|
Schlo Gripsholm The Gripsholm Castle
|
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Adapted from motifs by Tucholsky |
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Tamerlane was |
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In Asia, everyone knew that man. |
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Tamerlane galloped |
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And wherever that boy trod |
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no grsss wss seen. |
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Every single woman |
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listened for his fearful step. |
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And when cities fell, |
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all the girls fell and wept. |
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The wildest battles he always waged. |
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In Asia back then, |
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those were wonderful days. |
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I'm truly in the mood |
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for some Tamerlane spice today. |
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A little bit of Tamerlane |
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If I were ever flustered |
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well then what a laugh! |
| 00:02:27 |
I believe something's going to pass. |
| 00:02:33 |
I'm truly in the mood |
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for some Tamerlane spice. |
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A little bit of Tamerlane |
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I look at the crowd |
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There's a certain aura, |
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Oh man, go away. |
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Flowers! |
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Flowers for the ladies! |
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What are you doing? Don't! |
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Let me go! |
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Help! |
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My intact ladies, |
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and gentlemen! |
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Welcome with me |
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Peter Panther, |
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Kaspar Hauser, Ignaz Wrobel, or |
| 00:03:41 |
Kurt Tucholsky. |
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Tamerlane, my dearest child, |
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I'd like to have a Tamerlane, too. |
| 00:03:57 |
For a Tamerlane, |
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People who speculate |
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You'll search here in vain |
| 00:04:15 |
You can look all around, |
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This just came in on the ticker. |
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The Reichswehr wants to |
| 00:04:59 |
Again? |
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Based on the well-known quote: |
| 00:05:02 |
"Did I say murder? Yes, of course! |
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Of course, the Brownshirts see red! |
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Who will they press charges against? |
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Ignaz Wrobel. |
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All Berlin knows you wrote it. |
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The text is a year old. |
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Times are getting tough. |
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As if writing could change things. |
| 00:05:24 |
It can... Your life. |
| 00:05:30 |
Is your editorial finished? |
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This? |
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Hurry up, Kurt, or you'll miss |
| 00:05:46 |
Alright... good luck. |
| 00:05:51 |
I want your article on my desk |
| 00:06:07 |
Just a minute! |
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What about the love story |
| 00:06:13 |
The love story. Dear maestro, |
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what do you want? |
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An ironic tale with tender feelings |
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Love! At a time like this! |
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People want something |
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something |
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Perhaps a little summer tale. |
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Wonderful! The very thing |
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Listen, Kurt! The contents |
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Are you sure? |
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Absolutely. As long as |
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Like your editorials |
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And 15 percent commission |
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15 percent |
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Publishers only pretend to be human. |
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14 percent! |
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You won't get a word from me. |
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I start writing at 12 percent. |
| 00:07:03 |
That's impossible! |
| 00:07:05 |
Oh, alright. 12 percent... |
| 00:07:08 |
Does that mean "yes?" |
| 00:07:20 |
Thank you. Goodbye. |
| 00:07:28 |
Freimann and Sons called a 3rd time |
| 00:07:30 |
to inquire about the unpaid soap |
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And Oppenheimer complained |
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Off you go! |
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Your temporary replacement |
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Don't forget to mail the letters. |
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Have a nice vacation. |
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I hate him, I hate him, I hate him. |
| 00:08:21 |
Why don't you kill him? |
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Someone else is taking care of that. |
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All I do is write letters explaining |
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If they stop delivering, |
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So they deliver |
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Then he calls them |
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A kiss for Lydia. |
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Someone once said |
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moments we recall in the very |
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Looking back on my life, |
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the most important moment |
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the most important time of my life. |
| 00:09:00 |
A wonderful summer. |
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Perhaps because I didn't know |
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It all began in Berlin, |
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the craziest town imaginable. |
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He sure knows how to stage things. |
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So nice you're there. |
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You say that to every woman. |
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That's a big fat lie! |
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Sometimes I also say |
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It's nice you're there... |
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Go to hell! |
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Mrs. Kremser told me to take along |
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because there's no summer in Sweden. |
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Is it really that cold up there? |
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It's strange. Every time |
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Not like that. Like this. |
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They think, |
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Swedish punch... very cold. |
| 00:10:22 |
Matches... very cold. |
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Blond women... very cold. |
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It isn't so cold in Sweden. |
| 00:10:45 |
Is your editorial finished? |
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As if writing could change anything. |
| 00:11:11 |
I'm 24, and I still don't know |
| 00:11:12 |
why a ship floats on water. |
| 00:11:16 |
It weighs too much. |
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With the anchor and the smokestack |
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It's the oxygen in the bulkheads. |
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The specific gravity of water. |
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the more water is displaced. |
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Shut up! If you use so many |
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It's a shame you're so stupid. |
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I'm a writer. What do you expect? |
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We're being devoured. |
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Why the frown? |
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You'll see Germany again in 5 weeks. |
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Princess? |
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Say something. |
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You dummy. |
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Three? |
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Hurry. |
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Catch! |
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You got it back. |
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That's not |
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Can you speak Swedish? |
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This is what I do: |
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I add the ending |
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And these "speakas understandas" |
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Let me introduce you |
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The taxi boss is a baron? |
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Why not? |
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Welcome. |
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Everything went well? |
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Yes, thank you. |
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"Goodas Dayas." |
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Oh, you speak Swedish, Princess? |
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Uh... how did he know... |
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You tricked me! You know each other. |
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You're going to pay for this! |
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Look ahead... |
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Oh no. A real castle. |
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Gripsholm Castle. |
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And it belongs to you? |
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Welcome... |
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This way. |
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Thank you, Mrs. Anderson. |
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So, you don't mind |
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A while? |
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I'll stay here forever. |
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Typical, isn't it? I hate you. |
| 00:16:00 |
I hate you. How do I look now? |
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Let me see. Like this. |
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You know just |
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Too small for you? |
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Too big? |
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I have nothing to wear, |
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What a creep. |
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My dear... Princess. |
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No matter what you wear, |
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We've been together |
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and you're staring at other girls! |
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A man's basic instinct. |
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You're already tired of me? |
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I was hoping you wouldn't notice |
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If you thought I'd be jealous... |
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after all those tests |
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Got any Swedish money? |
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What for? |
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To buy buttons. |
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Nice money. |
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I'm not the baron, only his guest. |
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Pennypincher! |
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Yes, those two. Thank you. |
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I hope you are enjoying your stay. |
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Your husband... |
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Boyfriend! |
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You know how sensitive |
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At first, they complain, |
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But a proposal... |
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If I accept it before he asks, |
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he suddenly gets the shakes |
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Thank you for your generosity... |
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Nonsense. Stay as long as you like. |
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Marry this woman, |
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Or do you love your country so much |
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that you rule out this possibility? |
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The love for my country |
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Nonsense, you dunderheadas. |
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A man who writes such passionate and |
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and such poetic things, |
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You have someone |
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I thought that was my privilege. |
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I must leave you here alone now. |
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I'm leaving early tomorrow. |
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Goodbye, dear Princess. |
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Mrs. Andersson |
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Thank you, Baron. |
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Make my home your castle. |
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Good night. |
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Sleep tight. |
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How did you earn all this, |
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How? |
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Little kings have always |
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But the baron isn't like that. |
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No, he's a real patron. |
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What do you think of |
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Kings have slept here. |
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And I bet they did |
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with their mistresses. |
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Is this "unkingly?" |
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There was once |
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She had a tattoo on her thigh |
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Yes?.. Where was it? |
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I believe it was here. |
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Are you sure? |
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No, now that you ask. |
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Or maybe... |
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No hands? |
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Just a second. No hands! |
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Watch! Look! No hands! No hands! |
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First one to be at the castle! |
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Step on it! |
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Okay, you won! |
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Princess! |
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Princess! |
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Princess! Give up! |
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Lydia! |
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Don't be so dramatic, Daddy! |
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We all have to die some time, |
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No splashing |
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Or I'll get all wet. |
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Let me down! Please, don't! |
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It's so cold! |
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You... |
| 00:22:07 |
Did you know that women |
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Really? |
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Even after |
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Tell me you love me. |
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Princess, you know I can't lie. |
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Would you marry me? |
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I promise to refuse... |
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at first. |
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How do I know |
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We'll see. |
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We'll go to bed together, |
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And you'll know all his nuances... |
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And his underpants. |
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You'll know his jokes by heart. |
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I know every single poem of yours. |
| 00:22:47 |
Are you going to write |
| 00:22:49 |
You have a meaningful topic. |
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What? |
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Me. |
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I'm your muse. |
| 00:22:57 |
Of course, you're the hero. |
| 00:23:01 |
I'm no hero. |
| 00:23:03 |
You're my hero. |
| 00:23:06 |
Heroes are people |
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Then I can't be a heroine. |
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I have too much imagination |
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regarding certain things. |
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Oh, people! |
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Stay together. |
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Come on. |
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Hurry up, Pia. Come on. |
| 00:23:38 |
Hey there. Here. |
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Thank you. |
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Ada! |
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Did you see the pain in her eyes? |
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That little girl. |
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Children aren't always happy. |
| 00:24:09 |
Ever want to have a child? |
| 00:24:13 |
Tell me. |
| 00:24:16 |
What if it inherits my face? |
| 00:24:20 |
Just as long as |
| 00:24:24 |
I mean it. Have you ever |
| 00:24:31 |
Sometimes, when I was younger. |
| 00:24:36 |
I could teach them everything, |
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the way my father taught me. |
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You're very well prepared. |
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We could start at once. |
| 00:24:52 |
Children need a future. |
| 00:24:54 |
Children only have a future. |
| 00:24:59 |
My grandmother always said, |
| 00:25:00 |
"When you have a child, |
| 00:25:03 |
And I'll give you hope. |
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I might stay here. |
| 00:25:17 |
Magnificent. |
| 00:25:18 |
We could lie here all day. |
| 00:25:31 |
What did you say? |
| 00:25:37 |
You aren't going back to Berlin? |
| 00:25:44 |
I'm so tired. |
| 00:25:48 |
It isn't my thing anymore. |
| 00:25:50 |
You're the nation's conscience. |
| 00:25:55 |
You can't always preach |
| 00:26:00 |
So I'll keep my mouth shut now. |
| 00:26:03 |
You can't scream at the ocean. |
| 00:26:05 |
You'll drown in speechlessness. |
| 00:26:07 |
German is your life. |
| 00:26:18 |
Something inside me |
| 00:26:34 |
What about us? |
| 00:26:39 |
I don't know. |
| 00:27:29 |
I have a suggestion. |
| 00:27:34 |
Let's enjoy the summer. |
| 00:27:36 |
It's all there will be. |
| 00:27:39 |
When it's over, |
| 00:27:47 |
Agreed. |
| 00:27:57 |
Anything else? |
| 00:28:23 |
That's Karl! |
| 00:28:26 |
You old bastard! |
| 00:28:29 |
Hey, he's coming directly at us! |
| 00:28:35 |
Karl! |
| 00:28:41 |
My God, he's crazier than you. |
| 00:28:48 |
Yes, sir. |
| 00:28:52 |
Come on. |
| 00:28:57 |
Karlchen! You hell-flyer! |
| 00:29:01 |
Do I know you, madame? |
| 00:29:03 |
I had a totally |
| 00:29:04 |
Short, fat and ugly? |
| 00:29:06 |
No. Tall and slender and handsome. |
| 00:29:09 |
Then I feel no aversion |
| 00:29:12 |
Ditto. |
| 00:29:17 |
Hey flatfoot. |
| 00:29:20 |
No more juice in the balls, huh? |
| 00:29:22 |
You writer! |
| 00:29:27 |
How do you like it here? |
| 00:29:28 |
It'd be great without him, |
| 00:29:31 |
but you know him. He jabbers away |
| 00:29:35 |
A nice chick. Did you play? |
| 00:29:37 |
You might say so. Russian roulette. |
| 00:29:41 |
Russian roulette? |
| 00:29:44 |
It's been a while. |
| 00:29:46 |
Sure. But I'll remove |
| 00:29:49 |
A very welcome bubble bath. |
| 00:29:55 |
Here. |
| 00:29:57 |
Right away. |
| 00:29:59 |
Uh... start it up? |
| 00:30:01 |
The engine. |
| 00:30:04 |
You're just kidding, aren't you? |
| 00:30:05 |
Nope. |
| 00:30:10 |
Contact! |
| 00:30:12 |
Kurt! Kurt, damn it! |
| 00:30:15 |
Come out of there, you damn idiot! |
| 00:30:23 |
He's doing great. |
| 00:30:24 |
You're as much an idiot as he is! |
| 00:30:26 |
You never know when to stop. |
| 00:30:31 |
What if he crashes? |
| 00:30:33 |
You'll still have me. |
| 00:30:35 |
What an improvement! |
| 00:30:37 |
I wouldn't let him kill himself. |
| 00:30:40 |
He still knows how to fly a plane. |
| 00:30:42 |
He never talked about flying. |
| 00:30:44 |
Everyone has his own little secret. |
| 00:30:49 |
Goodness gracious. |
| 00:30:50 |
I'd love to be led over |
| 00:30:55 |
No wonder you both look so superb. |
| 00:30:58 |
Thanks. |
| 00:30:58 |
The wine is ready. Please. |
| 00:31:01 |
Dear Mrs. Anderson. |
| 00:31:03 |
Your surprises |
| 00:31:05 |
How did you cool it so quickly? |
| 00:31:08 |
Your nickname |
| 00:31:11 |
Yes. Kurt's a clairvoyant. |
| 00:31:14 |
And a pessimist. |
| 00:31:17 |
That's no contradiction. |
| 00:31:19 |
Nonetheless, |
| 00:31:23 |
What do we drink to? |
| 00:31:25 |
To friendship. Your friendship. |
| 00:31:28 |
To friendship, |
| 00:31:36 |
Does it taste good? |
| 00:31:38 |
Like at Widow Cliquot's. |
| 00:31:40 |
Did you bring some newspapers? |
| 00:31:41 |
Yes, and the advance |
| 00:31:44 |
Have you been writing? |
| 00:31:45 |
Nightingale... |
| 00:31:49 |
We know what that means. |
| 00:31:52 |
You never told me |
| 00:31:54 |
No? |
| 00:31:57 |
No. |
| 00:32:09 |
Feeling good? |
| 00:32:12 |
Very good. |
| 00:32:15 |
You're part of Berlin. |
| 00:32:22 |
REICHSWEHR BRINGS CHARGES |
| 00:32:30 |
To everything we love. |
| 00:32:32 |
Germany. |
| 00:32:34 |
To everything we hate. |
| 00:32:37 |
Germany. |
| 00:32:43 |
The white limbs entwined themselves. |
| 00:32:46 |
The last pieces of clothing fell. |
| 00:32:50 |
Stretched out voluptuously, |
| 00:32:53 |
Undressed right to the belly, |
| 00:32:56 |
from under the belt. |
| 00:33:00 |
What a house of pleasure. |
| 00:33:03 |
Hey, police on Alexander Square, |
| 00:33:06 |
everyone likes |
| 00:33:09 |
and some pleasure. For example, |
| 00:33:13 |
this little show |
| 00:33:16 |
So don't worry about anything. |
| 00:33:21 |
Watch out for your husband! |
| 00:33:29 |
You journalists, |
| 00:33:31 |
Or should I tell you |
| 00:33:35 |
about something more shocking... |
| 00:33:40 |
They went naked into dens of vice. |
| 00:33:43 |
But you, my dear, do it every week. |
| 00:33:47 |
13 times! |
| 00:34:11 |
"Dear Kurt, |
| 00:34:13 |
I understand very well why you're |
| 00:34:18 |
since the weather here is miserable. |
| 00:34:21 |
Events aren't very cheery either. |
| 00:34:24 |
They've set a date |
| 00:34:27 |
It wouldn't help you |
| 00:34:30 |
The reactionary press |
| 00:34:32 |
which they're are doing already. |
| 00:34:34 |
Just one heart-felt wish: |
| 00:34:37 |
We want to get together |
| 00:34:41 |
Sincerely, Oss ( Ossietzky )" |
| 00:34:51 |
Remember the crazy way |
| 00:34:53 |
when our money disappeared? |
| 00:34:55 |
And you could buy all of Germany |
| 00:34:59 |
We all wanted to be cowboys. |
| 00:35:01 |
It was a nice time. |
| 00:35:05 |
What's she doing? |
| 00:35:06 |
She thinks that's |
| 00:35:09 |
I got one! I got one! I had one! |
| 00:35:16 |
How do you say "Soldiers |
| 00:35:20 |
Pardon me? |
| 00:35:21 |
It's the language |
| 00:35:27 |
What's on your mind, friend? |
| 00:35:29 |
It was a bit radical. Or to be |
| 00:35:34 |
Other people have expressed it |
| 00:35:39 |
I'm gradually |
| 00:35:42 |
hearing how I ruined Germany. |
| 00:35:45 |
Yet in all those years, |
| 00:35:47 |
I never succeeded in getting a |
| 00:35:50 |
And that hurts. |
| 00:35:54 |
Daring, huh? |
| 00:35:57 |
Desperate maybe. |
| 00:35:59 |
You were a soldier, too. |
| 00:36:02 |
So that also makes us murderers? |
| 00:36:04 |
Must I explain that? |
| 00:36:07 |
We were lucky. |
| 00:36:09 |
but in pretty girls' arms. |
| 00:36:13 |
No one wants a new war. |
| 00:36:15 |
Germany needs new self-confidence. |
| 00:36:17 |
With a Nazi salute? Horst Pressack. |
| 00:36:20 |
Hey guys! I caught one. |
| 00:36:25 |
You'll get him! |
| 00:36:30 |
I'll call him Kurt. |
| 00:36:34 |
See if you can do this! |
| 00:36:38 |
Or this! |
| 00:36:41 |
That looks nice. |
| 00:36:48 |
And the moon rises. |
| 00:36:53 |
Yes. Very nice. |
| 00:36:56 |
Mind and body are one. |
| 00:36:59 |
The personality is formed |
| 00:37:03 |
She reminds me of my mother. |
| 00:37:06 |
The fat woman? |
| 00:37:09 |
The one with the drum. |
| 00:37:21 |
Who was that? |
| 00:37:23 |
Yes, who was it? |
| 00:37:26 |
Honesty is part of it. |
| 00:37:32 |
Ada still doesn't know |
| 00:37:36 |
Your mother told me |
| 00:37:41 |
And I will. |
| 00:37:43 |
I'm afraid, |
| 00:37:45 |
She can't take part |
| 00:37:49 |
Now line up! |
| 00:37:51 |
Look this way! |
| 00:37:54 |
And once again from the beginning: |
| 00:38:02 |
Anna, go get her. |
| 00:38:06 |
She's coming to you. |
| 00:38:08 |
She senses your motherly instinct. |
| 00:38:10 |
Ada! Stop! Stay there! |
| 00:38:18 |
We're staying at the castle. |
| 00:38:21 |
Now one, two, three... |
| 00:38:23 |
four, five, six, seven, eight... |
| 00:38:32 |
I'm going to hit the sack, |
| 00:38:35 |
Chat with us. |
| 00:38:36 |
No. I'm beat. |
| 00:38:40 |
I'll see you later. |
| 00:38:56 |
I'm worried about you. |
| 00:39:00 |
That's strange. |
| 00:39:03 |
There are lists of so-called |
| 00:39:07 |
With your name on them. |
| 00:39:13 |
At the very top. |
| 00:39:15 |
So, so. |
| 00:39:21 |
And you're flying a Luftwaffe plane |
| 00:39:25 |
And it's said that it does |
| 00:39:32 |
Russian roulette? |
| 00:39:35 |
I'm a passionate flyer. |
| 00:39:39 |
I know... And I... |
| 00:39:44 |
I'm a passionate writer. |
| 00:39:49 |
At least until recently. |
| 00:39:53 |
And now? |
| 00:39:56 |
So-so. |
| 00:39:59 |
What about you? |
| 00:40:05 |
I still love to fly. |
| 00:40:08 |
I do, too. |
| 00:40:21 |
Karl, it's high time that |
| 00:40:29 |
And your busty girlfriend? |
| 00:40:31 |
Has one thing on her mind. |
| 00:40:33 |
What's wrong with you? |
| 00:40:54 |
You're good at it. |
| 00:40:55 |
21 to 1 for me. |
| 00:40:59 |
22 to 1 for me. |
| 00:41:13 |
It's gotta be Billie! |
| 00:41:17 |
At last! It's great you're here. |
| 00:41:21 |
Hello, Berlin's most sinful voice. |
| 00:41:24 |
Where did you get the snazzy car? |
| 00:41:26 |
My little sweetie pie. Nice, huh? |
| 00:41:27 |
Paid for with pleasure or money? |
| 00:41:29 |
None of your business! |
| 00:41:31 |
Shut up, and bring the lady's bags |
| 00:41:35 |
Mrs. Andersson. |
| 00:41:37 |
Come with me! |
| 00:41:38 |
I thought you were sold out. |
| 00:41:41 |
What a sensation. |
| 00:41:42 |
Hey, that's enough. Mrs. Anderson, |
| 00:41:46 |
This is Mrs. Andersson. |
| 00:41:49 |
Hey, fatty. |
| 00:41:51 |
I'll just freshen up. See you later. |
| 00:41:55 |
My happiness is perfect now. |
| 00:41:57 |
Are you inviting all of Berlin? |
| 00:42:00 |
Princess, we're the guests, |
| 00:42:02 |
You invited your friend. |
| 00:42:04 |
Where's the difference? |
| 00:42:05 |
That's easy. Karl invited himself, |
| 00:42:07 |
whereas you invite people to come |
| 00:42:10 |
without asking me beforehand. |
| 00:42:11 |
Now slow down. |
| 00:42:13 |
The nice baron said: |
| 00:42:16 |
My friends are my home. |
| 00:42:17 |
I don't want to be |
| 00:42:18 |
So that's what's eating you! |
| 00:42:20 |
Then spit it out. |
| 00:42:26 |
They are a real success. |
| 00:42:27 |
Listen. It says here... |
| 00:42:29 |
"Especially Billie Sunshine |
| 00:42:34 |
I know. |
| 00:42:36 |
Wonderful. It also says: |
| 00:42:40 |
Hey guys. You gotta see this. |
| 00:42:47 |
"Frivolous. Even |
| 00:42:51 |
You look captivating. |
| 00:42:53 |
Without you, |
| 00:42:55 |
I think so, too. |
| 00:42:57 |
We are the big hit, Kurt. |
| 00:43:01 |
At all levels. |
| 00:43:03 |
What do you mean? |
| 00:43:05 |
I am charged. |
| 00:43:07 |
Forget about that now. |
| 00:43:09 |
We're all together now. |
| 00:43:19 |
Faster! Faster! |
| 00:43:22 |
Those two are crazy. |
| 00:43:24 |
This way! |
| 00:43:26 |
Wrong! That way! |
| 00:43:32 |
Time to cool off! |
| 00:43:36 |
No! Let go! |
| 00:43:57 |
I can do that, too. |
| 00:43:59 |
Hold on. It's my turn. |
| 00:44:04 |
To the summer residence. |
| 00:44:06 |
The lady's talisman. |
| 00:44:13 |
No eavesdropping here, sir. |
| 00:44:16 |
But you could make yourself useful |
| 00:44:20 |
Fine, madame. |
| 00:44:21 |
What would you like? |
| 00:44:24 |
Swedish water. |
| 00:44:26 |
Schnapps for me. |
| 00:44:28 |
You'll stink all night. |
| 00:44:30 |
Who's gonna kiss me? |
| 00:44:31 |
The castle ghost. |
| 00:44:33 |
Find yourself another nest. |
| 00:44:37 |
Billie's going to sleep with me |
| 00:44:41 |
How could I? |
| 00:45:07 |
Want one, too? |
| 00:45:12 |
Are you going back for the trial? |
| 00:45:16 |
Would you? |
| 00:45:18 |
"You have to face your problems," |
| 00:45:23 |
If I had his problems, |
| 00:45:24 |
I'd listen to my instincts |
| 00:45:28 |
Can you revoke it? |
| 00:45:31 |
Of course. |
| 00:45:35 |
Should I deny myself? |
| 00:45:36 |
Sometimes you need courage |
| 00:45:41 |
What have they got on you anyway? |
| 00:45:46 |
You're an educated young man. |
| 00:45:49 |
And you know about |
| 00:45:52 |
power-hungry populists. |
| 00:45:54 |
First, they go after |
| 00:45:56 |
real journalists, |
| 00:45:59 |
They are silenced. |
| 00:46:02 |
Then it's the artists' turn. |
| 00:46:04 |
Jews first. |
| 00:46:07 |
Don't give me that nonsense. |
| 00:46:10 |
Who would sacrifice |
| 00:46:13 |
Our people need law and order |
| 00:46:15 |
after the chaos of the past, |
| 00:46:17 |
a future worth living for. |
| 00:46:19 |
Or dying for. |
| 00:46:23 |
Karl, we're holding speeches... |
| 00:46:29 |
It hurts to even listen. Terrible. |
| 00:46:35 |
It hurts me |
| 00:46:38 |
You've become so pessimistic. |
| 00:46:42 |
Where is your famous irony? |
| 00:46:45 |
I lost it somewhere. |
| 00:46:47 |
How did we become friends? |
| 00:46:50 |
Come on, let's play a round. |
| 00:47:06 |
Try your best, Kurt. |
| 00:47:15 |
What I want to do? |
| 00:47:37 |
Good job, Billie. |
| 00:47:40 |
Thanks, but the tire is useless. |
| 00:47:43 |
Oh no, can we fix it? |
| 00:47:46 |
Alright, gentlemen. |
| 00:47:52 |
We need some sort of jack. |
| 00:47:56 |
You got 2 wheels anyway. |
| 00:47:58 |
One of 'em should fit. |
| 00:48:00 |
We'll leave it up to the men. |
| 00:48:02 |
Thanks. We'll do our best. |
| 00:48:06 |
How're we going to jack it up? |
| 00:48:08 |
What would Archimedes have done? |
| 00:48:15 |
He'd have smoked a cigarette first. |
| 00:48:17 |
Then he'd have said, |
| 00:48:20 |
and I'll turn the world |
| 00:48:39 |
Come on! |
| 00:48:44 |
They are so beautiful. |
| 00:48:48 |
Don't touch them. They're deadly. |
| 00:48:50 |
Just a bit. |
| 00:48:57 |
I think it looks erotic. |
| 00:48:59 |
Very erotic. |
| 00:49:02 |
What are you up to? |
| 00:49:03 |
Just wait. |
| 00:49:05 |
You can't make pancakes with them. |
| 00:49:06 |
Yes, I can. |
| 00:49:09 |
Let's go. Come on. |
| 00:49:49 |
What happens now? |
| 00:49:50 |
Just wait. |
| 00:50:31 |
Let go. |
| 00:50:35 |
Germany needs new self-confidence. |
| 00:50:48 |
What day is it today? |
| 00:50:52 |
Sunday. |
| 00:50:54 |
Two days ago was Sunday, too. |
| 00:50:56 |
Who cares anyway? |
| 00:51:00 |
Billie, |
| 00:51:03 |
Great. |
| 00:51:06 |
Great... What's it about? |
| 00:51:08 |
Garters and singing |
| 00:51:13 |
I play a tart who shows |
| 00:51:17 |
before they fry in hell like |
| 00:51:20 |
I always knew |
| 00:51:21 |
That's a topic for you. |
| 00:51:23 |
You're at home in the demimonde. |
| 00:51:26 |
Exactly. Write the screenplay. |
| 00:51:29 |
No. My writing days are over. |
| 00:51:35 |
Who's supposed to make the movie? |
| 00:51:37 |
Some Austrian. |
| 00:51:39 |
Wilder is his name. |
| 00:51:44 |
The Austrian talents |
| 00:51:48 |
C'mon, Karl. Let's go flying. |
| 00:51:50 |
I need a fresh breeze. |
| 00:51:51 |
I'm coming, too. |
| 00:51:52 |
I'm not. |
| 00:51:54 |
Sure, you are. |
| 00:51:55 |
No, I need to stand on solid ground. |
| 00:51:56 |
Anyway there are only 2 seats. |
| 00:51:58 |
You don't need to be afraid with me. |
| 00:52:00 |
Wasn't there another plane? |
| 00:52:03 |
The yellow Stearman from Bengtsson. |
| 00:52:04 |
Let's take it. |
| 00:53:05 |
Hey, there they are! |
| 00:53:15 |
They are crashing! |
| 00:55:16 |
Wobbly legs? |
| 00:55:18 |
It was so great! |
| 00:55:35 |
Are you okay? I'll be right back. |
| 00:55:47 |
Well? |
| 00:55:49 |
How was it? |
| 00:55:54 |
Lydia, honey! |
| 00:55:56 |
You damn idiot! |
| 00:55:59 |
You wanna kill yourself? |
| 00:56:02 |
you egocentric coward! |
| 00:56:07 |
You're going to Russia for fun? |
| 00:56:13 |
You're so idiotic. You've got |
| 00:56:18 |
People like you |
| 00:56:21 |
without discipline |
| 00:56:23 |
are making our country |
| 00:56:33 |
Take your fingers out of your ass. |
| 00:56:35 |
You might relieve the |
| 00:57:23 |
Let's at least save the memory. |
| 00:58:56 |
Come on. |
| 00:59:01 |
Give me a kiss. |
| 00:59:09 |
Now kiss each other. |
| 00:59:40 |
I gave you all I had, |
| 00:59:44 |
my time, my money, myself, my soul. |
| 00:59:49 |
You are a man, you are my life. |
| 00:59:54 |
You are my little underworld. |
| 00:59:58 |
Oh yes, I've found my happiness |
| 01:00:02 |
in sometimes gazing at your face. |
| 01:00:08 |
I've known you in so many hours. |
| 01:00:13 |
But gentle?... Not a trace. |
| 01:00:17 |
You kiss quite well. |
| 01:00:22 |
In many ways, |
| 01:00:26 |
You like gossip. |
| 01:00:29 |
You tell me softly |
| 01:00:31 |
when to paint my lips. |
| 01:00:36 |
Even with other women, |
| 01:00:40 |
you keep a certain balance. |
| 01:00:45 |
I sometimes even trust you. |
| 01:00:50 |
But gentle?... Not a trace. |
| 01:00:53 |
Should I or shouldn't I? |
| 01:00:55 |
I can't do it. |
| 01:00:56 |
A strike is not a hit. |
| 01:01:01 |
Are there fishes here? |
| 01:01:04 |
I'll show you. |
| 01:01:06 |
No! We need a man! |
| 01:01:10 |
Come help us get dinner! |
| 01:01:12 |
He who eats, shall not work. |
| 01:01:15 |
Ada! |
| 01:01:20 |
Crawl into the woody area. |
| 01:01:34 |
I just touched one. |
| 01:01:38 |
I caught one! |
| 01:01:39 |
You can fry it tonight. |
| 01:01:41 |
Looks delicious. |
| 01:01:43 |
since we didn't catch any fish. |
| 01:01:46 |
My shoes are ruined, |
| 01:01:49 |
It's all your fault |
| 01:01:52 |
I think we have a visitor. |
| 01:02:24 |
I thought they only have trolls |
| 01:02:30 |
We know you already. |
| 01:02:35 |
Come here. |
| 01:02:37 |
Don't be afraid. |
| 01:02:41 |
C'mon, we'll sit you down |
| 01:02:46 |
What kind of trouble |
| 01:02:48 |
Why did you run away from the Home? |
| 01:02:55 |
Are you hungry? |
| 01:02:58 |
A definite yes. |
| 01:03:00 |
Uncle Kurt will make dinner. |
| 01:03:02 |
Will Aunt Billie help him? |
| 01:03:03 |
Yes, we'll make something yummy. |
| 01:03:07 |
Now you'll get something |
| 01:03:11 |
Then we'll put you in the bathtub. |
| 01:03:17 |
Tell me who you are. |
| 01:03:19 |
I don't want to go back. Please. |
| 01:03:22 |
What happened? |
| 01:03:24 |
I don't want to die. |
| 01:03:28 |
But you're much too small to die. |
| 01:03:31 |
Sophie died. |
| 01:03:34 |
Was Sophie |
| 01:03:36 |
My best friend. |
| 01:03:43 |
That short moment of silence |
| 01:03:48 |
The wind. |
| 01:03:52 |
I could have |
| 01:03:55 |
Until the crash? |
| 01:03:59 |
Why not? It will come anyway. |
| 01:04:06 |
You're staying? |
| 01:04:08 |
It's possible. |
| 01:04:12 |
That's too bad. We'll miss you. |
| 01:04:17 |
What about you? |
| 01:04:19 |
I want to work. |
| 01:04:22 |
Don't miss the chance to get out. |
| 01:04:24 |
I'm more popular than ever. |
| 01:04:27 |
Abroad I'm a nobody, |
| 01:04:30 |
It would be stupid |
| 01:04:33 |
I needn't tell you that our world |
| 01:04:38 |
Men are men, |
| 01:04:48 |
She doesn't want to go back. |
| 01:04:52 |
I would be, too, if I were her. |
| 01:04:55 |
Take her back, please. |
| 01:04:58 |
Would you, please, drive her back? |
| 01:05:01 |
Yes, I'll get changed. |
| 01:05:04 |
He's right. |
| 01:05:08 |
We should keep her here tonight. |
| 01:05:10 |
What for? |
| 01:05:12 |
The child apparently ran away. |
| 01:05:15 |
She's missing at the Home. |
| 01:05:19 |
So, please, take her back. |
| 01:05:35 |
Be careful getting out. |
| 01:05:44 |
Good evening. |
| 01:05:47 |
Thank you |
| 01:05:49 |
We were very worried. |
| 01:05:52 |
Ada, where were you? |
| 01:05:54 |
We looked everywhere for you! |
| 01:05:58 |
This child is always running away. |
| 01:06:00 |
It happens often? |
| 01:06:02 |
Yes, little Ada |
| 01:06:06 |
Now get washed, and get to bed! |
| 01:06:09 |
Ada told us some things. |
| 01:06:12 |
Oh! The child |
| 01:06:16 |
What about Sophie? |
| 01:06:18 |
Sophie? |
| 01:06:20 |
Is she still here? |
| 01:06:23 |
No, Sophie is no longer with us. |
| 01:06:29 |
But now... |
| 01:06:30 |
Let me go! |
| 01:06:31 |
Just a moment! |
| 01:06:33 |
Hold onto her! |
| 01:06:34 |
What are you doing? |
| 01:06:38 |
I'll make you |
| 01:06:40 |
What are you doing in there? |
| 01:06:43 |
You spoiled brat! |
| 01:06:47 |
You little devil! |
| 01:06:48 |
Now think it all over! |
| 01:06:49 |
I'm going to write your mother |
| 01:07:09 |
We'll write her mother tomorrow. |
| 01:07:12 |
What do you want to write her? |
| 01:07:15 |
Ada is really homesick. |
| 01:07:18 |
We don't even have her address. |
| 01:07:20 |
Oh yes, I do. |
| 01:07:23 |
Ada Collin, Lowengasse 23, Wien. |
| 01:07:28 |
So? What should we write? |
| 01:07:33 |
Why us? |
| 01:07:37 |
It's absolutely none of my business. |
| 01:07:39 |
You don't always |
| 01:07:44 |
You saw the pain in her eyes |
| 01:07:48 |
Yes. I feel sorry for the girl, |
| 01:07:51 |
There's no reason to get involved, |
| 01:07:53 |
just because the little miss |
| 01:07:56 |
I'm sure her mother doesn't know |
| 01:07:59 |
And the thing with Sophie |
| 01:08:03 |
How do we know it's the truth? |
| 01:08:05 |
Maybe her mother |
| 01:08:07 |
Be a bit more realistic |
| 01:08:11 |
I'm not! |
| 01:08:12 |
Oh yes, you are. |
| 01:08:14 |
Get off your high horse! |
| 01:08:16 |
Show some feelings for others, |
| 01:08:18 |
instead of feeling sorry |
| 01:08:22 |
She was afraid. |
| 01:08:26 |
Or do you deny that, too? |
| 01:09:15 |
Hello. |
| 01:09:16 |
Express letter. |
| 01:09:17 |
Don't worry. |
| 01:09:20 |
I'll deal with it. |
| 01:09:27 |
How was it? Satisfied? |
| 01:09:29 |
Absolutely. |
| 01:09:35 |
Now I like you idiots again. |
| 01:09:39 |
When the hedgehogs |
| 01:09:44 |
went after their mice, |
| 01:09:51 |
I was captivated by your lips, |
| 01:09:55 |
and I was completely lost. |
| 01:10:00 |
And you gave yourself to me |
| 01:10:05 |
in the underbrush, |
| 01:10:09 |
to and fro, to and fro. |
| 01:10:12 |
And you asked me |
| 01:10:16 |
if I had been to war. |
| 01:10:20 |
Anna-Louise... |
| 01:11:23 |
Anna-Louise... |
| 01:12:09 |
Now take care of yourself. |
| 01:12:11 |
Yes. |
| 01:12:12 |
And drive carefully. |
| 01:12:14 |
And don't smoke so much. |
| 01:14:54 |
Sorry for disturbing you. |
| 01:15:02 |
Thank you. |
| 01:15:03 |
More tea? |
| 01:15:05 |
No, thank you. |
| 01:15:09 |
Here's a letter for you. |
| 01:15:10 |
For me? |
| 01:15:13 |
Kurt, |
| 01:15:28 |
Time to eat, children! |
| 01:15:53 |
Hello! |
| 01:15:55 |
We have something for the girl. |
| 01:15:57 |
A letter from her mother! |
| 01:16:01 |
Now get to work. |
| 01:16:04 |
Hello, we're here because of |
| 01:16:07 |
Don't stand there gaping! |
| 01:16:09 |
She asked us... |
| 01:16:10 |
The lady is in the house. |
| 01:16:20 |
We just want to talk to you. |
| 01:16:22 |
Ada, this is for you! |
| 01:16:25 |
She'll get it, |
| 01:16:28 |
Can I help you? |
| 01:16:29 |
Mrs. Collin asked us to talk to you |
| 01:16:31 |
about the girl. We have a letter. |
| 01:16:32 |
A letter? |
| 01:16:33 |
She asked us to visit the girl |
| 01:16:36 |
Yes. She knows |
| 01:16:38 |
Follow me, please. |
| 01:17:11 |
If I have to punish my charges, |
| 01:17:17 |
What if we ask you |
| 01:17:20 |
No, no. |
| 01:17:22 |
I can't make up my mind to do so. |
| 01:17:24 |
By working hard |
| 01:17:27 |
she will learn to fit in, |
| 01:17:31 |
Mrs. Collin asked me |
| 01:17:36 |
Certainly. Some children have to |
| 01:17:40 |
But not to the point of despair. |
| 01:17:43 |
Who's driving the child to despair? |
| 01:17:46 |
Bring up your own children, |
| 01:17:49 |
This child is being raised by me! |
| 01:17:52 |
Do you have any children anyway? |
| 01:17:57 |
No, we don't! |
| 01:17:58 |
Just what I thought. |
| 01:18:00 |
We aren't married either. |
| 01:18:02 |
But we love each other. |
| 01:18:04 |
In the same bed! |
| 01:18:06 |
By the way, four times this morning. |
| 01:18:10 |
I'm sorry dear. |
| 01:18:13 |
We became one with each other. |
| 01:18:16 |
You terrible person! |
| 01:18:17 |
I feel that I |
| 01:18:21 |
Take your filth to Palestine. |
| 01:18:24 |
That's nice. Stay in tact: |
| 01:18:25 |
one, two, three, four... |
| 01:18:28 |
We make love inside and out, |
| 01:18:32 |
on the floor |
| 01:18:36 |
In God's own Nature! It... |
| 01:18:40 |
It was a great victory. |
| 01:18:41 |
"Go to Palestine." |
| 01:18:44 |
A Communist? No. A parasite? No. |
| 01:18:46 |
A pacifist? No. A homosexual? No. |
| 01:18:49 |
But she smelled that circumcision. |
| 01:18:51 |
What got into you? |
| 01:18:52 |
You only made things worse. |
| 01:18:54 |
Sorry. I was beside myself. |
| 01:18:56 |
Fine, but stupid. I messed it up. |
| 01:18:57 |
You sure did. |
| 01:18:59 |
You felt the narrowness yourself. |
| 01:19:01 |
I couldn't take it. I exploded. |
| 01:19:03 |
You completely |
| 01:19:05 |
I'm sorry. I'll write her. |
| 01:19:07 |
Write? |
| 01:19:08 |
To the mother. |
| 01:19:09 |
You haven't written a single line |
| 01:19:15 |
I'm on my summer break. |
| 01:19:17 |
I'll tell you what you are. |
| 01:19:21 |
It's nothing more than a joke |
| 01:19:24 |
Your books and me, too. |
| 01:19:27 |
Your whole life is |
| 01:21:09 |
Kurt. |
| 01:21:14 |
Kurt. |
| 01:23:32 |
Let's go. |
| 01:24:05 |
Sophie. 1924 to 1932 |
| 01:24:54 |
Princess! Princess! |
| 01:25:06 |
Would you kindly allow us |
| 01:25:09 |
No! |
| 01:25:11 |
No? |
| 01:25:11 |
No. |
| 01:25:24 |
"Makes everything so bright." |
| 01:25:25 |
Auntie? |
| 01:25:26 |
You wonderful world. |
| 01:25:28 |
Auntie! |
| 01:25:29 |
"You wonderful world." |
| 01:25:31 |
What? |
| 01:25:35 |
Let go of the child! |
| 01:25:40 |
Let's go on. |
| 01:25:41 |
I have the parental authority |
| 01:25:44 |
You think you have it all planned! |
| 01:25:46 |
I'll press charges |
| 01:25:50 |
Please, have a seat. Thank you. |
| 01:25:53 |
We won't kidnap the girl. |
| 01:25:55 |
Listen here! I have my principles. |
| 01:25:57 |
As long as that child |
| 01:25:59 |
We'll relieve you of that burden. |
| 01:26:02 |
The child won't stay with you. |
| 01:26:04 |
We're taking Ada home to her mother. |
| 01:26:07 |
That's a lie! |
| 01:26:08 |
Here is the power of attorney. |
| 01:26:13 |
So that's the thanks I get |
| 01:26:15 |
for looking after |
| 01:26:20 |
You talked her mother into this! |
| 01:26:23 |
We're taking the girl with us. |
| 01:26:27 |
You can't manage this |
| 01:26:29 |
It has to do with |
| 01:26:34 |
We'll pack her things. |
| 01:26:37 |
I've become so attached |
| 01:26:41 |
I've studied |
| 01:28:03 |
Don't say it. |
| 01:28:16 |
It was a short summer |
| 01:28:23 |
You made it easy for me to enjoy. |
| 01:28:27 |
In spite of everything. |
| 01:28:31 |
You were right. |
| 01:28:33 |
It isn't that cold in Sweden. |
| 01:28:39 |
But now you have to wrap up. |
| 01:28:42 |
A long, hard winter |
| 01:28:47 |
So write. |
| 01:28:56 |
Remember that Dutch woman in Paris? |
| 01:29:00 |
No. |
| 01:29:03 |
I forgot about her. |
| 01:29:06 |
But I know a young woman in Berlin. |
| 01:29:13 |
She has the most beautiful eyes, |
| 01:29:16 |
the most sincere soul, |
| 01:29:20 |
the most sensual mouth... |
| 01:29:27 |
and she's such a home to me... |
| 01:29:33 |
that one could find the courage |
| 01:29:40 |
Thank you for the wonderful time. |
| 01:30:20 |
Take care. |
| 01:30:23 |
I'll think of you. |
| 01:30:35 |
Drive... Drive! |
| 01:31:02 |
Kurt told our story differently. |
| 01:31:05 |
Some of what we experienced |
| 01:31:07 |
Some things he changed. |
| 01:31:09 |
It was supposed to be a summer tale, |
| 01:31:11 |
something people |
| 01:31:14 |
A little story, |
| 01:31:18 |
with a colorful cover. |
| 01:31:22 |
He died three years later, |
| 01:31:24 |
not far from the place |
| 01:31:29 |
I'll never forget his final words: |
| 01:31:32 |
"You often think that |
| 01:31:35 |
but time is always |
| 01:31:41 |
I was captivated by your lips |
| 01:31:45 |
and completely at a loss. |
| 01:31:50 |
You gave yourself to me |
| 01:31:57 |
to and fro, to and fro. |
| 01:32:02 |
And you asked |
| 01:32:06 |
if I had been to war that time. |
| 01:32:55 |
Anna-Louise... |
| 01:33:24 |
In 1933, Kurt Tucholsky |
| 01:33:25 |
was among the first |
| 01:33:27 |
His books burned, |
| 01:33:30 |
"Gripsholm Castle" |
| 01:33:33 |
After the Nazis came to power |
| 01:33:35 |
On 19. December 1935, |
| 01:33:38 |
he took the poison |
| 01:33:40 |
His grave is in Mariefred, |
| 01:33:43 |
This movie combines ideas |
| 01:33:46 |
with real events |
