Serpico
|
00:01:05 |
Car 2-1-1-8. |
00:01:08 |
and tell them we're bringing in |
00:01:11 |
'All right. 10-4. Thanks a lot. ' |
00:01:21 |
8th Precinct. Yeah. |
00:01:27 |
Jesus Christ. |
00:01:38 |
Guess who got shot. |
00:01:42 |
Serpico. |
00:01:46 |
Do you think a cop did it? |
00:01:48 |
I know six cops said they'd like to. |
00:02:06 |
- Hello? |
00:02:08 |
New York Times. |
00:02:11 |
Oh, my God! |
00:02:13 |
- 'They're taking him to Greenpoint. ' |
00:03:40 |
'To be a police officer means |
00:03:43 |
and to enforce it impartially, |
00:03:48 |
and the dignity and worth |
00:03:52 |
Every day, your life will be on the line. |
00:03:55 |
And also your character. |
00:03:57 |
You'll need integrity, courage, honesty, |
00:04:01 |
compassion, courtesy, |
00:04:04 |
perseverance and patience. |
00:04:07 |
You men are now prepared |
00:04:13 |
and put the theory you have learned |
00:04:25 |
- Same time, same place, both reports. |
00:04:30 |
- Are you covering this, Lieutenant? |
00:04:32 |
- Who was with Serpico? |
00:04:36 |
I want them interrogated. I want this |
00:04:41 |
Transcripts by 9:00 am. |
00:04:55 |
- And I want a 24-hour guard on Serpico. |
00:04:57 |
You two, over there. |
00:06:01 |
'Ralph Sighton. ' |
00:06:06 |
Frank Serpico. |
00:06:12 |
Frankie! |
00:06:16 |
Frankie! |
00:06:23 |
Come on, Marianne wants a good shot. |
00:06:27 |
Get closer! |
00:06:55 |
Sir? |
00:06:58 |
Upstairs. See the roll call man. |
00:07:15 |
Take a map and memorise |
00:07:18 |
This week you're 8:00 to 4:00. |
00:07:20 |
Grab an empty locker. Any questions, |
00:07:45 |
Yo! 8:00! Let's go! Come on. |
00:07:49 |
All right. Settle down. |
00:07:54 |
There's just a few announcements today, |
00:07:58 |
On the board on my left |
00:08:02 |
Squad Two, Red Sector. |
00:08:06 |
We want summonses, |
00:08:12 |
- This is Frank Serpico, Charlie. |
00:08:14 |
- How about some cream chicken? |
00:08:17 |
No, I think I'll have... |
00:08:25 |
Yeah, OK. You go through the line. |
00:08:32 |
Peluce, it's all fat here. |
00:08:38 |
- I saw real lean beef over there. |
00:08:43 |
- What's the matter? |
00:08:46 |
I'm not fussy but I don't know |
00:08:49 |
Charlie's an OK guy. We give him a break |
00:08:58 |
Couldn't I pay for it, get what I want? |
00:09:01 |
Frank, generally you just sort of take |
00:09:13 |
'Sector D, David, 10-34, |
00:09:16 |
'Vicinity of PS 2-18, |
00:09:23 |
- Becker, aren't we going to take that? |
00:09:29 |
It's on the borderline. |
00:09:31 |
I'm gonna take it. |
00:09:34 |
D Sector, 15-47, 10-4. |
00:10:06 |
Oh, my God! |
00:10:13 |
Hold it! Hold it! Police officer! |
00:10:15 |
Oh, shit! |
00:10:18 |
Don't shoot. Be cool. |
00:10:21 |
All right. OK. Put your guns away. |
00:10:25 |
Come on! |
00:10:29 |
I'll cut her, goddamn it. |
00:10:34 |
Turn the motherfucking light out, man. |
00:10:37 |
I'll cut her, man. I'll cut her. |
00:10:41 |
Just be cool. All right. |
00:10:44 |
All right. All right. That's it. |
00:11:10 |
Other one... took his thing out. |
00:11:16 |
He put it up to my mouth. |
00:11:20 |
He held me down. |
00:11:24 |
They said if I didn't do it... they'd kill me. |
00:11:35 |
- She's gonna make a helluva witness. |
00:11:52 |
Muscles, he's all yours. |
00:12:39 |
OK. Who were your playmates? |
00:12:49 |
- Hey, Frank, do you want a piece of this? |
00:13:14 |
Hey, Charlie. |
00:13:18 |
- Sure. |
00:13:24 |
Thank you, Charlie. |
00:13:34 |
That prick really worked you over. |
00:13:37 |
- How come you didn't stay for the fun? |
00:13:47 |
I want to talk to you. |
00:13:52 |
Without cuffs. |
00:13:57 |
Now, look. |
00:14:00 |
You take off on me, |
00:14:07 |
Come on. |
00:14:13 |
Goddamn shame you're gonna |
00:14:19 |
Maybe you're guilty, maybe you're not. |
00:14:23 |
Maybe you just went along for the ride. |
00:14:30 |
You're the one who got caught. |
00:14:34 |
- Put it in the report. |
00:14:43 |
Look at you. |
00:14:45 |
- I can't eat. |
00:14:51 |
I don't understand you, you know that? |
00:14:53 |
What are you, obligated to those guys? |
00:14:57 |
They left you holding the bag. |
00:15:03 |
They're gonna put you away, |
00:15:06 |
What can I get? |
00:15:10 |
Let's see. Kidnapping. Sodomy. Rape. |
00:15:14 |
Are you kidding me? |
00:15:20 |
Here. |
00:15:24 |
You talk to me. Save yourself. |
00:15:45 |
You're not going to send someone over? |
00:15:49 |
Look, Serpico, that's Muscle's case. |
00:15:54 |
- They're here now! |
00:15:57 |
No, it won't. |
00:16:24 |
Police officer! Hold it! |
00:16:33 |
Come on, man. Come on. |
00:16:37 |
Turn around slowly. |
00:16:52 |
We'll take it from here. |
00:16:58 |
What are you talking about? |
00:17:03 |
We take the collar. |
00:17:05 |
A collar like this, it don't look good |
00:17:08 |
I don't care how it looks. I did the work. |
00:17:14 |
You really want the collar? |
00:17:17 |
You left your post, you left the street, |
00:17:20 |
entered the schoolyard without permission, |
00:17:25 |
No memo entry? Shit, you'd be lucky |
00:17:30 |
We'll give you an assist on the arrest, kid. |
00:17:40 |
Jim, get out of the way. |
00:17:45 |
What do you want me to do? |
00:18:04 |
- Hey, Frankie. |
00:18:11 |
- Hey, Pasquale. |
00:18:15 |
- OK. How you doin'? Where's Pop? |
00:18:20 |
- OK. I've come to get my shoes. |
00:18:22 |
Warm it up! Warm it up! |
00:18:27 |
- Oh, here they are. |
00:18:29 |
OK. Good job. |
00:18:34 |
So... how you doin', Frankie? |
00:18:37 |
You keep asking me that. |
00:18:40 |
I thought you were coming over |
00:18:43 |
I'm sorry, Pasquale. I couldn't make it. |
00:18:46 |
Margaret invited Marianne over. |
00:18:50 |
Nah, look. I don't like that. |
00:18:53 |
Don't invite people over if you're not sure |
00:18:58 |
- If I want to see Marianne, I'll call her. |
00:19:03 |
Hey, Pasquale. |
00:19:08 |
All day long I work with cops. Right? |
00:19:11 |
Now when I go out, I see Marianne, |
00:19:13 |
her father's a cop, her brother's a cop, |
00:19:17 |
I got a feeling she's a cop. |
00:19:20 |
Come here. How you doin' on the job? |
00:19:24 |
- It's got its problems. |
00:19:28 |
- Is that true? |
00:19:30 |
Where are you going? |
00:19:33 |
I don't know. |
00:19:36 |
- NYU? Greenwich Village? |
00:19:39 |
- This neighbourhood's not good enough? |
00:19:42 |
- Yeah. Frankie! Sunday? |
00:19:47 |
Dinner. Huh? |
00:19:49 |
- Do me one favour. |
00:19:54 |
All right, a couple of announcements. |
00:19:56 |
Announcing a course in fingerprint |
00:20:00 |
The course will be available to patrolmen |
00:20:04 |
for assignment to |
00:20:07 |
which is a path to a detective's gold shield. |
00:20:13 |
On the board on my left, |
00:20:19 |
- Hot enough for you? |
00:20:23 |
I had a feeling you were going to say that. |
00:20:45 |
You know how long you've taken |
00:20:47 |
Check one print category. |
00:20:53 |
I'm not going to give a guy a "No Record" |
00:20:56 |
How long have you been with the BCl, |
00:21:00 |
All my life. |
00:21:02 |
That's long enough to know |
00:21:05 |
Barto. It's not just that. |
00:21:09 |
You don't like me. |
00:21:12 |
BCl never had a weirdo cop before. |
00:21:14 |
Barto. Stop bugging me. |
00:22:52 |
# Bom-bom-bom-bom-bom-bom-ba # |
00:23:03 |
Hey. Wanna buy a puppy? |
00:23:16 |
I don't know. |
00:23:18 |
Where'd you get these dogs? |
00:23:22 |
Oh, they're mine. |
00:23:24 |
Want one for free? |
00:23:28 |
Ah... no, I'll pay for it. How much are they? |
00:23:31 |
$5.00. |
00:23:33 |
You got it. |
00:23:40 |
OK. Which one of you guys |
00:23:43 |
What? |
00:23:47 |
Come on. |
00:23:49 |
- Will you do me a favour? |
00:23:51 |
Watch the car and my stuff |
00:23:54 |
- Yeah. |
00:24:26 |
Don Quixote: actor or lunatic? |
00:24:45 |
Senorita Lane? |
00:24:51 |
- Mr Serpico. |
00:24:54 |
- Maybe I could drop you somewhere. |
00:24:58 |
Cafe Reggio. That... erm... |
00:25:02 |
- That's Fourth Street and... |
00:25:06 |
- That's it. Can I give you a lift? |
00:25:09 |
Jesus, what's that? |
00:25:12 |
You've got your hands on my money belt. |
00:25:14 |
That's not a money belt. That's a gun. |
00:25:17 |
We've gotta eat, don't we? |
00:25:21 |
- What do you need a gun for? |
00:25:24 |
- Yeah. |
00:25:26 |
- Come on. |
00:25:28 |
- I think you're full of shit. |
00:25:30 |
- What do you do? |
00:25:34 |
A singer, a dancer and a Buddhist. |
00:25:37 |
In that order? |
00:25:40 |
- I'm a cop. Would you believe that? |
00:26:03 |
- Leslie. Leslie. |
00:26:05 |
Those leaps that guy made. |
00:26:08 |
- Jetes. |
00:26:15 |
You try it. |
00:26:17 |
All right. How do you start it? |
00:26:20 |
Comme ca. |
00:26:24 |
Next life. Come on. |
00:26:31 |
What are you reading now, Serpico? |
00:26:36 |
My Life, by Isadora Duncan. |
00:26:38 |
She was a ballet dancer. |
00:26:41 |
A belly dancer? |
00:26:44 |
No. A ballet dancer. Ballet. |
00:26:48 |
You know ballet? |
00:26:51 |
- A little. |
00:26:54 |
Not close. |
00:26:56 |
I've been to the ballet. It's terrific. |
00:26:58 |
- I've been taking classes, you know. |
00:27:01 |
Yeah. That's where I go after I leave here. |
00:27:03 |
Fantastic for your body. |
00:27:06 |
- I can tell. |
00:27:08 |
- I noticed. |
00:27:11 |
- Five? You're being short-changed. |
00:27:15 |
- For what? |
00:27:17 |
See? This is the first position. |
00:27:20 |
From this position, I can do anything. |
00:27:22 |
- Want to see? |
00:27:25 |
Here we go. |
00:27:30 |
Bye! |
00:27:33 |
- Lieutenant Steiger, I... |
00:27:40 |
- Hey, turn off the lights. |
00:27:45 |
Positions, positions. Positions like that |
00:27:51 |
How am I going to do my pee-pee |
00:27:53 |
She's got to be a nympho |
00:27:55 |
Serpico, how can you piss |
00:28:00 |
Barto wants a specimen. |
00:28:02 |
I'll look into this matter. |
00:28:08 |
- What have you got there? |
00:28:10 |
Straight ahead. |
00:28:15 |
- Straight ahead where? |
00:28:19 |
- I don't see anything. |
00:28:23 |
Oh, she just pulled down the shade. |
00:28:26 |
- You've got to be some kind of jinx. |
00:28:32 |
Hold it, Serpico. |
00:28:37 |
In the shithouse in the dark. |
00:28:44 |
- What are you talking about? |
00:28:47 |
- You were sucking his cock, weren't you? |
00:28:51 |
I'll show you fuckin' crazy. Last week |
00:28:56 |
There. |
00:29:01 |
You're actually accusing me of this? |
00:29:07 |
Good morning, Captain McClain. |
00:29:10 |
I was told I could talk to you, sir. |
00:29:15 |
Oh. Certainly, son. Come in. |
00:29:21 |
Lieutenant Steiger won't make a report. |
00:29:23 |
He's too concerned with the image |
00:29:27 |
But it... it could affect your future at the BCl. |
00:29:33 |
Sir, I tell you... er... frankly, |
00:29:38 |
It's all bullshit about it being a career path |
00:29:42 |
- because I've been there two years now... |
00:29:46 |
Yes, sir. |
00:29:50 |
I'll see what I can do, Frank. |
00:29:54 |
Francis, do you know about |
00:30:00 |
No. |
00:30:01 |
You read that. |
00:30:05 |
You are a Catholic, aren't you? |
00:30:07 |
- Yeah. I was baptised. |
00:30:13 |
Alfie, come on. |
00:30:15 |
Paco! Ooh, missed you, baby! |
00:30:21 |
- She's so crazy, that girl. |
00:30:25 |
All my friends call me Paco. |
00:30:28 |
- Get my keys out of this pocket for me. |
00:30:31 |
Well erm... what'll I call you? |
00:30:35 |
Frank or... Paco? |
00:30:38 |
Paco. |
00:30:50 |
- Leslie! |
00:30:52 |
Oh, Larry! This is Paco. |
00:30:55 |
Larry's a poet but he works |
00:30:59 |
And Sally's an actress |
00:31:03 |
- Paco's a policeman. |
00:31:06 |
- I work for the Police Department. |
00:31:14 |
Pat's a novelist but you're working for |
00:31:18 |
- Yes, I am. |
00:31:19 |
- Paco's a policeman. |
00:31:22 |
Not too. Right now I'm filing fingerprints. |
00:31:26 |
I file insurance policies. |
00:31:28 |
- We should get together and file... |
00:31:33 |
I want to ask you something. |
00:31:35 |
How come all your friends |
00:31:38 |
Think about that. |
00:31:40 |
I want to ask you something else, too. |
00:31:44 |
Don't tell anybody I'm a cop. |
00:31:46 |
- Let me just sorta do it myself. |
00:31:58 |
Hey, man, are you really a cop? |
00:32:02 |
- That's right. I am. |
00:32:04 |
- Leslie is a mind-fucker. |
00:32:08 |
I didn't know that. What's a mind-fucker? |
00:32:12 |
Well, it's a chick who digs intellectual types |
00:32:20 |
She's very perceptive. |
00:32:28 |
Japanese culture and theatre and painting |
00:32:33 |
You know. Yeah, but... |
00:32:38 |
I think after a while |
00:32:41 |
you start to appreciate |
00:32:45 |
I got a sheepdog. |
00:32:48 |
There have been sheepdogs in my family |
00:32:53 |
for sixteen generations. |
00:32:56 |
Dating back to the Borgias. |
00:32:59 |
The family crest is a sheepdog |
00:33:15 |
Paco, everybody loves you! I love you! |
00:33:31 |
Officer Serpico reporting, sir. |
00:33:33 |
That fuckin' thing on your lip? It goes. |
00:33:36 |
- Er... sir? |
00:33:39 |
You look like an asshole with dentures. |
00:33:42 |
- Do I have the right of appeal, sir? |
00:33:46 |
Go see Captain Tolkin. You got one foot |
00:33:50 |
Where might that be I wonder, sir? |
00:33:54 |
Thank you, sir. |
00:33:55 |
That is one hell of a moustache. |
00:34:01 |
I have what I consider to be |
00:34:04 |
- You don't have to tell me. |
00:34:07 |
I thought so. |
00:34:10 |
I think it's time that we started |
00:34:14 |
The way it is, we're totally isolated, sir. |
00:34:17 |
We're completely out of touch |
00:34:20 |
An undercover cop in disguise |
00:34:24 |
Everybody knows who he is. |
00:34:27 |
You've made your point. |
00:34:32 |
And I'd like you to patrol in your own car, |
00:34:37 |
- How does that strike you? |
00:34:40 |
- All right. |
00:34:43 |
- No shit. |
00:35:34 |
Hold it! |
00:35:39 |
What the hell are you doing? |
00:35:42 |
Oh, Christ. |
00:35:46 |
Get against the wall. |
00:35:49 |
Hey! I'm a police officer! |
00:35:51 |
Get over there. Hey! It's me, Serpico! |
00:35:56 |
Hey, I'm a police officer! Police officer! |
00:36:00 |
- I'm a police officer! |
00:36:04 |
How was I supposed to recognise you? |
00:36:06 |
- You stupid fuck. |
00:36:09 |
You didn't know me? |
00:36:14 |
You fire without a warning, |
00:36:18 |
Oh, shit. |
00:36:22 |
If I buy one, you motherfucker, |
00:36:32 |
Holy shit, look at that mess. |
00:36:39 |
- Filling out forms till next month. |
00:36:42 |
Jesus, Frank, I know this is |
00:36:47 |
but I'll have to go through |
00:36:50 |
- Good. You should. |
00:36:54 |
Frank, do me a favour. |
00:36:57 |
Give us the collar? |
00:37:03 |
You motherfucker. |
00:37:08 |
You want the collar? |
00:37:25 |
Here. |
00:37:28 |
- You're a buddy. |
00:37:31 |
Only you tell Tolkin I gave it to you. |
00:37:35 |
I am passing out these marijuana |
00:37:39 |
so that when you become |
00:37:42 |
you'll be able to identify the pungent aroma |
00:37:45 |
and recognise the disorienting effect |
00:37:49 |
when you observe them |
00:37:53 |
Among users of the drug, |
00:37:56 |
a marijuana cigarette |
00:38:00 |
stick, roach, joint. |
00:38:04 |
The drug itself is referred to as pot, |
00:38:09 |
tea, boo, stuff, grass. |
00:38:15 |
Hey, this is real good shit. |
00:38:18 |
- I gotta have something to eat. |
00:38:21 |
Look what it is. It's a potato factory |
00:38:26 |
I love it, I love it. |
00:38:28 |
We have nothing to... |
00:38:32 |
- It goes in the little slot. |
00:38:37 |
- Pull on it. |
00:38:40 |
- Go ahead. |
00:38:44 |
Come out, potatoes! Come out! |
00:38:48 |
- You're pretty fuckin' weird, for a cop. |
00:38:52 |
- What about you? |
00:38:55 |
- You! You're a fuckin' hippy. |
00:38:58 |
The two of us. |
00:39:02 |
Gimme. |
00:39:05 |
Where are you supposed to go from here? |
00:39:07 |
9-3 Precinct. Plain Clothes. |
00:39:11 |
You? |
00:39:14 |
I am scheduled to go... |
00:39:17 |
on special assignment with |
00:39:20 |
Detective Squad. |
00:39:24 |
- That's gold shield. |
00:39:27 |
No four years in Plain Clothes? |
00:39:32 |
- Who do you know? |
00:39:35 |
- People who can help. |
00:39:38 |
- Unfair. |
00:39:42 |
You've got a feel for the streets |
00:39:48 |
You and me in one Bat Mobile |
00:39:52 |
I wonder if we can get candy |
00:40:01 |
No, thanks. |
00:40:07 |
Well, this is a good place to tell you, Paco. |
00:40:12 |
You know that guy in Texas |
00:40:15 |
Yeah. |
00:40:19 |
- What about him? |
00:40:22 |
Unless you marry me. |
00:40:34 |
What about the theatre and the dancing? |
00:40:38 |
A girl has to get married some time. |
00:40:41 |
Well, you're a long way |
00:40:46 |
I thought you were committed. |
00:40:48 |
I am but... |
00:40:52 |
You are but...? |
00:40:55 |
I can go on working and studying there. |
00:40:59 |
Where? Fort Worth? |
00:41:02 |
Amarillo. |
00:41:04 |
Amarillo? |
00:41:13 |
Am I invited to the wedding? |
00:41:18 |
I'll ask Roy. |
00:41:25 |
It's pretty good in this precinct. |
00:41:28 |
Usually a nine-to-five day is the best time |
00:41:33 |
But if you have to work nights, |
00:41:37 |
Don't worry about quotas right now. |
00:41:51 |
Serpico. Been holding this for you. |
00:41:55 |
It's from Jewish Max. |
00:42:51 |
First day on the Precinct I get that. |
00:42:56 |
This is great, Frank. |
00:43:00 |
I can open a whole |
00:43:03 |
It's scary. I want to protect myself. |
00:43:07 |
OK. You know what we do with this? |
00:43:10 |
We take it to Inspector Kellogg. |
00:43:12 |
- Kellogg? |
00:43:18 |
Kellogg? Didn't he used to be |
00:43:21 |
He's the second highest-ranking cop |
00:43:25 |
I happened to be instrumental |
00:43:29 |
He owes me, you understand? |
00:43:31 |
He's the most honest cop I know, Frank. |
00:43:36 |
Frank... trust me. |
00:43:50 |
Things like this were common practice |
00:43:55 |
Hard to believe it's still going on. |
00:44:01 |
Serpico, don't you think it's kinda stupid |
00:44:04 |
from somebody you didn't know? |
00:44:08 |
Erm... |
00:44:11 |
What was I supposed to do? How would |
00:44:16 |
You er... you have two alternatives. |
00:44:20 |
You can force me to take you |
00:44:23 |
- He'll drag you in front of a grand jury. |
00:44:26 |
I can understand that. Word will get out. |
00:44:30 |
Before it's all over, they'll find you |
00:44:40 |
- What's the other alternative? |
00:44:45 |
Well, what do I do with this? |
00:45:08 |
- Hey, sarge? |
00:45:10 |
- Got a minute? |
00:45:13 |
A coloured cop gave me this. |
00:45:22 |
Yeah. I'll send it on |
00:45:37 |
Alfie. |
00:45:59 |
Is that Björling? |
00:46:08 |
No. It's Di Stefano. |
00:46:11 |
I was sure it was Björling. |
00:46:14 |
No. |
00:46:21 |
You can hear it better over here. |
00:46:23 |
- That's an invitation, right? |
00:46:26 |
Coffee? |
00:46:29 |
I'll have to take a rain check. |
00:46:32 |
Why don't you call in sick? Perfect place. |
00:46:37 |
Not me. |
00:46:39 |
Are you dedicated or something? |
00:46:42 |
That's right. I'm dedicated. |
00:46:46 |
- What do they know? |
00:46:54 |
Hey. Love my garden. |
00:46:57 |
OK. I love your garden. |
00:47:02 |
- You know what they say, don't you? |
00:47:07 |
If you love a man's garden, |
00:47:17 |
You like her, Alfie? |
00:47:20 |
All I can tell you is I gave it back. |
00:47:23 |
I've got to get out of the 9-3. |
00:47:25 |
What happened |
00:47:29 |
It was all set until I told them |
00:47:32 |
It was like the kiss of death. They think |
00:47:36 |
Sir, do you know anything |
00:47:40 |
I can go there if I want, |
00:47:44 |
I'd rather answer phones for the Spanish |
00:47:48 |
Come on, Alfie. |
00:47:50 |
Frank, did anyone ever tell you |
00:47:53 |
that you have a tendency |
00:47:58 |
- No, you're the first. |
00:48:01 |
I have a friend up there. Roy Palmer. |
00:48:05 |
- I'll speak with him. |
00:48:08 |
- Bye, Francis. God bless you. |
00:48:19 |
- Yeah? |
00:48:22 |
- Captain McClain. Hold on a minute? |
00:48:33 |
- Yeah. Sorry. |
00:48:37 |
He says the 7th Division |
00:48:40 |
His words. "Clean as a hound's tooth. " |
00:48:43 |
'I told him that he was getting |
00:48:46 |
Wears a beard, speaks Spanish. |
00:48:50 |
- He was delighted. |
00:48:53 |
- Thank you. Thank you very much. |
00:49:00 |
When did you start doing that? |
00:49:04 |
McClain says that Palmer says |
00:49:09 |
Well, if that's true, your problems are over. |
00:49:18 |
Plain Clothes Division? |
00:49:20 |
Upstairs. |
00:49:32 |
Frank! How are you? Good to see you! |
00:49:37 |
Say hello to Nate Smith. Frank Serpico. |
00:49:41 |
- Jaime Morales, Frank Serpico. |
00:49:44 |
You'll love it up here. It's beautiful. |
00:49:47 |
I'll see you later. Take a ride with me. |
00:49:51 |
- Maybe I should check in. |
00:49:54 |
# Deck the hall with boughs of holly |
00:49:58 |
# Fa-la-la-la-la, fa-la-la-la # |
00:50:03 |
...dollars if Minnesota. Right. |
00:50:06 |
Green Bay twelve and a half at... |
00:50:08 |
You dumb fuck. We told you this location's |
00:50:13 |
Keogh. Nobody told me. Honest. |
00:50:17 |
Bullshit. |
00:50:20 |
- All right, a C-note a piece. |
00:50:25 |
- Come on. |
00:50:29 |
Are you getting cheap in your old age, |
00:50:31 |
- Three. |
00:50:34 |
- You heard me. |
00:50:38 |
I'll make it a light one. |
00:50:41 |
- Hey, Frankie. |
00:50:43 |
- Want to write this up? |
00:50:46 |
- Take the collar. Get on the sheet. |
00:50:49 |
Hey, Frank. |
00:50:52 |
We'll have a talk later, right? |
00:50:58 |
That dumb schmuck only came up |
00:51:04 |
- Here you go, Frank. |
00:51:07 |
I had a hunch you weren't going to take it. |
00:51:11 |
Frankie, we got a call about you |
00:51:17 |
They just said you couldn't be trusted, |
00:51:22 |
- Cos I don't take money, right? |
00:51:24 |
Who can trust a cop |
00:51:27 |
You are pretty weird, you know, kid? |
00:51:30 |
With that call and all, |
00:51:33 |
I told 'em you were OK. I knew you. |
00:51:39 |
You'd never hurt another cop, would you? |
00:51:41 |
- It'd depend on what he did. |
00:51:45 |
Frankie... |
00:51:50 |
We're not doing anything bad here. |
00:51:53 |
We're skimming a little gambling money. |
00:51:58 |
Frank, a gambler's a gentleman. |
00:52:03 |
Keogh, you don't have to explain |
00:52:08 |
- Want some tea? |
00:52:12 |
What's the matter? |
00:52:15 |
Listen, we don't go overboard here. |
00:52:20 |
The spics, the niggers, we bust them |
00:52:23 |
they get your ass in hot water |
00:52:25 |
But the Italians are a different story. |
00:52:30 |
- You've got it analysed. |
00:52:37 |
You know how much |
00:52:40 |
- No, I wouldn't know that. |
00:52:44 |
That's 800 clams every time |
00:52:49 |
Here's the beauty. You don't get it |
00:52:53 |
Till the guys get to know you |
00:52:57 |
You get it on the other end |
00:53:00 |
Frankie, it's like... it's like severance pay. |
00:53:05 |
Think it over, all right? In or out. |
00:53:12 |
Look at me. I'm shaking. |
00:53:17 |
All my life I've wanted to be a cop. |
00:53:20 |
I can remember nothing else. |
00:53:26 |
I remember this one time... |
00:53:28 |
There was something happening. |
00:53:33 |
Somebody stabbed somebody. |
00:53:36 |
And there was this crowd |
00:53:42 |
I must have been nine, ten years old. |
00:53:45 |
I went over to see what was going on. |
00:53:50 |
There were all these people |
00:53:53 |
I kept saying, |
00:53:57 |
Nobody knew. It was like a big mystery |
00:54:04 |
All of a sudden... |
00:54:06 |
the crowd just parted. |
00:54:09 |
Like the Red Sea, you see. |
00:54:11 |
And there were these guys in blue |
00:54:16 |
But what do they know? |
00:54:26 |
It's amazing. It's incredible. |
00:54:30 |
But I feel like a criminal |
00:54:38 |
- You get so tense when you talk about it. |
00:54:41 |
Come here. |
00:54:47 |
- Right there. |
00:54:50 |
- I'm going to ask you a question, OK? |
00:54:54 |
- Do you like cops? |
00:54:58 |
No, I mean all this shit |
00:55:02 |
- Do you believe it? |
00:55:06 |
- Does it shock you? |
00:55:08 |
Aww. What's the matter with me? |
00:55:11 |
Everybody knows about cops. |
00:55:14 |
Did you ever hear the story |
00:55:17 |
No. But I get the feeling I'm going to. |
00:55:20 |
Well, there was this king |
00:55:26 |
Right in the middle of the kingdom, |
00:55:29 |
That's where everybody drank. |
00:55:31 |
One night, this witch came along |
00:55:36 |
And the next day everybody drank from it |
00:55:40 |
They all went crazy. |
00:55:44 |
and said, "We've got to get rid |
00:55:48 |
And then that night he went down |
00:55:53 |
And the next day all the people rejoiced |
00:55:56 |
because their king |
00:56:04 |
- I think you're trying to tell me something. |
00:56:10 |
Hey, Frank, I want you to say hello |
00:56:14 |
- Drop you cocks and grab your socks. |
00:56:18 |
Frank Serpico, say hello to Don Rubello. |
00:56:20 |
He's your new partner. |
00:56:22 |
Hey look, if you don't want to work |
00:56:27 |
I'll buddy up with him, all right? |
00:56:29 |
And go through all that crap changing |
00:56:34 |
We're Paisanos, right? |
00:56:39 |
- What's with the fuckin' mouse? |
00:56:41 |
He's specially trained. |
00:56:45 |
Let him loose, he goes into the hole, |
00:56:50 |
Sniffs it out, brings it to you. |
00:56:52 |
Yeah, I've heard of that. |
00:56:55 |
You heard of that? Yeah. |
00:56:59 |
This guy I'm looking for. Vernon. |
00:57:02 |
He's a numbers collector |
00:57:07 |
He won't be hard to spot. He's a mover. |
00:57:14 |
Since we're partners, |
00:57:17 |
Straight off. I collect for the Division. |
00:57:21 |
Me and two other bagmen. |
00:57:24 |
That's what Keogh was sort of hinting at. |
00:57:28 |
Yeah, three of us pick up |
00:57:32 |
Hey, look. There he is. |
00:57:46 |
Son of a bitch! |
00:57:53 |
- Look out! |
00:59:06 |
Where's the money? |
00:59:16 |
You've been jerking me around, you fuck. |
00:59:18 |
I'm behind now, man! |
00:59:24 |
Three times you never showed, right? |
00:59:26 |
I'll have it for you tonight. I swear. |
00:59:34 |
Last time, Vernon. The last time! |
00:59:36 |
You fuck me and you're gone. |
00:59:42 |
See you at the Domino. Midnight. You'd |
00:59:46 |
Right? Right? |
00:59:51 |
All right, Frank. |
00:00:11 |
Some day we'll get a couple of broads, |
00:00:18 |
Hey! Mix some ice. |
00:00:28 |
So what do you think, Frank? |
00:00:30 |
Look, Don... |
00:00:37 |
But I'm not broke and I don't have a family. |
00:00:40 |
Why the fuck stick my neck out, |
00:00:42 |
It's already out for not taking the money. |
00:00:46 |
Hey. Tell you what I'll do. |
00:00:49 |
I'll hold your share for you. If you change |
00:00:54 |
Right in here, right down to the penny. |
00:00:59 |
- What are you drinking? |
00:01:06 |
Next thing I want to do |
00:01:09 |
How about some gin? Penny a point. Huh? |
00:01:28 |
Yeah, let me ask him first. |
00:01:39 |
Hello, Frank. Get in. |
00:01:48 |
My God, Frank. This is confidential. |
00:01:50 |
He's a police officer. |
00:01:54 |
No. Absolutely not. |
00:01:56 |
All right. All right. |
00:01:58 |
Frank, I notified Commissioner Delaney |
00:02:04 |
He wants you to stay where you are |
00:02:08 |
Then you'll be his eyes and his ears. |
00:02:11 |
He said he was delighted that, quote, |
00:02:16 |
When do I hear from him? |
00:02:20 |
He said he'd reach out for you |
00:02:25 |
- Reach out? |
00:02:27 |
My situation's pretty fucking sticky |
00:02:33 |
You must have patience, Frank. |
00:02:35 |
- Yeah, but it's fucking sticky. |
00:02:38 |
When the Commissioner says he'll get in |
00:02:44 |
Goodbye, son. God bless you. |
00:03:01 |
All right, now. Marinda's too hot. |
00:03:05 |
And Falco's got two runners he ain't |
00:03:10 |
Hey, Frank. How are you? |
00:03:14 |
- You'll have to work with a new bagman. |
00:03:18 |
- This'll be your new man. |
00:03:21 |
You know that operation down by |
00:03:26 |
You the new bagman? You prick! What |
00:03:31 |
Wait a minute. |
00:03:46 |
You know, Frank, sometimes I ask myself, |
00:03:53 |
If this ever came out... Christ, my family. |
00:04:00 |
My daughter. She just started |
00:04:04 |
Chorus. Took a lot of money. |
00:04:10 |
I once tried to pull out. |
00:04:14 |
So you just go along. |
00:04:22 |
Unless you're willing to go back |
00:04:41 |
Shit, how the money rolls in. |
00:04:46 |
No. I'm not on. |
00:04:49 |
- What do you mean you're not on? |
00:04:53 |
- Some gag here? |
00:04:57 |
I don't take money. That's the truth. |
00:05:00 |
What were you doing with Rubello? |
00:05:04 |
Ask Rubello. |
00:05:08 |
You're not... Where's it been going? |
00:05:11 |
Ask Rubello. |
00:05:15 |
- 'All right, sir. I'll go to Delaney myself. ' |
00:05:19 |
You don't understand. |
00:05:22 |
- 'I understand perfectly, Frank. ' |
00:05:28 |
I've done all I can do. Goodbye, Frank. |
00:05:34 |
He's out. Won't do another fucking thing. |
00:05:37 |
Nothing's gonna happen from the inside. |
00:05:44 |
You haven't heard from |
00:05:47 |
Not a fucking word. |
00:05:56 |
- Would you go outside the Department? |
00:06:01 |
Would you believe the Mayor's office? |
00:06:11 |
- The Mayor's office? |
00:06:14 |
A guy named Jerry Berman, |
00:06:16 |
You knew I knew somebody. |
00:06:19 |
He cares, Frank. He really cares. |
00:06:25 |
Do you know what we're going? |
00:06:29 |
That's right. |
00:06:35 |
Dynamite. Every plain clothes man |
00:06:40 |
That is... that is dynamite. |
00:06:44 |
That is 150... |
00:06:51 |
But that is just one precinct! |
00:06:54 |
That is amazing! |
00:06:56 |
What I feel is needed here |
00:07:01 |
I am sure that the Mayor |
00:07:04 |
McClain and Delaney. |
00:07:08 |
Man, that is amazing. |
00:07:14 |
And another thing, see... |
00:07:17 |
they're going to have a meeting at a pad... |
00:07:20 |
- Frank is in a very tough spot. |
00:07:23 |
I have heard rumours, |
00:07:27 |
For an on-the-line cop |
00:07:32 |
Really, Frank, you have my respect. |
00:07:36 |
And my sympathy for what |
00:07:45 |
Hello, this is Jerry Berman. Is he there? |
00:07:48 |
All right. I'll hold on. |
00:08:07 |
Well? |
00:08:10 |
- Tell me what happened, Paco. |
00:08:19 |
That guy's gonna go to the Mayor. |
00:08:26 |
To the Mayor! |
00:08:30 |
Come here, Alfie. |
00:08:37 |
I couldn't be any more embarrassed. |
00:08:42 |
It's like a personal defeat. |
00:08:45 |
However... |
00:08:47 |
- there are priorities. |
00:08:52 |
The priorities are |
00:08:56 |
and riots are expected. |
00:08:59 |
And the Mayor cannot alienate |
00:09:04 |
Now in the fall... now in the fall... |
00:09:08 |
it may be possible to take |
00:09:12 |
All right. I'm sorry. |
00:09:13 |
Frank! |
00:09:26 |
The whole of the rotten... chicken shit... |
00:09:35 |
Who's there? |
00:09:37 |
It's me, Frank. |
00:09:43 |
Frank, you're behaving |
00:09:46 |
Let him in. |
00:09:50 |
You let him in. |
00:10:01 |
- Hi. |
00:10:09 |
Sorry, Frank. I'm sorry |
00:10:13 |
Bullshit. I got me into this whole thing. |
00:10:17 |
"Wow. Amazing. Dynamite. Beautiful. " |
00:10:21 |
"Dynamite. Priorities. Priorities. " |
00:10:26 |
Your contacts. Your big bullshit names. |
00:10:30 |
Bob Blair, the big operator from Princeton. |
00:10:33 |
The mystery man with connections. |
00:10:36 |
Who the fuck do you think you are? |
00:10:38 |
You come looking for help, whining with |
00:10:43 |
Who told you the Department or the world |
00:10:47 |
What did you expect, for Christ's sake, |
00:10:51 |
Big Daddy? |
00:10:53 |
- A white knight who rides in on a horse... |
00:10:57 |
- Keep talking cos that's what you do. |
00:11:01 |
You're gonna blame me |
00:11:04 |
I tried to help you, |
00:11:07 |
Where's your head? |
00:11:10 |
- You don't look so hot yourself. |
00:11:13 |
Get ready to blow up. |
00:11:15 |
Your ideas are as full of shit as you are. |
00:11:17 |
We can talk to Foreman, Frank, |
00:11:21 |
We've got another guy here. |
00:11:24 |
We could even talk to a guy I know |
00:11:28 |
That's terrific. Go to the Times. |
00:11:31 |
Every time I talk to you, Blair, |
00:11:35 |
- It's safe. |
00:11:38 |
- Your ass is already on the line. |
00:11:41 |
- You don't trust me? |
00:11:44 |
- Go fuck yourself. |
00:11:49 |
When I come home, |
00:11:51 |
Don't take it out on me, Paco. |
00:11:53 |
I'm not! I don't want to pick up shit! |
00:12:34 |
Honey? |
00:12:36 |
Come to bed. |
00:13:37 |
- Hello, Frank. |
00:13:44 |
We all know what this is about, right? |
00:13:46 |
So without any bullshit, what was |
00:13:50 |
It's simple. I didn't take any money. |
00:13:56 |
Rubello said if I changed my mind, |
00:14:00 |
He'd give it back to me. |
00:14:05 |
Conniving bastard. |
00:14:06 |
All right. Look, I'll handle Rubello. |
00:14:11 |
But this ain't gonna happen again. |
00:14:15 |
Starting today, everyone of you fucks |
00:14:19 |
- No stops, no bread. OK? |
00:14:22 |
- Right. |
00:14:24 |
What about you, Frank? |
00:14:27 |
Why should I start now? |
00:14:29 |
Everybody would feel |
00:14:32 |
You can always give it to charity. |
00:14:36 |
$100 a month, just for expenses? |
00:14:38 |
For my secretary and |
00:14:46 |
All right. All right. |
00:14:48 |
We split Frank's share from now on. |
00:15:00 |
If they would take all that energy, |
00:15:03 |
we'd have the city cleaned up in a week. |
00:15:15 |
If I could work alone. That's the thing, see. |
00:15:17 |
If I could just get to work alone. |
00:15:20 |
They don't like that. |
00:15:22 |
- You go over the same thing, Paco. |
00:15:28 |
There's gotta be a way to wipe it out, |
00:15:32 |
Let's get out of here. Let's go to a movie. |
00:15:35 |
Will you quit handling me? Go to a movie? |
00:15:38 |
Do you know they'd kill me if they knew? |
00:15:42 |
Either you're exploding |
00:15:45 |
- I can't stand it, Paco. |
00:15:48 |
All I care about is you. |
00:15:52 |
That's why it hurts so much. |
00:15:55 |
Scared, miserable, dreading to go to work. |
00:15:59 |
It's tearing me apart. And then I get sick |
00:16:04 |
You don't like the idea of me being a cop, |
00:16:08 |
I love you, Paco. I want to marry you. |
00:16:13 |
- Goddamn it! I hate it! |
00:16:17 |
- Why don't you? |
00:16:21 |
Well, do it. |
00:16:36 |
- What have you got? |
00:16:39 |
Try me. Try me. |
00:16:42 |
This guy's heavy. He's Italian. Mobbed up. |
00:16:46 |
Still interested? |
00:16:49 |
Stop fucking around. |
00:16:52 |
There's a loan shark. |
00:16:55 |
This mother's so cocksure, |
00:16:58 |
he picks up his own slips |
00:17:02 |
Where's the drop? |
00:17:49 |
Hold it. I'm a police officer. |
00:17:52 |
And... |
00:17:54 |
Wait a minute. |
00:17:57 |
You're under arrest. |
00:17:59 |
Hell, I thought you were |
00:18:02 |
I'll take that wad in your pocket. |
00:18:05 |
- You're a riot, kid. |
00:18:08 |
What's that? Put that away. |
00:18:19 |
- Where have they been hiding you, kid? |
00:18:25 |
Hold this guy for booking. Get a rap |
00:18:52 |
- Where's Corsaro? |
00:19:05 |
I swear, I thought this guy |
00:19:23 |
- Hey, you. |
00:19:25 |
You. Get over here |
00:19:29 |
- I don't do that. |
00:19:32 |
He's gonna get nasty about it. |
00:19:35 |
You're fuckin' right! |
00:19:37 |
Frank, cool it, man! |
00:19:39 |
Lean, motherfucker! Spread! |
00:19:43 |
Frank, Rudy's on. He's good people. |
00:19:45 |
Stay the fuck out of this! |
00:19:51 |
What's this? What's this? |
00:19:54 |
Get in there. |
00:20:43 |
Serpico. |
00:21:00 |
Want to read something? |
00:21:04 |
It's about your pal, Corsaro. |
00:21:06 |
Here, read it. Read it. |
00:21:12 |
He did 15 years. You know what for? |
00:21:14 |
For killing a cop. He's a fucking cop-killer. |
00:21:28 |
- It's good to see you again. |
00:21:32 |
I can't take it any more. I've got to get out. |
00:21:34 |
If I have to go back to Uniform, I will. |
00:21:36 |
I can't wait for Delaney to call |
00:21:40 |
The Commissioner didn't get it touch? |
00:21:42 |
Not a word. No investigation. |
00:21:45 |
I had no idea. |
00:21:47 |
I think it's only fair to tell you |
00:21:51 |
- I'll go to more if I have to. |
00:21:54 |
Holy mother of God. Frank, |
00:21:58 |
You could be brought up on charges. |
00:22:00 |
The reality is we do not wash |
00:22:04 |
- You are in trouble. |
00:22:08 |
- If I have to go to outside agencies... |
00:22:11 |
Where am I gonna go? |
00:22:14 |
- Wait till you hear from me! |
00:22:17 |
That's not enough. |
00:22:22 |
It's my life, you fuck! |
00:22:26 |
Serpico, see Inspector Palmer. |
00:22:37 |
For this precinct, cases reported |
00:22:42 |
20 for September... Serpico! |
00:22:47 |
Inspector Palmer? |
00:22:51 |
Deputy Chief Inspector Daley and |
00:23:00 |
Want to come to my office? |
00:23:08 |
Captain McClain called me. |
00:23:10 |
I've briefed Inspector Daley |
00:23:15 |
The obvious question is this - |
00:23:18 |
why didn't you come to us? |
00:23:21 |
Well er... |
00:23:25 |
I never met these gentlemen |
00:23:28 |
er... you told... you... you... |
00:23:32 |
you told Captain McClain that the Division |
00:23:36 |
You think you're the only honest cop |
00:23:42 |
Inspector Gilbert's just come from |
00:23:44 |
the Commissioner's Confidential |
00:23:47 |
Then you must have heard something. |
00:23:52 |
I don't understand. Commissioner Delaney |
00:23:58 |
I didn't hear a thing. |
00:24:00 |
But I understand your frustration, |
00:24:05 |
It's sort of like trying to punch |
00:24:13 |
What outside agencies |
00:24:24 |
I don't see how that's pertinent |
00:24:26 |
We ought to ask Serpico directly |
00:24:31 |
We've got to know if there's |
00:24:38 |
Well, I... I don't have to think that... |
00:24:43 |
What is there to think about? |
00:24:46 |
I don't see how the Division |
00:24:51 |
You've got a point there. |
00:24:55 |
But you would cooperate |
00:25:02 |
Yeah. Up to a point. |
00:25:04 |
As long as I'm not involved. |
00:25:06 |
I just want to go someplace |
00:25:10 |
That's fair enough. |
00:25:13 |
We'll be in touch. |
00:25:20 |
Inspector Palmer? May I see you? |
00:25:28 |
Was it necessary to let everyone |
00:25:31 |
I was coming to see these guys? |
00:25:34 |
You believe from what you now know |
00:25:37 |
- Yes, Commissioner Delaney. |
00:25:45 |
But sir, shouldn't Headquarters |
00:25:50 |
No. You're all experienced men. |
00:25:56 |
Chief Gallagher here will be available |
00:26:04 |
Commissioner... |
00:26:08 |
Serpico claims that er... |
00:26:11 |
Inspector McClain talked to you |
00:26:15 |
Yes. I seem to remember |
00:26:23 |
We can't set up a surveillance on |
00:26:28 |
We need a location. |
00:26:30 |
I've given you 36 locations |
00:26:33 |
The whole thing signed, sealed, delivered? |
00:26:36 |
You're conducting this investigation, |
00:26:39 |
Lieutenant Smith. Let's get back to him. |
00:26:41 |
Lieutenant Smith. |
00:26:44 |
if I didn't want the money, |
00:26:49 |
I'll have him transferred in the morning. |
00:26:51 |
Fuck him. How about transferring me? |
00:27:02 |
Serpico. |
00:27:06 |
I hear you've been vouchering pad money |
00:27:10 |
Oh, yeah? |
00:27:12 |
How can I voucher money |
00:27:15 |
You won't find anything on Serpico. |
00:27:20 |
He's clean. Right? |
00:27:26 |
- Hm? |
00:27:30 |
No. I'm looking to buy |
00:27:37 |
Wear a wire? They're feeling me up |
00:27:41 |
Come on, Frank. |
00:27:43 |
Wearing a wire means testifying |
00:27:47 |
Right. I'm not testifying. |
00:27:49 |
I've got to put a dime in the parking meter. |
00:27:52 |
Franklin, put a dime |
00:28:01 |
Hey, Frank. Frank, you know |
00:28:05 |
Yeah, I watch television. |
00:28:07 |
Frank, I want to compliment you |
00:28:11 |
It's unique. It's uniquely unique. |
00:28:14 |
You should be proud of yourself. |
00:28:17 |
There's gonna be a grand jury |
00:28:20 |
with Frank Serpico as my star witness. |
00:28:23 |
Mr Tauber, you and everybody in this |
00:28:28 |
Wait, wait, wait. Just a second, Frank. |
00:28:31 |
You have nothing to fear. |
00:28:33 |
You don't understand. I'm not afraid. |
00:28:37 |
Do you mind if I say something, Frank? |
00:28:40 |
You're not going after corruption |
00:28:44 |
A few flunkey cops thrown to the wolves |
00:28:47 |
They've known about this shit for years |
00:29:24 |
OK, what's this? |
00:29:26 |
Exactly what it says. |
00:29:29 |
I'm splitting. |
00:29:31 |
I've never read anything so stupid - |
00:29:33 |
"I'm leaving. If you want to discuss it, |
00:29:36 |
I didn't want another scene. |
00:29:40 |
I can shout anywhere! |
00:29:47 |
I won't shout. |
00:29:49 |
Sit down. Sit down. |
00:30:05 |
It's just going to go on and on. |
00:30:10 |
And if you quit, somehow I'll be blamed. |
00:30:22 |
How could you leave the man you love? |
00:30:29 |
You never said anything |
00:30:33 |
And if I come back... |
00:30:35 |
you won't say it again. |
00:30:39 |
You want to be free and unattached. |
00:30:43 |
To go on fighting for your cause |
00:30:47 |
My cause... |
00:30:50 |
Paco... |
00:30:52 |
I felt so safe with you. |
00:30:54 |
So loving. |
00:31:06 |
Stay with me, Laurie. |
00:31:11 |
- Come on. Stay with me. |
00:31:24 |
What do I... owe you for that? |
00:31:41 |
Laurie! |
00:31:48 |
What are you doing? |
00:31:54 |
Do you want to walk away or should I? |
00:31:56 |
I'm not gonna walk away. |
00:32:01 |
It's finished! |
00:32:10 |
Who do you think you are |
00:32:13 |
Chief Green, I know your reputation. |
00:32:16 |
Look, maybe if you were borough |
00:32:21 |
running this investigation, |
00:32:24 |
But you're coming in after the fact. |
00:32:27 |
You're like a quiff who says she won't, |
00:32:31 |
I'm like a quiff who's been fucked over |
00:32:34 |
by guys like Kellogg, McClain, Delaney... |
00:32:37 |
I'm not Kellogg, McClain or Delaney. |
00:32:40 |
Frank, it won't be just flunkey cops. |
00:32:44 |
This could be the biggest thing |
00:32:47 |
Meanwhile I'm out there alone. |
00:32:51 |
I'm totally isolated in the Department. |
00:32:54 |
Don't give me that bullshit. |
00:32:57 |
My name's an obscenity |
00:33:01 |
- I've observed that, sir. |
00:33:03 |
I fought my way up |
00:33:06 |
when you were supposed to have |
00:33:09 |
I have a nightmare. I'm on Fifth Avenue |
00:33:13 |
I have a coronary and 9,000 cops |
00:33:17 |
- I haven't got a friend on the Force either. |
00:33:20 |
I'm not looking for any. |
00:33:23 |
Frank, you're a good cop. Stop being a |
00:33:28 |
How am I being a prima donna? |
00:33:31 |
Frank, if we're gonna get the indictments, |
00:33:45 |
Ready on the right. Ready on the left. |
00:33:47 |
Ready on the firing line. |
00:34:38 |
What are you going to tell |
00:34:43 |
Depends on what they ask me. |
00:34:45 |
Suppose they ask you |
00:34:48 |
- What I don't know I don't know. |
00:34:51 |
Frankie, I like you. |
00:34:56 |
But there are a lot of people |
00:34:59 |
I'm not saying it's going to happen, |
00:35:03 |
There's lots of ways. |
00:35:06 |
They can just not be there |
00:35:09 |
If somebody comes at you with a gun, |
00:35:12 |
Or they'll send you in first enough times |
00:35:20 |
- Thanks for the information. |
00:35:26 |
I have nothing more. |
00:35:29 |
Er... yes. If I may, Mr Knowles. Thank you. |
00:35:31 |
Officer Serpico came to the 7th Division |
00:35:36 |
All during that time, |
00:35:40 |
Why didn't Officer Serpico report |
00:35:44 |
- when he first encountered them? |
00:35:48 |
Mrs Crist's question I don't believe is |
00:35:54 |
I'd like to answer that question |
00:35:56 |
Officer Serpico cannot be considered |
00:36:00 |
or guilty of any infraction of the law - |
00:36:03 |
District Attorney is not prepared |
00:36:07 |
Very well, Mr Tauber. Officer Serpico, |
00:36:11 |
This hearing is adjourned |
00:36:15 |
Why didn't you tell him |
00:36:18 |
This was a grand jury about police |
00:36:22 |
You don't implicate people |
00:36:26 |
That's crap and you know it. |
00:36:28 |
Even a dumb cop like me knows |
00:36:32 |
anywhere it wants to take it. |
00:36:34 |
You never let me anywhere near |
00:36:36 |
Nothing about the bosses, the brass, |
00:36:39 |
how corruption like this could exist |
00:36:42 |
A few flunkey cops in the Bronx, that's it. |
00:36:45 |
None of the shit |
00:36:47 |
Don't forget Kansas City. |
00:36:49 |
- "The biggest thing since Harry Gross"? |
00:36:52 |
Look, Frank. You've got guts. Integrity. |
00:36:57 |
There's going to be |
00:37:03 |
That's terrific. That's good. |
00:37:05 |
Maybe this is what it's all about. |
00:37:10 |
I know you've been through |
00:37:14 |
I'm a marked man in this Department, |
00:37:17 |
- I've already arranged a transfer for you. |
00:37:32 |
That takes a 14-shot clip. |
00:37:37 |
No, just a Division. |
00:37:41 |
Tauber, did you know I've had reports |
00:37:45 |
He used to hang out in the BCl washroom. |
00:37:48 |
That's stupid, Commissioner, |
00:37:51 |
Commissioner, a gold shield for Serpico at |
00:37:57 |
Not while I'm commissioner. |
00:38:17 |
Commander's office? |
00:38:20 |
It's down that corridor. |
00:38:25 |
Hey, Serpico, do you know |
00:38:28 |
That you spilled your guts |
00:38:31 |
Say it isn't so, Serpico. |
00:38:35 |
It isn't so. |
00:38:37 |
I know how to handle guys like you. |
00:38:40 |
I oughta cut your tongue out. |
00:38:49 |
Don't move. |
00:39:12 |
Officer Serpico reporting for duty, sir. |
00:39:22 |
Inspector Lombardo. |
00:39:25 |
It's gonna be nice to have |
00:39:29 |
Anybody in this command |
00:39:35 |
It's not who I want to work with. |
00:39:41 |
If you can't find anybody |
00:39:44 |
I'll work with you. |
00:39:47 |
Is that all right? |
00:39:58 |
- How do we get past the lookouts? |
00:40:02 |
One. |
00:40:05 |
There's two. |
00:40:08 |
There's three of them. |
00:40:10 |
There's four buildings in one. We can |
00:40:14 |
- Look good? |
00:40:59 |
- What do you think? Want to try it? |
00:41:21 |
- You all right? |
00:41:24 |
Thank you. |
00:41:53 |
Close up! |
00:41:57 |
Frank, come on! Come on! |
00:42:16 |
Get out of here. Get out. Go on. |
00:42:23 |
What the helI's going on? |
00:42:25 |
The police. |
00:42:27 |
Get the fuck against the wall. Up! Up! Up! |
00:42:30 |
- Let me see your shield. |
00:42:32 |
All right. There's my shield. |
00:42:34 |
- Where are you from? |
00:42:36 |
You're not! |
00:42:39 |
- Hey, Frank. |
00:42:43 |
Who did you pay in the Borough? |
00:42:47 |
Nobody. I didn't pay nobody. |
00:42:50 |
Who did you pay in the Borough? |
00:42:52 |
I didn't pay nobody. Now let go of me. |
00:42:55 |
We followed up and er... |
00:42:57 |
there's no doubt about it. |
00:43:00 |
The pad here in Manhattan |
00:43:02 |
is bigger and more sophisticated |
00:43:07 |
The erm... the pick-ups here are made... |
00:43:09 |
You want to get this? |
00:43:14 |
retired policemen. |
00:43:16 |
That way no plain clothes men |
00:43:20 |
Now we need investigative help |
00:43:25 |
Well, Inspector, if you need investigative |
00:43:30 |
why don't you requisition some recruits |
00:43:41 |
With all due respect, sir... |
00:43:45 |
backing us up is the only hope |
00:43:49 |
A lot of good cops would come forward |
00:43:53 |
Otherwise they won't do it. |
00:43:55 |
I've done a whole lot more than most |
00:44:00 |
and protect Commissioner Delaney |
00:44:04 |
from outside agencies. |
00:44:08 |
That's it, huh? |
00:44:12 |
That's what you want to know. |
00:44:15 |
What outside agencies I've been to, right? |
00:44:19 |
'Hello?' |
00:44:21 |
- Hello, prick. |
00:44:23 |
- Frank. |
00:44:26 |
Ready to go to the Times. |
00:44:28 |
It's a goddamn serious step, Frank. |
00:44:32 |
I don't know if the timing is right. |
00:44:38 |
I want it to get on the record, that's all. |
00:44:46 |
I want it on the record. |
00:44:51 |
I don't know if we carry enough weight. |
00:44:53 |
I don't know if the Times will go out on |
00:45:02 |
Suppose an inspector |
00:45:06 |
You know, I got 20 years on the Force. |
00:45:09 |
We just got this place and signed |
00:45:13 |
Will you turn that thing off out there! |
00:45:16 |
- Everybody to bed. |
00:45:19 |
Come on, now. Go on upstairs. |
00:45:25 |
This is against Department regulations. |
00:45:28 |
If they want to throw the book at me |
00:45:32 |
If I left the Force... |
00:45:35 |
I don't know what I could do. |
00:45:43 |
OK, I've made my little speech. |
00:45:50 |
Times. I got the money, fellas. |
00:45:53 |
There you go. There you go. |
00:45:55 |
Newsweek, please. |
00:45:59 |
Holy shit! |
00:46:03 |
Oh, Christ. You can almost predict |
00:46:07 |
Delaney's going to issue |
00:46:10 |
Somebody from the Mayor's office |
00:46:13 |
Delaney will change his tune. |
00:46:15 |
The Mayor will appoint a commission. |
00:46:17 |
"Thursday Mayor Lindsay announced |
00:46:21 |
"to review the City procedures |
00:46:25 |
- How come I'm not in the first paragraph? |
00:46:28 |
Yihoo! Yihoo! Yihoo! |
00:46:31 |
The Times report smells |
00:46:36 |
of McCarthyism. |
00:46:38 |
I have issued a statement to be read |
00:46:42 |
The Mayor is appointing |
00:46:45 |
- 'to be headed by Whitman Knapp. ' |
00:46:53 |
Here's your reward, Frank. |
00:46:58 |
Still in Clothes. |
00:47:06 |
I miss you already, Frank. |
00:47:13 |
Look... |
00:47:15 |
Frank... |
00:47:18 |
It's Narcotics. Be careful. |
00:47:23 |
It's very easy to erm... get hurt. |
00:47:27 |
You know, to er... |
00:47:31 |
to be set up. |
00:48:11 |
Serpico! |
00:48:13 |
Get in. |
00:48:31 |
You're not wired, are you? |
00:48:34 |
OK, you cocksucker. |
00:48:37 |
You might get by in the Bronx |
00:48:40 |
but down here |
00:48:45 |
Last week one dope dealer sent out |
00:48:50 |
40,000 each. |
00:48:53 |
We let 'em collect it all and then hit 'em. |
00:48:57 |
120,000 split four ways. |
00:49:00 |
That's serious money. |
00:49:03 |
And with that, you don't fuck around. |
00:49:07 |
I got the message. |
00:49:10 |
Good. Now get the fuck out. |
00:49:20 |
The guy's name is Limbo. He always uses |
00:49:23 |
He's a pusher. Heroin. |
00:49:26 |
We're going to drive round to the corner. |
00:49:30 |
When you spot somebody who's dirty, |
00:49:33 |
Right. OK. |
00:50:42 |
If we stay around here we'll get spotted. |
00:50:44 |
Well, Frank, why don't you go up there |
00:50:48 |
- Why don't you? |
00:50:51 |
- I'll take you shopping. |
00:52:33 |
Limbo? |
00:53:07 |
Police! Freeze! |
00:53:09 |
Police Officer. Up against the wall. |
00:53:14 |
All right. Palms up on the wall |
00:53:17 |
Get 'em up! Get your hands up! |
00:53:20 |
- I saw the buy. |
00:53:23 |
- Julio, you all right, baby? |
00:54:27 |
Police officer! |
00:54:38 |
What the fuck are you waiting for? |
00:54:40 |
Get out! Go down the fire escape! |
00:54:59 |
Police! Drop your guns |
00:55:35 |
- What have we got here? |
00:55:38 |
OK. Go ahead. |
00:55:43 |
- Yes? |
00:55:46 |
- They're bringing him down from X-Ray. |
00:55:49 |
Just a few minutes. |
00:56:17 |
Mr and Mrs Serpico, |
00:56:22 |
Thank God the bullet was a small calibre. |
00:56:26 |
It didn't enter the brain. |
00:56:29 |
Or strike the spinal chord. |
00:56:33 |
He's on the critical list. |
00:56:37 |
But his condition seems to be stable. |
00:56:39 |
Thank you, Doctor. Thank you. |
00:57:15 |
Stay out of there. Didn't they tell you? |
00:57:18 |
- What? |
00:57:21 |
He's no fuckin' good. |
00:57:32 |
- How you doin', kid? |
00:57:41 |
Come over here. |
00:57:46 |
Want to read my fan mail? |
00:57:49 |
Sure. You're a big shot now, huh? |
00:58:16 |
Sid... |
00:58:20 |
I want you to get those fucking cops |
00:58:33 |
The Knapp Commission likes you. |
00:58:37 |
Naturally. |
00:58:42 |
Heinemann and Julio are cleared. |
00:58:47 |
That's very funny. |
00:58:55 |
That's very funny. |
00:58:58 |
Francisco, you love me? |
00:59:01 |
I always had a thing for you, Sid, |
00:59:09 |
Your gold shield's come through. |
00:59:38 |
What's this for? |
00:59:44 |
For being an honest cop? |
00:59:46 |
Hm? |
00:59:48 |
Or for being stupid enough |
00:59:56 |
You tell 'em they can shove it. |
01:00:04 |
I don't want it. |
01:00:43 |
Oh, well. |
01:00:50 |
Well, Frank, the facts are these. |
01:00:52 |
You'll have to stay on leave of absence |
01:00:56 |
In all probability, the hearing in your left ear |
01:00:59 |
Two bullet fragments are still lodged there |
01:01:03 |
One is very close to the carotid artery |
01:01:07 |
Your left side will feel stiff occasionally. |
01:01:09 |
Once in a great while you may experience |
01:01:13 |
But in general, you'll be OK. |
01:01:32 |
Through my appearance here today, |
01:01:35 |
I hope that police officers in the future |
01:01:37 |
will not experience the same frustration |
01:01:42 |
for the past five years |
01:01:45 |
because of my attempt |
01:01:48 |
I was made to feel that I had burdened |
01:01:52 |
The problem is that the atmosphere |
01:01:56 |
in which an honest police officer can act |
01:02:00 |
from fellow officers. |
01:02:02 |
Police corruption cannot exist |
01:02:06 |
at higher levels in the Department. |
01:02:08 |
Therefore the most important result |
01:02:12 |
is a conviction by police officers |
01:02:15 |
In order to ensure this, an independent, |
01:02:20 |
dealing with police corruption |
01:04:47 |
English |