
are all named for saints... |
| 00:01:41 |
saints who are disciplined, |
| 00:01:46 |
You are named |
| 00:01:50 |
a Capuchin priest who |
| 00:01:55 |
A man who had nothing, |
| 00:01:58 |
Now what is your name... |
| 00:02:01 |
you ungrateful cur? |
| 00:02:11 |
[Whipping] |
| 00:02:15 |
PRIEST: Your name, boy! |
| 00:02:20 |
Have you lost your tongue? |
| 00:02:22 |
What is your name? |
| 00:02:31 |
PRIEST: All the girls... |
| 00:02:33 |
will remain locked |
| 00:02:36 |
and no food |
| 00:02:40 |
until you acknowledge |
| 00:03:03 |
[Banging] |
| 00:03:06 |
BOYS: Food! Food! Food! |
| 00:03:15 |
[Banging stops] |
| 00:03:17 |
[Boys whispering] |
| 00:03:28 |
[Boys gasp] |
| 00:03:29 |
[Cheering] |
| 00:03:49 |
SIMON: Yes. Yes. |
| 00:03:55 |
BOY: They should name you |
| 00:03:59 |
SIMON: No. |
| 00:04:00 |
Simon...Templar. |
| 00:04:13 |
Agnes! |
| 00:04:16 |
Agnes! |
| 00:04:24 |
Agnes! |
| 00:04:35 |
Agnes! |
| 00:04:44 |
AGNES: When they catch you, |
| 00:04:46 |
SIMON: Won't happen, |
| 00:04:48 |
this hearty brotherhood, |
| 00:04:51 |
That's why I risked everything, |
| 00:04:53 |
to bid you farewell. |
| 00:04:55 |
I can't leave you behind |
| 00:04:58 |
Hey, watch this. |
| 00:05:06 |
[Clang] |
| 00:05:16 |
NUN: We've lost some girls! |
| 00:05:17 |
The girls are missing! |
| 00:05:20 |
There are girls missing! |
| 00:05:22 |
BOY: Come on, boys! |
| 00:05:31 |
AGNES: Wait, John Rossi. |
| 00:05:36 |
[Barking] |
| 00:05:40 |
PRIEST: There he is! Get him! |
| 00:05:45 |
AGNES: Aah! |
| 00:06:01 |
SIMON ON TAPE: October 3. |
| 00:06:02 |
Entering foyer |
| 00:06:04 |
Heavy security on elevators. |
| 00:06:07 |
Heavy security on elevators. |
| 00:06:08 |
Elevator to vault on 26th floor |
| 00:06:12 |
[Sighs] |
| 00:06:13 |
Maybe use stairs. |
| 00:06:15 |
No traffic there. |
| 00:06:18 |
October 4. |
| 00:06:20 |
Personal tidbits. |
| 00:06:22 |
Tretiak's former partner |
| 00:06:25 |
It left Tretiak as sole owner |
| 00:06:30 |
Tretiak's first son killed |
| 00:06:35 |
SIMON: Who are you? |
| 00:06:36 |
SIMON ON TAPE: Vehicle was |
| 00:06:39 |
now 27. |
| 00:06:40 |
Wife now lives in Geneva... |
| 00:06:42 |
following assassination |
| 00:06:43 |
[Russian accent] |
| 00:06:46 |
SIMON ON TAPE: October 5. |
| 00:06:48 |
Ilya spent most of today |
| 00:06:51 |
with bandito buddies. |
| 00:06:52 |
Gangster rap, coffee, |
| 00:06:55 |
Small firearms in coats. |
| 00:06:58 |
[Speaking Russian] |
| 00:07:06 |
[Crowd chanting] |
| 00:07:26 |
[Crowd chanting] |
| 00:08:14 |
MAN ON P.A.: There were |
| 00:08:17 |
that dominated the world both |
| 00:08:23 |
Rome, Constantinople, |
| 00:08:27 |
All three have fallen. |
| 00:08:30 |
Only one can be restored... |
| 00:08:32 |
and only one man |
| 00:08:36 |
Ivan Petrovich Tretiak! |
| 00:08:39 |
[Cheering] |
| 00:09:02 |
TRETIAK: Friends... |
| 00:09:05 |
Russians! |
| 00:09:13 |
TRETIAK: You people |
| 00:09:18 |
are the cream of Russia... |
| 00:09:21 |
and the whole nation |
| 00:09:26 |
But why do you all |
| 00:09:29 |
Set aside my oil company... |
| 00:09:31 |
forget about |
| 00:09:34 |
and all I am is a lunatic... |
| 00:09:38 |
haunted by the fantasy |
| 00:09:42 |
that reclaims her former might, |
| 00:09:46 |
[Applause] |
| 00:09:50 |
All I am is a poet |
| 00:09:56 |
not cut off at the knees, |
| 00:10:01 |
Not ridiculed, but revered. |
| 00:10:07 |
[Applause] |
| 00:10:09 |
No! More than revered! |
| 00:10:12 |
Feared! |
| 00:10:13 |
[Cheering] |
| 00:10:22 |
TRETIAK: But who am l |
| 00:10:26 |
All I've done is... |
| 00:10:28 |
YURI: How does it look |
| 00:10:31 |
to walk out |
| 00:10:33 |
ILYA: You'd prefer |
| 00:10:35 |
to piss his pants on live TV? |
| 00:10:39 |
TRETIAK: And still the people |
| 00:11:00 |
SIMON: I love this country. |
| 00:11:11 |
[Click] |
| 00:11:17 |
[Singing in Russian] |
| 00:11:25 |
[Filtered breathing] |
| 00:11:33 |
[Beeping] |
| 00:11:47 |
[Beep] |
| 00:12:40 |
[Beep, Clunk] |
| 00:13:05 |
[Taps cane] |
| 00:13:07 |
[Speaking Russian] |
| 00:13:11 |
SIMON: [Australian accent] |
| 00:13:13 |
ILYA: In that case, stand up... |
| 00:13:16 |
put your hands |
| 00:13:18 |
and turn around slowly. |
| 00:13:25 |
Wrong place for a condom. |
| 00:13:34 |
SIMON: Listen, |
| 00:13:37 |
you'll give it to your daddy. |
| 00:13:40 |
What's he gonna give you? |
| 00:13:43 |
The guy I'm stealing this for |
| 00:13:46 |
If we go in partners, |
| 00:13:48 |
Half a million hard currency. |
| 00:13:51 |
Think of the drugs you could buy |
| 00:13:53 |
You'll be discoing |
| 00:13:57 |
I don't need your small change. |
| 00:13:59 |
That's your first problem. |
| 00:14:01 |
Here is your second. |
| 00:14:04 |
Microchip...please. |
| 00:14:08 |
Freeze! |
| 00:14:10 |
Sorry. Guns make me nervous. |
| 00:14:12 |
Suck me...sideways. |
| 00:14:27 |
[Alarm] |
| 00:14:46 |
ILYA: Aah! Uhh! |
| 00:14:49 |
Uh! My eyes! Ohh! |
| 00:14:52 |
[Alarm] |
| 00:14:56 |
[Alarm] |
| 00:15:10 |
ILYA: Give it up! |
| 00:15:18 |
ILYA: You got no place to go! |
| 00:15:34 |
ILYA: A goddamn button! |
| 00:15:35 |
[Water sloshing] |
| 00:15:44 |
ILYA: Back of the building! |
| 00:15:58 |
ILYA: Where's the body? |
| 00:16:00 |
GUARD: No body. |
| 00:16:05 |
[Crowd chanting] |
| 00:17:01 |
[Rock and roll playing] |
| 00:17:05 |
NEWS ANCHOR: |
| 00:17:07 |
descends on Moscow... |
| 00:17:08 |
Russians are warming |
| 00:17:11 |
of former communist boss |
| 00:17:13 |
Now a billionaire oil magnate... |
| 00:17:16 |
and leader |
| 00:17:18 |
Tretiak predicted that the civil |
| 00:17:20 |
will only worsen, unless |
| 00:17:25 |
can overcome |
| 00:17:26 |
that has already killed |
| 00:17:40 |
WOMAN: What beautiful work. |
| 00:17:50 |
Ah. Cloisonne. |
| 00:17:53 |
It is old. |
| 00:17:54 |
SIMON: [Spanish accent] Yes. |
| 00:18:00 |
Please. |
| 00:18:06 |
Tonight I feel like |
| 00:18:11 |
My husband, he's sending me |
| 00:18:14 |
until things change. |
| 00:18:16 |
You are married |
| 00:18:20 |
and already this bastard |
| 00:18:23 |
I am sorry. |
| 00:18:25 |
It's not my business. |
| 00:18:29 |
How come you know |
| 00:18:33 |
It is a gift. |
| 00:18:36 |
I'm Martin de Porres. |
| 00:18:40 |
but I'm named |
| 00:18:42 |
who could cure |
| 00:18:45 |
by the laying of hands. |
| 00:18:58 |
INSPECTOR: Hmm. |
| 00:19:00 |
as the description |
| 00:19:03 |
but he doesn't |
| 00:19:04 |
WOMAN: No. |
| 00:19:09 |
WOMAN: Could be faking it. |
| 00:19:18 |
SECURITY GUARD: |
| 00:19:19 |
He hasn't swallowed |
| 00:19:22 |
SIMON: You English with |
| 00:19:24 |
On the airplane, I had chicken. |
| 00:19:26 |
WOMAN: Van Gogh theft, |
| 00:19:28 |
Last year. Same eyes. |
| 00:19:30 |
INSPECTOR: Different chin. |
| 00:20:13 |
DRIVER: Halcyon Hotel, guv. |
| 00:20:23 |
[Dreaming] |
| 00:20:25 |
What is your name?! |
| 00:20:27 |
Answer the question! |
| 00:20:31 |
[Echoing] |
| 00:20:39 |
MAN ON TELEPHONE: |
| 00:20:41 |
I put the dough in your account. |
| 00:20:42 |
SIMON: Sorry I didn't get back |
| 00:20:44 |
Moscow's like Dodge City now. |
| 00:20:46 |
All them greedy Commies have |
| 00:20:48 |
It's disgusting. |
| 00:20:51 |
One or two more easy scores |
| 00:20:53 |
-l top 50 mil, I'm quitting. |
| 00:20:55 |
SIMON: Not from me. |
| 00:20:58 |
You don't believe me? |
| 00:20:59 |
-Fuck you, Lou. |
| 00:21:06 |
Can't seem to break 50. |
| 00:21:57 |
[German accent] |
| 00:21:59 |
"nonrefundable... |
| 00:22:01 |
"reserves you a quiet table... |
| 00:22:03 |
"at a romantic little spot |
| 00:22:08 |
"which has |
| 00:22:11 |
"To get inside, you walk |
| 00:22:13 |
"and I walk through |
| 00:22:15 |
"Since you know I'm not armed, |
| 00:22:19 |
"we can both fall in love, |
| 00:22:35 |
ILYA: I can't see him. |
| 00:22:37 |
TRETIAK: Then look for him. |
| 00:22:39 |
SIMON: You have |
| 00:22:42 |
along with your beautiful eyes. |
| 00:22:47 |
That photograph |
| 00:22:49 |
TRETIAK: Who are you? |
| 00:22:51 |
SIMON: My name |
| 00:22:53 |
I was named for a saint |
| 00:22:56 |
Had the wine, women, songs... |
| 00:22:58 |
then took a vow of poverty |
| 00:23:02 |
went to live in the forest... |
| 00:23:05 |
TRETIAK: Please leave. |
| 00:23:08 |
SIMON: I represent |
| 00:23:10 |
I'm his business manager. |
| 00:23:12 |
I speak for him. |
| 00:23:14 |
ILYA: We don't deal |
| 00:23:16 |
Come on, Father. Let's go. |
| 00:23:19 |
TRETIAK: Wait. Sit down. |
| 00:23:22 |
SIMON: Ah. Youth. |
| 00:23:28 |
TRETIAK: Who runs this thief? |
| 00:23:30 |
CIA? Ml-6? Libya? |
| 00:23:33 |
SIMON: He's not a racecar. |
| 00:23:35 |
He's an independent contractor. |
| 00:23:36 |
TRETIAK: Good. Then no one |
| 00:23:40 |
Oh, yes. |
| 00:23:42 |
I can have a man killed |
| 00:23:46 |
even with metal detectors... |
| 00:23:48 |
even in this transit lounge. |
| 00:23:52 |
SIMON: Oh, it's so early. |
| 00:23:55 |
You guys wanna get coffee |
| 00:23:58 |
TRETIAK: Sure. |
| 00:24:03 |
Be quiet. |
| 00:24:05 |
SIMON: What is it |
| 00:24:07 |
TRETIAK: Do you know |
| 00:24:10 |
SIMON: Of course. |
| 00:24:11 |
It's the theory... |
| 00:24:13 |
of nuclear fusion |
| 00:24:16 |
free energy forever. |
| 00:24:17 |
TRETIAK: Yes. |
| 00:24:18 |
SERVER: Kaffee? |
| 00:24:19 |
SIMON: Klein, Bitte. |
| 00:24:22 |
SIMON: As far as science goes, |
| 00:24:26 |
Those who claim to |
| 00:24:28 |
have never been able |
| 00:24:30 |
TRETIAK: Until now. |
| 00:24:33 |
There is an electrochemist |
| 00:24:37 |
We believe |
| 00:24:39 |
made a breakthrough |
| 00:24:42 |
Your employer |
| 00:24:46 |
He's very busy, |
| 00:24:50 |
Your offer must inspire him. |
| 00:24:52 |
This woman |
| 00:24:54 |
my agents' attempts |
| 00:24:58 |
She's cagey, difficult. |
| 00:25:01 |
Maybe your agents are stupid. |
| 00:25:07 |
I think this inspiration would |
| 00:25:11 |
TRETIAK: [Chuckles] |
| 00:25:13 |
SIMON: Why? You will have |
| 00:25:18 |
Cost you a nickel |
| 00:25:21 |
His deposit should go-- |
| 00:25:22 |
Hey. It is not for me. |
| 00:25:25 |
It is for mother Russia. |
| 00:25:26 |
But you want mother Russia, |
| 00:25:30 |
Three million in a bank account |
| 00:25:36 |
Yes. |
| 00:25:38 |
How long to get |
| 00:25:43 |
I'll ask. |
| 00:25:59 |
Your offer has inspired her. |
| 00:26:00 |
I'll do it. |
| 00:26:03 |
Bank account number in Zurich. |
| 00:26:06 |
Auf wiedersehen. Bye, sonny. |
| 00:26:08 |
TRETIAK: Bye-bye. |
| 00:26:11 |
I really love this guy. |
| 00:26:18 |
ILYA: |
| 00:26:20 |
Yeah, too bad. |
| 00:26:36 |
WOMAN: When the electrochemists |
| 00:26:39 |
announced in 1989... |
| 00:26:41 |
that they had discovered |
| 00:26:44 |
a revolutionary process |
| 00:26:49 |
they were at first |
| 00:26:52 |
and then condemned |
| 00:26:56 |
The protocols of cold fusion... |
| 00:26:59 |
SIMON: What are those? Drugs? |
| 00:27:00 |
Could I have one? |
| 00:27:03 |
She's boring the life |
| 00:27:07 |
-They're for my heart. |
| 00:27:10 |
You have very pretty eyes. |
| 00:27:13 |
-Who are you? |
| 00:27:16 |
I'm here to do an interview |
| 00:27:18 |
I'm gonna expose her as a fraud. |
| 00:27:21 |
You don't put any stock in |
| 00:27:24 |
-Actually, I do. |
| 00:27:26 |
WOMAN: Dr. Emma Russell. |
| 00:27:35 |
Oops. |
| 00:27:41 |
EMMA: Well, I didn't prepare |
| 00:27:47 |
I'm actually more interested... |
| 00:27:49 |
in what questions you all have |
| 00:27:52 |
so I thought we would |
| 00:27:54 |
Any questions? |
| 00:27:58 |
Please? |
| 00:27:59 |
MAN: I have, Dr. Russell. |
| 00:28:02 |
Can you explain |
| 00:28:05 |
you know, the theory? |
| 00:28:07 |
Yes. Oh, there it is. |
| 00:28:09 |
This is the--the apparatus. |
| 00:28:13 |
And very simply... |
| 00:28:15 |
when positively charged |
| 00:28:18 |
are attracted |
| 00:28:21 |
they cram together... |
| 00:28:22 |
and there are millions of them |
| 00:28:26 |
getting closer and closer, |
| 00:28:29 |
and they create energy |
| 00:28:31 |
WOMAN: But I read somewhere... |
| 00:28:33 |
that the experiment |
| 00:28:34 |
so how do we know it works? |
| 00:28:38 |
EMMA: We don't. |
| 00:28:40 |
Not yet. |
| 00:28:42 |
But if you remember Einstein... |
| 00:28:44 |
he knew the theory |
| 00:28:47 |
long before he could prove it. |
| 00:28:49 |
I mean, he felt the truth. |
| 00:28:49 |
And, uh, some of us |
| 00:28:51 |
And, uh, some of us |
| 00:28:54 |
about cold fusion... |
| 00:28:55 |
because it's there. |
| 00:28:58 |
the raw, natural power |
| 00:29:02 |
When we ignite |
| 00:29:07 |
I mean, just imagine. |
| 00:29:10 |
There's more energy |
| 00:29:14 |
than in all the known |
| 00:29:17 |
I mean, you could drive |
| 00:29:21 |
on a gallon of heavy water. |
| 00:29:23 |
It would be the end |
| 00:29:26 |
warmth for the whole world. |
| 00:29:30 |
So why don't I demonstrate |
| 00:29:33 |
why other people in the past |
| 00:29:39 |
They used very complex... |
| 00:29:42 |
SIMON: November 17, 11:30 a.m. |
| 00:29:44 |
Entering flat |
| 00:29:47 |
High Street, Oxford. |
| 00:29:49 |
No alarms on outer doors. |
| 00:29:52 |
TAPE: No messages. |
| 00:29:59 |
SIMON: Shelley Monument. |
| 00:30:03 |
Entering bathroom. |
| 00:30:05 |
Books. |
| 00:30:09 |
More books. |
| 00:30:14 |
Walls covered |
| 00:30:18 |
Poetry. |
| 00:30:29 |
[Click] |
| 00:30:32 |
Ah. Dad. |
| 00:30:35 |
[Click] |
| 00:31:06 |
"Stop and talk to Shelley |
| 00:31:08 |
"How can I love |
| 00:31:14 |
"Isn't there |
| 00:31:16 |
"who can consume me like that." |
| 00:31:18 |
Magic. Romantic. |
| 00:31:29 |
No recent applications. |
| 00:31:30 |
"Cold fusion notes." |
| 00:31:43 |
"Although I pass the |
| 00:31:45 |
"its sadness strikes me |
| 00:31:49 |
"l feel a very personal loss |
| 00:31:52 |
"So much pain |
| 00:31:59 |
"To give light to them |
| 00:32:02 |
"and in the shadow of death." |
| 00:32:05 |
"Luke 1; verse 79." |
| 00:32:08 |
Tretiak's wrong. |
| 00:32:12 |
She's not difficult. |
| 00:32:14 |
eccentric. |
| 00:32:16 |
She's innocent. |
| 00:32:25 |
Maybe it's in her head. |
| 00:32:27 |
She needs a poet... |
| 00:32:32 |
someone who... |
| 00:32:34 |
understands truth. |
| 00:32:44 |
She needs Thomas More. |
| 00:33:15 |
[Taps paper] |
| 00:33:31 |
SIMON: Do you like it? |
| 00:33:35 |
EMMA: What? |
| 00:33:36 |
The sculpture. Do you like it? |
| 00:33:40 |
Oh...yes. |
| 00:33:43 |
What do you love about it? |
| 00:33:55 |
The way it...glows. |
| 00:34:00 |
And how the light... |
| 00:34:04 |
holds him in silence... |
| 00:34:07 |
taking care of him. |
| 00:34:11 |
That's what I like about it. |
| 00:34:17 |
Are you an artist? |
| 00:34:18 |
No. I'm just a traveler |
| 00:34:24 |
-What do you search for? |
| 00:34:27 |
Yes. |
| 00:34:32 |
Have you ever been |
| 00:34:34 |
No, not really. |
| 00:34:39 |
Perhaps I'll take you |
| 00:34:41 |
in Africa. |
| 00:34:44 |
You should |
| 00:34:46 |
of where all life began. |
| 00:34:53 |
Sorry. |
| 00:35:00 |
Me, neither. |
| 00:35:29 |
EMMA: "l see my angel |
| 00:35:32 |
"know my purpose, |
| 00:35:37 |
"hear, at first faintly, |
| 00:35:40 |
"the sweet strains |
| 00:35:44 |
"Our love heats up |
| 00:35:47 |
"and gives my tired, |
| 00:35:50 |
SIMON: "purified |
| 00:35:53 |
"are eternally healed." |
| 00:35:57 |
Do you like it? |
| 00:35:58 |
Who did you write it for? |
| 00:36:00 |
SIMON: You. |
| 00:36:03 |
You're following me, |
| 00:36:06 |
Either way, it's weird. |
| 00:36:09 |
Very weird. |
| 00:36:13 |
Destiny then. |
| 00:36:25 |
This must look strange. |
| 00:36:28 |
It's, uh... |
| 00:36:29 |
something that I'm working on... |
| 00:36:32 |
a formula for... |
| 00:36:35 |
creating energy. |
| 00:36:38 |
That you carry around |
| 00:36:41 |
Yeah, I do. |
| 00:36:57 |
How did you do that? |
| 00:37:01 |
Magic. |
| 00:37:03 |
EMMA: Give it back. |
| 00:37:05 |
SIMON: It looks like Sanskrit. |
| 00:37:06 |
Give it back. |
| 00:37:10 |
I'm sorry. I just wanted |
| 00:37:15 |
What else do you keep in there? |
| 00:37:18 |
Nothing. |
| 00:37:19 |
SIMON: That's not true. |
| 00:37:22 |
SERVER: Can I get you |
| 00:37:27 |
SIMON: Drink your wine. |
| 00:37:33 |
WAITER: The Latour, sir, |
| 00:37:41 |
Then we'll have two bottles. |
| 00:37:46 |
There. You count it. |
| 00:37:54 |
SIMON: All these little tubes |
| 00:37:57 |
EMMA: Molecules? |
| 00:37:58 |
-Those, too. |
| 00:38:00 |
EMMA: Can I tell you something? |
| 00:38:03 |
SIMON: |
| 00:38:05 |
EMMA: [Whispering] |
| 00:38:08 |
SIMON: What? |
| 00:38:11 |
I'm done. |
| 00:38:15 |
My energy research-- |
| 00:38:18 |
I still have some sequencing |
| 00:38:21 |
to make sure that it's safe, |
| 00:38:25 |
It's just been you against |
| 00:38:29 |
How have you done it |
| 00:38:31 |
The gift of faith. |
| 00:38:35 |
To see... |
| 00:38:38 |
Well... |
| 00:38:40 |
to believe in something |
| 00:38:44 |
but hidden from our sight. |
| 00:38:48 |
SIMON: |
| 00:38:50 |
EMMA: I can't believe |
| 00:38:53 |
I don't even know your name. |
| 00:38:56 |
Well, my name is... |
| 00:38:59 |
I don't want to tell you. |
| 00:39:00 |
I don't want to do that. |
| 00:39:04 |
I don't want to do that. |
| 00:39:09 |
What's your name? |
| 00:39:12 |
-Emma. |
| 00:39:14 |
Now I know |
| 00:39:18 |
Your...genius. |
| 00:39:22 |
You have a weak heart. |
| 00:39:27 |
You have beautiful dreams, |
| 00:39:32 |
You're not afraid in this world. |
| 00:39:35 |
You get that from your father. |
| 00:39:39 |
You can't cook |
| 00:39:43 |
and you love fish. |
| 00:39:46 |
I do love fish. |
| 00:39:49 |
That's weird. |
| 00:39:51 |
I want to try that. |
| 00:39:53 |
-No. |
| 00:39:54 |
I don't want you to. |
| 00:39:59 |
EMMA: Yes, I do. |
| 00:40:01 |
What's your name? |
| 00:40:04 |
My name is Thomas More. |
| 00:40:06 |
I was named after the saint... |
| 00:40:11 |
who died for his faith. |
| 00:40:16 |
OK. |
| 00:40:20 |
Your work... |
| 00:40:22 |
is very dangerous... |
| 00:40:27 |
and I love your poems. |
| 00:40:30 |
They move me. |
| 00:40:33 |
But that's not |
| 00:40:36 |
You're running away from... |
| 00:40:39 |
your past and your pain... |
| 00:40:42 |
and yet you keep it |
| 00:40:48 |
So you don't have to be afraid |
| 00:40:54 |
because you're beautiful. |
| 00:41:52 |
What are you doing? |
| 00:42:10 |
EMMA: Oh, my God, |
| 00:42:15 |
SIMON: Don't know. I was... |
| 00:42:17 |
weeping, and I slipped. |
| 00:42:21 |
I was thinking of you. |
| 00:42:23 |
EMMA: |
| 00:42:25 |
I could clean you up. |
| 00:42:28 |
Why do you cover your mouth |
| 00:42:30 |
-l don't know. |
| 00:42:36 |
I'm glad it stopped bleeding. |
| 00:42:39 |
Don't need stitches. |
| 00:42:42 |
[Glass clatters] |
| 00:42:47 |
We're gonna have |
| 00:42:50 |
You really are an angel. |
| 00:42:52 |
You are. |
| 00:42:57 |
It's gonna hurt. |
| 00:42:59 |
-Aah! |
| 00:43:00 |
Oh, sorry. |
| 00:43:04 |
I'm sorry. Are you all right? |
| 00:43:07 |
Yeah. |
| 00:43:09 |
I'm sorry. I was just joking. |
| 00:43:12 |
l... |
| 00:43:14 |
-l should go. |
| 00:43:16 |
Yes. You--you...I... |
| 00:43:19 |
Take off your pants. |
| 00:43:21 |
Pardon? |
| 00:43:22 |
I mean, your sweater. |
| 00:43:27 |
EMMA: There's blood on it. |
| 00:43:35 |
SIMON: Very domestic. |
| 00:43:38 |
There's blood |
| 00:43:44 |
I'll wash it. |
| 00:43:59 |
Do you have any wine? |
| 00:44:12 |
EMMA: I'm so overwhelmed |
| 00:44:17 |
SIMON: How could I not? |
| 00:44:21 |
You make me feel so good. |
| 00:44:23 |
I wish you... |
| 00:44:26 |
I wish you could understand. |
| 00:44:30 |
I want you to know who I am. |
| 00:44:49 |
Oh, my heart. |
| 00:44:51 |
Don't disappear. |
| 00:44:53 |
FEMALE VOCALIST: |
| 00:44:57 |
Bring it round. |
| 00:44:59 |
Too way high up, your street. |
| 00:45:04 |
I can see... |
| 00:45:07 |
like nothin' else... |
| 00:45:10 |
in me, you're better |
| 00:45:15 |
Don't think, |
| 00:45:18 |
Don't think, |
| 00:45:20 |
I care... |
| 00:45:22 |
Don't think, |
| 00:45:24 |
SIMON: Oh, I can't do this. |
| 00:45:27 |
She's so great. |
| 00:45:28 |
EMMA: I can't believe this. |
| 00:45:29 |
I can't believe |
| 00:45:32 |
VOCALIST: I'm open... |
| 00:45:35 |
to falling from grace. |
| 00:45:50 |
[Song continues faintly] |
| 00:45:57 |
EMMA: Hi. |
| 00:46:15 |
ILYA: "To spider: |
| 00:46:17 |
"Must fly. Have better offer." |
| 00:46:20 |
Greedy westerner. |
| 00:46:23 |
TRETIAK: Who cares? |
| 00:46:24 |
Can't spend hard currency |
| 00:46:29 |
Send this message-- |
| 00:46:30 |
"Fly, don't buzz off. |
| 00:46:35 |
"I'll double your fee... |
| 00:46:38 |
"or send my own boys |
| 00:46:50 |
EMMA: You OK? |
| 00:46:54 |
SIMON: Let's... |
| 00:47:01 |
Can't we just |
| 00:47:05 |
Is that what you want? |
| 00:47:08 |
SIMON: It's so magic. |
| 00:47:15 |
It just feels so perfect. |
| 00:47:20 |
[Beeping] |
| 00:47:47 |
RADIO: It's 7:00 a.m., |
| 00:47:58 |
EMMA: Thomas? |
| 00:49:13 |
TRETIAK: Lev Naumovitch, |
| 00:49:16 |
DR. BOTVIN: |
| 00:49:17 |
She's boldly cast aside |
| 00:49:20 |
but I think the formula |
| 00:49:22 |
It will take months... |
| 00:49:24 |
TRETIAK: That won't do... |
| 00:49:25 |
because now that the people are |
| 00:49:28 |
Tretiak must sweep in |
| 00:49:31 |
MAN: How high do you want it, |
| 00:49:34 |
TRETIAK: To the top. |
| 00:49:36 |
YURI: Good morning. |
| 00:49:37 |
BOTVIN: Perhaps l |
| 00:49:40 |
of this formula more quickly |
| 00:49:43 |
with certain protocols. |
| 00:49:46 |
YURI: How long, Dr. Botvin, |
| 00:49:48 |
your last salary check |
| 00:49:52 |
BOTVIN: |
| 00:49:56 |
Last August. |
| 00:49:57 |
[Beeping] |
| 00:50:00 |
Ivan, he's on-line. |
| 00:50:04 |
TRETIAK: Do it. |
| 00:50:08 |
SIMON: To spider... |
| 00:50:12 |
You've got the recipe. |
| 00:50:13 |
YURI: "Where's my dough?" |
| 00:50:14 |
TRETIAK: To human fly... |
| 00:50:18 |
Recipe incomplete. |
| 00:50:21 |
The cake won't rise. |
| 00:50:23 |
Hence, no dough. |
| 00:50:32 |
SIMON: I am not the baker... |
| 00:50:34 |
YURI: "...but don't make me |
| 00:50:39 |
I like this guy. |
| 00:50:45 |
No play, no pay. |
| 00:50:48 |
I'm certain you kept |
| 00:50:59 |
ILYA: Holland Park. |
| 00:51:15 |
RECEPTIONIST: |
| 00:51:17 |
Yes, that seems to be fine. |
| 00:51:29 |
SIMON: He's keeping me on-line. |
| 00:51:40 |
MAN: You wait here. |
| 00:51:57 |
[Sirens] |
| 00:52:07 |
[Beeping] |
| 00:52:09 |
[Beeping] |
| 00:52:23 |
POLICE OFFICER: |
| 00:52:27 |
Now, turn around. |
| 00:52:30 |
SIMON: He's armed! |
| 00:52:54 |
ILYA: Drive! |
| 00:53:04 |
ILYA: Go the other way. Go! |
| 00:53:11 |
MALE VOCALIST: |
| 00:53:15 |
You're all I've got tonight. |
| 00:53:20 |
INSPECTOR: What about him? |
| 00:53:29 |
What about this one? |
| 00:53:35 |
EMMA: Yeah. That-- |
| 00:53:38 |
INSPECTOR: We believe |
| 00:53:45 |
Oh, my God. |
| 00:53:49 |
They're all him? |
| 00:53:51 |
INSPECTOR: We believe so. |
| 00:53:53 |
He eluded a hit squad |
| 00:53:58 |
Then he fled the U.K. |
| 00:54:00 |
WOMAN: We've got a handful |
| 00:54:02 |
used on visas, |
| 00:54:06 |
Nicholas Owen... |
| 00:54:08 |
Louie Guanella... |
| 00:54:10 |
Peter Damian... |
| 00:54:12 |
Charles Borroneo. |
| 00:54:15 |
EMMA: Of course. |
| 00:54:17 |
Thomas More. |
| 00:54:20 |
All names of Catholic saints. |
| 00:54:25 |
Can you access |
| 00:54:28 |
for the last eight hours? |
| 00:54:31 |
I think it might be possible. |
| 00:54:33 |
Good. |
| 00:54:38 |
[Bell rings] |
| 00:54:39 |
[Crowd cheering] |
| 00:54:42 |
ILYA: Go! |
| 00:55:01 |
CROWD: Yeah! |
| 00:55:08 |
[Singing in Russian] |
| 00:55:13 |
MAN: Yes! |
| 00:55:25 |
TRETIAK: See, my friends... |
| 00:55:28 |
you back the biggest rats. |
| 00:55:33 |
[Speaking Russian] |
| 00:55:51 |
Hello. |
| 00:55:56 |
TRETIAK: Out, out. |
| 00:55:57 |
Freeloaders, out. |
| 00:56:00 |
I want to drink alone. |
| 00:56:02 |
Close the curtain. |
| 00:56:24 |
-What? |
| 00:56:28 |
SIMON: Don't look down. |
| 00:56:30 |
You know who I am? |
| 00:56:33 |
No. |
| 00:56:35 |
I'm the thief |
| 00:56:38 |
This is your accountant. |
| 00:56:43 |
Talk to him. |
| 00:56:47 |
SIMON: The phone goes |
| 00:56:53 |
Hello. |
| 00:56:55 |
Tretiak speaking. |
| 00:56:57 |
That money to Zurich, |
| 00:57:02 |
I said now. |
| 00:57:05 |
Yeah. |
| 00:57:09 |
Thank you. |
| 00:57:11 |
You know what the hardest part |
| 00:57:14 |
Pretending to be so bad in bed. |
| 00:57:19 |
You son of the bitch. |
| 00:57:22 |
SIMON: There is an impostor. |
| 00:57:24 |
TRETIAK: Hey, hey, hey! |
| 00:57:27 |
Take your hands off me, |
| 00:57:30 |
Are you crazy? It's me. |
| 00:57:33 |
Go, go! |
| 00:57:34 |
Catch him, go! |
| 00:57:35 |
Ilya, get the bastard! |
| 00:57:44 |
[Siren] |
| 00:57:50 |
[Radio dispatcher |
| 00:57:59 |
SIMON: Fifty million. I'm out. |
| 00:58:04 |
SIMON: Mr. Ferrer checking out. |
| 00:58:06 |
CLERK: OK. |
| 00:58:13 |
[Speaking Russian] |
| 00:58:18 |
EMMA: I'll have one, too. |
| 00:58:21 |
SIMON: Emma. |
| 00:58:22 |
EMMA: Hi. |
| 00:58:25 |
I'm...I'm overwhelmed. |
| 00:58:29 |
You found me. |
| 00:58:30 |
Wasn't very hard. |
| 00:58:33 |
Two men with saint's names |
| 00:58:36 |
Isadore Bakanja |
| 00:58:40 |
whereas Vincent Ferrer-- |
| 00:58:43 |
SIMON: Named after a saint |
| 00:58:45 |
How could you do it? |
| 00:58:47 |
Emma... |
| 00:58:49 |
l--l had to. |
| 00:58:53 |
I'm a thief. |
| 00:58:54 |
I want my cards back. |
| 00:58:56 |
SIMON: You flew all this way |
| 00:58:58 |
Yes, I did. |
| 00:58:59 |
No. |
| 00:59:06 |
I rest my case. |
| 00:59:07 |
Who are you? |
| 00:59:09 |
No one has a clue, |
| 00:59:12 |
EMMA: And why would you |
| 00:59:15 |
It's free. |
| 00:59:19 |
[Bartender speaking Russian] |
| 00:59:21 |
Eight million reasons. |
| 00:59:22 |
Eight million. |
| 00:59:27 |
I would have |
| 00:59:30 |
if you'd only asked. |
| 00:59:38 |
You've got |
| 00:59:39 |
I'm not going until you tell me |
| 00:59:43 |
-You lied to me. |
| 00:59:45 |
You almost got me killed. |
| 00:59:48 |
Well, screw him. |
| 00:59:50 |
I don't think you'd enjoy that. |
| 00:59:52 |
EMMA: You're right. |
| 00:59:56 |
[Speaking Russian] |
| 01:00:01 |
Emma, you don't know |
| 01:00:06 |
EMMA: What? |
| 01:00:15 |
-They took my pills. |
| 01:00:17 |
I palmed them from your purse. |
| 01:00:19 |
I need one or two. |
| 01:00:21 |
I need... |
| 01:00:24 |
-I know. |
| 01:00:27 |
SIMON: |
| 01:00:29 |
OK, I've got two in my hand. |
| 01:00:30 |
OK, I've got two in my hand. |
| 01:00:32 |
EMMA: I'm gonna pass out. |
| 01:00:34 |
Sit down on the floor. |
| 01:00:37 |
Just get down on the floor. |
| 01:00:40 |
That's right. |
| 01:00:42 |
That's right. OK? |
| 01:00:45 |
While you're down there... |
| 01:00:50 |
Get the pocketknife |
| 01:00:55 |
This formula makes |
| 01:00:59 |
which contradict all we know |
| 01:01:03 |
so testing at any level |
| 01:01:05 |
without further information, |
| 01:01:09 |
TRETIAK: |
| 01:01:11 |
Help is here. |
| 01:01:24 |
The two came very quietly. |
| 01:01:28 |
Oh. |
| 01:01:34 |
TRETIAK: |
| 01:01:38 |
Close the city. |
| 01:01:40 |
Kill him, and bring her...alive. |
| 01:01:45 |
[Sirens] |
| 01:01:58 |
Why are they after me? |
| 01:02:01 |
Tretiak, the guy I work for... |
| 01:02:05 |
We have to convince him there's |
| 01:02:10 |
EMMA: What do you want from me? |
| 01:02:17 |
-Everything's on those cards? |
| 01:02:21 |
SIMON: So the formula works? |
| 01:02:22 |
Oh, kiss me again. |
| 01:02:27 |
-No. |
| 01:02:29 |
Oh, it's--l have to |
| 01:02:34 |
before the formula works, |
| 01:02:36 |
-Tretiak will find you. |
| 01:02:38 |
He found me, |
| 01:02:41 |
-l found you. |
| 01:02:45 |
What do you need? |
| 01:02:51 |
I need some time... |
| 01:02:52 |
and I need... |
| 01:02:56 |
I need a place to work... |
| 01:02:59 |
and... |
| 01:03:01 |
EMMA: |
| 01:03:04 |
SIMON: To their country |
| 01:03:07 |
There's no heat in the city. |
| 01:03:10 |
[Dialing telephone] |
| 01:03:13 |
[Loud rock music playing] |
| 01:03:18 |
How long will it take you |
| 01:03:20 |
I don't know. |
| 01:03:22 |
Two hours, maybe. |
| 01:03:25 |
Should be enough time to get |
| 01:03:28 |
and for us to get married. |
| 01:03:31 |
-We're getting married? |
| 01:03:34 |
I want you to be |
| 01:03:41 |
-You're not Martin. |
| 01:03:45 |
Who are you? |
| 01:03:49 |
I don't have a name. |
| 01:03:52 |
That's sad. |
| 01:03:54 |
Will you have a name |
| 01:03:56 |
I don't have a home. |
| 01:03:58 |
When we get back... |
| 01:04:00 |
you do the science, |
| 01:04:02 |
We'll market your formula |
| 01:04:04 |
We'll make a fortune, |
| 01:04:08 |
we'll see. |
| 01:04:11 |
OK? |
| 01:04:21 |
Emma! |
| 01:04:24 |
[Horn honking] |
| 01:04:39 |
MAN: No trouble, OK? |
| 01:04:44 |
If you want to live, |
| 01:05:34 |
Ohh! |
| 01:05:38 |
[Splash] |
| 01:06:43 |
[Music blaring] |
| 01:06:45 |
Shadow room, night... |
| 01:06:48 |
EMMA: I've got you. |
| 01:06:56 |
EMMA: Come on. |
| 01:07:02 |
Here we go. Up. |
| 01:07:07 |
We've gotta get you warm. |
| 01:07:17 |
We're almost there. |
| 01:07:42 |
EMMA: Come on. |
| 01:07:45 |
Come on. |
| 01:07:52 |
You'll wait till Christ |
| 01:07:55 |
Elevator was made of mahogany. |
| 01:07:57 |
Tenants used it |
| 01:07:59 |
EMMA: We need your help. |
| 01:08:01 |
He fell in the river, |
| 01:08:04 |
-Need clothes. |
| 01:08:05 |
You're not people. |
| 01:08:10 |
Yes, but we ran into trouble |
| 01:08:13 |
[Tires screech] |
| 01:08:35 |
[Speaking Russian] |
| 01:08:36 |
[Speaking Russian] |
| 01:08:44 |
She disapproves of what I do, |
| 01:08:50 |
No heat for sale... |
| 01:08:52 |
but these clothes |
| 01:08:54 |
[Speaking Russian] |
| 01:08:59 |
I tell her, Mashenka, |
| 01:09:02 |
She's always puttering around. |
| 01:09:07 |
It's here. |
| 01:09:11 |
In you go. |
| 01:09:27 |
EMMA: You've got hypothermia. |
| 01:09:29 |
We have to get |
| 01:09:33 |
keep you warm. |
| 01:09:35 |
ILYA: They must be in |
| 01:09:37 |
Check every apartment. |
| 01:09:41 |
EMMA: |
| 01:09:44 |
SIMON: Snug as a bug in a rug. |
| 01:09:54 |
OK. We're gonna... |
| 01:09:57 |
We're gonna have to do this |
| 01:10:01 |
falls below 95 degrees. |
| 01:10:17 |
MAN: Two kids |
| 01:10:26 |
[Bell rings] |
| 01:10:28 |
ILYA: Listen to me, tenants! |
| 01:10:30 |
Show me where |
| 01:10:33 |
and you'll be paid |
| 01:10:36 |
Five hundred bucks reward. |
| 01:10:39 |
Daddy... |
| 01:10:41 |
have you seen, by chance, |
| 01:10:45 |
Just one American |
| 01:10:47 |
[Woman laughs] |
| 01:10:49 |
Do we get 250? |
| 01:10:59 |
[Woman speaking Russian] |
| 01:11:10 |
ILYA: We check upstairs. |
| 01:11:12 |
[Door closes] |
| 01:11:23 |
EMMA: What's your name? |
| 01:11:28 |
Who are you really? |
| 01:11:31 |
Simon. |
| 01:11:32 |
Simon? |
| 01:11:34 |
So you are named for a saint. |
| 01:11:37 |
No, Simon the magician. |
| 01:11:40 |
I did tricks... |
| 01:11:42 |
tricks for Agnes... |
| 01:11:45 |
Priests took everything, |
| 01:11:49 |
Dogs too big. |
| 01:11:51 |
Teeth. Teeth. |
| 01:11:54 |
She fell. |
| 01:11:56 |
I escaped. |
| 01:11:59 |
I always escape. |
| 01:12:01 |
I don't believe in magic |
| 01:12:05 |
EMMA: I do. |
| 01:12:09 |
I've never felt |
| 01:12:13 |
How? |
| 01:12:15 |
I'm freezing. |
| 01:12:21 |
WOMAN: These are here! |
| 01:12:30 |
EMMA: We gotta get out of here. |
| 01:12:33 |
They're coming. |
| 01:12:36 |
WOMAN: Americans are here! |
| 01:12:38 |
EMMA: |
| 01:12:46 |
MAN: Ilya! |
| 01:12:52 |
[Siren] |
| 01:13:00 |
Upstairs. Go! |
| 01:13:19 |
EMMA: Maybe we can jump. |
| 01:13:22 |
Let's jump. |
| 01:13:27 |
Come on. |
| 01:13:53 |
Wait. |
| 01:14:11 |
We need her alive, idiot. |
| 01:14:15 |
SIMON: Embassy's east of here. |
| 01:14:26 |
[Arguing in Russian] |
| 01:14:35 |
WOMAN: You're late. |
| 01:14:38 |
I've been waiting two hours. |
| 01:14:40 |
I've got some beautiful |
| 01:14:43 |
In here. Come on. |
| 01:14:50 |
Don't fret. |
| 01:14:53 |
I am Alexa Frankievitch, |
| 01:14:55 |
you can call me Frankie. |
| 01:14:57 |
SIMON: OK, Frankie. |
| 01:14:59 |
FRANKIE: I know. The icon |
| 01:15:03 |
-Are those maps of the tunnels? |
| 01:15:06 |
We're not here to buy art. |
| 01:15:08 |
FRANKIE: Right. |
| 01:15:11 |
SIMON: No. |
| 01:15:14 |
OK. 7,000 and not a penny less. |
| 01:15:17 |
TOLI: Shh. |
| 01:15:26 |
[Whispering] Police. |
| 01:15:27 |
SIMON: No. Tretiak's goons. |
| 01:15:38 |
FRANKIE: Wait. |
| 01:15:39 |
ILYA: Sasha, |
| 01:15:42 |
-Are we lost? |
| 01:15:44 |
FRANKIE: You're in Russia, sir. |
| 01:15:47 |
But you know the way? |
| 01:15:48 |
Like the face |
| 01:16:02 |
I remember. This way. |
| 01:16:08 |
FRANKIE: At last. Water main. |
| 01:16:11 |
They shut it down |
| 01:16:13 |
SIMON: What time do they |
| 01:16:15 |
FRANKIE: You have five minutes, |
| 01:16:18 |
EMMA: Plus or minus? |
| 01:16:19 |
TOLI: That means several |
| 01:16:22 |
FRANKIE: Don't worry. |
| 01:16:42 |
Quick. Someone's coming. |
| 01:16:50 |
Come on. Come on. |
| 01:17:00 |
SIMON: Here's the second one. |
| 01:17:02 |
Embassy's next. |
| 01:17:07 |
-About two more minutes. |
| 01:17:14 |
SIMON: Damn. |
| 01:17:18 |
We'll have to go back. |
| 01:17:20 |
EMMA: Come on. |
| 01:17:36 |
[Distant rumbling] |
| 01:17:44 |
Hurry. |
| 01:17:55 |
SIMON: Up you go. |
| 01:18:16 |
MAN: Yankee, go home! |
| 01:18:19 |
[Crowd chanting in Russian] |
| 01:18:26 |
Embassy's only |
| 01:18:29 |
There's a car right above us. |
| 01:18:36 |
[Hissing] |
| 01:18:40 |
[Crowd chanting in Russian] |
| 01:19:05 |
SIMON: I'll create a diversion. |
| 01:19:07 |
It should take you 10 seconds |
| 01:19:09 |
They'll open them |
| 01:19:12 |
EMMA: OK. I can do that. |
| 01:19:14 |
You can do it. |
| 01:19:16 |
Wait. When am I gonna see you? |
| 01:19:20 |
I'll find you. You found me. |
| 01:19:22 |
Yeah, I did. |
| 01:19:52 |
Aah! |
| 01:20:24 |
EMMA: I'm an American! |
| 01:20:27 |
Open the gate! |
| 01:20:30 |
MARINE: Back off from the gate. |
| 01:20:32 |
Back off. I said back off. |
| 01:20:36 |
Stand back from the gate. |
| 01:20:41 |
I said back off! |
| 01:20:55 |
SIMON: She outran you? |
| 01:20:57 |
How humiliating. |
| 01:21:02 |
One...shot left. |
| 01:21:07 |
Can't come |
| 01:21:09 |
and not play Russian roulette. |
| 01:21:12 |
Before you shoot me, |
| 01:21:14 |
[Clicks] |
| 01:21:16 |
Whose money? |
| 01:21:17 |
Tretiak's, yours. |
| 01:21:19 |
He treats you like dirt. |
| 01:21:21 |
ILYA: What are you saying? |
| 01:21:23 |
I'm saying your father |
| 01:21:25 |
and I know where it's hidden. |
| 01:21:28 |
So...where are all those |
| 01:21:32 |
I know...but I don't think |
| 01:21:59 |
[Sirens] |
| 01:22:04 |
MAN: Joseph, what's the holdup? |
| 01:22:07 |
DOCTOR: You're worse |
| 01:22:09 |
However, burns will heal. |
| 01:22:12 |
Maybe a little chance |
| 01:22:14 |
but all in all, |
| 01:22:18 |
ILYA: Lucky? Look at me. |
| 01:22:21 |
I am a damn devil. |
| 01:22:23 |
TRETIAK: Christ. |
| 01:22:28 |
Yes? |
| 01:22:29 |
BOTVIN: I have run every test |
| 01:22:32 |
and must conclude |
| 01:22:37 |
but rather...impossible. |
| 01:22:39 |
You may as well try to create |
| 01:22:43 |
I invest millions... |
| 01:22:47 |
and you can't make it work! |
| 01:22:53 |
What are you doing |
| 01:22:59 |
Do you think it comes so easy? |
| 01:23:02 |
No! |
| 01:23:04 |
BOTVIN: But, sir... |
| 01:23:06 |
I have been working for |
| 01:23:10 |
At first blush, the theorem |
| 01:23:15 |
It does? |
| 01:23:20 |
Yes. It does. |
| 01:23:25 |
Good man. |
| 01:23:26 |
We can use it |
| 01:23:31 |
TRETIAK: Only Dr. Russell |
| 01:23:34 |
If she gets back to London |
| 01:23:37 |
YURI: From here to the airport |
| 01:23:41 |
all of them loyal to us. |
| 01:23:42 |
TRETIAK: Make certain |
| 01:23:44 |
she doesn't leave Moscow alive. |
| 01:23:50 |
Mr. President. |
| 01:23:51 |
As former Vice-minister |
| 01:23:54 |
I hear all manner of schemes |
| 01:23:59 |
And as our countrymen |
| 01:24:03 |
I've become aware of |
| 01:24:06 |
about which I'm hopelessly |
| 01:24:09 |
from a scientific viewpoint. |
| 01:24:11 |
That's why I brought |
| 01:24:15 |
Dr. Lev Botvin from |
| 01:24:18 |
AIDE: Before we are dazzled |
| 01:24:20 |
let's dispense with the bad. |
| 01:24:23 |
What is the price |
| 01:24:25 |
YURI: The cost of research |
| 01:24:28 |
which is all |
| 01:24:36 |
Ten billion in hard currency? |
| 01:24:39 |
I can't even pay my teachers, |
| 01:24:51 |
Where are you heading? |
| 01:24:53 |
I thought we'd drink |
| 01:25:00 |
Like the miracle of socialism... |
| 01:25:03 |
our miracle |
| 01:25:07 |
But no matter. |
| 01:25:08 |
We have sold cold fusion |
| 01:25:12 |
We will use the scandal |
| 01:25:15 |
The army must be mobilized |
| 01:25:18 |
You're a man in a hurry. |
| 01:25:22 |
ILYA: Not now, old witch. |
| 01:25:25 |
TRETIAK: Yes. Think of it. |
| 01:25:26 |
One day, you can be proud again |
| 01:25:32 |
with a big nuclear missile |
| 01:25:36 |
AIDE: You must complete a form |
| 01:25:39 |
Any medical problems? |
| 01:25:41 |
EMMA: I have a heart condition. |
| 01:25:42 |
AIDE: Do you need me to arrange |
| 01:25:46 |
EMMA: Well, I haven't |
| 01:25:48 |
That's strange. |
| 01:25:50 |
MARINE: Get a form from |
| 01:25:52 |
I'll be back in 10 minutes... |
| 01:25:53 |
by your side, |
| 01:25:55 |
EMMA: Thank you. |
| 01:25:57 |
REPORTER: ...Across the street |
| 01:25:59 |
where a mob attacked several |
| 01:26:03 |
Apparently, four U.S. citizens |
| 01:26:07 |
I'm told |
| 01:26:09 |
have been asked to report |
| 01:26:11 |
for immediate evacuation. |
| 01:26:13 |
MAN: [Southern accent] |
| 01:26:17 |
-No, I'm fine. |
| 01:26:19 |
Allow me to introduce myself. |
| 01:26:24 |
Named after Saint Augustine, |
| 01:26:27 |
"Give me chastity |
| 01:26:30 |
"but do not give it yet." |
| 01:26:35 |
[Protesters chanting in Russian] |
| 01:26:36 |
Simon, I'm on the next flight |
| 01:26:39 |
Are you coming with me? |
| 01:26:41 |
No. But they are. |
| 01:26:50 |
I'll need you to develop |
| 01:26:53 |
Find a quiet room. |
| 01:26:56 |
Finish the formula |
| 01:26:58 |
My number's on the back. |
| 01:27:00 |
I don't understand. |
| 01:27:04 |
I've got to deal |
| 01:27:06 |
or you'll never be safe. |
| 01:27:08 |
Be good at school. |
| 01:27:09 |
Wait. |
| 01:27:13 |
-Don't you trust me, darlin'? |
| 01:27:17 |
SIMON: That hurts, Emma. |
| 01:27:18 |
EMMA: I'm serious. |
| 01:27:21 |
My name is August Christopher. |
| 01:27:24 |
Of course I trust you, |
| 01:27:27 |
I mean, Vincent Ferrer... |
| 01:27:28 |
I mean, Martin de Porres... |
| 01:27:32 |
Thomas More. |
| 01:27:35 |
After all, |
| 01:27:38 |
You have to be a very good... |
| 01:27:40 |
and, usually, a very dead person |
| 01:27:44 |
And more importantly, |
| 01:27:47 |
Now, get to work. |
| 01:27:50 |
Who's that man? |
| 01:27:52 |
AIDE: You're leaving |
| 01:27:54 |
Probably be your |
| 01:27:57 |
Better hurry. It's leaving. |
| 01:28:01 |
YURI: Your troops |
| 01:28:03 |
and install Ivan Tretiak |
| 01:28:06 |
TRETIAK: Moscow must be |
| 01:28:11 |
Don't worry. |
| 01:28:14 |
They will be crying |
| 01:28:16 |
YURI: Still, no one's |
| 01:28:19 |
of where the heating oil went. |
| 01:28:21 |
[Laughter] |
| 01:28:25 |
TRETIAK: Who would believe |
| 01:28:28 |
was hidden under |
| 01:28:30 |
[Laughter] |
| 01:28:32 |
Yuri, I understand |
| 01:28:35 |
WOMAN: Francis, you devil... |
| 01:28:37 |
I heard you came here, |
| 01:28:39 |
-Hello, Dominic-- |
| 01:28:43 |
MAN: Lou, |
| 01:28:45 |
you're brokering a revolutionary |
| 01:28:49 |
If it's as good |
| 01:28:52 |
I have friends who can double |
| 01:28:55 |
on deposit in Zurich... |
| 01:28:57 |
within one hour |
| 01:29:01 |
I'll be waiting. |
| 01:29:13 |
[Door opens] |
| 01:29:22 |
The work could be here. |
| 01:29:24 |
This machine could work, |
| 01:29:26 |
[Guards shouting in Russian] |
| 01:29:28 |
Who are you? |
| 01:29:30 |
SIMON: |
| 01:29:32 |
BOTVIN: Dr. Russell? |
| 01:29:35 |
What's this equation? |
| 01:29:37 |
It's so simple. |
| 01:29:40 |
This is the key |
| 01:29:42 |
Yes. |
| 01:29:44 |
[Guards speaking Russian] |
| 01:29:45 |
The alarm. You had better go. |
| 01:29:47 |
I need a miracle. |
| 01:29:53 |
But Mr. Tretiak's rally |
| 01:29:55 |
Can you make it work? |
| 01:29:58 |
Make it work. |
| 01:30:04 |
GUARD: What is wrong here? |
| 01:30:05 |
BOTVIN: Uh, the alarm... |
| 01:30:09 |
Uh...uh... |
| 01:30:12 |
I tripped. |
| 01:30:21 |
[Russian accent] |
| 01:30:25 |
You are Nikolai Provovich-- |
| 01:30:27 |
Petrovich. |
| 01:30:30 |
[Doorbell buzzes] |
| 01:30:38 |
Tunnel built by KGB... |
| 01:30:42 |
Leads to machine room |
| 01:30:45 |
SIMON: Do you know where |
| 01:30:49 |
FRANKIE: |
| 01:30:53 |
But there are many guards, |
| 01:30:57 |
An alternate route? |
| 01:30:59 |
Money. Now. |
| 01:31:03 |
SIMON: Oh, ye of little faith. |
| 01:31:08 |
NEWSWOMAN: |
| 01:31:10 |
on the brink |
| 01:31:13 |
As the number of deaths |
| 01:31:15 |
hundreds of thousands |
| 01:31:17 |
have taken to the streets. |
| 01:31:19 |
Even as |
| 01:31:21 |
is promising |
| 01:31:23 |
to the crippling |
| 01:31:25 |
troops opposed |
| 01:31:27 |
and led |
| 01:31:30 |
have begun to ring |
| 01:31:32 |
Angry, frightened citizens... |
| 01:31:34 |
are gathering outside |
| 01:31:37 |
but they're not braving |
| 01:31:39 |
for yet another political rally. |
| 01:31:41 |
They've been drawn here by |
| 01:31:44 |
whatever that may be... |
| 01:31:45 |
in what's become |
| 01:31:48 |
for the future |
| 01:32:00 |
[Protesters shouting |
| 01:32:21 |
[Door shuts] |
| 01:33:03 |
SIMON: Mr. President? |
| 01:33:06 |
KARPOV: What do you want? |
| 01:33:09 |
I want to help you |
| 01:33:13 |
I need you to listen |
| 01:33:16 |
I'm all right. Stay outside. |
| 01:33:19 |
Please, continue. |
| 01:33:21 |
Tonight you'll stand trial |
| 01:33:24 |
Whatever Tretiak accuses you of, |
| 01:33:27 |
Agree with this criminal? |
| 01:33:29 |
If you want |
| 01:33:48 |
Gruschev, |
| 01:33:50 |
The wife stays here. |
| 01:33:51 |
[Mrs. Karpov speaking Russian] |
| 01:33:54 |
Get your hands off! |
| 01:33:57 |
The people won't stand for it! |
| 01:33:59 |
The people are too cold |
| 01:34:16 |
CROWD: Tretiak! |
| 01:34:23 |
[Crowd cheering] |
| 01:34:33 |
Friends... |
| 01:34:35 |
countrymen... |
| 01:34:37 |
Russians! |
| 01:34:49 |
You heard about this morning's |
| 01:34:53 |
Many shocking documents |
| 01:34:56 |
from the president's |
| 01:34:58 |
locked within his private safe. |
| 01:35:01 |
The documents which will be |
| 01:35:05 |
prove that the traitor Karpov... |
| 01:35:10 |
was about to steal |
| 01:35:13 |
of our precious |
| 01:35:16 |
in a reckless scheme |
| 01:35:21 |
To add insult... |
| 01:35:23 |
millions of dollars |
| 01:35:25 |
to this international criminal! |
| 01:35:28 |
[Crowd reacting] |
| 01:35:35 |
TRETIAK: And for what |
| 01:35:37 |
hoping to bankrupt |
| 01:35:41 |
What you see is a fairy tale |
| 01:35:46 |
You pass electric current |
| 01:35:51 |
and there is supposed |
| 01:35:55 |
Watch. [Beep] |
| 01:35:57 |
It can't even light up |
| 01:36:00 |
Do you dare deny this, |
| 01:36:03 |
KARPOV: Absolutely not! |
| 01:36:05 |
I proudly admit it! |
| 01:36:07 |
TRETIAK: |
| 01:36:10 |
Failure's in the past! |
| 01:36:12 |
Begging is behind us! |
| 01:36:15 |
The balance of power |
| 01:36:51 |
Miracle one. |
| 01:36:58 |
CROWD: Karpov! Karpov! |
| 01:37:00 |
Karpov! Karpov! |
| 01:37:02 |
Karpov! Karpov! |
| 01:37:04 |
Karpov! Karpov! |
| 01:37:06 |
Karpov! Karpov! |
| 01:37:09 |
Karpov! Karpov! |
| 01:37:11 |
Karpov! Karpov! |
| 01:37:13 |
Karpov! Karpov! |
| 01:37:15 |
Karpov! Karpov! |
| 01:37:24 |
TRETIAK: Ilya! Ilya! |
| 01:37:26 |
ILYA: Go! Go! |
| 01:37:27 |
Go, go, go! |
| 01:37:30 |
SKLAROV: I order all troops |
| 01:37:34 |
to seize the criminal Tretiak! |
| 01:37:43 |
A thousand apologies, |
| 01:37:44 |
There was a miscommunication |
| 01:37:54 |
[Thinking] |
| 01:37:55 |
NEWSWOMAN: The billionaire |
| 01:37:58 |
were taken to the infamous |
| 01:38:01 |
where they await trial |
| 01:38:05 |
Moscow woke today to the |
| 01:38:09 |
as millions of gallons |
| 01:38:11 |
flowed from a storage depot |
| 01:38:15 |
INSPECTOR: He made no threat |
| 01:38:17 |
EMMA: He never had the chance. |
| 01:38:19 |
You'll tell us |
| 01:38:20 |
EMMA: Yes. |
| 01:38:21 |
Which he may well do. |
| 01:38:23 |
Which he may well do. |
| 01:38:26 |
He charms women, |
| 01:38:29 |
It seems it's his stock |
| 01:38:32 |
Well, I am offended. |
| 01:38:36 |
was a series |
| 01:38:38 |
Count yourself lucky. |
| 01:38:39 |
I have a very important |
| 01:38:44 |
INSPECTOR: We understand. |
| 01:38:46 |
WOMAN: We appreciate |
| 01:38:48 |
EMMA: No problem. |
| 01:38:55 |
INSPECTOR: |
| 01:39:54 |
[Giggling] |
| 01:40:05 |
SIMON: I wanted to call you |
| 01:40:08 |
It hasn't been safe. |
| 01:40:09 |
EMMA: I couldn't stop |
| 01:40:13 |
SIMON: |
| 01:40:18 |
EMMA: Yeah. |
| 01:40:20 |
Thank God I have my cards back. |
| 01:40:23 |
SIMON: You don't believe in |
| 01:40:27 |
You know, |
| 01:40:29 |
EMMA: Oh, my God. |
| 01:40:32 |
That was you? |
| 01:40:34 |
SIMON: That's who I thought |
| 01:40:37 |
I thought you were |
| 01:40:40 |
not some gorgeous |
| 01:40:43 |
You know you're going to be |
| 01:40:46 |
EMMA: I am? |
| 01:40:47 |
SIMON: Why do you think |
| 01:40:56 |
-Emma. |
| 01:40:57 |
My life is very strange. |
| 01:41:00 |
I just... |
| 01:41:05 |
I don't do anything normal. |
| 01:41:07 |
I'm--l can't even-- |
| 01:41:09 |
I know. I know you. |
| 01:41:13 |
I know your life. |
| 01:41:15 |
-What do you want? |
| 01:41:18 |
For how long? |
| 01:41:20 |
It doesn't matter. |
| 01:41:28 |
Tell me you love me. |
| 01:41:32 |
l--l love you. |
| 01:41:35 |
Simon. |
| 01:41:37 |
I love you, Simon. |
| 01:41:40 |
Miracle three. |
| 01:42:05 |
EMMA: Dear Simon... |
| 01:42:07 |
the pin is something |
| 01:42:10 |
A graduation gift |
| 01:42:14 |
But don't worry. |
| 01:42:16 |
I just wanted you |
| 01:42:18 |
something I loved. |
| 01:42:20 |
Simon, if sainthood |
| 01:42:23 |
then I'd say you've made it, |
| 01:42:26 |
and so I hope you'll understand. |
| 01:42:28 |
Last night, it became clear |
| 01:42:32 |
I'm going to give |
| 01:42:35 |
It's the only way, |
| 01:42:38 |
that I'll know it's for you, |
| 01:42:41 |
If cold fusion is free, |
| 01:42:46 |
If you think giving away |
| 01:42:49 |
preventing us from making |
| 01:42:52 |
will accomplish anything... |
| 01:42:58 |
Simon, what are you doing here? |
| 01:43:00 |
There are police. |
| 01:43:02 |
They're everywhere. |
| 01:43:04 |
I wouldn't miss it |
| 01:43:06 |
-You wore the pin. |
| 01:43:13 |
You better go. |
| 01:43:27 |
How will I find you? |
| 01:43:29 |
[Giggles] |
| 01:43:31 |
I'll find you. You found me. |
| 01:43:51 |
[Applause] |
| 01:43:59 |
Although our next speaker |
| 01:44:02 |
after last week's |
| 01:44:07 |
please let me welcome |
| 01:44:11 |
SIMON: Excuse me. |
| 01:44:15 |
No. |
| 01:44:18 |
CHAIRMAN: Dr. Russell? |
| 01:44:28 |
You don't believe in all this |
| 01:44:31 |
EMMA: |
| 01:44:33 |
INSPECTOR: No. |
| 01:44:34 |
We all know cold fusion |
| 01:44:38 |
a difficult childhood. |
| 01:44:41 |
Those of us in the field |
| 01:44:44 |
bastards, at best. |
| 01:44:45 |
But difficult childhoods make |
| 01:44:52 |
I know most of you thought |
| 01:44:54 |
SIMON: I'm her biggest fan. |
| 01:44:57 |
I think she's a fox. |
| 01:44:59 |
EMMA: Even though |
| 01:45:01 |
EMMA: Even though |
| 01:45:02 |
that its practical application |
| 01:45:06 |
I've come here today to share |
| 01:45:10 |
becoming a reality. |
| 01:45:11 |
Yes, it may take years |
| 01:45:15 |
SIMON: Look at the time. |
| 01:45:17 |
EMMA: ...stabilize its power, |
| 01:45:20 |
we can all work towards |
| 01:45:24 |
dream of cold fusion |
| 01:45:52 |
Quickly! |
| 01:45:53 |
We got him! |
| 01:45:54 |
Hyah! |
| 01:45:58 |
INSPECTOR: |
| 01:46:00 |
Got you, you slippery-- |
| 01:46:02 |
MAN: What's going on? |
| 01:46:09 |
Damn! |
| 01:46:17 |
REPORTER: Donations totaling |
| 01:46:19 |
were made today |
| 01:46:20 |
the Salvation Army... |
| 01:46:21 |
and the United Nations |
| 01:46:24 |
The funds were wired |
| 01:46:25 |
of jailed Russian tycoon |
| 01:46:28 |
In other philanthropic news... |
| 01:46:30 |
a nonprofit |
| 01:46:33 |
has been established to develop |
| 01:46:37 |
funded with |
| 01:46:39 |
and to be headed by Russian |
| 01:46:43 |
The E.J. Russell Foundation... |
| 01:46:45 |
is charged to develop |
| 01:46:47 |
SIMON LE BON: [Singing] |
| 01:46:50 |
Lay flowers at the door... |
| 01:46:52 |
for those who're left behind... |
| 01:46:55 |
and the ones |
| 01:46:58 |
Here it comes now... |
| 01:47:00 |
sure as silence follows rain... |
| 01:47:03 |
the taste of you upon my lips... |
| 01:47:06 |
the fingers in my brain. |
| 01:47:08 |
Ever gentle... |
| 01:47:10 |
as it kills me where I lay... |
| 01:47:14 |
who am I to resist? |
| 01:47:17 |
Who are you to fail? |
| 01:47:19 |
Got to get you out of my mind... |
| 01:47:24 |
but I can't escape |
| 01:47:29 |
as I try to leave |
| 01:47:35 |
Without you, |
| 01:47:51 |
I'm so sorry... |
| 01:47:53 |
for the way it had to go. |
| 01:47:56 |
Now I feel your presence... |
| 01:47:59 |
in a way I could not know... |
| 01:48:01 |
and I wonder... |
| 01:48:04 |
do you ever feel the same? |
| 01:48:07 |
In the spilling darkness... |
| 01:48:09 |
do you ever hear my name? |
| 01:48:12 |
Got to get you out of my mind... |
| 01:48:18 |
but I can't escape |
| 01:48:22 |
as l... |
| 01:48:23 |
try to leave |
| 01:48:28 |
Without you, |
| 01:48:39 |
Deep in the back |
| 01:48:50 |
Deep in the back |
| 01:48:59 |
And how could you dare... |
| 01:49:01 |
to come so close... |
| 01:49:04 |
when you're just a ghost to me? |
| 01:49:10 |
And I've got to get you |
| 01:49:16 |
but I can't escape |
| 01:49:21 |
as l... |
| 01:49:22 |
try to leave |
| 01:49:27 |
Without you, |
| 01:49:38 |
Here in the back of your mind... |
| 01:49:48 |
[Ballad begins] |
| 01:49:57 |
CRYSTAL: [Singing] |
| 01:50:00 |
or color. |
| 01:50:05 |
Those postcards... |
| 01:50:08 |
sent from heaven... |
| 01:50:13 |
says, "Make the most... |
| 01:50:16 |
"of never-never." |
| 01:50:18 |
Horizon starts right here. |
| 01:50:23 |
The future's always near... |
| 01:50:27 |
and l... |
| 01:50:31 |
I know this time... |
| 01:50:33 |
is borrowed. |
| 01:50:35 |
I try to remember |
| 01:50:42 |
celluloid... |
| 01:50:44 |
monochrome... |
| 01:50:46 |
or color. |
| 01:50:51 |
Don't want to end in tears. |
| 01:50:59 |
I'll leave before |
| 01:51:04 |
Scared to love... |
| 01:51:06 |
wasted knowledge... |
| 01:51:09 |
into the brink... |
| 01:51:14 |
these four walls... |
| 01:51:16 |
are lost forever. |
| 01:51:18 |
I will never... |
| 01:51:20 |
be that clever. |
