Se al La The Signal
|
00:02:14 |
No6 Aragones takes the lead |
00:02:16 |
third is number 1 Cabalística, last |
00:02:20 |
6 El Aragonés leads over 5 |
00:02:25 |
El Aragonés, second |
00:02:27 |
third No. 1 Cabalística, fourth |
00:02:30 |
sixth is 7 and Cruz |
00:02:34 |
El Aragonés with a time lapse of two |
00:02:38 |
three fifths for the two thousand |
00:02:43 |
and ridden to victory |
00:02:50 |
At this moment, he is being |
00:02:55 |
alongside the entire presidential |
00:02:59 |
Republic, Lieutenant |
00:03:05 |
Come on honey, |
00:03:07 |
You're always tired. |
00:03:11 |
I'm going to see Santana. |
00:03:17 |
Go for Brillosa on 5th, |
00:03:21 |
La Pellegrina behind. |
00:03:26 |
- What were the winning numbers? |
00:03:33 |
What's up with number 25? |
00:03:35 |
Don't play it again. |
00:03:44 |
I saw your General. |
00:03:52 |
Ok, Kiddo. |
00:03:54 |
If you keep guarding him like that, |
00:03:57 |
I said OK |
00:03:59 |
I'll talk to the police. |
00:04:01 |
Pass. |
00:04:04 |
I'm going to talk to Nelly. |
00:04:06 |
It would be an honor |
00:04:09 |
Yes, I'm sure... |
00:04:13 |
I'm leaving. See you |
00:04:17 |
- So long, my friend. |
00:05:16 |
Shall we go? |
00:05:18 |
Lfl hadn't come to get you, |
00:05:20 |
I told you already. I was discussing |
00:05:23 |
Well, What do you want to do then? |
00:05:25 |
Nothing, take me home. |
00:07:22 |
Hello? |
00:07:44 |
Here. The pervert paid, |
00:07:48 |
He praised your professionalism... |
00:07:50 |
Is that it? |
00:07:52 |
Taking a cat from one poof and giving |
00:07:55 |
That shitty cat scratched |
00:08:00 |
Anything else? |
00:08:05 |
Yes, Nelly got us a |
00:08:07 |
- If we have to guard the General, |
00:08:10 |
It's something else. The American |
00:08:13 |
and the police needs |
00:08:16 |
Ivonne de Carlo, who's she? |
00:08:17 |
- Look. |
00:08:22 |
A Unión worker also called |
00:08:25 |
I had to turn it down. |
00:08:27 |
Says they want to kidnap his son, |
00:08:31 |
You have to be a bastard |
00:08:34 |
It's either Juan Domingo or Eva. |
00:08:38 |
I didn't hear that. |
00:08:42 |
- Di Sarli? |
00:08:46 |
Don't tell me, |
00:08:48 |
Don't be stubborn, |
00:08:50 |
- I'll bet you five it's Di Sarli. |
00:08:54 |
Look, seems like they're |
00:09:00 |
How are you Kiddo? |
00:09:03 |
Corvalán, for you it's Corvalan. |
00:09:08 |
- How'd it go? |
00:09:14 |
Make me some coffee. |
00:09:19 |
But without the poison, not |
00:09:29 |
After picking up the glass, get |
00:09:33 |
My name is Sergio. |
00:09:35 |
Leave that now and go |
00:09:46 |
Each time I see him, I remember |
00:09:51 |
We've just heard "Niebla del |
00:09:55 |
interpreted by Osvaldo |
00:09:58 |
- OK, I owe you five. - Don't worry, |
00:10:03 |
Listen. That pending matter with |
00:10:07 |
The girl who's married |
00:10:11 |
The bastard pays to see the face of |
00:10:41 |
Hello? Hello? |
00:10:48 |
I will work night and day... |
00:10:54 |
I am with you to be |
00:10:59 |
I will be there night and day working |
00:11:05 |
to this legion of Argentines who |
00:11:11 |
country's history, I want my |
00:11:36 |
How are you dad? |
00:11:38 |
Pretty good, considering. |
00:11:41 |
I can't complain. |
00:11:44 |
And your girlfriend? |
00:11:45 |
I told you, |
00:11:48 |
- What was her name? |
00:11:51 |
Perla, what does she do? |
00:11:54 |
She teaches the piano. |
00:11:59 |
- Any news? - Looks like they're |
00:12:05 |
And Lobo? How is he? |
00:12:08 |
Yesterday I found some lumps. |
00:12:11 |
I have to have him checked, |
00:12:15 |
So? |
00:12:20 |
It seems a little muffled. |
00:12:29 |
Good ear Kiddo. |
00:12:34 |
- It's not my thing. |
00:12:39 |
You know, what I do. |
00:12:48 |
Take it to Chicho. Tell him to |
00:12:53 |
Oh yeah? What with? |
00:12:54 |
You'd be surprised at |
00:13:01 |
Is there something |
00:13:04 |
- Don't worry. I'm retired. |
00:13:29 |
Corvalán... |
00:13:36 |
What is it? |
00:13:38 |
Someone needs to talk to you. |
00:13:43 |
Whatever it is, I don't work at home. |
00:13:46 |
my partner will see you. |
00:13:49 |
I have the address already, |
00:13:57 |
Can we talk? |
00:13:59 |
What do you want to talk about? |
00:14:01 |
I've been told you're |
00:14:05 |
That depends. Once we followed |
00:14:09 |
the guy had been |
00:14:13 |
I can't be more honest. |
00:14:15 |
Sit down, I'm listening. |
00:14:23 |
I need you to follow a man. |
00:14:26 |
where he goes, I want |
00:14:31 |
The usual. |
00:14:32 |
I'm willing to pay 2000 |
00:14:36 |
If you accept. |
00:14:41 |
You still haven't told me |
00:14:47 |
Here's his information. |
00:14:54 |
And half, in advance. |
00:15:02 |
His name is Nicolás Perturato. |
00:15:05 |
He was one ofthe guys |
00:15:09 |
- You have a good eye. |
00:15:15 |
Looks like your friend |
00:15:18 |
He's not my friend. |
00:15:21 |
I want you to start |
00:15:25 |
A chauffeur-driven Buick, |
00:15:30 |
They must have good connections, |
00:15:33 |
We may move up to the top league... |
00:15:35 |
You let yourself be |
00:15:37 |
We can't waste an opportunity. |
00:15:39 |
Jimmy three fingers started off |
00:15:41 |
and ended up making ten grand |
00:15:44 |
Yes but this isn't Chicago. |
00:15:46 |
There are opportunities everywhere. |
00:15:51 |
- I have two jewels, Kiddo. |
00:15:54 |
A billiard cue just like the one |
00:15:56 |
- The other? |
00:15:59 |
- How much for the cue? |
00:16:02 |
- No, it's too much. |
00:16:04 |
- I'll tell you later. |
00:16:07 |
You know what? Tomorrow is Perla's |
00:16:10 |
where to take her. |
00:16:12 |
It's a delicate matter. |
00:16:16 |
- See you. |
00:18:13 |
- What happened with the photos I |
00:18:16 |
- And where are they? |
00:18:21 |
Here they are. |
00:18:34 |
- Good morning. - Good morning. |
00:18:37 |
You know what? I bumped into Haydee |
00:18:41 |
charge ofthe Council and promised |
00:18:46 |
And where do we come in? |
00:18:49 |
She needs a hand. Seems like |
00:18:52 |
A what? |
00:18:54 |
A rapist. |
00:18:57 |
A neighbortook her dog to the |
00:19:00 |
and she thought it odd. |
00:19:03 |
And the vet told her that it |
00:19:06 |
I don't know, maybe |
00:19:11 |
Are you telling me that there's |
00:19:14 |
Seems like it. |
00:19:15 |
First the poof's cat, |
00:19:19 |
you're joking, aren't you? |
00:19:21 |
I suppose you said no. |
00:19:25 |
It's a delicate matter, but I |
00:19:32 |
I've been thinking about what |
00:19:35 |
What are you talking about? |
00:19:37 |
Who's birthday is it today? |
00:19:39 |
Perla's of course. |
00:19:42 |
Just one thing, you've got some |
00:19:45 |
to that dump in Lujan. |
00:19:48 |
That was my mother's |
00:19:51 |
I take that back. |
00:20:18 |
That one, with the blue eyes. |
00:21:08 |
You never say a word, |
00:21:24 |
Turn the light off, |
00:22:01 |
You never loved anybody. |
00:22:06 |
I love you, Lobo and Banfield. |
00:22:15 |
In that order? |
00:22:17 |
Depends on the day. |
00:22:24 |
I'm dressing as a Hawaiian |
00:22:28 |
I can be Carnival Queen again. |
00:22:31 |
You came in second. |
00:22:34 |
You're a bore, Kiddo. |
00:22:54 |
Tell me something... |
00:22:58 |
Some of your students |
00:23:03 |
You don't say. |
00:23:06 |
The redhead, the one |
00:23:12 |
He's seventeen, he's a kid. |
00:23:16 |
And the Japanese? |
00:23:21 |
His name is Hugo and |
00:23:24 |
To me he's Japanese. |
00:23:29 |
Are you being serious? |
00:28:43 |
I wasn't sure whether to wait, |
00:28:49 |
Don't worry, I account to no one. |
00:28:52 |
I didn't think you'd be |
00:28:57 |
Following Perturato is not easy. |
00:29:02 |
That's why I need you. |
00:29:05 |
Do you have something for me? |
00:29:08 |
The report is incomplete. |
00:29:12 |
I see. |
00:29:16 |
So, if you agree, my driver can |
00:29:19 |
- tomorrow by your office. |
00:29:22 |
Now, if you told me what we were |
00:29:29 |
I never said it would be easy. |
00:29:33 |
Good night. |
00:29:46 |
There are a few photos that |
00:30:00 |
Very well. |
00:30:03 |
That's all. I'll call you |
00:30:07 |
With your permissión. |
00:30:15 |
Isn't it odd? The chauffeur |
00:30:19 |
Maybe she asked him to. |
00:30:22 |
Tell me something, that girlfriend |
00:30:25 |
Could she do me a favor? |
00:30:27 |
What do you need? |
00:30:29 |
Info on the black De Soto. |
00:30:35 |
It's from Santa Fe. |
00:30:37 |
Give Nelly two days and she'll |
00:31:41 |
Ready, I've got them. |
00:31:46 |
You're joking? There's none left. |
00:31:54 |
Do you know how |
00:31:57 |
He smuggled the first fifty bottles |
00:31:59 |
at his mother's funeral. |
00:32:02 |
Was the deceased inside? |
00:32:04 |
No, the mother died |
00:32:07 |
But who was going to open the |
00:32:11 |
Finish the game, we're closing. |
00:32:14 |
Do you know if Mouriño got sold? |
00:32:17 |
Mouriño is none ofmy business. |
00:32:22 |
Here, it's my round. |
00:32:24 |
Whiskies are drunk in twos. |
00:32:27 |
- The rest you can place on 25, |
00:32:35 |
You're on the ball, Santana. |
00:32:38 |
You have to read the game, |
00:32:44 |
As in life, you follow me? |
00:32:47 |
Yes I get it. |
00:32:51 |
Be alert. |
00:32:53 |
There's always a sign that tells |
00:33:03 |
You know what? |
00:33:06 |
Something tells me that things |
00:33:14 |
And how does one know? |
00:33:16 |
Good question. |
00:33:18 |
Some say it's a word, |
00:33:25 |
Others say it's something |
00:33:33 |
One sign and everything changes. |
00:33:35 |
No. One changes and does |
00:33:39 |
That's what they say. |
00:34:52 |
Mr. Otero. |
00:34:55 |
One moment... |
00:35:01 |
Madam... Someone's here. |
00:35:08 |
Good day. |
00:35:11 |
Mr. Otero. |
00:35:13 |
My husband's not here. |
00:35:16 |
It's about a wheel. |
00:35:19 |
Coco, he wants the boss. |
00:35:23 |
He's on a tow. May be back |
00:35:26 |
What is it about? |
00:35:33 |
Chief, why don't you tell me |
00:35:37 |
The photos aren't great, |
00:35:41 |
It's what's not in them |
00:35:47 |
That's the nightmare. |
00:35:50 |
Imagining he's with your woman, |
00:35:57 |
wanting to know if she screams |
00:36:01 |
or if she takes it from behind. |
00:36:05 |
That fucks up your life. |
00:36:15 |
Takes the lead over five and |
00:36:19 |
Number 4 wins... It paid off... |
00:36:23 |
The wind is going to change soon. |
00:36:28 |
There's credit on the fifth, pays |
00:36:32 |
- Are you betting? |
00:36:37 |
- Did you see the lotto numbers? |
00:36:40 |
I wish, it was35, |
00:36:44 |
Before Ivonne de Carlo |
00:36:47 |
The cripple swindled a Czech over |
00:36:53 |
What do you say, |
00:36:55 |
What did you say her name was? |
00:36:57 |
I didn't. Sbodova, |
00:37:00 |
Usual terms, fees and expenses. |
00:37:03 |
Plus the commissión. |
00:37:05 |
No problem. The daughter, |
00:37:08 |
The guy lives in an area |
00:37:10 |
We can pay him a visit tonight. |
00:37:13 |
Fine by me. |
00:37:15 |
Malas Artes is running the 7th. |
00:37:23 |
No offense. |
00:37:31 |
Yes, there's nothing to hide. |
00:37:35 |
Perla has another man. |
00:37:38 |
A redhead, rides a motorbike. |
00:37:43 |
I have his address, |
00:37:46 |
You would have done the same... |
00:37:50 |
I don't know. |
00:37:52 |
That's the way it is, Kiddo. |
00:37:59 |
What's the matter? |
00:38:15 |
A piece of advice. Get what you're |
00:38:18 |
Weren't we supposed |
00:38:20 |
Yes, but it got very ugly. |
00:38:22 |
The worid's divided in two and |
00:38:29 |
BRUTAL MURDER, |
00:39:00 |
Just two minutes. I had to make |
00:39:04 |
- You want the story? |
00:39:06 |
You hire me to follow a guy and |
00:39:10 |
What's this all about? |
00:39:11 |
I'm not sure now, but his death had |
00:39:17 |
Tell me everything you know. |
00:39:21 |
Have you ever been shot? |
00:39:27 |
And you, have you shot anyone? |
00:39:32 |
What are you proposing? |
00:39:34 |
I want to know whether you can |
00:39:50 |
Why don't you tell me |
00:39:53 |
The only thing I can say is that my |
00:39:56 |
and I can't trust anyone. |
00:39:59 |
Wait. I need the truth. |
00:40:04 |
I'll call you. |
00:40:23 |
Shouldn't you be at the funeral? |
00:40:26 |
- Who died? |
00:40:31 |
I don't know him. |
00:40:33 |
Strange. I saw them harassing |
00:40:36 |
and you gave them an |
00:40:41 |
Sometimes, it's best |
00:40:44 |
Now it's betterto know. |
00:40:46 |
When you wanted me to find out who |
00:40:48 |
- you didn't think the same. |
00:40:51 |
This once. |
00:40:59 |
He was the Norwegian's |
00:41:01 |
The Norwegian? |
00:41:04 |
The guy who runs |
00:41:06 |
He's the big shot with |
00:41:09 |
He has several brothels. |
00:41:17 |
Are we even? |
00:41:34 |
I thought you wouldn't come. |
00:41:36 |
Better late than never. |
00:41:38 |
Did you go by the office? |
00:41:40 |
No. I couldn't. |
00:41:41 |
There were a few calls. |
00:41:44 |
The first, from Perla. She needs |
00:41:47 |
I guess she's sorry... |
00:41:49 |
Yeah, right... |
00:41:50 |
The second, Otero the mechanic. |
00:41:54 |
I'm on the case. |
00:41:58 |
Lastly, Nelly, |
00:42:02 |
Says it's registered to |
00:42:06 |
Does the name ring a bell? |
00:42:08 |
Dino Capuano? No. |
00:42:12 |
Tell her to find out everything |
00:42:16 |
- The brunette |
00:42:19 |
What was the deal? |
00:42:21 |
At this point, my head |
00:42:25 |
Any answers? |
00:42:28 |
In an investigation, when things |
00:42:31 |
And when they're dodgy, |
00:42:34 |
Is that the cripple? |
00:42:36 |
- Remember the plan. |
00:42:39 |
- for what he's got. |
00:42:41 |
Let me talk... |
00:42:43 |
- OK |
00:42:57 |
Detective Santana. |
00:43:00 |
We know who you are. |
00:43:03 |
You stole 1000 pesos with |
00:43:04 |
- Don't fool with me. |
00:43:06 |
- That you're a fraud. |
00:43:08 |
be useful in this shitty life. |
00:43:10 |
Don't fuck with me, bring the |
00:43:13 |
It's drying up. |
00:43:15 |
You don't understand. If the upper |
00:43:17 |
where will we be then? |
00:43:20 |
What are you talking about? |
00:43:21 |
Don't you get it? I do what |
00:43:24 |
If Evita weren't sick, she'd do it. |
00:43:26 |
Did you mention the General? |
00:43:28 |
I believed in him too. If you look |
00:43:31 |
anymore. I gave it in church, |
00:43:33 |
You wash your mouth |
00:43:43 |
I thought we said no violence? |
00:43:45 |
Son of a bitch, |
00:43:48 |
When he's just given |
00:43:50 |
And when is it our turn? |
00:43:53 |
Why don't you call |
00:43:54 |
You call him, |
00:43:57 |
OK. You keep it up and one of these |
00:44:02 |
the party and even I won't |
00:44:05 |
Nobody saves anyone. |
00:44:08 |
Here, stop here. |
00:44:16 |
Excuse me. Can you tell me |
00:44:19 |
Do me a favor. Lend me 50 pesos. |
00:44:25 |
I barely have 20. |
00:44:27 |
Can I borrow them? |
00:45:00 |
Hello Kiddo. |
00:45:03 |
Nice to meet you. |
00:45:05 |
This is Mirna Sbodova. |
00:45:07 |
- From the race track. |
00:45:10 |
I want to thank you. Arthur told me |
00:45:16 |
If he says so. |
00:45:17 |
- Shall I make you something to eat? |
00:45:20 |
Some other time... |
00:45:21 |
- When you like. |
00:45:25 |
- Take care. |
00:45:49 |
Honey, are you there? |
00:45:55 |
Want to come for dinner? |
00:46:12 |
Better. Much better. |
00:46:18 |
Yes, much better. |
00:46:21 |
- I'm costing you, kiddo. |
00:46:27 |
Recently they spoke to me of a |
00:46:32 |
Can you imagine that? |
00:46:37 |
Let me remind you that the last |
00:46:40 |
If you had the courage. |
00:46:43 |
- It's not about that. |
00:46:46 |
Or would you rather |
00:46:53 |
I'm not going that way again. |
00:46:58 |
It's getting late. |
00:47:06 |
Nelly's been making inquiries. |
00:47:09 |
Please do. |
00:47:11 |
Phone: 544894. |
00:47:14 |
Address: Federico Lacroze 1612. |
00:47:18 |
Property of Thomas Albrechtsen. |
00:47:22 |
Metal industry. |
00:47:31 |
This man's been married 15 years. |
00:47:36 |
To Gloria Ravel. |
00:47:39 |
Age 30. Only child. |
00:47:44 |
The Norwegian was partner to a |
00:47:48 |
business associated with kidnapping |
00:47:52 |
One day, the partnership went |
00:47:54 |
disappeared one by one. |
00:47:57 |
In the end, it seems the Sicilian, |
00:48:05 |
That's what they thought. |
00:48:07 |
In fact, someone |
00:48:12 |
Dino Capuano, the youngest son. |
00:48:17 |
That was ten years ago. |
00:48:21 |
After that, the Norwegian came |
00:48:25 |
pays his taxes, |
00:48:28 |
And here's the best part: Every so |
00:48:32 |
strangled with wire. |
00:48:35 |
That's his mark. |
00:48:59 |
Capuano's son bought Perturato. |
00:49:03 |
The Norwegian found out, |
00:49:09 |
Forget that woman. |
00:49:26 |
Agency... |
00:49:30 |
Yes, I'll put you through... |
00:49:37 |
Laura, as usual, |
00:49:40 |
I thought a love like mine |
00:49:42 |
I've waited so patiently... |
00:49:47 |
We've been married for a year. |
00:49:49 |
Marriage is not for one year, two |
00:49:53 |
Believe me, I'm old... |
00:49:56 |
I know who killed Perturato. |
00:49:58 |
We all knowthat. |
00:50:00 |
Tomas Albrechtsen, the Norwegian, |
00:50:03 |
Alias, your housband. |
00:50:07 |
I dislike playing the fool. |
00:50:09 |
- It wasn't deliberate. |
00:50:12 |
You have me follow Perturato. |
00:50:15 |
2 days later, he's dead, |
00:50:18 |
There are things you don't know. |
00:50:21 |
I'll tell you what I know. |
00:50:25 |
10 years ago, your husband |
00:50:28 |
One of them escaped. |
00:50:30 |
It seems he came back to settle |
00:50:33 |
to tell him the Norwegian's |
00:50:36 |
That's where Perturato fits in. |
00:50:38 |
He must have made a slip and |
00:50:42 |
That's where I come in. |
00:50:46 |
He doesn't need to hire anyone |
00:50:49 |
But you do. |
00:50:53 |
You found the snitch and handed |
00:50:57 |
Why don't you make an effort and |
00:51:06 |
It was him or me. |
00:51:10 |
Thomas was waiting for |
00:51:14 |
He felt someone would betray him. |
00:51:18 |
Including me. |
00:51:19 |
I was afraid. Ifl didn't find |
00:51:24 |
I was afraid he'd kill me. |
00:51:27 |
You? Why? |
00:51:34 |
Because he knows I hate him. |
00:51:41 |
My mother died when I was 15, |
00:51:44 |
and my family was full of debts. |
00:51:49 |
That's when Tomas appeared. |
00:51:54 |
Thomas was a rich man, |
00:51:59 |
But the Norwegian longed for a son |
00:52:07 |
That's why he despises me. |
00:52:10 |
Now I'm in the middle |
00:52:14 |
Alone. |
00:52:19 |
No one cares about me. |
00:52:23 |
Please don't abandon me. |
00:52:29 |
Stay with me. |
00:52:47 |
Go home and wait for me there. |
00:52:52 |
There's something |
00:52:55 |
I'll call you. |
00:53:38 |
Yes, don't tell me, |
00:53:40 |
Yes, I'm sorry. I came to tell you |
00:53:44 |
Why? What happened? |
00:53:46 |
The situation is worse |
00:53:48 |
They left here alone. |
00:53:50 |
I promised I wouldn't abandon her, |
00:53:55 |
You're not seeing clearly. |
00:53:57 |
Maybe, but I've made my decisión. |
00:53:59 |
Then, you're making |
00:54:02 |
This is an important job. |
00:54:07 |
I found Otero's report at |
00:54:09 |
- to understand why you lied to me. |
00:54:13 |
Just another cuckold, 30 idiots |
00:54:20 |
Yes... I see... |
00:54:24 |
I see these are jobs that feed us. |
00:54:26 |
It's the end of the road for us. |
00:54:30 |
No hard feelings. |
00:54:33 |
Whatever you say. |
00:57:35 |
I went to pick up the photos from |
00:57:39 |
- Want to see them? |
00:57:41 |
Sergio. |
00:57:43 |
A certain Gloria called. |
00:57:46 |
There was trouble at F. Lacroze |
00:57:54 |
Santana looked worried. |
00:58:01 |
- Where is he? |
00:58:55 |
Has she died? |
00:58:57 |
No, that's why we're here. |
00:59:02 |
Poorwoman. She weighs 40 kilos and |
00:59:10 |
I heard on the radio they killed a |
00:59:15 |
- They machine gunned them down. |
00:59:19 |
You were there? |
00:59:25 |
You're mad. |
00:59:27 |
You've got the hots for a woman |
00:59:29 |
you could win the race. |
00:59:31 |
I thought about what |
00:59:35 |
You handle this job better than me. |
00:59:38 |
Don't talk nonsense, |
00:59:41 |
- It was an outburst. |
00:59:45 |
You're going to leave |
00:59:49 |
- It's confirmed. |
00:59:53 |
The agency is your worid, |
00:59:55 |
Think it over. Don't make |
00:59:59 |
I need to ask a favor. Ifl need |
01:00:03 |
I'm concerned about Lobo. |
01:00:10 |
You can count on that. |
01:01:21 |
You can't come through. |
01:01:26 |
You can't come through. |
01:01:51 |
- Do you know ifthere was a woman? |
01:02:43 |
Back again, Kiddo. |
01:02:50 |
Can I help you? |
01:02:58 |
I don't think so, dad. |
01:03:04 |
- Do they treat you well here? |
01:03:08 |
I owe you that. |
01:03:13 |
...The Department of Information. |
01:03:18 |
informed us this evening |
01:03:21 |
...that the state of her health |
01:03:25 |
...having lost consciousness... |
01:05:45 |
- I didn't know where to go. |
01:05:50 |
They're looking for us. |
01:05:58 |
I'm sorry. |
01:06:02 |
No one forced me to do anything. |
01:06:09 |
We can't stay here. They'll be |
01:06:45 |
Where are we going? |
01:06:47 |
I know a place where |
01:06:51 |
And then? |
01:06:55 |
I don't know. |
01:07:09 |
Thomas had a lot |
01:07:17 |
Enough to disappear. |
01:07:22 |
- Isn't it enough to be alive? |
01:07:28 |
It's not enough. |
01:08:31 |
You can have the bed. It's pretty |
01:08:39 |
Do you come here often? |
01:08:42 |
Not anymore. |
01:08:46 |
I don't know a thing about you. |
01:09:05 |
You should eat something. |
01:09:15 |
We're both afraid |
01:09:18 |
The difference is |
01:09:27 |
- Why should I take a risk? |
01:09:33 |
That's what the Norwegian keeps |
01:09:40 |
All we need is someone to open it. |
01:10:06 |
That's not so easy. |
01:10:08 |
Lfwe don't take it the police will |
01:10:17 |
Half of it could be yours. |
01:10:24 |
To what do I owe |
01:10:28 |
What do you think? |
01:14:59 |
Corvalán! |
01:15:03 |
Quick, get in! |
01:15:19 |
- I owe you one. - Don't worry, |
01:15:25 |
Are you ok? |
01:15:32 |
I heard about the massacre in the |
01:15:40 |
They killed them all. |
01:15:46 |
I know, |
01:15:52 |
- How did you find me? |
01:16:01 |
Thank you, Sergio. |
01:16:11 |
Here. Tejedor 311. You can stay |
01:16:15 |
- Alcatraz. |
01:16:20 |
Could you lend me the car? |
01:16:23 |
The car's yours. |
01:16:31 |
I'll disappear for a while, |
01:16:37 |
Call me in a few days, |
01:16:40 |
- Go on, don't waste time. |
01:16:46 |
- I've only got one left. |
01:17:16 |
It's our big chance. |
01:17:21 |
Tomorrow we could be far away |
01:17:33 |
I have the key, |
01:21:27 |
Don't even think about it. |
01:21:31 |
Turn around. |
01:21:43 |
Don't make any strange movements. |
01:21:47 |
your gun, and put it |
01:21:52 |
Easy, slowly. |
01:21:55 |
Put it down. |
01:22:04 |
Kick it over here. |
01:22:10 |
Put it all in the bag. |
01:22:16 |
It's incredible, she always gets |
01:22:22 |
How much did she offer? |
01:22:31 |
When was it, |
01:22:39 |
She's good. |
01:22:45 |
- Did she tell you? |
01:22:49 |
This is the end of the line. |
01:22:54 |
This is where we all get off. |
01:23:06 |
So this is it. |
01:23:08 |
You're not so dumb after all. |
01:23:12 |
Throw overthe bag. |
01:23:19 |
Bye Corvalán. |
01:25:41 |
It's my duty to inform the people |
01:25:48 |
Eva Peron, died. |
01:26:22 |
So long my friend. |
01:26:52 |
Ripeados por tylerg. Sinc. por iusmail. |