|
Se7en
|
| 00:00:55 |
They were heard screaming at each |
| 00:00:59 |
Then they heard the gun go off. |
| 00:01:03 |
A crime of passion. |
| 00:01:06 |
Yeah. |
| 00:01:07 |
Just look at all the passion |
| 00:01:10 |
This is a done deal. |
| 00:01:17 |
Did the kid see it? |
| 00:01:18 |
What? |
| 00:01:20 |
The kid? |
| 00:01:22 |
What kind of question's that? |
| 00:01:24 |
We'll be real glad when we get rid of |
| 00:01:29 |
"Did the kid see it?" |
| 00:01:33 |
He's dead. |
| 00:01:34 |
Anything else has nothing |
| 00:01:46 |
Detective Somerset? |
| 00:01:48 |
I'm Detective Mills. |
| 00:01:52 |
Just get in town 20 minutes ago, |
| 00:01:56 |
Look... |
| 00:01:57 |
Mills? |
| 00:01:59 |
- Let's find a bar. Sit and talk... |
| 00:02:03 |
Not much time for |
| 00:02:07 |
I had a question, |
| 00:02:10 |
Yeah. |
| 00:02:12 |
Why here? |
| 00:02:14 |
I don't follow. |
| 00:02:16 |
Well, all this effort |
| 00:02:20 |
It's the first question |
| 00:02:23 |
Same reason as you. Or the reason |
| 00:02:30 |
You just met me. |
| 00:02:32 |
Maybe I don't understand the question. |
| 00:02:36 |
It's very simple. |
| 00:02:38 |
You actually fought |
| 00:02:42 |
- I never saw it done that way. |
| 00:02:46 |
It'd be great if we didn't start out |
| 00:02:52 |
- You're calling the shots. |
| 00:02:55 |
I want you to look and |
| 00:02:59 |
I wasn't guarding a Taco Bell. |
| 00:03:03 |
- Not here. |
| 00:03:05 |
Well, over the next 7 days, Detective, |
| 00:04:22 |
SE7EN |
| 00:06:02 |
MONDAY |
| 00:06:02 |
MONDAY |
| 00:06:45 |
Yeah. |
| 00:06:46 |
Okay. |
| 00:06:48 |
Say it again? |
| 00:06:52 |
I thought we moved here |
| 00:07:01 |
Serpico's got to go. |
| 00:07:03 |
Well, you might want |
| 00:07:06 |
crusty, this eye, Serpico. |
| 00:07:09 |
- Did you get it? |
| 00:07:10 |
Good. |
| 00:07:27 |
Coffee? |
| 00:07:33 |
Nothing's been touched. |
| 00:07:36 |
What time was death established? |
| 00:07:38 |
Like I said... |
| 00:07:39 |
I didn't touch anything... |
| 00:07:41 |
but he's had his face |
| 00:07:45 |
Wait. No one bothers |
| 00:07:48 |
Did I suffer? This guy ain't breathing |
| 00:07:52 |
- That's how it's done here? |
| 00:07:56 |
He's sitting in his own piss and shit. |
| 00:08:01 |
- Alright. |
| 00:08:03 |
Thank you. |
| 00:08:14 |
I wonder. |
| 00:08:17 |
What was the point of the conversation |
| 00:08:22 |
Don't know. How many times Barney Five |
| 00:08:28 |
Drop it. |
| 00:08:58 |
Somebody phone Guinness. |
| 00:09:18 |
Better Homes and Gardens. |
| 00:09:26 |
Spaghetti Sauce |
| 00:09:30 |
Who said this was murder? |
| 00:09:32 |
No one. |
| 00:09:35 |
Guy's heart must be the size... |
| 00:09:37 |
of a canned ham. |
| 00:09:41 |
If this isn't a coronary... |
| 00:09:43 |
well... |
| 00:09:45 |
I don't know. |
| 00:10:03 |
Whoops. |
| 00:10:11 |
How about that. |
| 00:10:22 |
We had this case once... |
| 00:10:25 |
guy dead on the ground... |
| 00:10:27 |
knife in his back. |
| 00:10:29 |
right? |
| 00:10:32 |
Fuck! |
| 00:10:34 |
Anyway, big insurance policy involved, |
| 00:10:37 |
took the tip of the blade... |
| 00:10:39 |
stuck it in his own shoulder blades. |
| 00:10:41 |
He must've screwed up |
| 00:10:44 |
- multiples back there. |
| 00:10:56 |
Wait a minute. |
| 00:10:57 |
What? |
| 00:11:01 |
Got a bucket here. |
| 00:11:03 |
What's in it? |
| 00:11:10 |
Oh God! |
| 00:11:11 |
Fucking vomit. |
| 00:11:15 |
Any blood in it? |
| 00:11:17 |
I didn't see any. |
| 00:11:24 |
Are you thinking it's poison? |
| 00:11:27 |
Oh, wonderful. Very moody. |
| 00:11:30 |
Think it's poison, Somerset? |
| 00:11:31 |
You girls have got forensics |
| 00:11:35 |
We might not fit. |
| 00:11:36 |
There's room. Light's the problem. |
| 00:11:38 |
How are you? |
| 00:11:41 |
Det. Mills, go help the officers... |
| 00:11:43 |
question the neighbors. |
| 00:11:47 |
What? |
| 00:11:48 |
And send in forensics. |
| 00:12:05 |
He's dead. |
| 00:12:07 |
Thank you, Doctor. |
| 00:12:15 |
You saw my files, |
| 00:12:18 |
Nope. |
| 00:12:22 |
I did door-to-doors and walked |
| 00:12:25 |
a long time. |
| 00:12:28 |
- And? |
| 00:12:29 |
"detective". |
| 00:12:33 |
Look, I made a decision. |
| 00:12:36 |
I had to consider |
| 00:12:39 |
not whether you were getting |
| 00:12:42 |
Hey, man... |
| 00:12:45 |
Just don't jerk me off. That's all |
| 00:12:55 |
He's been dead... |
| 00:12:56 |
a long time, and not from poison. |
| 00:12:59 |
Oh, man. |
| 00:13:00 |
How can you let yourself go like that? |
| 00:13:03 |
It took 4 orderlies just |
| 00:13:08 |
- How'd the fat fuck fit out his door? |
| 00:13:13 |
Look. See how big this stomach is? |
| 00:13:16 |
And the strange thing is, |
| 00:13:19 |
Look at the size of the |
| 00:13:22 |
I see that, but it means |
| 00:13:25 |
Okay, he's got lines of distention... |
| 00:13:27 |
across the duodenum. |
| 00:13:29 |
The interior wall's ripped open. |
| 00:13:32 |
This man ate till he burst? |
| 00:13:34 |
He didn't really burst. Not all the |
| 00:13:39 |
There was a hematoma |
| 00:13:42 |
- the transverse abdominous muscles. |
| 00:13:45 |
Yes and no. |
| 00:13:48 |
What about these bruises here? |
| 00:13:52 |
I haven't figured that out yet. |
| 00:13:54 |
Gun pressed against his head? |
| 00:13:56 |
Pressed hard enough. |
| 00:13:57 |
Fuck, yeah. |
| 00:13:59 |
On the front, flush with the muzzle. |
| 00:14:03 |
Ladies and gentlemen, |
| 00:14:09 |
Killer put a bucket beneath him, |
| 00:14:14 |
Coroner said it could have lasted |
| 00:14:17 |
Victim's throat was swollen, |
| 00:14:20 |
and there was a point |
| 00:14:23 |
That's when the killer kicked him... |
| 00:14:25 |
- and he burst. |
| 00:14:27 |
When you want somebody dead, |
| 00:14:30 |
You don't risk the time |
| 00:14:33 |
- unless the act itself has meaning. |
| 00:14:36 |
Somebody had a problem with a fat boy |
| 00:14:40 |
In the grocery bags... |
| 00:14:41 |
we found 2 receipts. So, |
| 00:14:45 |
to the supermarket. |
| 00:14:47 |
So? |
| 00:14:50 |
Man, it's his thing. |
| 00:14:53 |
- This is beginning. |
| 00:14:55 |
one dead guy, not three. |
| 00:14:57 |
No motive. |
| 00:14:59 |
Don't start that big brain of yours... |
| 00:15:01 |
cooking on this, alright? |
| 00:15:03 |
I'd like to be reassigned. |
| 00:15:06 |
Whoa. |
| 00:15:08 |
What are you talking about? |
| 00:15:10 |
This can't be my last duty. |
| 00:15:12 |
It'll go on and on. |
| 00:15:14 |
You're retiring in 6 days. |
| 00:15:16 |
You've left unfinished |
| 00:15:19 |
Those cases were taken as close |
| 00:15:24 |
- And if I may speak freely? |
| 00:15:26 |
It's his first assignment. |
| 00:15:28 |
I knew it. This is not |
| 00:15:32 |
It's too soon. |
| 00:15:33 |
I'm here. You can say that |
| 00:15:37 |
It's too soon for you. |
| 00:15:39 |
Captain... |
| 00:15:40 |
Can we talk in private? |
| 00:15:42 |
This is a personal thing-- |
| 00:15:44 |
Just shut up, Mills. |
| 00:15:45 |
I don't have anyone else... |
| 00:15:47 |
to put on this and you know it. |
| 00:15:50 |
- you don't just get to swap. |
| 00:15:54 |
He wants out, fuck him. |
| 00:15:57 |
Give it to me. |
| 00:15:59 |
I'll put you on something else. |
| 00:16:03 |
Go on, Mills, just go on. |
| 00:16:11 |
I'm sorry, old buddy, |
| 00:16:14 |
cleaning up the fat man. |
| 00:16:23 |
TUESDAY |
| 00:16:23 |
TUESDAY |
| 00:16:28 |
MURDER HAS A NEW UPTOWN ADDRESS! |
| 00:16:31 |
ATTORNEY FOUND MURDERED |
| 00:16:33 |
Quiet down. |
| 00:16:36 |
Alright, calm down. Calm down. |
| 00:16:39 |
Quiet down. |
| 00:16:44 |
Here's how it'll work: |
| 00:16:46 |
I'll answer questions for 10 minutes |
| 00:16:50 |
Ask those questions in a calm, sane, |
| 00:16:54 |
Detective? Detective? |
| 00:16:56 |
- Can I have a moment? |
| 00:17:03 |
I won't discuss the details of this |
| 00:17:26 |
What you got for me? |
| 00:17:28 |
Nothing yet, boss. |
| 00:17:32 |
Why don't you guys go get |
| 00:17:37 |
We have this breaking story. |
| 00:17:41 |
Eli Gould was found murdered today. |
| 00:17:43 |
District Attorney Martin Talbot |
| 00:17:52 |
That's ridiculous and offensive. |
| 00:17:54 |
There is no conflict, and any claim |
| 00:18:00 |
Now hold on. |
| 00:18:02 |
I just met with law enforcement |
| 00:18:06 |
assured me that they have their |
| 00:18:11 |
This will be the very definition... |
| 00:18:14 |
of swift justice. |
| 00:18:18 |
GREED |
| 00:18:39 |
Pardon me, George. |
| 00:18:44 |
Somerset. |
| 00:18:45 |
Come in. |
| 00:18:48 |
You heard the news? |
| 00:18:49 |
Nope, haven't heard. |
| 00:18:51 |
Eli Gould was found |
| 00:18:54 |
Someone broke into his law firm |
| 00:18:58 |
Wrote the word "greed" |
| 00:19:05 |
- Greed? |
| 00:19:08 |
Mills is heading the investigation. |
| 00:19:11 |
Excuse me. Excuse me. |
| 00:19:14 |
Don't do that, please? |
| 00:19:18 |
Good for him. |
| 00:19:20 |
What will you do... |
| 00:19:22 |
with yourself out there, Somerset? |
| 00:19:24 |
Oh, I'll work, maybe on a farm. |
| 00:19:27 |
Don't you feel it? |
| 00:19:29 |
Don't you feel that feeling? |
| 00:19:31 |
You're not going to be a cop anymore. |
| 00:19:34 |
That's the whole idea. |
| 00:19:37 |
I don't think you'll leave. |
| 00:19:39 |
Hell, you can't leave all this. |
| 00:19:44 |
Guy's out walking his dog. |
| 00:19:46 |
Gets attacked. |
| 00:19:47 |
His watch is taken, his wallet. |
| 00:19:50 |
And while he's lying... |
| 00:19:51 |
on the sidewalk helpless... |
| 00:19:54 |
his attacker stabs him in both eyes. |
| 00:19:58 |
This happened last night |
| 00:20:01 |
I read about it. |
| 00:20:03 |
I don't understand anymore. |
| 00:20:05 |
It's the way it's always been. |
| 00:20:07 |
- Maybe you're right. |
| 00:20:11 |
I don't think you can deny that. |
| 00:20:14 |
Maybe I'm wrong. |
| 00:20:18 |
The coroner sent this down for you. |
| 00:20:21 |
Found them in |
| 00:20:23 |
mixed in with the food. |
| 00:20:27 |
- plastic. |
| 00:20:33 |
They were... |
| 00:20:34 |
fed to him. |
| 00:22:11 |
Lord. |
| 00:22:12 |
GLUTTONY |
| 00:22:20 |
This was found behind the refrigerator |
| 00:22:25 |
"Long is the way |
| 00:22:27 |
And hard, that out of hell |
| 00:22:30 |
It's from Milton. |
| 00:22:32 |
"Paradise Lost." |
| 00:22:34 |
Alright... |
| 00:22:35 |
I'm confused. |
| 00:22:36 |
It means that this is beginning. |
| 00:22:38 |
GLUTTONY |
| 00:22:40 |
This was behind |
| 00:22:42 |
written in grease. |
| 00:22:44 |
There are 7 deadly sins, Captain. |
| 00:22:47 |
Gluttony... |
| 00:22:50 |
greed... |
| 00:22:54 |
sloth, wrath... |
| 00:22:56 |
pride, lust... |
| 00:22:59 |
and envy. |
| 00:23:00 |
Seven. |
| 00:23:01 |
Hold on. |
| 00:23:03 |
This is not even my desk. |
| 00:23:06 |
You can expect five more of these. |
| 00:23:10 |
Wait a minute. |
| 00:23:12 |
I can't get involved in this. |
| 00:23:16 |
Somerset. |
| 00:23:18 |
He wanted it. |
| 00:23:21 |
Damn! |
| 00:23:22 |
I'm all over it. |
| 00:23:56 |
Where to? |
| 00:24:00 |
Far away from here. |
| 00:24:14 |
- Just a few things to look up. |
| 00:24:16 |
Sit where you'd like. |
| 00:24:19 |
How's everybody? |
| 00:24:21 |
Hiya, Smiley. |
| 00:24:23 |
George, the cards are getting cold. |
| 00:24:26 |
Duty calls. |
| 00:24:42 |
Gentlemen? Gentlemen... |
| 00:24:45 |
I'll never understand. |
| 00:24:47 |
All these books... |
| 00:24:49 |
a world of knowledge right here... |
| 00:24:51 |
and what do you do? |
| 00:24:53 |
You play poker all night. |
| 00:24:55 |
Hey, we got culture. |
| 00:24:57 |
Yeah, we got culture |
| 00:25:03 |
How's this for culture? |
| 00:25:32 |
CHAUCER |
| 00:25:53 |
DANTE |
| 00:26:20 |
VICTIM FORCED MUTILATE HIMSELF |
| 00:26:46 |
You may want to check these books re: |
| 00:26:49 |
Dante's Purgatory |
| 00:27:02 |
was crimson with his blood: |
| 00:27:14 |
Even children slain! |
| 00:27:36 |
You know, Smiley... |
| 00:27:38 |
you'll really miss us. |
| 00:27:42 |
I just might. |
| 00:27:45 |
PLAN OF DANTE'S INFERNO |
| 00:27:54 |
The Earthly Paradise |
| 00:28:13 |
WEDNESDAY |
| 00:28:13 |
WEDNESDAY |
| 00:28:39 |
Fucking Dante. |
| 00:28:41 |
Goddamn poetry-writing fagot |
| 00:28:45 |
Fucker. |
| 00:28:57 |
Good work, Officer. |
| 00:29:05 |
Thank you, Lord. |
| 00:29:14 |
Oh, oh, sorry. |
| 00:29:17 |
I'll move in a second. |
| 00:29:31 |
- You want your chair? |
| 00:29:34 |
Yeah? |
| 00:30:12 |
Phone. |
| 00:30:14 |
Package deal. |
| 00:30:21 |
Mills. |
| 00:30:23 |
Honey... |
| 00:30:24 |
You okay? Something wrong? |
| 00:30:26 |
You dingleberry, I told you |
| 00:30:31 |
Yeah. Why? |
| 00:30:35 |
Why? |
| 00:30:41 |
Okay. |
| 00:30:46 |
It's my wife. |
| 00:30:48 |
Sorry? |
| 00:30:50 |
She'd like to speak to you. |
| 00:31:01 |
This is Detective Somerset. |
| 00:31:05 |
Well, yes, it's nice |
| 00:31:09 |
I appreciate the offer, but... |
| 00:31:14 |
Well, in that case I'd be delighted. |
| 00:31:17 |
Yes, thank you very much. |
| 00:31:20 |
Bye. |
| 00:31:24 |
Honey, what...? |
| 00:31:33 |
Well? |
| 00:31:34 |
Sorry? |
| 00:31:37 |
I'm invited to late supper |
| 00:31:41 |
At my... How's that? |
| 00:31:43 |
Tonight. |
| 00:31:51 |
Hello, men. |
| 00:31:53 |
- Hi, loser. |
| 00:31:57 |
That's Tracy. Tracy... |
| 00:32:00 |
Hello. |
| 00:32:01 |
Glad to meet you. |
| 00:32:05 |
Except your first name. |
| 00:32:08 |
It's William. |
| 00:32:10 |
Well, it's a good name... |
| 00:32:12 |
William. |
| 00:32:14 |
William, I'd like you to meet David. |
| 00:32:16 |
- David, this is William. |
| 00:32:20 |
- How are the kids? |
| 00:32:25 |
Aw, good dogs. |
| 00:32:26 |
How are all the good dogs? |
| 00:32:40 |
Smells good. |
| 00:32:43 |
Yeah, I mean, thank you. |
| 00:32:46 |
Please have a seat, if you like. |
| 00:32:49 |
- Would you like a drink? |
| 00:32:53 |
Throw that anywhere. |
| 00:32:56 |
We're still unpacking. |
| 00:33:00 |
I hear you were |
| 00:33:05 |
Pretty hokey, huh? |
| 00:33:08 |
You know something? |
| 00:33:10 |
On our first date I knew he was... |
| 00:33:12 |
- the guy I'd marry. |
| 00:33:15 |
He was the funniest guy I ever met. |
| 00:33:22 |
Really. |
| 00:33:26 |
It's kind of rare nowadays. |
| 00:33:28 |
I mean, that level of... |
| 00:33:31 |
commitment. |
| 00:33:36 |
Oh, don't worry. |
| 00:33:38 |
I won't wear it to the dinner table. |
| 00:33:42 |
No matter... |
| 00:33:43 |
how often I see guns, |
| 00:33:46 |
get used to them. |
| 00:33:48 |
Same here. |
| 00:33:59 |
- Why aren't you married, William? |
| 00:34:02 |
What the hell? |
| 00:34:03 |
I was close once. |
| 00:34:06 |
It just didn't happen. |
| 00:34:07 |
It surprises me. |
| 00:34:10 |
It really does. |
| 00:34:12 |
Well... |
| 00:34:15 |
Anyone who spends a significant amount |
| 00:34:20 |
Just ask your husband. |
| 00:34:21 |
Very true. |
| 00:34:22 |
Very, very true. |
| 00:34:25 |
How long have you lived here? |
| 00:34:28 |
Too long. |
| 00:34:33 |
How do you like it? |
| 00:34:36 |
You know... |
| 00:34:37 |
takes time. Settle in... |
| 00:34:41 |
it'll be good. |
| 00:34:42 |
Well, you get numb after awhile |
| 00:34:46 |
There are things to any city... |
| 00:34:53 |
Subway. |
| 00:34:55 |
It'll go away in a minute. |
| 00:35:00 |
This real estate guy. |
| 00:35:02 |
Fucking piece of... |
| 00:35:06 |
He shows us the place a few times, |
| 00:35:09 |
He's efficient. |
| 00:35:12 |
Then I start wondering why he'll only |
| 00:35:16 |
We found out the first night. |
| 00:35:18 |
The soothing, relaxing... |
| 00:35:21 |
vibrating home, huh? |
| 00:35:31 |
I'm sorry. |
| 00:35:39 |
Yeah, alright, laugh it up. |
| 00:35:44 |
I don't know why you're laughing. |
| 00:35:50 |
Alright, already. |
| 00:35:55 |
He had to get into the building... |
| 00:35:57 |
before the office closed. |
| 00:36:01 |
I'm certain. He was the biggest |
| 00:36:04 |
- Infamous, really. |
| 00:36:08 |
The office was closed on Monday. |
| 00:36:12 |
Laid low till the cleaning crew left, |
| 00:36:15 |
his way with Gould Saturday, Sunday, |
| 00:36:19 |
Look. |
| 00:36:21 |
Gould was bound, right arm free. |
| 00:36:23 |
He was handed a butcher's knife. |
| 00:36:26 |
Check out the scale. |
| 00:36:28 |
A pound of flesh. |
| 00:36:36 |
"One pound of flesh" |
| 00:36:38 |
"No more no less |
| 00:36:40 |
No bone.... |
| 00:36:41 |
only flesh". "Merchant of Venice." |
| 00:36:44 |
Didn't see it. |
| 00:36:45 |
"This task done... |
| 00:36:48 |
I tell you that chair was... |
| 00:36:50 |
- soaked through with sweat. |
| 00:36:53 |
The killer wanted Gould |
| 00:36:56 |
deciding which cut.... |
| 00:36:58 |
to make first. |
| 00:37:00 |
Imagine it. |
| 00:37:01 |
There's a gun in your face. |
| 00:37:04 |
Which part of your body |
| 00:37:07 |
The love handle. |
| 00:37:09 |
Cut along the side |
| 00:37:12 |
Let's take a fresh look at these. |
| 00:37:16 |
Look through it. |
| 00:37:19 |
The trick is to find one item, |
| 00:37:24 |
until it's an exhausted possibility. |
| 00:37:27 |
I'll get another beer. Beer? |
| 00:37:29 |
Wine, please. |
| 00:37:39 |
He's preaching. |
| 00:37:41 |
Punishing. |
| 00:37:44 |
The sins were used |
| 00:37:48 |
7 cardinal virtues, |
| 00:37:50 |
- used as teaching tools. |
| 00:37:53 |
- "The Parson's Tale," and Dante. |
| 00:37:56 |
Yeah. |
| 00:37:58 |
Parts. Remember in "Purgatory"... |
| 00:38:00 |
Dante and his buddy climb up the hill |
| 00:38:05 |
- The Seven Terraces of Purgation. |
| 00:38:09 |
But there pride comes first, |
| 00:38:12 |
For now let's consider... |
| 00:38:14 |
the books as the killer's inspiration. |
| 00:38:17 |
The sermons were about atonement |
| 00:38:20 |
These murders are like |
| 00:38:22 |
Forced what? |
| 00:38:24 |
Attrition's when you regret your sins, |
| 00:38:27 |
- you love God. |
| 00:38:34 |
No fingerprints. |
| 00:38:35 |
Nope. |
| 00:38:37 |
- Totally unrelated victims. |
| 00:38:40 |
And no witnesses of any kind. |
| 00:38:43 |
Which I don't get... |
| 00:38:44 |
because the fucker |
| 00:38:48 |
In any major city, minding |
| 00:38:53 |
In rape prevention, the first thing |
| 00:38:57 |
Always yell, "Fire!". |
| 00:38:59 |
Nobody answers help. |
| 00:39:00 |
Holler "fire," they'll come. |
| 00:39:02 |
That's fucked up. |
| 00:39:04 |
He must have left |
| 00:39:08 |
You know what? Thank you for talking |
| 00:39:13 |
Walk the dogs. |
| 00:39:14 |
This is just to satisfy my curiosity. |
| 00:39:17 |
- I'm leaving at the end of the week. |
| 00:39:22 |
Gould's wife. She was out of town |
| 00:39:25 |
- So this means she saw something. |
| 00:39:28 |
I put her in a safe house. |
| 00:39:40 |
What if it isn't what she has seen... |
| 00:39:42 |
but what she's supposed to see |
| 00:39:46 |
Yeah, okay. What? |
| 00:39:48 |
I don't know. |
| 00:39:51 |
But that's the one thing. |
| 00:40:37 |
I'll sign us in. |
| 00:40:39 |
Must see Mrs. Gould. |
| 00:40:46 |
Mrs. Gould? |
| 00:40:54 |
Mrs. Gould, I'm sorry. |
| 00:40:57 |
I don't understand. |
| 00:40:59 |
I need you to look at each photo... |
| 00:41:02 |
very carefully. |
| 00:41:04 |
Look and see if there's anything |
| 00:41:07 |
out of place, anything at all. |
| 00:41:10 |
I don't see anything. |
| 00:41:13 |
Please, I can't do this right now. |
| 00:41:15 |
Okay. |
| 00:41:17 |
It's got to be now. |
| 00:41:19 |
There may be something we missed. |
| 00:41:30 |
Wait. |
| 00:41:31 |
What? |
| 00:41:32 |
Here. |
| 00:41:36 |
This painting, it's upside down. |
| 00:41:47 |
- Your men didn't move this? |
| 00:41:49 |
Those shots were taken |
| 00:41:55 |
Nothing. |
| 00:41:57 |
There's got to be something. |
| 00:42:09 |
- He moved the screws to rehang it. |
| 00:42:16 |
What the fuck is that? |
| 00:42:19 |
Switchblade. |
| 00:42:28 |
Goddamn it. |
| 00:42:33 |
There must be something. |
| 00:42:40 |
He didn't paint the fucking thing. |
| 00:42:50 |
No, he's fucking with us, |
| 00:42:54 |
See this, this is us. |
| 00:42:58 |
Just wait a minute. |
| 00:43:02 |
- Somerset's climbing on the furniture. |
| 00:43:10 |
You're kidding me. |
| 00:43:12 |
Call the print lab. |
| 00:43:19 |
Oh, man. |
| 00:43:24 |
Honestly... |
| 00:43:25 |
have you ever seen anything like this? |
| 00:43:32 |
HELP ME |
| 00:43:33 |
The swell pattern tells me |
| 00:43:36 |
the victim's fingerprints. |
| 00:43:48 |
I don't know, man. |
| 00:43:50 |
I say he's whacked enough. |
| 00:43:54 |
It doesn't fit. |
| 00:43:56 |
He doesn't want to stop. |
| 00:43:58 |
Who knows. |
| 00:43:59 |
Freaks out there doing their |
| 00:44:03 |
"The voices made me do it". |
| 00:44:05 |
"Jodie Foster made me do it". |
| 00:44:07 |
It can take... |
| 00:44:09 |
3 days to make a match, |
| 00:44:13 |
your fingers somewhere else. |
| 00:44:18 |
You meant what you said to Mrs. Gould, |
| 00:44:21 |
About catching this guy. |
| 00:44:26 |
Wish I still thought |
| 00:44:30 |
Tell me what the hell it is |
| 00:44:34 |
Picking up the pieces. |
| 00:44:37 |
We're collecting all the evidence, |
| 00:44:42 |
writing everything down... |
| 00:44:44 |
noting the time things happened. |
| 00:44:47 |
That's all? |
| 00:44:49 |
That's all. |
| 00:44:50 |
Putting everything into neat piles |
| 00:44:55 |
on the off chance it'll be needed |
| 00:45:01 |
Picking up diamonds |
| 00:45:04 |
saving them in case we get rescued. |
| 00:45:10 |
Bullshit. |
| 00:45:13 |
Even the most promising clues |
| 00:45:18 |
So many corpses roll away unrevenged. |
| 00:45:24 |
Don't try to tell me you didn't |
| 00:45:29 |
I saw you. |
| 00:45:31 |
We're getting somewhere. |
| 00:45:43 |
THURSDAY |
| 00:45:43 |
THURSDAY |
| 00:45:48 |
Wake up, Glimmer Twins. |
| 00:45:50 |
We got a winner. |
| 00:45:57 |
He uses the name Victor. |
| 00:46:01 |
Homicide found his prints |
| 00:46:04 |
He's got a long history |
| 00:46:07 |
He got a very strict |
| 00:46:10 |
Somewhere along the line |
| 00:46:13 |
Victor dabbled in drugs, armed robbery |
| 00:46:17 |
in prison for the attempted rape |
| 00:46:20 |
His lawyer made sure that didn't |
| 00:46:24 |
the lawyer was Eli Gould, |
| 00:46:27 |
We'll stop this today, |
| 00:46:29 |
Victor's been out of circulation for |
| 00:46:33 |
- You're not buying this? |
| 00:46:36 |
Like our guy, does it? |
| 00:46:37 |
You tell me. |
| 00:46:40 |
Our killer seems to have |
| 00:47:09 |
You ever take a bullet? |
| 00:47:11 |
Never in my thirty-four years, |
| 00:47:16 |
I've only taken my gun out... |
| 00:47:17 |
3 times wanting to use it. |
| 00:47:20 |
Never pulled the trigger. |
| 00:47:21 |
Not once. |
| 00:47:23 |
You? |
| 00:47:24 |
Yeah. No, I never took a bullet, |
| 00:47:28 |
I pulled my gun once. |
| 00:47:31 |
- Really? |
| 00:47:33 |
We were a secondary unit. |
| 00:47:35 |
I was pretty shaky going in. |
| 00:47:38 |
We bust open the door looking for this |
| 00:47:44 |
One cop got hit in the arm. |
| 00:47:48 |
Christ, what was his name? |
| 00:47:51 |
It spun him like a top... no, Well, |
| 00:47:56 |
I remember... |
| 00:47:59 |
riding in that ambulance... |
| 00:48:01 |
and, well... |
| 00:48:02 |
he died right there. |
| 00:48:04 |
Right there. |
| 00:48:06 |
Christ, what was his fucking name? |
| 00:49:23 |
SWAT goes before dicks. |
| 00:49:29 |
They love this. |
| 00:49:31 |
Police! |
| 00:49:37 |
Clear! |
| 00:50:02 |
Good morning, sweetheart. |
| 00:50:05 |
Get up now, motherfucker. Now! |
| 00:50:16 |
Get up, you sack of shit. |
| 00:50:24 |
Oh, fuck me. |
| 00:50:26 |
Dicks! |
| 00:50:28 |
You'll want to come |
| 00:50:33 |
Dicks! |
| 00:50:41 |
Jesus. |
| 00:50:42 |
Victor? |
| 00:50:44 |
- What the hell? |
| 00:50:46 |
- Call an ambulance. |
| 00:50:48 |
Hearse, I'd say. |
| 00:50:49 |
Call for forensics. |
| 00:50:51 |
Get your people out. |
| 00:50:52 |
No one touches anything. |
| 00:50:54 |
It's like a frigging wax sculpture. |
| 00:51:00 |
Sloth. |
| 00:51:11 |
Aw, man. |
| 00:51:12 |
Goddamn. |
| 00:51:13 |
Those pictures were dated 3 days ago. |
| 00:51:24 |
This must be the first. |
| 00:51:25 |
Look. |
| 00:51:27 |
It's dated exactly one year ago today. |
| 00:51:31 |
I got a hair sample. I got a... |
| 00:51:33 |
stool sample. I got piss. I got... |
| 00:51:35 |
fingernails. |
| 00:51:39 |
He's laughing at us. |
| 00:51:40 |
You got what you deserved. |
| 00:51:46 |
He's alive! Cocksucker's alive! |
| 00:51:48 |
Guns down! |
| 00:51:50 |
Guns down! |
| 00:52:08 |
- He's playing games. |
| 00:52:13 |
We must forget our emotion. |
| 00:52:16 |
- We must focus on the details |
| 00:52:20 |
Are you listening to me? |
| 00:52:22 |
Yes, I can hear you. |
| 00:52:23 |
- Excuse me. |
| 00:52:25 |
- Closed crime scene. Leave. |
| 00:52:28 |
I'm a U.P.I. photographer. |
| 00:52:30 |
I got a fucking right to be here. |
| 00:52:32 |
- Get out! Jesus. |
| 00:52:34 |
I got your picture, man. |
| 00:52:36 |
- I got your picture. |
| 00:52:38 |
Detective Mills. |
| 00:52:41 |
- You can spell! |
| 00:52:43 |
How they get here so fucking quick? |
| 00:52:46 |
They pay police for the information. |
| 00:52:50 |
Hey man, I'm sorry. |
| 00:52:54 |
They piss me off. |
| 00:52:55 |
It's okay. |
| 00:52:56 |
It's impressive to see a man |
| 00:53:06 |
1 year of immobility's right, judging |
| 00:53:11 |
Blood tests show a smorgasbord |
| 00:53:14 |
Even an antibiotic, probably to keep |
| 00:53:20 |
Now, has he tried to speak |
| 00:53:24 |
Even if his brain were not mush, |
| 00:53:26 |
he chewed off his tongue long ago. |
| 00:53:31 |
Doc. |
| 00:53:33 |
Is there absolutely no chance |
| 00:53:37 |
He'd die of shock right now if you |
| 00:53:42 |
He's had as much pain and suffering as |
| 00:53:48 |
and he still has hell |
| 00:53:51 |
Good night. |
| 00:54:04 |
Hello, William. |
| 00:54:06 |
It's Tracy. |
| 00:54:08 |
Tracy? |
| 00:54:10 |
Everything okay? |
| 00:54:11 |
Yeah. Yes, everything's fine. |
| 00:54:14 |
Where's David? |
| 00:54:15 |
He's in the other room. |
| 00:54:18 |
I'm sorry to call you like this. |
| 00:54:21 |
Oh, it's all right. |
| 00:54:24 |
What can I do for you? |
| 00:54:31 |
I need someone to talk... |
| 00:54:33 |
to. Do you think you could meet me... |
| 00:54:35 |
somewhere, maybe tomorrow morning? |
| 00:54:39 |
I don't understand. |
| 00:54:41 |
I feel stupid calling, but... |
| 00:54:45 |
you're the only person |
| 00:54:49 |
There's no one else. |
| 00:54:50 |
If you can... |
| 00:54:52 |
just give me a call, okay? |
| 00:54:55 |
I have to go now. |
| 00:54:57 |
Good night. |
| 00:54:58 |
Good night. |
| 00:55:04 |
FRIDAY |
| 00:55:04 |
FRIDAY |
| 00:55:08 |
I mean... |
| 00:55:10 |
you know this city so well. |
| 00:55:13 |
You've been here... |
| 00:55:14 |
so long. |
| 00:55:17 |
It can be a hard place. |
| 00:55:19 |
I don't know why I asked you to come. |
| 00:55:23 |
Why don't you talk to him about it? |
| 00:55:26 |
Tell him how you feel. |
| 00:55:29 |
I can't. You know, |
| 00:55:31 |
Especially now. |
| 00:55:35 |
I'll get used to things... |
| 00:55:37 |
you know? |
| 00:55:38 |
I wanted to talk to someone... |
| 00:55:40 |
who's lived here for a long time. |
| 00:55:44 |
I mean, upstate, it's |
| 00:55:52 |
Did David tell you that I teach |
| 00:55:58 |
Yeah, he mentioned it. |
| 00:56:03 |
I've been going around, |
| 00:56:08 |
but the conditions here are... |
| 00:56:10 |
horrible. |
| 00:56:13 |
What about private schools? |
| 00:56:17 |
I don't know. |
| 00:56:20 |
Tell me what's really bothering you. |
| 00:56:25 |
David and I are going to have a baby. |
| 00:56:33 |
Oh, Tracy. I... |
| 00:56:35 |
I don't think I'm the one... |
| 00:56:37 |
to talk to... |
| 00:56:39 |
- about this. |
| 00:56:45 |
I had a relationship once... |
| 00:56:48 |
it was very much like a marriage. |
| 00:56:53 |
We got pregnant. |
| 00:56:56 |
This was a long time ago. |
| 00:57:03 |
I remember getting up one morning |
| 00:57:08 |
Just a day like any other, except |
| 00:57:13 |
about the pregnancy. |
| 00:57:16 |
And I felt this fear... |
| 00:57:19 |
the first time ever. |
| 00:57:23 |
I remember thinking... |
| 00:57:25 |
how can I bring a child |
| 00:57:28 |
How can a person grow up |
| 00:57:38 |
I told her I didn't want to have it. |
| 00:57:43 |
And over the next few weeks... |
| 00:57:46 |
I wore her down. |
| 00:57:50 |
I want to have children. |
| 00:57:56 |
I can tell you now that... |
| 00:57:59 |
I know... I mean... |
| 00:58:03 |
I'm positive that... |
| 00:58:05 |
I made the right decision. |
| 00:58:08 |
But not a day passes |
| 00:58:11 |
that I had made a different choice. |
| 00:58:17 |
If you don't... |
| 00:58:18 |
keep... |
| 00:58:21 |
the baby, I mean, |
| 00:58:26 |
don't ever tell him you were pregnant. |
| 00:58:30 |
but if you choose to have the baby... |
| 00:58:33 |
then spoil that kid... |
| 00:58:35 |
every chance you get. |
| 00:58:43 |
That's... |
| 00:58:44 |
about... |
| 00:58:45 |
all the advice I can give you, Tracy. |
| 00:58:54 |
I must go. |
| 00:58:56 |
William. |
| 00:59:04 |
Thank you. |
| 00:59:17 |
Gluttony Greed Sloth Envy |
| 00:59:20 |
Victor's landlord said there was cash |
| 00:59:24 |
the first of every month. |
| 00:59:30 |
Quote: |
| 00:59:31 |
"l never heard a single complaint |
| 00:59:34 |
in apartment 306, and nobody |
| 00:59:38 |
The best tenant I've ever had." |
| 00:59:40 |
- End quote. |
| 00:59:42 |
A paralyzed tenant with no tongue. |
| 00:59:44 |
Who pays the rent on time. |
| 00:59:47 |
I'm sick of this waiting. |
| 00:59:49 |
This is the job. |
| 00:59:51 |
Why aren't we out there? |
| 00:59:53 |
Why must we sit here rotting, |
| 00:59:56 |
does it again?- |
| 00:59:58 |
"Lunatic" is dismissive. |
| 01:00:01 |
Come on, he's insane. Look. |
| 01:00:03 |
Right now he's probably dancing around |
| 01:00:07 |
Yeah, rubbing himself |
| 01:00:10 |
How's that? |
| 01:00:12 |
I don't think so. |
| 01:00:14 |
His luck'll run out. |
| 01:00:17 |
He's not depending on luck. |
| 00:00:06 |
One year to the day. |
| 00:00:07 |
- He wanted us to. |
| 00:00:10 |
Oh, yes, we do. |
| 00:00:12 |
This note he left... |
| 00:00:14 |
his first words to us. |
| 00:00:19 |
Leads up to Light." |
| 00:00:22 |
Fuck him. So what? |
| 00:00:24 |
He's right, so far. |
| 00:00:26 |
Imagine the will it takes to keep |
| 00:00:30 |
To sever his hand and to use it... |
| 00:00:32 |
to plant fingerprints. |
| 00:00:34 |
To insert tubes into his genitals. |
| 00:00:37 |
This guy's methodical, exacting... |
| 00:00:40 |
and worst of all, patient. |
| 00:00:42 |
He's a nut bag. |
| 00:00:44 |
Because the fucker's got |
| 00:00:52 |
You got money? |
| 00:00:53 |
I got 50. Fifty bucks. |
| 00:00:55 |
I propose a field trip. Come on. |
| 00:01:01 |
We'll make a list. |
| 00:01:04 |
"Canterbury Tales," anything relating |
| 00:01:08 |
- Ask yourself. |
| 00:01:09 |
What would he study |
| 00:01:12 |
What are his interests now? |
| 00:01:15 |
Jack the Ripper, for instance. |
| 00:01:17 |
- Where are we going? |
| 00:01:32 |
Coupons. Coupons. |
| 00:01:35 |
Discount coupons. |
| 00:01:37 |
They must have had about 50 health |
| 00:01:42 |
Sit across from me? |
| 00:01:45 |
we're dating. |
| 00:01:47 |
Give me your money. |
| 00:01:49 |
I'll give you this, but |
| 00:01:58 |
Somerset. How you doing? |
| 00:02:00 |
Didn't expect a menage-a-trois. |
| 00:02:03 |
It's not a problem. Sit down. |
| 00:02:10 |
Only for you do I do this, |
| 00:02:13 |
- So we're in this fair and square. |
| 00:02:22 |
About an hour. |
| 00:02:25 |
Yep. Help yourself. |
| 00:02:29 |
That was money well spent. |
| 00:02:32 |
Yeah. |
| 00:02:41 |
Alright. |
| 00:02:42 |
Telling you this, I'm trusting you |
| 00:02:46 |
Good, 'cause I might punch you. |
| 00:02:50 |
It's probably nothing, but even so, |
| 00:02:56 |
The guy in the pizza parlor |
| 00:03:01 |
Who, stinky man? |
| 00:03:03 |
For years, the FBI's been hooked into |
| 00:03:08 |
- Assessing fines? |
| 00:03:12 |
Look. |
| 00:03:13 |
Certain books are flagged. |
| 00:03:15 |
Books on, say, nuclear weapons... |
| 00:03:17 |
"Mein Kampf". |
| 00:03:20 |
Anyone who checks out a flagged book |
| 00:03:24 |
Wait. How is this legal? |
| 00:03:27 |
Legal. Illegal. |
| 00:03:31 |
You can't use the information |
| 00:03:35 |
It might sound silly, but you can't |
| 00:03:39 |
and a current phone bill. See? |
| 00:03:43 |
- So they run our list. |
| 00:03:46 |
If you want to know who's reading... |
| 00:03:48 |
"Purgatory", "Paradise Lost" |
| 00:03:52 |
the FBI's computers will tell us. |
| 00:03:54 |
It could give us a name. |
| 00:03:56 |
Of a college kid writing |
| 00:03:59 |
on 20th-century crime. |
| 00:04:01 |
At least you're out of the office. |
| 00:04:03 |
Get a haircut. |
| 00:04:05 |
How do you know this? |
| 00:04:07 |
I don't. |
| 00:04:08 |
- Neither do you. |
| 00:04:18 |
"Divine Comedy". |
| 00:04:20 |
"History of Catholicism" A book |
| 00:04:24 |
"Modern Homicide Investigation". |
| 00:04:28 |
"Of Human Bondage". Bondage? |
| 00:04:30 |
It's not what you think. |
| 00:04:33 |
The Marquis de Sade. |
| 00:04:35 |
- Marquis de Sade. |
| 00:04:37 |
Works of St. Thomas Aqua something... |
| 00:04:40 |
Saint Thomas Aquinas. There. |
| 00:04:42 |
He wrote about the seven deadly sins. |
| 00:04:44 |
Is that it? |
| 00:04:46 |
Yep. |
| 00:04:48 |
- Let's try it. |
| 00:04:51 |
Whatever. |
| 00:04:52 |
We're sure about that name, are we? |
| 00:04:54 |
You were, you saw it. John Doe. |
| 00:04:57 |
You want to go back, I'll go back. |
| 00:05:00 |
Let's take a look at him. |
| 00:05:03 |
This is crazy. |
| 00:05:04 |
We'll just talk to him. |
| 00:05:07 |
"Excuse me, sir. Do you |
| 00:05:13 |
You do the talking. |
| 00:05:16 |
Put that silver tongue of yours |
| 00:05:18 |
You've talked to my wife? |
| 00:05:24 |
Retarded. |
| 00:05:25 |
Charlie's fucking Angels. |
| 00:05:28 |
A name off a computer. |
| 00:05:33 |
Mills. |
| 00:05:45 |
- You hit? |
| 00:05:50 |
He's going down! |
| 00:06:07 |
Fifth floor! |
| 00:06:28 |
Police. Is there a back way out? |
| 00:06:31 |
Lock your door. |
| 00:06:35 |
Get out of the fucking hall, please. |
| 00:07:02 |
Get down! |
| 00:07:05 |
Get the fuck down. |
| 00:08:39 |
Goddamn it. |
| 00:09:40 |
Get out of the fucking way. Clear. |
| 00:11:19 |
Where are you going? |
| 00:11:20 |
- I'm going in. |
| 00:11:24 |
What? He fucking shot at us. |
| 00:11:26 |
You can't go in. |
| 00:11:28 |
- We need a warrant. |
| 00:11:31 |
Think about it. Think |
| 00:11:33 |
- I can't tell anyone about the Bureau. |
| 00:11:37 |
We have no reason to be here. |
| 00:11:40 |
- Get off, get the fuck off me. |
| 00:11:44 |
Just pay attention a minute? |
| 00:11:47 |
With a hole like this, |
| 00:11:50 |
The fucking guy'll walk. |
| 00:11:53 |
By the time we clear a warrant... |
| 00:11:56 |
We need a reason to knock on |
| 00:12:00 |
Think about it. |
| 00:12:03 |
Okay? |
| 00:12:07 |
Okay, okay. |
| 00:12:09 |
You're right. I'm all fucked up. |
| 00:12:11 |
When you're right, you're right. |
| 00:12:21 |
Well... |
| 00:12:22 |
no point in arguing anymore. |
| 00:12:26 |
Unless you can fix that.. |
| 00:12:30 |
You stupid son of a ... |
| 00:12:40 |
How much money we got left? |
| 00:12:43 |
So, yeah, I noticed... |
| 00:12:44 |
this guy going out a lot... |
| 00:12:46 |
when the murders were happening, |
| 00:12:50 |
So you called Det. Somerset? |
| 00:12:52 |
- She called Somerset. |
| 00:12:55 |
was creepy and shit, |
| 00:12:57 |
- happened right over there. |
| 00:13:01 |
Got everything? |
| 00:13:02 |
Have her sign. You must sign. |
| 00:13:05 |
Good. |
| 00:13:07 |
You did good. |
| 00:13:09 |
- I did what you said. |
| 00:13:11 |
You get something to eat. |
| 00:13:17 |
Everybody stay outside. |
| 00:14:18 |
Victor. |
| 00:14:30 |
Wild Bill's Leather |
| 00:16:07 |
Fuck. |
| 00:16:17 |
LUST |
| 00:16:26 |
Somerset! |
| 00:16:36 |
- What? |
| 00:16:39 |
What are you saying? |
| 00:16:41 |
The fucking photographer in... |
| 00:16:43 |
the fucking stairs. |
| 00:16:49 |
We had him and we let him go. |
| 00:16:57 |
You're sure this is him? |
| 00:16:59 |
Yep. Good. Get it out. |
| 00:17:02 |
No pay stubs. No appointment books. |
| 00:17:06 |
- Keep looking! |
| 00:17:08 |
This was under the bed. |
| 00:17:11 |
We got his money. I like it. |
| 00:17:14 |
Wait. You won't believe this. |
| 00:17:16 |
We haven't found a fingerprint. |
| 00:17:19 |
Right. I don't believe you. |
| 00:17:26 |
We could use some more men. |
| 00:17:28 |
I'm doing my best. |
| 00:17:30 |
- What're you getting? |
| 00:17:33 |
and each notebook |
| 00:17:36 |
What about the killings? |
| 00:17:39 |
"What sick ridiculous puppets we are, |
| 00:17:43 |
What fun, dancing and fucking. |
| 00:17:45 |
Not a care in the world. |
| 00:17:49 |
We are not what was intended." |
| 00:17:51 |
Wait, there's a lot more. |
| 00:17:54 |
"On the subway today, a man came up |
| 00:17:59 |
He made small talk, a lonely man |
| 00:18:02 |
I tried to be pleasant... |
| 00:18:05 |
but my head began to hurt |
| 00:18:07 |
I almost didn't notice... |
| 00:18:10 |
but I suddenly threw up all over him. |
| 00:18:12 |
He was not pleased... |
| 00:18:15 |
and I couldn't stop laughing". |
| 00:18:18 |
No dates. |
| 00:18:19 |
Placed on the shelves |
| 00:18:23 |
Just his mind poured out on paper. |
| 00:18:27 |
Looks like a life's work. |
| 00:18:28 |
With 50 men reading in 24-hour shifts, |
| 00:18:32 |
- take 2 months. |
| 00:18:42 |
Phone? Phone? Phone? Phone? |
| 00:18:47 |
People, quiet! |
| 00:19:04 |
I admire you. |
| 00:19:07 |
I don't know how you found me, |
| 00:19:11 |
I respect you law enforcement |
| 00:19:14 |
Well, I appreciate that, John. |
| 00:19:17 |
- I tell you-- |
| 00:19:19 |
I'll be re-adjusting my schedule |
| 00:19:23 |
I just had to call and express my |
| 00:19:28 |
one of you, but I had |
| 00:19:31 |
You'll accept my apology? I'd like to |
| 00:19:43 |
Got it. |
| 00:19:48 |
Everybody back to work. |
| 00:19:52 |
You were right. |
| 00:19:54 |
He's preaching. |
| 00:19:58 |
These murders are his sermons to us. |
| 00:20:00 |
Look, we know him. We know him. |
| 00:20:06 |
Who's the blonde? |
| 00:20:12 |
Looks like a pro. |
| 00:20:13 |
Maybe. |
| 00:20:15 |
She caught John Doe's eye. |
| 00:20:19 |
Wild Bills' Leather |
| 00:20:22 |
- He came and collected it last night. |
| 00:20:25 |
- Yeah. |
| 00:20:27 |
John Doe, easy name to remember. |
| 00:20:30 |
- What was this job you did for him? |
| 00:20:34 |
One sweet piece, actually. |
| 00:20:36 |
I thought he was a performance artist. |
| 00:20:39 |
You know the sort of guy that... |
| 00:20:41 |
pisses in a cup on stage and then... |
| 00:20:43 |
drinks it. |
| 00:20:45 |
Performance art. |
| 00:20:46 |
Right. |
| 00:20:50 |
I think I undercharged him. |
| 00:20:52 |
- You made this for him? |
| 00:20:55 |
weirder shit than that. |
| 00:21:02 |
They found the blonde. |
| 00:21:06 |
The picture! |
| 00:21:08 |
The picture! |
| 00:21:11 |
Fucking pigs. |
| 00:21:14 |
- I need you to move. |
| 00:21:17 |
Get the fuck out of the booth. |
| 00:21:19 |
I've been in this cage the whole time. |
| 00:21:23 |
Come on, this way. |
| 00:21:31 |
-Can you do something about the music? |
| 00:21:47 |
You from homicide? |
| 00:22:00 |
Get this thing off me. |
| 00:22:02 |
Oh God, get it off of me. |
| 00:22:06 |
Get him out of here, now! |
| 00:22:09 |
I want to hear it again. |
| 00:22:11 |
Tell me again. |
| 00:22:14 |
You heard nothing strange, |
| 00:22:21 |
He asked me if I was married. |
| 00:22:23 |
- I saw a gun in his hand. |
| 00:22:26 |
The what? What? |
| 00:22:28 |
The prostitute. Where was she? |
| 00:22:31 |
Someone comes to your establishment... |
| 00:22:33 |
they want to go downstairs, |
| 00:22:37 |
They got to come to you. Yeah? |
| 00:22:40 |
Yeah. |
| 00:22:41 |
You didn't see anyone? |
| 00:22:43 |
With a package? A knapsack? |
| 00:22:47 |
Everybody that comes in there's got |
| 00:22:51 |
Some guys are carrying suitcases |
| 00:22:54 |
She was just sitting on the bed. |
| 00:23:03 |
Who tied her down? You or him? |
| 00:23:06 |
Do you like what you do for a living? |
| 00:23:08 |
All these things you see? |
| 00:23:10 |
No, I don't. |
| 00:23:15 |
But that's life, isn't it? |
| 00:23:21 |
He had a gun. And... |
| 00:23:24 |
he made it happen. |
| 00:23:28 |
He made me do it. |
| 00:23:31 |
He put that thing on me. |
| 00:23:34 |
And he made me wear it. |
| 00:23:36 |
Then he... |
| 00:23:38 |
told me to fuck her. |
| 00:23:42 |
And I did. I fucked her. |
| 00:23:44 |
Oh, God! Oh, God! |
| 00:23:46 |
Oh, God, he had a gun in my mouth. |
| 00:23:49 |
The fucking gun was in my throat. |
| 00:23:52 |
Fuck. |
| 00:23:56 |
Oh, God. God. |
| 00:23:58 |
God, help me. |
| 00:24:19 |
This won't have a happy ending. |
| 00:24:21 |
- It's not possible. |
| 00:24:27 |
If we catch John Doe and he turns out |
| 00:24:30 |
if he's Satan himself... |
| 00:24:32 |
that might meet our expectations. |
| 00:24:35 |
But he's not the devil. |
| 00:24:38 |
He's just a man. |
| 00:24:40 |
You know... |
| 00:24:42 |
You bitch and you complain |
| 00:24:46 |
If you think you're preparing me |
| 00:24:49 |
thanks, but... |
| 00:24:51 |
But you got to be a hero. |
| 00:24:54 |
You want to be a champion. |
| 00:24:56 |
People don't want a champion. |
| 00:24:59 |
- play lotto and watch TV. |
| 00:25:02 |
I want to know. |
| 00:25:08 |
It wasn't one thing, |
| 00:25:12 |
Go on. |
| 00:25:16 |
I don't think I can continue to live |
| 00:25:19 |
that embraces and nurtures apathy |
| 00:25:23 |
You aren't different or better. |
| 00:25:25 |
I didn't say I was. I'm not. |
| 00:25:28 |
Hell, I sympathize. |
| 00:25:31 |
Apathy is a solution. |
| 00:25:33 |
I mean, it's easier to lose yourself |
| 00:25:39 |
It's easier to steal what you want |
| 00:25:43 |
to beat a child than to raise it. |
| 00:25:47 |
We talk about mentally ill people. |
| 00:25:52 |
- No, we're not. |
| 00:25:54 |
No, we're talking about |
| 00:25:57 |
You can't afford to be this naive. |
| 00:26:00 |
Fuck off. |
| 00:26:02 |
See, you... |
| 00:26:04 |
You should listen to yourself. |
| 00:26:06 |
Yeah. You say that... |
| 00:26:08 |
the problem is people don't care. |
| 00:26:11 |
So, I don't care about people. |
| 00:26:13 |
Nonsense. You know why? |
| 00:26:15 |
You care? |
| 00:26:16 |
Want to know-- Damn right. |
| 00:26:18 |
You'll make a difference. |
| 00:26:20 |
Whatever. The point is that... |
| 00:26:22 |
you're not quitting |
| 00:26:25 |
these things you say. |
| 00:26:27 |
You want to believe them... |
| 00:26:29 |
because you're quitting. |
| 00:26:32 |
And you want me to agree with you and |
| 00:26:36 |
It's a fucking mess. We should all go |
| 00:26:41 |
But I won't. |
| 00:26:43 |
I won't say that. |
| 00:26:46 |
I don't agree with you. I do not. |
| 00:26:52 |
I can't. |
| 00:27:03 |
I'm going home. |
| 00:27:13 |
Thank you, though. |
| 00:27:43 |
I love you. |
| 00:27:45 |
So much. |
| 00:27:55 |
I know. |
| 00:28:54 |
SUNDAY |
| 00:28:54 |
SUNDAY |
| 00:28:56 |
What's your emergency? |
| 00:28:59 |
Could you repeat that? |
| 00:29:02 |
I've done it again. |
| 00:29:10 |
PRIDE |
| 00:29:13 |
What have we got? |
| 00:29:14 |
Sleeping pills. |
| 00:29:18 |
Glued to one hand. |
| 00:29:19 |
Telephone glued to the other. |
| 00:29:22 |
You see what he did? |
| 00:29:24 |
He sliced her up. |
| 00:29:26 |
Then he bandaged her. |
| 00:29:28 |
Call for help and you'll live. |
| 00:29:30 |
But you'll be disfigured. |
| 00:29:34 |
Or put yourself out |
| 00:29:38 |
Come on. |
| 00:29:39 |
He cut off her nose. |
| 00:29:40 |
To spite her face. |
| 00:29:42 |
And he did it very recently. |
| 00:29:51 |
Listen... |
| 00:29:53 |
I've decided to stay on |
| 00:29:56 |
One of two things'll happen. |
| 00:30:00 |
or he'll kill 7 and this case |
| 00:30:03 |
Don't do me any favors. Thank you, |
| 00:30:06 |
I'm asking to be your partner a few |
| 00:30:21 |
You knew I'd say yes. We're here. |
| 00:30:24 |
Your wife called. |
| 00:30:30 |
Detective? |
| 00:30:33 |
After this I'm gone. |
| 00:30:35 |
- No big surprise. |
| 00:30:41 |
You're looking for me. |
| 00:30:45 |
Don't fucking move. |
| 00:30:46 |
On the floor. |
| 00:30:47 |
- Stay back. |
| 00:30:49 |
I know you. |
| 00:30:51 |
Now. Get down. |
| 00:30:52 |
Get down on your stomach. |
| 00:30:54 |
You piece of shit. Now! |
| 00:30:56 |
All the way. All the way... |
| 00:30:58 |
fucker. Down. |
| 00:30:59 |
Faster. |
| 00:31:01 |
Faster, fucker. Now. |
| 00:31:03 |
Nose on the ground. |
| 00:31:08 |
Jesus Christ. What the fuck is this? |
| 00:31:11 |
I'd like to speak |
| 00:31:15 |
Goddamn it. |
| 00:31:19 |
He cuts the skin off the tips of his |
| 00:31:23 |
find 1 print in his apartment. |
| 00:31:25 |
Seems he's done that for a while. |
| 00:31:28 |
What about the bank accounts? |
| 00:31:30 |
So far everything is a dead end. |
| 00:31:32 |
No credit history. |
| 00:31:35 |
A 5-year old bank account |
| 00:31:38 |
We've tried tracing his furniture. |
| 00:31:40 |
All we know about him... |
| 00:31:42 |
is that he's independently wealthy... |
| 00:31:45 |
well-educated... |
| 00:31:47 |
and totally insane. |
| 00:31:48 |
Because he's John Doe by choice. |
| 00:31:51 |
- When can we question him? |
| 00:31:55 |
There's no way he'd turn himself in. |
| 00:31:59 |
There he sits. |
| 00:32:00 |
It's not supposed to make any sense. |
| 00:32:02 |
He's not finished. |
| 00:32:04 |
He's pissing in our faces |
| 00:32:07 |
You know what I'm saying. |
| 00:32:09 |
For the first time ever, |
| 00:32:13 |
He wouldn't just stop. |
| 00:32:15 |
So what the fuck, man? |
| 00:32:17 |
He's 2 murders away |
| 00:32:21 |
We'll wait for his plea. |
| 00:32:26 |
My client says there're 2 more bodies. |
| 00:32:26 |
My client says there're 2 more bodies. |
| 00:32:31 |
He will take Detectives Mills and |
| 00:32:36 |
and only at 6 o'clock today. |
| 00:32:38 |
Why us? |
| 00:32:39 |
He says he admires you. |
| 00:32:42 |
It's part of the game. |
| 00:32:44 |
If they don't accept this offer, |
| 00:32:48 |
Frankly, I'm inclined to let them rot. |
| 00:32:52 |
We've got him. |
| 00:32:54 |
Downstairs, locked up. Done deal. |
| 00:32:56 |
He'll get his free room and board, |
| 00:32:59 |
My wife doesn't even have cable. |
| 00:33:03 |
No. Something stinks. And this one-- |
| 00:33:07 |
and that smug smile on your face. |
| 00:33:11 |
I don't like it. |
| 00:33:13 |
The law requires me to serve... |
| 00:33:14 |
my clients and their interests |
| 00:33:18 |
We don't make deals here, Mr. Swarr. |
| 00:33:20 |
My client informs you that... |
| 00:33:22 |
if you do not accept, |
| 00:33:25 |
Let him try it. |
| 00:33:27 |
I'd like to see it. |
| 00:33:28 |
We know with the extreme nature |
| 00:33:32 |
with such a plea. |
| 00:33:34 |
I won't let this conviction slide. |
| 00:33:36 |
If you do accept under |
| 00:33:40 |
a full confession, |
| 00:33:43 |
It's your case. |
| 00:33:47 |
Full confession. |
| 00:33:48 |
I'm in. |
| 00:33:50 |
It must be both of you. |
| 00:33:53 |
If he were to claim insanity... |
| 00:33:55 |
this conversation is admissible. |
| 00:33:58 |
That he's blackmailing us |
| 00:34:00 |
My client wants to remind you, |
| 00:34:03 |
The press'd love to find out |
| 00:34:06 |
about finding and burying them. |
| 00:34:09 |
If in fact there are 2 more dead. |
| 00:34:11 |
The lab report came. |
| 00:34:13 |
They did a quickie on |
| 00:34:15 |
They found blood from Doe's fingers, |
| 00:34:19 |
the woman who's face he cut off, |
| 00:34:22 |
a third party... |
| 00:34:24 |
as yet unidentified. |
| 00:34:29 |
You'd be escorting an unarmed man. |
| 00:34:34 |
Let's finish it. |
| 00:34:39 |
If John Doe's head splits open |
| 00:34:42 |
I want you to expect it. |
| 00:34:46 |
I will. |
| 00:34:50 |
If I accidentally shaved off a nipple, |
| 00:34:59 |
I suppose so. |
| 00:35:02 |
If you were man enough |
| 00:35:05 |
I'd buy you one out of my own pocket. |
| 00:35:08 |
I keep coming home late, |
| 00:35:20 |
You know... |
| 00:35:22 |
Yeah. |
| 00:35:29 |
What? |
| 00:36:37 |
Will this wind hurt us? |
| 00:37:26 |
Who are you, John? |
| 00:37:28 |
Who are you really? |
| 00:37:30 |
What do you mean? |
| 00:37:32 |
At this stage, what harm can it do |
| 00:37:36 |
Doesn't matter who I am. |
| 00:37:39 |
Stay on your left up here. |
| 00:37:45 |
Where are we heading? |
| 00:37:47 |
You'll see. |
| 00:37:49 |
We're not just going to pick up |
| 00:37:53 |
That wouldn't be shocking enough. |
| 00:37:55 |
You've got newspapers |
| 00:37:59 |
Wanting people to listen... |
| 00:38:01 |
you can't just... |
| 00:38:02 |
tap them on the shoulder anymore. |
| 00:38:05 |
You have to use a sledgehammer. |
| 00:38:07 |
Then you'll get |
| 00:38:10 |
But the question is: |
| 00:38:12 |
Why're you so special |
| 00:38:15 |
I'm not special. |
| 00:38:17 |
I've never been exceptional. |
| 00:38:20 |
This is, though. What I'm doing. |
| 00:38:23 |
My work. |
| 00:38:24 |
Your work, John? |
| 00:38:25 |
Yes. |
| 00:38:27 |
See, I don't see anything special |
| 00:38:31 |
That's not true. |
| 00:38:33 |
No, it is true. And the funny |
| 00:38:37 |
in 2 months, no one'll care, |
| 00:38:41 |
You can't see the whole complete |
| 00:38:45 |
But when this is done... |
| 00:38:48 |
when it's finished... |
| 00:38:51 |
it's going to be... |
| 00:38:55 |
People will barely be able |
| 00:38:58 |
But they won't be able to deny. |
| 00:39:02 |
Could the freak be more vague? |
| 00:39:04 |
As far as master plans go... |
| 00:39:07 |
I really can't wait for you to see. |
| 00:39:09 |
It's going to be something. |
| 00:39:12 |
Know what? |
| 00:39:14 |
So when this thing happens, |
| 00:39:18 |
Don't want to miss it. |
| 00:39:19 |
Oh, don't worry. |
| 00:39:21 |
You won't. |
| 00:39:24 |
You won't miss a thing. |
| 00:39:52 |
What's so exciting? |
| 00:39:54 |
It's not too far now. |
| 00:40:03 |
I've tried to figure something in my |
| 00:40:09 |
When a person is insane, |
| 00:40:13 |
that you're insane? |
| 00:40:15 |
Maybe you're reading... |
| 00:40:17 |
masturbating in your own feces... |
| 00:40:19 |
Do you just stop and go: |
| 00:40:21 |
"Wow, it's amazing how fucking crazy |
| 00:40:25 |
You know? Do you guys do that? |
| 00:40:28 |
It's more comfortable |
| 00:40:31 |
It's very comfortable. |
| 00:40:33 |
It's not something I would expect |
| 00:40:36 |
But I did not choose. I was chosen. |
| 00:40:39 |
Whatever. |
| 00:40:40 |
I don't doubt that you believe that. |
| 00:40:43 |
but it seems that you're... |
| 00:40:45 |
overlooking a contradiction. |
| 00:40:47 |
Meaning what? |
| 00:40:50 |
Glad you asked. |
| 00:40:53 |
If you were chosen... |
| 00:40:55 |
that is, by a higher... |
| 00:40:57 |
power... |
| 00:40:59 |
and if your hand was forced... |
| 00:41:01 |
it seems strange to me |
| 00:41:05 |
You enjoyed torturing those people. |
| 00:41:08 |
That doesn't seem to fit |
| 00:41:13 |
John? |
| 00:41:19 |
I doubt I enjoyed it more than Det. |
| 00:41:23 |
in a room without windows. |
| 00:41:26 |
Isn't that true? |
| 00:41:28 |
How'd you like to... |
| 00:41:29 |
- hurt me with impunity? |
| 00:41:32 |
I would never. |
| 00:41:34 |
You wouldn't only because |
| 00:41:38 |
It's in those eyes of yours, though. |
| 00:41:40 |
Nothing wrong with a man |
| 00:41:44 |
I won't deny my own personal desire... |
| 00:41:46 |
to turn each sin against |
| 00:41:49 |
Wait a minute, I thought all you did |
| 00:41:54 |
Innocent? Is that supposed |
| 00:41:58 |
An obese man. |
| 00:41:59 |
Disgusting man who could barely stand. |
| 00:42:02 |
You'd point him out to your friends |
| 00:42:06 |
If you saw him while you ate, |
| 00:42:11 |
Then the lawyer. You had to |
| 00:42:15 |
This is a man who dedicated |
| 00:42:18 |
to making money by lying with every |
| 00:42:23 |
murderers and rapists... |
| 00:42:25 |
- on the streets. |
| 00:42:27 |
- Murderers, like yourself? |
| 00:42:29 |
so ugly inside that she |
| 00:42:32 |
if she couldn't be beautiful outside? |
| 00:42:34 |
A drug dealer. A pederast, actually. |
| 00:42:39 |
the disease-spreading whore. |
| 00:42:44 |
Only in a world this shitty... |
| 00:42:46 |
could you say they were innocent |
| 00:42:53 |
But that's the point. |
| 00:42:56 |
We see a deadly sin |
| 00:42:59 |
in every home and we... |
| 00:43:01 |
tolerate it. |
| 00:43:02 |
We tolerate it because it's common. |
| 00:43:05 |
It's trivial. |
| 00:43:07 |
We tolerate it morning, |
| 00:43:12 |
Well, not anymore. |
| 00:43:16 |
I'm setting the example. |
| 00:43:20 |
And what I've done will be... |
| 00:43:21 |
puzzled over... |
| 00:43:23 |
and studied... |
| 00:43:26 |
and followed... |
| 00:43:29 |
forever. |
| 00:43:31 |
Yeah. |
| 00:43:33 |
Delusions of grandeur. |
| 00:43:36 |
You should be thanking me. |
| 00:43:38 |
Why's that, John? |
| 00:43:40 |
Because you'll be remembered |
| 00:43:43 |
Realize, Detective, the only reason |
| 00:43:47 |
is that I wanted to be. |
| 00:43:49 |
No. We would have got you eventually. |
| 00:43:52 |
Oh, really? |
| 00:43:53 |
So what were you doing, |
| 00:43:58 |
Allowing 5 "innocent" people |
| 00:44:01 |
you felt like springing your trap? |
| 00:44:03 |
What was the indisputable... |
| 00:44:05 |
evidence you were going to use on me, |
| 00:44:08 |
I walked up to you and put my hands |
| 00:44:11 |
John. Calm down. |
| 00:44:14 |
I remember us knocking on your door. |
| 00:44:17 |
That's right. |
| 00:44:18 |
And I seem to remember |
| 00:44:26 |
You're only alive |
| 00:44:28 |
Okay. Sit back. |
| 00:44:30 |
- I spared you. |
| 00:44:32 |
Remember that when you |
| 00:44:34 |
for the rest of your life... |
| 00:44:37 |
or should I say for the rest |
| 00:44:40 |
to have. |
| 00:44:41 |
Sit back, you fucking freak! |
| 00:44:43 |
Shut your fucking mouth! |
| 00:44:46 |
You're no messiah. You're a movie |
| 00:44:51 |
at best. |
| 00:45:05 |
Don't ask me to pity those people. |
| 00:45:07 |
I don't mourn them any more than the |
| 00:45:12 |
Is that to say, John, that what |
| 00:45:19 |
The Lord works in mysterious ways. |
| 00:45:24 |
Do you see those high-tension towers? |
| 00:45:26 |
That's where we're headed. |
| 00:45:28 |
I see it. 9 o'clock, |
| 00:45:44 |
There sure as shit is no ambush |
| 00:45:47 |
No fucking nothing out here. |
| 00:45:50 |
They'll come up behind us in about |
| 00:45:53 |
I want you to go way up. |
| 00:45:55 |
In thirty seconds, bank east |
| 00:46:58 |
I'll get him. |
| 00:47:05 |
Get out. |
| 00:47:07 |
Slowly. |
| 00:47:09 |
Stop. |
| 00:47:11 |
Stay. |
| 00:47:15 |
What do you got? |
| 00:47:18 |
A dead dog. |
| 00:47:21 |
I didn't do that. |
| 00:47:29 |
What time is it? |
| 00:47:31 |
Why? |
| 00:47:32 |
I'd like to know. |
| 00:47:37 |
7:01. |
| 00:47:41 |
It's close. |
| 00:47:43 |
Let's go take a look. |
| 00:47:48 |
It's this way. |
| 00:48:35 |
Down. Down. Down. |
| 00:48:39 |
Watch him. |
| 00:48:42 |
There he goes. |
| 00:48:44 |
It's good we have |
| 00:48:52 |
The guy in red. |
| 00:49:02 |
A van's coming down the road. |
| 00:49:04 |
From the north. |
| 00:49:14 |
Be ready for anything. |
| 00:49:23 |
Get out! |
| 00:49:27 |
Out! |
| 00:49:28 |
Jesus Christ, man. Don't shoot. |
| 00:49:30 |
Step away. |
| 00:49:32 |
Turn around. Hands on your head. |
| 00:49:34 |
What's going on? |
| 00:49:36 |
Why are you here? |
| 00:49:38 |
I'm delivering a package |
| 00:49:41 |
Detective... |
| 00:49:43 |
David Mills. |
| 00:49:51 |
Get it. Slowly. |
| 00:50:05 |
A guy paid me $500 |
| 00:50:07 |
He wanted it here at exactly |
| 00:50:10 |
Put it down. |
| 00:50:12 |
We got a box. |
| 00:50:14 |
We got a box. |
| 00:50:16 |
Bomb squad. We got a box. |
| 00:50:18 |
Face the van. |
| 00:50:20 |
Hands up. |
| 00:50:29 |
Turn. |
| 00:50:31 |
Okay. Go. |
| 00:50:32 |
Off you go. Go. |
| 00:50:36 |
I'm sending the driver out on foot. |
| 00:50:42 |
He's headed north, along the road. |
| 00:50:43 |
Have him picked up. |
| 00:50:53 |
Oh, I don't know. |
| 00:51:01 |
I'm going to open it. |
| 00:51:03 |
When I said I admired you, |
| 00:51:25 |
It's blood. |
| 00:51:26 |
You've made quite a life for yourself, |
| 00:51:28 |
- You should be very proud. |
| 00:51:58 |
California, stay away from here. |
| 00:52:00 |
Stay away from here, now. |
| 00:52:02 |
Whatever you hear, stay away. |
| 00:52:05 |
John Doe has the upper hand. |
| 00:52:09 |
Here he comes. |
| 00:52:10 |
- Throw your gun down! |
| 00:52:12 |
- I wish I could have lived like you. |
| 00:52:14 |
What the fuck you talkin' about? |
| 00:52:17 |
Do you hear me, Detective? |
| 00:52:19 |
I'm trying to tell you how much... |
| 00:52:20 |
I admire you and your pretty wife. |
| 00:52:24 |
What? |
| 00:52:25 |
Tracy. |
| 00:52:27 |
- What'd you fucking say? |
| 00:52:29 |
how easily a member of the press |
| 00:52:32 |
information from the men |
| 00:52:34 |
What the fuck? |
| 00:52:36 |
Throw your gun down! |
| 00:52:38 |
I visited your home this morning... |
| 00:52:41 |
after you left. |
| 00:52:43 |
I tried to play husband. |
| 00:52:45 |
I tried to taste the life |
| 00:52:49 |
Throw it away! |
| 00:52:50 |
It didn't work out. |
| 00:52:52 |
So... |
| 00:52:54 |
I took a souvenir. |
| 00:52:58 |
Her pretty head. |
| 00:53:04 |
- What's, what's he talking about? |
| 00:53:07 |
What's goin' on over there? |
| 00:53:08 |
Would you... Put the gun down. |
| 00:53:10 |
I saw you with the box. |
| 00:53:11 |
Because I envy your normal life. |
| 00:53:13 |
Put the gun down, David. |
| 00:53:14 |
It seems that envy is my sin. |
| 00:53:16 |
- What's in the box? |
| 00:53:18 |
What's in the fucking box? |
| 00:53:20 |
He just told you. |
| 00:53:22 |
You lie! You're a fucking liar! |
| 00:53:25 |
That's what he wants. He wan-- |
| 00:53:32 |
No! No. You tell me. |
| 00:53:33 |
- That's not true. |
| 00:53:35 |
She's all right. You tell me. |
| 00:53:37 |
Become... |
| 00:53:38 |
wrath. |
| 00:53:39 |
Tell me she's all right! |
| 00:53:41 |
If you murder a suspect, David... |
| 00:53:43 |
you just throw it all away |
| 00:53:46 |
- She begged for her life, Detective. |
| 00:53:48 |
She begged for her life... |
| 00:53:50 |
and for the life of the baby |
| 00:54:10 |
He didn't know. |
| 00:54:25 |
Give me the gun, David. |
| 00:54:34 |
If you kill him... |
| 00:54:37 |
he will win. |
| 00:54:42 |
Oh God! |
| 00:54:44 |
Oh God! |
| 00:55:52 |
Well, we'll take care of him. |
| 00:56:03 |
Whatever he needs. |
| 00:56:05 |
Where you gonna be? |
| 00:56:09 |
Around. |
| 00:56:15 |
I'll be around. |
| 00:56:20 |
Ernest Hemingway once wrote: |
| 00:56:23 |
The world is a fine place |
| 00:56:28 |
I agree with the second part. |
