Secret Un A Secret
|
00:00:39 |
THIS STORY AND ITS MAIN CHARACTERS |
00:01:40 |
François. |
00:01:49 |
Did you wash properly? |
00:03:10 |
SUMMER 1955 |
00:03:13 |
Now get in the water. |
00:03:16 |
You can be on your own for a minute. |
00:04:10 |
François. |
00:04:17 |
Yes? |
00:04:21 |
Go on in, Paul. |
00:04:25 |
How are you this morning? |
00:04:27 |
SUMMER 1985 |
00:04:29 |
Are you OK? |
00:04:36 |
Want to open the door? |
00:04:38 |
We can leave it open if you like. |
00:04:52 |
So you went out with your mom yesterday? |
00:04:56 |
Here... |
00:05:20 |
I'm writing about you... |
00:05:31 |
Louise? |
00:05:34 |
Not really. |
00:05:39 |
He took the dog out without its leash. |
00:05:43 |
The poor thing got run over. |
00:05:48 |
He was sick with grief. |
00:05:50 |
He's been gone nearly three hours now. |
00:05:54 |
Your mother didn't want to disturb you. |
00:06:14 |
If you don't swim, |
00:06:17 |
Go play with the others and warm up. |
00:06:28 |
Thirty all. |
00:06:37 |
Maxime? |
00:06:45 |
Fourty-thirty. |
00:06:48 |
I'll join you at the beach soon. |
00:06:51 |
He's cold. |
00:06:58 |
New ball. |
00:07:08 |
Although an only child, |
00:07:11 |
In the courtyard of my childhood home, |
00:07:15 |
neither my neighbors or parents |
00:07:21 |
better looking and stronger than me. |
00:07:23 |
A phantom brother capable of |
00:07:27 |
rising above my failures. |
00:07:30 |
I'd invented him for myself alone, |
00:07:36 |
What are you doing there? |
00:07:39 |
Nothing? |
00:07:41 |
Then come do the rings with me. |
00:07:48 |
Give me your hands. |
00:07:52 |
Rub them. |
00:07:56 |
Now look. |
00:07:57 |
Take a deep breath, |
00:08:00 |
lift your knees. |
00:08:01 |
Touch the other side. |
00:08:04 |
Come back up... |
00:08:08 |
Your turn. |
00:08:11 |
Grab the rings, pull, |
00:08:15 |
Lift. |
00:08:17 |
Pull up, then lift your legs. |
00:08:19 |
Go on, push. |
00:08:23 |
Go on, lift. |
00:08:29 |
That's it for today. |
00:08:38 |
I walked in my phantom brother's shadow. |
00:08:41 |
I floated on his footsteps. |
00:08:46 |
I'd even invented a game |
00:09:01 |
Let me give you more. |
00:09:03 |
First he wants more. |
00:09:06 |
Who? |
00:09:11 |
Look at me. |
00:09:13 |
I said, who wants more? |
00:09:15 |
He does. |
00:09:18 |
My brother. |
00:09:21 |
Now listen. |
00:09:26 |
There's no one else at this table. |
00:09:28 |
Just you, Mommy and me. |
00:09:33 |
You, Mommy and me. |
00:09:43 |
Where you going? |
00:09:44 |
I'm going to Louise's. |
00:09:49 |
Louise had always been part of our life. |
00:09:52 |
She'd known my parents for ages, |
00:09:56 |
She treated me several times a week. |
00:09:59 |
Careful, don't burn yourself. |
00:10:02 |
I spent less time in the shop than at her place. |
00:10:05 |
Why the face? |
00:10:07 |
I hate your shots. |
00:10:08 |
But you like hot chocolate. |
00:10:11 |
Aren't you sad not to have kids? |
00:10:14 |
I have you. |
00:10:16 |
One of your own, |
00:10:19 |
I don't have a husband. |
00:10:24 |
Give me that and lie down. |
00:10:27 |
How come you don't? |
00:10:28 |
There's no room for one. |
00:10:30 |
Grow up fast. |
00:10:32 |
You're not pretty enough. |
00:10:36 |
Don't start. |
00:10:48 |
You're my little ganef. |
00:10:50 |
You stink of cigarettes. |
00:10:52 |
What's ganef mean? |
00:10:54 |
It means 'my little rascal,' my little darling. |
00:10:59 |
You're my little rascal. |
00:11:35 |
Leave that alone. |
00:11:36 |
Why? |
00:11:42 |
It's full of fleas. |
00:12:33 |
Stop. |
00:12:38 |
Don't. |
00:12:41 |
Mommy. |
00:12:42 |
You going? |
00:12:51 |
Stop it. |
00:12:54 |
No. |
00:12:57 |
Stop it. |
00:13:00 |
Where you going? |
00:13:03 |
Stop. |
00:13:05 |
Put that back. |
00:13:07 |
Who are you talking to? |
00:13:10 |
Mommy's here now. |
00:13:18 |
You had a nightmare. |
00:13:21 |
Everything's alright, now. |
00:14:28 |
François Grimbert? |
00:14:30 |
Yes, Grimbert. |
00:14:43 |
Wait a second. |
00:14:45 |
You look nice like that. |
00:14:47 |
Don't tell Grandpa you were baptized. |
00:14:50 |
Why not? |
00:14:51 |
Because |
00:14:53 |
Talking about churches and cemeteries |
00:14:57 |
might make him sad. |
00:15:07 |
Boy, if ever Papa finds out. |
00:15:10 |
If nobody tells him, |
00:15:14 |
Stop staring at me. |
00:15:16 |
It's just beyond belief. |
00:15:18 |
Circumcision, |
00:15:20 |
You must be nuts. |
00:15:23 |
Eavesdropping? |
00:15:25 |
You've got nerve, |
00:15:28 |
How'd you get so heavy? |
00:15:30 |
The holy water seems to suit him. |
00:15:36 |
You went to the ceremony |
00:15:37 |
So? |
00:15:40 |
I go where I like. |
00:15:44 |
And I do what I like. |
00:15:46 |
I cut hair for meshuggeners during the war. |
00:15:49 |
They were really meshugge. |
00:15:51 |
Not as bad as the Germans, |
00:15:55 |
they had to have a quiff just so. |
00:15:58 |
And the Brylcreem. |
00:16:00 |
A bit more here, a bit more there, |
00:16:03 |
never enough Brylcreem. |
00:16:04 |
So, fella, |
00:16:07 |
Yep, honor roll. |
00:16:08 |
So you're tops in everything? |
00:16:10 |
Except gym, but he's exempt. |
00:16:14 |
Until then, |
00:16:16 |
Until what, |
00:16:18 |
Until he grows stronger. |
00:16:22 |
The doctor says so. |
00:16:27 |
Gym's useless. |
00:16:30 |
Just kidding. |
00:16:32 |
Can't be good at everything. |
00:16:34 |
No apple pie for me? |
00:16:36 |
Didn't I serve you? |
00:16:46 |
Not in my house. |
00:16:51 |
'Search the forest carefully. |
00:16:56 |
'Long under a spell, |
00:17:00 |
'Grimbert,' like us. |
00:17:02 |
Hear that? |
00:17:04 |
That's neat. |
00:17:07 |
What's he going on about? |
00:17:09 |
Head down. |
00:17:12 |
Bring me your puzzle. |
00:17:14 |
Afterwards. If he moves again, |
00:17:30 |
He's not back? |
00:17:33 |
Come look. |
00:17:45 |
Your dad came back to drop off the dog, then left. |
00:17:50 |
That was three hours ago. |
00:17:58 |
He wouldn't use the leash. |
00:18:00 |
He said fox terriers |
00:18:38 |
Guess what? |
00:18:41 |
I grew two inches. |
00:18:43 |
Nice going. |
00:18:45 |
You'll be taller than your dad, |
00:18:49 |
Yeah, he'll be real pleased. |
00:18:53 |
Tomorrow, I'm going to put flowers on Olga's grave. |
00:18:56 |
What did your cousin Olga die of? |
00:18:59 |
During the war, while traveling. |
00:19:01 |
Give me your arm. |
00:19:03 |
Was she sick? |
00:19:07 |
The other arm. |
00:19:09 |
What did she die of, then? |
00:19:14 |
The Nazis killed her. |
00:19:17 |
Why are you asking then? |
00:19:21 |
What're you up to? |
00:19:22 |
Nothing. |
00:19:53 |
You're tense. |
00:20:41 |
I was long a boy who dreamed of the perfect family. |
00:20:46 |
From the rare images I was allowed to glimpse, |
00:20:49 |
a few uttered words, |
00:20:53 |
I made up my parents' idyll, |
00:21:15 |
I imagined they shared a love of sports |
00:21:18 |
at a time when thousands of Germans |
00:21:22 |
shared the same passion. |
00:21:30 |
Playing sports made Dad hope |
00:21:36 |
Mom modeled for designers, |
00:21:38 |
and did sketches for a fashion magazine. |
00:21:47 |
GENERAL MOBILIZATION |
00:21:52 |
Oddly, my parents |
00:21:56 |
They kept it from me like a shameful secret. |
00:22:00 |
I was reduced to imagining the period. |
00:22:03 |
Like I invented a brother, |
00:22:22 |
1942 |
00:22:25 |
Due to the hardships |
00:22:35 |
I imagined their place of refuge, St Gaultier, |
00:22:38 |
a memory of bliss. |
00:22:51 |
That's where I wish I'd been born, |
00:22:54 |
lovingly conceived after one of their walks. |
00:23:04 |
Summer '44 |
00:23:06 |
For my parents, |
00:23:09 |
all remained in the confines of the radio. |
00:23:33 |
Tania pressured Maxime into having a child. |
00:23:39 |
At last, the fruit of their union arrives: Me, |
00:23:43 |
so different from the one they dreamed of. |
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4 pounds, 8 ounces. |
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It's a little baby. |
00:23:56 |
My father's first gaze left its mark on me. |
00:24:01 |
Time and again, |
00:24:04 |
Later, he said of my conception |
00:26:02 |
SPRING 1962 |
00:26:31 |
May I? |
00:26:40 |
You go to Berthelot School, huh? |
00:26:44 |
Me, too. |
00:26:55 |
You're in 9th grade? |
00:26:58 |
You're a real egghead. |
00:27:02 |
My name's Rebecca Finkiel. |
00:27:04 |
François Grimbert. |
00:27:11 |
See that woman there? |
00:27:13 |
Boy, you should see her swim. |
00:27:16 |
She's so gorgeous. |
00:27:19 |
That's my mother. |
00:27:26 |
I have to go. |
00:27:39 |
Who's the pretty girl? |
00:27:41 |
I don't know. |
00:27:44 |
She's cute. |
00:27:47 |
Rebecca Finkiel. |
00:27:58 |
So, I hear you're seeing a certain Rebecca? |
00:28:01 |
She's just someone I know. |
00:28:04 |
Just someone you know? |
00:28:06 |
Is she a Yid? |
00:28:08 |
You're really not curious. |
00:28:10 |
You're hurting. |
00:28:12 |
Next time, |
00:28:15 |
All you do is talk about Jews. |
00:28:17 |
I don't want to be Jewish. |
00:29:36 |
They'll catch cold. |
00:29:44 |
Ve have vays of making you tok, |
00:30:05 |
What'd you say? |
00:30:15 |
Stay in your seats. |
00:30:19 |
Calm down. |
00:30:23 |
Go back to your seats. |
00:30:29 |
You beat him up? |
00:30:31 |
He tried to swipe my pen. |
00:30:33 |
Show Louise your eye. |
00:30:36 |
For a pen? |
00:30:38 |
You really beat him up? |
00:30:41 |
I think I wanted to kill him. |
00:30:43 |
You wanted to kill him? |
00:30:47 |
Didn't you wonder why? |
00:30:50 |
I wanted to rub out his face. |
00:30:54 |
Why? |
00:31:03 |
Why? |
00:31:36 |
I know why you're crying. |
00:31:40 |
Simon. |
00:31:43 |
That year, I would turn 15. |
00:31:46 |
Louise finally told me what I'd always known. |
00:31:49 |
Louise, who'd never had children or any true love, |
00:31:53 |
loved me enough to betray my parents' trust. |
00:31:57 |
Since she revealed part of the secret, |
00:32:11 |
Simon, what are you up to? |
00:32:14 |
You should. |
00:32:16 |
You wonder what it is before you eat, |
00:32:19 |
and especially after. |
00:32:21 |
Look, Papa. |
00:32:29 |
He's my son, I decide. |
00:32:32 |
It's no disguise. |
00:32:34 |
You do what you like |
00:32:36 |
I'm not doing what I like. |
00:32:39 |
Maybe you do, but I don't. |
00:32:45 |
Get in the house, Fuzzy. |
00:32:49 |
Come on, Simon. |
00:32:51 |
But breathe, don't forget. |
00:32:55 |
Your knees. |
00:32:57 |
Look up, Simon. |
00:32:58 |
I am looking up. |
00:33:02 |
You're nuts. |
00:33:03 |
Look at that. |
00:33:04 |
He just ate. |
00:33:06 |
Hannah, |
00:33:08 |
No smoking in the gym. |
00:33:11 |
Come down, you monkey. |
00:33:18 |
What she revealed stirred up rage and jealousy |
00:33:21 |
for which I already felt guilty. |
00:33:23 |
Dead people emerged whose names |
00:33:27 |
Hannah, Simon. |
00:33:30 |
Where are they now? |
00:33:42 |
I'd never again think of myself |
00:33:48 |
Then Louise told me about |
00:33:51 |
I headed toward unknown faces |
00:33:59 |
Everyone knew, |
00:34:03 |
and no one had told me. |
00:34:07 |
They'd struck his name from every list. |
00:34:10 |
It wasn't on any stone. |
00:34:41 |
Stop your bragging. |
00:34:43 |
Why not go get your daughter? |
00:34:47 |
Excuse me. |
00:34:48 |
You're Robert, |
00:34:51 |
A kiss? |
00:34:52 |
You're Tania, Robert's wife. |
00:34:59 |
Mama and Papa? |
00:35:03 |
You drove from Lyon? |
00:35:04 |
Had to. |
00:35:06 |
Just accordion players on the tracks. |
00:35:09 |
He wouldn't miss this for Léon Blum, comrade. |
00:35:13 |
What did Blum do to you? |
00:35:17 |
You don't mind paid holidays. |
00:35:19 |
Here comes the bride. |
00:35:29 |
Your brother made it. |
00:35:34 |
Don't you look lovely. |
00:35:36 |
You look like a flower... |
00:35:43 |
You're so beautiful. |
00:35:56 |
Robert, my big brother. |
00:35:58 |
Finally, the phenomenon. |
00:36:02 |
Tania, his wife. |
00:36:03 |
Kiss each other. |
00:36:07 |
Tania's an athlete. |
00:36:09 |
Maybe more athletic than you. |
00:36:11 |
What sport? |
00:36:13 |
A little swimming. |
00:36:14 |
A little. |
00:36:17 |
I married a genuine mermaid. |
00:36:19 |
After work... |
00:36:21 |
We have a fishbowl at home. |
00:36:23 |
The bedding trade in Lyon is fine, but |
00:36:26 |
Before we met, my wife modeled |
00:36:30 |
I was just a modeling salesgirl. |
00:36:33 |
That's something. |
00:36:46 |
Today, Thursday, May 6, 1936. |
00:36:50 |
I declare you, |
00:36:54 |
and Hannah Golda Stirn, |
00:36:57 |
man and wife. |
00:39:32 |
A fine tomcat my sister's married. |
00:39:35 |
Too handsome for his own good. |
00:40:10 |
Your wife sure is pretty. |
00:40:12 |
A real yiddishe mama. |
00:40:14 |
A beautiful woman, that's all. |
00:40:17 |
She'll give me lots of children. |
00:40:24 |
Good night, all. |
00:40:55 |
You take the rings and suddenly |
00:41:04 |
To separate them, |
00:41:13 |
We sell bedroom suites. |
00:41:14 |
After closing, |
00:41:19 |
17th century, |
00:41:22 |
Plenty of choice. |
00:41:24 |
I think I'm a little |
00:41:26 |
I think you are. |
00:41:31 |
Thanks for everything. |
00:41:38 |
See you soon. |
00:41:43 |
Drive safely. |
00:42:02 |
Come on. |
00:42:10 |
Wait. |
00:42:13 |
Who cares. |
00:42:31 |
8 pounds, 4 ounces. |
00:42:33 |
He's a strong 'un. |
00:42:34 |
Like his father. |
00:42:39 |
There's not enough light. |
00:42:42 |
Darling little Simon... |
00:42:46 |
He has Hannah's mouth, |
00:42:49 |
but his chin is yours. |
00:42:51 |
Nonsense. |
00:42:54 |
not a protruding chin. |
00:42:56 |
Let me hold him. |
00:42:59 |
He looks like me. |
00:43:04 |
Like Esther, like Papa. |
00:43:08 |
Look, darling. |
00:43:10 |
Look, Simon, that's Paris, |
00:43:14 |
What? |
00:43:18 |
That weird thing there? |
00:43:19 |
That's a bicycle. |
00:43:24 |
HITLER AND MUSSOLINI MEET |
00:43:55 |
There they are. |
00:44:04 |
How are you? |
00:44:07 |
And you? |
00:44:08 |
My wonder child? |
00:44:13 |
For Simon, from Tania. |
00:44:15 |
That's sweet. |
00:44:18 |
Hello, Mr. Grinberg. |
00:44:20 |
Stop ogling my wife. |
00:44:41 |
They get along well. |
00:44:45 |
I bet they're good in bed. |
00:44:50 |
I'm sure they are. |
00:44:53 |
You're sure? |
00:44:56 |
But not as good as we are. |
00:45:19 |
Papa, I'm going to Louise's. |
00:45:43 |
I'm listening. |
00:45:44 |
I'm looking for music. |
00:45:46 |
Come drink your hot chocolate. |
00:45:49 |
Don't burn yourself. |
00:45:53 |
On September 12, Hitler said |
00:45:56 |
that the Germans demand |
00:46:14 |
Ten years before me, |
00:46:19 |
but unlike me, |
00:46:20 |
he indeed saw admiration in his father's eyes. |
00:46:31 |
It's rare for a kid to be so athletic. Maybe |
00:46:34 |
He'll be an Olympic champion. |
00:46:36 |
Why not? |
00:46:38 |
A Yid Olympic champ. |
00:47:07 |
Next week, it's 'Tarzan |
00:47:13 |
Stop being so overprotective. |
00:47:15 |
I don't feel like smoking. |
00:47:17 |
Why the long face? |
00:47:19 |
You sat next to me. |
00:47:22 |
It'll start all over, like before. |
00:47:24 |
This is France, |
00:47:28 |
What about the Dreyfus Affair? |
00:47:31 |
Look at your face. |
00:47:33 |
What about my face? |
00:47:35 |
It's an 'oy, oy, oy' face. |
00:47:38 |
Grampa's funny, huh? |
00:47:39 |
What did I do to deserve an anti-Semitic son? |
00:47:43 |
Don't be so confident. |
00:47:47 |
Don't bury your head in the sand. |
00:47:49 |
Hear that? |
00:47:52 |
D'you love me anyway? |
00:47:58 |
GENERAL MOBILIZATION |
00:48:09 |
That's a cute coat. |
00:48:13 |
A picture of Papa. |
00:48:14 |
He's so handsome. |
00:48:16 |
See how handsome he is? |
00:48:17 |
There's a letter. |
00:48:20 |
'Dear Nannah, |
00:48:23 |
'We do maneuvers every day...' |
00:48:25 |
'My darling, I write from the Breslau camp in Silesia, |
00:48:29 |
'where I've been a prisoner for three weeks. |
00:48:32 |
'Don't worry, whatever you do. |
00:48:35 |
'but you know I'll pull through. |
00:48:38 |
'If you can't manage the store, |
00:48:43 |
'Or even leave Lyon and join the family in Paris. |
00:48:46 |
'That would reassure me.' |
00:48:48 |
'... There's a sense of camaraderie. |
00:48:50 |
'Simon grows up every day. |
00:48:54 |
'When I get back, |
00:49:37 |
A wasp. |
00:49:38 |
Leave my plate alone. |
00:49:41 |
For what's in it... |
00:49:43 |
It's demoralizing. |
00:49:44 |
A wasp. |
00:49:48 |
Hannah the magician, |
00:49:49 |
can't you conjure up a nice marrowbone steak? |
00:49:52 |
No, too hard for me. |
00:49:55 |
What's today's special? |
00:49:56 |
Fried gudgeon for everyone? |
00:49:58 |
It's fish. |
00:49:59 |
I don't think I like it. |
00:50:01 |
With ration tickets, |
00:50:04 |
No, only fried fish... |
00:50:08 |
So, fried fish? |
00:50:09 |
Fried fish. |
00:50:11 |
Fish is good for your memory. |
00:50:17 |
Where are you off to? |
00:50:23 |
As handsome as ever. |
00:50:25 |
You're beautiful, too. |
00:50:33 |
How was the trip? |
00:50:35 |
No, I'm alright. |
00:50:43 |
How are you? |
00:50:51 |
Any news of Robert? |
00:50:53 |
Let her relax. |
00:50:57 |
Tania, rest up, dear, |
00:51:01 |
But still, any news? |
00:51:02 |
A letter, two days ago. |
00:51:05 |
You can read it. |
00:51:08 |
But how's he doing? |
00:51:09 |
He doesn't complain. |
00:51:11 |
He says life in the stalag is bearable. He also says |
00:51:17 |
When he gets back, |
00:51:23 |
I think I'll close the shop. |
00:51:25 |
Alone I can't manage. |
00:51:27 |
But I won't stay in Lyon. |
00:51:29 |
I have no family there. |
00:51:33 |
My friend Antoinette, |
00:51:36 |
She says they'll take me back. |
00:51:38 |
They take Jews? |
00:51:39 |
I never told them I was Jewish. |
00:51:42 |
She's right. |
00:51:44 |
Her job is to sell dresses, |
00:51:47 |
Are we going to the beach? |
00:51:49 |
Right now. |
00:51:52 |
Tania hasn't finished. |
00:51:54 |
Keep her company. |
00:51:59 |
Hurry up. |
00:52:14 |
It won't work with me. |
00:52:20 |
So stop wasting your time. |
00:52:43 |
Hold it a minute. |
00:52:45 |
Good, Simon. |
00:52:52 |
Attaboy. |
00:52:55 |
'Maréchal, here we are |
00:52:58 |
'Standing before the savior of France' |
00:53:02 |
There, don't move. |
00:53:07 |
There. |
00:53:46 |
Can't I give you a hand? |
00:54:08 |
A present for me? |
00:54:11 |
Today it's for your mama. |
00:54:13 |
Tomorrow will I get one? |
00:54:16 |
See my star? |
00:54:19 |
Me too. Louise sewed it on, |
00:54:23 |
Wait up, you two. |
00:54:26 |
What beautiful flowers. |
00:54:29 |
How are you, pumpkin? |
00:54:31 |
It's not for me. |
00:54:33 |
It's for your Mom's birthday. |
00:54:37 |
How can I reassure you? |
00:54:42 |
For them we're just Jews. |
00:54:43 |
These new measures are for |
00:54:46 |
We don't have the look. |
00:54:48 |
What look? |
00:54:50 |
I'm playing host, |
00:54:56 |
There they go again. |
00:54:58 |
I wanna see the fight. |
00:55:01 |
That'll start rumors. |
00:55:03 |
I do what I like. |
00:55:07 |
That's handy. |
00:55:09 |
Don't ruin your nice goy suit. |
00:55:11 |
Stop using that word. |
00:55:12 |
Keep arguing, |
00:55:15 |
Get up, you're not dead. |
00:55:26 |
I have a gift for Hannah. |
00:55:28 |
She's in the kitchen. |
00:55:30 |
It smells delicious. |
00:55:33 |
Help me put the candles on. |
00:55:37 |
Happy birthday. |
00:55:41 |
It's just a little trinket. |
00:55:51 |
We're proud to wear this star. |
00:55:53 |
I'm delighted. |
00:55:55 |
Nothing to say? |
00:55:57 |
Use the best crystal. |
00:56:00 |
Maxime, |
00:56:01 |
Laws are laws. |
00:56:03 |
If you don't obey, |
00:56:06 |
I don't give a damn. |
00:56:08 |
It's a law for weaklings, |
00:56:12 |
What's he talking about? |
00:56:13 |
He means sheep. |
00:56:15 |
It's a law for Yids, |
00:56:19 |
Can anyone tell me why |
00:56:23 |
Isy, Sarah. |
00:56:35 |
Isn't my Simon handsome? |
00:56:36 |
The handsomest of them all. |
00:56:38 |
The cake looks good. |
00:56:40 |
Wheat or bean flour? |
00:56:42 |
Bean flour, of course. |
00:56:43 |
Could you pass me the salad bowl? |
00:56:55 |
It's a bowl, |
00:56:57 |
You didn't do it on purpose. |
00:57:00 |
Daddy. |
00:57:04 |
What is it, Nannah? |
00:57:05 |
She didn't mean to. |
00:57:07 |
Just a broken dish. |
00:57:09 |
Are you hurt? |
00:57:18 |
What's the matter, dear? |
00:57:20 |
Why are you crying, |
00:57:26 |
Did you tell him? |
00:57:29 |
That's how it is. |
00:57:34 |
Is that true? |
00:57:38 |
Want to forbid her from being Jewish? |
00:57:41 |
If he could... |
00:57:43 |
Nothing but talk in this house. |
00:57:46 |
Then, let's ban Jews. |
00:57:48 |
Enough. |
00:57:49 |
We're leaving, for good. |
00:57:53 |
Isidore, let's go. |
00:57:54 |
You'll answer for this in the World of Truth. |
00:57:57 |
There, no sinner will be absolved. |
00:58:47 |
'Once the 40 thieves left, |
00:58:49 |
'Ali Baba went to the cave with the treasure |
00:58:52 |
'and spoke the magic words: |
00:58:55 |
Open Sesame. |
00:58:59 |
'And the two big doors opened, |
00:59:03 |
'and Ali Baba entered the cave |
00:59:06 |
'and then he said: |
00:59:08 |
''And now, nighty-night'.' |
00:59:14 |
They left 'cause you broke the bowl. |
01:00:06 |
You said nothing about your gift. |
01:00:10 |
You didn't even open it. |
01:00:29 |
How'd you do it? |
01:00:34 |
You smell nice. |
01:01:32 |
Stop following me. |
01:01:42 |
Stop, fellas. Off the mat. |
01:01:44 |
Wrestle. |
01:01:52 |
Down. |
01:02:03 |
We went pretty fast. |
01:02:04 |
It's far. |
01:02:07 |
Is that a lot? |
01:02:09 |
That's 'cause you're so strong. |
01:02:11 |
Hi. |
01:02:13 |
Mr. Maxime |
01:02:33 |
NO JEWS |
01:02:38 |
It's a village in the Creuse, |
01:02:41 |
St. Gaultier. |
01:02:45 |
Tilt your head a little. |
01:02:48 |
Cross a border again at my age... |
01:02:52 |
Look at my face, |
01:02:59 |
And my little Hannah |
01:03:00 |
It won't be easy for her |
01:03:08 |
What is it? |
01:03:12 |
Have you ever felt guilty? |
01:03:15 |
Why? |
01:03:19 |
Have you ever done something |
01:03:24 |
I've been a barber all my life. |
01:03:27 |
Get both of them down there fast. |
01:03:31 |
Want some lotion? |
01:03:34 |
Sure. |
01:03:37 |
It's women who suffer the most in a war. |
01:03:41 |
Women are the unknown soldier. |
01:03:44 |
And they don't even get a veteran's pension. |
01:03:50 |
Everything was decided fast. |
01:03:52 |
Finding forged papers |
01:03:57 |
At the station, he said? |
01:04:01 |
Georges and Maxime would go first. |
01:04:04 |
Esther, Hannah, Louise |
01:04:09 |
Tania returned to Lyon to sell her parents' shop. |
01:04:12 |
Once her business was settled, |
01:04:19 |
I'm taking you across. |
01:04:42 |
The line's there. |
01:04:44 |
Are you sure? |
01:04:50 |
Aren't you hungry? |
01:04:52 |
Stop saying that. |
01:04:54 |
When I'm hungry, |
01:05:10 |
Maxime, right? |
01:05:14 |
Come in. |
01:05:16 |
Mathilde. |
01:05:22 |
These are our guests. |
01:05:28 |
You must be starved? |
01:05:30 |
With the shortages in Paris, |
01:05:41 |
A letter for you. |
01:05:44 |
Mommy. A letter. |
01:05:49 |
You got a letter? |
01:05:58 |
Nannah darling. |
01:06:00 |
Everything's fine. |
01:06:02 |
Captain Béraud is a fine chap. |
01:06:05 |
These are your rooms. |
01:06:08 |
Your little boy can stay here. |
01:06:11 |
You're on the next floor, Georges. |
01:06:14 |
Make yourselves at home. |
01:06:17 |
Our bedroom is wonderful. |
01:06:20 |
It has a fine view of the river. |
01:06:34 |
The Captain made some contacts for me. |
01:06:37 |
I've found work. |
01:06:48 |
Maxime, come look. |
01:06:52 |
Georges has discovered country life. |
01:06:54 |
I call him 'The Wheelbarrow King.' |
01:07:01 |
St. Gaultier is heaven. |
01:07:02 |
My next letter should instruct you to join us. |
01:07:06 |
I'm so looking forward to it. |
01:07:10 |
Tell Simon I'm waiting for him to build a tree house. |
01:07:16 |
Have you any news of Robert and Tania? |
01:07:35 |
My dear Maxime, |
01:07:39 |
Customers are scarce now. |
01:07:42 |
Same for my parents. |
01:07:46 |
Even loyal customers have stopped coming. |
01:07:49 |
We'd rather not know why. |
01:07:52 |
Can I sleep with you? |
01:07:54 |
Why aren't you asleep? |
01:07:56 |
Because I want to sleep with you. |
01:08:00 |
I want Daddy's pillow and for you to do magic tricks. |
01:08:10 |
Simon looks more and more like you. |
01:08:13 |
I look at him, and I see you. |
01:08:16 |
The way you knit your brow |
01:08:24 |
Maxime, my man. |
01:08:27 |
I miss you so. |
01:08:30 |
In a few days, |
01:08:33 |
You asked if I'd heard from my brother. I haven't. |
01:08:37 |
I so wish Robert would come home |
01:09:08 |
IT IS FORBIDDEN TO BREAK THE SEALS |
01:09:28 |
You scared me. |
01:09:40 |
I want Maxime. |
01:09:52 |
Denise Lambert, Germaine Lambert, |
01:09:57 |
Aren't those good French names? |
01:09:59 |
And you're Charles Mercier. |
01:10:02 |
I like Simon Grinberg better. |
01:10:04 |
Sure, |
01:10:07 |
'Charles' is just to go see Daddy. |
01:10:09 |
I'm taking the train. |
01:10:12 |
Maxime was right: We shouldn't have registered. |
01:10:16 |
And these, |
01:10:19 |
Anyway, that's it for me. |
01:10:21 |
Me, too. |
01:10:23 |
And this, too, |
01:10:29 |
That's it, Nannah, |
01:10:32 |
The river will help you forget |
01:10:36 |
Grab this. |
01:10:44 |
Tania arrived yesterday. |
01:10:46 |
With you, Simon and Esther, |
01:11:10 |
Everyone's there now. |
01:11:16 |
When I said I had no news |
01:11:20 |
They only handle requests after 8 months' captivity. |
01:11:23 |
In '17, I was a prisoner |
01:11:27 |
She got my letters every Thursday without fail. |
01:11:31 |
They treated prisoners decently then. |
01:11:34 |
Did you see The Grand Illusion? |
01:11:37 |
Esther did. |
01:11:39 |
She told me about it. |
01:11:42 |
And Von Stroheim... Terrific. |
01:11:45 |
They say he's not a Kraut. |
01:11:53 |
See you tomorrow. |
01:12:10 |
What sweaters do I pack for him? |
01:12:16 |
Would you behave? |
01:12:20 |
Can't you hear me yelling? |
01:12:21 |
What sweaters do I pack? |
01:12:33 |
All set? |
01:12:35 |
Let's move it, girls. |
01:12:39 |
Simon and I are staying. |
01:12:43 |
I'm not going. |
01:12:45 |
I have to wait for Mama and Papa. |
01:12:50 |
If Robert comes home wounded, |
01:12:54 |
It's better if we stay. |
01:12:57 |
No, I want to go on the train and build tree houses. |
01:13:00 |
And don't smoke in the gym. |
01:13:15 |
Look up. |
01:13:22 |
Look up. |
01:13:29 |
There, don't move. |
01:13:38 |
What got in my eye? |
01:13:40 |
Nothing. |
01:14:13 |
No one here? |
01:14:15 |
Then I'm sitting down. |
01:14:36 |
Are you the Parisians? |
01:14:37 |
Get in quick. |
01:14:55 |
The Demarcation Line was 1 mile away. |
01:14:58 |
They had to wait for nightfall. |
01:15:08 |
Day after day, in episodes, |
01:15:14 |
All they'd told her, |
01:15:19 |
Everything, |
01:15:36 |
Here, have some cheese. Eat. |
01:15:40 |
A diabolo mint for the doggie? |
01:15:42 |
He doesn't drink diabolo mint. |
01:15:45 |
Still nothing for your mom? |
01:15:51 |
Easy. |
01:15:54 |
I have to pee. |
01:15:57 |
I can go by myself. |
01:16:17 |
'Evening, Antoine. |
01:16:18 |
'Evening, Lucien. |
01:16:20 |
How's it going? |
01:16:22 |
'Evening, ladies. |
01:16:53 |
Your papers, please. |
01:17:11 |
JEWISH |
01:17:42 |
That's my son. |
01:19:52 |
Esther. |
01:20:16 |
Louise chose to say |
01:20:21 |
She couldn't bear to mention |
01:20:25 |
Even less so, |
01:20:28 |
that had been Simon's undoing. |
01:21:19 |
He told me to take this. |
01:21:21 |
Should I throw it away? |
01:21:28 |
They'll come back. |
01:22:27 |
They must be in a transit camp. |
01:22:31 |
There's one in Pithiviers. |
01:22:33 |
And Beaune-la-Rolande. |
01:23:14 |
The transit camps are only one stage. |
01:23:18 |
But towards what |
01:23:21 |
There's talk of concentration camps in Germany, |
01:23:24 |
prison camps for resistance fighters and Jews. |
01:23:29 |
I doubt women and children are treated well. |
01:23:40 |
See what Brasillach wrote about the Jews? |
01:23:47 |
'Mop all that up. |
01:25:13 |
I'm not imagining things. |
01:25:17 |
Oh, come on. |
01:25:18 |
They haven't done anything wrong. |
01:25:21 |
Maybe, but it always seems |
01:25:25 |
Esther, please. |
01:25:26 |
You're the one who wrote Tania in Lyon. |
01:25:29 |
That's right, lady, |
01:26:04 |
Some butter, children. |
01:26:29 |
Could you take this? |
01:26:33 |
Do I just count the meat and wine? |
01:26:36 |
The eggs and vegetables are free, right? |
01:26:40 |
Thanks to Georges' work. |
01:26:43 |
He doesn't push the barrow he sleeps in it. |
01:26:51 |
No, that's not right. |
01:26:55 |
Oh, stop it. |
01:26:56 |
Cut the 'poor Hannah' act. |
01:27:12 |
Well? |
01:27:16 |
I've seen worse. |
01:27:17 |
You say that because you also... |
01:27:21 |
I also think Tania's desirable? |
01:27:24 |
It's true. |
01:27:26 |
So you excuse them? |
01:27:28 |
No, I just don't judge them. |
01:27:31 |
How lofty of you. |
01:27:38 |
Ever think of Hannah? |
01:27:40 |
All the time. |
01:27:44 |
I try not to. |
01:27:48 |
Give me a cigarette. |
01:28:04 |
This morning, I thought about what we'd cook: |
01:28:07 |
Fish or chicken. |
01:28:09 |
And I said to myself: Not fish. |
01:28:16 |
How stupid of me to send Tania here. |
01:28:19 |
When I see them |
01:28:22 |
I'm not religious, |
01:28:26 |
'Without the Torah, |
01:28:29 |
I feel outraged, understand? |
01:28:32 |
Sure, I understand. |
01:28:34 |
But you don't agree. |
01:28:36 |
Where will it get us? |
01:28:38 |
To be outraged. |
01:28:40 |
So we're outraged. |
01:28:42 |
It'll devour us and poison everyone else. |
01:28:45 |
What do we do? |
01:28:51 |
We think about Hannah and Simon. |
01:28:54 |
And continue to make dinner. |
01:33:12 |
I'd never seen my father so upset. |
01:33:15 |
Mom tell you about the dog? |
01:33:18 |
Yes. |
01:33:20 |
I took care of it. |
01:33:22 |
I went by the shop. |
01:33:26 |
He'd gotten over Hannah and Simon. |
01:33:29 |
But his dog's death crushed him. |
01:33:36 |
How was Tania? |
01:33:40 |
Worried about you. |
01:33:49 |
Soon after returning to Paris. |
01:33:51 |
Tania learned Robert had died |
01:33:56 |
She barely mourned him. |
01:34:34 |
Maxime now knows Simon, Hannah |
01:34:42 |
He can no longer imagine them |
01:34:55 |
No news of them. |
01:35:16 |
Want us to call it off? |
01:35:20 |
I don't know. |
01:35:23 |
I don't know anymore. |
01:35:24 |
You don't know anymore? |
01:35:30 |
I know. |
01:35:34 |
We'll call it off. |
01:35:37 |
Even if they don't return, it's over. |
01:35:41 |
For good. |
01:35:48 |
4 pounds, 8 ounces. |
01:35:53 |
It's a little baby. |
01:36:00 |
It's very pretty, Esther. |
01:36:04 |
Move over, |
01:36:08 |
He should grow up fast, |
01:36:11 |
For a change. |
01:36:14 |
Can I hold him? |
01:36:17 |
I'm not contagious, you know. |
01:36:28 |
Are you OK? |
01:36:29 |
I'm glad you came. |
01:36:32 |
It's your life, Maxime. |
01:36:34 |
And Tania's. |
01:36:36 |
And now it's going to be his. |
01:36:45 |
It took them time to imagine a life together, |
01:36:48 |
but they finally married and worked together. |
01:36:55 |
They never again spoke of the war or the deceased. |
01:36:58 |
They changed the spelling of our name. |
01:37:02 |
Now I could name them, |
01:37:08 |
Gradually they became allies in my attempt |
01:37:11 |
to extract my patients from the dark. |
01:37:17 |
PARIS - SERGE KLARSFELD'S OFFICE |
01:37:25 |
Grinberg, Hannah Golda, née Stirn, |
01:37:35 |
'August 10 to 17, 1942: |
01:37:39 |
'The 18th, sent to Poland, |
01:37:43 |
'Gassed the day after arrival, |
01:37:52 |
Who's Simon Grinberg to you? |
01:37:59 |
I'm his brother. |
01:38:03 |
And I thought |
01:38:06 |
You're preparing a book on deported children. |
01:38:12 |
I brought this photo. |
01:38:35 |
He didn't die right away. |
01:38:41 |
He must have suffered. |
01:38:47 |
It's all my fault. |
01:39:13 |
I said yes, he was to blame for his dog's death, |
01:39:17 |
but for that alone. |
01:39:21 |
I told him what Serge Klarsfeld had found: |
01:39:25 |
the transport train, |
01:39:28 |
their death the next morning. |
01:39:32 |
They didn't suffer the camp's daily horror. |
01:39:35 |
Only Nazi hatred was to blame for their death. |
01:39:40 |
I hoped I'd freed them of their secret. |
01:39:56 |
A few years later, Mother lost |
01:39:59 |
after a stroke. |
01:40:03 |
My father faced up at first, |
01:40:06 |
but the sight of his paralyzed champion |
01:40:10 |
and they decided to end it. |
01:40:26 |
One June evening, |
01:40:29 |
to see an abandoned chateau near our house. |
01:40:33 |
A village elder had given me its owner's name: |
01:40:36 |
Josée de Chambrun, |
01:40:41 |
This is weird. What is it? |
01:40:44 |
Looks like a little cemetery. |
01:40:47 |
'Barye,' 'Pompey'... |
01:40:54 |
More like for dogs. |
01:40:56 |
And cats, too? |
01:40:58 |
Maybe. |
01:40:59 |
'Brutus, 1908.' |
01:41:04 |
These dogs are old. |
01:41:12 |
What a dumb name. |
01:41:15 |
'Vasco, 1979-1985.' |
01:41:20 |
'Dying was all he ever did wrong.' |
01:41:24 |
They must have loved their dogs. |
01:41:28 |
Rose. François. |
01:41:30 |
We're coming, Mommy. |
01:41:34 |
You coming? |
01:41:40 |
In that cemetery, lovingly kept |
01:41:44 |
who had sent Simon, Hannah |
01:41:48 |
I thought of telling our story |
01:41:51 |
so we would at last emerge from the silence. |
01:41:58 |
Brutus |
01:42:00 |
Pompey |
01:42:04 |
Madou |
01:42:07 |
Soko |
01:42:11 |
Vasco |
01:42:14 |
Sarah |
01:42:18 |
Nathan |
01:42:22 |
Rebecca |
01:42:25 |
Erwin |
01:42:29 |
Misha |
01:42:32 |
Ariel |
01:42:36 |
Judith |
01:42:39 |
Eliah |