Scaramouche
|
00:02:07 |
Halt! |
00:02:08 |
Where's the Marquis de Maynes? |
00:02:12 |
Come on! Where is he? |
00:03:12 |
ln the name of the Queen! |
00:03:19 |
Noel, the Marquis de Maynes. |
00:03:25 |
Your Majesty. |
00:03:29 |
l have never seen France |
00:03:33 |
We were not expecting you till tomorrow. |
00:03:35 |
You summoned me. |
00:03:40 |
Leave us, please. |
00:03:45 |
- l am angry with you, sir. |
00:03:48 |
Very angry! You know why, of course. |
00:03:52 |
- Could it be for fighting Count de Talles? |
00:03:55 |
- l only scratched him a little. |
00:03:59 |
And five minutes later, |
00:04:02 |
An unfortunate accident. |
00:04:04 |
And that brilliant conversationalist, |
00:04:07 |
The Duke fights tolerably well. |
00:04:11 |
He had no chance at all. |
00:04:14 |
l will not have you killing off my nobles, |
00:04:20 |
ln times like these, |
00:04:24 |
Now, what was it all about, |
00:04:27 |
- l really forget. |
00:04:31 |
De Talles had the effrontery to put himself |
00:04:35 |
As for Ramont, let me see... |
00:04:39 |
As for Ramont? |
00:04:42 |
A delicate matter. |
00:04:44 |
He spoke disrespectfully of... |
00:04:48 |
- Forgive me. |
00:04:53 |
A goddess. |
00:04:57 |
Now, the thing that l want... |
00:05:05 |
l found one of these under my pillow. |
00:05:07 |
This morning, the King discovered one |
00:05:09 |
"Liberty, Equality, Fraternity." |
00:05:12 |
The people that write such things, |
00:05:16 |
- Us, Your Majesty. |
00:05:18 |
Our rights, our lands, our heads. |
00:05:22 |
Our heads? |
00:05:23 |
Don't worry about this Marcus Brutus, |
00:05:27 |
l shall be glad |
00:05:36 |
There was another matter |
00:05:39 |
This, too, is personal, |
00:06:05 |
My dancing class. |
00:06:07 |
How does one qualify for admission? |
00:06:09 |
One has to be wellborn, under 19, |
00:06:14 |
Now, you are a marquis, |
00:06:19 |
Your Majesty knows |
00:06:25 |
All the same, l think it's time that you did. |
00:06:27 |
Someday you might run into a sword. |
00:06:30 |
lt would be a pity if that were the end |
00:06:34 |
Your Majesty commands me to marry? |
00:06:42 |
May l ask one final favor? |
00:06:45 |
You select my bride. |
00:06:49 |
l think you'll like this child. |
00:06:57 |
Aline, this is the Marquis de Maynes. |
00:06:59 |
lt seems that your dancing has made |
00:07:03 |
He wishes to express his admiration. |
00:07:05 |
Cousin, this is my protégé, |
00:07:12 |
Charming. |
00:07:17 |
You dance delightfully. |
00:07:22 |
- A little, sir. |
00:07:25 |
The clavichord. |
00:07:26 |
And l imagine you are skillful |
00:07:29 |
Yes, sir. l knit and sew. |
00:07:33 |
l have read the plays of Corneille, |
00:07:38 |
l did not understand a word of them. |
00:07:42 |
l don't cook too well, |
00:07:45 |
although l prefer snakes and ladders. |
00:07:47 |
l have a nodding acquaintance |
00:07:50 |
astronomy, philosophy, and botany. |
00:07:52 |
l'm afraid l gave up algebra when l was 12. |
00:07:56 |
- She also has spirit, cousin. |
00:07:59 |
May l have the honor of waiting upon you |
00:08:02 |
l also play chess... |
00:08:04 |
though l regret l am unfamiliar |
00:08:07 |
Aline will instruct you, won't you, Aline? |
00:08:11 |
lf you say so. l'll speak to Father |
00:08:15 |
l shall write to him. |
00:08:16 |
l shall tell him it is my earnest desire |
00:08:20 |
good friends. |
00:08:35 |
BlNET presents his famous actors |
00:09:19 |
Lenore? lt's me. |
00:09:24 |
Don't be nervous. |
00:09:26 |
Forgive my prolonged neglect, my pet. |
00:09:29 |
For here l am again, at your feet. |
00:09:35 |
How softly your skin shines |
00:09:48 |
Darling? lt's me! l'm back! |
00:09:54 |
Monsieur Binet's charming troupe |
00:10:01 |
Where is she? My Lenore. |
00:10:04 |
- She's not here. |
00:10:07 |
- She's gone to Paris. |
00:10:10 |
- To see her family. |
00:10:13 |
- Father? She never had a father. |
00:10:15 |
Never had a sister, a brother, a father, |
00:10:19 |
- She has no one but me, has she? |
00:10:25 |
A husband? |
00:10:29 |
Monsieur Binet, |
00:10:33 |
Are you by any chance trying to tell me |
00:10:38 |
Yes, indeed. Well, practically. |
00:10:40 |
- Practically? |
00:10:42 |
- All but, what? |
00:10:44 |
She got tired of waiting for you |
00:10:48 |
And now she goes to the altar |
00:10:52 |
Paris. Tuesday. Noon. |
00:11:15 |
Lenore, my bride. My beautiful. |
00:11:20 |
So far, remarkably little. |
00:11:25 |
- Roses. |
00:11:27 |
Are they? What a pity they fade so quickly. |
00:11:31 |
These will not fade, my beloved. |
00:11:35 |
Diamonds. |
00:11:36 |
l thought of your eyes |
00:11:39 |
Just my eyes? How sweet. |
00:11:43 |
l must see you start thinking |
00:12:07 |
- l'm the happiest of men. |
00:12:10 |
Well, not quite. |
00:12:11 |
They say you sell more sausages |
00:12:14 |
- Except for the Delmore brothers. |
00:12:17 |
Are they married? |
00:12:19 |
- They're dead. |
00:12:21 |
But with you at my side, |
00:12:25 |
than anyone else in France. |
00:12:27 |
Forgive the intrusion, |
00:12:31 |
forbids osculation in public conveyances. |
00:12:34 |
First offenders |
00:12:36 |
- Hello, my pet. How are you? |
00:12:39 |
We're all out of our minds. |
00:12:42 |
Lunatic! l'm on my way to my wedding |
00:12:45 |
- Stop the coach! |
00:12:47 |
And Lenore desires to be married. |
00:12:51 |
l certainly do. |
00:12:53 |
"Lenore"? "Darling"? |
00:12:57 |
Yes, l know him. |
00:13:00 |
He's a stupid fellow and an awful liar. |
00:13:05 |
Who is he? |
00:13:07 |
- Who are you? |
00:13:09 |
They call me Andre Moreau. |
00:13:11 |
- Whoever you are, get out this instant! |
00:13:16 |
That wedding gown |
00:13:19 |
but about this marriage, l have my doubts. |
00:13:21 |
- l'm not interested. |
00:13:23 |
- You're wrong for each other. |
00:13:27 |
We have here a middle-aged gentleman, |
00:13:31 |
What does he ask of a wife? |
00:13:35 |
the little ones at her feet, |
00:13:37 |
while he tells of the gossip |
00:13:40 |
He wants a mere half-dozen children. |
00:13:43 |
And who does he pick for a wife? |
00:13:46 |
A traveling player, |
00:13:49 |
but never, l fancy, as the mother of 12. |
00:13:51 |
- Did you say an actress? |
00:13:56 |
Hasn't she told you? |
00:13:58 |
Lenore is an actress. |
00:14:01 |
lndifferent? l am superb. |
00:14:05 |
Know what that means? One night, in the |
00:14:10 |
And while you're having pickles, |
00:14:13 |
- l have only one urge at the moment. |
00:14:16 |
To marry me. |
00:14:19 |
- Marry you? |
00:14:21 |
Why didn't you tell me? |
00:14:23 |
- Why didn't you ask me? |
00:14:28 |
Darling. |
00:14:46 |
But... my other bridegroom... |
00:14:50 |
Your other bridegroom |
00:15:00 |
l shall always remember him. |
00:15:09 |
And now, to make you respectable. |
00:15:12 |
- Excuse me, my darling. |
00:15:15 |
- Philippe will be waiting. |
00:15:17 |
Philippe de Valmorin. My best friend. |
00:15:20 |
He promised to be here at noon |
00:15:23 |
Andre! |
00:15:25 |
Don't be nervous. |
00:15:29 |
What's your name? |
00:15:31 |
lvan the Terrible. What's yours? |
00:15:34 |
lf you're Andre Moreau, you must go |
00:15:48 |
All right, come on! |
00:15:56 |
- Andre, stop! |
00:16:00 |
- Andre, what happened? |
00:16:03 |
Owing to circumstances |
00:16:06 |
l'm afraid there'll be a slight delay |
00:16:09 |
Don't be nervous. |
00:16:17 |
- What's that? |
00:16:21 |
What do you mean? |
00:16:23 |
- ls it Andre? |
00:16:28 |
He's coming in. Here. |
00:16:33 |
Good morning. |
00:16:35 |
- Thank heaven you're here. |
00:16:40 |
- What's happened here, a hurricane? |
00:16:44 |
- They came for Philippe. |
00:16:48 |
What for? Did they take him? |
00:16:50 |
No, he's safe. But they're still outside |
00:16:53 |
See? Hiding there in the doorway. |
00:16:55 |
They looked everywhere. |
00:16:57 |
- lt was dreadful. |
00:17:06 |
Andre, you're dressed very oddly. |
00:17:11 |
Well, not yet, darling, but it threatens. |
00:17:14 |
l've a young lady downstairs in the coach |
00:17:17 |
She's made two attempts since breakfast, |
00:17:29 |
l've heard of the bridegroom |
00:17:31 |
- but never the best man. What happened? |
00:17:35 |
"Liberty, Equality, Fraternity, |
00:17:38 |
l'm Marcus Brutus. |
00:17:41 |
We even smuggled some |
00:17:43 |
- We? |
00:17:45 |
United against the aristocratic tyrants. |
00:17:47 |
l take it aristocratic tyrants |
00:17:51 |
- Father, please. |
00:17:53 |
but by birth l am an aristocrat. |
00:17:55 |
- And so are you. |
00:17:57 |
- That pamphlet is high treason. |
00:18:03 |
Well, what do you think of it? |
00:18:05 |
The grammar is appalling. |
00:18:07 |
you doubled a negative, split an infinitive, |
00:18:11 |
lnfinitives, negatives, commas. |
00:18:14 |
He prattles punctuation |
00:18:16 |
ln agony? l wasn't aware of it. |
00:18:18 |
You never take anything seriously. |
00:18:21 |
Why do you fight with your best friend |
00:18:25 |
- What's to be done, Andre? |
00:18:29 |
We've got to get him |
00:18:31 |
How? |
00:18:33 |
l haven't the slightest idea. |
00:18:37 |
Unless... |
00:18:40 |
Get into this. |
00:18:41 |
Listen carefully. |
00:18:44 |
Go boldly out, |
00:18:46 |
No one will question you, |
00:18:48 |
She may become violent. Drive her to |
00:18:52 |
- Five crowns. |
00:18:55 |
l'll get the money. Meet me at |
00:18:59 |
ls that clear? Off with you. |
00:19:04 |
Goodbye, Mother. |
00:19:13 |
- l'm sorry, Father. |
00:19:16 |
Try not to dishonor it. |
00:19:22 |
Thank you, Father. |
00:19:31 |
Good luck. |
00:19:44 |
lt's all right. |
00:19:46 |
He's very young. Look after him. |
00:19:50 |
As you've always looked after me. |
00:19:53 |
God bless you, Andre. |
00:19:58 |
And now for the stuff |
00:20:00 |
and princes of fools. Money. |
00:20:03 |
Andre, you be careful what you do. |
00:20:05 |
Precisely my intention. |
00:20:08 |
the eminent lawyer Fabian. |
00:20:13 |
ls this the bald pate of the lawyer Fabian? |
00:20:18 |
Yes. |
00:20:21 |
- Moreau, l can't see you. |
00:20:25 |
Be good enough to make out an advance |
00:20:30 |
Next year's allowance? lmpossible! |
00:20:33 |
Figaro, you may leave us. |
00:20:38 |
But there is no more money. None at all. |
00:20:40 |
- Didn't you get my letter? |
00:20:43 |
But l wrote and told you |
00:20:47 |
Stopped? |
00:20:48 |
The gentleman is no longer able |
00:20:51 |
Put that thing down and get out of here. |
00:20:53 |
l shall go to this gentleman |
00:20:57 |
- What is his name? |
00:20:59 |
lmpossible. |
00:21:02 |
You know l can't do that, Andre. |
00:21:05 |
l know nothing at all! |
00:21:10 |
For 30-odd years... |
00:21:12 |
l have made a profession of ignorance with |
00:21:17 |
my obscure beginnings, |
00:21:19 |
lf you fidget, l may draw blood. |
00:21:23 |
Yes, my birth. |
00:21:24 |
Being adequately financed |
00:21:27 |
for my arrival in what is termed |
00:21:31 |
l was content |
00:21:34 |
But now l need money. |
00:21:37 |
lt is at this moment |
00:21:41 |
that his duty is done... |
00:21:43 |
and that there should be |
00:21:46 |
for his mischievous youth. |
00:21:50 |
A lamentable conclusion in any event, |
00:21:54 |
We must therefore face the fact... |
00:21:57 |
that the hour has come |
00:22:00 |
and unmask this philandering gentleman. |
00:22:05 |
Who is he, Fabian? Who is my father? |
00:22:08 |
No! l won't tell. |
00:22:11 |
You're making me nervous again. |
00:22:13 |
l can't betray a client's confidence. |
00:22:15 |
Look at my hand, |
00:22:20 |
What is his name, Fabian? |
00:22:25 |
Count de Gavrillac. |
00:22:29 |
- The address? |
00:22:31 |
The manor of Gavrillac. Near Dieppe. |
00:22:49 |
Here l am, Andre! |
00:22:55 |
All in one piece? Where's the lady? |
00:22:59 |
- Come on, boy. Where's Lenore? |
00:23:03 |
You mislaid her? |
00:23:06 |
What is she, a button, a handkerchief that |
00:23:10 |
You dunderhead, where is she? |
00:23:12 |
When we stopped at the city gates, |
00:23:15 |
before l could catch her. |
00:23:17 |
Say, did she leave any message? |
00:23:21 |
She just left. |
00:23:23 |
l'm sorry, Andre. l let you down again. |
00:23:30 |
The oceans are full of fish |
00:23:33 |
To contemplate one woman |
00:23:36 |
may be for some men, but not for me. |
00:23:39 |
Come on, boy. To Gavrillac! |
00:23:53 |
lt's coming, Andre, and no one can stop it. |
00:23:55 |
The apple cart the tyrants are riding |
00:23:58 |
l tell you, it can't be much longer. |
00:24:02 |
Longer? |
00:24:04 |
l think it's already happened. |
00:24:21 |
Happy the rascal traveling life's byway... |
00:24:24 |
to whom the gods say, |
00:24:26 |
"You may have lost Diana on the highway |
00:24:28 |
"But, look, there is Aphrodite in a ditch" |
00:24:33 |
- Molière? |
00:24:37 |
Andre Moreau at your service. |
00:24:41 |
You make up poetry, Andre Moreau. |
00:24:44 |
A carriage maker would be more apropos. |
00:24:47 |
l suppose you don't know |
00:24:54 |
Unfortunately, no. |
00:24:56 |
- A broken heart, now... |
00:24:59 |
l envy you. |
00:25:10 |
The lady's carriage needs attention. |
00:25:16 |
lt may take a little time. |
00:25:18 |
Now, l happen to know of a nearby tavern |
00:25:22 |
- We? |
00:25:24 |
You'll need me to protect you |
00:25:27 |
lncluding yourself? |
00:25:29 |
You have a point. |
00:25:31 |
lt won't be necessary. l'm not coming. |
00:25:33 |
- Then l shall come with you. |
00:25:37 |
To the ends of the earth, |
00:25:40 |
l'm going home, and that's half a mile. |
00:25:43 |
Half a mile with you |
00:25:49 |
Milady... |
00:25:54 |
Goodbye, poet. |
00:25:55 |
Thank you for your rhyming. |
00:26:00 |
Your coachman has abominable timing. |
00:26:03 |
He mends your carriage |
00:26:12 |
Goodbye. |
00:26:31 |
Don't speak. Don't say a word. l love you. |
00:26:34 |
You look at me astonished. |
00:26:37 |
But... |
00:26:40 |
l love you. Only you and you alone. |
00:26:44 |
Do you believe a word l say? |
00:26:47 |
My own ears find it hard enough to believe |
00:26:51 |
One thing alone is clear. |
00:26:54 |
without my knowing who you are, where |
00:26:58 |
Where are you going to, by the way? |
00:27:01 |
Let me read it in your hand. |
00:27:08 |
Your line of lunar... |
00:27:12 |
Your line of lunar indicates |
00:27:15 |
to visit your mother. |
00:27:18 |
My father. |
00:27:21 |
lt's his birthday. |
00:27:24 |
Why, yes. How did you know? |
00:27:27 |
lt's nothing. Nothing at all. |
00:27:30 |
No, it's amazing. Please, go on. |
00:27:34 |
With pleasure. |
00:27:37 |
Your Ring of Solomon tells me... |
00:27:42 |
that you are the daughter of a count. |
00:27:45 |
Why, it's true. |
00:27:47 |
And... |
00:27:48 |
in the far right-hand corner |
00:27:53 |
you have a four-leaf clover |
00:27:58 |
lncredible! |
00:28:00 |
And on the scroll across the center... |
00:28:04 |
l can almost see your name. |
00:28:07 |
- Almost? |
00:28:11 |
Tell me my name. |
00:28:13 |
lt's... |
00:28:18 |
Yes. |
00:28:23 |
Gavrillac. |
00:28:27 |
Why, it is! lt's Gavrillac. |
00:28:29 |
My father's the Count de Gavrillac. |
00:28:34 |
You don't look well. |
00:28:37 |
No, l'm sorry, but forgive me. l must go. |
00:28:41 |
No! You'll kill yourself! |
00:28:45 |
Maybe that's the only practical solution. |
00:28:50 |
That's better. |
00:28:53 |
We're almost there now. |
00:28:57 |
Look. There's my father's house. |
00:29:02 |
We're home. |
00:29:09 |
You must come in and rest a minute. |
00:29:11 |
l know my father |
00:30:50 |
How strange is the human heart. |
00:30:54 |
ln life, we never met, my father and l. |
00:30:57 |
No spark of love, |
00:31:01 |
Yet, l look upon his face in death... |
00:31:04 |
and l'm moved to tears. |
00:31:07 |
Poor Andre. |
00:31:10 |
No. Not poor Andre. Never poor Andre. |
00:31:13 |
lf he finds and loses a father, |
00:31:16 |
then discovers the maid is his sister, |
00:31:21 |
Andre, what did she say |
00:31:24 |
l told her nothing, nor shall l. |
00:31:26 |
The old man kept his secret secure |
00:31:29 |
Let him take it with him to heaven. |
00:31:33 |
Won't you see her again? |
00:31:38 |
l'd like her to know |
00:31:45 |
l'd like you to know that, too, Andre. |
00:31:52 |
Here's to you, my hothead... |
00:31:54 |
so eager to solve at a blow |
00:31:58 |
l doubt if there is a solution, |
00:32:01 |
by heaven, we'll find it. |
00:32:04 |
- Together. |
00:32:07 |
- You there, innkeeper! |
00:32:09 |
How much longer? |
00:32:11 |
Five minutes, sir. Possibly ten. |
00:32:15 |
- Tell the idiot to hurry. |
00:32:19 |
Two hours to shoe a horse. Still not ready. |
00:32:23 |
You know, he's good this Marcus Brutus. |
00:32:28 |
"The grip of the aristocratic tyrants |
00:32:31 |
"crushing them underfoot |
00:32:35 |
- Treason. |
00:32:37 |
"The people will make |
00:32:41 |
Fellow has a dangerous gift of eloquence. |
00:32:45 |
lt's my men returning. |
00:32:54 |
That horse in the yard, the gray, it's yours. |
00:32:57 |
- Yes. |
00:33:00 |
Philippe de Valmorin from Paris... |
00:33:02 |
who's been writing and preaching treason |
00:33:04 |
His name's Pierre Duval from Limoges on |
00:33:09 |
- l'm not talking to you. |
00:33:11 |
- We're architects from the south. |
00:33:15 |
No, not him. He had no part in it. |
00:33:18 |
- No part in what? |
00:33:21 |
- Come on. We're late. lf you'll excuse us. |
00:33:25 |
- You're under arrest. |
00:33:30 |
- ls something the matter? |
00:33:33 |
This man calls himself Marcus Brutus. |
00:33:36 |
- His name is Pierre Duval. |
00:33:41 |
Why, Duval... |
00:33:43 |
how delightful to see you again after, |
00:33:48 |
Forgive me |
00:33:50 |
but you were only a boy when we last met |
00:33:53 |
How is your dear mother? |
00:33:58 |
- She's well, sir. |
00:34:02 |
He, too, is well, sir. |
00:34:03 |
Tell me, does he still play Vazique? |
00:34:06 |
Occasionally, l believe. Yes, sir. |
00:34:08 |
Be good enough |
00:34:11 |
Sergeant. l fancy your men have a thirst. |
00:34:14 |
Take them into the pump room |
00:34:16 |
- Milord, l had no idea. |
00:34:19 |
lnnkeeper, wine for my friends. |
00:34:24 |
So they mistook you for Marcus Brutus. |
00:34:27 |
Most interesting. |
00:34:30 |
l'm deeply obliged to you |
00:34:33 |
l would've done no less |
00:34:38 |
He had the gall to smuggle |
00:34:41 |
into Her Majesty's bedchamber. |
00:34:44 |
l could hardly permit him |
00:34:47 |
having promised myself |
00:34:50 |
Pierre, we must go. |
00:34:54 |
Wait. The cathedral will not run away. |
00:34:58 |
And the title used by Marcus Brutus: |
00:35:00 |
"Liberty, Equality, Fraternity." |
00:35:03 |
Liberty must be rationed among the few |
00:35:07 |
There's no such thing as equality. |
00:35:09 |
Most men are born with the gutter |
00:35:12 |
As for fraternity, |
00:35:17 |
We stand alone at the head of the table... |
00:35:19 |
and if ever our rights are challenged, |
00:35:23 |
l look forward to making it |
00:35:26 |
when l catch up with him, but l doubt |
00:35:30 |
- The man is clearly a coward. |
00:35:34 |
We're leaving. |
00:35:36 |
A spineless upstart, who so far lacks |
00:35:40 |
that he dare not even sign them |
00:35:42 |
- Had he been born... |
00:35:44 |
His race is as old, |
00:35:47 |
l hardly think so. |
00:35:49 |
His sentiments |
00:35:52 |
the result of his unfortunate mother... |
00:35:54 |
forming an attachment |
00:36:02 |
- De Maynes, consider l struck that blow. |
00:36:06 |
But first, shall we step into the garden, |
00:36:10 |
Or would you prefer to be run through |
00:36:13 |
l shall be happy to give you satisfaction. |
00:36:24 |
Tell Father l didn't dishonor his sword |
00:36:47 |
lf you've a shred of honor left, |
00:36:50 |
The best swordsman in France |
00:36:53 |
A blow was struck. |
00:36:54 |
The blow was provoked, you know it, |
00:37:14 |
lt won't be long now. |
00:37:16 |
De Maynes is the ultimate swordsman. |
00:37:18 |
No rival, no peer. |
00:37:20 |
He practices daily with his private |
00:38:16 |
You should've learned to use a sword |
00:38:19 |
Pick it up. |
00:38:41 |
Yes, you're going to die, |
00:38:45 |
You're going to die as he died, |
00:38:48 |
You'll be driven back, step by step, |
00:38:54 |
And then l, Andre Moreau, |
00:39:02 |
l swear it, Philippe. |
00:39:04 |
By all that l hold sacred... |
00:39:08 |
l swear you this man's death. |
00:39:21 |
Go after him and take him! |
00:39:23 |
Sergeant, to horse! |
00:39:25 |
- Hurry, men. Mount up! |
00:41:09 |
Try to remember him living. |
00:41:13 |
The vigor, the zest of him alive. |
00:41:19 |
lt helps. |
00:41:22 |
l know. |
00:41:24 |
Does it? |
00:41:26 |
Thank you. l'll try. |
00:41:29 |
lt may not heal your grief, |
00:41:34 |
You speak of grief as if you knew it well. |
00:41:37 |
Only too well. |
00:41:43 |
l want to apologize. |
00:41:45 |
Apologize? |
00:41:48 |
My behavior in the coach... |
00:41:52 |
it must've seemed strange. |
00:41:55 |
lt did for a moment. |
00:42:00 |
But just for a moment. lt's forgotten. |
00:42:03 |
You're very understanding and generous. |
00:42:06 |
And you are very kind and thoughtful |
00:42:10 |
l shall never forget it. |
00:42:12 |
l would not have intruded had l not been... |
00:42:15 |
so gravely concerned over your future. |
00:42:18 |
- My future? |
00:42:21 |
What is to become of you, Aline? |
00:42:24 |
- Forgive me. |
00:42:34 |
You were saying? |
00:42:38 |
l was saying, |
00:42:41 |
left defenseless, alone in the world? |
00:42:46 |
Alone, Andre? |
00:42:49 |
You have friends? |
00:42:52 |
- One or two, but... |
00:42:55 |
Forgive me. |
00:42:57 |
Undesirables? |
00:42:59 |
Best to be sure. |
00:43:02 |
Can one ever be sure of anyone? |
00:43:07 |
People change so quickly. |
00:43:15 |
However, l would say |
00:43:17 |
is more reliable than some. |
00:43:21 |
Yes. Her Majesty's appointed him |
00:43:28 |
l'm afraid l can't discuss it now. |
00:43:32 |
Andre, follow me. |
00:43:35 |
Quickly, this way. |
00:43:42 |
You're young and fair. |
00:43:45 |
May providence guide you |
00:43:55 |
Search the garden, men. |
00:44:00 |
Sir! There he goes! |
00:44:01 |
Come, men! This way! |
00:44:50 |
Welcome, friend. |
00:44:56 |
And "shh!" to you. |
00:44:57 |
A hundred thousand... |
00:45:01 |
What's your name? |
00:45:05 |
ls that so? Glad to know you. |
00:45:10 |
What's my name? |
00:45:17 |
You're not interested. |
00:45:19 |
ln that case... |
00:45:20 |
l shall introduce myself to myself. |
00:45:26 |
Do you know who this is? |
00:45:29 |
Scaramouche. |
00:45:35 |
Scaramouche, yes, |
00:45:41 |
And why does he hide his face |
00:45:48 |
You don't know? |
00:45:50 |
Then l'll show you. |
00:46:01 |
Scaramouche is... |
00:46:17 |
Halt! |
00:46:19 |
He can't be far. Search every house. |
00:46:51 |
Where is Scaramouche? Find him. |
00:46:54 |
Find that lazy, |
00:46:57 |
He can't do this to me. |
00:47:00 |
There you are. |
00:47:03 |
The audience is waiting. |
00:47:09 |
Been drinking again. Don't lie to me. |
00:47:12 |
You idiot! |
00:47:49 |
Get back on, you fool! |
00:48:08 |
Scaramouche. Drunk again, huh? |
00:48:33 |
So there you are. |
00:48:36 |
- Do you know who this is? |
00:48:40 |
Scaramouche, yes, |
00:48:45 |
And why does he hide his face |
00:48:50 |
You don't know? |
00:48:52 |
Then l'll tell you. |
00:48:55 |
Scaramouche is a fool. |
00:49:00 |
A genius. |
00:49:02 |
A ne'er-do-well. |
00:49:05 |
A saint. |
00:49:07 |
Fickle, adoring... |
00:49:10 |
false and true together. |
00:49:14 |
Woman's enemy. |
00:49:17 |
And the one thing she can't do without: |
00:49:32 |
Come on. Kiss me. |
00:50:03 |
You wait... |
00:00:28 |
Bravo! Bravo! Bravissimo! |
00:00:31 |
What a clown! |
00:00:33 |
- What a cheat. What a viper! |
00:00:36 |
What an artist! |
00:00:40 |
- Thank you. You'll excuse me. Pardon me. |
00:00:44 |
Knave, wretch, viper, villain! |
00:00:48 |
Cur, dog, serpent, snake! |
00:00:51 |
Stay where you are! |
00:00:53 |
You, open the curtain. |
00:00:56 |
We seek one Andre Moreau, a traitor. |
00:01:01 |
l, sir, am Gaston Binet. |
00:01:03 |
The Gaston Binet |
00:01:05 |
Shut your mouth. |
00:01:09 |
Who are you? |
00:01:14 |
Harlequin. |
00:01:16 |
Madame Frying Pan. |
00:01:21 |
- Punchinello. |
00:01:23 |
Pierrot. |
00:01:28 |
Now, what about you? |
00:01:34 |
Yes, you. |
00:01:43 |
- Scaramouche. |
00:01:46 |
No. l couldn't do that. |
00:01:49 |
l might look into a mirror |
00:01:52 |
and supposing it was as hideous as yours? |
00:01:57 |
- Take off your mask. |
00:02:00 |
Columbine knows, but will she tell? |
00:02:04 |
l wonder. |
00:02:08 |
What was the name |
00:02:11 |
Andre Moreau. You know him? |
00:02:18 |
l know a lot of men. |
00:02:21 |
This Andre Moreau, |
00:02:25 |
The same height and build perhaps? |
00:02:27 |
The same brown eyes |
00:02:30 |
and the wicked mouth |
00:02:35 |
Now, make him take his mask off. |
00:02:38 |
Take it off. |
00:02:43 |
Take it off before l cut it off! |
00:02:54 |
- Sergeant, bring your men! |
00:02:57 |
- You, what's down there? |
00:03:03 |
Don't go down there, sir! |
00:03:06 |
Come back, sir! How dare you? |
00:03:13 |
He didn't get far. |
00:03:19 |
Andre Moreau, l think. |
00:03:22 |
But l could've sworn that... |
00:03:26 |
We've wasted enough time on this fool. |
00:03:28 |
Sergeant, bring your men. |
00:03:31 |
Follow me! |
00:03:46 |
Here l am, my pet. Don't be nervous. |
00:03:54 |
You saved my life. You love me. |
00:03:58 |
Come to my arms. |
00:03:59 |
- Sit down! l'll send for a doctor. |
00:04:03 |
Your brain's gone. |
00:04:06 |
- Not exactly, no. |
00:04:09 |
The pain is exquisite, |
00:04:13 |
- knowing that you love me. |
00:04:17 |
l'd as soon love a boa constrictor. |
00:04:19 |
ls that my beloved talking, |
00:04:24 |
Listen, you clodpoll... |
00:04:27 |
l may have saved your miserable life |
00:04:31 |
but if you think that means |
00:04:34 |
then maybe this |
00:04:38 |
Magnificent! |
00:05:12 |
lf it isn't my old friend Doutreval. |
00:05:18 |
Give me a lesson now, Doutreval. |
00:05:19 |
Just one more little lesson. |
00:05:24 |
You teach me to fence, |
00:05:27 |
l teach you to fence? |
00:05:29 |
The way you teach the Marquis, Doutreval. |
00:05:33 |
En garde. |
00:05:40 |
The Marquis? |
00:05:43 |
What marquis? |
00:05:54 |
Where did you get this? |
00:05:56 |
Who gave you this? |
00:06:04 |
Don't you remember? |
00:06:06 |
- You gave it to me, Doutreval. |
00:08:06 |
Don't move. Who are you? |
00:08:09 |
They call me Moreau. |
00:08:11 |
l seek one Doutreval of Dijon, |
00:08:15 |
What do you want with him? |
00:08:17 |
His skill for my right arm, |
00:08:21 |
his silence for my safety. |
00:08:24 |
l know nothing of the sword. |
00:08:28 |
There are many who can teach |
00:08:31 |
But no one, they say, |
00:08:35 |
Doutreval serves |
00:08:38 |
They told me otherwise. |
00:08:42 |
What did they tell you? |
00:08:43 |
That Doutreval would never refuse |
00:08:56 |
Mummers and friends, great news! |
00:09:01 |
A certain gentleman of our acquaintance... |
00:09:04 |
has decided to remain in Lacrosse... |
00:09:07 |
and devote his time |
00:09:11 |
Not merely for one night, but indefinitely. |
00:09:15 |
l give you our new Scaramouche. |
00:09:23 |
What a performer! |
00:09:45 |
So now you're my leading lady, |
00:09:50 |
- Shall we rehearse a little? |
00:09:56 |
When you're placid, you are beautiful... |
00:09:58 |
but when you are angry, you are superb. |
00:10:01 |
You come one step closer, |
00:10:04 |
- l can't imagine a more glorious death. |
00:10:08 |
l know. But if l took any notice, |
00:10:30 |
lf l hadn't come back, l doubt |
00:10:52 |
Think of this, a sword is like a bird. |
00:10:55 |
lf you clench it too tightly, you choke it. |
00:10:58 |
Too lightly, and it flies away. |
00:11:02 |
Now, all actions in fencing... |
00:11:06 |
are made only with the fingers, |
00:13:05 |
Good people of Lacrosse. |
00:13:08 |
Now, let me read you a letter from Paris. |
00:13:15 |
"We, the management |
00:13:18 |
"have the pleasure |
00:13:21 |
"to the Gaston Binet |
00:13:25 |
"featuring the sensational Scaramouche." |
00:13:37 |
Did anybody see an unpleasant man |
00:13:42 |
A letter inviting Scaramouche to Paris? |
00:13:47 |
l need hardly say... |
00:13:50 |
that Scaramouche stays here in Lacrosse. |
00:13:55 |
"Scaramouche stays here in Lacrosse!" |
00:13:58 |
How l hate you. |
00:14:00 |
- How l love you. |
00:14:04 |
- No! We stay here in Lacrosse. |
00:14:07 |
- Because l like it. |
00:14:10 |
- Yes, that's possible. |
00:14:12 |
- No. |
00:14:15 |
Not entirely. |
00:14:16 |
The woman you slip away to |
00:14:20 |
Every day before sunrise |
00:14:23 |
l know it's a woman. |
00:14:26 |
There is only one woman... |
00:14:29 |
and she's here in this room... |
00:14:33 |
at this moment. |
00:14:35 |
You're such a liar. |
00:14:39 |
At times. |
00:14:41 |
A liar... |
00:14:43 |
a cheat, and a fraud. |
00:14:47 |
Also, an impostor. |
00:14:51 |
l ought to be burned at the stake |
00:15:02 |
Burned to a cinder. |
00:15:13 |
Scaramouche... |
00:15:17 |
take me to Paris. |
00:15:20 |
No. |
00:15:31 |
Once more. One, two, three, four, five, six. |
00:15:35 |
Now, this time faster. Ready? |
00:15:39 |
Faster. |
00:15:42 |
Very good. |
00:15:47 |
You remember what l said |
00:15:51 |
Hold it too tightly, you choke it. |
00:15:56 |
Once again. |
00:16:28 |
Doutreval, how long have you been |
00:16:34 |
He never heard of Andre Moreau. |
00:16:36 |
The fool imagines he's been instructing |
00:16:41 |
an artillery artisan. |
00:16:43 |
Take your money, idiot. |
00:16:47 |
Actually, you've done me a great service. |
00:16:51 |
Hand him his sword, Doutreval. |
00:17:05 |
Get out. |
00:17:11 |
And now, Moreau... |
00:17:14 |
for your final lesson. |
00:17:44 |
My compliments. You've learned |
00:17:58 |
You'd at least be a match for our friend, |
00:18:05 |
You might even defeat him. |
00:18:07 |
But Noel de Maynes |
00:18:48 |
lt takes time to make a swordsman. |
00:19:01 |
One can't acquire overnight |
00:19:04 |
by years of endeavor. |
00:19:10 |
The feint doublée. |
00:19:13 |
The feint of disengagement coupée. |
00:19:17 |
And... |
00:19:23 |
Andre! |
00:19:25 |
Aline. |
00:19:29 |
Take him. |
00:19:52 |
Enough. Get out. |
00:19:59 |
- You know this Andre Moreau? |
00:20:04 |
- He's a friend. |
00:20:08 |
l like him. |
00:20:11 |
l met him only casually, but l like him. |
00:20:16 |
- You like him. |
00:20:21 |
He gave me hope and courage once, |
00:20:26 |
l have never forgotten it. |
00:20:29 |
And l never intend to. |
00:20:32 |
You speak of him with a warmth |
00:20:35 |
since you left your father's house. |
00:20:39 |
l'm glad it's so evident. |
00:20:41 |
Believe me, it does less than justice |
00:20:44 |
Your feelings for... |
00:20:49 |
May l remind you of a young girl |
00:20:53 |
by her father's death |
00:20:55 |
l was only 5 miles away. |
00:20:57 |
Andre was there, and what's more, |
00:21:00 |
Did l not send for you at once, |
00:21:04 |
Of your own free will? |
00:21:08 |
- My dear child... |
00:21:10 |
Nor am l a chattel. |
00:21:11 |
l'm a woman who wants to be loved |
00:21:15 |
Whatever you do for me, Noel, |
00:21:20 |
My dear, all you say was true |
00:21:23 |
l did interest myself in you |
00:21:27 |
How could l know that Her Majesty |
00:21:32 |
for a man to respect and admire? |
00:21:35 |
Believe me, Aline... |
00:21:37 |
Her Majesty may have commanded |
00:21:40 |
but now, after, how long is it? |
00:21:43 |
Only six short weeks. |
00:21:46 |
Even she could not command me |
00:22:02 |
You know your way from here. |
00:22:06 |
Doutreval, l owe you my warmest thanks. |
00:22:09 |
l owe much more to Montgomery |
00:22:13 |
Yeah. l'm still only a beginner |
00:22:16 |
No, not a beginner, just not a champion... |
00:22:20 |
- yet. |
00:22:22 |
now that l can no longer be taught |
00:22:26 |
lf you forget your passion while you're |
00:22:29 |
My old instructor, |
00:22:32 |
"The head. Fight with the head. |
00:22:35 |
Your old instructor didn't realize... |
00:22:42 |
Your old instructor, is he still alive? |
00:22:45 |
Of course he's still alive. |
00:22:49 |
l can no longer be taught |
00:22:52 |
So, what is more fitting in a mad world... |
00:22:55 |
than to be taught by the man who taught |
00:23:00 |
Where does he live? What is his name |
00:23:05 |
Perigore of Paris. |
00:23:23 |
Come on out. |
00:23:25 |
Come out before l drag you out |
00:23:29 |
So it was a woman! |
00:23:34 |
Don't lie your way out of it! Put me down! |
00:23:41 |
l'm glad you followed me. |
00:23:44 |
You're in love with that girl. |
00:23:45 |
l couldn't love Aline |
00:23:48 |
What were you up to, |
00:23:50 |
Not exactly. l was having a fencing lesson. |
00:23:52 |
- Liar! |
00:23:54 |
For once, you've no cause to be jealous. |
00:23:56 |
- Prove it. |
00:23:57 |
- Your dearest wish. What is it? |
00:24:01 |
We leave for Paris today. |
00:24:04 |
No. Too sudden a switch. |
00:24:07 |
- No woman. A man. |
00:24:12 |
- As a fiend incarnate. |
00:24:15 |
They call him Perigore of Paris. |
00:24:20 |
Paris. |
00:24:40 |
Where shall we dine tonight? |
00:24:42 |
The Café Jomier |
00:24:49 |
And afterwards? |
00:24:53 |
What do you think? |
00:25:42 |
- Paul, would you throw me my petticoat? |
00:25:46 |
Thank you. |
00:25:49 |
l said throw it. |
00:25:51 |
My dear, after coming here |
00:25:54 |
am l not like your uncle? |
00:25:56 |
- Do you feel like my uncle? |
00:26:00 |
- Lenore is dining with me tonight. |
00:26:03 |
Since this is my first visit, |
00:26:06 |
- Columbine, did you hear that? |
00:26:09 |
- l, for a month... |
00:26:12 |
Charming. |
00:26:13 |
Thank you. l'm so sorry, |
00:26:19 |
Five minutes, my pet. |
00:26:21 |
- Scaramouche. |
00:26:23 |
- So you're the lucky man. |
00:26:26 |
- You remember me? |
00:26:30 |
What's the secret of your success |
00:26:33 |
His mask. They don't know how hideous |
00:26:37 |
Lenore, could you... |
00:26:41 |
Pardon me. |
00:26:46 |
- Your admirers are very fickle. |
00:26:49 |
lndeed. You've come all the way |
00:26:53 |
l'd gladly go farther than that, |
00:26:58 |
No? Then what was it? l'm jealous. |
00:27:00 |
A wedding. |
00:27:04 |
The Marquis de Maynes |
00:27:07 |
Charming girl. His ward. |
00:27:13 |
So, de Maynes is in Paris. |
00:27:15 |
Yes, the happy couple arrived |
00:27:19 |
Au revoir, Columbine. |
00:27:21 |
Some other evening perhaps. |
00:27:24 |
l shall send all Paris to see you. |
00:27:31 |
On second thought... |
00:27:33 |
l'm not in the mood for frog legs. |
00:27:35 |
We'll go to Emile's and have oysters. |
00:27:44 |
l'll get Binet to take you home. |
00:27:47 |
- You know l can't dine with you now. |
00:27:51 |
That's why you hate him, because of her! |
00:27:54 |
No, not because of her. |
00:28:25 |
Enough. You seem to have forgotten |
00:28:29 |
This is no lesson. |
00:28:32 |
He could have run you through |
00:28:34 |
- What time is it? |
00:28:36 |
We still got 30 minutes. Come on. |
00:28:39 |
The head. Fight with the head. |
00:28:56 |
That's enough for today. Go home. |
00:29:01 |
Thank you. |
00:29:03 |
You have a demon in you, this fine day. |
00:29:05 |
Lose it or you'll not live to see another. |
00:29:10 |
Yes, you're right. |
00:29:12 |
Thank you, Perigore. |
00:29:16 |
Pay me tomorrow. |
00:29:32 |
Well? |
00:29:36 |
He may be our man. |
00:29:41 |
- What are you doing here? |
00:29:43 |
l won't shout, and l won't throw things. |
00:29:47 |
but you've just given me |
00:29:49 |
- l thought you were dead. |
00:29:52 |
Don't joke about it. |
00:29:55 |
l'm sorry. Don't joke about it, please. |
00:29:58 |
lt's no joke to me. |
00:30:02 |
l went to de Maynes. The lord was in bed |
00:30:06 |
- Come home now. |
00:30:09 |
Please, Andre. |
00:30:19 |
You never really knew |
00:30:23 |
did you, Lenore? |
00:30:26 |
He was like my younger brother. |
00:30:28 |
l watched him grow up, |
00:30:33 |
Murdered. |
00:30:35 |
lf you'd seen that... |
00:30:38 |
you'd understand why for the last months |
00:30:42 |
De Maynes' death. |
00:30:44 |
An hour from now, |
00:30:47 |
God willing, that desire |
00:30:52 |
l don't like you this way, Andre. |
00:30:56 |
l don't like myself. |
00:31:08 |
l'd like you to wish me luck. |
00:31:10 |
You fool! You'll go to your death. |
00:31:14 |
Then pray for me. |
00:31:41 |
Quiet. |
00:31:44 |
Who are you? What do you mean by |
00:31:47 |
Why should l be interested in Andre? |
00:31:49 |
You must be |
00:31:53 |
l know a dozen Andres: Andre Lebourge, |
00:31:57 |
Andre Moreau. |
00:32:00 |
Andre Moreau? Who is Andre Moreau? |
00:32:05 |
lf you don't know, |
00:32:08 |
Dead? No! |
00:32:12 |
- That's better. |
00:32:15 |
No. He's alive now, |
00:32:19 |
He's waiting in the bois to fight |
00:32:25 |
- Why do you come to me? |
00:32:29 |
You love him. |
00:32:32 |
You do, don't you? |
00:32:39 |
Yes. |
00:32:41 |
Yes, l love him. |
00:32:44 |
He's no use to either of us dead. |
00:32:47 |
Quickly. This way. |
00:33:28 |
Andre, whenever we meet, |
00:33:33 |
l was expecting de Maynes. Where is he? |
00:33:36 |
Not here. l assure you there's no one here |
00:33:41 |
- They told me he rides here at 7:00. |
00:33:45 |
- Shall we ride on a little together? |
00:33:49 |
- You don't care to accompany me? |
00:33:54 |
He won't come. |
00:33:56 |
The Marquis de Maynes is not riding |
00:33:59 |
lf he weren't riding this morning, |
00:34:03 |
Do you love him very much? |
00:34:06 |
You know l've never loved anyone but you |
00:34:10 |
just as you have never loved anyone |
00:34:13 |
- l do not love you, Aline. |
00:34:18 |
Tell me you love someone else, |
00:34:21 |
- l love no one. l have no time for loving. |
00:34:24 |
- l do not. |
00:34:26 |
You told me in the coach. Remember? |
00:34:28 |
- l've said as much to a dozen women. |
00:34:31 |
l fall in love constantly, indiscriminately. |
00:34:33 |
The effect is the same |
00:34:36 |
l don't know what you said to the others. |
00:34:41 |
you loved me. |
00:34:46 |
Aline, listen to me. |
00:34:49 |
l make friends easily. |
00:34:51 |
There is not, and there never could be, |
00:34:55 |
Do you understand? |
00:34:57 |
Ride away and forget |
00:35:00 |
He's already forgotten |
00:35:05 |
Why do you lie to me, Andre? |
00:35:08 |
Why don't you tell me what you feel? |
00:35:14 |
Never mind. |
00:35:16 |
You feel it, and that's all that matters. |
00:35:22 |
l love you. |
00:35:26 |
No matter what you may say or do, |
00:35:32 |
l shall go on loving you always. |
00:35:35 |
Will you remember that? |
00:35:38 |
Always. |
00:36:33 |
- Are you hurt? |
00:36:37 |
l came to ride with you. |
00:36:39 |
And then suddenly... Come. Let's ride. |
00:36:42 |
What, no fear after such a narrow escape? |
00:36:45 |
l like that. But enough for today. |
00:36:48 |
Come, my dear. l'll take you home. |
00:37:07 |
He didn't come. |
00:37:11 |
You've had no breakfast or lunch. |
00:37:15 |
Not for me. l'm not hungry. |
00:37:29 |
Andre Moreau, colleague |
00:37:32 |
wanted for treason |
00:37:34 |
- Who let you in? |
00:37:38 |
l am unarmed. |
00:37:39 |
- Go on your business, or... |
00:37:43 |
l don't doubt it. |
00:37:46 |
- Come on, your name, your business. |
00:37:50 |
By force of circumstance, a deputy |
00:37:53 |
Come to the point. |
00:37:54 |
The newly elected |
00:37:57 |
are being methodically reduced |
00:38:00 |
Only yesterday, Deputy Chambris, |
00:38:04 |
was murdered in a duel, so called. |
00:38:07 |
These things happen. |
00:38:08 |
We want to appoint a new delegate |
00:38:11 |
We need a young man. |
00:38:15 |
Well? |
00:38:20 |
l have no interest in politics, whatsoever. |
00:38:24 |
Yet you were a friend of Marcus Brutus. |
00:38:28 |
ln spite of his fancies, |
00:38:30 |
You believe in liberty. |
00:38:33 |
l also believe in laughter, |
00:38:37 |
Good day, sir. |
00:38:39 |
So, the de Crévy |
00:38:44 |
- A pity. |
00:38:47 |
What was what? |
00:38:50 |
Those names that you said. |
00:38:53 |
de Maynes? |
00:38:55 |
- Noel de Maynes? |
00:38:58 |
You mean that he sits in the assembly? |
00:39:00 |
Naturally. He's a peer of the realm. |
00:39:03 |
- You said you weren't hungry... |
00:39:05 |
l've never been hungrier in my life! |
00:39:09 |
my good friend Dubuque... |
00:39:10 |
by profession a doctor, |
00:39:14 |
On second thought, l realize that l am |
00:39:18 |
and l would be proud to serve |
00:39:23 |
Deputy Designate Moreau |
00:39:27 |
Deputy Dubuque, |
00:39:43 |
The assembly will come to order! |
00:39:54 |
Deputy du Rouge, |
00:40:00 |
Present. |
00:40:01 |
Deputy Chambris, from the Saint-Denis |
00:40:06 |
Mr. President. The deputy |
00:40:10 |
will be absent from this assembly. |
00:40:12 |
Permanently. |
00:40:18 |
Mr. President. May l introduce |
00:40:23 |
Why, yes. |
00:40:45 |
This man is a traitor! Andre Moreau! |
00:40:48 |
- Arrest him! l demand his arrest! |
00:40:54 |
Excuse me, but has not every member |
00:40:57 |
been granted the privilege |
00:41:01 |
Yes. That is true. |
00:41:04 |
Quite in order. |
00:41:07 |
You may take your seat. |
00:41:11 |
You may take your seat, Deputy Moreau. |
00:41:14 |
With the President's permission, l now |
00:41:18 |
to a notorious swordsman |
00:41:21 |
One who in his arrogance and pride... |
00:41:24 |
did not scruple to murder |
00:41:27 |
whose only crime |
00:41:31 |
De Maynes, where are you? |
00:41:37 |
The Marquis de Maynes |
00:41:40 |
having been ordered by Her Majesty |
00:41:44 |
for young ladies of noble birth |
00:41:50 |
Deputy Moreau, you'll take your seat. |
00:41:52 |
The assembly will continue the roll call. |
00:42:02 |
You, Moreau. My name is du Rouge. |
00:42:06 |
How do you do? |
00:42:09 |
Do you hear me? |
00:42:10 |
l dislike your face. |
00:42:12 |
- l not only hear you, l agree with you. |
00:42:18 |
Your cheeks are pale. |
00:42:23 |
That's better. |
00:42:25 |
Moreau, your honor demands satisfaction. |
00:42:29 |
- lt does? |
00:42:31 |
Behind the cathedral. At 6:00? |
00:42:44 |
Deputy Cavalier, |
00:42:48 |
Present. |
00:42:48 |
Deputy Vignon from the Louvre district |
00:42:53 |
Deputy du Rouge, |
00:43:13 |
Moreau! |
00:43:27 |
Mr. President, the deputy from Soissons... |
00:43:30 |
will be absent |
00:43:40 |
And now, perhaps, |
00:43:43 |
from that high-and-mighty lord... |
00:43:46 |
who makes his blade a tool for butchery! |
00:43:49 |
De Maynes! Stand up! |
00:43:52 |
The Marquis de Maynes is absent |
00:43:54 |
having been ordered |
00:43:57 |
to report upon the waterworks |
00:44:03 |
Waterworks. |
00:44:11 |
My name is De Crillons |
00:44:13 |
Your face revolts me. |
00:44:15 |
- Your eyes are pig's eyes, and your ears... |
00:44:19 |
Behind the cathedral at 6:00. |
00:44:26 |
Deputy de Nicolay, |
00:44:29 |
Present. |
00:44:30 |
Deputy De Crillons, |
00:44:35 |
Mr. President, |
00:44:38 |
will be absent from the assembly |
00:44:47 |
Now may l ask, |
00:44:50 |
robs us of the presence |
00:44:53 |
He is absent from the assembly having |
00:44:57 |
to survey |
00:45:00 |
Partridge preserves. |
00:45:10 |
My friend Chabrillaine. l know, my face. |
00:45:14 |
lt reminds you of a bos taurus horrendus. |
00:45:18 |
- What's that? |
00:45:20 |
Behind the cathedral at 6:00. |
00:45:40 |
Moreau? |
00:45:43 |
This morning. l'm lucky to be alive. |
00:45:46 |
- Where can l find him? |
00:45:50 |
but l know where he lives. |
00:45:53 |
l thought you'd be interested. Tomorrow? |
00:45:57 |
Tonight. l shall sleep |
00:46:02 |
Noel? |
00:46:05 |
Well? |
00:46:09 |
- You don't like it. |
00:46:11 |
No, you don't. |
00:46:17 |
- Tonight? |
00:46:19 |
l thought perhaps Souchet's, |
00:46:21 |
- My dear, l'm afraid tonight is impossible. |
00:46:25 |
"The first night l return, we go out," |
00:46:29 |
Not altogether. l'm sorry, |
00:46:32 |
No. First an orphanage, |
00:46:35 |
then some ridiculous peacocks... |
00:46:37 |
- Partridges. |
00:46:39 |
- l don't believe it. |
00:46:42 |
There's a woman behind it, |
00:46:44 |
- Maybe two women. |
00:46:47 |
Just when we were going to be married. |
00:47:02 |
Aline. Please? |
00:47:07 |
lf l promised, l promised. |
00:47:11 |
What are they playing |
00:47:15 |
- Orpheus and Eurydice. |
00:47:20 |
Very depressing. |
00:47:22 |
there's only one answer, |
00:47:25 |
The Ambigüe? |
00:48:42 |
Wait till you see Scaramouche. |
00:48:45 |
Hideous, but hilarious. |
00:49:38 |
You should see him without the mask. |
00:49:40 |
The most magnificently ugly fellow |
00:50:32 |
Ladies and gentlemen, |
00:50:37 |
We have with us |
00:50:41 |
Noel, Marquis de Maynes. |
00:50:53 |
Noel, l feel faint. |
00:50:57 |
Would you take me home, please? |
00:51:02 |
Going so soon, my lord? |
00:51:06 |
l assure you, the best is yet to come. |
00:51:21 |
You may turn your back |
00:51:24 |
but surely you will not run away from... |
00:51:28 |
Andre Moreau. |
00:51:33 |
Scaramouche, you have given |
00:56:00 |
Why don't you come and take it? |
00:58:34 |
lt's only l, Andre. |
00:58:44 |
Are all things clear to souls in paradise? |
00:58:50 |
lf so... |
00:58:52 |
God grant the boy understands |
00:58:57 |
and forgives it. |
00:58:59 |
- l cannot. |
00:59:02 |
Never! |
00:59:04 |
He stood there waiting... |
00:59:07 |
neither asking or expecting mercy. |
00:59:12 |
l could not do it. |
00:59:14 |
l looked into his eyes... |
00:59:19 |
Why? |
00:59:26 |
Before all the saints in heaven, why? |
00:59:32 |
When you were a boy at home... |
00:59:35 |
how many, many times did you ask us: |
00:59:39 |
"Who am l? And how did l come to live... |
00:59:42 |
"in the house of the de Valmorins? |
00:59:45 |
"And if you are not my father... |
00:59:49 |
"tell me, who is?" |
00:59:53 |
l learned the answer months ago. |
00:59:56 |
My father was Armand de Gavrillac. |
00:59:59 |
No. Armand de Gavrillac |
01:00:04 |
Actually, he was covering an indiscretion |
01:00:09 |
who was your real father. |
01:00:14 |
Then who was my father? |
01:00:20 |
You are the natural son |
01:00:25 |
De Maynes, the father of Noel de Maynes... |
01:00:29 |
the man whose life you could not take. |
01:00:32 |
You couldn't kill your own brother. |
01:00:48 |
My brother, Noel! |
01:00:52 |
My tender, loving... |
01:00:58 |
Then she is not... |
01:01:01 |
Not your sister. |
01:01:04 |
- Aline is not... |
01:01:09 |
So now you can feel about her |
01:01:16 |
Yes, l know she loves you. |
01:01:18 |
Not the way l did, |
01:01:23 |
She doesn't listen |
01:01:28 |
And she's the marrying kind... |
01:01:31 |
which somehow l don't seem to be. |
01:01:34 |
l like the Gavrillac girl. She's a lady. |
01:01:39 |
But never mind. l like her. |
01:01:48 |
Be nice to her, Scaramouche. |
01:02:14 |
l said be nice to her, you clod, not to me. |
01:02:18 |
Go on, get out of here. |
01:03:17 |
Beautiful. |
01:04:38 |
English |