|
Shadow Of The Vampire
|
| 00:06:37 |
Roll camera. |
| 00:06:41 |
And... begin. |
| 00:06:45 |
Nice pussy. |
| 00:06:48 |
Nice pussy. |
| 00:06:53 |
Miaow. |
| 00:06:55 |
You're very content |
| 00:06:58 |
You live in a nice house... |
| 00:07:02 |
And you're married to a kind man |
| 00:07:09 |
You have no inkling of what lives |
| 00:07:14 |
No sense of longing. |
| 00:07:17 |
No notion even of death itself. |
| 00:07:27 |
And... |
| 00:07:29 |
...end. And print it. |
| 00:07:32 |
Wolf, have we established pathos? |
| 00:07:34 |
Perfectly, Herr Doctor. |
| 00:07:43 |
Very well let's get the film |
| 00:07:46 |
I'll need to see rushes tomorrow |
| 00:07:49 |
Albin? |
| 00:07:51 |
Yeah, Friedrich? |
| 00:07:52 |
Hurry and strike your set, |
| 00:07:54 |
hesitate to remind me, it's costing |
| 00:07:58 |
Shooting outside the studios will |
| 00:08:00 |
But such is the price of genius. |
| 00:08:03 |
Thank God, an end to this artifice. |
| 00:08:14 |
Nicely done, Greta. |
| 00:08:16 |
You are developing in a number |
| 00:08:19 |
For a moment I even thought I saw a |
| 00:08:23 |
It wouldn't surprise me with all the |
| 00:08:27 |
I told you, it's important |
| 00:08:30 |
But why do we have |
| 00:08:32 |
at the start |
| 00:08:34 |
- Albin, has your man arranged the cars? |
| 00:08:37 |
Do you have any idea the parts I've |
| 00:08:41 |
Will that be enough? |
| 00:08:42 |
It has to be... they're |
| 00:08:45 |
Herr Doctor, you're ignoring me. |
| 00:08:48 |
There was a time when you |
| 00:08:52 |
Why would you possibly want to act |
| 00:08:56 |
Atheatrical audience gives me life, |
| 00:09:00 |
this thing merely takes it from me. |
| 00:09:04 |
Greta... |
| 00:09:06 |
Ellen is a woman who discovers... |
| 00:09:08 |
the ultimate expression of love... |
| 00:09:10 |
in the most exquisite pain imaginable. |
| 00:09:17 |
Does that sound familiar? |
| 00:09:21 |
It's a very demanding role. |
| 00:09:24 |
It is the role that will make you |
| 00:09:28 |
Consider it |
| 00:09:34 |
Work quickly, ladies and gentlemen, |
| 00:09:38 |
Hans... |
| 00:09:40 |
Albin, what did you give the cat? |
| 00:09:42 |
Laudanum. |
| 00:09:43 |
Laudanum. |
| 00:09:44 |
It's hard to keep the damn thing docile |
| 00:09:48 |
It looked a little pickled. |
| 00:09:50 |
Not as much as Greta. |
| 00:09:53 |
Things seem to be |
| 00:09:55 |
Friedrich. |
| 00:09:57 |
Friedrich. |
| 00:09:59 |
Friedrich, we have to talk |
| 00:10:01 |
Not now, Albin, |
| 00:10:04 |
Wrap things up for me here, |
| 00:10:06 |
Make sure the imbecile Gustav |
| 00:10:09 |
And I'll see you all |
| 00:10:11 |
But what kind of clothes |
| 00:10:13 |
What kind of make-up? |
| 00:10:16 |
Please tell me, Friedrich? |
| 00:10:19 |
Does anybody know |
| 00:10:21 |
Perhaps he has a woman. |
| 00:10:22 |
Or a man. |
| 00:11:01 |
We cross the border into Czechoslovakia |
| 00:11:05 |
Apparently Herr Doctor's already |
| 00:11:08 |
He has? |
| 00:11:09 |
You didn't know? |
| 00:11:11 |
No. |
| 00:11:13 |
Strange. Well, you can assume we'll be |
| 00:11:17 |
The scenes between him |
| 00:11:19 |
I thought Dracula lived |
| 00:11:22 |
Strictly speaking, |
| 00:11:25 |
The author's widow wouldn't |
| 00:11:27 |
So who's playing Count Dracula? |
| 00:11:30 |
His name is Schreck. |
| 00:11:34 |
Max Schreck. |
| 00:11:39 |
Apparently he was in the Reinhardt |
| 00:11:42 |
Schreck? Are you sure |
| 00:11:45 |
He's a character actor. |
| 00:11:47 |
Who told you he was |
| 00:11:49 |
Herr Doctor told me. |
| 00:11:51 |
I never heard of any Max Schreck |
| 00:11:53 |
Herr Doctor told me he was |
| 00:11:57 |
Oh dear, one of the |
| 00:11:59 |
As part of his preparation, |
| 00:12:01 |
his own personality into that |
| 00:12:05 |
That is why he's not travelling |
| 00:12:08 |
Herr Doctor told me he went |
| 00:12:11 |
To absorb the flavour of the place, |
| 00:12:15 |
Herr Doctor also told me... |
| 00:12:16 |
that when we get there |
| 00:12:19 |
Max Schreck will only appear to us |
| 00:12:24 |
as the vampire. |
| 00:12:26 |
And furthermore... |
| 00:12:28 |
we will only film him at night. |
| 00:12:32 |
And why wasn't I told about it? |
| 00:12:36 |
Well, he told me. |
| 00:12:53 |
Tell me you're not too pretty |
| 00:12:56 |
Yes, sir. |
| 00:12:58 |
I love the cinema. |
| 00:12:59 |
Friedrich, I just realised this morning, |
| 00:13:03 |
what picture you're making. |
| 00:13:07 |
The crew don't know |
| 00:13:09 |
The cast don't know |
| 00:13:11 |
And now I don't know what picture |
| 00:13:15 |
Albin... |
| 00:13:16 |
I know, tell them nothing. |
| 00:13:18 |
- Ah, yeah, there he is. |
| 00:13:22 |
Gentlemen, I amn Albin Grau, |
| 00:13:24 |
producer and art director |
| 00:13:28 |
Is it true Murnau is filming |
| 00:13:30 |
Friedrich Wilhelm Murnau is Germany's |
| 00:13:34 |
In a class with such masters |
| 00:13:37 |
as Griffith and Eisenstein. |
| 00:13:39 |
At present he is supervising |
| 00:13:42 |
of this unique |
| 00:13:46 |
- The major part, who's going to play? |
| 00:13:49 |
- Thank you, gentlemen. |
| 00:14:15 |
Paul, Paul. |
| 00:14:34 |
Our battle, our struggle, |
| 00:14:37 |
is to create art. |
| 00:14:39 |
Our weapon is the moving picture. |
| 00:14:43 |
Because we have the moving picture... |
| 00:14:46 |
our paintings |
| 00:14:49 |
Our poetry will be shadows |
| 00:14:51 |
that lengthen and conceal. |
| 00:14:54 |
Our light will play |
| 00:14:57 |
that laugh and agonise. |
| 00:15:01 |
And our music will linger |
| 00:15:05 |
because it will have a context. |
| 00:15:07 |
As certain as the grave. |
| 00:15:13 |
We are scientists engaged |
| 00:15:20 |
But our memory |
| 00:15:22 |
will neither blur... nor fade. |
| 00:15:37 |
What is this? |
| 00:15:40 |
It looks like... blood. |
| 00:16:15 |
Good evening. |
| 00:16:18 |
Herr Doctor... |
| 00:16:20 |
we've been expecting you. |
| 00:16:24 |
- The wagon train has arrived. |
| 00:16:28 |
Well, what a terrible |
| 00:16:31 |
How long have you been here? |
| 00:16:33 |
Not long. |
| 00:16:34 |
Don't tell me, we have |
| 00:16:36 |
No. Exterior shots of the inn. |
| 00:16:38 |
Some shots in here. |
| 00:16:40 |
Welcome. |
| 00:16:42 |
Welcome. |
| 00:16:44 |
I'd like to plan for these night scenes. |
| 00:16:48 |
They will be filmed soon... |
| 00:16:52 |
much planning. |
| 00:16:54 |
But I need extra help |
| 00:16:57 |
Surely you can give me |
| 00:16:59 |
Herr Doctor, |
| 00:17:02 |
You're looking at them. |
| 00:17:06 |
Herr Doctor, |
| 00:17:08 |
They don't need to act. |
| 00:17:18 |
Wolf? |
| 00:17:25 |
Herr Muller? |
| 00:17:35 |
I was... Sorry, Wolf. |
| 00:19:28 |
All right, Hutter, it's been a fitful |
| 00:19:32 |
eager to continue your journey to |
| 00:19:36 |
who may very well make |
| 00:19:43 |
Wait, Gustav. |
| 00:19:46 |
Yes, pick it up. |
| 00:19:49 |
It's a book... |
| 00:19:54 |
Ah... yes... |
| 00:19:56 |
now you remember. |
| 00:19:58 |
It was put there last night by the |
| 00:20:02 |
who warned you not |
| 00:20:06 |
The ones who warned you |
| 00:20:11 |
Nosferatu. |
| 00:20:14 |
The unclean, the undead... |
| 00:20:17 |
least you evoke |
| 00:20:21 |
Very good, Gustav |
| 00:20:25 |
Herr Doctor... |
| 00:20:26 |
Albin... |
| 00:20:27 |
- I am sorry, Herr Doctor, but... |
| 00:20:29 |
End. |
| 00:20:30 |
Albin, a native has wandered |
| 00:20:42 |
Wolf. |
| 00:20:44 |
Wolf! |
| 00:20:46 |
What is the matter with everyone? |
| 00:20:48 |
She will not let us go on filming, |
| 00:20:52 |
Am I really |
| 00:20:55 |
Herr Doctor, I warned you. |
| 00:20:58 |
You should be more concerned |
| 00:21:02 |
The crosses are not for decoration. |
| 00:21:05 |
We will put them back. |
| 00:21:07 |
They just overwhelm |
| 00:21:14 |
Albin, the camera. |
| 00:21:15 |
- The head light should be sufficient. |
| 00:21:19 |
Twenty-three. |
| 00:21:21 |
Quickly. |
| 00:21:23 |
Yes... Albin, that's fine, |
| 00:21:27 |
Go in, Henrik. |
| 00:21:28 |
On either side, you open the door |
| 00:21:31 |
Ready? Are we ready? |
| 00:21:33 |
Yeah, yeah. |
| 00:21:35 |
And roll camera. |
| 00:21:37 |
Iris in. |
| 00:21:39 |
And... |
| 00:21:42 |
...begin. |
| 00:21:43 |
Gustav, you walk in very slowly. |
| 00:21:46 |
Very slowly... yes. |
| 00:21:50 |
Feel your bag, make sure |
| 00:21:55 |
You're afraid. |
| 00:21:58 |
Who was the person |
| 00:22:01 |
You must go into the castle. |
| 00:22:04 |
The castle calls you... |
| 00:22:06 |
The gates suddenly open. |
| 00:22:11 |
You must go in. |
| 00:22:13 |
That's excellent, Gustav. |
| 00:22:16 |
Go forward. |
| 00:22:19 |
Go forward. |
| 00:22:24 |
And, end. |
| 00:22:25 |
Wolf? |
| 00:22:26 |
Yeah, it's okay. |
| 00:22:28 |
I'm in charge of set construction. Who |
| 00:22:33 |
Albin, I sent some local workers |
| 00:22:37 |
I'm sorry I didn't explain to you. |
| 00:22:39 |
Please, there's a generator |
| 00:22:41 |
just past the tree on the right, |
| 00:22:44 |
Henrik, take this camera. |
| 00:22:46 |
- We have an agreement! |
| 00:22:49 |
Wolf, your camera is here. |
| 00:22:57 |
Roll camera. |
| 00:23:07 |
Gustav... |
| 00:23:08 |
you move forward very slowly, |
| 00:23:14 |
This is perfect. |
| 00:23:17 |
Just a dark hole... |
| 00:23:19 |
...that has been unexplored, |
| 00:23:23 |
...for a long, long time. |
| 00:23:28 |
And then... |
| 00:23:30 |
one night... |
| 00:23:33 |
something crawls out. |
| 00:23:41 |
Hutter... |
| 00:23:44 |
meet Count Orlock. |
| 00:24:35 |
Gustav, you must follow him |
| 00:24:46 |
Yes, going in. |
| 00:24:49 |
Make your way down. |
| 00:24:54 |
And... |
| 00:24:56 |
...end. |
| 00:25:07 |
Wolf? |
| 00:25:12 |
My God. |
| 00:25:14 |
Wolf! |
| 00:25:16 |
Yeah, got it. |
| 00:25:19 |
Remarkable. |
| 00:25:21 |
The overture to our |
| 00:25:24 |
Genius, Hutter. Genius. |
| 00:25:30 |
He's not from the |
| 00:25:36 |
Congratulations, Gustav. |
| 00:25:42 |
Yes... |
| 00:25:44 |
I was good, wasn't I? |
| 00:25:46 |
I saw his face... |
| 00:25:50 |
Where did you find him, really? |
| 00:25:53 |
In that hole. |
| 00:25:54 |
Gustav... |
| 00:25:56 |
this was your finest moment. |
| 00:25:58 |
Good, Gustav. |
| 00:25:59 |
Gentlemen, let's pack up. |
| 00:26:03 |
That's it? We came all the way |
| 00:26:06 |
I would have driven anywhere at |
| 00:26:10 |
I would like to congratulate Schreck |
| 00:26:14 |
For the remainder of the shoot, |
| 00:26:17 |
To himself and to all of us. |
| 00:26:19 |
Just leave the man alone. |
| 00:26:22 |
He is not interested in our questions, |
| 00:26:27 |
He's chasing an altogether |
| 00:26:30 |
Friedrich. Come quick, it's Wolf! |
| 00:26:39 |
Muller, I can help you. |
| 00:26:42 |
Help me. |
| 00:26:56 |
Albin, you have the cameras safe? |
| 00:26:59 |
Go, quickly. |
| 00:27:16 |
- Is my room ready? |
| 00:27:29 |
Nosferatu. |
| 00:27:31 |
Ah, this is too much. |
| 00:27:33 |
Answer me, Herr Doctor. Is this |
| 00:27:37 |
Henrik, stop being so theatrical. |
| 00:27:41 |
Go on up, Wolf, and have a brandy. |
| 00:27:47 |
What's happened? |
| 00:27:49 |
He's ill, obviously. |
| 00:27:51 |
and then go outside and help Herr |
| 00:27:56 |
All right? Come on. |
| 00:27:57 |
Bring the cameras |
| 00:27:59 |
prepare for tomorrow. |
| 00:28:16 |
Albin, we need to clear the table. |
| 00:28:20 |
the quill, |
| 00:28:22 |
and the contracts. |
| 00:28:27 |
Yes, I... |
| 00:28:28 |
I'd like it darker |
| 00:28:30 |
Which case, Paul? Move |
| 00:28:34 |
and you, spread some dust |
| 00:28:59 |
Ah, there you are. |
| 00:29:04 |
It's incredible, no? |
| 00:29:08 |
Ladies and gentlemen, |
| 00:29:11 |
who will be portraying |
| 00:29:14 |
As you no doubt have heard, |
| 00:29:18 |
unconventional. |
| 00:29:20 |
But, I am sure you will come |
| 00:29:23 |
to respect his artistry in this |
| 00:29:28 |
Yes, places everybody. |
| 00:29:30 |
May I have the chair, please? |
| 00:29:32 |
Count Orlock, you will sit here |
| 00:29:36 |
Please. |
| 00:29:38 |
Very good. |
| 00:29:39 |
In this scene, the Count is reading |
| 00:29:44 |
and you are about to make a |
| 00:29:50 |
No, no make-up! |
| 00:29:53 |
Forgive me, Herr Doctor. |
| 00:29:55 |
Albin clear the set! |
| 00:29:58 |
Elke... |
| 00:30:05 |
Count, you're reading |
| 00:30:08 |
That's it. |
| 00:30:10 |
It isn't right. |
| 00:30:12 |
Well, try acting it, |
| 00:30:15 |
What should it say? |
| 00:30:17 |
It's meant to be a contract... |
| 00:30:19 |
a real estate contract. |
| 00:30:23 |
I'd like some make-up. |
| 00:30:25 |
Well, you don't get any. |
| 00:30:27 |
All right, are we ready to begin? |
| 00:30:30 |
Elke, the phonograph. |
| 00:30:42 |
Iris in. |
| 00:30:45 |
And... |
| 00:30:47 |
concentrate... |
| 00:30:49 |
begin. |
| 00:30:51 |
All right, Orlock, very good. |
| 00:30:55 |
Read your papers very intensely. |
| 00:30:58 |
After all, how often is it that you |
| 00:31:03 |
No, don't look up. |
| 00:31:06 |
Not that you actually care about |
| 00:31:10 |
All you're interested in are all |
| 00:31:15 |
the moment you get to Germany. |
| 00:31:19 |
Ah now, Hutter, |
| 00:31:21 |
creep in... creep in. |
| 00:31:25 |
Let us see the expectation |
| 00:31:27 |
You're about to make |
| 00:31:30 |
Point out a few details |
| 00:31:35 |
Tell him that, that's |
| 00:31:39 |
Reach into your bag. |
| 00:31:41 |
This will seal the deal |
| 00:31:44 |
Count, what is it? |
| 00:31:48 |
It's a locket. |
| 00:31:56 |
This is Greta Schroder. |
| 00:31:58 |
No, no, you don't know her. |
| 00:31:59 |
He's supposed to ask who it is. |
| 00:32:13 |
No... End. |
| 00:32:17 |
Jesus, Max... |
| 00:32:19 |
Henrik, can you explain to him... |
| 00:32:21 |
his motivation? |
| 00:32:24 |
All right, Count... |
| 00:32:26 |
think about this... |
| 00:32:28 |
What is it that inspires... |
| 00:32:32 |
the most longing in you? |
| 00:32:34 |
That is most desirable... |
| 00:32:37 |
and yet most unattainable? |
| 00:32:39 |
The light... of the sun. |
| 00:32:44 |
That is the emotion. Use it. |
| 00:32:48 |
Nosferatu, you read your papers. |
| 00:33:00 |
Who is this woman? |
| 00:33:02 |
It's Ellen, my wife. |
| 00:33:05 |
She has a beautiful bosom. |
| 00:33:08 |
Oh Jesus... |
| 00:33:09 |
Gustav, just snatch it back |
| 00:33:12 |
Yes. Go on. |
| 00:33:13 |
And, vampire, you sign the papers. |
| 00:33:15 |
Take your quill, |
| 00:33:18 |
Yes, go on. |
| 00:33:24 |
I understand we are going |
| 00:33:36 |
Very nice addition, Count. Yes. |
| 00:33:39 |
And, Hutter, |
| 00:33:41 |
Yes. Snatch back your papers. |
| 00:33:48 |
And, iris out. |
| 00:33:52 |
End! |
| 00:33:54 |
Excellent. |
| 00:33:57 |
Excellent. |
| 00:34:00 |
Give the lip-readers a thrill. |
| 00:34:03 |
Wolf, do you have it? |
| 00:34:04 |
Yes, I got it. |
| 00:34:06 |
Wolf, have you got it? |
| 00:34:07 |
Yes, I said I got it! |
| 00:34:10 |
Excellent. Thank you. |
| 00:34:23 |
Do you think Schreck is all right? |
| 00:34:27 |
He's not in danger. |
| 00:34:29 |
He's a fine actor, but, |
| 00:34:32 |
it's very strange. |
| 00:34:35 |
You think it is strange enough for him |
| 00:34:38 |
that he forgets he's |
| 00:34:40 |
God knows I forgot. |
| 00:34:42 |
Schreck's peculiarities are |
| 00:34:45 |
You believe them |
| 00:34:48 |
but they always stop short of |
| 00:35:15 |
The woods decay... |
| 00:35:18 |
the woods decay and fall... |
| 00:35:23 |
the vapours weep their burthen |
| 00:35:25 |
to the ground. |
| 00:35:29 |
Dinner? |
| 00:35:33 |
You set a very mean table. |
| 00:35:38 |
No rats? |
| 00:35:46 |
There was a time... |
| 00:35:49 |
when I fed... |
| 00:35:53 |
from golden chalices. |
| 00:35:55 |
But now... |
| 00:35:58 |
Don't look at me that way! |
| 00:36:02 |
In my old age I feed... |
| 00:36:07 |
the way old men pee. |
| 00:36:11 |
Sometimes all at once... |
| 00:36:16 |
sometimes drop by drop. |
| 00:36:22 |
I told you... |
| 00:36:25 |
I feed erratically... |
| 00:36:32 |
often enormously. |
| 00:36:41 |
Yes, Max, you may give |
| 00:36:45 |
Gustav, this is a scene from |
| 00:36:49 |
your host he has brought you home |
| 00:36:54 |
You can start eating. |
| 00:36:56 |
Very well. Excellent. And, Orlock, |
| 00:36:59 |
and totally ignoring your guest. |
| 00:37:03 |
Good. |
| 00:37:05 |
Wolf, roll camera... |
| 00:37:08 |
and... |
| 00:37:10 |
begin. |
| 00:37:14 |
Yes. |
| 00:37:17 |
A thought occurs to you. |
| 00:37:19 |
Iook at your host. |
| 00:37:23 |
Do you think... |
| 00:37:25 |
he might have been the stranger |
| 00:37:31 |
You watch... |
| 00:37:35 |
How does it feel to be |
| 00:37:41 |
Knowing that you're spending |
| 00:37:43 |
in the castle, alone. |
| 00:37:47 |
You watch him. |
| 00:37:49 |
Orlock, drop your paper. |
| 00:37:54 |
Gustav, keep watching him. |
| 00:37:56 |
Take your right hand |
| 00:38:00 |
Watch him... |
| 00:38:02 |
breathing. |
| 00:38:05 |
What will happen? |
| 00:38:08 |
Reach out, take the loaf of bread... |
| 00:38:11 |
and cut yourself a slice. |
| 00:38:16 |
Yes, slicing, slicing... |
| 00:38:19 |
You are slicing. |
| 00:38:21 |
Ttoward you, toward you... |
| 00:38:24 |
watching him... |
| 00:38:25 |
...slicing, slicing, |
| 00:38:28 |
slicing... |
| 00:38:30 |
Watch your finger! |
| 00:38:32 |
Damn it! |
| 00:38:35 |
Look, Nosferatu! |
| 00:38:40 |
Damn it, Murnau. |
| 00:38:43 |
- Paul, go and check the generator. |
| 00:38:46 |
- Calm down! |
| 00:38:47 |
- That knife was sharpened like a razor! |
| 00:38:52 |
Jesus Christus get this off me! |
| 00:38:59 |
Schreck! |
| 00:39:03 |
What is the matter with you? |
| 00:39:05 |
He's a Stanislavsky lunatic, that is |
| 00:39:08 |
I contracted you in secrecy |
| 00:39:13 |
Herr Muller, when will you have your |
| 00:39:17 |
I am tired of your |
| 00:39:21 |
I saw you. |
| 00:39:23 |
Gustav... |
| 00:39:24 |
bring the girls to the car. |
| 00:39:27 |
- I am not happy! |
| 00:39:30 |
Herr Doctor, |
| 00:39:32 |
I told you to fix the generator! |
| 00:39:35 |
No, leave the equipment |
| 00:39:37 |
We are done here for today, |
| 00:39:39 |
Albin! |
| 00:39:40 |
Help me. |
| 00:39:41 |
Everybody to the automobile. |
| 00:39:43 |
Herr Doctor, we're leaving. |
| 00:39:46 |
No... |
| 00:39:48 |
He stays. |
| 00:41:25 |
Albin... |
| 00:41:39 |
Yes, Friedrich? |
| 00:41:40 |
Do you think Wolf's assistant |
| 00:41:44 |
Paul? No. He has |
| 00:41:48 |
What about you? |
| 00:41:50 |
You are the closest we have |
| 00:41:53 |
What are you talking about? |
| 00:41:57 |
No, Henrik... |
| 00:41:58 |
this film will go on. |
| 00:42:00 |
Henrik, this film cannot survive |
| 00:42:04 |
The financiers would take control. |
| 00:42:07 |
They hate your script. |
| 00:42:08 |
Actually, it may be advantageous |
| 00:42:13 |
and I like that. |
| 00:42:14 |
Do you hear |
| 00:42:15 |
You're out of your fucking mind, |
| 00:42:17 |
Please, don't behave like children. |
| 00:42:22 |
I'll get a new photographer and fly |
| 00:42:27 |
Henrik, when you wrote |
| 00:42:29 |
you had demons of your own |
| 00:42:33 |
Now I have mine. |
| 00:42:37 |
Albin... |
| 00:42:39 |
you're the producer... |
| 00:43:03 |
How dare you |
| 00:43:07 |
You idiot! |
| 00:43:09 |
Did I kill some |
| 00:43:14 |
I can't remember. |
| 00:43:16 |
We have an arrangement! |
| 00:43:19 |
Don't pretend you mourn, |
| 00:43:28 |
Why him, you monster? |
| 00:43:30 |
Why not the script girl? |
| 00:43:36 |
The script girl... |
| 00:43:38 |
I'll eat her later. |
| 00:43:41 |
No, you will not! |
| 00:43:42 |
Our bargain, you agreed |
| 00:43:48 |
Listen to me, |
| 00:43:50 |
This requires that |
| 00:43:53 |
to find another photographer |
| 00:43:57 |
And you will control yourself |
| 00:44:03 |
I don't think we need |
| 00:44:11 |
I don't expect you |
| 00:44:13 |
and I am loathed |
| 00:44:17 |
but, the writer is necessary. |
| 00:44:20 |
All my crew is necessary. |
| 00:44:24 |
Do you understand? |
| 00:44:27 |
I don't think the ship is necessary. |
| 00:44:34 |
What? |
| 00:44:35 |
The ship... |
| 00:44:40 |
The ship? |
| 00:44:42 |
My God, what |
| 00:44:45 |
I have a dozen scenes on the ship. |
| 00:44:49 |
But I won't sail. |
| 00:44:53 |
Then I will replace you |
| 00:44:56 |
I will do every scene |
| 00:44:59 |
You, you will have no close-ups. |
| 00:45:03 |
How dare you speak |
| 00:45:05 |
I have shots! |
| 00:45:11 |
Why didn't you mention this before? |
| 00:45:19 |
You want to eat the writer? |
| 00:45:22 |
That will leave you to explain |
| 00:45:24 |
how else your character |
| 00:45:32 |
Yes... |
| 00:45:34 |
I will... |
| 00:45:36 |
shoot the scenes at sea |
| 00:45:39 |
But you will still have |
| 00:45:41 |
for your death scene. |
| 00:45:46 |
Or else what? |
| 00:45:49 |
Or else? |
| 00:45:51 |
Or else... |
| 00:45:52 |
...no Greta. |
| 00:45:54 |
We shoot her scenes there. |
| 00:46:04 |
I'll go to Heligoland... |
| 00:46:07 |
but I won't sail. |
| 00:46:11 |
Heligoland is an island. |
| 00:46:13 |
So? |
| 00:46:14 |
So it can only be reached by sea. |
| 00:46:19 |
Or air. |
| 00:46:31 |
And if I agree to fly you in... |
| 00:46:35 |
you will leave my people alone. |
| 00:46:38 |
Or else what? |
| 00:46:41 |
Don't think I can't harm you. |
| 00:46:43 |
Tell me how you would harm me... |
| 00:46:46 |
when even I don't know |
| 00:47:24 |
But thy strong hours indignant |
| 00:47:28 |
and beat me down... |
| 00:47:31 |
and marr'd and wasted me... |
| 00:47:34 |
and though |
| 00:47:39 |
left me maim'd to dwell |
| 00:47:42 |
in presence |
| 00:47:48 |
Immortal age... |
| 00:47:50 |
beside immortal youth. |
| 00:47:55 |
And all I was in ashes. |
| 00:48:42 |
Albin, what is |
| 00:48:46 |
the most wondrous thing |
| 00:48:48 |
Er... |
| 00:48:50 |
I saw ectoplasm once. |
| 00:48:53 |
Ectoplasm? |
| 00:48:55 |
It's the mystical |
| 00:48:59 |
I saw a spiritualist pull it out |
| 00:49:03 |
What did it look like? |
| 00:49:06 |
Seaweed. |
| 00:49:08 |
Is that what we look like |
| 00:49:10 |
I hope not. |
| 00:49:13 |
What was for you the most, |
| 00:49:20 |
I once saw Greta Schroeder naked. |
| 00:49:23 |
No? |
| 00:49:24 |
Yes. |
| 00:49:25 |
That beats ectoplasm. |
| 00:49:27 |
Jesus, Max, you scared me to death. |
| 00:49:31 |
How long have you been listening? |
| 00:49:34 |
We've been looking all over |
| 00:49:37 |
Maybe it isn't his resting place. |
| 00:49:44 |
Didn't we have |
| 00:49:48 |
Max, the great Friedrich Wilhelm |
| 00:49:52 |
- to find a new photographer. |
| 00:49:57 |
So you can take |
| 00:49:59 |
Albin, please, |
| 00:50:02 |
Ask him some vampire questions. |
| 00:50:05 |
When did you become |
| 00:50:08 |
I can't recall. |
| 00:50:10 |
Where were you born? |
| 00:50:13 |
I can't remember. |
| 00:50:17 |
It's not funny any more. |
| 00:50:19 |
Count Dracula wouldn't say, |
| 00:50:22 |
I read that book. |
| 00:50:25 |
Murnau gave it to me. |
| 00:50:30 |
Now, this is a golden opportunity. |
| 00:50:34 |
what do you make |
| 00:50:37 |
It made me sad. |
| 00:50:39 |
Why sad? |
| 00:50:42 |
Because Dracula |
| 00:50:46 |
I think you missed the point |
| 00:50:50 |
Dracula... hasn't had servants |
| 00:50:54 |
And then a man comes |
| 00:50:57 |
and he must convince him |
| 00:50:59 |
that he's like the man. |
| 00:51:03 |
He has to feed him... |
| 00:51:04 |
when he himself |
| 00:51:07 |
hasn't eaten food in centuries. |
| 00:51:10 |
Can he even remember |
| 00:51:14 |
How to select cheese and wine? |
| 00:51:17 |
And then he remembers |
| 00:51:21 |
how to prepare a meal, |
| 00:51:26 |
He remembers... |
| 00:51:28 |
his past glory |
| 00:51:30 |
his armies, his retainers, |
| 00:51:33 |
and what he is reduced to. |
| 00:51:38 |
The loneliest part |
| 00:51:42 |
comes when the man... |
| 00:51:45 |
accidentally sees Dracula... |
| 00:51:49 |
setting his table. |
| 00:51:57 |
But if you're so lonely |
| 00:51:59 |
why don't you make more vampires? |
| 00:52:03 |
I can't, I'm too old. |
| 00:52:09 |
Although... |
| 00:52:11 |
I seem to remember |
| 00:52:16 |
Then how did you become |
| 00:52:18 |
It was woman. |
| 00:52:21 |
Now we're getting somewhere. |
| 00:52:35 |
Schreck, the German theatre |
| 00:52:38 |
needs you. |
| 00:52:43 |
We were together in the night |
| 00:52:47 |
At first I had a painting |
| 00:52:51 |
Then I had a relief of her in marble. |
| 00:52:55 |
I had a picture of her, |
| 00:53:00 |
But now I no longer |
| 00:53:08 |
What was I saying? |
| 00:53:16 |
This schnapps they make |
| 00:53:22 |
I haven't tasted it in... |
| 00:53:28 |
Take it easy there, |
| 00:53:44 |
Henrik... |
| 00:53:47 |
what an actor. |
| 00:53:50 |
Yeah. |
| 00:53:52 |
Dedication. |
| 00:54:01 |
Herr Schreck. |
| 00:54:50 |
Herr Doctor. |
| 00:54:53 |
Herr Doctor. |
| 00:54:56 |
You wanted reality, |
| 00:54:58 |
Ah, I'm not a doctor, but I have |
| 00:55:02 |
- You're the new cameraman, right? |
| 00:55:03 |
- We tried shoot it now. |
| 00:55:06 |
- Art can never move as fast as life. |
| 00:55:10 |
So, what's the lens? |
| 00:55:12 |
It's thirty-five millimetre, sir. |
| 00:55:13 |
Not my ideal weapon of choice, |
| 00:55:17 |
Are you loaded? |
| 00:55:17 |
- Yes, sir. |
| 00:55:19 |
Move the camera ten centimetres |
| 00:55:22 |
and I'll contrive a possible two |
| 00:55:33 |
- Did you get the shot? |
| 00:55:35 |
And the gate is clean? |
| 00:55:36 |
The gate's clean, sir. |
| 00:55:40 |
I hadn't time to properly prepare |
| 00:55:43 |
What I should have done was filmed |
| 00:55:46 |
It would have been |
| 00:55:49 |
What's that, sir, slow motion? |
| 00:55:50 |
Well I run the film through |
| 00:55:53 |
When it's projected at normal speed, |
| 00:55:58 |
Gives everything |
| 00:56:02 |
It's a shame you won't have |
| 00:56:04 |
your more esoteric skills |
| 00:56:09 |
I'm Albin Grau, he producer. |
| 00:56:13 |
And at dawn, Hutter tried to fathom |
| 00:56:16 |
the horrors of his nights. |
| 00:56:18 |
Excellent. |
| 00:56:20 |
Fritz, roll camera. |
| 00:56:29 |
Iris in. |
| 00:56:33 |
Begin. |
| 00:57:00 |
And end. |
| 00:57:02 |
Excellent, Gustav. |
| 00:57:04 |
Extraordinary discipline |
| 00:57:07 |
Fritz? |
| 00:57:10 |
Yes, well, |
| 00:57:12 |
Yes, I'd like to move in |
| 00:57:16 |
Mark the shot |
| 00:57:19 |
I am exhausted now, |
| 00:57:23 |
You will get a hot meal in Wismar |
| 00:59:34 |
And, end. |
| 01:00:40 |
Have you ever |
| 01:00:43 |
No, really, you have |
| 01:00:46 |
Are you a producer? |
| 01:00:47 |
Why can't Herr Doctor film in a |
| 01:00:51 |
Henrik, would you take my dog |
| 01:00:56 |
- And thank you. Lovely. |
| 01:01:00 |
Wismar, is there anything here |
| 01:01:02 |
that even vaguely resembles |
| 01:01:05 |
I mean, I'm suffering for my |
| 01:01:08 |
What's going on here, anyway? |
| 01:01:11 |
You know, Friedrich tells me |
| 01:01:15 |
And Gustav says |
| 01:01:18 |
And you can imagine what |
| 01:01:21 |
Hello, Greta. |
| 01:01:24 |
Hello. |
| 01:01:27 |
You look vaguely familiar. |
| 01:01:31 |
Morocco. |
| 01:01:35 |
- Yes, you brought me treats. |
| 01:01:39 |
What was your name again? |
| 01:01:41 |
It's... |
| 01:01:43 |
Fritzie. |
| 01:01:45 |
- Fritzie. |
| 01:01:49 |
Fritzie? |
| 01:01:51 |
- Would you care tojoin us for a drink? |
| 01:01:54 |
We have to pre-light the set, |
| 01:01:57 |
What? What set? What the hell |
| 01:02:01 |
We need you to see the sets |
| 01:02:05 |
Well, give me back |
| 01:02:08 |
Here. |
| 01:02:09 |
- Thank you, yes. |
| 01:02:12 |
Left all alone as usual. |
| 01:02:15 |
Come here, Fru-Fru. |
| 01:02:34 |
She's here, isn't she? |
| 01:02:36 |
The glorious child. |
| 01:02:43 |
No. |
| 01:02:44 |
I want to see her now. |
| 01:02:46 |
No! |
| 01:02:47 |
I won't act for you again |
| 01:02:51 |
You are destroying everything. |
| 01:02:53 |
My people have to trust me |
| 01:02:58 |
You and I are not so different. |
| 01:03:04 |
Greta is in your last scene, |
| 01:03:06 |
that is when you can have her. |
| 01:03:09 |
After my death scene? |
| 01:03:11 |
Yes. |
| 01:03:12 |
Don't expect realism there, |
| 01:03:15 |
What do you mean? |
| 01:03:16 |
Don't cheat me, mortal. |
| 01:03:19 |
You will stay away |
| 01:03:21 |
You will stay away |
| 01:03:24 |
I will finish my picture! |
| 01:03:28 |
This is hardly your picture |
| 01:04:09 |
You are ready? |
| 01:04:11 |
Yes, Henrik. |
| 01:04:12 |
Right... |
| 01:04:15 |
He was amazing |
| 01:04:25 |
What a horrible smell. |
| 01:04:29 |
Mind your head. |
| 01:04:36 |
This is it. |
| 01:04:39 |
He's in here? |
| 01:04:40 |
Yeah. |
| 01:04:41 |
Are you sure? |
| 01:04:51 |
That answers that question. |
| 01:04:54 |
How did you find |
| 01:04:57 |
I followed Murnau here. |
| 01:04:59 |
I think you're in the wrong |
| 01:05:02 |
There's probably a sadistic |
| 01:07:39 |
What's wrong? |
| 01:07:41 |
It's all right. |
| 01:07:42 |
Everyone back to bed. |
| 01:07:45 |
Greta... |
| 01:07:47 |
Greta, what is it? |
| 01:07:49 |
Greta, what is it? |
| 01:07:52 |
Greta, Greta... |
| 01:07:54 |
What's happened, Greta? |
| 01:07:57 |
Please. |
| 01:07:58 |
It's morphine. |
| 01:07:59 |
Morphine? |
| 01:08:04 |
Photography and pharmaceuticals by |
| 01:08:08 |
Friedrich knows all about it. |
| 01:08:10 |
What do you mean, |
| 01:08:11 |
He knows all about it. |
| 01:08:14 |
Don't worry, get some sleep. |
| 01:09:16 |
Are you all right there? |
| 01:09:52 |
This set is not ready. |
| 01:09:56 |
Can we get any natural light |
| 01:09:58 |
The set is not ready, and you're |
| 01:10:04 |
What's the matter |
| 01:10:06 |
You seem a little anxious |
| 01:10:10 |
You don't understand, I'm ruined. |
| 01:10:14 |
My reputation gone |
| 01:10:16 |
and you talk about natural light. |
| 01:10:19 |
Don't worry... |
| 01:10:20 |
- It's the same on every picture. |
| 01:11:03 |
Friedrich open up. |
| 01:11:10 |
It's me, Albin. |
| 01:11:14 |
Friedrich, let us in. |
| 01:11:22 |
Ah, Jesus! |
| 01:11:32 |
What is it? |
| 01:11:34 |
It's laudanum, |
| 01:11:37 |
There is no Max Schreck. |
| 01:11:44 |
If he's not Max Schreck, |
| 01:11:48 |
who is he? |
| 01:11:50 |
I don't know. |
| 01:11:53 |
Where did you find him? |
| 01:11:56 |
In a book... |
| 01:11:58 |
when I was a student. |
| 01:12:01 |
A series of paintings portraying |
| 01:12:04 |
a long line of despotic kings, |
| 01:12:08 |
rumoured to be vampire |
| 01:12:10 |
living in Slovakia |
| 01:12:15 |
I had forgotten all about it |
| 01:12:20 |
What other book, Friedrich? |
| 01:12:21 |
Dracula. |
| 01:12:23 |
Then I went to scout locations |
| 01:12:28 |
and there he was |
| 01:12:30 |
living in an old monastery. |
| 01:12:34 |
What kind of bond did you make |
| 01:12:37 |
That he would play the part of an actor |
| 01:12:43 |
Why? |
| 01:12:46 |
What did you offer |
| 01:12:50 |
Everlasting life... |
| 01:12:55 |
and Greta. |
| 01:12:58 |
Greta? |
| 01:13:00 |
How could you do |
| 01:13:03 |
I did it for science. |
| 01:13:08 |
To preserve it for posterity. |
| 01:13:12 |
Friedrich! Friedrich! |
| 01:13:17 |
He's he's gone. |
| 01:13:20 |
Come on. |
| 01:13:24 |
What are we going to do? |
| 01:13:25 |
The call is for two o'clock. |
| 01:13:50 |
Albin, listen to me. |
| 01:13:55 |
There's no way |
| 01:13:58 |
What about the aeroplane...? |
| 01:13:59 |
No, I already checked it. |
| 01:14:02 |
The fuel tanks are empty. |
| 01:14:05 |
God! |
| 01:14:07 |
No. |
| 01:14:10 |
We're going to have to film |
| 01:14:21 |
You know I don't like these late |
| 01:14:24 |
Where is everybody? |
| 01:14:26 |
Why don't I have an assistant? |
| 01:14:28 |
Greta... |
| 01:14:31 |
Did you put on this make-up |
| 01:14:33 |
Stop fussing, Albin. |
| 01:14:35 |
You look beautiful. |
| 01:14:37 |
Can I have a cigarette? |
| 01:14:38 |
Sure. |
| 01:14:41 |
Where's my script, Henrik? |
| 01:14:43 |
He's indisposed. |
| 01:14:45 |
What's the matter with him? |
| 01:14:46 |
Greta, don't ask so many questions, |
| 01:14:53 |
Thank you, darling. |
| 01:14:57 |
Why does everybody look |
| 01:15:01 |
Hey, who died? |
| 01:15:43 |
Jesus! Look at you. |
| 01:15:51 |
Friedrich. |
| 01:15:54 |
Herr Doctor! |
| 01:15:56 |
Yes, Greta, what is it? |
| 01:15:58 |
What's the shot? |
| 01:16:06 |
Can you stand for me? |
| 01:16:10 |
Look at you. |
| 01:16:13 |
Yes, very well. |
| 01:16:14 |
Now, let us take her robe, |
| 01:16:21 |
And she'll need |
| 01:16:26 |
Also, Greta, you will be here, |
| 01:16:32 |
Yes. |
| 01:16:36 |
Now, Greta... |
| 01:16:37 |
Good. |
| 01:16:44 |
Now... |
| 01:16:46 |
in this scene... |
| 01:16:48 |
you make the ultimate sacrifice |
| 01:16:52 |
Yes. |
| 01:16:54 |
You will seduce the Count... |
| 01:16:57 |
and... |
| 01:16:59 |
with your wooden stake, |
| 01:17:03 |
you will despatch him. Yes? |
| 01:17:05 |
Thank you. Very good. |
| 01:17:07 |
Now... |
| 01:17:09 |
In other words, |
| 01:17:12 |
is, as they say, relax and the vampire |
| 01:17:17 |
You had me leave rehearsals in Berlin |
| 01:17:23 |
Hey, watch it, handsome! |
| 01:17:25 |
Fifty-two, one. |
| 01:17:31 |
And for your lean in, |
| 01:17:34 |
Thank you. |
| 01:17:40 |
And, Albin, her shoes, please. |
| 01:17:43 |
Yes. |
| 01:17:45 |
We must go. |
| 01:17:47 |
Friedrich. |
| 01:17:48 |
Yes? |
| 01:17:49 |
I don't wish to question |
| 01:17:53 |
are you sure you know |
| 01:17:55 |
Yes, exactly. Roll camera... |
| 01:17:58 |
And, Fritz, ready? |
| 01:18:00 |
Higher. |
| 01:18:01 |
Albin. |
| 01:18:04 |
And... |
| 01:18:06 |
iris in. |
| 01:18:09 |
End. |
| 01:18:10 |
What happened? |
| 01:18:11 |
- I saw he, he casts no... |
| 01:18:14 |
- Calm down. |
| 01:18:19 |
I see him. No, look at him. |
| 01:18:23 |
Look! Please help me. |
| 01:18:26 |
Help me please, Friedrich. |
| 01:18:28 |
- I'll give you something to calm you. |
| 01:18:30 |
- Just to calm you. Yes? |
| 01:18:34 |
Please, please, please. |
| 01:18:37 |
No. |
| 01:18:38 |
But still, I don't understand |
| 01:18:54 |
It is the role that will make you |
| 01:19:04 |
Consider it a sacrifice |
| 01:19:14 |
That's better, now we can work |
| 01:19:32 |
I want her now. |
| 01:19:34 |
No, I need a shot f you clutching |
| 01:19:38 |
My death scene? |
| 01:19:39 |
Yes, you must do that |
| 01:19:44 |
Very well. |
| 01:19:47 |
Roll camera... and begin. |
| 01:19:52 |
Yes, Count. You kneel down. You'll |
| 01:19:57 |
but you're not feeding, Count. |
| 01:20:02 |
No, you're not drinking |
| 01:20:05 |
because you have been drinking |
| 01:20:10 |
In fact, you can barely move. |
| 01:20:15 |
You are intoxicated with, |
| 01:20:18 |
with blood and desire. |
| 01:20:21 |
Greta, can you hear me? |
| 01:20:24 |
Yes? |
| 01:20:25 |
Flutter your eyelids. |
| 01:20:29 |
Yes, now, Greta, you start... |
| 01:20:32 |
to awaken... |
| 01:20:34 |
Find your stake. |
| 01:20:37 |
Yes, where is it? |
| 01:20:41 |
Now, Count, as she raises her stake, |
| 01:20:46 |
Yes, a wooden stake, exactly. |
| 01:20:50 |
betrayed. |
| 01:20:52 |
Yes, you turn... |
| 01:20:54 |
You rise... |
| 01:20:55 |
You look around. |
| 01:20:59 |
You grab your heart |
| 01:21:03 |
Yes, and you start to die. |
| 01:21:06 |
Yes, you start to die alone. |
| 01:21:08 |
In anguish. |
| 01:21:10 |
Die, you you fucking rat bastard. |
| 01:21:13 |
Vampire pig, |
| 01:21:16 |
Yes, die alone! Yes, the weight |
| 01:21:20 |
And... |
| 01:21:22 |
End! |
| 01:21:27 |
Fritz? |
| 01:21:28 |
Ja, got it. |
| 01:21:30 |
That's enough, Murnau. |
| 01:21:39 |
Hey! |
| 01:21:41 |
Okay, ja. |
| 01:21:43 |
I want her now! |
| 01:21:45 |
Go to hell, Murnau! |
| 01:21:47 |
Begin! |
| 01:22:16 |
Very good, yes. |
| 01:22:19 |
And slowly we need |
| 01:22:53 |
Friedrich... |
| 01:23:20 |
Friedrich he cut the chain |
| 01:23:33 |
So, you would |
| 01:23:38 |
You think you know so much... |
| 01:23:41 |
but I can still kill you. |
| 01:23:45 |
I can break your necks... |
| 01:23:50 |
drink your blood... |
| 01:23:54 |
And I could you tried |
| 01:24:01 |
It's daybreak, is it? |
| 01:24:04 |
So what? All I need... |
| 01:24:08 |
is to sleep in darkness. |
| 01:24:11 |
I will stay here until dusk... |
| 01:24:15 |
and then... |
| 01:24:18 |
only I will walk out alive. |
| 01:24:27 |
Idiot. |
| 01:24:56 |
Frankly, Count, I find |
| 01:25:01 |
Could you return to your original |
| 01:25:20 |
If it's not in frame, |
| 01:27:01 |
Then finally you must turn |
| 01:27:05 |
The death of centuries... |
| 01:27:08 |
moon chaser, blasphemer... |
| 01:27:12 |
monkey, vase of prehistory. |
| 01:27:16 |
Finally to earth |
| 01:27:20 |
Yes... |
| 01:27:24 |
Yes. |
| 01:27:26 |
You take the sun. |
| 01:27:28 |
Albin, could you quickly |
| 01:27:31 |
and return it |
| 01:27:34 |
It is necessary |
| 01:27:36 |
To remind us of the inadequacy |
| 01:27:39 |
our contingencies... |
| 01:27:41 |
every missed train, |
| 01:27:45 |
every lie to a child. |
| 01:28:15 |
Softly, please. |
| 01:28:18 |
Our work is nearly complete. |
| 01:28:21 |
Our very own painting |
| 01:28:27 |
Time will no longer be a dark spot |
| 01:28:31 |
They will no longer |
| 01:28:33 |
"You would have |
| 01:28:37 |
Because, the fact is, Albin... |
| 01:28:43 |
Is there one among you who might wear |
| 01:28:55 |
Could I possibly impose on you to |
| 01:28:57 |
collect the slate at my feet |
| 01:29:08 |
Turn it. |
| 01:29:28 |
Thank you. |
| 01:29:32 |
I think we have it. |
