|
Saw IV
|
| 00:02:01 |
The subject's name is John Kramer, |
| 00:02:03 |
a 52-year-old male Caucasian. |
| 00:02:08 |
He's seen better days. |
| 00:02:46 |
We have a recent |
| 00:02:48 |
to the left occipital lobe. |
| 00:02:51 |
Some kind of backdoor |
| 00:04:25 |
Let's check the stomach. |
| 00:04:45 |
What the hell? |
| 00:04:50 |
Get homicide here, now. |
| 00:05:01 |
Where is it? |
| 00:05:03 |
It was in his stomach. |
| 00:05:07 |
Cut it out. |
| 00:05:42 |
Are you there, detective? |
| 00:05:44 |
If so, you are probably |
| 00:05:46 |
the last man standing. |
| 00:05:49 |
Now perhaps you will succeed |
| 00:05:51 |
where the others have failed. |
| 00:05:54 |
You think you will |
| 00:05:57 |
I promise |
| 00:05:59 |
that my work will continue. |
| 00:06:01 |
You think it's over |
| 00:06:04 |
It's not over. |
| 00:06:06 |
The games have just begun. |
| 00:06:21 |
What the fuck? What the fuck? |
| 00:06:26 |
What the fuck? |
| 00:06:28 |
My eyes! |
| 00:06:31 |
What the fuck? |
| 00:06:33 |
What the fuck is this? |
| 00:06:45 |
Who's that? |
| 00:06:48 |
Talk to me. |
| 00:06:51 |
Talk to me. |
| 00:07:06 |
Talk to me. |
| 00:07:15 |
Stop it! |
| 00:07:18 |
Stop. |
| 00:07:26 |
Stop it. |
| 00:07:50 |
What are you doing to me? |
| 00:07:53 |
What did I do? |
| 00:07:56 |
Help! |
| 00:07:57 |
Who's doing this to me? |
| 00:08:14 |
Just get away from me! |
| 00:08:23 |
What did I do? |
| 00:09:57 |
- Right side clear. |
| 00:10:01 |
Clear. |
| 00:10:06 |
In position. |
| 00:10:08 |
Hold right there. |
| 00:10:12 |
I see movement. |
| 00:10:19 |
We have a device. |
| 00:10:21 |
You get eyes in there |
| 00:10:22 |
Get some eyes in here. |
| 00:10:25 |
Moving now. |
| 00:10:42 |
The doorway is clear. |
| 00:11:19 |
It's Kerry! |
| 00:11:21 |
- Rigg! |
| 00:11:23 |
- Rigg, I said no! |
| 00:11:25 |
- Stop him! |
| 00:11:28 |
Kerry! |
| 00:11:30 |
Shit. |
| 00:11:56 |
- Get me the coroner's office. |
| 00:11:58 |
Somebody get those rats off her. |
| 00:12:05 |
Let's get the light on this. |
| 00:12:11 |
Cut her down. |
| 00:12:13 |
You know I can't do that. |
| 00:12:17 |
I said cut her down. |
| 00:12:21 |
Please. |
| 00:12:30 |
Are you trying |
| 00:12:34 |
You know never to go |
| 00:12:36 |
I thought she was still alive, |
| 00:12:38 |
thought I could save her. |
| 00:12:42 |
Did you ever think |
| 00:12:44 |
when we first started? |
| 00:12:47 |
No. |
| 00:12:50 |
I didn't see it |
| 00:12:55 |
Why the hell do we still do it? |
| 00:12:57 |
It's in our nature to save them. |
| 00:12:59 |
- It's what we do. |
| 00:13:03 |
"Cherish Your Life." |
| 00:13:06 |
- What? |
| 00:13:07 |
We're supposed to cherish |
| 00:13:11 |
How the hell are we |
| 00:13:12 |
when this is our life? |
| 00:13:18 |
We chose this. |
| 00:13:20 |
- You go home. |
| 00:13:22 |
- here to see you. |
| 00:13:28 |
- Detective Hoffman? |
| 00:13:30 |
I' special agent Lindsey Perez. |
| 00:13:32 |
This is special agent Peter Strahm. |
| 00:13:34 |
How can I help the FBI? |
| 00:13:36 |
We're here about detective Kerry. |
| 00:13:40 |
"Open the door |
| 00:13:43 |
What? |
| 00:13:49 |
- What's this? |
| 00:13:51 |
with out last message |
| 00:13:53 |
"Open the door and you will find me" |
| 00:13:56 |
No. |
| 00:14:05 |
Where's the body? |
| 00:14:07 |
The crime scene photographer's flash |
| 00:14:11 |
It was lodged between the body |
| 00:14:13 |
Run it for prints. |
| 00:14:22 |
Give us the room for a minute, |
| 00:14:30 |
The lock was open. |
| 00:14:32 |
She couldn't get out. |
| 00:14:34 |
It was constructed for her execution. |
| 00:14:38 |
Not a Jigsaw trap then? |
| 00:14:40 |
No, Amanda Young, |
| 00:14:42 |
- This wasn't done by Amanda Young. |
| 00:14:45 |
Detective Kerry weighed |
| 00:14:47 |
Amanda Young's arrest report |
| 00:14:49 |
- She couldn't get her up there alone. |
| 00:14:52 |
The bedridden cancer patient? |
| 00:14:54 |
He was also an engineer. |
| 00:14:56 |
Or someone else |
| 00:14:59 |
Special agent, if you're here for any |
| 00:15:03 |
We're here to find the person |
| 00:15:05 |
the one helping Jigsaw |
| 00:15:08 |
Excuse me. |
| 00:15:16 |
We found a harlequin doll in your |
| 00:15:19 |
It's a toy. |
| 00:15:21 |
That's all it is. |
| 00:15:24 |
How about the tricycle? |
| 00:15:27 |
The tricycle is from John's youth. |
| 00:15:29 |
A grown man has |
| 00:15:32 |
I' sure you've kept things |
| 00:15:35 |
Look, Ms. Tuck, |
| 00:15:37 |
is there any reason |
| 00:15:39 |
for your safety? |
| 00:15:41 |
Perhaps you should be |
| 00:15:43 |
Why don't you tell me |
| 00:15:45 |
And let's start at the beginning. |
| 00:15:47 |
John's life defies chronology |
| 00:15:51 |
So why don't we start at the end |
| 00:15:54 |
I represent Ms. Tuck. |
| 00:15:58 |
She knows something. |
| 00:16:00 |
I thought you were going home. |
| 00:16:02 |
You have vacation time, right? |
| 00:16:06 |
Finish the remodeling, |
| 00:16:08 |
- She understands. |
| 00:16:11 |
- Eric is still out there, man. |
| 00:16:15 |
Kerry was gone for four days. |
| 00:16:18 |
- as the facts allow. |
| 00:16:20 |
Finding his body is not gonna |
| 00:16:22 |
Finding him alive will. |
| 00:16:24 |
It's time to let go. |
| 00:16:26 |
I want you to go home. |
| 00:16:28 |
I'll call you later to make sure |
| 00:16:36 |
Who's he? |
| 00:16:38 |
Lieutenant Rigg, |
| 00:16:39 |
- What's his problem? |
| 00:17:04 |
What's it say? |
| 00:17:06 |
It says, " I tried calling you |
| 00:17:09 |
It says, "dinner is in the fridge." |
| 00:17:14 |
And at the bottom it says, |
| 00:17:17 |
I need to help my mom |
| 00:17:19 |
for a few days. |
| 00:17:21 |
Just... |
| 00:17:23 |
come with me, okay? Now. |
| 00:17:26 |
I can't. |
| 00:17:30 |
You can, |
| 00:17:32 |
but you won't. |
| 00:17:35 |
What you can't do |
| 00:17:37 |
is save everyone. |
| 00:17:49 |
Tracy. |
| 00:17:51 |
Tracy, please listen to me. |
| 00:18:06 |
John Kramer owned a company called |
| 00:18:09 |
No irony in that, huh? |
| 00:18:12 |
What was Rigg watching? |
| 00:18:14 |
Jill Tuck's interrogation. |
| 00:18:18 |
Why is a SWAT guy watching that? |
| 00:18:20 |
Strahm, I really think |
| 00:18:24 |
what detective Kerry said |
| 00:18:26 |
She said two officers |
| 00:18:29 |
but until we know who, |
| 00:18:31 |
If detective Hoffman or anyone else |
| 00:18:34 |
- I think they should know it. |
| 00:18:39 |
Making any progress? |
| 00:18:43 |
We're fine, thanks. |
| 00:18:46 |
Hey, boss, looks like another doctor |
| 00:18:48 |
- Maybe it's... |
| 00:18:50 |
I'll check it out. |
| 00:18:53 |
If you need me, call my cell. |
| 00:18:56 |
- A boy or a girl? |
| 00:18:58 |
- I didn't know you were married. |
| 00:19:00 |
It's a short story, believe me. |
| 00:19:24 |
Tracy. |
| 00:19:41 |
Tracy? |
| 00:21:27 |
Hello, Officer Rigg. |
| 00:21:30 |
Welcome to your rebirth. |
| 00:21:32 |
Fuck. |
| 00:21:33 |
For years you've stood by |
| 00:21:35 |
as your colleagues have fallen. |
| 00:21:37 |
You have remained untouched |
| 00:21:40 |
while Eric Matthews |
| 00:21:42 |
But with your survival |
| 00:21:46 |
obsession to stop |
| 00:21:48 |
from making the wrong choices, |
| 00:21:50 |
thus preventing you |
| 00:21:53 |
You wanted to save everyone. |
| 00:21:55 |
Tonight I give you |
| 00:21:57 |
to face your obsession. |
| 00:22:00 |
Eric Matthews is still alive. |
| 00:22:03 |
- Eric. |
| 00:22:06 |
is melting. |
| 00:22:08 |
He has but 90 minutes |
| 00:22:11 |
Detective Hoffman's fate is linked |
| 00:22:15 |
Heed my warning, |
| 00:22:18 |
Their lives hang in the balance |
| 00:22:20 |
of your obsession. |
| 00:22:22 |
Will you learn how to let go |
| 00:22:26 |
The choice is yours. |
| 00:23:03 |
Don't fucking move. |
| 00:23:19 |
Jesus. |
| 00:23:21 |
Take off the mask. |
| 00:23:24 |
I can't! |
| 00:23:38 |
Officer Rigg, your first test. |
| 00:23:40 |
The person in front of you |
| 00:23:44 |
But it is not your job |
| 00:23:46 |
You view this person as a victim. |
| 00:23:48 |
But if you want to see what I see, |
| 00:23:50 |
beneath the mask lies a criminal |
| 00:23:53 |
undeserving of the life she leads. |
| 00:24:01 |
Your obsession tells you |
| 00:24:05 |
I tell you to walk away. |
| 00:24:10 |
- Are you a cop? |
| 00:24:12 |
- Are you a cop? |
| 00:24:17 |
What is that? |
| 00:24:29 |
- They're in the gears. |
| 00:24:32 |
The combination. |
| 00:24:37 |
Cut my hair. Just get me out. |
| 00:24:40 |
- Relax, relax. |
| 00:24:43 |
Fucking cut my hair, please. |
| 00:24:45 |
Get me out! |
| 00:24:49 |
Please. |
| 00:24:51 |
Wait wait wait wait. |
| 00:24:54 |
Wait wait. |
| 00:24:56 |
- Shit. |
| 00:24:58 |
Stop! |
| 00:25:01 |
Fucking let me out! |
| 00:25:03 |
Get back here, you fucking! |
| 00:25:07 |
Okay, I' sorry. |
| 00:25:30 |
Where the hell is the combination? |
| 00:25:33 |
Shit. Shit. |
| 00:25:39 |
Hold on! Hold on! |
| 00:25:43 |
I got one. |
| 00:25:46 |
I got one. Hold on! |
| 00:25:48 |
- Hold on. |
| 00:25:53 |
Oh, God. |
| 00:25:58 |
- Yeah? |
| 00:26:01 |
We've got a match. |
| 00:26:03 |
Jesus. Did you check this? |
| 00:26:05 |
Twice. |
| 00:26:10 |
Come on, come on, come on. |
| 00:26:11 |
I got another one. Hold on! |
| 00:26:16 |
- Hold on. Hold on. |
| 00:26:18 |
I got it. 617. 617. |
| 00:26:20 |
Hold on, hold on, hold on. |
| 00:26:28 |
Go! |
| 00:26:31 |
Shit. |
| 00:26:34 |
Okay okay okay, listen, |
| 00:26:36 |
stay here. Don't touch anything. |
| 00:27:01 |
What the fuck? |
| 00:27:05 |
What the fuck are you doing? |
| 00:27:08 |
Drop the fucking knife! |
| 00:27:09 |
- Please. |
| 00:27:11 |
Put the knife down. |
| 00:27:13 |
I just saved your fucking life. |
| 00:27:18 |
- I' gonna kill you! |
| 00:27:28 |
Hey, these prints just came in. |
| 00:27:32 |
- Fisk. |
| 00:27:34 |
We just got a call of "shots fired" |
| 00:27:36 |
That's Rigg's apartment. |
| 00:27:46 |
Hello, Brenda. |
| 00:27:48 |
I want to play a game. |
| 00:27:50 |
An officer will try to save you. |
| 00:27:53 |
If he is successful, |
| 00:27:57 |
This man will use these photos |
| 00:27:59 |
to sentence you for your crimes. |
| 00:28:02 |
And the only way to stop him |
| 00:28:04 |
is taped underneath the TV. |
| 00:28:08 |
Let him save your life |
| 00:28:10 |
and accept your fate |
| 00:28:13 |
or kill him |
| 00:28:15 |
and guarantee your freedom. |
| 00:28:17 |
Make your choice. |
| 00:29:24 |
I'll fucking kill you, |
| 00:29:26 |
you fucking bitch! |
| 00:30:24 |
Rigg! |
| 00:30:27 |
- Rigg, you in here? Rigg! |
| 00:30:32 |
Christ. |
| 00:30:34 |
I got one. |
| 00:30:37 |
I got one. |
| 00:30:49 |
It's started. |
| 00:30:53 |
An APB has been issued for Rigg. |
| 00:30:56 |
- He has a wife. Where is she? |
| 00:30:59 |
Strahm... |
| 00:31:01 |
two detectives. You see this? |
| 00:31:05 |
Hoffman... you got a 20 on him? |
| 00:31:07 |
Not yet. |
| 00:31:08 |
- Hoffman. |
| 00:31:10 |
How do you explain |
| 00:31:12 |
- He's alive. |
| 00:31:14 |
- Jigsaw never kept anyone that long. |
| 00:31:18 |
You think he's been fixed? |
| 00:31:20 |
Why these six? |
| 00:31:26 |
Hoffman's a decorated lieutenant. |
| 00:31:29 |
That's what you see. |
| 00:31:33 |
- Rigg trying to save his two friends. |
| 00:31:35 |
You got names and locations |
| 00:31:38 |
- Working it. |
| 00:31:40 |
It's a setup to announce |
| 00:31:42 |
Or a setup for his alibi. |
| 00:31:45 |
Where is he to tell us he's innocent |
| 00:31:48 |
are doing in his apartment? |
| 00:31:52 |
Move, please. |
| 00:31:55 |
"Four Walls Build a Home." |
| 00:31:57 |
What does he want us to see |
| 00:31:59 |
The victims? |
| 00:32:01 |
One of these pictures |
| 00:32:11 |
This is who we're looking for. |
| 00:32:14 |
Let's talk to her, now. |
| 00:32:22 |
Jill Tuck... where is she? |
| 00:32:32 |
Have them turn off the air in there. |
| 00:32:42 |
Ms. Tuck, |
| 00:32:44 |
I' special agent Perez. |
| 00:32:47 |
I'd like to apologize for pulling |
| 00:32:49 |
What more do you think |
| 00:32:51 |
My 100 hours of interrogation tapes |
| 00:32:54 |
and the volumes of evidence |
| 00:32:56 |
weren't enough for you |
| 00:33:00 |
Actually, it's not John we want |
| 00:33:03 |
Me? |
| 00:33:04 |
Why do you want to talk about me? |
| 00:33:07 |
So stop wasting both of our time |
| 00:33:10 |
why you've brought me here. |
| 00:33:37 |
Hey, you. |
| 00:33:45 |
Let me go! |
| 00:33:48 |
Hey! |
| 00:33:51 |
You hear me? |
| 00:33:54 |
You fucking hear me, |
| 00:33:56 |
you fucking motherfucker? |
| 00:34:16 |
Who's my girl? |
| 00:34:21 |
What the fuck are you looking at? |
| 00:34:23 |
Huh? What the fuck? |
| 00:34:24 |
Hey, you! |
| 00:34:27 |
Sir, sir, |
| 00:34:30 |
sir, can I help you? |
| 00:35:39 |
Hello, Officer Rigg. |
| 00:35:41 |
to fully understand my way, |
| 00:35:43 |
you must... |
| 00:35:47 |
The photo before you is of a man |
| 00:35:49 |
- in desperate need of help. |
| 00:35:53 |
In the next room are the tools |
| 00:35:56 |
His life is in your hands. |
| 00:35:59 |
But in the end |
| 00:36:04 |
Be careful. |
| 00:36:10 |
and you must hide your identity. |
| 00:36:14 |
Make your choice. |
| 00:36:18 |
- Sir? |
| 00:36:20 |
I don't know. You're gonna have to... |
| 00:36:22 |
- you're gonna have to go. |
| 00:36:24 |
Yeah, I know people are |
| 00:36:26 |
Yeah, you can't sleep here. |
| 00:36:29 |
Yeah, well, you can't sleep |
| 00:36:31 |
That's not a bed. |
| 00:36:34 |
No, you can't use the bathroom. |
| 00:36:36 |
You're gonna have to go. |
| 00:36:44 |
Chance, here, girl. |
| 00:36:49 |
Chance. Chance. |
| 00:36:54 |
Chance. |
| 00:36:58 |
What are you doing? |
| 00:37:01 |
Chance. |
| 00:37:09 |
Chance, come here. |
| 00:37:20 |
What you got there, huh? |
| 00:37:22 |
Come here. Come here. |
| 00:37:33 |
Okay, "Four walls build a home." |
| 00:37:38 |
- Care to shed any light on that? |
| 00:37:41 |
On what your photos are doing |
| 00:37:47 |
"Four walls build a home" |
| 00:37:51 |
"Cherish your life"? |
| 00:37:55 |
"Cherish your life" |
| 00:37:57 |
that this whole clinic |
| 00:37:59 |
cherish your life... your life. |
| 00:38:01 |
- That's his motto. |
| 00:38:04 |
of the clinic you run. |
| 00:38:06 |
Fuck, man. |
| 00:38:10 |
- Shut the fuck up. |
| 00:38:12 |
Are you out of your fucking mind? |
| 00:38:14 |
Hey hey. |
| 00:38:16 |
Hey, guys, come on. |
| 00:38:18 |
Cecil! |
| 00:38:20 |
Stop it, Gus. |
| 00:38:22 |
Knock it off now, please! |
| 00:38:30 |
You don't want to do that. |
| 00:38:31 |
- What the fuck is your problem? |
| 00:38:35 |
You're becoming |
| 00:38:45 |
How do you feel about a husband |
| 00:38:49 |
who takes a motto |
| 00:38:52 |
designed to help people, |
| 00:38:54 |
into some manic torture mantra? |
| 00:38:57 |
That part of John |
| 00:39:04 |
Look, Ms. Tuck, |
| 00:39:06 |
with more blood on the walls |
| 00:39:08 |
Two officers are missing and |
| 00:39:11 |
in their wake. |
| 00:39:14 |
about your Hall of Fame |
| 00:39:17 |
- Ex. |
| 00:39:19 |
as a possible accomplice. |
| 00:39:21 |
I am just curious as to why. |
| 00:39:24 |
You know, there's a lot of people |
| 00:39:26 |
looking for answers, |
| 00:39:28 |
wanting to place blame |
| 00:39:31 |
That person is you. |
| 00:39:33 |
But you know |
| 00:39:36 |
I don't have to |
| 00:39:38 |
Just 12 people. |
| 00:39:42 |
Okay, tell me |
| 00:39:52 |
Stay there. |
| 00:39:58 |
Wow, it's big. |
| 00:39:59 |
This is exactly |
| 00:40:02 |
Nice, huh? |
| 00:40:05 |
Ta-da! |
| 00:40:06 |
This is the clock? |
| 00:40:10 |
Except for the fact |
| 00:40:12 |
The mechanism inside it. |
| 00:40:14 |
It's 300 years old. |
| 00:40:17 |
Still ticking. |
| 00:40:19 |
Withstood the test of time. |
| 00:40:24 |
Wait till you see this space. |
| 00:40:32 |
I've got a surprise for you. |
| 00:40:49 |
Why are you doing this? |
| 00:40:52 |
Why? |
| 00:40:58 |
This was... this was a mistake. |
| 00:41:00 |
It happened a long time ago. |
| 00:41:04 |
Just let me... |
| 00:41:09 |
What's behind that door? |
| 00:41:11 |
"One saves a life. |
| 00:41:17 |
Try that on the door. |
| 00:41:25 |
- Oh, no no. |
| 00:41:27 |
Let's go. Go. |
| 00:42:02 |
Eric. Jesus. |
| 00:42:05 |
- Help! Help me! |
| 00:42:09 |
What do you know about the guy on TV? |
| 00:42:12 |
I don't know who that is. |
| 00:42:16 |
- What the fuck is this? |
| 00:42:22 |
What are you gonna do to me? |
| 00:42:27 |
If you are playing this tape, |
| 00:42:30 |
to truly understanding |
| 00:42:33 |
As an officer of the law, |
| 00:42:36 |
- Who is that? |
| 00:42:38 |
- Is the man before you a victim |
| 00:42:43 |
You sick fuck. |
| 00:42:45 |
His salvation is out of your hands. |
| 00:42:50 |
It is your choice, if you wish, |
| 00:42:52 |
to put it into his own. |
| 00:42:54 |
Once this lesson is learned, |
| 00:42:56 |
you will find yourself |
| 00:42:58 |
to truly saving Eric Matthews. |
| 00:43:00 |
Without you this man's game |
| 00:43:03 |
Force him into position |
| 00:43:07 |
and let him make the decision. |
| 00:43:16 |
Shh. Don't wake up our neighbors. |
| 00:43:21 |
Fuck. Is this what you do |
| 00:43:24 |
No. |
| 00:43:25 |
Take it all, little girl. |
| 00:43:28 |
Get on the fucking bed. |
| 00:43:31 |
Move! |
| 00:43:33 |
Strap yourself in. |
| 00:43:36 |
Please don't make me do this. |
| 00:43:38 |
I know I was wrong. |
| 00:43:42 |
Hurry up. Hurry up. |
| 00:43:45 |
Put your fucking hands up. |
| 00:43:49 |
I don't know. I don't know. |
| 00:43:51 |
I' sorry. I' sorry. |
| 00:43:57 |
Listen, I' really sorry. |
| 00:44:00 |
What does that say? |
| 00:44:04 |
What is that? |
| 00:44:10 |
- Take them. |
| 00:44:17 |
Hello, lvan. As a voyeur, |
| 00:44:19 |
you've kept photos of those |
| 00:44:23 |
- Let me go! |
| 00:44:25 |
you have brought them? |
| 00:44:27 |
You have torn apart their lives. |
| 00:44:29 |
You have used your body |
| 00:44:33 |
Now I give you the chance |
| 00:44:35 |
what is more important... |
| 00:44:38 |
your eyes which have led you |
| 00:44:42 |
or your body |
| 00:44:44 |
which has caused those around you |
| 00:44:46 |
endless suffering. |
| 00:44:49 |
You have been handed the tools |
| 00:44:52 |
Decide quickly, though. |
| 00:44:55 |
the choice will be made for you. |
| 00:45:10 |
I can do it. One more. |
| 00:45:43 |
You're gonna have to tell me |
| 00:45:45 |
those bruises on your hand |
| 00:45:49 |
Was this an accident or did someone |
| 00:45:53 |
You can stop it from happening |
| 00:45:58 |
Take a seat, please. |
| 00:46:01 |
I want to go home now. |
| 00:46:08 |
The son of a bitch is lying. |
| 00:46:10 |
He's done this before. |
| 00:46:12 |
The child's story doesn't corroborate. |
| 00:46:16 |
Jane, I can't let you go home |
| 00:46:18 |
Go back to class, honey. |
| 00:46:20 |
I told you, Officers, |
| 00:46:23 |
they just get out of control. |
| 00:46:25 |
- Get your hands off me! |
| 00:46:27 |
Rigg! Rigg! |
| 00:46:29 |
No. Get out. Get out now. |
| 00:46:32 |
You just made the biggest |
| 00:46:35 |
You hear me? |
| 00:46:37 |
for everything he's got, |
| 00:46:40 |
That's sweet, Ms. Tuck, |
| 00:46:42 |
but if you love the guy so much, |
| 00:46:45 |
- He left me long before I left him. |
| 00:46:48 |
Relationships end. |
| 00:46:50 |
I mean, he started |
| 00:46:53 |
- Gideon meant everything to him. |
| 00:46:56 |
Do you know anything |
| 00:46:59 |
Aw, Jill, no no. |
| 00:47:01 |
I didn't just get pregnant. |
| 00:47:03 |
It was carefully planned. |
| 00:47:05 |
Everything with John was. |
| 00:47:11 |
- Thanks. |
| 00:47:12 |
- Bye-bye. |
| 00:47:14 |
Thank you. |
| 00:47:17 |
- Thanks. Have a good night. |
| 00:47:19 |
- Good night. |
| 00:47:26 |
Hey, honey, |
| 00:47:28 |
What are you doing? |
| 00:47:31 |
You know what this building is? |
| 00:47:36 |
It's a health clinic. |
| 00:47:39 |
You're a beautiful girl. |
| 00:47:48 |
My jacket. |
| 00:47:50 |
- I forgot my jacket. |
| 00:47:52 |
Oh, please please, Jill. |
| 00:47:54 |
Look, it's right there. |
| 00:47:58 |
Thank you. |
| 00:48:08 |
Thanks. |
| 00:48:12 |
Listen to me. |
| 00:48:14 |
You're gonna open up |
| 00:48:16 |
Open that fucking door. |
| 00:48:18 |
Open it. |
| 00:48:21 |
Fuck! |
| 00:48:24 |
- What key? |
| 00:48:26 |
Fuck. |
| 00:48:30 |
Fucking stay there. |
| 00:48:35 |
Cecil? |
| 00:48:56 |
Don't cry. |
| 00:49:02 |
Fuck. |
| 00:49:17 |
I need some help here. |
| 00:49:19 |
Orderly. |
| 00:49:21 |
This is my wife. |
| 00:49:22 |
- How far along is she, sir? |
| 00:50:06 |
All I wanted to do was help them. |
| 00:50:10 |
You can't help them. |
| 00:50:14 |
They have to help themselves. |
| 00:50:27 |
Okay, let's review: |
| 00:50:30 |
Girl loves boy. |
| 00:50:32 |
Boy gets girl pregnant. |
| 00:50:36 |
Boy turns into a serial killer. |
| 00:50:39 |
Jill, I' not buying it. |
| 00:50:43 |
You're gonna want |
| 00:50:45 |
All right, she doesn't leave. |
| 00:50:59 |
He's been identified |
| 00:51:02 |
Acquitted of rape three times. |
| 00:51:04 |
Had to gouge out his own eyes |
| 00:51:08 |
How does something like this |
| 00:51:11 |
Piece by piece. |
| 00:51:13 |
The room's been rented |
| 00:51:15 |
to a lawyer named Art Blank. |
| 00:51:19 |
Run his name. |
| 00:51:21 |
Two out of five people on Officer Rigg's |
| 00:51:24 |
Every partner |
| 00:51:27 |
Rigg didn't kill lvan. |
| 00:51:30 |
Isn't that the whole Jigsaw mantra? |
| 00:51:32 |
This wasn't about lvan. |
| 00:51:34 |
It was about Rigg. |
| 00:51:37 |
Look at these photos. |
| 00:51:39 |
Look at these women and tell me |
| 00:51:41 |
- Angry. Enraged. |
| 00:51:43 |
The pimp, the rapist... |
| 00:51:48 |
He wants him to feel what he feels. |
| 00:51:51 |
This wasn't about Rigg |
| 00:51:53 |
He's being recruited. |
| 00:51:56 |
Thanks. Art Blank's got |
| 00:51:59 |
Last known address |
| 00:52:08 |
- Right side clear. |
| 00:52:11 |
- Clear. |
| 00:52:13 |
Clear. |
| 00:52:34 |
What does this mean? |
| 00:52:37 |
We're the two Jigsaw targets. |
| 00:52:53 |
Fuck you. |
| 00:53:00 |
Hey. |
| 00:53:03 |
Hey. Hey. |
| 00:53:23 |
Hey, asshole, |
| 00:53:25 |
you electrocute him. |
| 00:53:27 |
If that ice had melted more, |
| 00:53:31 |
Listen to him. |
| 00:53:42 |
You just made the biggest |
| 00:53:44 |
- cocksucker! |
| 00:53:45 |
We'll get somebody to take |
| 00:53:47 |
My client has a broken nose |
| 00:53:51 |
Administrative leave with pay |
| 00:53:56 |
The IA investigation is underway. |
| 00:53:59 |
Into this precinct? Wow. |
| 00:54:02 |
- The truth. |
| 00:54:04 |
The truth is, |
| 00:54:07 |
The man's wife? She stands to gain |
| 00:54:10 |
if there were to be |
| 00:54:12 |
which is not gonna happen |
| 00:54:13 |
He attacked Officer Rigg first. |
| 00:54:15 |
That's according to whom? |
| 00:54:17 |
Me. I saw the whole thing. |
| 00:54:21 |
You want to testify |
| 00:54:23 |
I've already signed IA's affidavit. |
| 00:54:27 |
Oh, you guys are... you're good. |
| 00:54:29 |
You know, you're obviously as thick |
| 00:54:32 |
But it'll come back to you. |
| 00:54:34 |
I mean, one day someday it will. |
| 00:54:45 |
You understand? |
| 00:54:47 |
Motherfucker. |
| 00:54:49 |
Hey, do you understand? |
| 00:54:54 |
Okay. |
| 00:55:01 |
Motherfucker. |
| 00:55:19 |
You're gonna have to tell me |
| 00:55:21 |
those bruises on your hand |
| 00:56:15 |
Rigg! Rigg! |
| 00:56:39 |
I did it! I won! |
| 00:56:42 |
What the hell did you do? |
| 00:56:44 |
L... |
| 00:56:55 |
What's happening? |
| 00:57:01 |
The human body is |
| 00:57:03 |
It can withstand |
| 00:57:07 |
and yet repair itself miraculously. |
| 00:57:10 |
But you know this all too well. |
| 00:57:12 |
How many broken bones |
| 00:57:14 |
at the hands of your husband? |
| 00:57:17 |
How many flesh wounds |
| 00:57:19 |
Help! |
| 00:57:21 |
With time, the bruises have healed, |
| 00:57:27 |
Today I empower you |
| 00:57:32 |
Can you disconnect |
| 00:57:34 |
that has brought you and others |
| 00:57:37 |
With time your wounds will heal. |
| 00:57:41 |
His, however, will not. |
| 00:57:47 |
Remove the ties that bind... |
| 00:57:50 |
Get me out of here! |
| 00:57:51 |
...or bleed to death |
| 00:57:54 |
The choice is yours. |
| 00:57:56 |
Okay. |
| 00:57:58 |
Here we go. |
| 00:58:04 |
I' sorry. |
| 00:58:10 |
Morgan, Morgan, |
| 00:58:45 |
Help me. |
| 00:58:48 |
- Please help me! |
| 00:58:50 |
No, don't go. Don't go. |
| 00:58:53 |
Please get me out. |
| 00:58:55 |
Don't. Don't go. Don't leave me here. |
| 00:58:57 |
Help me down. |
| 00:59:00 |
Hello, Officer Rigg. |
| 00:59:03 |
Experience is a harsh teacher. |
| 00:59:06 |
First comes the test. |
| 00:59:08 |
Second comes the lesson. |
| 00:59:11 |
If you are to save as I save |
| 00:59:13 |
then you will see |
| 00:59:16 |
is but a student. |
| 00:59:18 |
So I ask you, Officer Rigg, |
| 00:59:20 |
has the pupil learned her lesson? |
| 00:59:23 |
Has she been taught |
| 00:59:26 |
Does she now |
| 00:59:28 |
- view the world differently? |
| 00:59:31 |
Officer Rigg, |
| 00:59:34 |
lies in the palm of your hand. |
| 00:59:37 |
But only after she has done |
| 00:59:40 |
can you play your role |
| 00:59:43 |
Once judgment has been made, |
| 00:59:46 |
the key to finding |
| 00:59:48 |
is just off the map. |
| 00:59:51 |
- Who did this to you? |
| 00:59:56 |
Help, please. |
| 00:59:57 |
Stay still. |
| 01:00:12 |
Thank you. |
| 01:00:13 |
Oh, fuck. |
| 01:00:16 |
That's it. |
| 01:00:19 |
Just off the map. |
| 01:00:22 |
Tracy. |
| 01:00:27 |
"Go home." |
| 01:00:31 |
Where is she? |
| 01:00:33 |
I' so cold. Please. |
| 01:00:43 |
I want to live. |
| 01:00:49 |
You have to save yourself. |
| 01:00:55 |
Don't leave me. |
| 01:00:56 |
Help me, please. |
| 01:01:03 |
I want to stop playing. |
| 01:01:09 |
Why don't you fucking kill me? |
| 01:01:12 |
No. |
| 01:01:16 |
- Shut up! |
| 01:01:22 |
"Save as I save." |
| 01:01:24 |
So what did he do, |
| 01:01:26 |
This guy didn't have a chance. |
| 01:01:29 |
every major artery in his body. |
| 01:01:31 |
Rigg didn't kill this guy. |
| 01:01:33 |
She identified Officer Rigg, |
| 01:01:36 |
- Saved? |
| 01:01:38 |
She passed Rigg's judgment, |
| 01:01:45 |
- Yeah. |
| 01:01:50 |
Really? Okay, yeah. |
| 01:01:53 |
But I still need that address. |
| 01:01:55 |
I just found out something interesting |
| 01:01:58 |
They were all represented by a lawyer |
| 01:02:02 |
- He got them all off? |
| 01:02:04 |
He's also Jill Tuck's lawyer. |
| 01:02:07 |
Look out! |
| 01:02:13 |
- The lair... where's the lair? |
| 01:02:16 |
Jigsaw wanted us to find that place. |
| 01:02:19 |
We find that place... we find Rigg. |
| 01:02:20 |
We got a second address. |
| 01:02:23 |
- Who? |
| 01:02:24 |
- Jill Tuck? Where's the building? |
| 01:03:36 |
Hello, Agent Perez. |
| 01:03:38 |
And welcome to the world |
| 01:03:42 |
Your partner Agent Strahm |
| 01:03:43 |
will soon take the life |
| 01:03:47 |
Heed my warning, Agent Perez. |
| 01:03:50 |
Your next move is critical. |
| 01:03:53 |
Open the door... |
| 01:03:58 |
What is that? |
| 01:04:11 |
I got you. |
| 01:04:18 |
Paramedics! |
| 01:04:20 |
Help! |
| 01:04:23 |
Stay with me. |
| 01:04:25 |
Shallow breaths. Come on. |
| 01:04:27 |
Stay with me. All right. |
| 01:04:29 |
All right. You're gonna be fine. |
| 01:05:03 |
Hey. |
| 01:05:05 |
Hey, you. Come here. |
| 01:05:07 |
Look. |
| 01:05:09 |
Hey. Hey. |
| 01:05:12 |
Come on. |
| 01:05:14 |
Hey. Hey. |
| 01:05:18 |
Fuck. |
| 01:05:24 |
- Stop. Stop. |
| 01:05:27 |
Fuck. |
| 01:05:31 |
Stop. Fuck. |
| 01:05:34 |
Hey. |
| 01:05:35 |
Listen to me. I' not the one |
| 01:05:38 |
You understand me? I' not |
| 01:05:41 |
asshole. |
| 01:05:43 |
As a matter of fact, |
| 01:05:47 |
until the fucking clock |
| 01:05:51 |
Here's the good news: |
| 01:05:55 |
the three of us can go free. |
| 01:05:58 |
Hey, look at me. |
| 01:06:00 |
Look at me. |
| 01:06:02 |
If you don't stay on the block, |
| 01:06:05 |
Now for my final task. |
| 01:06:10 |
There you go. |
| 01:06:13 |
Live or die. |
| 01:06:15 |
You make the choice. |
| 01:06:18 |
Mrs. Perez? |
| 01:06:21 |
Hi. This is Peter Strahm. |
| 01:06:25 |
Yeah. |
| 01:07:05 |
See that, Jill? That's a federal fucking |
| 01:07:08 |
Wanna put somebody else's name on it? |
| 01:07:11 |
What's with the doll? |
| 01:07:13 |
Who were John's business associates |
| 01:07:15 |
He wasn't the associate type. |
| 01:07:19 |
Where the hell is Art Blank? |
| 01:07:21 |
Obstruction of justice. |
| 01:07:23 |
Conspirator to murder. |
| 01:07:25 |
Talk to me! |
| 01:07:26 |
In 15 minutes, more people |
| 01:07:30 |
He's a business partner. |
| 01:07:31 |
He's the accomplice |
| 01:07:34 |
and he is your fucking lawyer. |
| 01:07:38 |
You see this? |
| 01:07:41 |
She's fighting for her life right now |
| 01:07:43 |
because of your lunatic husband. |
| 01:07:46 |
What happened between Jigsaw |
| 01:07:49 |
John? |
| 01:07:53 |
John. |
| 01:07:57 |
I guess he's not here either. |
| 01:07:59 |
What the fuck is this place, Jill? |
| 01:08:08 |
- Don't be mad. |
| 01:08:14 |
Hey, are you all right? |
| 01:08:17 |
You weren't returning |
| 01:08:21 |
Listen, John, I... |
| 01:08:24 |
I' sorry. |
| 01:08:26 |
What happened was a tragedy. |
| 01:08:29 |
But I gotta tell you... |
| 01:08:32 |
listen, John, I gotta tell you, |
| 01:08:35 |
You take 'em. |
| 01:08:37 |
That's not the way it works, John. |
| 01:08:40 |
Your designs will make |
| 01:08:42 |
We've got 40 families ready to move in... |
| 01:08:45 |
low-income families. |
| 01:08:47 |
You can't just walk away. |
| 01:08:49 |
You're their savior, John. |
| 01:08:51 |
Get the fuck out of here. |
| 01:08:53 |
Who are you talking to like that? |
| 01:08:55 |
- Did you hear what I said? |
| 01:09:02 |
Get the fuck... |
| 01:09:06 |
You heard me. |
| 01:09:10 |
Okay, John. |
| 01:09:15 |
Gimme a call |
| 01:09:37 |
He blamed me. |
| 01:09:39 |
I don't think he could |
| 01:09:41 |
In his mind |
| 01:09:45 |
He was diagnosed with cancer |
| 01:09:58 |
Did you try to contact him again? |
| 01:10:00 |
I tried. |
| 01:10:03 |
But a different person |
| 01:10:06 |
Someone else survived. |
| 01:10:40 |
- I asked you not to come here. |
| 01:10:41 |
John, John, |
| 01:10:43 |
look at this. |
| 01:10:47 |
Why do you have Cecil's picture? |
| 01:10:49 |
What have you done to him? |
| 01:10:51 |
I told him not to take life |
| 01:10:55 |
I want to play a game. |
| 01:10:57 |
Your life is a lie. |
| 01:11:01 |
Now comes your moment of truth. |
| 01:11:03 |
As a drug user and a hustler, |
| 01:11:05 |
you've played roulette |
| 01:11:08 |
Today you play with your own. |
| 01:12:14 |
Fuck. |
| 01:12:21 |
Fuck! |
| 01:12:28 |
Hey, it's you. |
| 01:12:30 |
You did this to me. |
| 01:12:32 |
No, you did this to yourself. |
| 01:12:36 |
Your greed took the life |
| 01:12:39 |
Could you give me time |
| 01:12:42 |
I can't give you time. |
| 01:12:44 |
Time's an illusion. |
| 01:12:46 |
Look, look, I' sorry. |
| 01:12:49 |
I forgive you, Cecil. I do. |
| 01:12:51 |
Addiction has ruined your life. |
| 01:12:53 |
I' bleeding, man. |
| 01:12:55 |
Please just let me go. |
| 01:12:58 |
I could let you go. |
| 01:13:00 |
That wouldn't serve you. |
| 01:13:03 |
I'll tell you what I will do, though. |
| 01:13:07 |
to reclaim your life, |
| 01:13:10 |
to discard the vices that have |
| 01:13:13 |
I don't have a fucking soul. |
| 01:13:15 |
Maybe you will in the next life, Cecil. |
| 01:13:17 |
You see, things aren't sequential. |
| 01:13:20 |
Good doesn't lead to good, |
| 01:13:22 |
People steal, |
| 01:13:24 |
live the good life. |
| 01:13:26 |
Others lie, cheat |
| 01:13:28 |
and get elected. |
| 01:13:30 |
Some people stop |
| 01:13:33 |
and get taken out |
| 01:13:37 |
There's no accounting for it. |
| 01:13:39 |
How you play the cards you're dealt... |
| 01:13:42 |
Look at me. |
| 01:13:45 |
Do you understand |
| 01:13:47 |
Oh, yeah. |
| 01:13:49 |
I understand. |
| 01:13:53 |
You're fucking nuts! |
| 01:14:08 |
Whoa! What the fuck is that? |
| 01:14:13 |
It's the tool... |
| 01:14:15 |
the tool that's going to |
| 01:14:18 |
I want to play a game. |
| 01:14:21 |
Your life is a lie, Cecil. |
| 01:14:24 |
Now comes your moment of truth. |
| 01:14:27 |
As a drug addict and a thief, |
| 01:14:30 |
you've preyed on the kindness |
| 01:14:32 |
to fuel your addiction. |
| 01:14:34 |
Today we're bringing |
| 01:14:36 |
the ugliness inside you |
| 01:14:39 |
Now in order for you |
| 01:14:41 |
we have to match your face |
| 01:14:44 |
with the ugliness of your soul. |
| 01:14:48 |
Just lean forward into the knives |
| 01:14:52 |
Press hard enough |
| 01:14:55 |
and you'll release |
| 01:14:58 |
that bind you. |
| 01:15:00 |
Press hard, though. |
| 01:15:04 |
And you'll be free. |
| 01:15:05 |
You sick fuck! Fuck you! |
| 01:15:08 |
Or you can sit idly |
| 01:15:14 |
Live or die, Cecil. |
| 01:15:17 |
Make your choice. |
| 01:15:28 |
Fuck you, you sick fuck! |
| 01:15:31 |
Help! |
| 01:16:24 |
You're dead. |
| 01:16:26 |
You're fucking dead. |
| 01:16:30 |
Fucking dead. |
| 01:16:46 |
What's happened to you? |
| 01:16:50 |
What's happened to me? |
| 01:16:53 |
What's happened |
| 01:17:03 |
Now you don't come back. |
| 01:17:07 |
You do it for yourself |
| 01:17:10 |
I lost him too. |
| 01:17:48 |
"Four Walls Build a Home." |
| 01:17:59 |
Your son was named |
| 01:18:01 |
- Yes. |
| 01:18:04 |
Where is it? |
| 01:18:06 |
Where is it? |
| 01:18:30 |
What the fuck does that mean? |
| 01:19:25 |
Fuck. Oh, fuck. |
| 01:19:32 |
You'd better hope he doesn't |
| 01:19:34 |
Who? Who's coming |
| 01:19:42 |
Who is it? |
| 01:20:17 |
Where the fuck are you? |
| 01:20:20 |
Gideon Meat Packing, |
| 01:20:23 |
I don't have two minutes. |
| 01:21:27 |
Who's coming through the door? |
| 01:21:41 |
Fuck. |
| 01:22:02 |
Congratulations, Art. |
| 01:22:38 |
Who is it? |
| 01:22:43 |
Who's coming through the door? |
| 01:22:46 |
Here he comes. |
| 01:22:48 |
Who the fuck is it? |
| 01:22:51 |
Shit. |
| 01:22:57 |
Shit. |
| 01:23:01 |
Fix me, motherfucker! |
| 01:23:06 |
I' standing right here. |
| 01:23:10 |
Your time's running out. |
| 01:23:12 |
Please think about |
| 01:23:18 |
Think about |
| 01:23:22 |
Think about tomorrow. |
| 01:23:23 |
Lynn? |
| 01:23:27 |
Lynn! Lynn! |
| 01:23:39 |
Who is it? |
| 01:23:50 |
What is that? |
| 01:23:53 |
This will release us |
| 01:24:00 |
Release me! |
| 01:24:07 |
Which is it gonna be, Jeff? |
| 01:24:09 |
Live or die, Jeff. |
| 01:24:11 |
You've got a choice. |
| 01:24:13 |
I forgive you. |
| 01:24:16 |
Jeff. |
| 01:24:18 |
Jeff! |
| 01:24:24 |
- Eric! |
| 01:24:26 |
What the fuck? |
| 01:24:31 |
Shit. |
| 01:25:12 |
"Open the door and you will find me." |
| 01:25:26 |
- Let me see your fucking hands. |
| 01:25:31 |
Fuck. |
| 01:25:41 |
Jesus. |
| 01:25:54 |
- Fuck! |
| 01:25:57 |
- What did you do? |
| 01:25:59 |
- I still had fucking time. |
| 01:26:03 |
- You fucking did this! |
| 01:26:05 |
No, Jigsaw's testing you, |
| 01:26:09 |
Put your fucking hands |
| 01:26:12 |
- Jigsaw's fucking testing you. |
| 01:26:18 |
Hello, Officer Rigg. |
| 01:26:20 |
If you are hearing this, |
| 01:26:22 |
detective Matthews |
| 01:26:25 |
in under 90 minutes, |
| 01:26:28 |
resulting in their deaths. |
| 01:26:30 |
The rules were clear. |
| 01:26:32 |
You were warned. |
| 01:26:34 |
- It's Kerry! |
| 01:26:36 |
You know never to go |
| 01:26:40 |
Tonight you face your obsession. |
| 01:26:42 |
What you can't do |
| 01:26:45 |
Will you learn how to let go? |
| 01:26:48 |
- Eric is still out there, man. |
| 01:26:51 |
Detective Matthews has |
| 01:26:53 |
I recommend you stay alive |
| 01:26:56 |
until the fucking clock |
| 01:26:58 |
They had to save themselves. |
| 01:27:01 |
Take 'em. |
| 01:27:05 |
Their salvation was |
| 01:27:09 |
Time was on your side, |
| 01:27:11 |
but your obsession |
| 01:27:13 |
Instead of saving |
| 01:27:16 |
you cost him his life. |
| 01:27:18 |
You failed your final test. |
| 01:27:28 |
What I don't understand is |
| 01:27:31 |
He was damn near on his deathbed |
| 01:27:33 |
I' not so sure he did. |
| 01:27:42 |
- This wasn't done by Amanda Young. |
| 01:27:44 |
- She couldn't get her up there alone. |
| 01:27:46 |
He's brains, not brawn. |
| 01:27:48 |
We're here to find the person |
| 01:28:01 |
Looks like another doctor |
| 01:28:08 |
You go home. |
| 01:28:12 |
We chose this. |
| 01:28:31 |
Game over. |
| 01:29:01 |
You feel you now have control, |
| 01:29:05 |
You think you will |
| 01:29:15 |
I promise that my work |
| 01:29:19 |
That I have ensured. |
| 01:29:22 |
By hearing this tape |
| 01:29:24 |
that this is over. |
| 01:29:26 |
But I am still among you. |
| 01:29:30 |
You think it's over |
| 01:29:33 |
It's not over. |
