Sanguepazzo Wild Blood

en
00:01:41 (Wild Blood)
00:04:25 Milan, April 20, 1945
00:04:31 five days before Liberation
00:04:36 Stop or I'll shoot!
00:04:38 Shoot? Can'tyou see my uniform?
00:04:41 Who's in command here?
00:04:43 Lieutenant Valenti,
00:04:46 . Osvaldo Valenti! Look!
00:04:49 We don'tcontrol anything
00:04:51 Think Osvaldo Valenti knows how
00:04:54 We can't cover you.
00:04:56 . I have to parley,
00:05:52 Stop!
00:05:55 Hands up! Behind your neck!
00:05:58 On your knees!
00:06:05 - Get his weapons.
00:06:13 . I have to get a photo in my pocket.
00:06:17 It's just a photo,
00:06:20 One hand.
00:06:22 Slowly!
00:06:29 I have to see this person.
00:06:45 And this?
00:06:52 - Why do you call yourself Taylor?
00:06:56 Like the actor Robert Taylor, why?
00:06:59 . Just because., .
00:07:01 This is Vero, the unit commander.
00:07:04 - It's an honor,
00:07:06 Where's Luisa?
00:07:08 Does he have to keep
00:07:16 So? Where's Luisa?
00:07:19 - Hotel Regina, she's safe,
00:07:22 She's in danger
00:07:24 - I'll get her.
00:07:27 Write a note, I'll go.
00:07:28 You afraid I'll run?
00:07:31 I came here of my own free will,
00:07:34 - Shows what gall you've got!
00:07:37 You and Koch torture partisans
00:07:42 - That's not true!
00:07:44 I know the rumors,
00:07:47 I've been to Villa Triste,
00:07:51 Not the same thing
00:07:53 They also say Luisa danced naked
00:07:57 Golfiero! How can you believe that?
00:08:01 - Then how did this start?
00:08:05 She's obsessed with Luisa,
00:08:08 Could even be mistaken for her!
00:08:12 Believe me, she hasn't done anything,
00:08:17 I hope you can prove that.
00:08:24 Listen to me,
00:08:28 She's absolutely no part ofthis,
00:08:36 She's pregnant.
00:08:39 We lost a child five years ago,
00:08:44 A pregnantwoman doesn't dance naked,
00:08:52 They might not believe me.,,
00:08:57 but you're in movies, you know
00:09:07 . Have you got a razor?
00:09:10 Do we still have
00:09:13 Are you crazy?
00:10:30 Excuse me,, .
00:10:32 There's a German officer here,
00:10:34 he says he has a note
00:10:39 I send him up?
00:10:57 . Don't you recognize me?
00:11:03 Are you crazy coming here?
00:11:05 You must come with me, right now!
00:11:08 - Where's Osvaldo?
00:11:12 - He wants you to do the same,
00:11:15 Is this the moment for jokes?
00:11:18 Take only what's indispensable,
00:11:20 there's no time to lose.
00:11:23 What do I take?
00:11:30 Not all that!
00:11:33 You can't come wearing jewels,
00:11:37 Hurry!
00:11:49 - I can't leave them here,
00:11:52 The film,, .
00:11:55 . Osvaldo's film,
00:12:00 At leasta couple,, .
00:12:09 SCIENCE, WILLPOWER, FAITH,
00:12:14 CAN LESSEN THE EFFECT
00:12:22 OF NON. BENEFICIAL FORCES OF NATURE
00:12:26 Don't look.
00:12:28 Keep walking!
00:13:30 Are you alright?
00:13:34 See what a great German officer?
00:13:37 - You should have been an actor!
00:13:44 Rome, summer 1936
00:13:55 Kitty., .
00:14:58 "These rose petals...
00:15:09 are like drops of blood
00:15:14 . Hello?
00:15:44 - What is it, Sturla?
00:15:46 Get moving, we're late!
00:15:49 I know I'm late, I'm coming.
00:15:52 . Sturla?
00:15:55 . Do you know why God created cats?
00:15:58 So Man could caress a tiger.
00:16:01 Whatare you saying?
00:16:03 Make way, Audiles! Move aside!
00:16:20 "These rose petals...
00:16:27 are like drops of blood
00:16:33 A horse!
00:16:41 A horse!
00:16:46 My kingdom
00:16:51 fora horse!"
00:16:55 Stop!
00:17:07 My dears, thank you, I love you all,
00:17:16 Bravo Osvaldo, that's good,
00:17:19 We'll do another.
00:17:23 Clapper,
00:17:27 . Camera!
00:17:32 Richard III, 94-4 take two.
00:17:34 Action!
00:17:40 14, 25, 72., .
00:17:47 19, 27,, .
00:17:53 43...
00:17:57 Excuse me Osvaldo,
00:18:02 You always have me dubbed
00:18:06 or by dear Sandro Ruffini!
00:18:10 You know it's not me
00:18:12 What's your opinion?
00:18:17 My face is okay,
00:18:21 Like a broody hen,
00:18:24 Come on, ready., .
00:18:30 Another.
00:18:32 "Mirror, .,
00:18:56 Mirror on the wall,
00:18:59 - You, of course!
00:19:03 We don't count for a thing, here,
00:19:07 little actors in a little country
00:19:09 You're numberone, the best.
00:19:12 We should go to America,
00:19:15 Forgetautarchy!
00:19:18 Here we make films,
00:19:20 Mail?
00:19:23 . Anything decent?
00:19:31 Like?
00:19:34 Like., .
00:19:36 This.
00:19:38 She might be okay for you,
00:19:41 Then this one,
00:19:46 Much better.
00:19:50 You'rea fan of mlne?
00:20:05 Yes, sir, I've seen all your films.
00:20:07 Good.
00:20:11 - What's your name?
00:20:12 First name first, then surname,
00:20:15 - Manfrini doesn't ring right,
00:20:19 Fine, but not for an actress.
00:20:23 Makes you think of good people,
00:20:29 workers who till the land,
00:20:31 laborers ofthe race
00:20:33 Those who have to hear orders,
00:20:37 Followers, lackeys,
00:20:42 You are beautiful, no doubt of that.
00:20:51 But why then, instead of marrying
00:20:55 instead of producing Audiles
00:21:00 why did you leave everything
00:21:03 I came here to become an actress.
00:21:07 What does being an actress mean?
00:21:09 Playing different parts,
00:21:12 learning to be many other people., .
00:21:17 Is that what they say
00:21:20 What should I say
00:21:23 Surely you're not offended?
00:21:29 No, but maybe you can say better
00:21:33 You know how many women come here?
00:21:49 How many of them
00:21:52 Beautiful like you, maybe more so,
00:21:55 So?
00:21:58 Mostly they're so primitive, modest,
00:22:01 that their willingness depresses me,
00:22:04 I send them away with no test.
00:22:08 It might be quicker
00:22:10 and I'll see if I can satisfy you,
00:22:12 Hello, may I have a word?
00:22:26 Miss, I mean you, may I have a word?
00:22:30 I don't believe this!
00:22:35 - May I?
00:22:43 My name's Golfiero Goffredi,
00:22:46 - Get lost, it's nota good day,
00:22:49 I told you not to touch me!
00:22:53 - I want to offeryou a part,
00:22:56 "LostWoman".
00:22:59 Never heard of it,
00:23:01 In fact it's my first film,
00:23:04 Doris Duranti
00:23:08 butshe's close to a Minister,
00:23:11 - Why?
00:23:14 It's mutual.
00:23:18 . I'm just a lowly extra.
00:23:20 . In what?
00:23:23 You were weaving the princess's veil.
00:23:26 . I didn't even speak!
00:23:28 - How can you remember that?
00:23:32 If you're not the friend of some
00:23:35 . I'm no one's friend.
00:23:39 But first we'll need a screen test,
00:23:42 In your office or maybe your house?
00:23:44 What? I just want my actress!
00:23:47 Silvestro, good evening,
00:24:02 Whata beautiful home.
00:24:06 . Would you like something to drink?
00:24:10 Excuse me, my Lord Count,
00:24:23 Dinner is served.
00:24:27 Thank you, Silvestro,
00:24:41 You can go, thank you.
00:24:44 Excuse me dear, no offence intended,
00:24:48 but the knife in the mouth
00:24:51 First, back straight,
00:24:57 Hold yoursilverware like this.
00:25:01 See?
00:25:03 It's very simple.
00:25:05 Try it.
00:25:08 What's this got to do with cinema?
00:25:10 You'll have to enchant the smart set.
00:25:11 They mustn't think
00:25:14 People will identify with you,
00:25:17 Becoming a star
00:25:20 Want to turn me into a grande dame?
00:25:23 I don't wantanyone
00:25:26 . Thank you for lending it to me.
00:26:01 She was German,
00:26:05 I'll give it to you,
00:26:07 I'll send the costume designer
00:26:11 I want him to study you,
00:26:13 And your hair, I don't know...,
00:26:15 These bangs... you have a nice
00:26:20 Maybe you'd look best
00:26:24 I can't believe
00:26:28 Don't think about it, sweet dreams.
00:26:31 What iftomorrow I discover
00:26:35 It's all true.
00:26:38 Come upstairs, don't leave me alone,
00:26:41 Tomorrow morning I want you to repeat
00:26:44 Offto bed now.
00:26:48 Too fast?
00:27:06 Darling, go to bed now,
00:27:09 The key's not there,
00:27:14 Who's "him"?
00:27:43 Your fiance, he's waiting upstairs,
00:27:47 Good foryou, a big fish this time...
00:27:48 . What are you doing here?
00:27:52 . Who invited you?
00:27:59 Anyway,
00:28:04 you don'tenter a girl's room
00:28:16 You're right.
00:28:18 I brought this so you'd forgive me,
00:28:23 Itdoesn't look very attractive,
00:28:25 Your porter couldn'tfind me
00:28:28 What do we drink to?
00:28:31 I'm not drinking,
00:28:34 Alright,
00:28:36 You've already had a drink
00:28:43 Who is he?
00:28:46 That's my business,
00:28:51 You're right.
00:28:53 We do it and then you leave.
00:28:57 Then I'll leave,
00:29:16 Hurry up, we had a deal,
00:29:57 Sure, we had a deal,
00:30:21 Are you crazy?
00:30:26 The portertold me
00:30:37 How dare he!
00:30:39 Consider ita loan,
00:30:43 We won't be seeing each other again,
00:30:45 Why not?
00:30:49 I'm not one of your girls,
00:30:51 Are you the girl
00:30:53 No.
00:30:59 Go to sleep, I'll take care of this.
00:31:02 I still have half an hour,
00:31:22 I'll do your half an hour.
00:31:25 Go on.
00:31:28 Wouldn't it have been better
00:31:31 Forgive me!
00:31:59 . Is my car ready?
00:32:35 I love "handsome", not "beautiful",
00:33:45 "Handsome" car!
00:33:49 - Any mail?
00:33:53 Thank you.
00:33:56 . What's going on in there?
00:34:02 A party to honor the new actress,
00:34:04 Madame Luisa Ferida?
00:34:06 There's no invitation
00:34:11 I'm afraid not.
00:34:15 Amilcare, King of the Audiles,
00:34:17 Of course, sorry,
00:34:19 Stand in for me,
00:34:21 Good evening, Maestro.
00:34:30 Do you know the song
00:35:15 - But it's American!
00:35:18 - Alright,
00:35:21 Good evening,, .
00:35:24 May I have the honorofthis dance?
00:36:14 Certainly.
00:36:16 You've become very sophisticated,
00:36:24 I no longer have an Audile name,
00:36:37 I know, it's in all the papers!
00:36:42 Grand idea, magnificent sound,
00:36:47 There's the idea of the feral,
00:36:50 of a ferocious animal., .
00:36:53 It was Golfiero's idea,
00:36:57 Good for the Count!
00:37:00 Like all fags, he knows women well.
00:37:03 Loosen your hold, please.
00:37:06 You're beautiful,
00:37:10 You're very kind.
00:37:14 Too bad you put on all these airs,
00:37:17 Look who's talking.
00:37:19 No, I'd just like to see
00:37:24 She's gone,
00:37:27 no more fresh flesh
00:37:30 Still biting, eh?
00:37:33 I have a room in this hotel,
00:37:36 Esenin's at the Hotel Astoria
00:37:38 We've danced enough,
00:37:43 Tell me, lovely Luisa,
00:37:47 Who, ofthese, do you sleep with?
00:37:52 With all of them, Stop this.
00:37:57 Not with the director,
00:37:59 Could you be
00:38:02 You know, in intimate moments,
00:38:05 Maybe you do it with Falieri,
00:38:09 I know who the lucky one is!
00:38:12 Attilio Cardi, the Director General
00:38:16 II Duce's right. Hand man, the great
00:38:19 Absalom!
00:38:22 . Where do you think you're going?
00:38:49 But the King of the Audiles
00:38:54 . But he has a house,
00:38:58 Speaking of which, Alcibiades,
00:39:01 might you have a couple of
00:39:05 There's already a woman waiting.
00:39:08 What?
00:39:11 Don't turn the lighton,
00:39:14 We have unfinished business,
00:39:28 Here, this is yours.
00:39:45 What is it?
00:39:52 We're even, now I can leave.
00:39:55 Get up you two, we have to leave.
00:39:57 Wake up, we have to getout of here.
00:40:50 Do as he says!
00:40:53 Come on! Go!
00:40:58 Where are you taking us?
00:41:00 We have to change hideout,
00:41:19 The Germans
00:41:22 . Soon it'll be over,
00:41:28 . The problem is our own people.
00:41:31 That to save yourskin,
00:41:35 We have the order to shoot you,
00:41:38 Maybe he's hoping you'll make it.
00:41:40 Uncle!
00:41:44 . You prepared the place?
00:42:09 Don't tell anyone about these two,
00:42:17 Noteven if other partisans ask you,
00:42:19 . Why, who are they?
00:42:23 The less you know, the better,
00:42:26 Is it true
00:42:29 Do as they say,
00:43:33 What can you do? Vero scares me,
00:43:35 He knows you didn't do anything,
00:43:38 - Osvaldo didn't either!
00:43:42 The Ninth
00:43:45 involves the partlclpatlon
00:44:36 Includlngthe actlve, healthy
00:44:39 The Propaganda Mlnlsterof the
00:44:41 recelved
00:44:45 by the Presldent of the Blennale
00:44:49 Count Volplof Mlsurata,
00:44:52 has arrived In Venlce to attend
00:44:54 In the evenlng, theopenlng fllm
00:44:57 A great number of critlcs,
00:45:02 crowded the elegant hall
00:45:06 The smart set and personalltles
00:45:10 gathered for thls exceptlonal
00:45:13 flnd Idealrelaxatlon on the
00:45:18 . Did any mail come?
00:45:21 Osvaldo, I hope you don't mind,
00:45:34 Good evening, welcome aboard,
00:45:36 It's here, take it yourself.
00:45:40 Careful,
00:45:42 Why did you take so long?
00:45:47 No one knows I'm here.
00:45:50 Good, Cardi hates me, he does all
00:45:53 I can't stay long.
00:45:55 . Why?
00:46:01 Go then, have Sturla take you back,
00:46:03 Don'tyou want to know who won?
00:46:07 Who gives a damn!
00:46:10 I certainly didn't
00:46:13 Nice!
00:46:15 "Best Actress: Luisa Ferida",
00:46:31 What do you see in thatstuff?
00:46:34 Want to try?
00:47:00 You don't have to sniffit,
00:47:03 just put it on a mucous membrane.
00:47:06 Tongue, gums,
00:47:09 mouth...,
00:47:13 Any mucous membrane,
00:47:17 Does anyone besides Sturla
00:47:52 Word ofhonor, no,
00:49:19 Leave it, you may go.
00:49:22 No.
00:49:26 That way.
00:49:35 Show her in.
00:49:37 My dear,
00:50:00 You're so lovely!
00:50:09 What elegance!
00:50:11 What's that old thing doing there?
00:50:15 Whatan honor! You've never
00:50:19 . I have to ask a favor,
00:50:21 No, it's a formal request.
00:50:25 I'm listening,
00:50:29 YourMinistry didn't approve
00:50:32 The banks won'textend credit, why?
00:50:37 It's a beautiful film,
00:50:40 He's an anti. Fascist,
00:50:43 and never misses a chance to show it,
00:50:47 Now he demands we finance him?
00:50:49 He demands nothing, He's an artist,
00:50:51 Then why doesn't he
00:50:54 If your Minister won't do anything,
00:50:58 Golfiero's script!
00:51:03 Who did thatscribbling?
00:51:22 II Duce! Don't you recognize
00:51:25 . He likes correcting homework.
00:51:28 Listen,
00:51:31 Forget Goffredi,
00:51:35 Our best directors wantyou,
00:51:39 Golfiero is completely different.
00:51:42 You have lots of proposals,
00:51:46 Chiarini wants you for his next film,
00:51:49 Blasetti too, I might add,
00:51:53 . And the male lead?
00:51:57 Isn't he the actor,, .
00:52:03 Who performs,, .
00:52:18 Like that?
00:52:24 . Turn that off right now!
00:52:27 It's despicable,
00:52:30 Letgo of me!
00:52:32 SLEEPING BEAUTY
00:52:36 Guys.,, Dalmazio.,,
00:52:48 - Is it done?
00:53:22 Do you know what it means
00:53:25 Itsays here they've been shot.
00:53:27 They turned themselves in,
00:53:31 For two degenerates?
00:53:33 For two torturing murderers?
00:53:37 . The sentence is right here.
00:53:39 With a prosecution, a defense,
00:53:42 If they're the scum you say,
00:53:45 Vero, is thatwhat you say too?
00:53:49 Yes,
00:53:53 It's time.
00:53:57 The date for the revolt's been set.
00:54:24 All Fascists, except for
00:54:27 Many are entering the Resistance.
00:54:29 Great men, honorable men!
00:54:32 Listen, Taylor, after the war
00:54:35 All the pent. Up hatred, pain,
00:54:39 the thirst for revenge,
00:54:44 But we don't want a bloodbath,
00:54:47 The solution would be to make
00:54:52 The bill will be paid by the
00:54:57 those with responsibilities,
00:55:02 Make a good example
00:55:05 What will decide who the assholes,
00:55:07 Gossip?
00:55:10 You're right.
00:55:14 It would be appalling
00:55:17 But if all they say is true,
00:55:18 if they really did
00:55:24 the horrible things
00:55:28 you, Taylor,
00:55:31 honestly, what would
00:55:35 If someone proves to me
00:55:37 I'm ready to shoot them myself!
00:55:41 Even you aren't so sure
00:55:45 How did you find out?
00:55:49 Silvestro,
00:56:24 It's horrible!
00:56:27 I'd have preferred Capri,
00:56:30 We have influential friends,
00:56:33 No way!
00:56:36 Be a hero!
00:56:40 You feel important going into exile
00:56:42 What do you mean?
00:56:44 I'm sorry, I don't mean it.
00:56:48 I don'tthinkthose things.
00:56:52 The Podesta is down 3,000,
00:56:56 Monsieur Duval, 3,000,
00:57:47 over 22,000,
00:57:51 So, Mr Ambassador,, .
00:57:55 So, whose deal is it?
00:57:59 It's very late,
00:58:02 These gentlemen have offered me
00:58:08 Go on to bed,
00:58:11 I'll open.
00:58:17 Three thousand.
00:58:45 Here,
00:58:47 Cards.
00:59:02 I'm pat,
00:59:05 Two,
00:59:07 Patspeaks,
00:59:17 All of it,
00:59:26 Do you have a pen?
00:59:30 Excuse me,
00:59:40 I never accept checks.
00:59:45 - And so?
00:59:48 Having to dominate the world,
00:59:51 Forget it,
00:59:56 He said no checks.
00:59:59 Wait, sir.
01:00:03 I'll wager my place in that bed,
01:00:04 - I don't understand,
01:00:08 Alright,
01:00:18 Women never betray me, Monsieur,
01:00:27 That's life,
01:00:33 I'm truly sorry.
01:00:55 You won?
01:01:01 What do you think you're doing?
01:01:05 I'm coming to bed,
01:01:10 Think I didn't understand?
01:01:21 So?
01:01:24 . I won, didn't I?
01:01:27 I should have lost.
01:01:31 I wanted to, you whore!
01:01:33 . Are you crazy?
01:01:39 - What fucking dick did you go to?
01:01:41 What?
01:01:46 Think I'm stupid and don't know
01:01:48 Whatare you thinking?
01:01:55 And this?
01:01:57 It's a picture on the set,
01:02:01 You keep it in your purse
01:02:13 Like some girl
01:02:16 That faggot! Fucking queer!
01:02:20 You're jealous!
01:02:23 - You're jealous, darling.
01:02:30 You're jealous!
01:02:36 You fell for it, you scamp,
01:02:39 What an idiot!
01:02:42 Didn't little Golfiero tell you
01:02:55 You're jealous
01:02:59 Valenti isn't jealous!
01:03:02 Shut up,
01:03:07 Don't ruin everything,
01:03:10 Let's have a baby.
01:03:14 Would you light the candle?
01:03:20 You'd better stay away from her,
01:03:44 . Why?
01:03:59 When this shitty war is over,
01:04:23 Pontine Archipelago, summer 1940
01:04:26 I love you,
01:04:30 Feel it?
01:04:38 . I can feel it moving.
01:05:02 . How do you know it's a boy?
01:05:08 So he won't be French,
01:05:10 He'll just be Valentian,
01:05:15 or Feridian,
01:05:22 Turn it up!
01:05:25 What is it?
01:05:29 Llsten.
01:05:31 An hour...
01:05:35 marked by destlny...
01:05:41 rings
01:05:42 In the sklesof our Country
01:05:46 I can just imagine the scene, .,
01:05:48 - Whata pompous third-rate actor!
01:05:52 The declaratlon of war has been
01:05:54 But why?
01:05:59 He's scared Uncle Adolf
01:06:02 He needs a few deaths
01:06:07 What will happen now?
01:06:11 The Germans have
01:06:15 We're racing to the winner's aid,
01:06:17 It'll last just a few days,
01:06:20 It'll all be over
01:06:22 ...and Western
01:06:25 which In every era
01:06:30 have hlndered our march
01:06:34 and often threatened
01:06:37 the very exlstence
01:06:40 Itallans I
01:06:43 Run to take up arms...
01:06:46 and show...
01:06:49 your tenaclty...
01:06:53 your courage...
01:06:56 your valor I
01:07:01 Sturla?
01:07:04 As soon as she's asleep,
01:07:07 Of course, don't worry.
01:07:11 What are you doing?
01:08:21 I brought your meal.
01:08:24 Leave it there, thank you.
01:08:28 Calm down,
01:10:28 Go away.
01:10:30 Get out!
01:10:34 Please, do something.
01:10:44 Go away!
01:10:47 Forgive me, for before.
01:10:55 Do you have a boyfriend?
01:11:03 No.
01:11:07 But there's someone you like?
01:13:03 Maybe there is,
01:13:18 I like Piero.
01:13:20 Who's he?
01:13:25 One ofthe boys outside,
01:13:29 Does he know?
01:13:30 No.
01:13:33 He has to take the first step,
01:13:36 Women always take the first step,
01:13:43 What's your name?
01:13:46 Irene.
01:13:47 I want to give you a gift.
01:13:52 For when you marry Piero.
01:13:59 They'll think I stole itfrom you.
01:14:01 Wear it when no one can see you,
01:14:05 on your wrist orankle.
01:14:08 Thank you!
01:14:19 In more than twenty years,
01:14:22 had truly achleved
01:14:25 Where once were bogs,
01:14:30 Fasclsm, wlth just
00:00:01 provlnces and cltles.
00:00:02 Once grander and wlder opportunltles
00:00:04 the new People's Italy
00:00:07 In the heart of Africa
00:00:11 But In 45 days of Intrigue,
00:00:15 all was lost I
00:00:19 Your attentlon. His Majesty
00:00:24 has accepted the reslgnatlon
00:00:29 submltted by Hls Excellency
00:00:34 Italy vanlshed,
00:00:39 On the 8th of September,
00:00:44 restralned only by Hltler's
00:00:47 the Natlon's flag
00:00:53 In theoccupled terhtories.
00:00:58 But oneday, slnce surely
00:01:01 from the mountaln of Gran Sasso
00:01:04 and the Man of our Destlny
00:01:08 0ut of so much undolng,
00:01:10 The best sonsof Italy, wearing
00:01:14 to the prodlglous volceof the One
00:01:18 Agalnst all, we shallwln!
00:01:21 THE END
00:01:25 There are many empty seats,
00:01:30 those of the profiteers who yesterday
00:01:34 and who now turn their backs.
00:01:39 You, the best, remain.
00:01:56 Italian Cinema
00:01:59 Rome cannot be defended much longer.
00:02:02 That's why we've decided
00:02:05 where, with our German ally,
00:02:08 Cinecitta will rise again
00:02:11 De Sica, Blasetti,
00:02:15 So much the better,
00:02:18 Thank you, you can go.
00:02:22 Would you come with me?
00:02:26 Do you intend to hide too?
00:02:29 Me, hide?
00:02:32 I know they run to the Vatican
00:02:38 Good! I'll finally be offered
00:02:44 It's the end of the line, it's over.
00:02:47 I don't know how or when,
00:02:50 Now that II Duce regains command
00:02:53 II Duce is the Fuhrer's hostage,
00:02:57 he accepts the role of puppet
00:03:01 It's notencouraging
00:03:05 The Director General
00:03:09 This is a friend talking to you,
00:03:12 Afriend?
00:03:15 Luisa's, not yours.
00:03:19 You can't imagine how I detestyou,
00:03:21 I'm sorry, I thought
00:03:24 I keep an eye on you,
00:03:26 Agambler! You live
00:03:29 you're in the usurers' hands
00:03:32 Maybe because itembarrassed them,
00:03:36 But they gave me this.
00:03:39 Always a braggart!
00:03:43 You're right, I'm an addict,
00:03:47 A squanderer, a gambler, a rake,
00:03:51 But above all I'm an actor,
00:03:54 I incarnate other's fantasies,
00:03:56 I representwhateveryone
00:04:00 That's why I always get
00:04:04 Since that's howyou all see me,
00:04:09 Forten years I've been
00:04:13 it's a Sicilian expression,
00:04:15 What is it?
00:04:19 It's my shit,
00:04:22 That's right,
00:04:31 Shit, blood, money, sex., .
00:04:34 What we want to hide,
00:04:38 what our prudish and conformist
00:04:41 There are those who'd like
00:04:43 others a gentleman, like you
00:04:45 And some like me, who feel a
00:04:48 in sinking into and transforming
00:04:52 Here I am.
00:04:56 And Luisa?
00:05:00 How does she fit?
00:05:08 It would have been better
00:05:13 Women are born to have families,
00:05:17 to grow old by the fire, to be safe.
00:05:20 But unfortunately, she's like me,
00:05:22 I'm notcoming to Venice,
00:05:26 After that speech?
00:05:30 Here I've named you as my successor,
00:05:34 You'll make an excellent
00:05:37 Take it to the Minister.
00:06:03 But if you say it's all going to pot!
00:06:08 Listen to me carefully.
00:06:10 The General Director
00:06:14 His work obliges him to move around.
00:06:16 In otherwords he can travel,
00:06:19 with a diplomatic passport,
00:06:22 I don't see your point,
00:06:24 The General Director can plan
00:06:27 a visit to Spain.
00:06:30 You can get to South America.
00:06:33 You're still in time
00:06:37 and you can save yourselves,
00:06:39 I'm speechless.
00:06:41 You're suggesting I escape?
00:06:43 We've said itall,
00:06:47 My respects to Madame Ferida,
00:06:49 What will you do?
00:06:56 I'll watch your star shine
00:07:00 "Your Excellency,
00:07:08 wlth thls letter I communlcate
00:07:14 my reslgnatlon as Dlrector General
00:07:19 a declslon I am forced to make
00:07:20 At the same tlme, Ideslre to
00:07:28 bearer of thls letter,
00:07:31 who has the necessary prestige,
00:07:33 determlnatlon, personallty
00:07:39 and expertlse to flllthe chalr
00:07:45 Respectfully, Attlllo Cardi.
00:07:50 Rome, 0ctober 4, 1943,
00:07:53 XXI Fasclst Year."
00:07:56 Venice, October 1943
00:07:59 Valenti!
00:08:16 Excellency!
00:08:18 - Whata pleasure to see you,
00:08:21 I bow to you,
00:08:40 Remember Prince
00:10:12 . How are you?
00:10:13 . I see you're busy,
00:10:15 I was told you were coming,
00:10:19 Don't be offended, the journey
00:10:21 You're a lucky man,
00:10:23 We have to get moving,
00:10:26 We can't act like Mussolini
00:10:29 If today there were no units
00:10:33 that keep their word,
00:10:43 know what the Germans would do?
00:11:05 They'd reduce us to a pile of rubble
00:11:09 I totally agree.
00:11:13 If you gentlemen will excuse me, .,
00:11:16 Don't get up, please.
00:11:19 My daughter would so like
00:11:21 . What's her name?
00:11:26 "To Valentina, Osvaldo Valenti."
00:11:31 Thank you and forgive the intrusion,
00:11:33 The girl was an excuse,
00:11:37 She drools over an actor
00:11:43 the hero of Alessandria
00:11:49 This shows something,
00:11:55 Popularity travels faster
00:12:03 What did I tell you? An idiot!
00:12:08 People need to identify with someone,
00:12:11 Don't underestimate popularity,
00:12:14 if you put itat the service
00:12:17 What's the film?
00:12:20 It's not a film, it's my uniform,
00:12:22 Lt, Valenti, 10th MAS Flotilla,
00:12:25 You joined? Are you mad?
00:12:30 What's the war to you?
00:12:47 I'm giving Borghese a hand,
00:12:50 It's better they join up with
00:12:53 What would the difference be?
00:12:57 The Fascists just want revenge,
00:13:00 For the 10th, the enemy's
00:13:02 You've always despised politics!
00:13:07 Borghese does too, at least we'll get
00:13:10 What do you need to getgoing?
00:13:13 If you think I enjoy
00:13:17 and playing cards with the Germans,, .
00:13:20 Then it wasn'ta great idea
00:13:23 No.
00:13:27 Get out,
00:13:29 The other way.
00:13:32 Because you didn't want to do
00:13:34 To change things,
00:13:37 Instead, you hang around depressed,
00:13:40 . You call these scripts?
00:13:42 They're arguing, .,
00:13:50 Yes, first they argue
00:13:55 But it's been a while now
00:13:58 Yes, they're mediocre scripts,
00:14:02 but Alfiero Corazza
00:14:06 What kind of director is that?
00:14:08 Here we're leads, in real films
00:14:11 At least they were good roles!
00:14:14 I'd say...
00:14:17 this uniform cuts
00:14:19 Perfect, you look like
00:14:24 . Do at least one favor for me.
00:14:28 Leave, cease this
00:14:52 Is this the favor
00:14:55 . I won't prevent you from pursuing,
00:14:58 You shouldn't tend to my grace,
00:15:05 "Satisfy",
00:15:08 Not "tend to", "satisfy".
00:15:12 The line is:
00:15:15 you should just satisfy your own",
00:15:19 Sorry.
00:15:23 Sorry, I got mixed. Up,
00:15:25 Don'tworry, it's nothing,
00:15:30 Alfiero, another one.
00:15:33 . Would we like to do another?
00:15:38 "Don't tend to my grace,
00:15:42 . Certainly, dear,
00:15:44 Let's take it from the top.
00:15:47 Take yourstarting positions,
00:15:50 Move!
00:15:54 - Another one!
00:15:59 . Camera!
00:16:02 Clapper,
00:16:05 26-4, 39th.
00:16:09 Good.
00:16:10 Action!
00:16:13 Is this the favor
00:16:15 . I won't prevent you from pursuing,
00:16:17 You shouldn't tend to my grace,
00:16:19 Satisfy,, .
00:16:21 Sorry.
00:16:23 I can'tget it today!
00:16:26 You should justsatisfy your own!
00:16:30 As for me, itwill be my care to
00:16:37 in case he'd like
00:16:42 It's the only reason I'm on this set,
00:16:44 the only reason I'm an actress!
00:16:46 Do something, make him be quiet!
00:16:49 Corazza!
00:16:55 Are you nuts?
00:17:00 You can't talk to her like that,
00:17:03 - Whata ghastly tragedy!
00:17:08 - These are the films we can do!
00:17:10 You snap to attention
00:17:16 That's your attitude? Great,
00:17:18 They probably won't touch you,
00:17:22 The 10th scares him,
00:17:26 Put it down, it might go off,
00:17:29 It might go off, .,
00:17:37 I knew we shouldn't have come here,
00:17:40 that it was a trap,
00:17:44 In Rome they've even
00:17:47 Who knows with what means or film.
00:17:49 Rossellini is making a film on Rome,
00:17:59 Roberto Rossellini,
00:18:02 He's in Rome making his film
00:18:06 with Anna Magnani and Aldo Fabrizi,
00:18:09 Magnani and Fabrizi,
00:18:14 I don't think so,
00:18:18 Magnani and Fabrizi...
00:18:24 The was no role for Valenti,
00:18:26 . What's he playing?
00:18:30 A priest?
00:18:34 I've never played one,
00:18:37 They don't think Valenti
00:18:38 Alfiero dear, please,
00:18:42 a priest?
00:18:45 Isn'tall thatstuffbad for you?
00:18:49 Be quiet!
00:18:53 Whatare you doing? Stop!
00:19:03 Stop!
00:19:07 Take the uniforms off those bastards,
00:19:10 So we can getthrough
00:21:15 Go!
00:22:13 Go, Luisa.
00:22:16 Put her next to Piero,
00:22:43 The curly. Haired guy.
00:22:48 Sergeant?
00:22:51 Come here,
00:22:53 I have orders to check everyone,
00:24:05 See these stripes?
00:24:15 . You're Osvaldo Valenti.
00:25:17 At your command,
00:25:19 Move the blockade, let us through,
00:25:33 Let them through,
00:25:34 Stop! Hands up!
00:25:38 No tricks, come on!
00:25:42 Achilli, don'tyou know me?
00:25:45 Get down.
00:25:51 - Vero, I have to talk to you,
00:25:59 . Are they Valenti and Ferida?
00:26:36 - It says here they've been shot,
00:26:40 Maybe it's not true
00:26:44 I have orders to deliver them
00:26:48 Turn them overto me, it's best,
00:27:01 I said I'd deliverthem.
00:27:05 Hug the wall, there may be snipers.
00:27:09 Do as he says,
00:27:12 Excuse me, Ma'am,
00:27:16 or rather, Count Arrivabene,
00:27:20 Hello, I'm Leonardo Arrivabene,
00:27:23 - Who from?
00:27:29 "Luisa, follow this officer. G."
00:27:34 Golfiero?
00:28:08 He's my cousin,
00:28:11 Stop!
00:28:26 Around the corner!
00:28:31 Are you alright?
00:28:41 - Where's that bastard?
00:28:46 Stop them! Stop that car!
00:28:48 Stop!
00:28:58 Grab his legs.
00:29:01 Grab his legs, careful.
00:29:09 What happened to you?
00:29:17 They freed me after July 25th.
00:29:25 I crossed the lines
00:29:28 They parachuted me into the North
00:29:33 If I can't trust my cousin., .
00:29:36 . You know I'd neverdo that,
00:30:15 I'm here to take you away.
00:30:18 - What?
00:30:21 You can't have anything more to do
00:30:25 . It's too late,
00:30:29 People like you,
00:30:30 . Just imagine., .
00:30:35 Rome has been liberated,
00:30:41 Would you hide him too?
00:30:43 How can I, the way he behaves?
00:30:48 He compromises himself,
00:30:51 . He takes part in the clean-ups!
00:30:54 - The 10th doesn'tdo clean. Ups.
00:30:57 Don't you see what's going on?
00:31:01 Don't you realize
00:31:06 Osvaldo would never hurt anyone.
00:31:09 He's just irresponsible.
00:31:12 I'm not here for him.
00:31:15 I'm here for you.
00:31:18 How could you think I'd dump him?
00:31:22 Open your eyes.
00:31:24 Have you ever been
00:31:29 What do you mean by that?
00:31:33 If you'd loved someone, you'd know,
00:31:36 Love is for housemaids!
00:31:39 Ferida, come with me,
00:31:41 No, you stay put.
00:31:45 Follow me.
00:31:47 They keep saying I'll pull through,
00:31:53 Of course you will,
00:31:57 The strange thing is., .
00:32:00 I can't feel anything any more.
00:32:03 They must have loaded me
00:32:49 Vero?
00:33:00 You have to give them
00:33:03 - Or you'll answer to me.
00:33:24 I won't let you do my next film!
00:33:28 I got it.
00:33:31 Where've you been?
00:33:34 Hurry!
00:33:38 . How many did you get?
00:33:42 What the fuck do I do with three?
00:33:49 It's not my fault
00:33:57 Besides, the bastards
00:34:02 There's nothing around anymore!
00:34:41 There is one possibility,
00:34:45 - What's that?
00:34:53 There's more action,
00:35:00 How do I get inside a hospital?
00:35:05 We need to organize
00:35:09 . If Madame Luisa came., .
00:35:12 Whatare you thinking?
00:35:36 And me? I don't?
00:35:39 Didn't you see how the fuck I was?
00:35:43 Leave us a moment,
00:35:46 Out!
00:35:49 Want to preach me another sermon?
00:35:54 Do you realize what you're doing?
00:35:57 You're an idiot, petty bourgeoise,
00:35:59 You disgust me! You make me sick!
00:36:03 Then why don't you get the fuck out?
00:36:06 Where the fuck
00:36:10 Letgo of me!
00:36:12 Son of a bitch! Don't touch me!
00:36:20 Forgive me,
00:36:24 Hello,
00:36:28 Pietro Koch,
00:36:31 Ma'am., .
00:36:35 "These rose petals are like
00:37:23 Wonderful, the great Valenti,
00:37:27 You're both my idols, Ferida. Valenti,
00:37:30 the bestactors in Italian cinema!
00:37:44 Since when are you
00:39:27 No Pietro, I took it for you.
00:39:32 Look.
00:39:39 It's yours,
00:39:51 It's yours,
00:40:00 Good boy,
00:40:04 Mom...
00:40:07 - Lovely sweet face.
00:40:12 Yes,
00:40:17 Luisa, doesn'tshe look like you?
00:40:21 Yes, it's true, she does a little,
00:40:23 You're her idol, she imitates you,
00:40:26 Desy, come here,
00:40:31 Come on, don't be shy!
00:41:08 A pleasure, Marchi Dusnella,
00:42:03 Desy.
00:42:08 When Luisa gets a headache,
00:42:09 She's good at it!
00:42:14 To Dusnella,
00:42:16 And to Pietro Koch, who's got
00:42:20 Great!
00:42:23 Agiant of life and of the screen.
00:42:31 To Luisa Ferida,
00:42:33 The most beautiful in the world!
00:42:37 Cheers!
00:42:41 . Satisfy a curiosity of mine.
00:42:44 Where do you keep the prisoners?
00:42:49 What prisoners?
00:43:06 The ones you torture for the Nazis.
00:43:07 Want to film them?
00:43:10 Come on, come with me.
00:43:13 . Desy, feed them,
00:43:16 What do you mean 'with what'!
00:43:22 This.
00:43:26 So? It's what we eat too,
00:43:36 Move, feed them!
00:43:40 Delicacies.
00:43:48 Too bad Madame Luisa
00:43:53 They'd have loved it.
00:44:01 They'll have to
00:44:09 Let's see if they fall for it.
00:44:17 Know who's feeding you today?
00:44:21 The most important actress
00:44:24 Do you know who's with her?
00:44:28 The most important actor
00:44:35 Do you want to film them?
00:44:37 Want to film them?
00:44:42 I've nothing to hide.
00:44:44 Film.
00:44:47 Come on, a big hand for
00:44:50 A big hand!
00:44:52 Why are you with this scum?
00:44:58 Get out!
00:45:01 Why are you with this scum?
00:45:07 - Shut up!
00:45:09 Shut that violinist bitch up!
00:45:13 Shut up!
00:45:16 You have to shut up!
00:45:18 I wake up at nlght wlth nlghtmares.
00:45:24 I feelmy body
00:45:55 Idon't recognlze It
00:46:00 lhaven't menstruated In two years.
00:46:01 Don'tworry, dear, things
00:46:03 - What?
00:46:07 Are you happy or not?
00:46:10 Let's see,
00:46:12 6 times 7 isn't 41, it's 42,
00:46:28 Audile! Close the doors,
00:46:32 Excuse the inconvenience,
00:46:36 Any dangerous outlaws
00:46:39 Sister, should I check
00:46:41 Just joking, .,
00:46:46 Lady, are you hiding something?
00:46:52 Excuse me, sir.
00:47:26 There was a little shaving cream
00:47:31 Thank you.
00:47:48 Notat all.
00:47:52 Do you mind if I sit next to you?
00:47:58 Please do,
00:48:04 Thank you.
00:48:07 Excuse me, Lieutenant,
00:48:11 . Speak, divine child,
00:48:43 I was Sandokan, Giannettaccio,
00:48:52 Henry and Genghis Khan!
00:48:56 A cruel Turk, a wicked Baron,
00:48:57 I've never been a priest.
00:49:02 Right you are! Valenti is my name,
00:49:08 Born in Constantinople and died a
00:49:11 Can I have your autograph?
00:49:21 And ifl were illiterate?
00:49:23 - What's your name?
00:49:30 . You?
00:49:33 What a nice scent of school,
00:49:34 That's enough, back to your seats,
00:49:38 Nothing is more squalid
00:49:41 Are you making a film?
00:49:44 I'm aboutto startfilming
00:49:49 I'll be acting alongside my wife,
00:49:52 it's entitled "Wild Blood"
00:49:55 and it'll be directed by the greatest
00:49:58 Golfiero Goffredi,
00:50:01 What's the story about?
00:50:07 It's a love story.
00:50:10 Two men love the same woman
00:50:13 and so they hate each other,
00:50:16 They fight a war
00:50:21 The woman loves them both
00:50:24 and doesn't know how to choose,
00:50:27 she can't, it wouldn't be right.
00:50:30 Each ofthem is a part ofher.
00:50:34 - Good and evil?
00:50:40 Good and evil are merged,
00:50:44 She too, is good and evil.
00:50:47 How does it end?
00:50:49 Like all fairytales:
00:50:54 The good guys come, the bad guy dies.
00:50:56 Enough, go back,
00:50:58 Go sit down.
00:51:02 10th MAS Flotilla!
00:51:05 Audile open up, we'll getoffhere!
00:51:08 It's a nice ring, but., .
00:51:12 Of course, maybe Desy...
00:51:15 It might be exciting for her
00:51:19 I'm coming,
00:51:21 Hello, Madame Luisa!
00:51:23 Hello,
00:51:26 Look how nice the lady is,
00:51:37 What?
00:51:47 Is it really for me?
00:52:15 Yes,
00:52:32 Thank you!
00:52:36 Your face is floury,
00:52:50 There,
00:52:54 I thinkMadame Ferida
00:52:57 Who knows whatshe wants
00:52:58 Who knows what you want in exchange.
00:53:02 How beautiful you are.
00:53:07 You're both so beautiful!
00:53:09 Clean.,,
00:53:11 Like that,
00:53:20 Yes, undress her,
00:53:27 Undress her,
00:53:31 Beautiful...
00:53:36 Luisa and my little Desy,
00:53:38 You're so beautiful!
00:53:44 . Put that gun away.
00:53:49 Can't you see it bothers her?
00:53:53 Sure, I will.
00:53:54 There, it's gone,
00:53:57 I don't want to keep it...,
00:54:01 What is it you won't keep?
00:54:07 Not in this world or in this life., .
00:54:11 What? Who?
00:54:13 The baby, I don't want it anymore,
00:54:33 You're expecting a baby?
00:54:35 I don't want it.
00:54:39 I won't give birth
00:54:44 The baby?
00:56:26 It's safe inside me,
00:56:33 My father...,
00:56:38 always wanted me to have a child,
00:56:50 A child of yours
00:56:57 Achild, .,
00:57:05 I could have had one
00:57:09 What will you call him?
00:57:12 Golfiero,
00:58:26 like you,
00:58:29 When you're healed, we'll run off
00:58:36 You're rich enough,
00:58:38 Ten...
00:58:44 Milan, April 29, 1945
00:58:49 Bring in the prosecuting witness.
00:58:55 Where did you disappear to?
00:59:26 The defendant must remain silent,
00:59:29 Witness Sturla has earned our trust,
00:59:32 Thanks to him, we arrested
00:59:43 If these are the people
00:59:49 The defendant must try
00:59:54 Go ahead.
01:01:30 For a long time
01:02:15 The opium. Filled ones!
01:02:39 Silence, or I'll clear the courtroom,
01:02:42 Go on, Shitmanikov, say whatshots
01:02:51 You have to shut up!
01:02:55 So?
01:02:59 I did., . They made me do., .
01:03:03 I didn't do anything,
01:03:12 You're not being accused,
01:03:22 I don't have it in for anyone., .
01:03:24 We want to know if this man
01:03:28 was a Fascist,
01:03:31 Clear question, clear answer.
01:03:34 Did you understand the question?
01:03:50 It's not that he's a Fascist.
01:03:54 He's Sandokan...,
01:03:58 The Pirate ofMalaysia.
01:04:02 Silence, or the trial will resume
01:04:12 I'll clear the courtroom!
01:04:16 We're in a court oflaw, not a cafe.
01:04:20 I'll ask you again.
01:04:22 Was Valenti a Fascist or not?
01:04:32 What should I do?
01:04:41 What do I do? Tell me!
01:04:45 Tell them what they want.
01:04:48 - Up, let's go, I'm taking you away.
01:04:50 I'm freeing you.
01:04:53 We have to pack, my film.,,
01:04:59 Just one!
01:05:04 Vero?
01:05:07 You know what doubles are?
01:05:13 Imagine we're not Valenti and Ferida,
01:05:17 that Valenti and Ferida have escaped
01:05:34 We're their doubles,
01:06:14 two misfortunate doubles,
01:06:17 Ever thought of that?
01:06:19 We're all doubles.
01:06:22 Go, you're free.
01:07:03 Go.
01:07:06 The sign,
01:07:11 We placed the sign,
01:07:15 Wantto check?
01:07:21 No.
01:07:24 That's it, .,
01:07:30 We have carried out justice...,
01:08:27 Translation