|
Saw V
|
| 00:01:40 |
What the...? What the fuck? |
| 00:01:46 |
What the...? |
| 00:01:49 |
What the fuck! |
| 00:01:51 |
Fuck. |
| 00:01:54 |
Hello? |
| 00:01:57 |
Fuck. |
| 00:02:06 |
Hello, Seth. |
| 00:02:08 |
I wanna play a game. |
| 00:02:09 |
Right now, you're feeling helpless. |
| 00:02:12 |
- This is the same helplessness... |
| 00:02:14 |
...you've bestowed onto others. |
| 00:02:16 |
But now it's onto you. |
| 00:02:18 |
Some call this karma. I call it justice. |
| 00:02:22 |
Now, you served five years... |
| 00:02:24 |
...of what should have been |
| 00:02:28 |
A technicality gave you freedom... |
| 00:02:30 |
...but it inhibited you from understanding |
| 00:02:35 |
Today, I offer you true freedom. |
| 00:02:38 |
In 30 seconds, the pendulum will drop |
| 00:02:44 |
Within sixty seconds |
| 00:02:49 |
To avoid the pendulum, all you have to do |
| 00:02:55 |
Your hands. |
| 00:02:56 |
You must insert your hands... |
| 00:02:58 |
...and push the buttons |
| 00:03:02 |
Your bones will be crushed to dust. |
| 00:03:04 |
Will you destroy the things that have |
| 00:03:09 |
Make your choice. |
| 00:03:13 |
No. |
| 00:03:38 |
It was an accident! |
| 00:03:46 |
Please. |
| 00:03:54 |
Okay. Fuck you. |
| 00:04:09 |
Okay. Okay. Okay. |
| 00:05:38 |
I did what I was supposed to do. |
| 00:06:09 |
STRAHM: Let me see your hands. |
| 00:06:12 |
Where is my daughter? You... |
| 00:06:24 |
Jesus. |
| 00:07:50 |
JIGSAW: |
| 00:07:52 |
If you're hearing this, then you've |
| 00:07:56 |
But is the discovery |
| 00:08:00 |
Or will your insatiable hunger to uncover |
| 00:08:06 |
Heed my warning: Do not proceed. |
| 00:08:10 |
For this room can either be |
| 00:08:16 |
The choice is yours. |
| 00:08:20 |
Fuck you. |
| 00:09:28 |
Hey! |
| 00:09:30 |
Help! |
| 00:11:21 |
MAN 1: |
| 00:11:25 |
HOFFMAN: |
| 00:11:34 |
- Where's my dad? |
| 00:11:36 |
Where's my mom? |
| 00:11:38 |
FISK: Hoffman. |
| 00:11:43 |
FISK: |
| 00:11:45 |
What the hell, man? |
| 00:11:49 |
Tried to help. He didn't make it. |
| 00:11:53 |
Nobody made it. |
| 00:11:55 |
WOMAN: |
| 00:12:38 |
Hello? |
| 00:12:39 |
Right away. |
| 00:12:41 |
Ms. Tuck. |
| 00:12:43 |
Have a seat. |
| 00:12:48 |
It's nice to meet you, Mr. Feldman. |
| 00:12:52 |
Why am I here? |
| 00:12:54 |
I represent your ex-husband, John. |
| 00:12:56 |
In the event of his death, |
| 00:13:01 |
You can understand my surprise |
| 00:13:06 |
John left something for you. |
| 00:13:30 |
If you're watching this, Jill, |
| 00:13:35 |
You are my heart, you always have been. |
| 00:13:42 |
I'm not going to try to explain |
| 00:13:47 |
Suffice it to say that I find it difficult |
| 00:13:52 |
...for what happened at the clinic. |
| 00:13:54 |
I permitted, indeed, encouraged |
| 00:14:01 |
I saw danger and l... |
| 00:14:05 |
I'm leaving you a box today, |
| 00:14:12 |
Even though you and I don't always see |
| 00:14:16 |
...I deeply believe in you |
| 00:14:19 |
...what to do with these materials. |
| 00:15:23 |
CHIEF: I wanna thank you all |
| 00:15:26 |
And I'd like to be the first to say... |
| 00:15:28 |
...that the Jigsaw murders are over. |
| 00:15:33 |
The officers who gave their lives |
| 00:15:37 |
But today I'd like to offer |
| 00:15:41 |
...to the detective who's been on this case |
| 00:15:44 |
...who proved through hard work |
| 00:15:48 |
...that the people who died |
| 00:15:51 |
Today we honor the newly promoted |
| 00:15:56 |
...Mark Hoffman. |
| 00:15:58 |
MAN: |
| 00:16:00 |
Thank you so much. |
| 00:16:10 |
Thank you. Thank you very much. |
| 00:16:13 |
Uh, ahem... |
| 00:16:15 |
Throughout this ordeal, |
| 00:16:19 |
...human life is sacred. |
| 00:16:22 |
And we've learned that every day... |
| 00:16:26 |
...life should be cherished. |
| 00:16:29 |
Justice... |
| 00:16:31 |
...is the backbone |
| 00:16:36 |
And I believe that true justice |
| 00:17:45 |
Detective Hoffman, |
| 00:17:48 |
It's about Agent Perez. |
| 00:17:50 |
Thank you. |
| 00:17:55 |
JIGSAW: Hello, Agent Perez, and welcome |
| 00:18:01 |
Heed my warning, Agent Perez. |
| 00:18:03 |
Your next move is critical. |
| 00:18:06 |
- Open the door. |
| 00:18:14 |
I got you. |
| 00:18:37 |
I'm truly sorry about Agent Perez. |
| 00:18:42 |
She said your name, you know. |
| 00:18:45 |
The last thing she said |
| 00:18:48 |
Why'd she say that? |
| 00:18:52 |
- I don't know. |
| 00:18:55 |
How'd you walk out of that building? |
| 00:18:57 |
How did you? |
| 00:18:59 |
On a gurney with a fucking hole |
| 00:19:04 |
Look at you. |
| 00:19:06 |
Couple of scratches and a story |
| 00:19:09 |
Jigsaw doesn't make mistakes. |
| 00:19:11 |
Is this you theorizing again? |
| 00:19:13 |
I'm not talking about him, I'm talking about |
| 00:19:17 |
My department's gone. They're all dead. |
| 00:19:21 |
Besides you. |
| 00:19:23 |
Been chasing Jigsaw |
| 00:19:26 |
...and I got him. |
| 00:19:28 |
So unless you've got |
| 00:19:31 |
...back the fuck off. |
| 00:19:35 |
Read the papers. |
| 00:19:54 |
Sorry about Agent Perez. |
| 00:19:57 |
Shouldn't you be resting? |
| 00:20:00 |
I'm fine, Erickson. |
| 00:20:02 |
No, you're not, Peter. |
| 00:20:08 |
I was supposed to die in that trap. |
| 00:20:11 |
You never should have been there |
| 00:20:14 |
I wanna talk to Jill Tuck one last time. |
| 00:20:18 |
You're no longer handling |
| 00:20:21 |
What? |
| 00:20:23 |
Read it. |
| 00:20:27 |
Over a dozen dead bodies were recovered |
| 00:20:31 |
Jigsaw's dead, how many lives |
| 00:20:35 |
By endangering yourself and others. |
| 00:20:37 |
You're off the case. |
| 00:20:38 |
On whose orders? |
| 00:20:40 |
Mine. |
| 00:20:43 |
I'm sorry, Peter. It's over. |
| 00:22:25 |
Oh, my God. |
| 00:22:31 |
Oh... |
| 00:22:32 |
- What is this? |
| 00:22:35 |
What did you do to me? |
| 00:22:37 |
I didn't do anything. |
| 00:22:38 |
- It's Jigsaw. |
| 00:22:40 |
MALLICK: I knew this was gonna happen |
| 00:22:45 |
No, it's not Jigsaw. |
| 00:22:49 |
He's dead. |
| 00:22:50 |
Haven't you watched TV lately? |
| 00:22:53 |
LUBA: |
| 00:22:55 |
...they're watching us. |
| 00:23:01 |
To make sure we follow the rules. |
| 00:23:03 |
- Which are what? |
| 00:23:06 |
Unless you want your head |
| 00:23:08 |
- How do you know that? |
| 00:23:12 |
One pull-pin starts the timer |
| 00:23:16 |
You won't wanna do that unless |
| 00:23:21 |
You're starting to freak me out, dude. |
| 00:23:28 |
JIGSAW: |
| 00:23:29 |
From birth, you've all been given |
| 00:23:34 |
Yet through poor moral decisions... |
| 00:23:37 |
...you've used these advantages |
| 00:23:40 |
...only yourselves |
| 00:23:44 |
Well, today this singular way of thinking |
| 00:23:47 |
Today, five will become one, |
| 00:23:53 |
You are all connected. |
| 00:23:54 |
A cable runs through |
| 00:23:57 |
It can be pulled so tight... |
| 00:23:58 |
...that you will be decapitated |
| 00:24:02 |
The only way to remove the collar |
| 00:24:07 |
...on the pedestals before you. |
| 00:24:09 |
However, if one of you moves |
| 00:24:12 |
...the 60-second timer |
| 00:24:16 |
In choosing how to react |
| 00:24:18 |
...your lifelong instincts |
| 00:24:21 |
...but I implore you to do the opposite. |
| 00:24:26 |
Let the games begin. |
| 00:24:31 |
Somebody has to die. |
| 00:24:34 |
LUBA: No, no, no, it says, |
| 00:24:37 |
- That means don't go for the keys. |
| 00:24:40 |
How are we supposed to live |
| 00:24:42 |
- It's testing our endurance. |
| 00:24:44 |
That timer's connected to those jars. |
| 00:24:47 |
It didn't say anything |
| 00:24:49 |
- They could be nothing. |
| 00:24:51 |
Homemade, probably C-4. |
| 00:24:53 |
How the fuck do you know that? |
| 00:24:55 |
She's a fire inspector. |
| 00:24:58 |
How do you know me? |
| 00:25:02 |
Hey, man, she's asking you a question. |
| 00:25:08 |
How do you know her? Answer me! |
| 00:25:12 |
Look, let's just keep our cool. |
| 00:25:14 |
- Okay, we can figure this out. |
| 00:25:18 |
Okay, and we're all connected, |
| 00:25:21 |
We just need to... |
| 00:25:25 |
- What did you do? |
| 00:25:31 |
It said that we were all born |
| 00:25:35 |
Right? That means |
| 00:25:40 |
- I'm not. |
| 00:25:42 |
Hey, nice fucking try, Nancy Drew. |
| 00:25:45 |
Well, then, what does it mean? |
| 00:25:47 |
We did something wrong |
| 00:25:50 |
- That doesn't have to mean money. |
| 00:25:54 |
You know about her, what do you know |
| 00:25:57 |
Would you fucking talk to me? |
| 00:26:00 |
- Relax. |
| 00:26:03 |
It's a game, tweaker. |
| 00:26:05 |
Get it? The less you know about me, |
| 00:26:10 |
The reason why you fucked up |
| 00:26:13 |
...is pretty obvious to everyone, isn't it? |
| 00:26:17 |
Fuck you. Fuck you. |
| 00:26:19 |
Been playing with matches again, |
| 00:26:22 |
Fuck all of you and your fucking plan. |
| 00:28:10 |
Unless you wanna be shredded |
| 00:28:14 |
...I suggest we move on. |
| 00:28:36 |
What are you doing? |
| 00:28:38 |
Being smart. |
| 00:28:50 |
Special Agent Strahm's office. |
| 00:28:51 |
This is Detective Hoffman. |
| 00:28:55 |
He's not, but I can connect you |
| 00:28:58 |
He's handling all inquiries. |
| 00:28:59 |
Please. |
| 00:29:03 |
ERICKSON: You've reached |
| 00:29:06 |
Please leave a message. |
| 00:29:08 |
Yeah, this is Detective Hoffman. |
| 00:29:10 |
I needed to discuss something |
| 00:29:13 |
...but I can't seem to track him down. |
| 00:29:15 |
Could you give me a call? |
| 00:30:19 |
There you are. |
| 00:31:09 |
Sister. |
| 00:31:41 |
ERICKSON: |
| 00:31:45 |
- Cowan, take this to analysis. |
| 00:31:51 |
What are you doing here? |
| 00:31:52 |
Just grabbing some stuff from the office. |
| 00:31:57 |
- Taking some time off, huh? |
| 00:32:01 |
Mm-hm. |
| 00:32:02 |
You know, I'll keep in touch. |
| 00:33:36 |
Hoffman. |
| 00:33:37 |
We got another body. |
| 00:33:41 |
- You up for this? |
| 00:33:46 |
FISK: |
| 00:33:47 |
Served five years, |
| 00:33:53 |
HOFFMAN: |
| 00:33:55 |
His name's Seth Baxter. |
| 00:33:58 |
My sister's ex-boyfriend. |
| 00:34:02 |
This is the guy |
| 00:34:04 |
He was sentenced to 25 years. |
| 00:34:11 |
Well, then I'd say justice was served. |
| 00:34:23 |
You killed him. |
| 00:34:30 |
I got you. |
| 00:34:37 |
CHARLES: Not yet. |
| 00:34:40 |
MALLICK: Do you know that for sure? |
| 00:34:43 |
What we need to do |
| 00:34:45 |
Okay, well, we know that the dead woman |
| 00:34:49 |
Not anymore. |
| 00:34:52 |
How the fuck do you...? |
| 00:34:54 |
You're responsible for this? |
| 00:34:57 |
I'm closing the door. |
| 00:34:59 |
- I'm gonna close the fucking door! |
| 00:35:03 |
Please. |
| 00:35:09 |
What's your story? |
| 00:35:10 |
I work for |
| 00:35:12 |
- Married? Kids? |
| 00:35:16 |
- Your turn. |
| 00:35:22 |
- My dad is Richard Gibbs. |
| 00:35:27 |
He's been trying to build a new stadium |
| 00:35:31 |
...all he had to do is wait for his daughter |
| 00:35:38 |
And you. What about you? |
| 00:35:41 |
What sort of shady shit |
| 00:35:43 |
I'm a senior V.P. |
| 00:35:46 |
So you're boring too. Hmm? |
| 00:35:50 |
The Marshvard Group. |
| 00:35:54 |
...without going through |
| 00:35:57 |
- Right? |
| 00:36:00 |
What about you? |
| 00:36:02 |
Uh... |
| 00:36:04 |
No wife. |
| 00:36:06 |
- No kids that I know of. No job. |
| 00:36:12 |
I'm so fucking sick of |
| 00:36:14 |
It's your turn. |
| 00:36:15 |
I'm an investigative journalist |
| 00:36:20 |
Herald? That's your accomplishment? |
| 00:36:24 |
Bite your fucking tongue. |
| 00:36:26 |
What the hell are in those jars? |
| 00:36:30 |
Let's do this fucking thing |
| 00:36:40 |
MALLICK: |
| 00:36:42 |
JIGSAW: |
| 00:36:45 |
These walls hold four chambers. |
| 00:36:50 |
These chambers are for safety. |
| 00:36:52 |
However, to access them, |
| 00:36:55 |
But only three of the keys |
| 00:36:59 |
These keys are in the glass jars |
| 00:37:03 |
Move quickly, though, |
| 00:37:06 |
...the explosives in the corners |
| 00:37:11 |
With only three points of safety, |
| 00:37:16 |
Make your choice. |
| 00:37:21 |
Fuck. |
| 00:37:29 |
Fuck, it's blank. I need a shape. |
| 00:37:35 |
Get your hands off that, |
| 00:37:40 |
- Stop it! |
| 00:37:42 |
It's survival of the fittest. |
| 00:38:00 |
BRIT: |
| 00:38:03 |
Blank. |
| 00:38:07 |
Shit. |
| 00:38:10 |
I got it. Got it. |
| 00:38:24 |
Yes. |
| 00:38:32 |
Better luck next time, rich boy. |
| 00:38:37 |
Survival of the fittest, my ass! |
| 00:38:53 |
Wait. |
| 00:39:18 |
Everything all right with |
| 00:39:22 |
- Yeah. |
| 00:39:23 |
Fisk. You keep me posted. |
| 00:39:26 |
- Will do. |
| 00:39:29 |
After Seth, |
| 00:39:42 |
When did you first meet Jigsaw? |
| 00:40:48 |
WOMAN: |
| 00:41:01 |
Don't! |
| 00:41:08 |
Heel! Heel, I said! |
| 00:41:11 |
Don't provoke him. Asshole! |
| 00:41:14 |
Jesus Christ. |
| 00:41:17 |
- Come on, Peewee. |
| 00:41:20 |
Shit. |
| 00:41:25 |
Do you mind? |
| 00:41:33 |
HOFFMAN: Going up? |
| 00:41:57 |
What floor are you going to? |
| 00:42:09 |
I think we're both going |
| 00:42:45 |
You know why you're here, don't you? |
| 00:42:49 |
They say imitation |
| 00:42:55 |
But I find it somewhat distasteful... |
| 00:42:59 |
...to be given credit for work |
| 00:43:08 |
Especially inferior work. |
| 00:43:15 |
Like you, |
| 00:43:20 |
I know what it's like |
| 00:43:24 |
It's a powerless feeling. |
| 00:43:32 |
I wouldn't do that. |
| 00:43:39 |
Hair trigger. |
| 00:43:43 |
What do you see? |
| 00:43:47 |
Hm? |
| 00:43:49 |
Vengeance can change a person. |
| 00:43:52 |
...you never thought |
| 00:43:57 |
But unlike you, I've never killed anyone. |
| 00:44:00 |
- I give people a chance. |
| 00:44:04 |
We'll see. |
| 00:44:07 |
- Our game's just begun. |
| 00:44:12 |
Oh. |
| 00:44:14 |
I know you. |
| 00:44:19 |
I know you. I know about your sister. |
| 00:44:22 |
I know how you cared for her. |
| 00:44:31 |
I know she was your only family. |
| 00:44:33 |
HOFFMAN: |
| 00:44:39 |
No! |
| 00:44:48 |
JOHN: You sit in bars until closing. |
| 00:44:52 |
You stagger to your car... |
| 00:44:54 |
...and then you start it all over again |
| 00:45:01 |
Then I discovered |
| 00:45:09 |
Mm. |
| 00:45:11 |
You can dispense justice... |
| 00:45:13 |
...and give people a chance |
| 00:45:19 |
And by the way... |
| 00:45:21 |
...the blade on your pendulum |
| 00:45:25 |
If you want a true edge... |
| 00:45:31 |
...you have to used tempered steel. |
| 00:45:34 |
Tempering's better for the long haul. |
| 00:45:37 |
You in this for the long haul, detective? |
| 00:45:40 |
I've been a cop for 20 years. |
| 00:45:44 |
Then you and I both know the statistics |
| 00:45:48 |
67.5 percent of criminals |
| 00:45:53 |
What do you want from me? |
| 00:45:55 |
So you might look at what you did to Seth |
| 00:46:01 |
She was my only family. |
| 00:46:04 |
- He was an animal. |
| 00:46:07 |
You didn't see the blood! |
| 00:46:09 |
You didn't see |
| 00:46:11 |
Killing is distasteful... |
| 00:46:16 |
...to me. |
| 00:46:21 |
There is a better, more efficient way. |
| 00:46:33 |
What do you see...? Look! |
| 00:46:36 |
- What do you see? |
| 00:46:41 |
I wanna know if you have |
| 00:47:05 |
Fuck you. |
| 00:47:11 |
You see, it's a different method |
| 00:47:14 |
If a subject survives my method... |
| 00:47:16 |
...he or she is instantly rehabilitated. |
| 00:47:21 |
Now, you want a chance? |
| 00:47:25 |
You want a chance? |
| 00:47:26 |
I'll give you a chance. |
| 00:47:36 |
I'm the man you call Jigsaw. |
| 00:47:41 |
It's your duty to bring me in... |
| 00:47:43 |
...but I know who you are... |
| 00:47:46 |
...and I know what you've done. |
| 00:47:52 |
So this is blackmail. |
| 00:47:54 |
No, no, no. |
| 00:47:56 |
This is redemption. |
| 00:48:03 |
Just giving you an option, that's all. |
| 00:48:07 |
Now, you can arrest me... |
| 00:48:09 |
...but doing so, |
| 00:48:14 |
Or... |
| 00:48:15 |
...you could explore... |
| 00:48:18 |
...a method of rehabilitation... |
| 00:48:20 |
...that'll permit you to sleep at night. |
| 00:48:44 |
Or I could kill you right now. |
| 00:48:46 |
But you're not a true killer. |
| 00:48:49 |
That's your dilemma... |
| 00:48:51 |
...and the information that I have on you |
| 00:48:55 |
...and it will be released |
| 00:48:59 |
They'll never believe your word |
| 00:49:04 |
You willing to take that risk? |
| 00:49:07 |
Risk of ruining your own life... |
| 00:49:09 |
...in order to protect |
| 00:49:12 |
...that puts murderers |
| 00:49:21 |
How would your sister feel? |
| 00:49:23 |
You're at a crossroads, detective. |
| 00:49:26 |
Make your choice. |
| 00:49:50 |
Did you help Jigsaw get all of them? |
| 00:50:40 |
ERICKSON: Detective Hoffman, |
| 00:50:44 |
You had something you needed to discuss |
| 00:50:47 |
Yes. I stopped by Agent Strahm's room |
| 00:50:52 |
- I hope he's all right. |
| 00:50:54 |
Agent Strahm was theorizing |
| 00:50:57 |
...of an additional accomplice |
| 00:51:01 |
Someone who might be |
| 00:51:04 |
Did he ever mention |
| 00:51:07 |
No, but then again, I'm new to the case. |
| 00:51:09 |
Yeah, well, maybe you could get him |
| 00:51:13 |
Will do. And... |
| 00:51:16 |
...in your theorizing... |
| 00:51:18 |
...who exactly did you suspect |
| 00:51:22 |
Well, he suspected |
| 00:51:25 |
Someone with access. |
| 00:51:26 |
It's an interesting theory. |
| 00:51:29 |
Detective, what do you say we reconnect |
| 00:51:33 |
You got it. |
| 00:52:18 |
Dead. |
| 00:52:19 |
That guy was an asshole, |
| 00:52:22 |
We could've used him. |
| 00:52:24 |
Yeah, well, someone had to die. |
| 00:52:28 |
Would you rather it'd been you? |
| 00:53:29 |
How'd they get you? |
| 00:54:42 |
PAUL: |
| 00:54:44 |
I'm gonna kill you! I'm gonna kill you! |
| 00:54:53 |
I'm gonna kill... |
| 00:55:38 |
JIGSAW: |
| 00:55:41 |
Did you cut yourself |
| 00:55:44 |
...or did you just want some attention? |
| 00:55:48 |
Tonight, you'll show me. |
| 00:55:50 |
If you want to live, |
| 00:55:55 |
How much blood will you shed |
| 00:56:50 |
HOFFMAN: |
| 00:56:53 |
JOHN: |
| 00:56:56 |
Emotionally, there can be nothing there. |
| 00:56:59 |
It can never be personal. |
| 00:57:02 |
- Let's go. |
| 00:57:04 |
You're not done yet. |
| 00:57:07 |
Tonight you will see the difference |
| 00:57:24 |
There is another detective |
| 00:57:28 |
His name's Tapp. |
| 00:57:30 |
He's smart, and he's getting closer. |
| 00:57:32 |
I know who he is. |
| 00:57:38 |
I need you to lead him |
| 00:57:44 |
A doctor. |
| 00:57:47 |
A healer who needs some healing. |
| 00:57:54 |
TAPP: |
| 00:58:04 |
STRAHM: You supplied these police files, |
| 00:58:39 |
You're assuming this is gonna play out |
| 00:58:43 |
I assume nothing. |
| 00:58:49 |
I anticipate the possibilities, |
| 00:58:56 |
Then why do you need Amanda |
| 00:59:01 |
To ensure that the rules are followed. |
| 00:59:06 |
She won't make decisions for anyone. |
| 00:59:11 |
...offer choices. |
| 00:59:15 |
Little to your left. |
| 00:59:25 |
That leaves a lot to chance. |
| 00:59:42 |
JOHN: If you're good |
| 00:59:52 |
...it leaves nothing to chance. |
| 01:00:08 |
It's time. |
| 01:00:27 |
Jesus Christ. |
| 01:00:34 |
LUBA: |
| 01:00:41 |
All right. What'd you do to get here? |
| 01:00:44 |
L... I did something, |
| 01:00:49 |
I didn't mean to. |
| 01:00:51 |
They're still dead. |
| 01:00:54 |
- That's why you're here? |
| 01:00:56 |
Shouldn't you have |
| 01:00:59 |
Nobody else knows. |
| 01:01:06 |
Somebody does. |
| 01:01:17 |
I didn't kill anybody, |
| 01:01:20 |
I wasn't. |
| 01:01:22 |
I grant building permits. |
| 01:01:28 |
And yeah, some people might have been |
| 01:01:31 |
...but you know what? |
| 01:01:33 |
So if someone tells you different, |
| 01:01:36 |
Or naive. Or both. |
| 01:01:39 |
MALLICK: |
| 01:01:40 |
You take bribes. You're a fucking liar. |
| 01:01:44 |
Yeah, well. |
| 01:01:46 |
I'm sure she's not exactly |
| 01:01:49 |
No, I'm not. |
| 01:01:52 |
I build condos in one of the most |
| 01:01:56 |
You don't put up a new building |
| 01:02:00 |
So we're all bags of shit that deserve |
| 01:02:03 |
Fucking great. |
| 01:02:05 |
So is that what you think this is? |
| 01:02:07 |
You don't think there's |
| 01:02:09 |
No, I do. |
| 01:02:11 |
I do. And I don't give a shit. |
| 01:02:14 |
Close the fucking door. |
| 01:02:28 |
Hello, and welcome. |
| 01:02:30 |
You must all be eager to learn the next |
| 01:02:35 |
The game before you is designed |
| 01:02:40 |
In order to open the five locks |
| 01:02:44 |
...the five electrical circuits |
| 01:02:48 |
The only way to do this is to find a way |
| 01:02:55 |
Close the circuits |
| 01:02:58 |
But you must work quickly... |
| 01:03:00 |
...for in three minutes, an electrical current |
| 01:03:03 |
...locking the door forever. |
| 01:03:06 |
Who will bridge the gap? |
| 01:03:14 |
MALLICK: |
| 01:03:21 |
It's not gonna reach. |
| 01:03:24 |
Come on! |
| 01:03:27 |
You're gonna get in the tub... |
| 01:03:30 |
...and we're gonna connect the five cords |
| 01:03:33 |
But you're gonna kill me too. |
| 01:03:36 |
- Get in. |
| 01:03:39 |
- I don't think I'm gonna do that right now. |
| 01:03:42 |
Fuck you, you bitch. |
| 01:03:46 |
No, don't do it. |
| 01:03:48 |
Please, no. |
| 01:04:00 |
You killed her. |
| 01:04:04 |
I didn't trust her. |
| 01:04:06 |
Jesus Christ. What is it with you two? |
| 01:04:09 |
Just shut up and help me with the body. |
| 01:04:28 |
Hey, hey. No. |
| 01:05:00 |
MALLICK: |
| 01:05:05 |
BRIT: |
| 01:05:11 |
Just do it |
| 01:05:33 |
Come in. |
| 01:05:36 |
Sir. It's Jill Tuck. |
| 01:05:39 |
Good evening. |
| 01:05:41 |
Special Agent Erickson. |
| 01:05:42 |
Thank you for seeing me |
| 01:05:44 |
Not a problem. |
| 01:05:46 |
That'll be all. |
| 01:05:49 |
Please, have a seat. |
| 01:05:53 |
So, what do you need from us? |
| 01:05:57 |
I think I'm being followed. |
| 01:05:59 |
Well, that sounds more like |
| 01:06:03 |
I don't think they can help me. |
| 01:06:05 |
- Because? |
| 01:06:11 |
I don't understand. |
| 01:06:13 |
It started when John was first identified |
| 01:06:16 |
It didn't surprise me then, |
| 01:06:19 |
By who, Miss Tuck? |
| 01:06:23 |
I think it's the agent |
| 01:06:26 |
Agent Strahm. |
| 01:06:29 |
- And why would he be following you? |
| 01:06:37 |
- Who else have you told about this? |
| 01:07:06 |
HOFFMAN: |
| 01:07:08 |
Didn't you tell me |
| 01:07:13 |
...is by detaching emotionally? |
| 01:07:18 |
But you can have something |
| 01:07:21 |
Anonymity. |
| 01:07:23 |
That's the greatest protection. |
| 01:07:28 |
I need you to set up a game... |
| 01:07:31 |
...that may not be entirely clear to you |
| 01:07:36 |
But I assure you that |
| 01:07:40 |
...are part of something much larger. |
| 01:07:43 |
They're connected. |
| 01:07:45 |
So in the end, |
| 01:07:53 |
...and it'll be clear. |
| 01:07:55 |
[LYNN GASPS AND GROANS] |
| 01:07:57 |
LYNN: |
| 01:07:59 |
- Amanda will fail you. |
| 01:08:03 |
LYNN: |
| 01:08:12 |
HOFFMAN: What's this? |
| 01:08:18 |
LYNN: |
| 01:08:19 |
Help me. What is this? |
| 01:08:21 |
What is this? Please. |
| 01:08:25 |
Why are you keeping me here? |
| 01:09:03 |
We were all supposed to die. |
| 01:09:10 |
He's just fucking testing you. |
| 01:09:13 |
Where is my daughter? |
| 01:09:18 |
Help! |
| 01:09:20 |
He didn't make it. |
| 01:09:23 |
Nobody made it. |
| 01:09:25 |
You were supposed to be the hero. |
| 01:10:05 |
Peter, where the hell are you? |
| 01:10:10 |
Hello? |
| 01:10:22 |
STRAHM: You've reached the voice mail |
| 01:10:25 |
Leave a message. |
| 01:10:29 |
Cowan, I wanna put a locator |
| 01:10:34 |
Right away, sir. |
| 01:10:36 |
Call me right back. |
| 01:10:37 |
Right. |
| 01:11:39 |
- What the hell is that? |
| 01:11:49 |
There are blades in here. |
| 01:11:56 |
It's connected to the door. |
| 01:11:58 |
When the beaker fills up, |
| 01:12:03 |
Fills with what? |
| 01:12:06 |
Blood. Our blood. |
| 01:12:10 |
I think an arm is supposed to go in there |
| 01:12:16 |
Wait. Why can't we just use |
| 01:12:19 |
No, the slots are closed. |
| 01:12:20 |
We have to stick our arm in to |
| 01:12:24 |
We need to close that door. |
| 01:12:27 |
So, what? |
| 01:12:29 |
We fight to the death, and one gets |
| 01:12:40 |
Hey, wait, wait, wait. |
| 01:12:41 |
Do you still have the keys |
| 01:12:43 |
- Yeah. |
| 01:12:46 |
- It won't work. |
| 01:12:54 |
It... It's not even the same lock. |
| 01:13:00 |
Wait, why are there five slots |
| 01:13:03 |
Shouldn't there only be one? |
| 01:13:12 |
They all would have worked. |
| 01:13:38 |
COWAN: |
| 01:13:41 |
All right. I got him. |
| 01:13:51 |
I don't think this is a good idea. |
| 01:13:54 |
The tub wasn't meant for one person. |
| 01:13:56 |
We were supposed to hold |
| 01:13:58 |
...and suffer a small shock. |
| 01:14:01 |
It was meant for five people. |
| 01:14:02 |
They all were. Every game. |
| 01:14:05 |
We only needed one key |
| 01:14:08 |
They all worked, and any one of them |
| 01:14:12 |
In the second room, the three tubes were |
| 01:14:16 |
We were supposed to work together |
| 01:14:19 |
That's the game. |
| 01:14:21 |
Your instincts will tell you to do |
| 01:14:23 |
...but I implore you to do the opposite. |
| 01:14:25 |
Oh, God. |
| 01:14:27 |
Yeah. Big fucking whoops. |
| 01:14:45 |
Hello, and welcome. |
| 01:14:47 |
This journey |
| 01:14:49 |
...and hopefully you've discovered that the |
| 01:14:54 |
The human body, for instance, |
| 01:14:58 |
It contains approximately 10 pints |
| 01:15:01 |
...yet it is still able to operate |
| 01:15:05 |
The device before you is |
| 01:15:08 |
A sacrifice of blood. |
| 01:15:10 |
In order to open the door, the beaker |
| 01:15:15 |
...a level that is of no coincidence. |
| 01:15:18 |
This amount can come |
| 01:15:21 |
That does not matter. |
| 01:15:24 |
For in 15 minutes, |
| 01:15:27 |
...the bombs will explode |
| 01:15:32 |
So now I ask you, how much blood |
| 01:15:43 |
Fuck! Fuck. |
| 01:15:45 |
All right, so one person can fill the beaker |
| 01:15:50 |
Or two people can fill it... |
| 01:15:52 |
...with five pints... |
| 01:15:55 |
...and maybe live. |
| 01:15:58 |
What are we gonna do? |
| 01:16:32 |
MALLICK: |
| 01:16:34 |
I know the investigative journalist in there. |
| 01:16:38 |
He was writing a story about what I did. |
| 01:16:41 |
What'd you do? |
| 01:16:45 |
A dealer gave me... |
| 01:16:47 |
...an ounce of heroin to burn down |
| 01:16:51 |
But it wa... |
| 01:16:52 |
Oh, God. It wasn't abandoned. |
| 01:16:55 |
Eight people died. |
| 01:16:59 |
And the feds got involved. |
| 01:17:03 |
And I got caught but I made a deal |
| 01:17:06 |
The guy who hired me disappeared |
| 01:17:36 |
That's how she knew me. |
| 01:17:38 |
The woman in the tub. |
| 01:17:41 |
The fire. It's what connects us. |
| 01:17:44 |
The fire inspector who wrote |
| 01:17:47 |
...the city planner who pushed through |
| 01:17:52 |
...the journalist that buried |
| 01:17:55 |
...the rich-kid junkie |
| 01:17:59 |
...and the real estate developer |
| 01:18:02 |
We killed eight people |
| 01:18:07 |
Nobody cared? |
| 01:18:09 |
Eight people and their families cared. |
| 01:18:12 |
The feds cared. Look at my fucking arm. |
| 01:18:16 |
But you didn't face justice. |
| 01:18:18 |
None of us did. |
| 01:18:19 |
Why did they all do it? |
| 01:18:22 |
Why? Was it for money? |
| 01:18:24 |
This was your plan? |
| 01:18:27 |
There was eight people in that building. |
| 01:18:33 |
You're a monster. |
| 01:18:39 |
So are you. |
| 01:18:41 |
We both deserve to be here. |
| 01:19:37 |
I can't do this alone. Look at me. |
| 01:19:39 |
Okay. It's okay. |
| 01:20:06 |
We have to go on three. |
| 01:20:26 |
One. |
| 01:20:35 |
Two. |
| 01:20:40 |
Put your hand in the hole! |
| 01:20:51 |
Three! |
| 01:22:22 |
JIGSAW: |
| 01:22:24 |
If you are hearing this, then you have |
| 01:22:29 |
Or so you think. |
| 01:22:30 |
Your dedication is to be commended. |
| 01:22:33 |
But I ask you if you have learned anything |
| 01:22:38 |
As the old adage goes: |
| 01:22:40 |
"Fool me once, shame on you. |
| 01:22:46 |
The situation you find yourself in |
| 01:22:50 |
So I ask you, Special Agent Strahm, |
| 01:22:55 |
The only way to survive this room |
| 01:23:01 |
Pain will be incurred, |
| 01:23:34 |
We did it. |
| 01:23:35 |
We won. |
| 01:25:26 |
I got you, you motherfucker. |
| 01:25:51 |
Drop it! |
| 01:25:52 |
I said drop it! |
| 01:26:01 |
Who did this to you? |
| 01:26:06 |
We won. |
| 01:26:10 |
We worked together. |
| 01:26:23 |
I need immediate medical assistance. |
| 01:27:08 |
Jesus, Peter. |
| 01:27:26 |
Tell me how to open it. |
| 01:27:28 |
How do I open it? |
| 01:27:42 |
JIGSAW: However, if you choose not to, |
| 01:27:46 |
Your body will never be found. |
| 01:27:49 |
You will simply vanish. |
| 01:27:51 |
I ask you, Special Agent Strahm, |
| 01:27:57 |
Will you heed my warning? |
| 01:27:59 |
- For if you do not... |
| 01:28:01 |
...this room will forever be your tomb. |
| 01:28:04 |
And my legacy will become yours. |
| 01:28:07 |
JOHN: If you're good at anticipating |
| 01:28:10 |
- I think I'm being followed. |
| 01:28:13 |
I wanna talk to Jill Tuck one last time. |
| 01:28:15 |
He suspected someone on the inside. |
| 01:28:20 |
- It leaves nothing to chance. |
| 01:28:26 |
We were all supposed to die. |
| 01:28:29 |
You were supposed to be the hero. |
| 01:28:34 |
Make your choice. |
| 01:28:40 |
Cowan. |
| 01:28:42 |
Yeah, this is Erickson. |
| 01:28:44 |
I want you to put out an APB. |
| 01:28:46 |
Suspect's name is Peter Strahm. |
| 01:28:50 |
Yeah, that's right. |
| 01:28:51 |
Special Agent Peter Strahm. |
| 01:29:16 |
I'm gonna stop you, you son of a bitch. |
| 01:29:22 |
I know who you are. I know. |
