See No Evil The Moors Murders

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00:01:16 All right, sweetie.
00:01:33 Oh, look, you brought her!
00:01:35 Oh, what's she called?
00:01:36 Angela Dawn.
00:01:38 - Oh, she's just gorgeous!
00:01:40 Everyone says she looks like Dave,
00:01:44 Moby!
00:01:46 Oh. I'll see you after.
00:01:48 - He's lovely.
00:01:51 What a lovely surprise!
00:01:53 I promised the girls
00:01:56 Sod the other girls!
00:01:59 There you go.
00:02:01 Oh, you get bonnier by the day.
00:02:05 Don't you, my little Angela Dawn?
00:02:07 Eh? Ooh, eh?
00:02:10 Have you no care at all about the reputation
00:02:15 You of all people
00:02:20 contains a letter G.
00:02:23 And it's no' there.
00:02:26 I do apologise, Mr Brady.
00:02:29 Retype it, please.
00:02:32 Of course,
00:02:33 Mr Brady.
00:02:35 (Baby cries)
00:02:37 Ssh! Ssh.
00:02:39 - Ian.
00:02:42 So, where's the father?
00:02:44 In the Tap Room in the Steelworks'
00:02:47 No, Dave's come over all responsible
00:02:51 You're right. I wouldn't.
00:02:54 He's scarce more than a kid himself.
00:02:56 No, honest,
00:02:59 I've just left him soaking nappies.
00:03:02 Good.
00:03:05 Erm...
00:03:06 Listen, erm...
00:03:08 Ian and I were only saying the other night,
00:03:14 Give him a proper welcome to the family.
00:03:16 I mean... he and Ian are practically
00:03:21 Well, they still hardly know each other.
00:03:24 Yeah. I'd love to come round.
00:03:28 Good. Good.
00:03:31 I don't see the point in going round to Myra's.
00:03:34 She doesn't like me. As for Ian,
00:03:38 Dave, we agreed, we're making a new start
00:03:45 - Hiya, Mam.
00:03:47 - Hiya, Dad.
00:03:49 I know. It's taken ages getting her stufftogether.
00:03:52 - You're sure you don't mind?
00:03:56 - Ooh.
00:03:58 Aaah. Give her to me.
00:04:00 I don't think we should leave her.
00:04:02 Oh, come on, of course you can. Give her to me.
00:04:06 Come on, David. We're all family now.
00:04:08 Ooh, there you are.
00:04:10 Yeah.
00:04:12 She'll be fine.
00:04:14 You get offto Myra's.
00:04:16 Let's go.
00:04:17 - See you later.
00:04:20 Ee! Ee.
00:04:23 Hey, come on, you. They won't bite.
00:04:26 - Hiya, Gran.
00:04:29 - Are you all right?
00:04:32 - Gran's just going up, aren't you?
00:04:35 But she's only just come.
00:04:37 Yeah, and you're tired.
00:04:39 Come on. I'll bring you a cuppa
00:04:42 Hello.
00:04:43 GRAN: Night, love. Nice to see you.
00:04:46 Eh! Don't forget that. There you go.
00:04:54 - And how are you, buggalugs?
00:04:58 Anyone fancy a drink?
00:05:01 Do the honours, Hessy, please.
00:05:03 Jawohl, Liebling.
00:05:05 MAUREEN: All right, Ian?
00:05:07 All right, Maureen. How are you?
00:05:10 Good.
00:05:11 And how's the weather?
00:05:13 Not bad.
00:05:15 Good.
00:05:16 - And how is the little 'un?
00:05:19 - You like dogs, do you?
00:05:22 I have a question for you.
00:05:25 Does a dog have a soul?
00:05:27 You what?
00:05:28 I said, does a dog have a soul?
00:05:33 We can agree that a dog
00:05:37 So why not a soul?
00:05:39 Or maybe you think
00:05:42 Eh?
00:05:45 That dog is no more than a...
00:05:47 complex biological machine,
00:05:49 as are we, us, here now,
00:05:51 in this room.
00:05:54 And that, by extension,
00:05:59 Ergo.
00:06:00 The whole notion of God is, too.
00:06:07 Bloody hell, Neddie. You've confused him now.
00:06:10 Language, Hessy, please. Language.
00:06:12 That's rich coming from you.
00:06:14 Are you saying I'm a hypocrite?
00:06:15 Eh?
00:06:17 Then why,
00:06:21 Eh?
00:06:22 I mean, standards have to be maintained.
00:06:24 Isn't that right, Maureen?
00:06:27 After all, we do share this house
00:06:34 Not to mention a fucking budgie,
00:06:36 who must no', under any circumstances,
00:06:39 be encouraged to learn filth.
00:06:42 Pardon my French, Joey.
00:06:45 Oh, deary me.
00:06:47 That's me skint.
00:06:51 - How are you doing, Dave?
00:06:54 So, yous got a job yet?
00:06:56 Well, no, but I'm seeing someone
00:07:13 Eh, you, I thought you were coming straight up.
00:07:17 (Mimics Brady) Does a dog have a soul?
00:07:19 You daft bugger!
00:07:22 I've never met anyone like him.
00:07:24 I told you, Ian can be all right
00:07:26 Just got to get to know him a bit.
00:07:28 And what's all that Neddie/Hessy stuff?
00:07:31 Hessy! Hessy!
00:07:33 They're just nicknames.
00:07:35 Neddie is from The Goon Show
00:07:40 Never heard of her.
00:07:41 Yeah, well, Ian's into all that kind of stuff.
00:07:44 Classical music. Jazz. Books.
00:07:47 So is Myra now.
00:07:48 I think he's been really good for her.
00:07:50 Opened her mind up to new things.
00:07:52 Not like me, then.
00:07:54 What do you mean?
00:07:56 What have I ever done for you?
00:08:00 Well, not much, really.
00:08:02 Apart from marrying me
00:08:04 and giving me the most beautiful baby
00:08:12 Come on. Let's go up.
00:08:14 (Mimics Brady) Does a dog have a soul?
00:08:16 Give over!
00:08:18 Ergo, the whole notion of God is shite.
00:08:23 (Grass rustles)
00:08:31 (Wind whistles)
00:08:38 BRADY: Quick!
00:08:40 (Giggling)
00:08:42 Look at that! (Laughs)
00:08:50 Take a picture, Hessy.
00:08:53 (Camera clicks)
00:08:55 (Winds film on)
00:08:57 (Giggling)
00:08:59 (Burps)
00:09:01 Eine andere Flasche, Hessy.
00:09:03 Jawohl, mein Herr.
00:09:10 - So, what do you think, Dave?
00:09:13 Dave!
00:09:14 It's lovely.
00:09:16 - I don't know what hills are for.
00:09:19 You'll be stuck in Gorton with him,
00:09:22 Oh, no, he won't. Redevelopment.
00:09:26 The powers that be are going to raze
00:09:29 - But that's not for ages, is it?
00:09:31 Gran's just heard she's got to go next month.
00:09:34 Which obviously means Neddie and I, also.
00:09:38 Where to?
00:09:39 Hattersley.
00:09:41 The big estate
00:09:43 There's lovely countryside all round.
00:09:45 They can't just knock Gorton down.
00:09:47 Deary me.
00:09:49 Is the boy getting emotional about his home?
00:09:52 Yeah, well, wouldn't you,
00:09:55 You know nothing about where I'm from, son.
00:09:57 So, tell us. What's it like, Scotland?
00:10:00 Like this or what?
00:10:03 BRADY: Some places, aye.
00:10:04 Others are a wee bit more urban.
00:10:07 There's not a loch or a bank...
00:10:10 .. or a bonny brae in sight,
00:10:12 but, in those places,
00:10:14 a man may split another man's head open
00:10:20 So, which part are you from, then, eh?
00:10:23 I have an acquaintance with both.
00:10:24 Why can't you just give a straight answer
00:10:28 There's a wee thing called "privacy".
00:10:31 I'll thank you to respect mine.
00:10:42 Need a piss.
00:10:44 Yeah, me, too.
00:10:46 (Coronation Street signature tune from TV)
00:10:49 Stick the radio on, Mo.
00:10:55 (Music)
00:11:04 I'm glad I'm seeing more of you again.
00:11:06 I hardly saw you at all
00:11:09 Eh, we are sisters, Moby,
00:11:15 Would that be that Mrs Reade, eh?
00:11:18 The lady whose daughter disappeared?
00:11:21 Yeah, Pauline.
00:11:24 Almost two years now.
00:11:26 That's her bedroom.
00:11:28 I often see her mam up there at night.
00:11:30 You must have known that lassie well.
00:11:32 Yeah.
00:11:34 So did Maureen and Myra.
00:11:37 The police said she'd met some lad
00:11:41 What? You didnae believe that, eh?
00:11:44 She weren't that type of girl.
00:11:47 Yeah, right.
00:11:48 They're all that type of girl.
00:11:52 Eh! Come here.
00:11:53 Whoa.
00:11:54 Giddy-up!
00:11:56 (Laughter)
00:11:57 - Get in there!
00:12:04 (Door closes)
00:12:11 Where are we, Maureen? Are we on Mars?
00:12:13 I think it's all right.
00:12:17 Careful, Maureen! Don't bump her.
00:12:21 - So, what do you think, then?
00:12:25 Excuse the mess.
00:12:27 We've still not finished unpacking properly yet.
00:12:29 Oh, it's nice, Myra. It's smashing.
00:12:32 Yeah, we're thrilled with it.
00:12:35 Still lots to do, mind.
00:12:39 - Well, I'll help you.
00:12:41 - We can go down Ashton market.
00:12:43 Angela is desperate for clothes.
00:12:45 I haven't even said hello to her yet.
00:12:47 Hello! Look at you!
00:12:50 - She's getting bigger by the day.
00:12:54 Hello, Angela.
00:12:56 Eh? Hello.
00:12:57 Oh, she's gorgeous. Aren't you?
00:13:04 Hey, Bob.
00:13:08 - Shut the door. Shut the door!
00:13:12 Who said yous could come up here,
00:13:15 - Eh?
00:13:17 Jesus! I only came to say hello and give you this.
00:13:20 A moving-in present.
00:13:26 Well, apology accepted.
00:13:30 Now, please, get out.
00:13:50 (Grass rustles)
00:14:26 (Knocks)
00:14:32 - Mrs Kilbride?
00:14:34 Detective Chief Inspector Mounsey.
00:14:37 It's about your John.
00:14:39 Yes?
00:14:41 What about him?
00:14:43 I've no news, I'm afraid, love.
00:14:45 I've just taken over command here.
00:14:49 We thought you'd given up.
00:14:52 - You'd better come in.
00:14:54 - Hey, that's...
00:14:57 - Go on.
00:14:59 - (Boys grumble)
00:15:02 Danny, do as you're told.
00:15:06 Thank you.
00:15:09 I'm sorry about this, Mrs Kilbride,
00:15:13 ofthe day John disappeared, again, please.
00:15:18 He'd gone to the pictures, with a pal.
00:15:22 Afterwards, they went down the market.
00:15:24 John often did.
00:15:26 You know, to earn a few bob,
00:15:29 Clearing up.
00:15:31 Eventually, John's pal went home.
00:15:34 This would be about what time?
00:15:36 Halffive.
00:15:38 It was dark.
00:15:40 Fog coming down.
00:15:42 John was stood by the bins.
00:15:44 That's the last time anyone
00:15:47 It's not as if I hadn't drummed it into all ofthem.
00:15:50 If a strange man ever offers you sweets
00:15:54 you don't, you run away home.
00:15:56 You run away home.
00:16:02 What's going on?
00:16:04 Who are you?
00:16:05 - He's a policeman, Pat.
00:16:08 What do you mean by coming round here,
00:16:11 That wasn't my intention.
00:16:13 - That's all you lot have done.
00:16:16 All that fuss for a few weeks.
00:16:18 Searching the town, searching this house.
00:16:22 Accusing me of doing away with him.
00:16:24 And then nothing.
00:16:25 You think he's dead,
00:16:29 I'm aware that
00:16:32 We don't want your sympathy.
00:16:37 We just want our lad back.
00:16:40 MOUNSEY:
00:16:42 DCI Downs turned the town upside down.
00:16:44 He searched every garage,
00:16:48 I know. I know.
00:16:52 He was last seen at Ashton market.
00:16:55 Chasing people
00:16:58 Not children.
00:17:00 So, you think John was abducted?
00:17:02 He was a happy lad, by all accounts.
00:17:05 You discount the theory
00:17:08 Well, I know fathers
00:17:11 - Yes?
00:17:13 I can't see it. Can you?
00:17:15 No, I can't.
00:17:17 You and I are going to give this case
00:17:20 Christ knows when we're going to find the time,
00:17:24 John Kilbride went missing
00:17:28 JOURNALIST: Danny?
00:17:29 Now that is the day after
00:17:33 Everybody remembers
00:17:35 All we want people to do is think back.
00:17:38 Did you go to Ashton the next day?
00:17:40 And, if you did, did you come to this market?
00:17:42 Did you see this boy?
00:17:45 Or did you see anyone watching children
00:17:50 or in any other way acting suspiciously?
00:17:52 And if you did, please contact Ashton Police.
00:17:57 Does Danny look a lot like John?
00:17:59 The thing is...
00:18:02 but our John, you never saw him
00:18:05 Danny, over here, mate.
00:18:07 Good lad, Danny.
00:18:09 Another one, Danny. One more time.
00:18:11 - Do you miss your brother, Danny?
00:18:14 MOUNSEY:
00:18:17 It's OK. You did good. Thank you very much.
00:18:20 Thanks. Cheers.
00:18:21 He's done very well.
00:18:23 Mrs Kilbride, thank you very much indeed.
00:18:26 - Thank you, Mr Mounsey.
00:18:28 - Well done, lad.
00:18:29 I'm proud of you.
00:18:31 Got to be worth a try.
00:18:33 I'm not sure DCS Prescott will agree.
00:18:35 He's in Preston.
00:18:43 You didn't seriously think
00:18:47 It's a year, Joe.
00:18:49 We gave it substantial publicity at the time.
00:18:52 The chances of anybody
00:18:55 - I felt we owed it to the family.
00:18:58 What am I supposed to do, then?
00:19:03 No.
00:19:05 Do what you can.
00:19:06 But do it in your own time.
00:19:09 If it's a lost cause,
00:19:12 Sir.
00:19:18 Thank you, sir.
00:19:33 Dad!
00:19:36 You walk halfway across pissing Manchester,
00:19:38 wait hours to see some git of a foreman,
00:19:40 who says, "I don't know who told you
00:19:43 I told him it was you, you pillock!
00:19:47 - What's up with you?
00:19:50 What about her?
00:19:52 She was taken poorly.
00:19:55 - Maureen took her to hospital.
00:20:00 Well, is it serious or what?
00:20:02 The poor little thing,
00:20:06 They tried things.
00:20:09 They tried to save her, but they couldn't.
00:20:11 No.
00:20:13 No, you've got this wrong.
00:20:15 You get everything wrong!
00:20:17 - Which hospital is she in?
00:20:20 I was there!
00:20:21 - I was there.
00:20:23 Get off me!
00:20:36 (Sobs)
00:20:39 She seemed all right when I put her down.
00:20:42 A bit quiet.
00:20:44 I know she'd had that bad chest last week, but...
00:20:47 That's not what caused it.
00:20:51 I thought I was a good mother.
00:20:53 I thought I was doing things right.
00:20:55 You were.
00:20:58 Bloody hell, Dave. Lay off her.
00:21:00 You can see the state she's in.
00:21:03 Can I make you another cup oftea, love?
00:21:05 No.
00:21:08 I think maybe we should take a wee drive out.
00:21:12 Clear our heads.
00:21:14 Come on, Dave.
00:21:18 Is that new?
00:21:19 Traveller. Converts to a two-seater.
00:21:21 You never know when you might need
00:22:02 Anyone fancy a stroll?
00:22:08 Dave?
00:22:11 If you want.
00:22:15 Maureen?
00:22:16 I'm in heels.
00:22:19 We'll stop in the car.
00:22:38 I'm so glad you came to me.
00:22:48 Who else would I go to?
00:22:53 How's Mam taking it?
00:22:58 She's in pieces.
00:23:01 I sat by Angela in the hospital for ages.
00:23:05 You know, when she was gone, but...
00:23:09 You still wait for something.
00:23:14 A whimper or...
00:23:17 A breath.
00:23:21 Anything.
00:23:27 It's the silence that gets you, isn't it?
00:23:36 I didn't know you had ever seen anyone dead.
00:23:42 My friend Michael.
00:23:46 Oh, God, yeah.
00:23:49 That drowned in Gorton Rezzer?
00:23:53 I remember how upset you were.
00:23:57 I'll never forget them pulling him out,
00:24:04 I kept staring at him.
00:24:07 Willing him to come awake again, but...
00:24:11 But they don't, do they?
00:24:44 Here.
00:24:49 Why here?
00:24:52 That's why.
00:24:56 I live for this place.
00:25:00 It owns my soul.
00:25:20 (Reads) Another little flower for God's garden.
00:25:24 That's lovely.
00:25:26 Isn't it, Dave?
00:25:28 Yeah.
00:25:32 Can I...?
00:25:34 Yeah.
00:25:46 Oh, God, Maureen.
00:25:48 I am so sorry.
00:25:53 Shit.
00:25:55 Look at me.
00:25:57 Please don't tell Ian, will you?
00:26:01 All right, Gary, sobered up?
00:26:03 - Just about, sir, yeah.
00:26:11 Come in.
00:26:14 How was your Christmas, sir?
00:26:15 Noisy. My lads are getting old enough
00:26:18 Anything kicked off over Christmas?
00:26:20 A couple of break-ins, drunk and disorderlies
00:26:25 A 10-year-old lass,
00:26:28 I phoned them, so I could get a description.
00:26:31 She's from Ancoats. Went to a fair
00:26:35 Not the most communicative force.
00:26:37 I've been on to them about John Kilbride.
00:26:41 When I asked ifthey'd any kiddies
00:26:44 they took it as a personal bloody insult.
00:26:56 DI Engels?
00:26:58 - That's me.
00:27:00 - Got a minute?
00:27:02 Lesley Ann Downey.
00:27:05 Haven't found her.
00:27:06 We've had a lad missing for over a year now,
00:27:09 Never heard of him.
00:27:11 - There might be a connection.
00:27:13 - Why?
00:27:15 Come on.
00:27:17 Why aren't you listening?
00:27:20 Covering up for him - all bollocks.
00:27:22 - So he's admitted killing her?
00:27:25 Then all we need's the body
00:27:27 I should forget about the connection
00:27:48 DAVE: There's no shops. It's a shithole!
00:27:50 MYRA: Got to be better
00:27:52 Tell him that.
00:27:55 - Shut your face, you!
00:27:58 Don't you talk to my sister like that.
00:28:00 I'll speak to her how I bloody well like!
00:28:02 You had to move.
00:28:05 Besides,
00:28:08 What, and you think I don't know that?
00:28:30 (Wind whistles)
00:28:32 MAUREEN: If I just knew...
00:28:34 that Angela hadn't completely gone,
00:28:40 I hope she's in heaven too, Moby.
00:28:43 But you don't believe it, do you?
00:28:47 You would have done once.
00:28:52 I don't believe in all that sin and redemption
00:28:56 Father Theodore used to spout at St Francis.
00:29:34 That new?
00:29:37 Japanese. Cost me a month of my shitey wage.
00:29:41 Has to be an easier way of getting money.
00:29:43 Rob a bank.
00:29:46 You've just read my mind, son.
00:29:48 - Fancy helping me?
00:29:51 Why?
00:29:52 You've stolen before, haven't you? I mean...
00:29:55 You was in court for it.
00:29:57 Yeah, that was just ciggies from a corner shop.
00:29:59 So, you've no moral qualms?
00:30:01 No.
00:30:04 And you're out of a job. Skint.
00:30:06 - Maureen's just been taken on...
00:30:10 You're serious, aren't you?
00:30:12 We've already access
00:30:15 - Firearms?
00:30:17 Myra's joined Cheadle Gun Club.
00:30:20 Yeah. Maureen said.
00:30:21 So? Interested?
00:30:27 Yeah, I am.
00:30:45 # (Glenn Miller instrumental)
00:30:47 They never found his body.
00:30:51 Whose body?
00:30:58 Major Glenn Miller, that's who.
00:31:00 One moment, you're flying through the air...
00:31:04 .. suddenly the engine coughs,
00:31:07 dies.
00:31:12 The next you're...
00:31:16 .. hurtling towards oblivion.
00:31:24 I'm for bed, Mo.
00:31:27 You look done in, too.
00:31:29 Why don't you stay tonight?
00:31:31 The boys can sleep on the sofa.
00:31:33 - We can sleep upstairs.
00:31:40 - Night-night, boys.
00:31:42 Chuck us that pillow, Mo.
00:31:47 Thanks.
00:31:48 There you go.
00:31:54 - That poor girl's family.
00:31:57 Lesley Ann Downey.
00:31:58 Even offering a reward's done no good.
00:32:01 Yeah, well, that child should never
00:32:05 That's a bit harsh, blaming the parents.
00:32:07 Come on, you. Get down.
00:32:09 I doubt they'll ever see her again.
00:32:11 Give us a hand.
00:32:15 How do I know you're not queer?
00:32:16 Cos I can think of better places
00:32:20 than up another man's arse.
00:32:30 Oh!
00:32:36 This takes me back.
00:32:39 You were always slipping in beside me
00:32:43 When you'd had one of your bad dreams,
00:32:45 I used to put my arm round you, like this,
00:32:48 and tell you it'd be all right in the morning.
00:32:52 I remember.
00:32:55 You still think about her all the time, don't you?
00:32:59 Angela?
00:33:02 Yeah.
00:33:05 It'll ease with time, Moby.
00:33:11 I'm worried about Dave.
00:33:15 He hardly talks to me since we lost her.
00:33:19 Just give him a bit of space.
00:33:21 Ian's looking after him.
00:33:23 You reckon?
00:33:26 He'll be all right.
00:33:28 You both will.
00:33:32 Promise?
00:33:36 I promise.
00:33:37 'Night, Moby.
00:33:40 (Giggling)
00:33:42 Like a little hot-water bottle, you!
00:33:44 (Further giggling)
00:33:47 MOUNSEY: An off-licence on Audenshaw Road.
00:33:49 Yeah, well, it's the third in a week, Derek.
00:33:52 I want an arrest.
00:33:54 I've got Prescott mithering me
00:33:59 - Still not found Lesley Ann Downey?
00:34:01 You'd think ifthe stepfather coughed to killing
00:34:05 I don't think he has killed her.
00:34:07 Why?
00:34:09 I've spoken to a contact in Manchester CID.
00:34:12 He says he hasn't confessed
00:34:15 Oh?
00:34:16 And Manchester
00:34:19 A lad called Keith Bennett.
00:34:21 Left his home in Longsight to visit his Grandma,
00:34:25 and never got there.
00:34:30 - All right, love.
00:34:32 BOTH: Cheerio.
00:34:37 Mrs Johnson? Detective
00:34:40 It's about your son Keith.
00:34:42 If you take my Jimmy in one more time,
00:34:45 I'll kill my children, then myself.
00:34:47 Whoa! I've not come to take anybody in.
00:34:49 Six times you've had him in.
00:34:51 Jimmy thought the world of Keith.
00:34:53 I believe you.
00:34:55 I do.
00:34:57 And I've got nothing to do
00:35:00 All right? Can I come in?
00:35:05 I was out at bingo.
00:35:09 Of course, he never got there.
00:35:11 Jimmy was alone here, weren't you?
00:35:13 - And no way to prove that?
00:35:17 I mean, look at him.
00:35:18 He's been offwork ages, with that chest.
00:35:21 Most days,
00:35:24 Does he look like a murderer?
00:35:30 I, erm...
00:35:31 I haven't given up hope, you know,
00:35:38 What bothers me, though...
00:35:41 .. he's not got these.
00:35:45 He'd bust them the day before.
00:35:56 I just don't know
00:36:01 These disappearances.
00:36:02 They really are close together.
00:36:05 Lesley Ann Downey. Ancoats.
00:36:07 Keith Bennett. Longsight.
00:36:09 John Kilbride. Ashton.
00:36:11 It's basically a triangle.
00:36:13 Logic says that the bloke
00:36:18 Gorton.
00:36:21 - A girl went missing in Gorton.
00:36:24 - Pauline Reade.
00:36:26 - Set offto a dance and...
00:36:29 She was 16.
00:36:31 Her parents swore that was nonsense.
00:36:36 - Shouldn't we at least look at it?
00:36:41 I don't know why,
00:36:46 I think whoever it was
00:36:49 And just bundled her into it?
00:36:52 No, I think he offered her a lift.
00:36:54 She wouldn't have accepted a lift off a stranger?
00:36:56 I don't think so. No.
00:36:59 I'm sure it was someone she knew.
00:37:04 I don't think I've helped you at all.
00:37:07 Yes, you have.
00:37:09 I'm going to go and walk home now.
00:37:11 - Are you sure?
00:37:13 Ifwe get any news, love, we'll be right in touch.
00:37:17 - Well?
00:37:19 Whoever abducted Pauline
00:37:21 could well have been behind the disappearance
00:37:25 and you're right that
00:37:29 We should ask Manchester
00:37:32 A waste oftime, because,
00:37:36 they've knocked down most of Gorton.
00:37:38 People have been rehoused all over the shop.
00:37:41 She might well have known
00:37:43 but the chances of him
00:37:51 I don't know what you see in this place
00:37:56 We love it in any weather, don't we?
00:37:58 Show the laddie the toy, Hessy.
00:38:05 - What have you brought that for?
00:38:08 - You're not going to let him fire it?
00:38:12 - Ian'll make sure he comes to no harm.
00:38:16 Come on.
00:38:18 - Just you be careful.
00:38:20 (Pop music)
00:38:22 Oh, God! This takes me back.
00:38:24 Oh, me, too. It was never offthe jukebox.
00:38:26 Come on.
00:38:28 Don't be daft!
00:38:30 Come on.
00:38:34 Hey!
00:38:35 - What's that?
00:38:37 - You're smiling!
00:38:39 See that?
00:38:43 Shoot it.
00:38:48 (Can clatters)
00:38:55 This bank job, we need to advance matters.
00:38:58 - Is Myra in on this?
00:39:01 Maureen hasn't a clue
00:39:04 You're no' losing your nerve, are you?
00:39:06 No.
00:39:08 You're happy about the guns?
00:39:10 Just because we'd have them
00:39:16 Look!
00:39:17 You're leaving the bank with the money. Yeah?
00:39:20 Some stupid clerk decides to have a go.
00:39:23 Cannae shake him loose.
00:39:25 The police are on their way.
00:39:27 Only chance of you getting out ofthere
00:39:31 What do you do?
00:39:32 Eh?
00:39:39 Clearly nothing.
00:39:44 Piss off.
00:39:46 Piss off, back to the slums
00:39:49 Don't call me a moron.
00:39:51 You know nothing about anything.
00:39:53 I may not know the things you know,
00:39:55 the books or the long words,
00:40:00 So, it is there, then?
00:40:02 What is?
00:40:05 The fire.
00:40:07 Myra had it once, but she's losing it.
00:40:10 She does what I ask, all too easily, but you, oh...
00:40:14 I can see you doing anything.
00:40:16 You just need educating.
00:40:21 You see, we all die.
00:40:23 It's just some people die sooner than others.
00:40:27 That's nature.
00:40:29 That's the only force that really matters.
00:40:32 Now, you forget about God, religion,
00:40:38 That was nature that killed your baby.
00:40:42 And if nature decides to
00:40:53 (Cry of sheep)
00:40:56 .. so be it.
00:41:04 So this bank job, I've identified a possible target.
00:41:09 Williams And Glynn's Bank on Hyde Road.
00:41:15 I want you to take a look.
00:41:19 I'd value your opinion.
00:41:30 (Reads) "He moves behind her
00:41:32 He would greatly like to mount as a victor,
00:41:36 Instead, he begins to beat her anew.
00:41:40 He no longer knows who he is or where.
00:41:43 His delirium has reached such a pitch. "
00:41:47 What do you think?
00:41:48 It may get you going. It doesn't do a lot for me.
00:41:50 - Ian gave it to me.
00:41:54 (Imitates) He says he wants to open
00:41:58 - Good luck with him.
00:42:01 I just don't like it, Dave.
00:42:03 I don't see what pleasure
00:42:06 But ifthat's the kind ofthing
00:42:09 just don't talk to me about it, all right?
00:42:11 It was you that said
00:42:14 (Door slams)
00:42:25 (Shouting)
00:42:27 What's going on?
00:42:29 It's Pat Kilbride. He's been arrested
00:42:33 Alan, action on that, please.
00:42:35 He's just assaulted PC Nash.
00:42:37 What happened?
00:42:39 Usual. Some moron
00:42:42 He'll have turned on them, then got a kicking,
00:42:46 - Open the door.
00:42:49 Open it!
00:42:58 Mr Mounsey. Thank you.
00:43:01 Listen to me.
00:43:02 You don't thank me for anything
00:43:07 But you'll not find him.
00:43:09 We both know that.
00:43:13 Forget it, Mr Mounsey.
00:43:15 And thanks for trying.
00:43:17 (Sobs)
00:43:24 Cup oftea in here, Andy.
00:43:26 - Three sugars.
00:43:34 Bob!
00:43:36 Any tea? I'm famished.
00:43:38 Get your own. I've only just got in.
00:43:40 You finish work at two. Where've you been?
00:43:47 Just tell me.
00:43:49 Don't bloody maul me!
00:43:51 Well, answer the question, then.
00:43:53 Christ! What's got into you?
00:43:55 You bloody got into me, that's what!
00:43:57 What do you mean?
00:43:59 I've been to the doctor's.
00:44:01 I'm pregnant.
00:44:03 Oh, Jesus.
00:44:06 I knew.
00:44:08 I knew you'd take it like that.
00:44:10 I've already lost one baby.
00:44:13 What about if it happened to me again, eh?
00:44:15 It's taken two of us, you know, to make it!
00:44:17 You don't understand! I'm not ready for this yet.
00:44:20 Well, you can make that choice.
00:44:21 You can bugger off,
00:44:25 It's here! It's mine!
00:44:27 - It's inside me now!
00:44:29 Maureen!
00:44:31 Piss off!
00:44:43 - He treats me like I don't exist.
00:44:45 It's that simple, is it, Mam?
00:44:47 - Well, you've not left him.
00:44:49 The excuse for a man in the front room.
00:44:51 - Is Mam in?
00:44:53 Shut the door behind you.
00:44:59 Here.
00:45:01 Ta.
00:45:03 What's up with you?
00:45:06 Maureen?
00:45:12 I'm pregnant.
00:45:17 Well, that's wonderful, in't it?
00:45:19 No. Dave doesn't want it.
00:45:21 Eh?
00:45:23 How can I stay with him if he doesn't want it?
00:45:25 Well, you're not thinking of leaving him?
00:45:28 I don't know, Mam!
00:45:29 - This is all I need.
00:45:32 Nothing!
00:45:37 It's Ian.
00:45:38 What about Ian?
00:45:40 Myra?
00:45:44 He's just been acting funny lately.
00:45:46 Distant.
00:45:49 There's nothing I don't do for that man, nothing.
00:45:52 In bed, out of it.
00:45:55 But sometimes, lately, he treats me
00:45:58 And it doesn't bloody help
00:46:02 Don't go blaming Dave!
00:46:05 - It's gone too far!
00:46:07 None ofthis would have happened
00:46:10 - What?
00:46:12 And she should get rid ofthis one!
00:46:14 Myra, ughh! That's horrible!
00:46:19 Sorry.
00:46:20 I shouldn't have said that.
00:46:24 You never would have done once.
00:46:28 What has happened to you?
00:46:31 I said I'm sorry!
00:46:40 What are you looking at?
00:46:44 This is best.
00:46:45 No. No, no, no, you've got it all wrong.
00:46:48 DAVE: I've looked at that bank.
00:46:51 You're right, they're wide open.
00:46:53 They only have two staff on Saturdays.
00:46:55 Interesting.
00:46:57 You've been doing other homework, I see.
00:47:01 Thought if I copied
00:47:03 I'd understand 'em better.
00:47:06 (Reads) Murder is a supreme pleasure.
00:47:09 Do you understand that?
00:47:11 How could I? I've never killed anyone.
00:47:13 I have.
00:47:16 Oh, yeah?
00:47:18 Three or four.
00:47:20 And I haven't finished yet.
00:47:24 Teenagers - they're ideal.
00:47:29 Any younger, there's too much fuss.
00:47:36 What?
00:47:38 You don't believe me?
00:47:43 You've stood on the graves.
00:47:48 Such shit you talk.
00:47:51 You think I'm talking shit
00:47:56 I never said that. So you are willing to use one?
00:47:58 Ifwe use blanks, yeah.
00:48:02 Well, a gun with blanks is just an ornament.
00:48:07 How can I get this across to you, eh?
00:48:10 Half-measures are dangerous.
00:48:14 Yous have to be willing to go the whole way.
00:48:18 Now, look down the barrel.
00:48:21 I said look down the fucking barrel!
00:48:31 (Gun clicks)
00:48:36 See? It's all about odds.
00:48:43 (Whistles)
00:48:52 Get those wrapped up.
00:48:53 Put them in the suitcases.
00:48:56 All suspicious materials
00:49:03 Now.
00:49:10 Where's Maureen?
00:49:12 - She didn't come home last night.
00:49:15 Right state you've got her into.
00:49:17 - She's thinking of leaving you.
00:49:20 How do you know?
00:49:22 What do you know about women?
00:49:24 What do you know about bloody anything,
00:49:38 Women.
00:49:40 They have to feel you need them.
00:49:46 But you must never show them that you do.
00:49:56 Where are you taking them?
00:49:58 Left luggage.
00:50:01 Bloody hell. What else have you put in them?
00:50:03 Mind your own.
00:50:06 - So when will it be? The job?
00:50:26 - Where are you going?
00:50:30 Oh, yeah!
00:50:56 What do I do?
00:50:57 Where do I go?
00:51:01 I don't want you to go anywhere.
00:51:07 I want this baby.
00:51:10 I'm just scared.
00:51:12 So am I.
00:51:19 It's all right.
00:51:22 You said that before... about Angela.
00:51:25 That can't happen again.
00:51:27 Please God, Dave, don't let it!
00:51:29 It won't, don't worry.
00:51:30 It'll be all right.
00:51:35 Come on, sit down, I'll put the kettle on.
00:51:37 All right?
00:51:41 Yeah.
00:51:50 (Kettle being filled)
00:51:57 What's this?
00:52:00 I don't know. It came this morning.
00:52:03 - They're going to evict us?
00:52:07 Dave... it's a final demand.
00:52:11 Unless we pay 14 pounds eight shillings
00:52:15 - All right, we'll pay!
00:52:17 - I get a pittance. You're on t'dole.
00:52:19 He's in London! And he's
00:52:23 I need a home, Dave.
00:52:26 Our baby needs a home!
00:52:27 Bloody get off your arse and do something!
00:52:33 I was thinking,
00:52:35 We're not quite ready.
00:52:37 Well, if I don't raise some cash,
00:52:47 Well... maybe there is a solution.
00:52:50 - What?
00:52:53 obtain the money from a third party.
00:52:56 How do you mean?
00:52:57 Well, I could go down Canal Street, you know,
00:53:01 pick up a businessman, shall we say,
00:53:07 bring him back here, demand money off him.
00:53:11 I think he'd part with it...
00:53:13 rather than having to explain to wifey
00:53:21 Yeah, all right, then. When?
00:53:25 Soon.
00:53:27 Now, piss off home and wait till we call for you.
00:53:32 And I mean it.
00:53:48 I'm just knocking off, sir.
00:53:53 Can I buy you a drink?
00:54:01 You know what they're calling him
00:54:04 No.
00:54:05 Mounsey's Lad.
00:54:09 Come on. Let's get kaylied.
00:54:22 Oh, bloody hell. Who's that?
00:54:24 - I'll go.
00:54:33 Can I come in?
00:54:35 Yeah.
00:54:37 MAUREEN: Myra?
00:54:39 What are you doing here?
00:54:41 I've got a message for Mam.
00:54:43 You're seeing her tomorrow, aren't you?
00:54:45 What message?
00:54:46 Can you tell her I'll come round tomorrow,
00:54:51 Is that it?
00:54:52 Is that all you've come round for?
00:54:54 Sorry. Meant to come round earlier.
00:54:58 Erm, listen, Dave,
00:55:01 I don't fancy walking back in the dark
00:55:04 Yeah, I'll get my jeans.
00:55:07 - Aren't you in the car?
00:55:11 - Why couldn't Ian walk you?
00:55:13 - He's in his dark room messing about.
00:55:16 - All right!
00:55:19 Eh, don't stop drinking with Ian all night either.
00:55:22 We've got to think of something to do
00:55:25 Don't fret. Something'll turn up. See you.
00:55:28 - See you later.
00:55:33 Shut the door!
00:55:42 Has he got someone?
00:55:45 Has he got the businessman?
00:55:49 What's he like?
00:55:55 Come to the door when the lights flash.
00:56:40 You've come for those wine bottles, eh?
00:56:42 You what?
00:57:47 (Door slams)
00:57:52 (Retching)
00:57:54 Dave?
00:57:57 Dave?
00:58:02 Dave.
00:58:05 I told you not to get drunk.
00:58:11 Are you all right?
00:58:16 What's the matter?
00:58:21 Bloody hell, Dave. What's happened to you?
00:58:24 - Dirty filthy bastard!
00:58:26 'Ey, what's happened?
00:58:28 Ian's killed a man.
00:58:34 What do you mean... Ian's killed a man?
00:58:37 With an axe.
00:58:40 He's mental. I've never seen anything like it.
00:58:46 You dirty filthy bastard!
00:58:48 It was like he was somebody else.
00:58:59 Well... erm...
00:59:01 I mean, couldn't you have done something
00:59:05 It wasn't a fight! It was slaughter!
00:59:07 If I'd tried to stop 'em,
00:59:21 Now... do you believe me?
00:59:26 Yeah.
00:59:28 - Where's Myra? Is she all right?
00:59:30 Myra?
00:59:32 Yeah.
00:59:46 Now, that... was the messiest yet.
00:59:51 GRAN: Myra?
00:59:53 - You...
00:59:55 Myra?
00:59:57 - What was that noise?
01:00:00 I dropped a tape recorder on my foot.
01:00:03 Night-night.
01:00:08 I just... I can't believe
01:00:13 She was. I'm telling you.
01:00:17 You should have seen the look in his eyes
01:00:23 I just wanted to get out ofthere.
01:00:27 You... clean that!
01:00:35 It's all logical to them.
01:00:37 Calm...
01:00:42 Have a ciggy, drink some tea.
01:00:45 I suppose I'd best be getting off.
01:00:47 I don't want Maureen waking
01:01:07 How are we going to get him in the car
01:01:16 What about your pram?
01:01:19 - (Sobs)
01:01:22 Yeah.
01:01:24 Then that's it. Job done.
01:01:30 And when I go, they give me this last look.
01:01:33 Like I've passed a test.
01:01:45 Till tomorrow then, eh?
01:02:06 What are we gonna do?
01:02:11 Well, go to the police. What else?
01:02:13 And tell 'em what?
01:02:15 Dave, we'll have to.
01:02:19 Well, suppose Ian's realised I might do that?
01:02:21 He might be waiting outside for me!
01:02:25 Right, well, um, we'll wait till it's light.
01:02:30 But we've got to do it.
01:02:34 'Ey, it'll be all right.
01:02:37 We'll sort it out.
01:02:39 I don't know, Maureen.
01:02:41 I don't know.
01:02:55 Come on.
01:03:13 'Ey, put them away.
01:03:30 I won't be long.
01:03:38 What's all this about?
01:03:40 Say they've seen somebody killed, sir.
01:03:42 Oh, yeah?
01:03:47 The lad's saying there's been a murder
01:03:50 I don't know what to make ofthis.
01:04:02 He's only an apprentice.
01:04:04 He's no gonna solve
01:04:14 Well, we've got to take what you say
01:04:17 Better take a look.
01:04:19 - We need his clothes, Sergeant.
01:04:21 Come on, come with me.
01:04:49 WOMAN: Ashton CID?
01:04:52 I want to speak to WDC Clayton.
01:04:54 It's me, Jock.
01:04:57 Pat, a lad named Edward Evans
01:05:00 Come on.
01:05:01 Can you tell Joe Mounsey to get over here?
01:05:03 I'll explain when he gets here.
01:05:10 Come on, son. They're ready for you.
01:05:12 Come on.
01:05:18 Brady's admitted killing the lad.
01:05:20 Thank Christ for that.
01:05:22 He says you helped him.
01:05:27 I watched, that's all.
01:05:29 You got the lad's blood on you?
01:05:31 He killed him right in front of me.
01:05:33 I had to clear up, I had to kneel in it!
01:05:36 What exactly did Myra do?
01:05:38 She called round for me.
01:05:40 - Got me round the house.
01:05:43 She watched. She helped clear up.
01:05:46 No more than what you said you did.
01:05:48 But she planned it with him. She must have.
01:05:50 Why would they plan a murder
01:05:53 I don't know!
01:05:54 Well, if you don't, son, why should we?
01:05:58 Well, maybe it was because...
01:06:02 Because what?
01:06:05 Ian and me talked about robbing a bank.
01:06:07 It was just talk,
01:06:12 He told me he'd killed before,
01:06:16 Maybe last night was to prove to me
01:06:21 And for you to do the same?
01:06:23 I didn't kill that lad!
01:06:25 We spoke to Myra.
01:06:27 She says it was you and Brady.
01:06:30 Why should we believe you, not them?
01:06:32 I came to you!
01:06:35 To save your own neck.
01:06:42 - Yes, Jock. What is it?
01:06:46 Mr Ian Brady?
01:06:47 Anyway, it's just random jottings.
01:06:50 There's a list of names here, though...
01:06:52 Except there's one name there
01:07:02 John Kilbride.
01:07:03 Good lad.
01:07:07 What do you make ofthis?
01:07:11 Could be a complete coincidence.
01:07:12 It's a bloody odd one, sir.
01:07:14 Hardly matters, does it?
01:07:17 - He'll get life for that.
01:07:20 It may matter to the families
01:07:22 If you want to pursue that, you're welcome to.
01:07:25 Just don't get under our feet.
01:07:28 I know Dave hates me,
01:07:31 Mam.
01:07:33 What lies has Dave been telling?
01:07:34 It's bad enough he's got Ian into trouble,
01:07:39 - If you've done nothing wrong...
01:07:41 That's enough. Come on.
01:07:49 Are you saying you believe Dave?
01:07:50 - I don't know what to believe, Mam!
01:07:54 Your own flesh and blood.
01:07:57 If you stick by Dave and not Myra,
01:09:35 Brady's admitted killing the lad.
01:09:38 What about Smith?
01:09:40 The toerag looks as though he's telling the truth,
01:09:46 And the girlfriend?
01:09:48 There's no evidence of direct involvement
00:00:09 (Woman weeps)
00:00:17 Edward Evans's parents.
00:00:20 Been identifying the body.
00:00:28 Thank you.
00:00:33 Can you go?
00:00:37 So they believe you?
00:00:39 Dunno.
00:00:41 - They've let Myra go too, thank God.
00:00:44 So she can't have been involved.
00:00:46 - Why did you lie to me, Dave?
00:00:49 She's the one that's lying!
00:00:52 She must have fibbed her way out of it.
00:00:57 Let's just get out of here.
00:01:08 WOMAN: We just want to know what's going on.
00:01:10 I'm fed up ofthis lot. Now, get out of here!
00:01:17 We haven't got time to mess around with you.
00:01:19 Sir. We found the wallet inside the car.
00:01:22 - This is Brady's car?
00:01:25 Found three sheets of paper in here.
00:01:32 - What is this?
00:01:35 OK. Explain it to me.
00:01:37 We think hat is hatchet.
00:01:40 Rec? Reconnaissance?
00:01:42 Check periodically unmoved.
00:01:46 - Check what's unmoved?
00:01:51 Tick WHPB.
00:01:52 No. God knows.
00:01:55 - Is this where it happened?
00:01:59 Must have spent ages cleaning up this place.
00:02:01 - So where was the body found?
00:02:03 Foetal position, body wrapped in polythene.
00:02:06 Bit of a photographer, is he, then, Brady?
00:02:08 Fond ofthe moors by the looks of it.
00:02:17 - Isn't that her?
00:02:20 Come to see her granny, I expect.
00:02:23 Are you sure you've done the right thing
00:02:26 - That was Benfield's decision.
00:02:29 I think the plan was to get rid ofthe body
00:02:33 Look. "Car. Remove all moveable objects.
00:02:36 and seat fresh Poly at night. "
00:02:38 This is her car!
00:02:39 He doesn't even drive, you said.
00:02:41 Who else is going to drive the car,
00:02:44 How can she possibly not be involved?
00:02:50 (Dog barks)
00:02:51 (To dog) Stop it!
00:02:54 'Ey, come here!
00:02:59 Shut up!
00:03:03 - Mrs Smith?
00:03:05 DCI Mounsey, Ashton Police.
00:03:08 Thank you.
00:03:11 - Dave Smith?
00:03:13 Go on, get in there.
00:03:14 You told DCS Benfield
00:03:19 - Yeah, well, he wasn't listening, was he?
00:03:22 Did he say who he killed?
00:03:23 - Or when or where?
00:03:26 - And you didn't ask?
00:03:28 Even when he told you he was going
00:03:32 - What bank job?
00:03:35 - Ian had this stupid idea about robbing a bank.
00:03:38 - Bloody idiot!
00:03:41 Even when we got rid of stufffrom the suitcases,
00:03:44 - What stuff?
00:03:48 What exactly was in these suitcases?
00:03:50 'Ey?! Answer me!
00:03:52 There was some books of mine.
00:03:55 I helped them put the cases in the car,
00:03:58 Where?
00:03:59 - I don't know.
00:04:03 Well, they might have said something
00:04:07 "They"? So Myra was in on this too, yeah?
00:04:10 Yeah. Ian said she was gonna
00:04:13 Jesus Christ, Dave,
00:04:25 You're just digging a big hole for yourself.
00:04:28 You think you're clever, but you're not.
00:04:30 We've heard Brady's version,
00:04:33 I've already told you. I've got nothing to say.
00:04:37 My version of events ofthat evening
00:04:43 We found a piece of paper in Myra's car
00:04:48 I think that stands for Woodhead,
00:04:51 Don't know.
00:04:52 - These are the nearest moors to Hattersley.
00:04:55 So should you and me go for a walk?
00:05:02 You don't really think there are bodies up here?
00:05:05 I'm trying not to think anything, love.
00:05:07 But... ifthere are, I mean...
00:05:11 .. they can't be anything to do with Myra.
00:05:14 You said Brady made some remark about you
00:05:19 Ian and Myra drove us up to the moors.
00:05:21 Me and Ian went for a walk
00:05:24 He wanted me to stand in a particularplace.
00:05:26 Here!
00:05:32 Do you think this is the spot?
00:05:34 Is this the spot?
00:05:37 I don't know.
00:05:40 Thank you.
00:05:43 I believe that with David Smith
00:05:46 - and burying them on the moors.
00:05:50 to impress him.
00:05:51 Smith says you said that Evans' murder
00:05:54 Why say that ifthere were no others?
00:05:57 That was to do with the situation we were in.
00:05:59 I've got nothing to say.
00:06:03 is exactly the same as Ian's.
00:06:05 But it's not your version, is it, it's Ian's!
00:06:08 You're just using his words.
00:06:11 How many more times do I need to tell you?
00:06:13 There was an accident.
00:06:16 My version of events
00:06:19 Tell me about this fiction to impress Smith.
00:06:22 - Ask Smith.
00:06:29 I told you... Ask Smith.
00:06:33 I've done nothing.
00:06:34 As far as I know, Ian's done nothing.
00:06:37 Dave Smith's a bloody little liar.
00:06:40 Tell us exactly what went on that night!
00:06:42 There was an accident. That's all I'm saying.
00:06:45 Shall we call it murder?
00:06:46 Why did you take that photograph?
00:06:51 Well, I er...
00:06:54 .. must have been attracted by the composition.
00:06:57 Why is Myra looking at the ground?
00:06:59 You'd have to ask her that.
00:07:00 I'm asking the photographer.
00:07:04 Was there something special
00:07:08 Is it cos it's a grave?
00:07:13 Is this you standing on a grave?
00:07:15 Is this her standing on a grave?
00:07:18 Is this your personal graveyard?
00:07:20 - Pictures.
00:07:23 And that place, that grave,
00:07:26 In that general area, aye.
00:07:28 But again, it was a fiction.
00:07:30 I've got police officers from three forces
00:07:34 digging up your fiction.
00:07:38 Well, that is a monumental exercise
00:07:49 OFFICER: If you keep going,
00:07:53 Make sure you push the stick really deep.
00:07:57 Can't you tell us what's happening up here?
00:08:00 Well, we've got members ofthe public
00:08:04 They've come from far and wide.
00:08:06 Ifwe find anything with the sticks
00:08:09 Thank you.
00:08:11 Don't miss anywhere.
00:08:13 The ground's hard here.
00:08:16 The search of moorland
00:08:21 has been going on for over two days now.
00:08:23 But the police have still found no evidence
00:08:29 There's been no official
00:08:32 I'm sorry, Mrs Kilbride. There's still nothing.
00:08:34 I see.
00:08:37 Mr Mounsey! Over here!
00:08:39 .. as to how long this search may continue.
00:08:42 What have you got, lads? Let's have a look.
00:08:49 We might have something here, sir.
00:08:53 No, it's just a dead sheep.
00:08:55 All right, keep at it, lads.
00:09:07 I'm going to mention some names to you.
00:09:10 Names of children.
00:09:11 I just want you to tell me if you've heard ofthem.
00:09:18 Lesley Ann Downey.
00:09:20 Never heard of her.
00:09:22 Keith Bennett.
00:09:30 John Kilbride.
00:09:32 Never heard of him.
00:09:33 All right, then.
00:09:38 Is that funny, Myra?
00:09:40 I knew Pauline Reade. I grew up with her.
00:09:43 I liked her.
00:09:48 Lesley Ann Downey.
00:09:53 Have you heard of Lesley Ann Downey?
00:09:55 It has been pretty public.
00:09:57 Papers, television, rewards.
00:10:02 Nobody at work ever mention
00:10:06 And John Kilbride. You've never heard of him?
00:10:08 I don't know him. I have never heard of him.
00:10:10 Have you ever been to Ashton market?
00:10:12 No, I have never been to Ashton market.
00:10:14 - Never?
00:10:16 Never been to Ashton market.
00:10:18 Where do you shop, then?
00:10:19 I shop at Adsega's sometimes.
00:10:21 I go into the city centre. Where do you shop?
00:10:24 The John Kilbride I'm talking about went missing
00:10:30 And I'm supposed to have murdered him
00:10:33 I believe so, yes.
00:10:36 And I suppose I did the same...
00:10:40 to the other names in this book, yeah?
00:10:43 Joan Crawford.
00:10:45 Robert Urquhart.
00:10:47 Alec Guinness.
00:10:50 Deary me. I mean...
00:10:53 Alec will be sorry to hear ofthe premature end
00:11:02 Do you have children? Eh?
00:11:06 Two.
00:11:07 Hm...
00:11:09 Well, I can understand why this is...
00:11:35 We'll not get a cough out of him.
00:11:41 Come on, lads. I know you're tired
00:11:46 You see, the ground she's on here
00:11:50 I've been all over,
00:11:54 You think we're looking in the wrong place,
00:11:57 I don't know.
00:12:01 something to give us a reference point...
00:12:03 So if WH isn't Woodhead,
00:12:07 Wuthering bloody Heights for all I know.
00:12:10 Prescott's not going to let this go on
00:12:14 Ifwe don't find the bodies,
00:12:17 Sir. Message from Jock Carr.
00:12:20 The suitcases that Smith told us about,
00:12:32 Good lad.
00:12:34 Right, let's have a look, then, shall we?
00:12:45 Have you got a tape recorder in the station, sir?
00:12:48 Jock. Go and ask the sergeant, will you?
00:13:11 Sir...
00:13:14 Isn't that Lesley Ann Downey?
00:13:18 Looks like her.
00:13:24 Oh, fucking hell fire.
00:13:30 We need to talk to Smith, sir.
00:13:32 Jock.
00:13:36 (Choral singing)
00:13:55 You're right in it now, Smith.
00:14:20 Come on.
00:14:23 Hey.
00:14:34 What's this about?
00:14:40 (Stops tape)
00:14:41 Do you recognise any ofthis lot?
00:14:46 The notebook's mine.
00:14:49 You lying little bastard!
00:14:51 What? What am I supposed to have done?
00:14:54 You know what's on that tape, don't you?
00:14:56 - You know what comes before that song!
00:14:58 - Yes, you do! You were there!
00:15:00 A little girl, being asked to do
00:15:04 crying for her mam, begging for mercy.
00:15:06 Only, you didn't show any mercy, did you?
00:15:08 You helped Hindley and Brady
00:15:11 - Like you helped kill Edward Evans!
00:15:13 So, let's jog your memory.
00:15:14 Look at that. Who's that? Is that Lesley
00:15:18 Isn't she sweet? Innocent? Isn't she trusting?
00:15:21 Now look what was done to her
00:15:24 Look at her!
00:15:25 You were there, weren't you?
00:15:27 No, I wasn't!
00:15:28 So what do you think of Myra now, then?
00:15:30 It might not be Myra's voice on the tape.
00:15:33 It's Myra.
00:15:34 Do you think Dave's told you everything
00:15:38 Yeah.
00:15:39 He didn't tell you about the armed robbery.
00:15:42 So what else don't you know?
00:15:44 - What else could there be to know?
00:15:47 What's that got to do with anything?
00:15:49 Brady lent him dirty books.
00:15:51 Lots of people read books like that.
00:15:53 And lots of people interfere with children.
00:15:56 And some ofthem even murder 'em.
00:15:59 You're not saying Dave's done that?
00:16:01 I don't know. Do you think he could?
00:16:05 I'm his wife, for God's sake!
00:16:08 I live with him! I sleep with him!
00:16:11 How can you ask me that?
00:16:13 You live with him. You sleep with him.
00:16:15 So who else would be in a better position
00:16:19 I don't know the truth,
00:16:23 I don't know the truth
00:16:26 MOUNSEY:
00:16:31 He said that what she refused him
00:16:37 so let the girl be stripped naked. "
00:16:44 So, the idea of raping young girls
00:16:49 No? "Rape is not a crime. It is a state of mind.
00:16:54 Murder is a hobby and a supreme pleasure. "
00:16:59 - I just copied that to impress him!
00:17:04 You enjoyed killing Edward Evans, didn't you?
00:17:06 And Lesley Ann Downey.
00:17:09 John Kilbride. Pauline Reade.
00:17:12 - Pauline Reade? You think she's part ofthis?
00:17:16 I knew Pauline, I grew up with her!
00:17:18 That's exactly what Myra says.
00:17:20 And she's lying. And Brady's lying.
00:17:24 I haven't killed anyone! I haven't!
00:17:26 But you haven't told us everything, have you?
00:17:29 Have you? Shall we listen to that tape, shall we,
00:17:32 - to that girl begging for mercy?
00:17:34 I'll play it to you again and again
00:17:37 What haven't you told us?
00:17:43 - Edward Evans.
00:17:47 Maureen and me are in the shit with money.
00:17:50 The council are threatening to evict us.
00:17:53 I told Ian.
00:17:55 He said he'd go down Manchester,
00:17:58 bring him back and we'd rob him.
00:18:01 That's why Myra came round for me that night.
00:18:05 I thought we were just going to frighten the bloke
00:18:10 But I walked in and...
00:18:11 there was Ian with the axe.
00:18:15 - Why didn't you tell us this before?
00:18:18 You'd think what I'm trying not to -
00:18:20 that Evans would still be alive now
00:18:26 But I promise you, I haven't hurt any children.
00:18:31 At least tell me you believe that!
00:18:36 I do actually, lad.
00:18:39 Good lad. Have another fag.
00:18:48 There may have been a plan for a robbery,
00:18:52 MAUREEN: Can I wait for him?
00:18:56 Sir. 13-year-old girl from Hattersley's
00:19:00 She says Brady and Hindley befriended her,
00:19:04 - Does she know which moors?
00:19:07 Wessenden Head, Saddleworth.
00:19:09 - WH!
00:19:11 Move the troops there tomorrow. I'll call Prescott.
00:19:14 Oi, hang on! They're not all Lancashire troops.
00:19:18 You're not saying you don't want us
00:19:22 No, I'm not saying that. Just be aware.
00:19:25 I can't fund an operation like this indefinitely,
00:19:29 Thank you, sir.
00:19:35 Lads, thank you.
00:19:37 Come on, lads. Bus isn't going to wait.
00:19:40 Sir, sir. Don't go without us.
00:19:43 Thank you, boys. Thank you very much.
00:19:47 It's that cold and he hasn't brought any gloves!
00:19:50 Is he going to bring any tomorrow?
00:19:52 Daft bugger.
00:19:56 Thank you, boys. Thank you.
00:19:59 Thank you very much.
00:20:02 Another good day's work, lads.
00:20:04 Thank you very much.
00:20:05 Better luck tomorrow, eh, sir?
00:20:07 - Ifthere is a tomorrow.
00:20:11 I don't think Prescott's
00:20:14 What, you think this really is it?
00:20:16 - Sir! Sir, up here!
00:20:20 Something bony sticking out ofthe ground.
00:20:22 (All speak at once in protestation)
00:20:24 Yeah, just another dead sheep, lad.
00:20:26 I don't think so, sir.
00:20:35 Come on, then.
00:20:55 REPORTER:
00:20:57 - Mr Talbot!
00:21:06 - All right, Joe?
00:21:09 Manchester's here...
00:21:13 Do we know whose body it is yet?
00:21:15 All I know is, it's not John Kilbride. A little girl.
00:21:19 - Are you ready, Dougie?
00:21:57 REPORTER: Is it male or female?
00:22:01 - Get back.
00:22:04 Mr Mounsey, are there any more?
00:22:06 Let us through! Get back!
00:22:10 How many are there, Mr Talbot?
00:22:14 Is it a boy or a girl? Are there any more?
00:22:17 We'll make a statement tomorrow.
00:22:28 One more.
00:22:32 Good work. Good work, excellent.
00:22:35 Yeah, the same to you. Thank you very much.
00:22:37 Sir.
00:22:41 That was Professor Poulson,
00:22:45 Mother's identified the body. It's Lesley Ann.
00:22:48 - Congratulations, everyone.
00:22:50 Well, we charge Brady and Hindley
00:22:54 Then it's doubles on me over at the Queen's.
00:22:56 What about the others?
00:23:00 - John Kilbride, Keith Bennett, Pauline Reade?
00:23:10 - Sir?
00:23:15 I've done another print
00:23:19 I've brought up a lot more ofthe background,
00:23:21 I swear that is Hollin Brown Knoll
00:23:24 Right, Mash,
00:23:28 till we find the view that matches this one...
00:23:30 We should find one ofthe graves.
00:23:32 Where did you get the negative from, Mike?
00:23:34 It was in the suitcases.
00:23:38 But all that stuff got taken away by Manchester.
00:23:41 I know. I went down there and nicked it offthem.
00:23:44 You bad lad!
00:23:54 Watch your step, lad. Watch your step.
00:24:18 Sir! I think it's here!
00:24:30 - Mash?
00:24:33 Right, here we go again.
00:24:41 Urgh!
00:25:23 (Gasps)
00:25:38 - Forensics, please, Pat.
00:25:43 I'll get the camera.
00:26:46 (Excited voices)
00:26:51 - Boys, go on. In there.
00:26:53 Go! Please, do as you're told.
00:26:55 - Lads, get out.
00:26:56 - Mum...
00:26:58 - Danny...
00:27:00 Let him stay.
00:27:02 Let him.
00:27:35 Yes, that's John's.
00:27:41 I'm so sorry.
00:27:50 Sorry to disturb.
00:27:51 Some sad news. Your dog.
00:27:55 We needed to establish her age
00:27:58 in order to be sure that the photo of you
00:28:02 was taken after his disappearance.
00:28:05 So we asked the vet to perform a dental X-ray.
00:28:07 I'm sorry to say she never came round
00:28:12 You murdering fucking bastards!
00:28:15 Yes, well, I'm a dog lover myself,
00:28:20 Sorry to interrupt, sir.
00:28:27 Well, I'm sorry about your dog,
00:28:30 It was a funny time ofthe night
00:28:34 (Door opens)
00:29:02 - Where's Maureen?
00:30:04 (Hubbub)
00:30:10 (Angry protests)
00:30:22 Come on now, Mo.
00:30:27 WOMAN:
00:30:31 MAN: Hang him! Child molester!
00:30:36 They'll put you away!
00:30:50 Stand there.
00:30:57 Please repeat after me.
00:30:59 I swear by Almighty God...
00:31:01 (Repeats)
00:31:03 .. that the evidence I shall give...
00:31:06 (Repeats)
00:31:07 .. shall be the truth, the whole truth
00:31:12 (Repeats)
00:31:21 You've already admitted that you
00:31:25 - What's that got to do with it?
00:31:28 Well, yes.
00:31:30 You were aware your husband
00:31:34 I know he'd shown Ian the letter.
00:31:36 You were not aware of any further conspiracy
00:31:39 No.
00:31:41 Are you not in your husband's confidence?
00:31:48 I believed what he told me.
00:31:50 But he did not always tell you the truth.
00:31:53 Nevertheless, you are married
00:31:57 - No!
00:31:59 I'm sorry.
00:32:03 I'm aware ofthe advanced state
00:32:07 Do you feel able to carry on?
00:32:14 I've got to, haven't I?
00:32:16 You've told the court that your sister
00:32:21 Yes, I have.
00:32:22 Are you quite sure about that?
00:32:24 There are many nearer places to shop.
00:32:26 But she liked to go to Ashton.
00:32:28 Mrs Smith, you know it's believed John Kilbride
00:32:33 Yes.
00:32:35 And so to imply Myra regularly went there
00:32:38 might be to dangerously mislead the jury.
00:32:41 Well, why would I want to do that?
00:32:43 Because you have sided with your husband
00:32:47 No. All I want to do is tell the truth!
00:32:51 Did you go shopping frequently with Myra,
00:32:54 Yes.
00:32:55 To your knowledge,
00:33:03 No.
00:33:04 (Decisive) No.
00:33:06 Can you think of any reason
00:33:08 No.
00:33:09 We have markets closer to home
00:33:12 Thank you, Mrs Hindley.
00:33:21 - Here come the Smiths.
00:33:23 Mr Smith!
00:33:25 COUNSEL FOR MYRA: This is yournotebook?
00:33:30 It contains numerous passages
00:33:33 From books Brady gave me, yes.
00:33:35 There are passages justifying rape and murder.
00:33:39 Do you believe rape and murder
00:33:41 No.
00:33:42 There are passages dealing with
00:33:47 Yes.
00:33:48 Passages about a girl being flogged
00:33:52 Did you take pleasure in them?
00:33:55 I was just trying to understand
00:33:58 Ah...
00:34:00 Did you tell Ian Brady you could make money
00:34:04 - No, I didn't!
00:34:08 you brought a girl to the house
00:34:11 No!
00:34:12 - That girl was Lesley Ann Downey.
00:34:16 And Brady told you the girl
00:34:18 I never took her there!
00:34:20 You nevertheless stayed downstairs
00:34:22 while photographs were taken of her upstairs,
00:34:26 This is all lies!
00:34:27 And that was the last
00:34:29 No!
00:34:30 I put it to you that you murdered
00:34:34 No!
00:34:35 I put it to you that far from merely watching,
00:34:37 - you helped Brady kill Edward Evans.
00:34:41 The truth is that when you saw violence,
00:34:44 - you had to join in.
00:34:47 I thought it was them on trial, not me.
00:34:50 No more questions, my Lord.
00:34:51 Has your Lordship got any questions?
00:34:54 No.
00:34:56 You are released, Mr Smith.
00:34:58 Court is adjourned
00:35:03 CLERK: All rise.
00:35:06 Mrs West...
00:35:10 - It's not true what they're saying about me.
00:35:12 I had nothing to do with Lesley Ann.
00:35:14 - Why should I believe you?
00:35:17 - Let's just go!
00:35:19 David. Manchester Evening News.
00:35:22 How well did you know Brady, David?
00:35:25 - (Barrage of questions)
00:35:28 - She's pregnant.
00:35:30 - Here comes the third Moors Murderer!
00:35:33 You're the third Moors Murderer!
00:35:35 They're all from the same family!
00:35:46 - I think it's this way.
00:35:52 (Knock at door)
00:36:02 - Where's your husband?
00:36:03 I want to speak to him.
00:36:05 - You are a liar! You were there!
00:36:08 At the torture of my Lesley!
00:36:10 Get off him! Get off him!
00:36:12 - You knew what he were doing!
00:36:17 For God's sake, I'm pregnant!
00:36:19 If I had your blood running through my veins,
00:36:24 (Screams)
00:36:26 They killed me as well
00:36:30 - Come on!
00:36:33 - (Sobs)
00:36:51 Why did you have to talk to 'em?
00:36:54 To make 'em understand that what
00:36:58 - Why should people believe that?
00:37:01 Edward Evans wouldn't have died,
00:37:04 if you'd not let Ian draw you in.
00:37:06 I didn't know they'd kill him!
00:37:07 But he must have seen something in you,
00:37:11 - to make him think you could become part of it?
00:37:13 - Whatever it was, him and Myra.
00:37:16 - It's you that's brought this on us, Dave.
00:37:21 I'm sorry.
00:37:29 I'm sorry, Maureen.
00:37:31 Will it be all right now? Now you've done that?
00:37:36 Maureen, I'm so sorry!
00:37:39 (Protests)
00:37:41 Would you tell us what your feelings were
00:37:46 I loved him.
00:37:49 I still love him.
00:37:50 Did you ever get wind of anything
00:37:55 I suppose I sometimes did wonder
00:37:57 You've sat in this court, you've heard of
00:38:03 To photograph young girls, to rob a bank.
00:38:05 - I don't believe her.
00:38:08 to Wardle Brook Avenue
00:38:10 a conspiracy which ended
00:38:14 Did you have any idea of any ofthese plans?
00:38:20 I had no idea at all.
00:38:22 Were you in any way involved
00:38:24 I was not.
00:38:26 Were you in any way involved
00:38:29 I was not.
00:38:31 Were you in any way involved
00:38:35 No.
00:38:39 No more questions, my Lord.
00:38:40 You may step down, Miss Hindley.
00:38:43 This court is adjourned.
00:38:51 RADIO: Verdicts have been reached
00:38:53 in the Moors murdertrial at ChesterAssizes.
00:38:56 Ian Brady and Myra Hindley
00:39:00 Ian Brady has been convicted ofthe murders of
00:39:03 John Kilbride,
00:39:07 Myra Hindley has been convicted ofthe murders
00:39:12 She was found not guilty of
00:39:15 but was found guilty ofbeing an accessory.
00:39:18 Thejury retired earliertoday
00:39:20 and tookjust two hours 23 minutes
00:39:24 The defendants remained impassive
00:39:27 and equally impassive as the Judge,
00:39:30 sentenced the couple.
00:39:33 Ian Brady, these were three calculated,
00:39:41 In your case, I pass the only
00:39:46 which is three concurrent sentences
00:39:51 - Hang him!
00:39:53 - Pervert!
00:39:55 I hope you die!
00:39:57 Quiet in court! Quiet in court!
00:40:02 (Silence)
00:40:04 Put him down.
00:40:07 WOMAN: Take the cow with you!
00:40:09 MAN: Take 'em both! Kill 'em both together!
00:40:13 Quiet in court!
00:40:18 In your case, Hindley,
00:40:20 you have been found guilty of
00:40:24 And in the third, as an accessory after the fact.
00:40:27 On the two murders,
00:40:29 the sentence is two concurrent
00:41:22 DAVE: It's been a waste offucking time.
00:41:24 If you two hadn't gone to court,
00:41:26 Brady would have got away
00:41:30 He'd have been out in 10 years
00:41:33 That's supposed to make us feel better, is it?
00:41:36 I can see that it's been hard.
00:41:38 Hard? I'm a child killer.
00:41:41 That's what they all believe!
00:41:43 They won't when they've had time
00:41:45 How do you know?
00:41:46 He won. Brady won.
00:41:48 I can't stop thinking about him.
00:41:50 I mean, what was he doing
00:41:53 - What was he thinking of?
00:41:56 He had a monster of a secret
00:41:58 and what use was it to him
00:42:02 - But he had Myra to share it with.
00:42:05 And I believe he was growing tired of her.
00:42:07 I think she probably resisted it,
00:42:10 she agreed to try and bring Dave into it.
00:42:14 And in the end, he failed, didn't he?
00:42:26 You two have got to try
00:42:31 What about Pauline Reade? Keith Bennett?
00:42:35 I am not allowed to search for them.
00:42:38 Only Manchester Police can do that.
00:42:41 Frankly, between you, me and the gate post,
00:42:45 But I never said that.
00:42:51 I'd best be going.
00:42:55 - I'll see you out.
00:42:59 I'm gonna wish you two the very best of luck.
00:43:42 Sister, which is Mrs Harris' bed?
00:43:44 It's that one over there, Mr Taylor.
00:43:48 Good morning, Mrs Harris.
00:43:50 - Hiya.
00:43:55 What do you think?
00:43:57 Beautiful.
00:44:01 Family again, eh?
00:44:04 It's the only family I'll ever have now, Dave.
00:44:08 I've lost Myra,
00:44:10 Mam.
00:44:12 I can't lose this.
00:44:14 Yeah, I know.
00:44:21 I heard them come in.
00:44:27 I hope someone kills it
00:44:30 You filthy bitch!
00:44:32 Come on!
00:44:34 It's not worth it. Leave it.
00:45:06 Safe home now anyway.
00:45:08 Right, girl.
00:45:19 Aye.
00:45:21 It's all right.
00:45:24 Maureen,
00:45:26 come on, he wants you.
00:45:28 (Baby cries)
00:45:40 I can't.
00:45:44 How can I?
00:45:48 Shh.
00:45:49 How can I ever be a mother again?
00:45:55 I'm a Hindley.
00:46:07 Shh.
00:46:52 Maureen.
00:46:55 Where have you been?
00:47:25 I've made a pot oftea, if you want some.
00:47:27 That'd be nice, love.
00:47:30 Nice place here.
00:47:33 It's small, but...
00:47:35 .. it's much nicer than my last place.
00:47:39 And I'm gonna redecorate.
00:47:44 And you got a job?
00:47:47 Lewis's.
00:47:49 Cleaning.
00:47:52 That's where I saw Aunty Cath.
00:47:55 I just...
00:47:58 I didn't dare believe it
00:48:03 I'm so sorry.
00:48:06 You've had a terrible time.
00:48:17 The whole estate turned against us.
00:48:21 We just kept hoping it'd... it'd go away.
00:48:27 We just kept hoping, ifwe had a family and...
00:48:30 stuck together...
00:48:35 .. it'd be OK.
00:48:42 But it wasn't.
00:48:43 Bricks through the window.
00:48:46 Poison pen letters.
00:48:50 God knows what else through the letter box.
00:48:53 People would spit at the kids.
00:48:57 Taunt them.
00:49:01 Me and Dave...
00:49:08 Eventually,
00:49:10 one night...
00:49:12 Dave went for someone.
00:49:16 Got sent to Walton.
00:49:22 I just couldn't cope.
00:49:28 I was just in a pit.
00:49:31 Drinking.
00:49:35 Hopeless.
00:49:44 I had the kids put into care.
00:49:47 God forgive me.
00:49:53 I just thought...
00:49:55 that I'd ruined their lives.
00:50:00 And they deserved better.
00:50:11 I should have been in touch.
00:50:14 I should have helped you.
00:50:17 I felt I had to choose.
00:50:22 Dave's out ofjail now.
00:50:26 He's got the kids back.
00:50:30 The social... social worker says they're doing OK.
00:50:56 DAVE: Here you are, David.
00:50:58 Come here, then. Take it off me.
00:51:00 Here.
00:51:02 Don't throw it too far though.
00:51:06 Do you want some, Paul?
00:51:09 John, come away from the edge.
00:51:14 Good lad.
00:51:26 Stay this side ofthe boat, John.
00:51:42 Hiya.
00:51:43 Hi.
00:51:48 Hello, boys.
00:51:50 - Who's that lady?
00:51:55 They've grown, haven't they?
00:52:05 David's just like you.
00:52:07 Named him well, then, didn't we?
00:52:09 We'd got a John and a Paul.
00:52:13 I never thought I'd see 'em again.
00:52:15 Let alone have 'em back under my own roof.
00:52:20 You've done so well for them.
00:52:24 So, why would you want
00:52:27 I think I'm a decent dad these days,
00:52:31 I'm never going to be their mother, am I?
00:52:35 Only you can be that.
00:52:39 They look happy, don't they?
00:52:44 I'd hate to get in the way.
00:52:45 Ofwhat?
00:52:49 You might have met someone else for a start.
00:52:52 I haven't.
00:52:54 Not that I didn't get a few proposals
00:52:58 Come on.
00:53:00 So, when are we gonna see you again, then?
00:53:06 (Doorbell)
00:53:23 Come on.
00:53:31 I don't know if I can do this, Mam.
00:53:33 It's what she wants, love.
00:53:37 It's what both of you want, eh?
00:53:39 I'm not sure.
00:53:41 Come on.
00:53:43 I'll be waiting for you. Eh?
00:53:45 Yeah.
00:54:38 Myra.
00:54:46 Moby.
00:55:01 You don't know how I've longed for this moment.
00:55:08 How are you?
00:55:12 OK.
00:55:15 If only that were true.
00:55:18 You've been through hell because of me.
00:55:22 - I haven't come here to make you say that.
00:55:28 I think about the consequences of my actions
00:55:33 The hardest, of course, is the children.
00:55:37 Living with the knowledge I helped
00:55:44 But there's not a day goes by
00:55:51 I mean...
00:55:54 .. people make excuses for me, saying
00:55:59 Damaged?
00:56:01 How?
00:56:03 You know how Dad
00:56:06 He used to leather me too, Myra.
00:56:10 I didn't do what you did.
00:56:13 I know.
00:56:16 I know, Moby.
00:56:19 And I mustn't make excuses.
00:56:22 I keep telling 'em that.
00:56:26 Even when they say it was all Ian's fault,
00:56:30 that he changed me,
00:56:33 corrupted me.
00:56:36 - Who's they?
00:56:42 And the others.
00:56:45 I've written to Ian.
00:56:48 I told him I want to sever all contact.
00:56:58 I've um...
00:57:00 been going through my stuff.
00:57:02 Getting rid of every trace of his influence on me.
00:57:08 I want you to take these away.
00:57:11 I don't want to see them again.
00:57:15 It makes me so ashamed when I look at them.
00:57:20 You weren't always like that, Myra.
00:57:25 You were a different person once.
00:57:28 And I want to be that person again, Mo.
00:57:32 I've started going to Mass.
00:57:35 And confession.
00:57:38 And in finding God again...
00:57:42 .. I do feel like I've found the real me.
00:57:48 Please.
00:57:52 There has to be forgiveness surely for all of us.
00:57:57 There has to be redemption.
00:58:26 (Guitar strummed)
00:58:38 All quiet on the Western Front?
00:58:40 Yeah. Never thought I'd get 'em down so easy.
00:58:44 Well, um...
00:58:47 suppose I'd better be getting on my way.
00:58:49 Why not stay?
00:58:51 The night?
00:58:53 Well, for good.
00:58:57 - You mean that?
00:59:00 Be a family again, eh?
00:59:04 - Yeah?
00:59:22 Dad'll be chuffed.
00:59:24 Yeah.
00:59:26 - What about your mam?
00:59:29 Yeah, but she blames me for everything,
00:59:31 Not any more.
00:59:33 She's had years to think it through.
00:59:36 She understands the real blame lies with Brady.
00:59:40 She still thinks Myra's innocent?
00:59:42 No. Nor does Myra.
00:59:46 She's accepted full responsibility.
00:59:48 She's told the truth.
00:59:50 How do you know?
00:59:52 She told me.
00:59:57 You've been to see her?
00:59:59 Yeah.
01:00:02 She's admitted everything.
01:00:04 What has she admitted?
01:00:06 Dave...
01:00:08 I don't want to get into this now.
01:00:10 What has she admitted?
01:00:13 That she picked up John Kilbride
01:00:15 delivered them into Ian's hands.
01:00:17 - And that's it?
01:00:20 But she knows now it was a terrible thing to do.
01:00:23 If she was bullied into it, why was she smiling
01:00:26 on that picture Brady took
01:00:29 - She didn't know it was his grave.
01:00:31 She was in on all of it.
01:00:33 Abducting him,
01:00:36 That was just some sick little joke
01:00:41 And Lesley Ann Downey.
01:00:43 If all Myra did was pick her up for Brady,
01:00:45 then why was her voice on that tape?
01:00:48 And Keith Bennett, what about him?
01:00:50 - Myra's adamant she had no part in that.
01:00:53 I'm sure she knows nothing about that.
01:00:55 Anyway, who said anything
01:00:58 She's up there on the moors.
01:01:00 And if Myra really was sorry,
01:01:03 where she's buried. And Keith Bennett, too.
01:01:06 I just have to believe what my heart tells me,
01:01:10 And my heart tells me
01:01:13 she's a different person now.
01:01:15 I mean, they wouldn't be thinking
01:01:18 of giving her parole ifthat weren't true.
01:01:20 They're thinking of releasing her?
01:01:23 If you could see her, Dave.
01:01:25 If you could speak to her, you'd see.
01:01:27 She's the old Myra.
01:01:30 A warm, loving person.
01:01:32 She asks after the kids all the time.
01:01:34 She'd like to see 'em one day.
01:01:36 She's not coming near my kids.
01:01:39 She's worse than Brady, Maureen.
01:01:40 He's just a sicko, a sex case.
01:01:43 The king ofthe sex cases.
01:01:45 But Myra,
01:01:47 she's human, she had feelings.
01:01:51 Remember the tears when Angela died?
01:01:54 That card she gave us.
01:01:56 Another little flower for God's fucking garden!
01:01:58 - Jesus! She was killing kids at the same time.
01:02:02 All right.
01:02:04 You believe what you want to.
01:02:07 But please,
01:02:09 please can't you let me do the same?
01:02:16 Of course.
01:02:18 I'm sorry, Maureen.
01:02:28 Ifwe can't put it behind us...
01:02:30 We've got to for the kids' sake.
01:02:33 We can do it, girl.
01:02:36 We can.
01:02:57 David, sit down and eat your breakfast.
01:03:03 There's your cereal, then, David.
01:03:05 Eat that. Good lad.
01:03:07 Paul, do you want some toast?
01:03:11 Stop playing. Eat your breakfast.
01:03:13 Come on.
01:03:19 Are you all sorted?
01:03:21 Come on, boys, eat up now.
01:03:23 Let Grandad look at his paper.
01:03:25 That's it. Tuck yourselves in.
01:03:30 Don't play with it, eat it.
01:03:41 Oh, come on, don't mess with that.
01:03:43 You only need a little bit of butter on there.
01:03:46 Never mind that now.
01:03:49 You'll grow big and strong like your dad.
01:03:51 No telling tales now. Eat your breakfast.
01:03:53 Eat your breakfast.
01:03:56 He can take his shoes off later.
01:03:58 BOY: I can.
01:04:00 Eat up, boys.
01:04:07 You all right?
01:04:09 Yeah.
01:04:12 I've um...
01:04:14 I've given them their breakfast.
01:04:17 Good.
01:04:19 I've run out of eyeliner.
01:04:22 I'm just gonna nip to the chemist.
01:04:25 OK.
01:04:39 MR SMITH: What have I just said?