|
Scarlet Pimpernel The
|
| 00:00:02 |
[UNLOCKING AND OPENING OF CELL DOOR] |
| 00:00:14 |
THE FORMER DUKE AND DUCHESS DE GRENOBLE. |
| 00:00:17 |
THERE THEY ARE! |
| 00:00:20 |
[MOANS AND CRIES] |
| 00:00:26 |
THE FORMER BISHOP OF ARLES. |
| 00:01:35 |
[THE TUMBREL BRINGS A LOAD |
| 00:01:51 |
[DRUM ROLLS] |
| 00:01:55 |
[SOUND OF GUILLOTINE DROPPING |
| 00:02:07 |
[DRUM ROLLS] |
| 00:02:32 |
OUR FATHER WHO ART IN HEAVEN. |
| 00:02:42 |
DEATH TO THE ARISTOCRATS! |
| 00:02:44 |
[CROWD YELLS] |
| 00:02:46 |
LONG LIVE THE REPUBLIC! |
| 00:02:49 |
LONG LIVE THE REPUBLIC. |
| 00:02:51 |
[DRUM ROLLS] |
| 00:03:21 |
'ERE, WHAT'S THIS? |
| 00:03:24 |
THESE IS EMPTY, CITIZEN. |
| 00:03:27 |
YOU WOULDN'T BEGRUDGE A MAN |
| 00:03:30 |
ALL RIGHT. |
| 00:03:37 |
GIDDAP. |
| 00:03:42 |
THE FORMER COUNT DE BEAULIER, |
| 00:03:45 |
HERE THEY ARE! |
| 00:03:49 |
I BEG OF YOU, MONSIEUR. |
| 00:03:51 |
FEAR NOT, MY SON. |
| 00:03:53 |
IF YOU WILL LOOK AT THE |
| 00:03:55 |
YOUR SPIRITS WILL |
| 00:03:57 |
IT'S NOT FOR MYSELF, |
| 00:03:58 |
BUT MY WIFE, |
| 00:04:02 |
THEY HAVE DONE NOTHING! |
| 00:04:04 |
THEY ARE INNOCENT! |
| 00:04:04 |
INNOCENT? HA! |
| 00:04:07 |
SHOW ME ONE ARISTO |
| 00:04:09 |
AND YOU CAN SPIT IN MY FACE. |
| 00:04:12 |
SURELY THE CHILD |
| 00:04:14 |
EVEN SO, HE WILL LIVE ON... |
| 00:04:19 |
LOOK HERE, MY SON. |
| 00:04:21 |
[MARK OF THE SCARLET PIMPERNEL.] |
| 00:04:23 |
TAKE THEM AWAY! |
| 00:04:26 |
FORMER MARQUIS CETTERAIS. |
| 00:04:28 |
THERE HE IS! |
| 00:04:30 |
WE'VE COME TO HELP YOU. |
| 00:04:32 |
QUICKLY. |
| 00:04:47 |
BE BRAVE |
| 00:04:49 |
HUH! |
| 00:05:47 |
HO THERE! |
| 00:05:47 |
SERGEANT BEAVO. |
| 00:05:49 |
YES SIR. |
| 00:05:50 |
COUNT DE BEAULIER AND HIS FAMILY |
| 00:05:53 |
WE'VE JUST RECEIVED WORD |
| 00:05:55 |
WAS AT LARGE IN THE CITY. |
| 00:05:56 |
COULD BE HE'LL TRY TO |
| 00:05:58 |
BY WAY OF THIS, |
| 00:06:01 |
BE ON THE ALERT, |
| 00:06:04 |
ALL RIGHT, LADS. |
| 00:06:05 |
SEARCH EVERY |
| 00:06:14 |
ALL RIGHT, LET'S SEE |
| 00:06:16 |
OH, EVERYTHING IN |
| 00:06:19 |
LET ME SEE |
| 00:06:21 |
WHAT, OPEN THE COFFINS? |
| 00:06:23 |
YOU HEARD ME. |
| 00:06:25 |
ALL RIGHT. |
| 00:06:26 |
YEAH! |
| 00:06:33 |
BEST BE WARNED, SERGEANT, AYE. |
| 00:06:35 |
MADAME LE GUILLOTINE'S |
| 00:06:38 |
UH..SEE FOR YOURSELF. |
| 00:06:40 |
IF YOU GOT THE STOMACH. |
| 00:06:44 |
[LAUGHTER] |
| 00:06:45 |
TAKE IT BACK. |
| 00:06:46 |
WHAT'S THE MATTER, SERGEANT. |
| 00:06:48 |
GET OUT OF HERE. |
| 00:06:50 |
THE OTHER TWO |
| 00:06:52 |
GET OUT OF HERE. |
| 00:06:53 |
AW RIGHT, AW RIGHT. |
| 00:06:54 |
YOU DON'T KNOW |
| 00:06:55 |
GET OUT! |
| 00:06:56 |
NOW, NOW. |
| 00:06:57 |
OPEN THE GATES. |
| 00:07:00 |
WHAT ARE YOU |
| 00:07:22 |
[WHISTLES] |
| 00:08:09 |
MY DARLING. |
| 00:08:16 |
WHO IS THIS MAN |
| 00:08:18 |
THAT, SIR, IS THE |
| 00:08:29 |
WITHIN THE HOUR, |
| 00:08:30 |
THIS COUNTRYSIDE WILL |
| 00:08:33 |
GOD WILLING, YOU'LL |
| 00:08:35 |
BEFORE THEY CAN |
| 00:08:36 |
DO YOU KNOW THE RENDEZVOUS? |
| 00:08:37 |
UNCHANGED? |
| 00:08:38 |
UNCHANGED. |
| 00:08:41 |
MY SHIP WILL BE WAITING |
| 00:08:42 |
NOW, GO QUICKLY. |
| 00:08:44 |
GOD'S SPEED. |
| 00:08:46 |
AND WHAT ABOUT YOU, PERCY? |
| 00:08:47 |
I'M BACK TO PARIS. |
| 00:08:48 |
BUT I SHALL |
| 00:08:50 |
RIGHT. |
| 00:08:59 |
'THE SCARLET PIMPERNEL, |
| 00:09:06 |
'THEY SEEK HIM HERE. |
| 00:09:08 |
'THEY SEEK HIM THERE. |
| 00:09:10 |
'THOSE FRENCHIES SEEK HIM EVERYWHERE. |
| 00:09:15 |
'IS HE IN HEAVEN? |
| 00:09:17 |
'OR IS HE IN HELL? |
| 00:09:19 |
'THAT DAMNED, |
| 00:09:20 |
'ELUSIVE |
| 00:09:21 |
'PIMPERNEL.' |
| 00:09:23 |
[LAUGHTER AND CLAPPING] |
| 00:09:24 |
OH, DO TELL US MORE ABOUT |
| 00:09:28 |
ALL PARIS IS TALKING |
| 00:09:30 |
NOTHING MORE TO TELL, |
| 00:09:32 |
EXCEPT, THAT HE AND HIS |
| 00:09:35 |
HAVE SWORN TO SAVE |
| 00:09:38 |
FROM MADAME LE GUILLOTINE. |
| 00:09:41 |
AT LEAST TELL US |
| 00:09:43 |
SINK ME, MADEMOISELLE, IF I KNEW THAT |
| 00:09:47 |
THAT |
| 00:09:48 |
WOULD SEEM TO BE |
| 00:09:50 |
THE MYSTERY. |
| 00:09:51 |
WHAT EXACTLY IS A SCARLET |
| 00:09:54 |
NOTHING MORE THAN A |
| 00:09:57 |
RATHER COMMON |
| 00:09:59 |
STILL, WHAT'S IN NAME? |
| 00:10:00 |
SURELY THE DEEDS OF A MAN |
| 00:10:03 |
I ONLY WISH THERE |
| 00:10:05 |
ODDS FISH, MY DEAR, |
| 00:10:08 |
THE FELLOW'S ALREADY MADE |
| 00:10:10 |
FOR THE REST OF US. |
| 00:10:11 |
INCONVENIENT? |
| 00:10:12 |
WHY, YES INDEED MA'AM. |
| 00:10:14 |
BECAUSE OF THIS |
| 00:10:16 |
YOUR REVOLUTIONARY GUARDS |
| 00:10:18 |
WHO LOOKS, OR EVEN SOUNDS, |
| 00:10:21 |
SINK ME... |
| 00:10:22 |
THIS WHOLE REVOLUTION OF YOURS |
| 00:10:25 |
PLEASE, DON'T CREDIT US |
| 00:10:27 |
THE REVOLUTION, ITSELF, MAY HAVE |
| 00:10:31 |
THIS... |
| 00:10:32 |
YET, WE DID BRING |
| 00:10:35 |
WE, THE FRENCH ARISTOCRACY, |
| 00:10:37 |
WITH ALL OUR ARROGANCE |
| 00:10:39 |
I FEEL MY DAUGHTER DOES |
| 00:10:42 |
MOST OF US ARE DECENT MEN,... |
| 00:10:45 |
IT IS ONLY A FEW, WHO ARE |
| 00:10:48 |
YET, THE INNOCENT ARE BEING |
| 00:10:50 |
THERE'S NO REASON |
| 00:10:53 |
OUR WORLD IS TOPSY-TURVY, |
| 00:10:55 |
THEN WHY DO WE |
| 00:10:57 |
AND PRETEND NOTHING |
| 00:10:58 |
WHILE BRAVE MEN, LIKE THIS |
| 00:11:01 |
DO OUR WORK FOR US. |
| 00:11:03 |
ONLY TODAY, FOR EXAMPLE, |
| 00:11:04 |
OUR FRIENDS, THE COUNT |
| 00:11:07 |
AS WELL AS THEIR ONLY SON... |
| 00:11:09 |
NO,...NOT THE BEAULIEUS... |
| 00:11:11 |
CALM YOURSELF, MY DEAR, |
| 00:11:12 |
ALL THREE WERE SPARED |
| 00:11:15 |
THANKS TO THE |
| 00:11:16 |
OH, THANK HEAVENS. |
| 00:11:18 |
GOD BLESS THIS SCARLET PIMPERNEL, |
| 00:11:21 |
SURELY, HE MUST BE AN |
| 00:11:25 |
AMEN. |
| 00:11:39 |
PULL-UP, OVER THERE. |
| 00:11:43 |
[SOUND OF FIGHTING] |
| 00:11:46 |
MY DEAR, MARQUIS, CONSIDER |
| 00:11:48 |
DON'T YOU THINK YOUR |
| 00:11:52 |
THAT REVOLUTIONARY SEDUCED |
| 00:11:56 |
DRIVE ON. |
| 00:11:59 |
[FIGHTING CONTINUES] |
| 00:12:02 |
I SAY. |
| 00:12:04 |
AHHHH. |
| 00:12:07 |
UH. |
| 00:12:14 |
HA, HA. |
| 00:12:19 |
IT WOULD SEEM YOUR FRIEND |
| 00:12:23 |
TO THE RESCUE. |
| 00:12:30 |
YOURS, I BELIEVE. |
| 00:12:34 |
MY DEAR CHAP. |
| 00:12:35 |
UGH. |
| 00:12:37 |
A LITTLE COGNAC, I THINK |
| 00:12:39 |
'I CALL UPON YOU NOW |
| 00:12:41 |
'REVENGE MY WRONG. |
| 00:12:43 |
'YOUR FAVORS WILL BE MEASURED |
| 00:12:47 |
'BY YOUR RAGE.' |
| 00:12:49 |
[CHEERING AND APPLAUSE] |
| 00:13:01 |
MARGUERITE, MARGUERITE, |
| 00:13:05 |
HURT? |
| 00:13:05 |
THERE'S A MAN OUTSIDE |
| 00:13:06 |
HE WANTS US |
| 00:13:07 |
WHAT CAN WE DO? |
| 00:13:08 |
WE MUST GO |
| 00:13:10 |
WHAT ABOUT |
| 00:13:12 |
MY DEAR, LOUISE, |
| 00:13:13 |
THIS IS THE CHANCE EVERY |
| 00:13:16 |
NO, I CAN'T. |
| 00:13:19 |
YOU'LL BE SUPERB. |
| 00:13:20 |
BUT NOT TOO SUPERB, |
| 00:13:22 |
WHY CAN'T YOU-? |
| 00:13:24 |
NOW, TO ARMAND. |
| 00:13:25 |
MARGUERITE! |
| 00:13:41 |
MY POOR, ARMAND! |
| 00:13:43 |
WHAT HAPPENED TO YOU? |
| 00:13:45 |
TWO MEN, |
| 00:13:47 |
IF IT HADN'T BEEN |
| 00:13:51 |
MY BROTHER AND I ARE |
| 00:13:55 |
MONSIEUR? |
| 00:13:59 |
SIR PERCY BLAKENEY, MADEMOISELLE. |
| 00:14:09 |
ALTHOUGH, ANYONE WOULD |
| 00:14:15 |
IF YOU THINK THAT, MONSIEUR, |
| 00:14:17 |
YOU DO NOT KNOW |
| 00:14:22 |
WHO WERE THESE MEN |
| 00:14:25 |
THEY WERE SENT BY |
| 00:14:28 |
I RECOGNIZED HIS CARRIAGE. |
| 00:14:30 |
NO DOUBT, TO TEACH |
| 00:14:34 |
I THOUGHT IT MIGHT BE THIS. |
| 00:14:35 |
ONE DAY, I WILL REPAY |
| 00:14:41 |
COME, MY DARLING, WE'LL |
| 00:14:42 |
DO YOU THINK YOU CAN? |
| 00:14:43 |
THANK YOU. |
| 00:14:44 |
I'M QUITE ALL RIGHT, NOW. |
| 00:14:51 |
RATHER A HARSH LESSON. |
| 00:14:54 |
I TRUST THE OFFENCE |
| 00:14:59 |
MY BROTHER IS YOUNG |
| 00:15:01 |
AND HOT-BLOODED, MONSIEUR. |
| 00:15:04 |
HIS HEART TOO OFTEN |
| 00:15:08 |
I FEAR HE HAD THE IMPUDENCE |
| 00:15:10 |
TO FALL IN LOVE WITH ST. CYR'S DAUGHTER. |
| 00:15:12 |
IS LOVE, TOO, A CRIME |
| 00:15:16 |
ONLY, IF THE LADY |
| 00:15:20 |
WHOSE FATHER INSOLENTLY THINKS THAT |
| 00:15:23 |
THE SAME AIR |
| 00:15:25 |
IF YOU WILL EXCUSE ME, |
| 00:15:28 |
WAIT! |
| 00:15:31 |
WHEN WILL I |
| 00:15:34 |
MY BROTHER AND I |
| 00:15:36 |
ARE HAVING A SMALL |
| 00:15:38 |
IN THE RUE DO VICHELIEU |
| 00:15:39 |
SUNDAY NEXT- |
| 00:15:44 |
FOR SUCH AND INITIATION, |
| 00:15:47 |
I SHALL MAKE...MYSELF FREE. |
| 00:15:50 |
SUNDAY, NEXT, THEN. |
| 00:15:53 |
NUMBER 27. |
| 00:16:04 |
CONGRATULATIONS. |
| 00:16:08 |
CONGRATULATIONS, MY DEAR. |
| 00:16:09 |
YOU PLAYED A GREAT SUCCESS, |
| 00:16:11 |
SOLD OUT EVERY NIGHT. |
| 00:16:12 |
ISN'T IT AMAZING. |
| 00:16:13 |
OH, NONSENSE. |
| 00:16:14 |
ALL KINDS ADORE YOU. |
| 00:16:16 |
MY DEAR, HAVEN'T |
| 00:16:18 |
NEWS? |
| 00:16:19 |
EVERYBODY'S TALKING |
| 00:16:20 |
THERE WERE OVER 20 EXECUTIONS |
| 00:16:24 |
TWENTY-THREE, |
| 00:16:27 |
PAUL! |
| 00:16:28 |
MY DEAR, I'VE ONLY JUST BEEN |
| 00:16:32 |
OH. |
| 00:16:33 |
YOU LOOK SO TIRED. |
| 00:16:35 |
COME, LET'S HAVE |
| 00:16:37 |
[LAUGHTER] |
| 00:16:39 |
YOU SAY THERE WERE 23 |
| 00:16:41 |
TO BE PRECISE, |
| 00:16:42 |
AND THERE WILL |
| 00:16:44 |
UNTIL THE COMMITTEE |
| 00:16:46 |
OF THE LAST |
| 00:16:48 |
NOT ANOTHER SPEECH, |
| 00:16:51 |
THIS IS WHAT I HAVE |
| 00:16:54 |
ALL DAY? |
| 00:16:55 |
I'M AFRAID SO. |
| 00:16:56 |
THIS YOUNG IDEALIST HAS |
| 00:16:59 |
SO HE HAS NO CHOICE. |
| 00:17:01 |
YOU MUST BE |
| 00:17:03 |
CHIEF AGENT FOR THE |
| 00:17:04 |
AT YOUR SERVICE. |
| 00:17:06 |
MADEMOISELLE...? |
| 00:17:07 |
YOU HAVE THE HONOR |
| 00:17:09 |
LA CHANTESS. |
| 00:17:11 |
BUT, OF COURSE. |
| 00:17:12 |
YOU'RE MARGUERITE'S |
| 00:17:14 |
I GATHER YOU'RE RESPONSIBLE |
| 00:17:17 |
OF ALL THESE... |
| 00:17:20 |
THAT IS A SMALL PART |
| 00:17:22 |
THE OTHER IS MAKING LONG, |
| 00:17:24 |
AT SOCIAL FUNCTIONS |
| 00:17:26 |
WELL, NOW YOU WILL HAVE |
| 00:17:28 |
HOW TO MAKE |
| 00:17:31 |
VERY WELL, JUST FOR THIS ONCE, |
| 00:17:34 |
PATRIOTIC ZEAL, AND CONFINE MYSELF |
| 00:17:39 |
THE REPUBLIC! |
| 00:17:40 |
[ALL] |
| 00:17:46 |
SEEMS THE BARON DE BATZ DOES NOT |
| 00:17:52 |
PERHAPS HE IS NOT A FRIEND OF... |
| 00:17:55 |
OH, ON THE CONTRARY, |
| 00:17:57 |
I MAY BE AN AUSTRIAN, |
| 00:17:59 |
AND ARISTOCRAT BY BIRTH, |
| 00:18:01 |
BUT I CAN ASSURE YOU |
| 00:18:03 |
A VERY GOOD FRIEND |
| 00:18:05 |
I BELIEVE, RATHER, THAT |
| 00:18:09 |
WILLING TO SELL HIS ALLEGIANCE |
| 00:18:11 |
IT WOULD APPEAR, MADEMOISELLE, |
| 00:18:13 |
THIS EVENING IS GIVING YOU |
| 00:18:17 |
FURTHER EMBARRASSMENT, |
| 00:18:25 |
THIS JUST SHOWS HOW |
| 00:18:28 |
WE HAVE TO ROOT OUT |
| 00:18:30 |
WE NEVER KNOW WHERE |
| 00:18:32 |
BUT, IF BLOOD HAS TO |
| 00:18:36 |
REGRETS IT MORE THAN I DO. |
| 00:18:40 |
"THE DAUPHIN IS TO BE HELD |
| 00:18:45 |
AH, THERE YOU ARE. |
| 00:18:47 |
HOW COULD YOU BE SO RUDE? |
| 00:18:48 |
TO DE BATZ? |
| 00:18:49 |
HE WAS A GUEST |
| 00:18:51 |
AN UNWORTHY GUEST. |
| 00:18:52 |
THE MAN IS SUSPECTED |
| 00:18:54 |
TO THE AUSTRIAN |
| 00:18:55 |
AND WHY HAVEN'T |
| 00:18:57 |
BECAUSE, MY DEAR, HE ALSO |
| 00:19:00 |
ABOUT THE AUSTRIANS, |
| 00:19:02 |
YOU'VE EXECUTED |
| 00:19:03 |
REVOLUTIONS ARE |
| 00:19:05 |
THIS BRIEF REIGN OF TERROR, |
| 00:19:11 |
AND TAKE US |
| 00:19:14 |
BE CAREFUL WHERE IT |
| 00:19:17 |
TO A NEW ORDER. |
| 00:19:20 |
AND WE WILL BE |
| 00:19:22 |
YOU AND I. JUST AS |
| 00:19:25 |
AND THEN I WILL |
| 00:19:27 |
AND THE FUTURE |
| 00:19:33 |
SIR PERCY! |
| 00:19:35 |
LORD, MADEMOISELLE, |
| 00:19:38 |
MORE BEAUTIFUL, THAN I RECALL. |
| 00:19:43 |
IF THAT IS POSSIBLE. |
| 00:19:47 |
PAUL, THIS IS THE GENTLEMAN |
| 00:19:49 |
PAUL CHAUVELIN, CHIEF AGENT |
| 00:19:53 |
SIR PERCY BLAKENEY. |
| 00:19:57 |
IT IS A PLEASURE... |
| 00:19:59 |
THE PLEASURE, I CAN |
| 00:20:05 |
MONSEWER. |
| 00:20:07 |
HA, HA, HA. |
| 00:20:08 |
I MUST APOLOGIZE |
| 00:20:11 |
'TWAS NEXT TO IMPOSSIBLE, |
| 00:20:13 |
SINK ME, IF EVERYONE ISN'T |
| 00:20:17 |
THAT NO ONE WANTS TO DO |
| 00:20:22 |
I TAKE IT, SIR, THAT YOU DO NOT |
| 00:20:25 |
APPROVAL, SIR, IN MY OPINION, |
| 00:20:32 |
AND IN THAT SENSE, |
| 00:20:34 |
THE CHARM OF YOUR SOCIETY. |
| 00:20:36 |
FAITH, FOR ONE THING, |
| 00:20:39 |
ILL-DRESSED FOR |
| 00:20:41 |
EVEN A NEW ONE. |
| 00:20:43 |
SINK ME, YOUR TAILORS |
| 00:20:45 |
BETRAYED US? WE PRIDE OURSELVES |
| 00:20:49 |
ODDS FISH, MY DEAR FELLOW, |
| 00:20:52 |
WOULD NOT BE TOLERATED IN |
| 00:20:55 |
LOOK YOU HERE, SIR, |
| 00:20:58 |
I ASK YOU! |
| 00:21:00 |
OR THE SORRY CUT |
| 00:21:03 |
NO, NO, NO. |
| 00:21:06 |
OF THE SAD STATE |
| 00:21:08 |
SINK ME, I CAN HARDLY BRING |
| 00:21:11 |
NO, NO, NO, SIR. |
| 00:21:12 |
IF THIS IS THE BEST |
| 00:21:14 |
'TWOULD SERVE YOU BETTER |
| 00:21:18 |
WE WILL SEND |
| 00:21:20 |
AND EXALT OUR TAILORS. |
| 00:21:22 |
MORE'S THE PITY. |
| 00:21:24 |
THEN YOUR TAILORS |
| 00:21:26 |
AND NO ONE WILL |
| 00:21:29 |
SO MUCH FOR |
| 00:21:32 |
AND FRENCH POLITICS. |
| 00:21:35 |
WHAT IS IT YOU FRENCHIES SAY? |
| 00:21:38 |
TWO-SHAY..., |
| 00:21:39 |
YOU SEE, I'M A BIT OF A POET, |
| 00:21:43 |
WHAT? |
| 00:21:46 |
WELL, IT HAS BEEN MOST |
| 00:21:48 |
BUT, IF YOU WILL EXCUSE ME, |
| 00:21:52 |
MARGUERITE, MY DEAR. |
| 00:21:56 |
YOU REALLY MUSTNT TEASE |
| 00:21:59 |
HE'S VERY POWERFUL |
| 00:22:01 |
ALREADY, HE'S ROBESPIERRE'S |
| 00:22:04 |
THE ONLY POWER THAT I |
| 00:22:08 |
IS THE POWER... |
| 00:22:13 |
BEAUTY IS IN THE EYE |
| 00:22:20 |
THIS BEHOLDER... |
| 00:22:25 |
IF I WERE TO TELL YOU |
| 00:22:27 |
WOULD YOU HAVE ME |
| 00:22:31 |
ADORE ME? |
| 00:22:36 |
OR WOULD YOU HAVE |
| 00:22:38 |
WITH ALL MY HEART. |
| 00:22:40 |
BUT YOU CAN'T BE SERIOUS. |
| 00:22:42 |
EXACTLY SO. |
| 00:22:44 |
WHICH IS WHY I |
| 00:22:46 |
YOU MUST TELL ME |
| 00:22:48 |
IN EVERY DETAIL. |
| 00:22:50 |
BUT EVER SO SLOWLY. |
| 00:22:51 |
SO VERY SLOWLY. |
| 00:22:54 |
SO THAT IT TAKES A VERY... |
| 00:22:58 |
I DON'T KNOW WHETHER |
| 00:23:00 |
DESPERATELY IN LOVE. |
| 00:23:01 |
'TIS ALL THE SAME. |
| 00:23:03 |
TELL ME IF YOU CAN... |
| 00:23:08 |
PLEASE... |
| 00:23:12 |
MY HEART... |
| 00:23:39 |
GOOD MORNING, CITIZEN |
| 00:23:41 |
THANK YOU, ST. CYR. |
| 00:23:44 |
CHAUVELIN. |
| 00:23:46 |
THE REPORT INFORMS ME, |
| 00:23:48 |
TO RESCUE THE ROYAL FAMILY, |
| 00:23:51 |
DAUPHIN, HEIR TO THE THRONE. |
| 00:23:53 |
I SHALL SEE TO IT THAT |
| 00:23:55 |
AND ANOTHER THING, THERE IS |
| 00:23:58 |
IN PARTICULAR WHO CONTINUES |
| 00:24:01 |
MORE DANGEROUS THAN ALL THE |
| 00:24:05 |
WITH ALL DUE RESPECT, CITIZEN, |
| 00:24:08 |
A HANDFUL FROM THE GUILLOTINE, |
| 00:24:11 |
SURELY, WE OVERESTIMATE |
| 00:24:13 |
ON THE CONTRARY, UNCHECKED |
| 00:24:16 |
UNDERMINE THE REVOLUTION ITSELF. |
| 00:24:17 |
UNDERMINE THE REVOLUTION? |
| 00:24:18 |
BY RAISING THE HOPES OF |
| 00:24:21 |
TO OVERTHROW THE REPUBLIC |
| 00:24:23 |
SO YOU SEE, CHAUVELIN, |
| 00:24:26 |
ENGLISHMAN REMAINS AT LARGE |
| 00:24:28 |
NEEDLESS TO SAY, THE MAN |
| 00:24:30 |
WILL EARN THE GRATITUDE |
| 00:24:32 |
NOT TO MENTION, A SEAT |
| 00:24:36 |
HE MUST BE STOPPED, CHAUVELIN. |
| 00:24:38 |
I SHALL SEE TO IT |
| 00:24:46 |
HOW IS OUT YOUNG FRIEND, |
| 00:24:51 |
A BIT HEADSTRONG, PERHAPS, |
| 00:24:56 |
HUH, HUH, HUH. |
| 00:24:59 |
[CLOCK CHIMES] |
| 00:25:09 |
"YOU CAN INFORM YOUR PEOPLE, |
| 00:25:12 |
HELD PRISONER IN THE TEMPLE. |
| 00:25:14 |
SIR PERCY BLAKENEY, |
| 00:25:16 |
PLEASE, SHOW HIM IN, ANNETTE. |
| 00:25:27 |
UH, FORGIVE ME... |
| 00:25:30 |
YOUR NOTE DID SAY ELEVEN. |
| 00:25:33 |
I HAD A DEVIL |
| 00:25:35 |
FINDING A SUITABLE BASKET. |
| 00:25:41 |
A SUITABLE...BASKET? |
| 00:25:43 |
HMM. |
| 00:25:46 |
I THOUGHT...A PICNIC. |
| 00:25:52 |
PERCY! |
| 00:26:10 |
PAPERS. |
| 00:26:13 |
PAPERS..IF YOU PLEASE. |
| 00:26:15 |
SINK ME. |
| 00:26:17 |
SURELY YOU RECOGNIZE THE MOST |
| 00:26:23 |
A MAN WOULD HAVE TO BE |
| 00:26:25 |
MADEMOISELLE MARGUERITE ST. JUST. |
| 00:26:28 |
YOU THERE! |
| 00:27:53 |
CAREFUL NOW. |
| 00:27:55 |
UGH! |
| 00:27:56 |
ARE YOU ALL RIGHT, NOW? |
| 00:27:58 |
YES, INDEED, MANY THANKS. |
| 00:28:37 |
DAMN THE SCARLET PIMPERNEL! |
| 00:28:39 |
NOW HE'S MADE OFF |
| 00:28:41 |
HE HAS PROVED MOST ELUSIVE, |
| 00:28:45 |
A MAN OF MANY DISGUISES, |
| 00:28:48 |
THAT THERE IS ONLY |
| 00:28:50 |
HOW TO YOU PROPOSE TO FIND |
| 00:28:55 |
BY SIMPLE DEDUCTION, PONCEAU. |
| 00:29:00 |
MANAGES TO PASS |
| 00:29:03 |
IT FOLLOWS, THEREFORE, |
| 00:29:06 |
BROUGHT UP BY FRENCH GOVERNESSES, |
| 00:29:09 |
AND PERHAPS EVEN EDUCATED |
| 00:29:13 |
IN A WORD, THE MAN IS |
| 00:29:16 |
AND THAT WOULD EXPLAIN |
| 00:29:18 |
NARROW THE FIELD CONSIDERABLY. |
| 00:29:21 |
I BELIEVE THAT WE WILL SHALL FIND HIM |
| 00:29:26 |
AND THAT IS WHERE I PROPOSE |
| 00:29:30 |
HE DOES HAVE A POINT, PONCEAU. |
| 00:29:33 |
WHILE HE'S IN FRANCE, |
| 00:29:36 |
BUT IN HIS OWN BACKYARD, UM? |
| 00:29:41 |
WE SHALL HAVE YOU APPOINTED |
| 00:29:45 |
AS SOON AS POSSIBLE. |
| 00:29:47 |
I AM DEEPLY HONORED, CITIZEN. |
| 00:29:51 |
WOULD IT NOT BE ADVISABLE |
| 00:29:54 |
OF SOMEONE WHO IS ALREADY |
| 00:29:57 |
SOMEONE, WHOM THEY TRUST. |
| 00:30:01 |
I SUSPECT YOU ALREADY |
| 00:30:03 |
MIGHT I SUGGEST THE MAN |
| 00:30:06 |
DEPOSED KING AS AMBASSADOR |
| 00:30:08 |
I LIKE YOUR SENSE OF IRONY, CHAUVELIN. |
| 00:30:11 |
BY ALL MEANS. THE COUNT DE TOURNEY |
| 00:30:15 |
SEND YOUNG ARMAND ST. JUSTE |
| 00:30:19 |
YOU MUST NOT GO, HENRI. |
| 00:30:20 |
I ASSURE YOU, MADAME, CITIZEN |
| 00:30:23 |
CONSULT WITH YOU HUSBAND |
| 00:30:25 |
ROBESPIERRE? |
| 00:30:29 |
YOU HAVE KNOWN ME |
| 00:30:31 |
I GIVE YOU MY WORD, |
| 00:30:34 |
WELL, THERE. YOU SEE, MAMA? |
| 00:30:41 |
I SHALL BE BACK |
| 00:30:49 |
DEATH, |
| 00:30:55 |
WILL GIVE BACK TO THE SUN |
| 00:31:06 |
[APPLAUSE, CHEERING] |
| 00:31:13 |
PERCY? |
| 00:31:19 |
PERCY. |
| 00:31:33 |
'MY BELOVED, I'VE HAD TO |
| 00:31:37 |
'FORGIVE ME, I DID NOT HAVE |
| 00:31:40 |
'YOUR OWN, PERCY.' |
| 00:31:55 |
SPY? |
| 00:31:57 |
ON MY FORMER ASSOCIATES, FRIENDS? |
| 00:31:59 |
YOU STILL REFUSE? |
| 00:32:01 |
MOST EMPHATICALLY. |
| 00:32:03 |
YOU MUST BE MAD. |
| 00:32:04 |
TAKE HIM TO THE TEMPLE. |
| 00:32:06 |
PERHAPS SOME TIME IN PRISON |
| 00:32:17 |
ANDREW, DO YOU WANT |
| 00:32:20 |
ANDREW! |
| 00:32:21 |
RIGHT! |
| 00:32:22 |
A HUNDRED GUINEAS! |
| 00:32:24 |
YOU'LL NEVER BEAT HIM! |
| 00:32:25 |
WELL, HANG ON TO ME TAIL! |
| 00:32:27 |
SEE IF YOU CAN CATCH HIM! |
| 00:32:28 |
JUST YOU WAIT! |
| 00:32:30 |
MY GOODNESS, THOUGH, |
| 00:32:31 |
YOU'VE BEEN A GOOD |
| 00:32:34 |
YOU'RE DAMNED RIGHT. |
| 00:32:35 |
YOU OWE ME, OLD CHAP. |
| 00:32:36 |
HEY, PERCY. |
| 00:32:40 |
THERE ISN'T AN ENGLISHMAN |
| 00:32:42 |
TO JOIN THE LEAGUE |
| 00:32:44 |
THAT MAY BE, MY FRIEND, |
| 00:32:47 |
THE GREATER THE RISK |
| 00:32:49 |
NO, NO, MY FRIENDS, IF WE |
| 00:32:52 |
WE MUST MAINTAIN |
| 00:32:56 |
MASK OUR IDENTITIES. |
| 00:32:59 |
EVEN IF IT MEANS SUFFERING |
| 00:33:02 |
BEING TAKEN FOR FOOLS, |
| 00:33:04 |
FOPS, |
| 00:33:06 |
NITWITS, |
| 00:33:08 |
EVEN COWARDS. |
| 00:33:09 |
UMM. THAT'S THE EASY PART. |
| 00:33:11 |
TO BOAST ABOUT OUR EXPLOITS |
| 00:33:14 |
[LAUGHTER] |
| 00:33:21 |
TIMMY. |
| 00:33:24 |
WHAT IS IT, MY DEAR FELLOW? |
| 00:33:30 |
WELL, COME ON, |
| 00:33:34 |
LOUIS THE SIXTEENTH |
| 00:33:40 |
THE QUEEN? |
| 00:33:43 |
DOOMED TO FOLLOW |
| 00:33:45 |
WHAT NEWS OF THE |
| 00:33:46 |
THE HEIR TO THE THRONE HAS |
| 00:33:52 |
AND THERE'S MORE. |
| 00:33:55 |
YOUR FRIEND THE COUNT DE TOURNEY HAS ALSO |
| 00:33:59 |
HIS FAMILY? |
| 00:34:02 |
THEY'RE STILL SAFE |
| 00:34:08 |
THEN THERE'S NO |
| 00:34:10 |
ANDREW, I WANT YOU TO SET UP |
| 00:34:13 |
WE LEAVE FOR PARIS AT ONCE. |
| 00:34:25 |
DELIVER THIS TO THE CAPTAIN |
| 00:34:27 |
IN THE PLACE DE LA GREVE. |
| 00:34:29 |
YES, SIR. |
| 00:34:30 |
CAN'T YOU SEE |
| 00:34:31 |
YOU HAVE ARRESTED |
| 00:34:33 |
I HAVE. |
| 00:34:35 |
ON THE ORDERS OF |
| 00:34:37 |
I GAVE MY WORD OF HONOR. |
| 00:34:40 |
MAY I REMIND YOU, THAT YOUR |
| 00:34:43 |
AND NOT TO THE COUNT DE TOURNEY |
| 00:34:46 |
YOU MAY GO. |
| 00:34:52 |
[DOOR CLOSES] |
| 00:34:53 |
MY DEAR ARMAND. |
| 00:34:55 |
SUCH SENTIMENTS, ESPECIALLY |
| 00:34:57 |
COULD BE EASILY MISINTERPRETED. |
| 00:34:59 |
YOU USED ME. |
| 00:35:01 |
YES, AND AS LONG AS YOU ARE |
| 00:35:04 |
I SHALL CONTINUE TO USE YOU. |
| 00:35:05 |
NOW, BOY, DELIVER THIS, TO THE CAPTAIN |
| 00:35:08 |
IN CHARGE OF EXECUTIONS |
| 00:35:16 |
[DOOR CLOSES] |
| 00:35:18 |
[DRUMS ROLL] |
| 00:35:22 |
[DRUMS CONTINUE TO ROLL] |
| 00:35:29 |
[GUILLOTINE FALLS] |
| 00:35:30 |
[CROWD CHEERS] |
| 00:35:46 |
[DEATH TO THE ARISTOS] |
| 00:35:48 |
[LONG LIVE THE REPUBLIC] |
| 00:35:55 |
SIR! |
| 00:36:01 |
CAPTAIN. |
| 00:36:10 |
'MUST HAVE MORE EXECUTIONS, |
| 00:36:14 |
YOU CAN TELL CITIZEN CHAUVELIN, |
| 00:36:18 |
HE'S QUITE WELCOME TO COME |
| 00:36:21 |
MIGHT DO HIM GOOD. |
| 00:36:23 |
ON THOSE LILY WHITE |
| 00:36:24 |
AH! |
| 00:36:26 |
IN THE NAME OF GOD, |
| 00:36:28 |
I SWEAR I'VE DONE |
| 00:36:31 |
SAVE YOUR BREATH, MADEMOISELLE, |
| 00:36:35 |
[SPIT!] |
| 00:36:37 |
MAY GOD HAVE MERCY ON YOUR SOUL, MONSIEUR. |
| 00:36:52 |
[SCREAM] |
| 00:36:53 |
WHAT IS IT? |
| 00:36:58 |
A HIDEOUS DREAM. |
| 00:36:59 |
[GASP] |
| 00:37:02 |
NO, IT'S MARGUERITE. |
| 00:37:03 |
IT WAS SHE THEY HAD |
| 00:37:06 |
IT WAS HER WHEN I |
| 00:37:08 |
OH, GOD. OH MY GOD. |
| 00:37:14 |
'YOU CAN INFORM YOUR PEOPLE THAT |
| 00:37:17 |
'PRISONER IN THE TEMPLE. |
| 00:37:20 |
[APPLAUSE FOR MARGUERITE] |
| 00:37:25 |
MY DARLING! |
| 00:37:26 |
MARGUERITE, MY DEAREST. |
| 00:37:29 |
PAUL! |
| 00:37:31 |
WHAT IS IT, MY DEAR. |
| 00:37:33 |
SEEN A GHOST? |
| 00:37:34 |
IT'S JUST YOU TOOK |
| 00:37:38 |
WHAT IS THAT YOU'RE |
| 00:37:41 |
I MIGHT ASK YOU THE SAME. |
| 00:37:44 |
YOU HAVE NOT RIGHT TO PRY |
| 00:37:46 |
EVEN WHEN THOSE PERSONAL |
| 00:37:49 |
TREASON? |
| 00:37:51 |
SURELY, YOU DON'T THINK |
| 00:37:55 |
PAUL... |
| 00:37:56 |
I SWEAR I HAPPENED UPON |
| 00:37:59 |
WHY DIDN'T YOU COME |
| 00:38:02 |
I DIDN'T KNOW WHAT TO DO. |
| 00:38:05 |
I THINK I WANTED TO BE SURE |
| 00:38:07 |
BEFORE I DID ANYTHING SO DRASTIC. |
| 00:38:09 |
DRASTIC? |
| 00:38:11 |
AS REPORT IT TO |
| 00:38:12 |
[LAUGHING] MY DARLING MARGUERITE, |
| 00:38:16 |
I'M THE MAN WHO HOPE |
| 00:38:20 |
BUT YOU ARE AN AGENT |
| 00:38:22 |
WOULDN'T IT BE YOUR |
| 00:38:24 |
MY FIRST DUTY, MY DEAREST, |
| 00:38:26 |
IS TO YOU. |
| 00:38:29 |
I MAY NOT ALWAYS FIND |
| 00:38:33 |
BUT I LOVE YOU. |
| 00:38:34 |
WITH ALL MY HEART. |
| 00:38:37 |
I GIVE YOU MY WORD, I WILL |
| 00:38:46 |
FORGIVE ME, PAUL. |
| 00:38:49 |
ON THE OTHER HAND |
| 00:38:51 |
IT IS YOUR DUTY TO REPORT |
| 00:38:53 |
AND THEN, AND ONLY THEN, |
| 00:38:57 |
BUT THAT COULD MEAN |
| 00:38:59 |
AND POSSIBLY HIS |
| 00:39:01 |
HE'S A TRAITOR. |
| 00:39:02 |
AND CAN YOU THINK OF |
| 00:39:04 |
FOR HAVING YOUR BROTHER BEATEN? |
| 00:39:06 |
YOU CAN'T HONESTLY BELIEVE |
| 00:39:08 |
AND HIS ENTIRE FAMILY TO |
| 00:39:11 |
THEY'RE ARISTOCRATS, MY DEAR! |
| 00:39:13 |
[WHISPERING] |
| 00:39:15 |
IN THAT CASE, YOU MAY HAVE ONE DAY |
| 00:39:18 |
RATHER THE REPUBLIC |
| 00:39:20 |
YOU DISAPPOINT ME. |
| 00:39:22 |
YOU'VE GONE SOFT! |
| 00:39:23 |
IF BY THAT YOU MEAN I'M NOT |
| 00:39:25 |
REVOLUTION OF YOURS, |
| 00:39:27 |
IT USED TO BE YOUR |
| 00:39:29 |
YES... |
| 00:39:30 |
BUT IT'S TAKEN US |
| 00:39:33 |
PERHAPS MY VISION WAS |
| 00:39:36 |
I SEE NOW, WHAT BEGINS AS A |
| 00:39:40 |
SOME CAUSES CAN BECOME WARPED, |
| 00:39:50 |
IT'S NOT DIFFICULT TO GUESS |
| 00:39:54 |
CHANGE OF HEART. |
| 00:39:56 |
I SUSPECT IT'S THE |
| 00:39:58 |
YOU'VE BEEN KEEPING OF LATE. |
| 00:40:01 |
WHY, PAUL, I DO |
| 00:40:03 |
WHY SHOULD I NOT BE? |
| 00:40:05 |
WELL, IF IT'S ANY CONSOLATION, |
| 00:40:08 |
A FORTNIGHT AGO. |
| 00:40:09 |
AND THEN YOU DON'T KNOW. |
| 00:40:11 |
KNOW WHAT? |
| 00:40:12 |
THAT HE'S BACK. |
| 00:40:14 |
IN PARIS? |
| 00:40:16 |
[WITH FEELING] |
| 00:40:19 |
HOW A WOMAN OF YOUR TASTE |
| 00:40:23 |
SUCH A FOOL. |
| 00:40:24 |
AND NOW IF YOU'LL EXCUSE ME. |
| 00:40:30 |
I HAVE SOME DUTIES |
| 00:40:32 |
[OPENS DOOR] |
| 00:40:34 |
BON-JEWER, MON-SEWER. |
| 00:40:37 |
I SWEAR YOU BEEN |
| 00:40:39 |
THE CRAVAT'S A PICTURE. |
| 00:40:42 |
OH, UGH. |
| 00:40:46 |
OH, OUTTA' MY WAY! |
| 00:40:48 |
YOU IDIOT! |
| 00:40:51 |
[DOOR CLOSES] |
| 00:40:53 |
PERCY! |
| 00:40:54 |
PERCY, PERCY! |
| 00:40:55 |
HA, HA, HA, HA, HA. |
| 00:40:57 |
I KNEW YOU WOULD COME BACK! |
| 00:40:58 |
MY DARLING! |
| 00:40:59 |
WELL, I'M GLAD YOU'RE |
| 00:41:01 |
IT'S MORE THAN YOU CAN |
| 00:41:03 |
POSITIVELY NO SENSE OF HUMOR. |
| 00:41:07 |
OH, PLEASE, DON'T BE |
| 00:41:09 |
CHAUVELIN IS TERRIBLY JEALOUS. |
| 00:41:12 |
HE ACTUALLY FRIGHTENS ME. |
| 00:41:14 |
FRIGHTENS YOU, MY DEAR. |
| 00:41:18 |
I WANT YOU TO FORGET, CHAUVELIN. |
| 00:41:20 |
FORGET EVERY MEN |
| 00:41:23 |
EXCEPT ME. |
| 00:41:24 |
HOW EASY THAT WOULD BE. |
| 00:41:27 |
SOMETIMES... |
| 00:41:32 |
ARE YOU AN ACTOR, TOO? |
| 00:41:34 |
PLAYING OUT SOME |
| 00:41:37 |
I'VE TOLD YOU BEFORE, MY DEAR, |
| 00:41:41 |
IS MY SINCERITY. |
| 00:41:43 |
I KNOW BEHIND THAT MASK |
| 00:41:47 |
THAT'S THE MAN |
| 00:41:49 |
AND SO YOU SHALL, MY DEAR. |
| 00:41:52 |
ALL IN GOOD TIME. |
| 00:41:54 |
HOW LONG IS THAT? |
| 00:41:56 |
MARRY ME,...AND YOU HAVE |
| 00:42:08 |
NEVER, |
| 00:42:10 |
NEVER, |
| 00:42:11 |
NEVER, |
| 00:42:13 |
AND THERE IS NOTHING |
| 00:42:14 |
THAT WILL MAKE ME CHANGE MY MIND. |
| 00:42:15 |
THAT NOT TO YOU, PERHAPS, |
| 00:42:20 |
BECOME OF ALL YOUR ARISTOCRATIC |
| 00:42:23 |
LANGUISHING IN HERE, AS WELL? |
| 00:42:26 |
YOU WOULDN'T DARE. |
| 00:42:27 |
YOU WILL HAVE UNTIL |
| 00:42:35 |
I INTEND TO WARN THE |
| 00:42:37 |
HELP THEM FLEE, IF NECESSARY. |
| 00:42:40 |
NOW, LOOK HERE, |
| 00:42:42 |
I DID NOT SAVE YOUR NECK |
| 00:42:46 |
MERELY TO SEE YOU LOSE |
| 00:42:50 |
[SIGH] |
| 00:42:52 |
MY MIND IS QUITE |
| 00:42:54 |
I WILL WARN THE DE TOURNEYS. |
| 00:42:57 |
I HAVE NO INTENTION... |
| 00:43:02 |
DO YOU SUPPOSE...THAT YOU COULD |
| 00:43:07 |
AND SEE THE COUNT... |
| 00:43:11 |
UGH, WELL, I...I THINK SO. |
| 00:43:15 |
-I...HAVE A PLAN. |
| 00:43:20 |
YOU, WHO ARE PRACTICALLY |
| 00:43:22 |
THOUGHT ENTERING INTO |
| 00:43:25 |
[SIGH] |
| 00:43:28 |
-THIS IS SERIOUS. |
| 00:43:30 |
DEADLY SERIOUS. |
| 00:43:33 |
WE MUST RESCUE THE DE TOURNEY FAMILY, |
| 00:43:37 |
YOU CAN BE FAR MORE VALUABLE |
| 00:43:40 |
AND CONTINUE TO WORK |
| 00:43:42 |
USEFUL TO US. WHAT ON EARTH |
| 00:43:44 |
YOU MUST SWEAR, BY |
| 00:43:47 |
THAT WHAT YOU ARE ABOUT TO HEAR, |
| 00:43:50 |
-REALLY, PERCY,... |
| 00:43:52 |
YOU MUST BE QUITE MAD. |
| 00:43:54 |
DO YOU SWEAR? |
| 00:43:57 |
[SIGH] |
| 00:44:08 |
DO YOU RECOGNIZE THAT INSIGNIA? |
| 00:44:11 |
LOOKS LIKE A FLOWER |
| 00:44:13 |
CORRECT. |
| 00:44:14 |
IT IS A SCARLET PIMPERNEL. |
| 00:44:33 |
[GUILLOTINE DROPS] |
| 00:44:35 |
[CROWD CHEERS] |
| 00:44:40 |
DEATH TO THE ARISTOS. |
| 00:44:42 |
LONG LIVE THE REPUBLIC. |
| 00:44:44 |
OH, I AM PLEASED |
| 00:44:47 |
TO SEE THAT YOU HAVE |
| 00:44:51 |
-YOU LEFT ME LITTLE CHOICE. |
| 00:44:56 |
YOU WILL LEAVE FOR LONDON |
| 00:44:59 |
ONCE THERE, YOU WILL RESIDE |
| 00:45:01 |
SO YOU CAN INTRODUCE |
| 00:45:04 |
-AND MY FAMILY? |
| 00:45:08 |
AH. AND SO MY FAMILY ARE |
| 00:45:11 |
THEY ARE TO BE HELD HOSTAGE. |
| 00:45:14 |
THAT IS THE GENERAL IDEA. |
| 00:45:16 |
TAKE GOOD CARE OF OUR FRIEND. |
| 00:45:19 |
[DRUMS AND CROWDS |
| 00:45:26 |
-IT'S HER OWN MOTHER. |
| 00:45:28 |
-ALWAYS HE'S IN IT, THE MOTHER, RIGHT? |
| 00:45:30 |
ALL RIGHT. |
| 00:45:34 |
HERE'YA. HE THINKS |
| 00:45:37 |
[LAUGHTER] |
| 00:45:40 |
CASKS OF WINE, HERE, HAVE WE? |
| 00:45:45 |
I WOULDN'T DO THAT |
| 00:45:56 |
OH, MAKE MY SPOILT OUT. |
| 00:46:01 |
NA, NA, ...SERGEANT, |
| 00:46:05 |
HERE'YA, HERE'YA. |
| 00:46:07 |
COME HERE, SERGEANT. |
| 00:46:08 |
HERE. |
| 00:46:14 |
ALL RIGHT, HE'S GOT THE PLAGUE. |
| 00:46:19 |
PLAGUE. |
| 00:46:20 |
I TOLD YOU, |
| 00:46:22 |
GET HIM AWAY FROM HERE! |
| 00:46:24 |
ALL RIGHT. |
| 00:46:25 |
HERE, TAKE YOUR PAPERS. |
| 00:46:27 |
ALL RIGHT YOU ARE, SERGEANT, RIGHT. |
| 00:46:27 |
OPEN THE GATES! |
| 00:46:44 |
PAPERS. |
| 00:46:46 |
SERGEANT. |
| 00:46:48 |
AN OLD WOMAN WILL |
| 00:46:50 |
YOU ARE TO ARREST |
| 00:46:51 |
AN OLD WOMAN JUST PASSED |
| 00:46:54 |
YOU LET HER GO! |
| 00:46:55 |
THAT WAS THE SCARLET PIMPERNEL! |
| 00:46:57 |
OPEN THE GATES! |
| 00:47:31 |
HEH, HEH, HEH, HEH. |
| 00:47:32 |
HEH, HEH. |
| 00:47:34 |
EVERYTHING GO AS PLANNED? |
| 00:47:36 |
LIKE CLOCKWORK, PERCY. |
| 00:47:37 |
GOOD. WELL, BEST BE ON YOUR WAY. |
| 00:47:41 |
MORE THAN A NIGHT'S |
| 00:47:51 |
MADEMOISELLE. |
| 00:47:53 |
THIS WAY, COUNTESS. |
| 00:48:00 |
WORDS CANNOT EXPRESS |
| 00:48:02 |
IT IS THE SCARLET PIMPERNEL, NOT I, |
| 00:48:17 |
I WAS CERTAIN THAT YOU |
| 00:48:20 |
I WOULD NEVER PRESUME |
| 00:48:22 |
I LACK SUFFICIENT COURAGE. |
| 00:48:24 |
I HAVE YET TO MEET |
| 00:48:28 |
OR A MORE HANDSOME ONE. |
| 00:48:30 |
SUSAN. |
| 00:48:31 |
IT'S DANGEROUS. |
| 00:48:38 |
THANK YOU, MONSIEUR. |
| 00:48:56 |
YOU MUST BE VERY MUCH |
| 00:48:58 |
I'M AN UGLY DUCKLING |
| 00:49:01 |
THEY SAY SHE WAS THE |
| 00:49:06 |
PERHAPS IT IS UNDERSTANDABLE |
| 00:49:10 |
THE MOST RADIANT OF WOMEN |
| 00:49:14 |
WHEN ONE RECALLS, THAT HE'S ALSO SAID |
| 00:49:21 |
I THINK YOU'D BETTER LEAVE. |
| 00:49:23 |
AS YOU CAN SEE, |
| 00:49:35 |
I CAME TO FIND OUT WHAT |
| 00:49:38 |
ABOUT THE MARQUIS DE ST. CYR. |
| 00:49:41 |
THAT'S MY AFFAIR, |
| 00:49:43 |
NO, IT IS MY AFFAIR. |
| 00:49:44 |
AS CHIEF AGENT OF THE COMMITTEE |
| 00:49:48 |
I WANT TO KNOW IF YOU |
| 00:49:50 |
AS A CITIZEN AND REPORT HIM. |
| 00:49:53 |
AND IF I SAY NO? |
| 00:49:55 |
THEN, I AM PREPARED |
| 00:49:58 |
YOU GAVE ME YOUR WORD. |
| 00:50:00 |
MARGUERITE. |
| 00:50:05 |
YOU HAVE BETRAYED |
| 00:50:13 |
IT APPEARS THAT WE HAVE |
| 00:50:42 |
[UNLOCKING AND OPENING |
| 00:50:46 |
MR. BLAND. |
| 00:50:55 |
LET HIM REST FOR A LITTLE |
| 00:51:00 |
SHUT UP, WOMAN. |
| 00:51:02 |
THERE HE IS, BARON. |
| 00:51:05 |
KING LOUIS' LITTLE BRAT |
| 00:51:08 |
HEH, HEH. WHAT'S |
| 00:51:10 |
YOUR ARISTOCRATIC |
| 00:51:17 |
ARE THEY TREATING YOU |
| 00:51:23 |
WELL, ENOUGH. |
| 00:51:24 |
GET HIM UP, DUVAL. |
| 00:51:26 |
NO, THAT WON'T |
| 00:51:30 |
I'VE SEEN ALL I WISH |
| 00:51:43 |
[CELL DOOR CLOSES] |
| 00:51:44 |
MY DEAR MARQUIS, THERE ARE |
| 00:51:49 |
POSITIONED HERE, HERE, HERE, HERE, |
| 00:51:54 |
HOUSES THE COUPLE WHO |
| 00:51:58 |
SO YOU SEE, IT WOULD BE |
| 00:52:00 |
TO GET THE YOUNG |
| 00:52:03 |
[LOUD KNOCKING] |
| 00:52:04 |
IN THE NAME OF THE REPUBLIC, |
| 00:52:06 |
OPEN IN THE NAME |
| 00:52:10 |
[DOOR OPENS SUDDENLY] |
| 00:52:12 |
ARREST THEM BOTH. |
| 00:52:13 |
WHAT'S THE MEANING |
| 00:52:14 |
I HAVE AN ORDER FOR THE |
| 00:52:17 |
ONE MOMENT CAPTAIN. |
| 00:52:19 |
ONE MOMENT. |
| 00:52:21 |
I THINK YOU'D BETTER |
| 00:52:31 |
A CERTIFICATE OF IMMUNITY. |
| 00:52:33 |
YOU ARE THE BARON DE BATZ? |
| 00:52:35 |
PRECISELY. |
| 00:52:36 |
SIGNED, AS YOU CAN SEE, |
| 00:52:39 |
RELEASE THE MAN. |
| 00:52:42 |
I DEMAND TO KNOW |
| 00:52:44 |
TREASON. |
| 00:52:46 |
TREASON, WHO ACCUSES |
| 00:52:48 |
I WILL HAVE HIS NAME! |
| 00:52:51 |
SEE FOR YOURSELF. |
| 00:52:52 |
IT'S WRITTEN |
| 00:52:55 |
MARGUERITE ST. JUST? |
| 00:53:00 |
BUT I...I HARDLY |
| 00:53:39 |
I WILL. |
| 00:53:41 |
I WILL. |
| 00:53:53 |
I PERCY, TAKE THEE, |
| 00:53:59 |
I, MARGUERITE, TAKE THEE, |
| 00:54:14 |
WITH THIS RING, |
| 00:54:17 |
THIS GOLD AND SILVER, |
| 00:54:20 |
WITH MY BODY, |
| 00:54:22 |
WITH ALL MY WORLDLY |
| 00:54:29 |
IN THE NAME OF THE FATHER, |
| 00:54:33 |
AND OF THE HOLY GHOST, |
| 00:55:04 |
WE'RE OFF TO LONDON |
| 00:55:06 |
ISN'T IT WONDERFUL? |
| 00:55:07 |
ARMAND FOLLOWS |
| 00:55:09 |
FEW DAYS? |
| 00:55:10 |
NATURALLY, CHAUVELIN IS |
| 00:55:13 |
POST AS SPECIAL ENVOY. |
| 00:55:15 |
LOOK AT HER, TONY. |
| 00:55:18 |
TELL ME IF YOU CAN, |
| 00:55:20 |
FORTUNATE MAN ALIVE. |
| 00:55:23 |
HOW THEY BUZZ ROUND HER, |
| 00:55:28 |
POOR LOUISE, THINGS WERE |
| 00:55:31 |
HUH? WELL, I HAVE ASKED |
| 00:55:33 |
AND BE MY WIFE. |
| 00:55:34 |
AND GIVE UP A PERFECTLY |
| 00:55:36 |
DON'T YOU DARE, MY DEAR. |
| 00:55:38 |
WHAT ARE YOU GOING TO DO |
| 00:55:40 |
DEMAND FOR ACTION? |
| 00:55:41 |
THE DE TOURNEYS |
| 00:55:44 |
I THINK I MAY HAVE |
| 00:55:46 |
REPLACEMENT FOR |
| 00:55:49 |
PERHAPS, EVEN, AN |
| 00:55:50 |
IN MARGUERITE ST. JUST? |
| 00:55:53 |
IN THE WIFE OF SIR PERCY |
| 00:55:56 |
EVERY DOOR IN LONDON |
| 00:55:58 |
EVERY CONFIDENCE SHARED. |
| 00:56:01 |
SHE ISN'T AWARE OF IT YET, PONCEAU, |
| 00:56:04 |
TO LEAD ME TO OUR ELUSIVE FRIEND |
| 00:56:09 |
I'VE NEVER SEEN HER |
| 00:56:11 |
AS WELL SHE MIGHT. |
| 00:56:13 |
ON THE SAME DAY SHE |
| 00:56:16 |
HAVE HER REVENGE |
| 00:56:19 |
- THE MAN SHE HATES, BARON? |
| 00:56:23 |
FOR WHAT HE DID |
| 00:56:28 |
AND WHAT MANNER OF REVENGE |
| 00:56:31 |
WELL, HAVING HIM ARRESTED |
| 00:56:36 |
WHAT LEADS YOU TO BELIEVE |
| 00:56:37 |
INVOLVED IN THAT? |
| 00:56:38 |
OH, COME, SIR PERCY, YOU |
| 00:56:42 |
I SAW THE WARRANT FOR HIS |
| 00:56:47 |
PHEW! I CAN'T BELIEVE IT! |
| 00:56:49 |
YOU WIFE'S NAME WAS ON IT. |
| 00:56:52 |
FOR WHICH WE HAVE |
| 00:56:55 |
AFTER ALL, I AM A MAN |
| 00:56:59 |
PERCY, DON'T... |
| 00:57:06 |
THE MAN WILL BE |
| 00:57:09 |
MY DEAR, SIR PERCY, |
| 00:57:13 |
THE MARQUIS DE ST. CYR |
| 00:57:17 |
WERE BEHEADED THIS |
| 00:57:23 |
ALL OF THEM? |
| 00:57:26 |
THE CHILDREN AS WELL? |
| 00:57:28 |
WELL...WELL, YES. |
| 00:57:31 |
SIR PERCY, I...I'D ACTUALLY |
| 00:57:35 |
WELL, I THOUGHT THAT... |
| 00:57:37 |
EXCUSE ME. |
| 00:57:48 |
I'M TRULY SORRY. |
| 00:57:55 |
SHE MUST NEVER KNOW |
| 00:57:58 |
THAT I SUSPECT |
| 00:58:03 |
WE ARE ABOUT TO EMBARK |
| 00:58:05 |
MISSION YET. |
| 00:58:08 |
TO SAVE THE HEIR OF THE |
| 00:58:16 |
FROM THIS MOMENT ON |
| 00:58:20 |
SHE MUST NEVER BE TRUSTED. |
| 00:58:25 |
WE CANNOT RISK BETRAYAL. |
| 00:58:33 |
I ONLY PRAY TO GOD THAT |
| 00:58:41 |
THE HORROR I FEEL |
| 01:00:27 |
HOPE THESE GUARDS CATCH 'EM. |
| 01:00:37 |
THERE'S A GOOD BOY. |
| 01:00:40 |
NOW YOU TAKE YOUR MEDICINE. |
| 01:00:42 |
FOR THE NICE GENTLEMEN. |
| 01:00:47 |
WHAT MANNER OF MEDICINE |
| 01:00:50 |
NEVER FEAR, CITIZEN, IT'S |
| 01:00:53 |
NOW TAKE IT BOY. |
| 01:00:54 |
YOU KNOW, IT MAKES |
| 01:00:56 |
IF YOU DON'T FINISH |
| 01:01:00 |
THERE, THAT IS |
| 01:01:03 |
NOW THESE GENTLEMEN |
| 01:01:05 |
YOU SAY YOUR CATECHISM. |
| 01:01:08 |
- YOUR NAME: |
| 01:01:11 |
LET'S HEAR IT: |
| 01:01:13 |
YOUR AGE: |
| 01:01:15 |
YOUR NATIONALITY: |
| 01:01:18 |
YOUR FATHER'S NAME: |
| 01:01:22 |
HIS PROFESSION: |
| 01:01:26 |
HOW DID HE PERISH: |
| 01:01:30 |
WHO WAS YOUR MOTHER: |
| 01:01:33 |
HER PROFESSION: |
| 01:01:38 |
HOW DID SHE PERISH: |
| 01:01:41 |
AND WHAT DO YOU SAY |
| 01:01:44 |
- I SPIT UPON THEIR GRAVES. |
| 01:01:46 |
- I SPIT UPON THEIR GRAVES. |
| 01:01:49 |
THAT WILL DO. |
| 01:01:53 |
HOWEVER, I STILL DETECT |
| 01:01:56 |
IN THOSE ROYAL EYES. |
| 01:02:00 |
KEEP AT IT, FOUQUET. |
| 01:02:18 |
SINK ME, |
| 01:02:21 |
WE SHALL BE MONSTROUS |
| 01:02:23 |
GARDEN PARTY. |
| 01:02:24 |
I'M AFRAID I CAN'T JOIN |
| 01:02:27 |
TO THE EMBASSY. |
| 01:02:30 |
- WHAT NEWS OF THE COURIER? |
| 01:02:32 |
ODD. |
| 01:02:34 |
IT'S TOO DIFFICULT. |
| 01:02:36 |
SUSPICIOUS OF EVERYONE |
| 01:02:39 |
YOU HAVE PERFORMED |
| 01:02:41 |
TO US THESE PAST FEW |
| 01:02:43 |
WITHOUT YOU, WE WOULD NOT HAVE |
| 01:02:47 |
WHEN I THINK WHAT THEY'RE |
| 01:02:49 |
WHY? |
| 01:02:52 |
TO RENDER HIM USELESS TO ANYONE |
| 01:02:56 |
BUT TIME IS RUNNING OUT. WE MUST |
| 01:03:00 |
HAVE YOU A PLAN? |
| 01:03:02 |
WE WAIT ONLY FOR FIRST THE NEWS |
| 01:03:05 |
THAT WILL BE OUR |
| 01:03:07 |
AND MOVE WE MUST. |
| 01:03:09 |
SWIFTLY AND SURELY. |
| 01:03:11 |
THAT IS WHY THESE COMMUNIQUÉS |
| 01:03:13 |
THE NEXT MAY BE OUR SIGNAL. |
| 01:03:15 |
[DOOR OPENS] |
| 01:03:20 |
AHHHHH, |
| 01:03:23 |
SHALL WE AWAY? |
| 01:03:29 |
THE DUKE AND DUCHESS |
| 01:03:33 |
[PEACOCK CRIES |
| 01:03:38 |
THE DUKE OF ALBANY |
| 01:03:41 |
LADY BRECKNY AND |
| 01:03:45 |
[PEACOCK CALL] |
| 01:03:47 |
SIR PERCIVAL AND |
| 01:03:52 |
THEY SAY, SHE ONLY MARRIED |
| 01:03:55 |
NO WOMAN OF TITLE WOULD |
| 01:04:00 |
STILL THEY SEEM... |
| 01:04:02 |
LOOKS CAN BE |
| 01:04:07 |
PERCY, FASHIONABLY |
| 01:04:11 |
SINK ME, YOUR HIGHNESS. |
| 01:04:14 |
SIMPLY REFUSED TO TIE. |
| 01:04:16 |
I ASK YOU. LOOK AT THE THING. |
| 01:04:20 |
I MIGHT HAVE KNOWN, IT |
| 01:04:22 |
MY HUSBAND IS BEING NOBLE, |
| 01:04:24 |
I FEAR I'M THE ONE TO BLAME. |
| 01:04:26 |
WELL, IN THAT CASE, |
| 01:04:30 |
[CHUCKLING] |
| 01:04:32 |
HOW FARES OUR LOVELY |
| 01:04:35 |
FUGITIVE, YOUR HIGHNESS? |
| 01:04:38 |
SURELY YOU'RE NOT KEPT |
| 01:04:40 |
WHY, YES INDEED. BY THE FORCE OF |
| 01:04:44 |
AND BY YOUR HIGHNESS' GOOD |
| 01:04:47 |
GAD, PERCY, BUT |
| 01:04:50 |
YOU'D BETTER KEEP AN EYE |
| 01:04:54 |
EXERCISE MY DROIT DE SEIGNEUR, |
| 01:04:57 |
[LAUGHING] |
| 01:04:59 |
[INAUDIBLE WHISPERING] |
| 01:05:02 |
MARGUERITE, PERCY! |
| 01:05:04 |
ANDREW HAS ASKED |
| 01:05:06 |
AND PAPA HAS |
| 01:05:08 |
SINK ME, IF YOU DIDN'T |
| 01:05:11 |
- CONGRATULATIONS, OLD CHAP. |
| 01:05:13 |
OH, SUZANNE, I'M SO |
| 01:05:14 |
SUZANNE! |
| 01:05:16 |
TO DO WITH THAT WOMAN. |
| 01:05:17 |
MAMA! |
| 01:05:19 |
SHE HAS BLOOD |
| 01:05:20 |
WE HAVE JUST LEARNED |
| 01:05:22 |
THE MARQUIS DE ST. CYR, |
| 01:05:25 |
- ENTIRE FAMILY TO THE GUILLOTINE! |
| 01:05:27 |
CAN YOU DENY IT, LADY BLAKENEY? |
| 01:05:29 |
I REFUSE TO CONFIRM |
| 01:05:33 |
THIS IS NO TRAIL, |
| 01:05:36 |
TRUE, MADAME. |
| 01:05:43 |
- WILL YOU SAY NOTHING, SIR? |
| 01:05:50 |
WILL YOU NOT EVEN DEFEND |
| 01:05:54 |
ODDS FISH, MY DEAR, WOULD YOU |
| 01:05:57 |
COUNTESS TO A DUEL? |
| 01:05:59 |
- COME COUNTESS. |
| 01:06:12 |
SO, MY DEAR, 'TWOULD SEEM |
| 01:06:15 |
TO REPAY ST. CYR... |
| 01:06:21 |
CAN YOU REALLY BELIEVE THAT? |
| 01:06:25 |
CAN I...BELIEVE OTHERWISE? |
| 01:06:33 |
OH, BETH,...WHAT CAN I DO? |
| 01:06:41 |
AND I DON'T KNOW WHY. |
| 01:06:43 |
BUT PERCY WORSHIPS THE |
| 01:06:48 |
ONCE, PERHAPS. |
| 01:06:52 |
BUT NOW HE PLAYS THE FOOL |
| 01:06:57 |
OH, IT SEEMS TO TORMENT ME. |
| 01:07:01 |
THERE ARE TIMES...WHEN I THINK |
| 01:07:06 |
MOMENTS WHEN I CATCH IT |
| 01:07:17 |
WHAT HAVE I DONE TO |
| 01:08:19 |
GOODNIGHT, MY DEAR. |
| 01:08:20 |
PLEASANT DREAMS. |
| 01:08:23 |
STAY WITH ME TONIGHT. |
| 01:08:25 |
ODD, MADAME, |
| 01:08:31 |
BESIDES, I HAVE A VERY EARLY |
| 01:08:34 |
I DON'T WANT TO |
| 01:08:35 |
YOUR TAILORS, NO DOUBT. |
| 01:08:37 |
BOOT MAKERS, TO BE PRECISE. |
| 01:08:40 |
THESE PINCH SOMETHING MONSTROUS. |
| 01:08:42 |
AND I DONT' MUCH |
| 01:08:44 |
OH, PERCY, WHAT'S BECOME OF YOU? |
| 01:08:49 |
WHERE IS THE MAN I MARRIED. |
| 01:08:53 |
ODDS FISH, MY DEAR, |
| 01:08:57 |
NO. WHAT I SEE BEFORE ME |
| 01:09:01 |
THE SHELL OF A MAN I ONCE KNEW. |
| 01:09:05 |
THERE'S SOME ABSURD ROLE |
| 01:09:09 |
BUT I'M SURE IT IS. PERHAPS |
| 01:09:14 |
EVEN THOUGH YOU'RE |
| 01:09:18 |
YOU ONCE PROMISED ME, THAT |
| 01:09:21 |
THE MAN BEHIND THE MASK, |
| 01:09:27 |
I KNOW HIM LESS NOW |
| 01:09:30 |
WELL. PERHAPS THERE'S |
| 01:09:34 |
I CAN'T BELIEVE THAT. |
| 01:09:37 |
I REFUSE TO BELIEVE IT. |
| 01:09:40 |
THE MAN I FELL IN LOVE WITH |
| 01:09:46 |
I SHALL NEVER STOP |
| 01:09:59 |
GOODNIGHT, MY DEAR. |
| 01:10:15 |
FOR SIR ANDREW, TIVERS. |
| 01:10:18 |
VERY GOOD, SIR. |
| 01:10:22 |
AND FOR THE COURIER, |
| 01:10:24 |
YES SIR. |
| 01:10:37 |
[GUNSHOTS] |
| 01:10:40 |
[CRY] |
| 01:10:48 |
THESE WERE ALL THE PAPERS |
| 01:10:51 |
YES, CITIZEN. |
| 01:10:52 |
SO. |
| 01:11:01 |
MY YOUNG ASSISTANT IS IN |
| 01:11:11 |
YOU DID WELL TO |
| 01:11:19 |
SEND FOR ARMAND ST. JUST. |
| 01:11:24 |
I FEAR FOR YOU IN PARIS. |
| 01:11:26 |
OH, PERCY, DO PERSUADE HIM |
| 01:11:29 |
HE COULD SEND FOR LOUISE, |
| 01:11:31 |
AND LIVE HERE IN ENGLAND. |
| 01:11:33 |
WHAT A DREADFUL PROSPECT. |
| 01:11:35 |
WHAT HAS POOR ARMAND DONE |
| 01:11:52 |
REALLY, PERCY. MUST YOU GO |
| 01:11:55 |
ARE YOU NEVER GOING TO GIVE HER |
| 01:12:03 |
CONSIDER, ARMAND, IF IT IS TRUE |
| 01:12:10 |
SHE'S CAPABLE OF ALMOST |
| 01:12:12 |
EVEN SPYING FOR CHAUVELIN. |
| 01:12:14 |
YOU MUST ASK HER. WHAT PROOF |
| 01:12:20 |
NOT ONCE IN ALL THE |
| 01:12:22 |
HAS EVEN ATTEMPTED |
| 01:12:25 |
I DARE NOT RISK IT. |
| 01:12:28 |
NOTHING, NO ONE, IS MORE |
| 01:12:31 |
OF THE DAUPHIN |
| 01:12:34 |
NOT EVEN MARGUERITE. |
| 01:12:36 |
IT GRIEVES ME TO |
| 01:12:38 |
TO KNOW THAT YOU |
| 01:12:41 |
CEASED? |
| 01:12:46 |
I SHALL LOVE HER |
| 01:12:50 |
THAT IS THE TRAGEDY. |
| 01:12:53 |
COME, I SHALL RIDE |
| 01:12:56 |
THERE IS MUCH |
| 01:12:58 |
WHY IS CHAUVELIN SENDING |
| 01:13:01 |
I DON'T LIKE IT. |
| 01:13:03 |
HOWEVER, PERHAPS WITH YOU |
| 01:13:06 |
INCIDENT WE NEED |
| 01:13:26 |
[DOOR CLOSES] |
| 01:13:29 |
MY, THIS IS INDEED |
| 01:13:31 |
NOT TOO UNPLEASANT, I TRUST? |
| 01:13:33 |
I HAVEN'T SEEN YOU |
| 01:13:36 |
WHAT BRINGS YOU HERE NOW? |
| 01:13:38 |
IT'S A GOOD LIKENESS. |
| 01:13:40 |
ESPECIALLY THE EYES. |
| 01:13:42 |
HE'S CAUGHT THE FLASH |
| 01:13:45 |
ALTHOUGH, HE'S MISSED |
| 01:13:48 |
SADNESS? |
| 01:13:49 |
APPARENTLY THE ARTIST |
| 01:13:51 |
WHAT ALL OF LONDON |
| 01:13:54 |
AND WHAT MIGHT |
| 01:13:55 |
THAT THE LADY IS |
| 01:14:00 |
A MAN IN YOUR POSITION |
| 01:14:04 |
LOOK AT ME AND TELL ME, |
| 01:14:06 |
MAN ENOUGH TO |
| 01:14:08 |
HAVE YOU COME HERE |
| 01:14:10 |
IF THE TRUTH IS IMPERTINENT. |
| 01:14:13 |
YOU'RE A WOMAN OF GREAT PASSION. |
| 01:14:16 |
YOUR DESIRES. |
| 01:14:17 |
HUH, AND YOU ARE SUGGESTING |
| 01:14:20 |
I WAS GOOD ENOUGH |
| 01:14:21 |
NEVER QUITE GOOD ENOUGH. |
| 01:14:24 |
NOW, KINDLY STATE |
| 01:14:26 |
OR WAS IT YOUR BUSINESS |
| 01:14:29 |
SIR PERCY BLAKENEY? |
| 01:14:30 |
IN TRUTH, I CAME |
| 01:14:36 |
TO HELP ME LEARN THE |
| 01:14:38 |
THE SCARLET PIMPERNEL. |
| 01:14:39 |
THE SCARLET PIMPERNEL? |
| 01:14:41 |
WELL, YOU ASTONISH ME. |
| 01:14:43 |
WOULD I LEARN |
| 01:14:44 |
YOU ARE THE PIVOT |
| 01:14:46 |
YOU GO EVERYWHERE. |
| 01:14:49 |
AND HEAR EVERYTHING. |
| 01:14:51 |
EASY, MY FRIEND, ARE YOU |
| 01:14:53 |
NO...FOR FRANCE. |
| 01:14:56 |
OH! WHAT YOU PROPOSE |
| 01:14:59 |
WHOEVER THE MAN MAY BE, |
| 01:15:03 |
YOU REFUSE, THEN? |
| 01:15:07 |
DID YOU REALLY BELIEVE, |
| 01:15:12 |
AFTER YOU MALICIOUSLY |
| 01:15:14 |
OF THE MARQUIS AND HIS FAMILY? |
| 01:15:17 |
I WOULD RATHER GO TO |
| 01:15:20 |
WOULD YOU HAVE YOUR |
| 01:15:22 |
ARMAND, WHAT A JOKE. |
| 01:15:25 |
HE IS IN LEAGUE WITH |
| 01:15:28 |
WHY THAT'S PREPOSTEROUS. |
| 01:15:29 |
I HAVE HERE IRREFUTABLE PROOF, |
| 01:15:32 |
UNLESS YOU DO YOUR |
| 01:15:35 |
THIS IS BLACKMAIL. |
| 01:15:37 |
CALL IT WHAT YOU WILL. |
| 01:15:38 |
PIMPERNEL'S HEAD |
| 01:15:41 |
[BREATHING HEAVILY] |
| 01:15:43 |
I EXPECT YOUR |
| 01:15:45 |
AT THE LORD GRENVILLE'S BALL. |
| 01:15:48 |
IN THE MEANTIME, I ADVISE |
| 01:15:50 |
SAY NOTHING OF THIS |
| 01:15:53 |
NOT EVEN TO THAT FOOL |
| 01:15:55 |
[DOOR SLAMS SHUT] |
| 01:17:24 |
FORGIVE ME, IF I STARTLED |
| 01:17:28 |
I MUST HAVE BEEN |
| 01:17:32 |
HOW LOVELY YOU LOOK. |
| 01:17:36 |
HOW LONG HAS IT BEEN |
| 01:17:40 |
LOT, MADAME, I'D HAVE |
| 01:17:47 |
IN THAT GOWN, YOU'LL BE |
| 01:17:51 |
NOW, TELL ME, WHAT WAS IT |
| 01:17:55 |
WHEN I CAME IN JUST NOW? |
| 01:17:58 |
PERCY, YOU'VE KNOWN SIR ANDREW |
| 01:18:03 |
WE WENT TO SCHOOL |
| 01:18:05 |
WHY DO YOU ASK? |
| 01:18:06 |
I WAS JUST WONDERING IF HE |
| 01:18:14 |
ANDREW? |
| 01:18:19 |
MOST UNLIKELY, MY DEAR. |
| 01:18:22 |
BUT, TELL ME, WHY THE SUDDEN |
| 01:18:24 |
THE SCARLET PIMPERNEL? |
| 01:18:26 |
OH, I HAVE NO MORE INTEREST |
| 01:18:29 |
I WAGER YOUR FRIEND, CHAUVELIN, |
| 01:18:35 |
IF FAITH, I SUSPECT THAT'S THE |
| 01:18:38 |
I'M SURPRISED HE HASN'T |
| 01:18:41 |
TO YOU, MY DEAR. |
| 01:18:44 |
TO ME? |
| 01:18:45 |
WHY, I HAVEN'T LAID EYES ON |
| 01:18:50 |
ALTHOUGH, I'M SURE |
| 01:18:55 |
WELL, IF ANYONE'S GOING TO |
| 01:18:59 |
IT WILL NOT BE CHAUVELIN. |
| 01:19:06 |
AND WHY IS THAT? |
| 01:19:08 |
WHY? ODDS FISH, MY DEAR, THE MAN |
| 01:19:13 |
REALLY, PERCY, IS THAT |
| 01:19:17 |
WHY AREN'T YOU THE KIND OF MAN |
| 01:19:20 |
TURN TO IN TROUBLE. |
| 01:19:24 |
TROUBLE, MY DEAR? |
| 01:19:27 |
ARE YOU IN TROUBLE? |
| 01:19:30 |
AND IF I WERE? |
| 01:19:32 |
WHY YOU MIGHT TRY |
| 01:19:38 |
AS ONCE YOU USED TO. |
| 01:19:41 |
WHAT'S THE USE. |
| 01:19:43 |
WE DON'T EVEN SPEAK THE |
| 01:19:46 |
[BELL RINGS] |
| 01:19:49 |
[DOOR OPENS] |
| 01:19:53 |
PARDON, MADAME. |
| 01:20:09 |
- THE COURIER? |
| 01:20:14 |
- COME WITH ME, CHIVERS. |
| 01:20:21 |
THERE CAN BE NO DOUBT |
| 01:20:25 |
HE MUST BE WARNED. |
| 01:20:27 |
I WANT YOU TO TAKE THIS NOTE |
| 01:20:32 |
TELL HIM TO GIVE IT TO |
| 01:20:34 |
AND THEN DESTROY IT. |
| 01:20:55 |
[TRUMPETS SOUND ARRIVAL |
| 01:21:48 |
HIS ROYAL HIGHNESS, |
| 01:21:52 |
SIR PERCIVAL BLAKENEY |
| 01:21:57 |
- YOUR ROYAL HIGHNESS. |
| 01:21:59 |
OF COURSE YOU KNOW |
| 01:22:01 |
LORD AND LADY GRANVILLE. |
| 01:22:02 |
MY DAUGHTERS, ELIZABETH |
| 01:22:05 |
CHARMING. REALLY, |
| 01:22:08 |
[CHUCKLING] |
| 01:22:10 |
OH, CONTINUE, PLEASE CONTINUE. |
| 01:22:22 |
AH, THE TWO LOVEBIRDS, AT LAST. |
| 01:22:25 |
- COUNTESS. |
| 01:22:27 |
ISN'T IT EXCITING! |
| 01:22:29 |
ANDREW, HERE. |
| 01:22:32 |
I SHALL EXPECT YOU TO DANCE |
| 01:22:34 |
I MUST PRESERVE AT LEAST |
| 01:22:36 |
THANK YOU. |
| 01:22:47 |
SINK ME, I'M FAR TOO EMBARRASSED. |
| 01:22:50 |
IF YOU INSIST. |
| 01:22:53 |
THE SCARLET PIMPERNEL. |
| 01:22:59 |
[SHOUTS OF BRAVO] |
| 01:23:00 |
NO, NO, THAT'S JUST THE TITLE. |
| 01:23:02 |
[LAUGHTER] |
| 01:23:05 |
THEY SEEK HIM H'YERE. |
| 01:23:06 |
THEY SEEK HIM THERE. |
| 01:23:08 |
THOSE FRENCHIES |
| 01:23:13 |
IS HE IN HEAVEN? |
| 01:23:15 |
OR IS HE IN...HELL? |
| 01:23:18 |
THAT DAMNED, ELUSIVE, PIMPERNEL. |
| 01:23:23 |
[LAUGHTER AND APPLAUSE] |
| 01:23:25 |
OH, THIS IS COMMENDABLE, PERCY. |
| 01:23:28 |
I DON'T KNOW HOW YOU DID IT. |
| 01:23:29 |
THE PRETTY THING RHYMES IN |
| 01:23:33 |
AND IF A RHYME RHYMES, |
| 01:23:36 |
IF YOU FOLLOW ME. |
| 01:23:38 |
AS IT WERE CRYSTAL CLEAR, |
| 01:23:40 |
MY DEAR! |
| 01:23:42 |
[LAUGHTER] |
| 01:23:43 |
MAY IT PLEASE YOUR ROYAL HIGHNESS, |
| 01:23:45 |
YOUR GRACES, MY LORDS, LADIES AND GENTLEMEN, |
| 01:23:49 |
PRAY TAKE YOUR PLACES |
| 01:23:53 |
LADY BLAKENEY, |
| 01:23:54 |
WOULD YOU DO ME |
| 01:24:01 |
WITH YOUR PERMISSION. |
| 01:24:03 |
DON'T FORGET MONSIEUR CHAUVELIN, |
| 01:24:07 |
[GASPING] THE FRENCH ARE |
| 01:24:19 |
HAVE YOU MADE |
| 01:24:22 |
YOU LEAVE ME LITTLE CHOICE. |
| 01:24:29 |
WHAT DO YOU |
| 01:24:33 |
YOUR FRIEND SIR ANDREW FFOULKES |
| 01:24:39 |
FIND OUT WHAT IT SAYS. |
| 01:24:48 |
BUT, HOW? |
| 01:24:53 |
I LEAVE THAT TO YOUR |
| 01:25:04 |
YOU KNOW, YOU REALLY |
| 01:25:07 |
YOURSELF, MY DEAR FELLOW. |
| 01:25:14 |
YOU'LL FORGIVE ME, SIR, |
| 01:25:19 |
RATHER TEDIOUS. |
| 01:25:24 |
IN THAT CASE, WHAT ABOUT |
| 01:25:26 |
YOU PROMISED ME? |
| 01:25:28 |
SPLENDID, BUT I MUST |
| 01:25:30 |
I DO FEEL DEVILISH |
| 01:25:35 |
DAMNATION, UH, HUH. |
| 01:25:59 |
PRAY, TAKE YOUR PLACES |
| 01:26:02 |
YOU MUSTNT MONOPOLIZE HIM, |
| 01:26:05 |
WILL THINK YOU'RE |
| 01:26:06 |
COME ALONG, ANDREW. |
| 01:26:52 |
WHEW! OH! |
| 01:26:54 |
ARE YOU ALL RIGHT? |
| 01:26:56 |
- [GASP] |
| 01:26:58 |
I THINK IT'S JUST THE HEAT. |
| 01:27:03 |
OH! |
| 01:27:04 |
THANK YOU, ANDREW. |
| 01:27:06 |
[SIGH] |
| 01:27:09 |
PERHAPS I'LL FETCH PERCY. |
| 01:27:10 |
NO, DON'T LEAVE ME. |
| 01:27:11 |
I ONLY NEED TO CLOSE |
| 01:27:37 |
[WHOOH] |
| 01:27:38 |
[SIGH] |
| 01:27:40 |
AHHHH. |
| 01:27:42 |
HOW CLEVER OF YOU. |
| 01:27:44 |
UM, ALMOST AS GOOD |
| 01:27:47 |
[SIGH] |
| 01:27:48 |
THERE! |
| 01:27:50 |
I ALMOST FEEL |
| 01:27:52 |
- OH, DEAR. |
| 01:27:53 |
LET ME DO IT. |
| 01:27:56 |
THERE'S NO HARM DONE. |
| 01:28:09 |
ONE MOMENT MORE, AND I MIGHT |
| 01:28:13 |
LADY? |
| 01:28:14 |
OR A DUCHESS, PERHAPS? |
| 01:28:16 |
FOR SHAME, ANDREW. |
| 01:28:18 |
ENTERTAINING LOVE NOTES |
| 01:28:21 |
BEHIND SUZANNE'S BACK. |
| 01:28:28 |
WHAT WILL SHE SAY? |
| 01:28:38 |
THERE WAS ONLY A FRAGMENT |
| 01:28:40 |
COULD YOU MAKE |
| 01:28:41 |
IT SAID, 'WE LEAVE FOR |
| 01:28:45 |
MEET ME IN THE LIBRARY AT MIDNIGHT |
| 01:28:47 |
AND THE SIGNATURE? |
| 01:28:49 |
NOT SIGNED. |
| 01:28:51 |
IT WAS ONLY THE SYMBOL |
| 01:28:53 |
THE SCARLET PIMPERNEL. |
| 01:28:55 |
IN THE LIBRARY, |
| 01:29:00 |
YOU'VE DONE WELL, |
| 01:29:04 |
VERY WELL, INDEED. |
| 01:29:07 |
REMARKABLE, HOW WE |
| 01:29:10 |
BUT THEN WE ALWAYS DID. |
| 01:29:12 |
SO THIS IS WHERE |
| 01:29:13 |
YOU PROMISED ME |
| 01:29:15 |
YOU NAUGHTY BOY. |
| 01:29:16 |
FORGIVE ME, MY DEAR. |
| 01:29:21 |
[CLOCK CHIMES] |
| 01:30:02 |
[CREAKING SOUND] |
| 01:30:03 |
WHO'S THERE? |
| 01:30:05 |
DO NOT TURN AROUND. |
| 01:30:08 |
YOU MUST NOT |
| 01:30:12 |
THE SCARLET PIMPERNEL. |
| 01:30:19 |
HOW DID YOU KNOW |
| 01:30:21 |
I TRICKED SIR ANDREW |
| 01:30:24 |
WHY DID YOU COME? |
| 01:30:26 |
TO WARN YOU. |
| 01:30:28 |
CHAUVELIN KNOWS THAT YOU'LL |
| 01:30:31 |
YOU TOLD HIM? |
| 01:30:33 |
I HAD TO. |
| 01:30:35 |
TO SAVE MY BROTHER. |
| 01:30:38 |
HE THREATENED TO HAVE |
| 01:30:40 |
I HELPED HIM TO DISCOVER |
| 01:30:43 |
WHY ARE YOU DOING |
| 01:30:44 |
BECAUSE I COULD NEVER LIVE |
| 01:30:46 |
THAT I WAS RESPONSIBLE |
| 01:30:48 |
WHAT IS ONE |
| 01:30:50 |
YOU ALREADY HAVE THE MARQUIS DE |
| 01:30:54 |
THAT'S NOT TRUE! |
| 01:30:56 |
CHAUVELIN DECEIVED ME, |
| 01:30:58 |
BECAUSE I SPURNED |
| 01:31:02 |
HE MALICIOUSLY PUT MY NAME |
| 01:31:07 |
I COULD NEVER HAVE SENT |
| 01:31:12 |
TO THEIR DEATHS, ANYMORE |
| 01:31:16 |
BECAUSE OF ME. |
| 01:31:23 |
IF THIS IS TRUE, YOU ARE |
| 01:31:28 |
FOR COMING HERE. |
| 01:31:29 |
I'M A FOOL. |
| 01:31:32 |
IF CHAUVELIN FOUNDS OUT, |
| 01:31:36 |
NO HARM WILL EVER |
| 01:31:39 |
AS LONG AS I LIVE. |
| 01:31:41 |
CAN I BELIEVE THAT? |
| 01:31:49 |
I GIVE YOU...MY WORD. |
| 01:31:57 |
I DON'T EVEN KNOW |
| 01:31:59 |
WON'T YOU TELL ME? |
| 01:32:02 |
A PHANTOM, MY LADY, |
| 01:32:08 |
NO. YOU'RE VERY |
| 01:32:13 |
AS REAL AS LIFE ITSELF. |
| 01:32:18 |
HOW STRONGLY CLOSE |
| 01:32:23 |
WE ARE SO NEAR, |
| 01:32:29 |
TOUCH ME, |
| 01:32:31 |
SO THAT I MAY KNOW |
| 01:32:48 |
[CLOCK STRIKES] |
| 01:32:49 |
CHAUVELIN! |
| 01:32:58 |
[CLOCK CHIMES 12] |
| 01:33:15 |
HE MUST NOT |
| 01:33:16 |
QUICKLY. |
| 01:33:26 |
BUT, WHAT'S TO KEEP... |
| 01:34:08 |
DAMN! |
| 01:34:11 |
[SNORING] |
| 01:35:03 |
PERCY! |
| 01:35:04 |
WHAT HAPPENED? |
| 01:35:05 |
WHAT WAS CHAUVELIN AFTER? |
| 01:35:07 |
HE WAS LOOKING FOR |
| 01:35:11 |
I PRAY HE FOUND A FOOL. |
| 01:35:15 |
BUT NOW WE MUST TAKE |
| 01:35:17 |
TONY, WE SAIL |
| 01:35:19 |
ARMAND'S LIFE |
| 01:35:20 |
BUT WHAT OF |
| 01:35:22 |
I SHALL SEND WORD THE MOMENT |
| 01:35:25 |
MY YACHT IS |
| 01:35:27 |
AND WE MUST SAIL |
| 01:35:28 |
UH, WHAT SHALL |
| 01:35:32 |
TELL HER I LOVE HER, |
| 01:35:40 |
PAUL, YOU'RE LEAVING. |
| 01:35:43 |
DOES THAT MEN |
| 01:35:44 |
I COULD NOT BE MORE |
| 01:35:46 |
I SAIL TOMORROW FOR FRANCE, |
| 01:35:48 |
SCARLET PIMPERNEL |
| 01:35:53 |
DIDN'T YOU FIND OUT WHAT |
| 01:35:55 |
EVERYTHING. |
| 01:35:57 |
OH, BY THE WAY, MY DEAR, |
| 01:36:00 |
OH, CARELESS OF YOU |
| 01:36:05 |
PAUL, WHAT ABOUT |
| 01:36:08 |
OH, YOU'LL HAVE YOUR |
| 01:36:10 |
ONLY WHEN I HAVE CAUGHT |
| 01:36:12 |
HERE OR IN FRANCE. |
| 01:36:14 |
THINK TWICE BEFORE YOU |
| 01:36:35 |
CHIVERS! |
| 01:36:37 |
I MUST SPEAK TO |
| 01:36:39 |
HE'S GONE, MY LADY. |
| 01:36:41 |
GONE? WHERE TO? |
| 01:36:42 |
THERE'S A NOTE FOR YOU |
| 01:37:04 |
IN THE NORTH COUNTRY? |
| 01:37:06 |
HOW BIZARRE. |
| 01:37:29 |
THE SCARLET PIMPERNEL. |
| 01:37:31 |
PERCY. |
| 01:37:34 |
OH, GOD, WHAT HAVE I DONE? |
| 01:37:39 |
SHE MOLLYCODDLES THE BOY. |
| 01:37:40 |
A PILLOW FOR HIS ROYAL HEAD. |
| 01:37:43 |
NEXT SHE'LL BE TURNING OVER |
| 01:37:46 |
WHAT CAN YOU EXPECT |
| 01:37:49 |
HA, HA, SHE'S SOFT IN THE HEAD. |
| 01:37:51 |
BUT I CAN ASSURE YOU MADAME |
| 01:37:54 |
AS HER HUSBAND. |
| 01:37:54 |
TRUSTWORTHY? |
| 01:37:55 |
I'M NOT SO SURE EITHER |
| 01:37:58 |
I HEAR THE MAN IS IN DEBT, |
| 01:38:01 |
RIPE FOR BRIBERY. |
| 01:38:03 |
BRIBERY? |
| 01:38:04 |
WELL, THOSE BENT ON |
| 01:38:07 |
WOULD BE WILLING |
| 01:38:09 |
DUVAL AND HIS WIFE |
| 01:38:11 |
- AS SOON AS POSSIBLE. |
| 01:38:13 |
VERY WISE. |
| 01:38:15 |
DEATH, ROBBING MY EYES |
| 01:38:22 |
IT'S UNTARNISHED PURITY! |
| 01:38:27 |
[APPLAUSE AND CHEERS] |
| 01:38:32 |
A WORD, MY FRIEND. |
| 01:38:33 |
AH, WILL IT WAIT? |
| 01:38:34 |
- MADEMOISELLE LONGET... |
| 01:38:37 |
THAT CHAUVELIN HAS SENT |
| 01:38:40 |
FROM LONDON CONCERNING YOU. |
| 01:38:42 |
CONCERNING ME? |
| 01:38:43 |
CHAUVELIN KNOWS THAT YOU |
| 01:38:46 |
THE SCARLET PIMPERNEL. |
| 01:38:47 |
I? IN LEAGUE WITH |
| 01:38:51 |
OH, REALLY, BARON, SOMEONE |
| 01:38:54 |
AH, YOU'RE PLAYING A VERY |
| 01:38:56 |
MONSIEUR ARMAND ST. JUST. |
| 01:38:58 |
NOW, WHY NOT TELL YOUR |
| 01:39:01 |
THE RESCUE OF THE DAUPHIN |
| 01:39:04 |
AFTER ALL, THEY HAVE A |
| 01:39:07 |
TO HIM THAN |
| 01:39:08 |
IF I KNEW THE IDENTITY |
| 01:39:11 |
AND I DO NOT, |
| 01:39:16 |
HE MUST KNOW YOU WANT |
| 01:39:18 |
I? |
| 01:39:19 |
SO THAT YOU CAN COLLECT |
| 01:39:21 |
YOU IN VIENNA, WHEN YOU |
| 01:39:23 |
FRENCH THRONE |
| 01:39:26 |
HM? |
| 01:39:29 |
AND DID THE SCARLET PIMPERNEL |
| 01:39:31 |
OF COURSE NOT. |
| 01:39:35 |
THANK YOU FOR YOUR |
| 01:39:38 |
AND NOW, IF YOU WILL |
| 01:39:41 |
I DON'T LIKE TO KEEP |
| 01:39:57 |
[POUNDING ON DOOR] |
| 01:40:00 |
OPEN, IN THE NAME |
| 01:40:03 |
THE VERY IDEA. |
| 01:40:06 |
WITH ALL THAT NOISE. |
| 01:40:07 |
WHERE IS MADEMOISELLE LONGET? |
| 01:40:10 |
WHERE ELSE WOULD SHE |
| 01:40:11 |
IN HER BOUDOIR. |
| 01:40:23 |
WHY, IT'S ALFONSE PONCEAU! |
| 01:40:26 |
FORGIVE ME MY DEAR, |
| 01:40:28 |
THAT'S QUITE ALL RIGHT, |
| 01:40:29 |
MONSIEUR PONCEAU AND I |
| 01:40:32 |
IT'S A TRIFLE EARLY FOR A |
| 01:40:34 |
THIS IS NOT A SOCIAL |
| 01:40:37 |
I AM HERE TO ARREST |
| 01:40:42 |
OH, THERE MUST BE |
| 01:40:44 |
HA, HA, ARREST! |
| 01:40:47 |
THE WARRANT WAS SIGNED |
| 01:40:51 |
WHEN HE RETURNED FROM |
| 01:40:54 |
HE MEANS TO ARREST HIS OWN |
| 01:40:57 |
CITIZEN ROBESPIERRE? |
| 01:40:59 |
SUPERIOR? |
| 01:41:02 |
DID YOU SAY YOU WERE HERE |
| 01:41:05 |
LOUIS ST. JUST? I AM HERE |
| 01:41:08 |
SEE HERE. |
| 01:41:10 |
OH, THAT EXPLAINS IT. |
| 01:41:15 |
IS NOT ARMAND ST. JUST, BUT |
| 01:41:20 |
DID YOU SAY, THAT IN THAT ROOM |
| 01:41:23 |
POWERFUL MEN IN FRANCE? |
| 01:41:25 |
WELL, IF THAT IS THE PERSON |
| 01:41:28 |
NO. NO. NO. NO. NO. |
| 01:41:30 |
IF HE'S ASLEEP. I'LL JUST |
| 01:41:32 |
NO NEED EVEN TO MENTION |
| 01:41:35 |
SUCH A BUSY MAN. SO MANY |
| 01:41:39 |
PLEASE, [GASP], JUST PRETEND |
| 01:41:43 |
THAT IS ALL. |
| 01:41:44 |
COME ALONG, YOU IDIOTS. |
| 01:41:52 |
YOU WERE WONDERFUL. |
| 01:41:53 |
WHEN HE REALIZES HIS MISTAKE |
| 01:41:56 |
YOU MUST LEAVE PARIS IMMEDIATELY. |
| 01:41:57 |
NOT WITH A FEAR. |
| 01:42:01 |
BE READY AT MIDDAY TOMORROW, |
| 01:42:04 |
IT'S TOO DANGEROUS. |
| 01:42:08 |
NOW GO! |
| 01:42:12 |
NO. NOT THAT WAY. |
| 01:42:14 |
USE THE ROOF. |
| 01:42:18 |
TILL MIDDAY. |
| 01:42:31 |
IMBECILE! LOUIS ST. JUST |
| 01:42:35 |
I DOUBT IF HE'S SLEPT WITH |
| 01:42:37 |
SHE'S TAKEN YOU FOR |
| 01:42:40 |
I SHALL RETURN AT ONCE |
| 01:42:42 |
OH, HE'S LONG GONE |
| 01:42:43 |
- BUT THE... |
| 01:42:51 |
[SIGH] |
| 01:42:57 |
GO TO THE RESIDENCE |
| 01:42:59 |
INFORM ME THE MINUTE |
| 01:43:02 |
ARMAND ST. JUST. |
| 01:43:07 |
DUVAL, THE DAUPHIN'S JAILOR AND |
| 01:43:11 |
SO...AT LONG LAST, |
| 01:43:16 |
THANKS TO YOU, MY DEAR ARMAND. |
| 01:43:18 |
NOW LISTEN CAREFULLY. |
| 01:43:20 |
THE BOY WILL BE BROUGHT |
| 01:43:22 |
OUTSIDE PARIS...HERE, |
| 01:43:25 |
WHERE ARMAND WILL BE WAITING, |
| 01:43:28 |
THE TIMING IS CRUCIAL. |
| 01:43:30 |
ONE SLIP...AND WE CAN HAVE |
| 01:43:33 |
FORCE OF FRANCE ON OUR HEELS. |
| 01:43:36 |
FROM THERE, HE WILL BE |
| 01:43:38 |
WHERE TONY WILL BE |
| 01:43:41 |
TONY TAKES HIM ON |
| 01:43:42 |
WHILST YOU RIDE |
| 01:43:44 |
YOU BRING THE YACHT... |
| 01:43:51 |
WHERE YOU WAIT, |
| 01:43:52 |
ONLY UNTIL THE BOY |
| 01:43:55 |
AND THEN ON THE |
| 01:43:57 |
SAIL FOR ENGLAND. |
| 01:43:59 |
WHERE YOU, MY DEAR ARMAND, MUST STAY. |
| 01:44:03 |
UGH! IS IT SAFE FOR |
| 01:44:05 |
YOU TOOK AN OATH OF |
| 01:44:07 |
WHEN YOU JOINED US. |
| 01:44:08 |
BUT I GAVE MY WORD TO LOUISE! |
| 01:44:09 |
IT IS YOUR WORD TO THE |
| 01:44:13 |
PERCY, LET ME GO BACK |
| 01:44:17 |
OUT OF THE QUESTION. |
| 01:44:18 |
HOW CAN YOU BE |
| 01:44:20 |
YOU DON'T EVEN KNOW |
| 01:44:27 |
YOU MUST LEARN |
| 01:44:33 |
DO NOT TROUBLE YOU HEAD |
| 01:44:39 |
I WILL SEE |
| 01:44:42 |
WILL YOU BRING HER |
| 01:44:45 |
I GIVE YOU MY WORD. |
| 01:44:48 |
[SIGH] |
| 01:44:49 |
NOW. GET SOME REST. |
| 01:44:53 |
BY THE WAY. YOU'RE WRONG |
| 01:44:58 |
THE MEANING OF LOVE... |
| 01:45:10 |
I SHOULD NEVER HAVE |
| 01:45:11 |
IT'S FAR TOO DANGEROUS. |
| 01:45:12 |
I WOULD GLADLY FACE ANY |
| 01:45:16 |
I LOVE HIM MORE THAN LIFE ITSELF. |
| 01:45:18 |
I CAN ONLY PRAY THAT |
| 01:45:20 |
HAD YOU HESITATED, HE WOULD |
| 01:45:26 |
LOOK, CALAIS. |
| 01:45:29 |
WE'LL LAND MY NIGHTFALL. |
| 01:46:02 |
AREN'T YOU GOING TO STOP HIM? |
| 01:46:07 |
NO. |
| 01:46:11 |
[KNOCKING ON DOOR] |
| 01:46:31 |
RIDE. |
| 01:46:34 |
GIDDY-UP |
| 01:46:40 |
TYRONE. |
| 01:46:43 |
TYRONE, TAKE CARE |
| 01:46:46 |
THAT BELONGED TO |
| 01:46:49 |
CITIZEN, CERONE, TO YOU, MATE. |
| 01:46:54 |
THIS WAY. |
| 01:47:00 |
WELL, THEY'RE NOW |
| 01:47:02 |
HUH, LET'S SEE HOW |
| 01:47:04 |
COME ON, LET'S GET OUTTA HERE. |
| 01:47:06 |
WHAT ABOUT THE REST |
| 01:47:07 |
AH, THE LACKEY'L MANAGE. |
| 01:47:10 |
AND THE ADDRESS? |
| 01:47:11 |
UH, YEAH, I KNOW, I KNOW. |
| 01:47:13 |
RUE DE BECK ST. CLAIR... |
| 01:47:15 |
NOW, YOU MAKE SURE |
| 01:47:17 |
AW RIGHT, AW RIGHT. |
| 01:47:25 |
HI! UP! |
| 01:47:26 |
[HORSE WHINNY] |
| 01:47:34 |
AS SOON AS THE LACKEY |
| 01:47:36 |
YOU AND YOUR WIFE CAN |
| 01:47:44 |
WELL, MAKE WAY, THEN, MAKE WAY. |
| 01:47:47 |
MADAME DUVAL'S PRECIOUS |
| 01:48:29 |
GIDDAP, THEN. |
| 01:48:35 |
THESE WILL BE YOUR |
| 01:48:38 |
AND IN HERE |
| 01:48:43 |
I WARN YOU. |
| 01:48:47 |
YOU LEAVE HIM TO ME |
| 01:48:49 |
HE'LL TOE THE LINE, |
| 01:48:51 |
PAPERS. |
| 01:48:58 |
THIS PASS IS SIGNED |
| 01:49:02 |
THE GOVERNOR OF |
| 01:49:03 |
THE VERY SAME, SERGEANT. |
| 01:49:07 |
RIGHT. |
| 01:49:09 |
GATES! |
| 01:49:22 |
...SPECIFIC INSTRUCTIONS |
| 01:49:24 |
ANY CHANGE |
| 01:49:26 |
ON MY WORD, CITIZEN. |
| 01:49:28 |
THE LAST TIME I LOOKED IN. |
| 01:49:29 |
JUST AS HE IS NOW. |
| 01:49:34 |
WHAT PROMPTED YOU |
| 01:49:36 |
WELL, WHEN I RECEIVED |
| 01:49:38 |
I GAVE NO WARNING. |
| 01:49:41 |
ST. JUST. |
| 01:49:43 |
I SAID OPEN IT! |
| 01:49:44 |
[KEYS JANGLE; DOOR OPENS] |
| 01:50:25 |
UGH. |
| 01:50:34 |
WOULD YOU LIKE |
| 01:50:37 |
HUH? |
| 01:50:41 |
ALL RIGHT, THEN. |
| 01:50:43 |
WATCH THIS. |
| 01:50:47 |
HAH. HAH. |
| 01:51:11 |
UH HUH. |
| 01:51:13 |
LET THAT BE A LESSON |
| 01:51:15 |
NEVER TAKE ANYONE |
| 01:51:19 |
GATES! |
| 01:51:22 |
CLEAR THE WAY! |
| 01:51:35 |
DOWN ON THE FLOOR, SIR. |
| 01:51:37 |
WE ARE IN FOR A RUN. |
| 01:51:38 |
GIDDAP! |
| 01:51:46 |
[GUNSHOT] |
| 01:52:02 |
[GUNSHOT] |
| 01:52:03 |
OH! |
| 01:52:25 |
RIGHT. SPREAD OUT AND |
| 01:52:27 |
THEY CAN'T HAVE |
| 01:52:41 |
THEY MUST HAVE |
| 01:52:43 |
SEARCH THE OTHER SIDE. |
| 01:53:11 |
GOOD GOD, MAN, |
| 01:53:13 |
PERCY. |
| 01:53:14 |
I'VE HAD MY FAIR |
| 01:53:20 |
YOU MUST TAKE THE BOY |
| 01:53:22 |
FIND SOME WAY TO NOTIFY |
| 01:53:24 |
THAT THE PLANS |
| 01:53:26 |
MEANWHILE I'LL |
| 01:53:27 |
MY DEAR CHAP, YOU CAN'T |
| 01:53:28 |
ARMAND DIDN'T ARRIVE. |
| 01:53:30 |
HE MUST BE IN TROUBLE. |
| 01:53:31 |
I CANNOT DESERT HIM NOW. |
| 01:53:34 |
RIGHT, PERCY. |
| 01:53:45 |
AND UP. |
| 01:53:48 |
GOD SPEED, YOUR HIGHNESS. |
| 01:54:00 |
[HORSE WHINNY] |
| 01:54:10 |
[KNOCK ON DOOR] |
| 01:54:15 |
WHAT DO YOU WANT? |
| 01:54:16 |
A GENTLEMAN ASKED |
| 01:54:21 |
TELL HIM IT'S SAFE |
| 01:54:27 |
SHE SAYS IT'S SAFE. |
| 01:54:35 |
THANK YOU. |
| 01:54:45 |
QUICKLY, MONSIEUR, |
| 01:55:02 |
IN THERE. |
| 01:55:23 |
MADEMOISELLE LONGET. |
| 01:55:28 |
PLEASE FORGIVE HIM, |
| 01:55:30 |
NO MATTER. |
| 01:55:31 |
I TOO UNDERSTAND |
| 01:55:38 |
[CLEARING THROAT] |
| 01:55:44 |
GOOD DAY, SIR PERCY. |
| 01:55:47 |
I REALIZED THAT YOUR |
| 01:55:49 |
PERMIT YOU TO ABANDON |
| 01:55:57 |
I'M SORRY, PERCY. |
| 01:56:06 |
SINK ME, |
| 01:56:09 |
FOR A CHANGE. |
| 01:56:11 |
BUT THEN, TWO NO ACCOUNT |
| 01:56:14 |
IN EXCHANGE FOR |
| 01:56:17 |
WOULD SEEM TO BE |
| 01:56:20 |
DON'T YOU THINK? |
| 01:56:22 |
AMAZING, HOW A MERE LAD |
| 01:56:26 |
FINGERS SO EASILY. |
| 01:56:28 |
- I'LL WAGER, THERE'LL |
| 01:56:30 |
WHEN YOUR COMMITTEE |
| 01:56:33 |
DISCOVERS THAT HE LEFT |
| 01:56:36 |
OH, HAS HE LEFT THE COUNTRY? |
| 01:56:39 |
THERE WAS SOME PROBLEM |
| 01:56:42 |
NO. NO. NO. IT'S DONE LIKE THIS. |
| 01:57:06 |
VERY FOOLISH, SIR PERCY. |
| 01:57:08 |
GAD, SIR, NOBLESS OBLIGE. |
| 01:57:13 |
[DOOR OPENS] |
| 01:57:16 |
LADY BLAKENEY. |
| 01:57:19 |
I SERIOUSLY DOUBT THAT. |
| 01:57:24 |
I HAD HEARD, UNOFFICIALLY |
| 01:57:29 |
PLEASE, WON'T YOU TAKE A SEAT? |
| 01:57:30 |
I SHALL MAKE THIS BRIEF. |
| 01:57:32 |
I'M HERE ON BEHALF OF MY HUSBAND. |
| 01:57:35 |
SIGNED BY THE PRINCE OF WALES. |
| 01:57:38 |
NO, UNLESS YOU WISH ME TO |
| 01:57:42 |
I DEMAND THAT YOU LET |
| 01:57:44 |
[SIGH] |
| 01:57:46 |
THERE'S NO NEED FOR ALL THAT. |
| 01:57:50 |
YOU HAD BUT TO ASK. |
| 01:58:02 |
YOU HAVE A VISITOR. |
| 01:58:15 |
MARGUERITE. |
| 01:58:18 |
HELLO, SIR PERCY. |
| 01:58:20 |
TWO MINUTES. |
| 01:58:24 |
REMEMBER MY CONDITIONS. |
| 01:58:28 |
[DOOR CLOSES |
| 01:58:52 |
OH, MY DARLING! |
| 01:59:04 |
HOW I PRAYED |
| 01:59:08 |
MY DARLING, CAN YOU EVER |
| 01:59:10 |
OH, IT IS I WHO MUST |
| 01:59:14 |
CHAUVELIN SAYS HE WILL |
| 01:59:17 |
TELL HIM THE DAUPHIN'S |
| 01:59:20 |
IF NOT... |
| 01:59:24 |
TO LOSE YOU NOW. |
| 01:59:30 |
YOU KNEW THE NEXT FEW |
| 01:59:31 |
POSSIBLE, DON'T YOU? |
| 01:59:34 |
TELL THEM. |
| 01:59:37 |
TELL THEM WHAT THEY |
| 01:59:39 |
MY DARLING, I CANNOT. |
| 01:59:41 |
YOU MUST NOT ASK ME. |
| 01:59:44 |
THEN WE MUST FIND A WAY |
| 01:59:46 |
THIS DREADFUL PLACE. |
| 01:59:50 |
THERE MAY BE A WAY. |
| 01:59:53 |
NOW LISTEN CAREFULLY. |
| 01:59:54 |
THERE'S NOT ENOUGH TIME |
| 01:59:57 |
THE LIFE OF THE DAUPHIN |
| 02:00:00 |
ON YOUR ABILITY TO |
| 02:00:02 |
TO THE LETTER. |
| 02:00:04 |
QUICKLY, PUT THIS ON. |
| 02:00:07 |
YOU WILL NEED IT IN ORDER |
| 02:00:12 |
WHO WOULD HAVE IMAGINED |
| 02:00:15 |
IN LEAGUE WITH THE |
| 02:00:17 |
I WAS SO SURE HE WANTED |
| 02:00:20 |
HE WANTS THE BOY TO LIVE. |
| 02:00:22 |
AND YOU ARE NOW THE |
| 02:00:26 |
THESE ORDERS WILL RELEASE |
| 02:00:29 |
DELIVER THEM TO LORD |
| 02:00:32 |
AT THE ISLAND FORTRESS |
| 02:00:35 |
AFTER THAT, YOU HAVE |
| 02:00:37 |
TO GET THE BOY |
| 02:00:38 |
HUH, BUT, I NEED MORE |
| 02:00:40 |
THERE ARE ARRANGEMENTS TO BE MADE. |
| 02:00:42 |
TOMORROW AT NIGHTFALL. |
| 02:00:46 |
[DOOR CLOSES] |
| 02:00:47 |
AT LAST YOU'RE TALKING SENSE. |
| 02:00:49 |
ONE CONDITION, |
| 02:00:52 |
MY WIFE, HER BROTHER AND |
| 02:00:55 |
GUARANTEED SAFE CONDUCT |
| 02:00:58 |
AS SOON AS |
| 02:01:00 |
WHERE IS HE? |
| 02:01:01 |
I'M AFRAID I CANNOT |
| 02:01:03 |
I MUST LEAD YOU TO |
| 02:01:05 |
MY MEN WILL ONLY RELEASE |
| 02:01:08 |
AGREED. |
| 02:01:09 |
A LITTLE MATTER |
| 02:01:11 |
OF COURSE. |
| 02:01:13 |
ONE OTHER MATTER. |
| 02:01:15 |
A CHANGE OF LINEN, PERHAPS. |
| 02:01:17 |
HE TAKES YOU FOR |
| 02:01:20 |
MY DEAR FOUQUET, IF IT |
| 02:01:22 |
THAT I SHOULD TAKE |
| 02:01:24 |
I CAN ASSURE YOU THAT I |
| 02:01:28 |
HE CAN SCHEME |
| 02:01:30 |
GUARD! |
| 02:01:30 |
[DOOR OPENS] |
| 02:01:43 |
HOSTAGES? |
| 02:01:46 |
YOU ARE NOT THE ONLY |
| 02:01:49 |
YOU AND I WILL TRAVEL TOGETHER. |
| 02:01:53 |
ANY TRICKERY, MY FRIEND, |
| 02:01:57 |
ALL I ASK IS, |
| 02:02:25 |
BARON DE BATZ, MY LORD. |
| 02:02:26 |
LOUIS! |
| 02:02:35 |
YOUR HIGHNESS, |
| 02:02:37 |
THIS GENTLEMAN IS |
| 02:02:39 |
HE'S GOING TO TAKE |
| 02:02:41 |
AND FROM THERE |
| 02:02:43 |
YOUR ROYAL HIGHNESS. |
| 02:02:45 |
YOU HAVE MANY FRIENDS |
| 02:02:47 |
WHO WILL HELP YOU TO |
| 02:02:49 |
WHICH HAS BEEN SO |
| 02:02:54 |
COME. |
| 02:02:56 |
I WISH YOU BOTH |
| 02:03:00 |
GODSPEED! |
| 02:03:38 |
CITIZEN! |
| 02:03:39 |
TAKE HALF YOU MEN AND GO ON AHEAD. |
| 02:03:42 |
YES, CITIZEN. |
| 02:03:44 |
YOU MEN, FOLLOW ME. |
| 02:03:59 |
TWO BIRDS WITH ONE STONE. |
| 02:04:01 |
THE DAUPHIN AND |
| 02:04:04 |
MY SEAT ON THE COMMITTEE |
| 02:04:08 |
THANKS TO YOUR PRIMITIVE |
| 02:04:11 |
PRIMITIVE? MY DEAR CHAUVELIN. |
| 02:04:16 |
OVER YOUR NEW ORDER. |
| 02:04:25 |
A SIGNAL FROM THE FORTRESS, |
| 02:04:28 |
THANK YOU, CORPORAL. |
| 02:04:29 |
YOU AND YOUR MEN REMAIN HERE. |
| 02:04:32 |
THE ISLAND WITHOUT ME. |
| 02:04:33 |
IF I'M NOT BACK WITHIN THE HOUR. |
| 02:04:36 |
YES, CITIZEN. |
| 02:04:37 |
ONWARD, DRIVER! |
| 02:05:07 |
GONE? WHAT DO YOU MEAN, |
| 02:05:10 |
THAT'S JUST IT, SIR, THE BOY, THE |
| 02:05:14 |
THIS MAN SAYS HE MAY HAVE |
| 02:05:16 |
THEN WHERE HAVE THEY GONE. |
| 02:05:19 |
TO TAKE THE BOY ACROSS |
| 02:05:23 |
AND THENCE TO ENGLAND. |
| 02:05:24 |
ENGLAND. |
| 02:05:26 |
JUST AS I THOUGHT. |
| 02:05:29 |
THIS IS YOUR DOING. |
| 02:05:31 |
TAKE THIS SPY INTO THE |
| 02:05:32 |
HIM AT ONCE. |
| 02:05:33 |
NO! |
| 02:05:36 |
I HAVE ONLY ONE LAST |
| 02:05:38 |
YES. |
| 02:05:39 |
SPARE MY WIFE. |
| 02:05:41 |
ALLOW HER TO GO FREE. |
| 02:05:44 |
OH, SHE WILL BE FREE, |
| 02:05:50 |
TAKE HIM AWAY. |
| 02:05:51 |
NO PLEASE! |
| 02:05:52 |
LET ME DIE WITH YOU. |
| 02:05:55 |
MY DARLING. WHAT I AM |
| 02:06:00 |
TRUST ME. |
| 02:06:02 |
THIS ONE LAST TIME. |
| 02:06:03 |
WITHOUT QUESTION. |
| 02:06:11 |
I SHALL BE BACK, MY DEAR |
| 02:06:14 |
TO HAUNT YOU. |
| 02:06:16 |
DETAIL, LEFT TURN. |
| 02:06:39 |
[THE SOUND OF WIND BLOWING] |
| 02:06:54 |
DETAIL...HALT! |
| 02:06:56 |
FACE FRONT. |
| 02:07:14 |
READY. |
| 02:07:27 |
AIM! |
| 02:07:35 |
FIRE, DAMN YOU, FIRE. |
| 02:07:38 |
FIRE! [GUNSHOT VOLLEY] |
| 02:07:50 |
CAPTAIN. |
| 02:07:51 |
SIR. |
| 02:07:53 |
TAKE THESE TWO PRISONERS |
| 02:07:55 |
YES, SIR. |
| 02:07:56 |
THEY WILL BE RETURNED TO PARIS. |
| 02:07:59 |
FOR TREASON. |
| 02:08:01 |
I'M...NOT AFRAID |
| 02:08:04 |
BUT YOU GAVE YOUR WORD |
| 02:08:09 |
BUT AN OATH TO A SCOUNDREL |
| 02:08:14 |
SINK ME, I COULDN'T |
| 02:08:21 |
NO, NO, NO, MY DEAR CHAUVELIN. |
| 02:08:25 |
UPON A GHOST. |
| 02:08:26 |
BUT ALLOW ME TO INTRODUCE |
| 02:08:32 |
LORD ANTHONY DEWHURST, |
| 02:08:35 |
SIR ANDREW FFOULKES, |
| 02:08:37 |
LORD TIMOTHY HASTINGS, |
| 02:08:40 |
AND THE LEAGUE |
| 02:08:49 |
SOMETHING TELLS ME, THAT |
| 02:08:52 |
TO THE MEN YOU |
| 02:08:54 |
HMM? |
| 02:08:58 |
[DOOR OPENS] |
| 02:09:03 |
VOILA. |
| 02:09:07 |
[DOOR CLOSES] |
| 02:09:08 |
I'M SURPRISED, MY DEAR |
| 02:09:11 |
NOTICE THEIR ILL-FITTING UNIFORMS. |
| 02:09:13 |
BUT THEN FASHION NEVER |
| 02:09:19 |
BUT WHY THIS CHARADE, |
| 02:09:22 |
MY DEAR CHAP, I NEVER WOULD |
| 02:09:25 |
OF YOUR MOMENT OF TRIUMPH. |
| 02:09:27 |
ALAS, A MOMENT WAS |
| 02:09:30 |
- MY CONGRATULATIONS |
| 02:09:32 |
AS ALWAYS EVERYTHING |
| 02:09:39 |
ONLY THIS TIME, YOU HAVE |
| 02:09:44 |
THERE IS NO WAY OFF THIS ISLAND |
| 02:09:49 |
AND IF YOU CARE TO LOOK |
| 02:09:52 |
YOU WILL SEE MY MEN, |
| 02:09:55 |
SINK ME. |
| 02:09:57 |
SO THEY ARE. |
| 02:10:00 |
BUT THEN, IF YOU WOULD CARE |
| 02:10:03 |
YOU WOULD SEE ME YACHT, |
| 02:10:06 |
OFFSHORE TO TAKE LADY |
| 02:10:10 |
MY MEN SAFELY BACK |
| 02:10:20 |
MY HAT IS OFF TO YOU, |
| 02:10:24 |
YOU'VE DONE IT AGAIN. |
| 02:10:29 |
PERCY! |
| 02:10:37 |
A GENTLEMAN...ALWAYS... |
| 02:10:43 |
STAND AWAY! |
| 02:10:47 |
THIS PLEASURE... |
| 02:11:29 |
[CLINK] |
| 02:11:31 |
[CRASH] |
| 02:11:45 |
HUH. |
| 02:11:50 |
HUH. |
| 02:11:52 |
HUH. |
| 02:11:58 |
UGH. |
| 02:12:13 |
OH!. |
| 02:12:20 |
[BREATHING HEAVILY] |
| 02:12:31 |
UHH. |
| 02:12:33 |
UGH! |
| 02:12:35 |
WELL, FINISH IT OFF, MAN, |
| 02:12:39 |
[BREATHING HEAVILY] |
| 02:12:40 |
A SPORTING CHANCE. |
| 02:12:43 |
OH, THE ENGLISH, AND THEIR |
| 02:12:48 |
EXACTLY SO! |
| 02:12:50 |
[GASP] |
| 02:12:52 |
IN YOUR CASE, FAIR PLAY... |
| 02:12:56 |
IN THE HANDS OF ROBESPIERRE |
| 02:13:00 |
TAKE HIM AWAY, |
| 02:13:02 |
AND STRIP HIM. |
| 02:13:04 |
I SHALL NEED TO STYLE HIS |
| 02:13:07 |
GUARD AT THE CAUSEWAY THAT |
| 02:13:11 |
YOU'RE NOT GOING AWAY. |
| 02:13:13 |
MY DARLING, I MUST. |
| 02:13:15 |
I WOULD BRING LOUISE |
| 02:13:17 |
NOT THIS TIME. |
| 02:13:20 |
AND GO TO PARIS |
| 02:13:22 |
PERHAPS IN THIS |
| 02:13:24 |
I MAY ATONE |
| 02:13:25 |
NO, NEITHER OF YOU ARE GOING. |
| 02:13:28 |
PERCY, YOU MUSTN'T |
| 02:13:29 |
- SIR. |
| 02:13:31 |
YOUR WARDROBE. |
| 02:13:32 |
AHA. |
| 02:13:36 |
I WILL CONFESS. THIS IS ONE |
| 02:13:40 |
THE HONOR, MY DEAR ARMAND, |
| 02:13:43 |
GODSPEED, MY FRIEND. |
| 02:14:04 |
[MUFFLED] |
| 02:14:06 |
AS QUICKLY AS POSSIBLE. |
| 02:14:07 |
VERY GOOD, CITIZEN CHAUVELIN. |
| 02:14:11 |
- HE'S SAFELY AWAY, PERCY. |
| 02:14:12 |
THEN PREPARE TO |
| 02:14:15 |
WE SAIL...FOR ENGLAND. |
| 02:14:23 |
THEY SEEK HIM HERE, |
| 02:14:26 |
THOSE FRENCHIES |
| 02:14:28 |
IS HE IN HEAVEN? |
| 02:14:30 |
OR IS HE IN HELL? |
| 02:14:33 |
MY OWN, ELUSIVE, PIMPERNEL. |
| 02:14:38 |
SINK ME, THE LADY'S A POET. |
