Save The Last Dance 2

en
00:00:41 I wanna be a ballerina.
00:00:44 My mom always said that I did
00:00:49 And I did them and I fell on my butt.
00:00:54 I had a little ballerina on my nightstand,
00:00:57 and I think this was my first idea
00:01:01 'cause I never knew that ballet existed.
00:01:04 I love hip-hop.
00:01:06 Missy, Jay-Z, Common,
00:01:10 Hip-hop allows you to let go
00:01:17 I think the biggest difference between
00:01:22 That settling into your body in hip-hop,
00:01:24 whereas ballet,
00:01:29 I love kissing.
00:01:32 Wrigley Field.
00:01:33 Maybe dancing and kissing,
00:01:36 The lake, my friends and my dad.
00:01:41 Trumpet. He's a trumpet player.
00:01:45 And this necklace. It's from my mom.
00:02:11 It's not too much leaving home,
00:02:13 'cause I'm really excited
00:02:15 but it's the not knowing.
00:02:17 Not knowing what's gonna happen,
00:02:19 not knowing the people
00:02:41 My boyfriend and I decided
00:02:44 because he's studying somewhere
00:02:47 and it's probably better this way.
00:02:48 My ankles are a little weak,
00:02:50 and my turnout could be
00:02:56 Oh, it hurts so much.
00:02:58 Don't you want me to do, like,
00:03:12 This is what I've been doing
00:03:13 and honestly I don't think
00:03:18 besides kissing.
00:03:20 I'm gonna be working really,
00:03:23 And you won't be disappointed in me.
00:03:27 There are not gonna be
00:03:29 I'm going to be the best.
00:03:32 And if there are,
00:03:35 That's right.
00:03:38 That's right.
00:03:58 Hey, that was awesome.
00:03:59 - What do you call that?
00:04:02 Oh, neat.
00:04:04 - Are you Zoe?
00:04:05 I'm Sara.
00:04:08 Yes, you'll do.
00:04:11 Okay...
00:04:12 You brought this
00:04:14 Yes.
00:04:16 In Texas,
00:04:19 I think I got something called a "hernia. "
00:04:22 How did you get it here
00:04:25 Some horny cellist.
00:04:28 Why don't we take some stuff out?
00:04:31 Yes, that is an excellent idea.
00:04:37 Okay, that's my jewelry,
00:04:41 That's Hamlet.
00:04:53 I've always suspected
00:05:01 Each of you has been blessed
00:05:05 - Trombone.
00:05:09 I got this thing where I can look at
00:05:12 And you are a trombonista.
00:05:15 Well, maybe your thing is broken,
00:05:19 What? You trying to be a ballerina?
00:05:21 I am a ballerina.
00:05:27 Well, you are kind of prima,
00:05:31 You've got the souI
00:05:34 It's in the eyes.
00:05:36 I...
00:05:38 I'm Miles and you are...
00:05:43 From our ballet department,
00:05:47 - You mind?
00:05:50 Turning that down.
00:05:55 And by the way, the remix is way better.
00:06:02 Although I'm sure it's true
00:06:06 that your former schools
00:06:10 I regret having to dash
00:06:13 to the pinnacle of artistic success
00:06:19 By Juilliard choosing you,
00:06:22 the bar's been raised.
00:06:25 For the next four years,
00:06:33 Please look to your left
00:06:37 and your right.
00:06:41 Only one in three of you
00:06:47 in the mastery of your art.
00:06:50 The other two will probably end up
00:06:55 or working behind a cosmetic counter
00:07:03 Welcome to Juilliard.
00:07:08 Thanks.
00:07:09 Oh, my God!
00:07:13 I mean, I know she's your idoI, you have
00:07:17 Monique Delacroix has danced the lead
00:07:19 with every major ballet company
00:07:21 She was a principaI
00:07:23 at the American Ballet Theatre
00:07:25 - Whatever.
00:07:27 You wanna wind up working
00:07:30 The women in my family don't work.
00:07:31 They drink martinis,
00:07:34 Me, I just wanna act
00:07:36 and leave the world domination
00:07:42 Oh, my God. There's my mentor.
00:07:45 He's beautifuI. I hate him.
00:07:47 I better go and pay my respects.
00:08:04 - Hi.
00:08:09 Hi. I'm Sara, your mentee.
00:08:14 Well, sit down
00:08:20 - So, Sara, you any good?
00:08:26 We wouldn't be here if we weren't.
00:08:32 See you.
00:08:39 - Bye.
00:08:41 I'll watch out for you as best I can.
00:08:44 But for the most part,
00:08:49 So we're all
00:08:52 And guess
00:08:54 - Do you pluck your eyebrows?
00:08:58 Your eyebrows,
00:09:03 Round the corner on 9th,
00:09:05 CooI.
00:09:07 Never ever date an actor.
00:09:11 It's like a fetish.
00:09:12 Besides, when you dump them,
00:09:16 So do you have a boyfriend?
00:09:20 Yes. Well, no.
00:09:22 He's in premed at Georgetown,
00:09:25 We decided we could date
00:09:27 Forget about him. It's for the best.
00:09:30 Honestly, there's
00:09:32 worth dancing for in the world.
00:09:34 That means you have to stay focused.
00:09:36 Boyfriends, they just get in the way.
00:09:50 My God, this summer in Paris,
00:09:54 because my sissonne ouverte
00:09:58 Who'd you take class with?
00:10:00 - Me?
00:10:02 The Chicago Ballet with Uri Pell.
00:10:05 Oh, I know him. He's kind of out there.
00:10:09 If you mean progressive,
00:10:12 He did the thing where everybody
00:10:16 Were you in that?
00:10:17 Sara, come with me for a moment.
00:10:25 - Stand here.
00:10:41 - What's your name?
00:10:45 Sara Johnson.
00:10:49 You'd all do well to follow
00:10:54 Class begins at 9:30 sharp,
00:10:57 which means that 9:29 you should all
00:11:18 And you, what's your name?
00:11:20 - Marcus.
00:11:26 - A dance studio?
00:11:31 In this room dwells the entire
00:11:36 How can you hope
00:11:39 while wearing trousers that go "whish,
00:11:44 - I...
00:11:47 Not one article of vinyI clothing
00:11:52 - Are we clear?
00:11:57 - Morning, Bella.
00:11:58 Morning.
00:12:02 You will be divided into three lines
00:12:09 We will do this in every class.
00:12:13 If you find yourself in line number three
00:12:19 you will be asked to leave the program.
00:12:24 Please line up at the long bar.
00:12:27 Marcus,
00:12:30 third line.
00:12:31 Bella. Please.
00:12:34 We'll begin with pliés.
00:12:46 What happened to your eye?
00:12:47 I was in circus class, I fell off my stilts.
00:12:51 Is that something you should be doing
00:12:55 Welcome to
00:12:59 Oh, my God.
00:13:00 What? You're the one
00:13:04 My name is Miles Sultana,
00:13:08 Your actuaI professor was trying to ball
00:13:12 decided to go all half-man,
00:13:15 Needless to say he pulled his hammy.
00:13:18 untiI he fell to the ground,
00:13:20 and his leg bent backwards
00:13:22 This schooI is dangerous.
00:13:24 So here I am filling in for him untiI he...
00:13:29 So with the help of my good friend
00:13:34 we are going to explore
00:13:39 All right. So, hip-hop theory.
00:13:43 What is hip-hop?
00:13:48 Ah, Trombonista.
00:13:54 Hip-hop is the convergence
00:13:56 of the electronic musical movement
00:13:59 which happened after the world
00:14:04 Good answer.
00:14:08 Hip-hop is...
00:14:09 - It's rap.
00:14:10 Hip-hop is...
00:14:11 SouI.
00:14:12 Hip-hop is...
00:14:13 R & B.
00:14:15 Hip-hop is...
00:14:16 Funk. For most people today,
00:14:19 But what was before the bling-bling?
00:14:21 What was before the Escalades,
00:14:32 Hip-hop is...
00:14:33 It's a form
00:14:35 - Hip-hop is...
00:14:38 - Hip-hip is...
00:14:40 It's about a individuaI
00:14:43 It's about recombining, combining
00:14:47 Hip-hop is about finding a new voice.
00:14:49 But what hip-hop really is can be
00:14:53 I am here.
00:15:00 It was so rad
00:15:02 the way you like looped
00:15:04 then you made a song out of it.
00:15:06 Thanks.
00:15:09 You could have told me
00:15:11 - I'm not.
00:15:14 - I thought you were an actor.
00:15:17 Never mind.
00:15:18 How tall are you?
00:15:21 -5'10".
00:15:25 Okay, let's go.
00:15:27 Hey, you guys should come
00:15:31 I have a class in the morning.
00:15:33 I can put you two on the list, plus one
00:15:38 I don't have a boyfriend.
00:15:41 All right, cooI.
00:15:50 - We'll see.
00:15:57 Zoe.
00:15:59 5'11" actually, with shoes.
00:16:16 Second line.
00:16:26 Second line.
00:16:31 Line one.
00:16:38 What is that?
00:16:42 It felt more naturaI that way.
00:16:45 You're not here to be naturaI.
00:16:53 Second line.
00:16:58 Must be all that fine Chicago training.
00:17:12 Wow. Well, look at this place, momma.
00:17:16 Only a few minutes in New York
00:17:19 at the hottest spot in town.
00:17:21 - Okay. Momma?
00:17:25 - "Momma" is not in my range?
00:17:28 - Hey.
00:17:30 - Hi.
00:17:32 Okay, remember,
00:17:34 I know, I know. Hey, chill, momma.
00:17:36 - Jeez! Ballerinas.
00:17:39 - I don't really dance.
00:17:42 - I knew you'd come.
00:17:44 - Who's this?
00:17:47 - Sara, Candy.
00:17:50 - I'm sure it is.
00:17:53 Hey, don't mind her.
00:17:55 Come on.
00:17:56 What about my drink?
00:17:59 - Where are we going?
00:18:01 Pit?
00:18:20 Wow! This is a whole other leveI.
00:18:24 Yeah, I used to have to sneak out
00:18:27 and take the 9 train up to
00:18:32 It's funny, 'cause most of these kids,
00:18:34 they don't even realize
00:18:38 a shadow behind every move.
00:18:39 Every step they make
00:18:47 Kind of like ballet.
00:18:51 Professor!
00:18:54 I'm paying you to spin,
00:18:58 This is Mixx,
00:19:01 - And who is this pretty distraction?
00:19:05 - She's one of my students.
00:19:09 - Nice to meet you.
00:19:11 Yes, yes, yes, yes.
00:19:13 - That's my girI, Candy.
00:19:16 It don't get much flyer than Candy.
00:19:18 Anything she do, you can bet,
00:19:19 next week,
00:19:22 - Or at least trying.
00:19:24 Yo, honor and pleasure to meet you,
00:19:27 I have to go be the man.
00:19:29 You, over here wasting my money,
00:19:32 - All right, man.
00:19:34 - I got to go spin. Straight?
00:19:37 - You sure?
00:19:38 - You're not scared?
00:19:43 We gonna heat it up for you.
00:20:05 Yo, what's going on?
00:20:08 Hey, I'm about to bring my man
00:20:10 But we gonna have to bring him out
00:20:12 I'm gonna need y'all to repeat after me.
00:20:13 We gonna do it like this. Yo! Say,
00:20:15 Hey, one, two, check it out
00:20:18 Hey, one, two, check it out
00:20:20 Hey, one, two, check it out
00:20:22 Hey, one, two, check it out
00:20:25 Do your thing, boy
00:20:27 Yo, this is your boy, Mike L-E-S.
00:20:30 Yo, big show tonight.
00:20:34 Y'all know what to do.
00:21:04 So what are you waiting for?
00:21:17 Come on, girI!
00:21:29 What's up? Can you take it?
00:22:16 Yeah.
00:22:33 She's really good!
00:23:21 Oh, my God!
00:23:57 - What was that?
00:24:01 What?
00:24:05 - That's not water.
00:24:29 Hey, Sara.
00:24:31 This other kid was supposed to spin,
00:24:35 I saw you killing them in the pit all night.
00:24:37 - What? You were amazing.
00:24:41 You weren't too bad yourself.
00:24:43 We were gonna go get some breakfast
00:24:48 I can't. I've got class in, like,
00:24:58 Looks like Franz found a friend.
00:25:02 Oh...
00:25:05 I should probably get my roommate
00:25:15 Okay, see you.
00:25:20 Okay, let's go.
00:25:26 - Okay.
00:26:20 No...
00:26:22 - Oh, my God! Oh, my God!
00:26:33 Allegro.
00:26:35 Please wake up.
00:26:37 You're thinking too much.
00:26:40 It's not your job.
00:26:42 Thought was put into these steps
00:26:47 It's simply your duty to execute it
00:26:51 Faster.
00:26:57 Stop.
00:26:59 What are you doing?
00:27:01 - I'm sorry, Miss Delacroix.
00:27:06 I'm sorry.
00:27:11 Look at me.
00:27:16 You smell of alcohoI.
00:27:18 Did you need a drink
00:27:22 - No.
00:27:26 I went out with some friends.
00:27:28 Oh, did you now?
00:27:30 Where did your friends take you?
00:27:34 - To a club.
00:27:37 Was it a ballet club?
00:27:42 No.
00:27:47 Do you know
00:27:53 Nothing.
00:27:57 That nothing's a... It's a magicaI place
00:28:00 and you can sleep in
00:28:04 and cheeseburgers and candy and...
00:28:06 And you can...
00:28:09 And you can drink whenever you like,
00:28:12 and you can pretend that there are
00:28:16 But that nothing
00:28:25 Third line.
00:28:30 Bella.
00:29:04 "I've often been asked
00:29:08 "The answer is always the same.
00:29:11 "I have never allowed anyone
00:29:18 What did I do?
00:29:20 - I don't know. What did you do?
00:29:22 You just been jetting out of here
00:29:25 See you.
00:29:26 I need to spend more time practicing,
00:29:30 Well, I know this place
00:29:32 Best cannolis on the Upper West Side.
00:29:34 I really don't have time to go anywhere.
00:29:35 So I got these friends
00:29:37 and they're doing this big show
00:29:39 Graffiti, tag and all the way
00:29:42 They asked this guy NigeI,
00:29:45 reaI creative cat, to pull together
00:29:46 a video installation/performance piece
00:29:49 And he asked me to handle the music,
00:29:51 and I was hoping that maybe
00:29:54 - How?
00:29:57 - Me?
00:29:59 Why me?
00:30:00 What you did back at the club, that was
00:30:06 Look, I'd love to help you out.
00:30:08 But I'm doing everything I can
00:30:11 - Sara.
00:30:15 - I'm sorry.
00:30:18 - What's this?
00:30:20 It's kind of off the bubble.
00:30:22 None of that Hot 97 rah-rah.
00:30:26 Just listen to it.
00:30:37 Was that you humming just now?
00:30:39 It's beatboxing. It's humming 2.0.
00:30:42 - It's odd.
00:30:44 That's not what I meant. What I meant,
00:30:49 that most people
00:30:50 the site of their greatest failure
00:30:52 with so much ease.
00:30:55 What is it about you that
00:31:00 You seem pretty relaxed.
00:31:02 What was the last dancer
00:31:04 San Francisco? Joffrey?
00:31:07 - Losing your touch, huh?
00:31:10 I'm just maintaining my standards.
00:31:30 Morning, Bella.
00:31:42 I can't even get out of the third line.
00:31:44 She's making an example of you.
00:31:46 Lucky me.
00:31:48 I'm, like, this close from Monique
00:31:52 Oh, my God.
00:31:54 I've never been so sore in my life.
00:31:57 Get used to it.
00:31:58 I don't think I've slept
00:32:01 If there's one thing in life
00:32:04 It's such a waste of time.
00:32:06 Such a waste.
00:32:14 I don't do drugs.
00:32:16 It's not heroin, Sara.
00:32:20 Just remember,
00:32:22 XenicaI is your paI
00:32:25 Percocet's best for the knees
00:32:29 And Ambien is your friend
00:32:40 You want to get out of the third line,
00:32:48 I don't want to be
00:32:50 - What?
00:32:53 I wind up playing this witty-yet-lovable,
00:32:56 with the plaid skirt and weird laugh.
00:33:00 Yeah, you're right.
00:33:01 So we're doing this play,
00:33:03 and the lead character is this quirky,
00:33:07 and of course
00:33:08 - Wow, the lead. That's great.
00:33:11 Jeez, are you even listening to me?
00:33:15 That'll be it for me. I'll always be
00:33:19 - Then don't do it.
00:33:22 This could be my big break.
00:33:26 So why don't you just read
00:34:05 I'm not gonna quit
00:34:07 no matter how hard you push me,
00:34:09 or how much you single me out
00:34:13 I worked too hard to get here.
00:34:14 And I am prepared
00:34:19 You're gonna have to pack my bags
00:34:25 - Are you done, Sara?
00:34:46 - So...
00:34:48 Sure you don't want to get a cannoli?
00:34:50 I'm doing some research.
00:34:53 Trying to get inside
00:34:55 But I hear it's a scary place.
00:34:58 You seem to know a lot
00:35:01 Well, that's 'cause I used to go here.
00:35:05 - What?
00:35:07 You went here?
00:35:09 Hey, I may not look like it,
00:35:12 - What were you here for?
00:35:18 - You must've been good.
00:35:20 - So I dropped out.
00:35:24 Why would you give this up?
00:35:27 It just wasn't for me.
00:35:28 So did you listen
00:35:31 Look, you're gonna have
00:35:33 - I don't want anybody else. I want you.
00:35:36 I know what I saw at the club that night.
00:35:39 - Get Candy to choreograph it.
00:35:41 NigeI said it'll take one day.
00:35:44 - This weekend?
00:35:45 I'm not here for fun.
00:35:49 This Sara Johnson,
00:35:51 Well, she studied
00:35:53 and then last year with Uri Pell.
00:35:56 Her father's a musician.
00:35:59 - And her mother?
00:36:02 Actually, around the same time
00:36:05 I read her file. I'm her mentor.
00:36:10 - Here you go.
00:36:17 Here you go.
00:36:19 Monique wants to see you.
00:36:23 - You feeling okay?
00:36:35 - Marcus, are you okay?
00:36:39 She dropped me.
00:36:41 She made me work my ass off.
00:36:46 I'm sorry.
00:37:00 Close the door.
00:37:03 Come.
00:37:09 I've observed some things
00:37:12 You need to work on your turnout.
00:37:16 You keep turning...
00:37:18 Sara?
00:37:19 - I think I'm going to be sick.
00:37:28 Kleenex. Kleenex. Kleenex.
00:37:36 Here you go.
00:37:40 - I'm sorry.
00:37:45 - Can I take it?
00:37:48 Oh, God.
00:37:53 You're taking pills.
00:38:01 I've never taken them before.
00:38:04 I swear. Just, my body hurts.
00:38:07 I can't sleep, can't eat.
00:38:11 I just... I don't know what to do,
00:38:14 and this is the first time it happened.
00:38:23 It's just hard.
00:38:28 Sara, it's supposed to be hard.
00:38:41 Now we have to focus
00:38:44 on strengthening your ankles.
00:38:48 I'm not being cut?
00:38:51 Why would you think that?
00:40:07 Very good.
00:40:09 Please clear the studio
00:40:19 - How did I do?
00:40:21 But I'm not your frigging cheerleader,
00:40:23 if you're curious about
00:40:25 That's what they're there for.
00:40:50 I was pretty surprised you found time
00:40:53 Well, it kind of threw me there.
00:40:56 - Why didn't you tell me earlier?
00:41:00 Guess I was being a little harsh.
00:41:02 You have no idea how intimidating
00:41:07 - Listen, Sara, about that...
00:41:12 I just didn't realize how intense
00:41:16 It's so important to me.
00:41:19 Why?
00:41:21 Since I was little,
00:41:22 my mom and I always dreamed about
00:41:27 The day of my
00:41:29 first audition for Juilliard,
00:41:33 I really wanted her to be there.
00:41:36 It was my turn to dance.
00:41:39 So I looked around,
00:41:43 and I knew something was wrong.
00:41:45 I was right. She died in a car accident
00:41:55 Here.
00:42:01 - What about you?
00:42:03 I was raised by wolves.
00:42:06 And are you
00:42:10 My mom and dad split when I was three.
00:42:15 and then I went to schooI.
00:42:18 Now I'm on my own, struggling, striving.
00:42:22 Do you miss him?
00:42:24 Yeah. He was wild.
00:42:26 Mad old-schooI but a reaI cooI cat.
00:42:30 Speaking of which,
00:42:35 - I did.
00:42:37 It's hot. You got promise.
00:42:41 Okay. So, what's it gonna take
00:42:50 - You are not gonna make me beg.
00:42:55 Sara, please help me do this.
00:43:02 - It's just one day, right?
00:43:03 And there will absolutely be no fun
00:43:14 I'll think about it.
00:43:17 You'll think... What?
00:43:18 What're you talking about,
00:43:31 Class, I'm sure you're all waiting
00:43:35 This year, we'll be dancing
00:43:39 I recommend
00:43:42 Giselle is possibly
00:43:46 Giselle requires
00:43:49 Its beauty is uncompromising.
00:43:51 And I shall be equally uncompromising
00:43:55 All the roles are open. Class dismissed.
00:44:06 What a bitch! She's a jealous bitch.
00:44:10 Katrina is, like, this close to being
00:44:13 She has no reason to be jealous.
00:44:16 Yeah, everyone's paranoid,
00:44:17 'cause they know
00:44:19 or somebody better comes along,
00:44:21 This isn't a schooI. It's Survivor.
00:44:24 Where you guys going? I thought
00:44:28 Oh, we'll be back later.
00:44:29 Franz has to go down to CanaI Street
00:44:31 - Modulator.
00:44:36 Ciao.
00:00:25 Yeah, my man Satie's no joke.
00:00:27 This place is amazing.
00:00:31 Yeah, I consider it a consolation prize
00:00:36 Everybody should be here a little later.
00:00:38 So I figure we should get right
00:00:41 Look, those beats you gave me?
00:00:44 They're good. I like them.
00:00:47 - But they're abstract.
00:00:51 They're not really danceable.
00:00:54 Not danceable? What are you...
00:00:55 You sound like them bubblehead cats
00:00:57 I'm trying to push it.
00:00:59 You want people to like it,
00:01:03 - You can't dance to that?
00:01:06 But not that?
00:01:09 Wow.
00:01:11 All right. All right. So, cooI. Tell me
00:01:15 - Hey, this was your idea.
00:01:18 - You sure?
00:01:22 Okay. Track four.
00:02:23 Bloody long trek from that train.
00:02:25 This is NigeI,
00:02:28 It's a pleasure to meet you.
00:02:31 Are you sure
00:02:34 All right, boys. Let's go.
00:02:39 - What's up, man?
00:02:41 50 bucks.
00:02:43 So NigeI thinks we have something hot.
00:02:47 There's no way I could've done that
00:02:49 - It was fun. You were right.
00:02:52 I wish I had more time
00:02:54 What?
00:02:57 Not if I'm going to be
00:03:00 That's really what you want to do, huh?
00:03:02 That's the plan.
00:03:05 Damn. All right.
00:03:07 I was really hoping that,I don't know...
00:03:10 me and you could,
00:03:13 maybe...
00:03:15 We could what?
00:03:22 Get a cannoli or something?
00:03:25 - A cannoli?
00:03:38 - I should get some rest.
00:03:40 I got my Giselle audition in the morning.
00:03:43 Yeah, definitely.
00:03:45 Good night.
00:04:05 - What part are you auditioning for?
00:04:09 Whenever you're ready.
00:04:39 Yo, NigeI showed me the edits.
00:04:42 It is coconuts. You rocked it, girI.
00:04:45 I can't wait to see it.
00:04:49 - You look beat.
00:04:51 Well, give up them feet. It's time for
00:04:55 - No, they're awfuI.
00:04:58 My man Stef got feet
00:05:00 so yours can't be that much worse.
00:05:03 - Come on.
00:05:06 - Oh, my...
00:05:08 Just playing.
00:05:14 Feels good, right?
00:05:21 So why you dancing ballet?
00:05:23 What do you mean?
00:05:25 I don't know. It's just so rigid.
00:05:31 Oh, right.
00:05:36 Yes.
00:05:40 I used to dream
00:05:43 I mean, pounding out notes
00:05:46 I read every book
00:05:48 I wanted to write a symphony
00:05:50 What happened?
00:05:52 Wrote the sketches for my symphony.
00:05:58 But you ended up quitting.
00:06:02 Why?
00:06:08 Dreams change.
00:06:14 Oh, my God! Oh, my God!
00:06:16 - I got the part in the play.
00:06:18 - No, the dumb blonde.
00:06:25 God, gross.
00:06:29 Okay, you know what?
00:06:31 one, wear gloves.
00:06:33 And two, just...
00:06:40 How do you know when you're
00:06:43 You feeI perfect. You are the
00:06:46 Everything is working within you
00:06:52 All effort falls away.
00:06:56 You disappear into the dance.
00:06:59 And all that's left
00:07:03 and emotion.
00:07:09 Bella.
00:07:10 Sara, first line.
00:07:16 Katrina, could you get the bars please?
00:07:19 Well, I'd love Giselle.
00:07:21 I'll be anything
00:07:24 I can't stand being a peasant.
00:07:25 But I'd be happy
00:07:27 - Have you ever been a peasant?
00:07:29 Well, it's all these
00:07:34 I just can't bear it again.
00:07:37 - Oh, my God.
00:07:44 Katrina got Giselle.
00:07:47 But you got Queen of the Wilis.
00:07:50 Looks like I'm going to be doing this
00:07:53 - Okay, see you.
00:07:55 I gotta get to my opening.
00:08:07 - In a minute. Just a minute.
00:08:09 In a minute.
00:08:16 - Look at you.
00:08:20 I like it. It's hip.
00:08:22 - There's a little hop in there, too.
00:08:26 Come on. Let's go.
00:08:28 Can't wait to see your new dance piece.
00:08:29 I need to get some fresh air,
00:08:31 - Okay.
00:08:32 Be in there.
00:08:47 You're one of Monique's girls.
00:08:51 Yes, that's right.
00:08:52 Simone Eldaire. I head
00:08:55 I know who you are.
00:08:58 I saw your piece. You were quite good.
00:09:01 - Who choreographed it?
00:09:06 Congratulations.
00:09:09 Thank you.
00:09:10 You've put quite a spell on Monique.
00:09:12 Whenever I see her,
00:09:15 Really?
00:09:19 Our secret.
00:09:21 I'm down to just one a day.
00:09:23 Oh, the things we dancers do
00:09:28 Ms. Eldaire, if it's okay,
00:09:32 - I'm really not supposed to...
00:09:40 Stop by my office
00:09:43 about dance, boys, whatever.
00:09:46 I know Monique can be a bit severe.
00:09:50 Thank you. I will.
00:09:52 It was a pleasure meeting you, Sara.
00:09:54 I look forward to seeing
00:10:03 Yes.
00:10:09 What? Oh, my God!
00:10:13 Are you kidding me?
00:10:57 The Vibe is at our party.
00:11:00 This means... This means exposure.
00:11:02 This means I'm not gonna
00:11:04 explaining my music to people, they just
00:11:08 - I'm so happy for you.
00:11:12 Miles, this was supposed to be
00:11:16 Wow! Right.
00:11:18 Hey, can't do it, can't do it, right?
00:11:22 Okay, I've got Giselle rehearsals
00:11:26 and if I drop Intro to Hip-Hop,
00:11:31 - I could do it.
00:11:51 The Vibe guys said
00:11:56 Wow.
00:11:58 - What's all this?
00:12:02 - How many are there?
00:12:04 Over 8,000 hours at least.
00:12:07 How did you...
00:12:08 I just always carry around
00:12:11 Started when I was young.
00:12:14 First sound I remember
00:12:17 on the shower-curtain rod
00:12:20 - You got a tape of that?
00:12:22 Let me see.
00:12:24 Let me see. Let me see. Let me see.
00:12:29 Come on.
00:12:37 Have a seat.
00:12:47 - What are we...
00:13:00 What is that?
00:13:03 New York City, East River.
00:13:09 After five weeks below freezing,
00:15:13 Concentrate.
00:15:16 - You're okay.
00:15:18 Watch your turnout.
00:15:21 Straighten up the line.
00:15:27 Oh.
00:15:29 - Katrina.
00:15:31 - Get away from me. I'm fine.
00:15:33 - Fine.
00:15:34 - Are you okay?
00:15:35 - Can you take her to the clinic, please?
00:15:38 I'm fine.
00:15:41 So, in line. Let's go on.
00:15:47 Bella, and...
00:16:07 - What?
00:16:10 Seriously, you've been all
00:16:12 ever since what's-her-name
00:16:15 - Am not.
00:16:19 Pam and Tommy Lee,
00:16:21 - Bert and Ernie.
00:16:24 - Lewis and Clark.
00:16:26 - Britney and Justin.
00:16:29 Seriously, man, you are so hooked.
00:16:32 It's like watching Bassmasters
00:16:36 "And for tackle today,
00:16:38 "and a blonde ballerina as bait. "
00:16:43 - Get out of here, man.
00:16:44 All right, whatever.
00:16:50 - You're hooked.
00:16:54 Hooked
00:16:58 Oh, that sells.
00:16:59 The doctor said it was just a sprain.
00:17:01 The doctor told me
00:17:04 But Miss Delacroix...
00:17:06 I'm sorry, Katrina. You can't dance.
00:17:18 So who gets Giselle?
00:17:26 It's Sara, isn't it?
00:17:34 She's making a fooI of you.
00:17:43 Five, six, seven, eight.
00:17:53 Yo, stop, stop. Hold up.
00:17:56 We can't even hear the drums with all
00:18:00 Okay. You know what?
00:18:02 Hey, why don't we just take a break?
00:18:06 I really don't know, man.
00:18:13 - What?
00:18:18 So are you.
00:18:23 There's something I need to talk to you
00:18:26 Can we not take so many breaks
00:18:28 Some of us have a life.
00:18:35 What is it?
00:18:39 It's nothing.
00:18:42 All right, let's take it from the top.
00:18:45 Five, six, seven, eight.
00:19:01 - You really did a job this time.
00:19:04 You're right.
00:19:06 Jesus, you don't care about her!
00:19:09 - You need her...
00:19:10 - ... more than she needs you.
00:19:13 - But you threw yours away.
00:19:15 For what? So some kids
00:19:18 My dream changed. That's all.
00:19:20 I think you're just ashamed of
00:19:23 No. I'm ashamed that you can't accept
00:19:26 and not inside this
00:19:29 - You sound like your father.
00:19:31 You're angry at me, be angry at me.
00:19:33 I love her.
00:19:42 Well, good.
00:19:45 Let her live her dream.
00:19:47 Don't destroy hers, as well.
00:20:03 So just remember...
00:20:05 - Sara.
00:20:07 Could you do me a favor and get me
00:20:10 They're on my desk.
00:20:11 - Sure.
00:20:48 Sara, I...
00:20:52 I tried. I tried to tell you in the park,
00:20:59 I wanted to tell you.
00:21:02 I still don't.
00:21:04 I was afraid I'd lose you.
00:21:06 And I knew if it came down to me
00:21:12 - I love you...
00:21:17 I believed you.
00:21:21 I believed that someone who can
00:21:25 had to be telling the truth.
00:21:35 You know what, Miles?
00:21:47 Yes, I know Miles was a totaI jerk, but...
00:21:51 You know, it's not like his mother
00:21:57 Okay.
00:22:00 I'm a dumb blonde.
00:22:02 I'm gonna go now.
00:22:08 Sara.
00:22:10 I want you to dance Giselle.
00:22:16 Everything all right?
00:22:19 - I feeI like such an idiot.
00:22:22 Miles has never cared what effect
00:22:26 I've arranged for you to be moved
00:22:28 so you can concentrate
00:22:30 - I don't need to.
00:24:14 Stop! PauI, just cut it out!
00:24:17 You know you're not supposed
00:24:19 You're supposed to blend.
00:24:21 I'm coming up there.
00:24:24 Sara. Hey, Miles doesn't know
00:24:27 And he'd probably beat me up
00:24:29 so, please don't tell him, okay?
00:24:30 - Okay.
00:24:32 The dancers won't listen to him,
00:24:33 everything's falling apart.
00:24:35 I can't do anything, okay. I have Giselle.
00:24:39 I'm sorry.
00:24:41 Okay, fine. That's cooI.
00:24:43 No. No, that's not cooI.
00:24:45 Look, whatever happened
00:24:47 doesn't mean you can't help out.
00:24:48 - You just don't want to.
00:24:50 You're like mini-Monique. Jeté, jeté.
00:24:55 - Zoe.
00:25:03 Sara, we can't come to your ballet.
00:25:05 It's not 'cause of Zoe or anything,
00:25:06 it's just we have dress rehearsaI
00:25:09 Well, we need all the rehearsaI
00:25:13 Sorry.
00:25:15 I understand.
00:25:25 Sara, can you come up on stage,
00:25:27 Yes.
00:25:40 Watch that rouge.
00:25:44 Ta-da!
00:25:46 - Isn't it lovely?
00:25:52 I'm having a dinner party
00:25:56 Absolutely everyone will be there,
00:25:58 even the Chairman of the board
00:26:03 Are you pleased?
00:26:10 - Are you nervous?
00:26:14 You shouldn't be. You're my student.
00:26:17 Now remember to watch
00:26:22 Merde.
00:26:37 Excuse me, you can't go...
00:26:38 Yeah, yeah, yeah, I know her.
00:26:43 - Wow, look at you.
00:26:45 Don't be nice yet, okay?
00:26:49 There are two things. No.
00:26:56 "I just wanted to say that I'm sorry
00:27:01 "and that I love you so much.
00:27:02 "Because no matter how stupid or crazy
00:27:05 "And I'm sorry. Break a leg. Love, Zoe. "
00:27:10 - It's okay.
00:27:13 'cause I was such a bitch and...
00:27:16 God, I am so proud of you, Sara.
00:27:18 You did it. You know, you did
00:27:23 - You're so rad.
00:27:27 - And so blonde.
00:27:31 I kind of like being a dumb blonde.
00:27:35 You know I think Franz likes it, too.
00:27:37 Men are so easy.
00:27:39 Fifteen minutes to places, please.
00:27:42 You have some twirling to do.
00:27:47 Wait. You said two things.
00:27:49 Please don't hate me.
00:27:51 I nearly killed Franz
00:27:56 It's from Miles.
00:32:26 WonderfuI!
00:32:30 Giselle!
00:33:07 Oh, great job.
00:33:09 - It was great. It was wonderfuI.
00:33:24 Sara, there you are.
00:33:28 What on earth are you doing here?
00:33:31 Everyone wants to congratulate you.
00:33:39 What's the matter?
00:33:41 Is something wrong?
00:33:46 Oh, you must be exhausted.
00:33:49 I can remember coming off stage
00:33:52 barely able to walk.
00:33:56 You leave everything on the stage.
00:34:00 It's the best feeling in the world.
00:34:07 - Did you ever wonder if...
00:34:12 - If it was enough?
00:34:19 Dear girI, once you get a taste for it,
00:34:23 In time, there are better sets,
00:34:26 No.
00:34:28 Did you ever wonder
00:34:33 all you'd ever be?
00:34:35 Let's go. Everyone's waiting.
00:34:38 Miss Delacroix, I don't think
00:34:42 - It's just nerves.
00:34:45 I can't give up everything for ballet.
00:34:47 No one's asking you
00:34:49 But you will.
00:34:51 Maybe not on purpose,
00:34:59 Listen to me, Sara,
00:35:03 who would kill to be in your position.
00:35:05 Your gift means nothing
00:35:10 and yes, sacrifice.
00:35:14 You just have a child's idea
00:35:18 And to be great you have to...
00:35:24 Why?
00:35:28 I'll wait for you in the limo.
00:35:30 I'm sorry. I can't go to your party.
00:35:52 - You changed the song again!
00:35:55 And I'm just supposed to redo
00:35:58 This is your mess, you fix it.
00:36:00 - Candy, please.
00:36:02 You holler when you sort it all out,
00:36:05 You know the number,
00:36:11 Miles, what are we gonna do now?
00:36:15 I don't know, man.
00:36:31 - Sara, I...
00:36:38 Please just listen.
00:36:40 I danced the best
00:36:44 It was close to perfect.
00:36:47 When I was done, I closed my eyes
00:36:50 and I felt such peace.
00:36:54 But when I opened them,
00:36:57 everyone was standing and clapping.
00:37:03 And I felt nothing.
00:37:09 Just numb.
00:37:12 And I thought to myself,
00:37:16 "I've worked my whole life
00:37:20 "and I feeI nothing?"
00:37:24 And then there you were.
00:37:29 You popped into my head.
00:37:32 I couldn't stop thinking about you.
00:37:35 Your face, your smile,
00:37:41 "I am here. "
00:37:52 And I realized this whole time, I've been
00:37:57 instead of finding my own.
00:38:01 Well, I wanna be here, too.
00:38:04 I wanna paint with ballerinas, b-boys
00:38:08 in point shoes and high-tops.
00:38:11 If my dream of dancing ballet
00:38:15 doesn't have enough room for all that,
00:38:17 my friends,
00:38:22 then I'm gonna have to find a dream
00:38:27 And all I was gonna say was,
00:38:43 So, looks like you're having
00:38:46 Yeah. We got 24 hours to get right,
00:38:50 You know what I'm saying?
00:38:55 You want some help?
00:39:00 You're not gonna make me beg,
00:39:05 Miles, please let me help you.
00:39:11 All right.
00:42:56 I'm out.