Shall We Dance

en
00:02:46 Stop that. Why, the idea.
00:02:48 Voulez-vous me to call the police?
00:02:56 -What does that mean in English?
00:03:10 All right.
00:03:12 Comme ca, a little brook.
00:03:14 Comme ca, a little river.
00:03:16 Comme ca, a little brook.
00:03:19 Comme ca, a little river.
00:03:21 Where is Petrov?
00:03:23 Please, can you not see
00:03:26 Comme ca, a little river,
00:03:35 Where is Petrov?
00:03:42 Look here, l don't want to be bourgeois
00:03:45 that l'm the owner of this company...
00:03:46 but if somebody doesn't tell me
00:03:49 there'll be trouble for everybody.
00:03:50 He's in his private room,
00:03:52 Thank you.
00:03:54 -But he does not want to be disturbed.
00:04:04 -What is this?
00:04:13 Stop it. Stop that.
00:04:18 -What on earth are you doing?
00:04:24 Fun? The great Petrov
00:04:27 The great Petrov doesn't, but l do.
00:04:29 -Pete Peters, remember me?
00:04:33 l was born with it. lt isn't bad.
00:04:40 How do you make
00:04:42 What have you got on those shoes?
00:04:44 -Taps.
00:04:47 -On your ballet shoes?
00:04:49 Sacrilege. At last l'm beginning
00:04:52 why you wanted a private room
00:04:54 All this time l thought you were practicing
00:04:57 But, Jeff, l haven't neglected anything.
00:04:59 Look, the entre chat trois.
00:05:05 Lovely, beautiful.
00:05:07 But how much more effective
00:05:14 Lovely.... l forbid that.
00:05:16 -That's not art.
00:05:18 Perhaps it's just the Philadelphia in me.
00:05:21 Jeff, l wish we could combine
00:05:24 with the warmth and passion
00:05:27 Mood, what other mood?
00:05:30 Jazz went out with the flapper.
00:05:32 After 15 years of the hardest work...
00:05:34 you want to dwindle
00:05:36 Well, forget all that nonsense.
00:05:38 Here, look at this, do you realize
00:05:40 Do you realize the Metropolitan
00:05:44 l'm sorry, but l have to stay in Paris
00:05:46 Stay in Paris? What for? Why?
00:05:50 That's grace, that's rhythm.
00:05:53 What is that? What have you got there?
00:06:01 lsn't she lovely?
00:06:05 lsn't she lovely?
00:06:08 So that's it.
00:06:09 Who is that girl? Who is she?
00:06:11 That's it, l haven't been able
00:06:13 But l hope to dance with her someday.
00:06:15 -Dance? With her?
00:06:17 Are you mad?
00:06:18 Are you sure that she hasn't tried
00:06:21 l told you, l haven't even met her,
00:06:27 l think l will.
00:06:29 Thanks, Jeff.
00:07:09 You are so beautiful when you are angry.
00:07:11 Pardon, mademoiselle,
00:07:14 Neither can l.
00:07:19 You cannot let us up like this.
00:07:21 -lt not up she let us, it is down.
00:07:26 -lt is all your fault, you kissed her.
00:07:29 You kissed her out of the play, too.
00:07:31 Go home, all of you.
00:07:34 Go home!
00:07:45 Well, hello, my little darling.
00:07:49 lt's Mr. Miller, miss.
00:07:59 -Hello, Arthur.
00:08:04 You better go.
00:08:06 lf l ever walk on a stage again....
00:08:08 -How did you get here?
00:08:11 l hung over every inch of it.
00:08:14 A new experience for you,
00:08:18 Yes, Lynn.
00:08:19 Of all the humiliating experiences.
00:08:22 Did you ever dance with a man
00:08:24 -and who's in love with you?
00:08:27 Why do actors have to take
00:08:31 And why must there always be a kiss
00:08:34 As long as l live, l hope l never see
00:08:38 Careful, Lynn.
00:08:39 You know, l come from a long line
00:08:42 but we've never clicked.
00:08:44 And it's all your fault, too.
00:08:46 l was a happy, peaceful girl
00:08:50 Fame, name in lights.
00:08:52 l never should have listened to you.
00:08:54 l'll quit.
00:08:58 -l'll retire from the stage forever.
00:09:02 lt does you good to break an engagement.
00:09:04 Engagement?
00:09:05 Engagement. That's what l'll do, Tai.
00:09:10 Send a cable to Jim Montgomery.
00:09:12 Tell him l want to see him desperately...
00:09:14 and l'm coming back
00:09:16 -Yes, miss.
00:09:18 -You have to stay in the theatre.
00:09:20 l refuse to be a bowl in a gold of fish.
00:09:22 You mean a fish in a bowl of gold.
00:09:24 That's what l said, a bowl in a goldfish.
00:09:27 -Just a moment, please.
00:09:37 Petrov? What's a Petrov?
00:09:42 Just the Russian ballet's greatest dancer.
00:09:45 Fine, tell him to go back to Moscow.
00:09:48 The gentleman seems very anxious
00:09:51 l've got enough troubles
00:09:55 Just another dancer to swoon in my arms.
00:09:57 That's all l need to make things perfect.
00:10:03 Get rid of him.
00:10:04 He probably only wants to say
00:10:07 and can't live without me.
00:10:26 l am Petrov.
00:10:29 Charmed. l'm Linda....
00:10:32 -Linda....
00:10:35 -Yes.
00:10:42 So glad you came, Mr. Petrov.
00:10:44 Not mister, Petrov, alone.
00:10:48 -Just Petrov.
00:10:51 Just Caesar, just Napoleon,
00:10:55 so Petrov, too, she's enough.
00:11:00 Just about enough.
00:11:02 And you, l understand
00:11:06 Of course, l cannot blame you...
00:11:09 but l will not permit it.
00:11:13 Who told you that?
00:11:16 A little bird she tell me so.
00:11:23 Not in the least.
00:11:26 What, you do not want to dance
00:11:30 Don't be a silly horse.
00:11:35 Maybe you could twist for me once...
00:11:40 like so.
00:11:44 No, l don't....
00:11:46 -Twist.
00:11:57 Get up, l hate these discords.
00:12:00 She is horrible, nyet?
00:12:02 Well, that kind of settles it.
00:12:05 With me, nothing is settled.
00:12:08 Well, l must go now. l must go to Moscow.
00:12:13 -Funny, nyet?
00:12:16 lt kills me.
00:12:28 That lunatic's dangerous,
00:12:31 Am l glad l'm sailing
00:12:37 No, Denise, no.
00:12:41 Why, you've done absolutely nothing
00:12:44 And everything's been so peaceful
00:12:46 lt wasn't my fault.
00:12:48 Peter just refused to fall in love with me.
00:12:56 Peter, darling.
00:12:58 Why, Denise...
00:12:59 -or should l say Lady Tarrington?
00:13:02 Denise wants to come back to the ballet.
00:13:05 She does?
00:13:07 Well, that sounds like fun.
00:13:09 l didn't know you felt that way.
00:13:13 -You go downstairs and get your contract.
00:13:17 Jeffrey, may l speak to you
00:13:20 -You'll excuse us?
00:13:21 And l'll let you know about the rehearsals
00:13:27 Of course, we can't give her
00:13:30 -You want me to stay, don't you?
00:13:33 -Well, then get rid of her.
00:13:36 Remember all the trouble
00:13:38 -But you just told her, l heard you myself.
00:13:41 Oh dear, and l've given her my word.
00:13:44 Look, Jeff, l'll make a deal with you.
00:13:45 You want me to go to New York,
00:13:47 Why, naturally.
00:13:48 l'll sail on the Queen Anne tomorrow
00:13:51 Tomorrow, oh dear, that's so sudden.
00:13:54 l wouldn't know what to do.
00:13:57 -All right, l stay here in Paris.
00:14:00 l'll connive, l'll connive something good.
00:14:03 Good.
00:15:17 Peter.
00:15:20 Hello, Denise.
00:15:21 l feel very bad
00:15:25 -So do l.
00:15:30 My wife, l haven't any wife.
00:15:33 Jeffrey told me it was a secret
00:15:37 Oh, Jeffrey.
00:15:39 Did he mention how long l'd been married?
00:15:42 Yes, he did.
00:15:43 lmmediately after dear Tarrington
00:15:48 Dear Tarrington.
00:15:50 -ls she sailing with you?
00:15:53 Oh, my wife, yes, of course.
00:15:55 l'd love to meet her.
00:15:57 Well, you couldn't.
00:16:01 Children? But Jeffrey didn't tell me.
00:16:04 Jeffrey doesn't know everything.
00:16:06 lmagine, married four years.
00:16:10 lmagine.
00:16:11 -And how many little ones are there?
00:16:16 -Five?
00:16:20 -How wonderful.
00:16:22 -All visitors ashore,
00:16:26 -Sweet of you to see me off.
00:16:29 Bon voyage,
00:16:39 Miss Keene, l know,
00:16:41 how much she hates
00:16:43 She's enjoyed everything about it,
00:16:50 All visitors ashore,
00:16:52 Monsieur Petrov, a picture, please.
00:16:56 Thank you.
00:16:58 -One more, please.
00:17:00 l certainly do envy you, Pete,
00:17:03 l kind of like the idea myself.
00:17:05 All right, so long, fellows,
00:17:08 Bye-bye.
00:17:13 Miss Keene.
00:17:17 Why, just Petrov.
00:17:19 You come to see me go, nyet?
00:17:21 Yes, isn't it sweet of me?
00:17:24 l know you come.
00:17:26 Petrov, l have been looking all over for....
00:17:28 -l beg your pardon.
00:17:35 -How do you do?
00:17:37 What did you say?
00:17:39 Me? Nothing.
00:17:42 What's the matter with you,
00:17:45 No, l feel like you say, good.
00:17:48 Well, you don't sound so good.
00:17:51 Doesn't Mr. Baird understand Russian?
00:17:53 -Not a--
00:17:54 What?
00:18:01 What sort of a game is this?
00:18:04 lt's just a game little American boys play.
00:18:33 l beg your pardon, sir.
00:18:35 -We can't find Mr. Petrov.
00:18:38 He's probably practicing
00:18:40 l've looked everywhere, sir.
00:18:42 Splendid service, that's all l can say.
00:18:44 Bring the world's leading ballet
00:18:47 and he disappears from his stateroom
00:18:50 Well, he might be
00:18:54 What would he be doing
00:18:56 That would be entirely up to him, sir.
00:24:03 You aren't really serious
00:24:06 No, Arthur?
00:24:07 What about me?
00:24:09 l'm sorry, but l'm facing real happiness
00:24:13 Yes, and l'm facing bankruptcy...
00:24:16 for the third time in my life.
00:24:18 -Steward, miss.
00:24:21 l ordered lunch for us.
00:24:22 You can put the table right here.
00:24:26 l guess we won't be having
00:24:30 Lynn, l still think you're a sap
00:24:35 No, l'm tired of living the kind of life
00:24:39 Look, Lynn, l'll give you $10,000 more
00:24:43 You don't understand,
00:24:46 Money, isn't everything.
00:24:49 But, Lynn, after all these years together.
00:24:52 Arthur, l'm tired of being pawed.
00:24:57 l beg your pardon.
00:24:59 My compliments, miss...
00:25:02 and as for you, sir, shame.
00:25:16 You misled me, you tricked me.
00:25:18 You knew that she was going
00:25:20 l'll admit the charge and plead
00:25:23 And where have you been all day?
00:25:25 Not that woman, Jeff. The woman.
00:25:28 But l wasn't with her, and furthermore,
00:25:32 Probably one of those night prowlers.
00:25:34 But she's not going to prowl
00:25:36 because l intend to accompany you
00:25:38 -Good, maybe she's got a friend.
00:26:00 What's the matter, what are you doing?
00:26:02 What are you weaving about like that for?
00:26:04 -Weaving?
00:26:06 l'm not weaving.
00:26:07 lt's the boat.
00:26:09 You mean this boat's doing that?
00:26:11 Of course, it must be getting choppy out.
00:26:15 Of course.
00:26:20 -Why, Jeff, what's the matter?
00:26:26 l guess.
00:26:33 -You look terrible.
00:26:36 Why, yes, you're all white,
00:26:41 -Maybe you ought to go to bed.
00:26:43 No, maybe l better get some air.
00:27:44 -Do you mind?
00:28:00 -What's the matter, old man?
00:28:02 The whole boat is weaving.
00:28:14 There, is that better?
00:28:17 l don't know, really, l don't know.
00:28:20 -Straight lemon juice, please.
00:28:23 -No?
00:28:25 What this gentleman needs is champagne.
00:28:27 Champagne? No, l've never touched
00:28:30 -l refuse to touch it.
00:28:33 -Keep them coming.
00:28:34 Nothing.
00:28:39 Tell me the truth, do l look bad to you?
00:28:42 To tell you the truth,
00:30:58 Miss Keene, you remember the night
00:31:03 Yes, l remember.
00:31:08 Wait a minute, please.
00:31:09 l want to explain.
00:31:13 and l decided right then and there
00:31:17 And l tried every way but...
00:31:19 nobody in Paris
00:31:21 Everybody in Paris knows Linda Keene...
00:31:24 everybody worth knowing.
00:31:28 Of course, but l just don't seem
00:31:34 Couldn't you do something about that
00:31:37 as one Yankee to another?
00:31:41 l'm from the South.
00:31:46 Maybe you all's from the North.
00:31:51 lt's funny, dogs have an instinct
00:31:57 How do you like that?
00:32:13 lt's marvelous how you can do it
00:32:20 -Let's drink to that.
00:32:22 Another bottle of this lemon.
00:32:27 He's gone to bed, must be late.
00:32:39 What does your watch say?
00:32:47 lt says tick-tick-tick.
00:32:56 Hey, Jeffrey.
00:32:59 Hello, good morning.
00:33:09 What's the matter, you lose something?
00:33:16 l got great news for you, old man,
00:33:22 The captain just told me this will continue
00:33:27 l don't see why you should
00:33:29 -You only had one glass.
00:33:32 Your breakfast, sir.
00:33:34 What'll l do?
00:33:35 Before you do anything,
00:33:54 That'll save me an extra trip.
00:35:30 Come here, darling.
00:35:32 What has happened?
00:35:34 You ruined your sweater,
00:35:47 lsn't it wonderful
00:35:50 Still on the same boat together.
00:35:53 l seldom change boats in mid-ocean.
00:35:56 l mean, look how lucky l am.
00:35:58 The first time l find myself on a boat
00:36:01 it turns out to be you.
00:37:23 Fellows, listen to this.
00:37:27 ''Lady Tarrington left this morning
00:37:30 ''for a trip to America to visit her friends
00:37:34 ''who are aboard the S,S, Queen Anne,
00:37:37 ''Upon further questioning...
00:37:39 ''it was learned that the Petrovs
00:37:43 ''their marriage not having heretofore
00:37:48 That is news for your morning bulletin.
00:37:50 That must be the musical comedy star
00:37:55 By George, you're right.
00:37:57 Sparks just told me that ballet dancer,
00:38:02 -l'll wager it's to that American dancer.
00:38:06 -Will that be all, Miss Linda?
00:38:15 And he's been secretly married
00:38:18 They're a lovely-looking couple,
00:38:29 My dear, l knew it.
00:38:36 -How do you do?
00:38:41 That's what l like about boats,
00:38:47 A toast.
00:39:07 Wake up, Petrov.
00:39:09 We're going to have a baby?
00:39:11 -What?
00:39:14 -What are you talking about?
00:39:17 lt says you've been married for years
00:39:19 And the editor announces:
00:39:21 ''lt is rumored that a blessed event
00:39:25 Why did this have to happen to me?
00:39:28 To you? lt hasn't even happened to me.
00:39:32 Lady Tarrington.
00:39:36 Do you realize
00:39:39 Of course, that's ridiculous,
00:39:42 lt's very simple.
00:39:44 somebody selected a wife,
00:39:47 -lsn't that cute?
00:39:50 l warned you association with that
00:39:54 l warned you l was gonna fall in love
00:39:57 -lt's your fault, go and explain it to her.
00:40:00 lf you want me to dance
00:40:02 you go to Linda and clear this thing up.
00:40:04 ln that case perhaps l had better.
00:40:07 l'll take care of this.
00:40:12 Operator, get me Mr. Petrov.
00:40:16 What? Don't you dare congratulate me.
00:40:23 Come in.
00:40:28 l've come to tell you, Miss Keene,
00:40:32 Stay where you are...
00:40:34 while l compose myself.
00:40:38 l suppose you and that toe dancer think
00:40:43 lt was not altogether the toe dancer,
00:40:46 lt wasn't?
00:40:47 A man in Petrov's position is besieged
00:40:51 Naturally.
00:40:52 And there was one
00:40:55 Well, to get rid of her,
00:40:59 -To get rid of her?
00:41:00 He had to choose somebody, and he felt
00:41:05 -So he used me to....
00:41:08 You see, it wasn't altogether a joke.
00:41:14 Good morning, little mother.
00:41:32 Good morning.
00:41:34 l want to book passage on that mail plane.
00:41:36 l'm sorry, but that's against
00:41:39 But l must leave the ship.
00:41:44 Well, l understand,
00:41:48 l'm quite sure the government
00:41:51 Well, perhaps under the existing
00:41:55 Not madam, miss!
00:42:13 Where's Linda?
00:42:16 Pardon me.
00:42:18 Take a good look.
00:42:34 Gosh, and l could have
00:42:36 You couldn't have explained her
00:42:39 Thanks.
00:42:40 Now she's going to get married.
00:42:42 -Married?
00:42:45 Married to a Park Avenue cluck...
00:42:46 with the longest yacht
00:42:50 -You've driven her to that.
00:42:53 Only told somebody
00:42:55 just to get rid of another dame,
00:42:58 -Who said l did?
00:43:02 Oh, he did?
00:43:08 Excuse me, gentlemen...
00:43:09 in a few moments the fire bell will ring,
00:43:12 -A fire drill for the ship's crew.
00:43:15 He's probably in here.
00:43:18 Did you tell Miss Keene that l used her
00:43:21 My very words, dear boy.
00:43:22 One of these days
00:43:24 Thank you?
00:43:27 What is the matter with you?
00:43:28 Haven't you any feeling of responsibility
00:43:31 Do you realize because of your lies...
00:43:33 the best musical comedy star
00:43:35 ls that so? That's no loss.
00:43:36 lt'd be if Petrov were mixed up
00:43:39 However, l've scotched all that,
00:43:42 You scotched it all right.
00:43:46 This boat is getting terrible.
00:43:48 -lt's a fire, the boat's on fire.
00:43:52 This boat?
00:43:54 Of course, yes! What are we going to do?
00:43:57 -Nothing.
00:43:59 -Stay where you are.
00:44:00 -Don't move.
00:44:04 -You'd better get into this.
00:44:06 -lf we get out alive.
00:44:08 Take the Thermos,
00:44:11 We'll need this for cold nights.
00:44:12 l feel the flames, they're getting nearer.
00:44:14 Now let's keep our heads.
00:44:17 -Hats.
00:44:18 -We don't want head colds.
00:44:20 Gentlemen always dress,
00:44:23 -And this basket of fruit to eat.
00:44:25 l'll pick up a few blankets. No, wait.
00:44:28 The clock, so l'll know when it's bedtime.
00:44:30 Petrov, l know they've lowered our boat.
00:44:32 Take this. We may be stranded for a while.
00:44:36 -We will vary it with a little golf.
00:44:38 -Go ahead, Boat Station 4.
00:44:41 -Everything.
00:44:44 -l'll get the blankets.
00:44:47 Come on, follow me.
00:44:53 Come on, Petrov, hurry up.
00:44:55 l'm all right. Don't get excited, anybody.
00:44:58 Everybody keep calm.
00:45:01 My boat's Number 4, where? Four?
00:45:04 All right, l'm here. Let it down.
00:45:08 What are you waiting for?
00:45:58 Miss Keene? She's back already?
00:46:02 Goody. Miss Keene's back.
00:46:07 Thank you, very much.
00:46:13 -Welcome home, l'm so happy to see you.
00:46:16 You're in sooner than we expected.
00:46:22 Certainly, and who else
00:46:26 You are the one, miss,
00:46:29 -There is no secret.
00:46:32 There never was.
00:46:33 Very well, miss.
00:46:36 You'll find me the very soul of discretion.
00:46:40 Yes, indeed.
00:46:47 Just one moment, please.
00:46:54 Voila!
00:47:49 -Jim, l'm so glad to see you.
00:47:53 You're looking very well, considering.
00:47:56 -You look grand, too, Jim.
00:48:01 Nothing shows in my face.
00:48:03 But why didn't you tell me, Linda?
00:48:05 Tell you? There's nothing to tell.
00:48:09 -Then somebody's wrong.
00:48:13 Lot of false malicious gossip.
00:48:20 Petrov? On his way up? Splendid.
00:48:30 -Cecil Flintridge.
00:48:34 l beg your pardon, Cecil Flintridge.
00:48:38 l beg your pardon, Jeffrey Baird.
00:48:41 No, Cecil Flintridge.
00:48:44 l don't like to disillusion you, old man,
00:48:48 And l am Cecil Flintridge.
00:48:51 You mean you are Cecil Flintridge?
00:48:53 -Yes, that's what l mean.
00:48:55 What?
00:48:56 -Cecil of the hotel?
00:48:59 Of course. Well, how are you?
00:49:00 How are you? How do you do, indeed?
00:49:04 l've been at great pains
00:49:07 -Have you really? That's very kind.
00:49:10 Your suite is right next to
00:49:13 Miss Keene? What!
00:49:15 You blundering blunderer!
00:49:20 Petrov.
00:49:26 -Do you know where we are?
00:49:30 New York.
00:49:31 Yes. No, we're right next to Linda Keene.
00:49:34 -Good.
00:49:36 Nobody's interested in what you think,
00:49:39 l'm only trying to do my best, sir.
00:49:42 Do your next best and move us
00:49:45 Why shouldn't married people
00:49:47 -Because they're not married.
00:50:08 Arthur.
00:50:11 Linda, l've only kept the roof open
00:50:14 Since you left,
00:50:17 l couldn't find a big enough name.
00:50:20 Arthur, l'm not that good.
00:50:22 You're right, Linda, you're not.
00:50:25 Seriously, the crowds who haven't been
00:50:30 -Arthur, l forgot to tell you something.
00:50:33 l'm going to be married
00:50:38 Well, l guess l'm licked.
00:50:40 lf you have your mind made up
00:50:43 there's nothing more l can say
00:50:45 No, l'm afraid there's not.
00:50:51 Except to wish me luck.
00:50:53 Well, you know l do, Lynn.
00:50:56 Thank you, Arthur.
00:50:57 There's just one thing l insist
00:51:00 What's that?
00:51:01 Give you and Jim a farewell dinner,
00:51:06 We'd love it.
00:51:08 So nice of you to think of Jim.
00:51:10 l think of him constantly.
00:51:34 We've had our dinner.
00:51:36 You'll find out when l do.
00:51:40 Yes, Mr. Petrov,
00:51:42 This way, please.
00:52:21 -Take this to Evans.
00:52:46 Thank you, Arthur.
00:02:05 But not alone.
00:02:06 Those who've never seen
00:02:09 have at least heard of him
00:02:12 Petrov.
00:03:02 -What am l supposed to do?
00:06:32 l've got to keep
00:06:35 lt's the only way l can stop Lynn
00:06:37 Then you'll have to get a new angle.
00:06:39 The newspapers are cold
00:06:43 They've told the boys to lay off
00:06:46 lf l can only hang onto this combination.
00:06:48 The public would climb up
00:06:50 to see Lynn and Petrov
00:06:52 -We've got to do something.
00:06:54 Furnish the proof that they're married.
00:06:58 l have an idea that's so dastardly,
00:07:02 You remember the dream idea
00:07:05 The one we spent $5,000 on
00:07:08 Yes.
00:07:09 Here's where we're going to collect on it.
00:07:11 -Lynn never saw that model, did she?
00:07:15 lt breaks my heart to do this...
00:07:17 but with a few slight changes, l'll turn
00:07:20 that'll make history.
00:07:22 Poor Lynn! Look.
00:09:25 -Good morning, Tai.
00:09:51 Have you no shame?
00:09:52 -Why, l--
00:09:55 -But l--
00:09:57 to the boys and they flash
00:09:59 The humiliation of it.
00:10:01 Lynn, l never thought
00:10:03 Double-cross you? l didn't pose for those.
00:10:05 l suppose that's an old tintype
00:10:07 lt could be. lt's certainly not me.
00:10:09 Linda, l've trusted you.
00:10:11 l've done everything l could think of.
00:10:13 Didn't l even bless your proposed union
00:10:16 What a way to treat me, your best friend.
00:10:19 Don't go.
00:10:21 l've done everything l could.
00:10:22 -But you've got to.
00:10:24 You must. All right, l'll sue the paper.
00:10:26 -l'll get to the bottom of these pictures.
00:10:29 l can't let you down in this crisis.
00:10:31 l'll handle the whole thing for you.
00:10:32 Thank you, Arthur.
00:10:41 Get me Mr. Petrov.
00:10:48 Hello.
00:10:52 Oh, it's you.
00:10:54 Good morning.
00:10:56 How?
00:10:58 What?
00:10:59 Why, no, l haven't.
00:11:01 The papers?
00:11:04 l'll be right over.
00:11:20 What is the matter?
00:11:21 When you shout like that
00:11:23 Take a look at this, old fellow.
00:11:35 l read the paper this morning, Mr. Petrov.
00:11:37 You won't have to run
00:11:39 Compliments of the management.
00:11:46 Cad.
00:12:01 l suppose you're going to say
00:12:03 l suppose you're going to say
00:12:06 l can't very well, and neither can you.
00:12:09 Can you?
00:12:12 No.
00:12:16 You don't, by any chance,
00:12:19 What.... How can you say such a thing?
00:12:24 Well, it's my bed, and l'm asleep.
00:12:40 Hello. What?
00:12:42 You want a statement?
00:12:44 -Well, let me tell you, if you think--
00:12:47 You'd better not say that.
00:12:50 Let me talk.
00:12:56 Hello.
00:12:58 Who is this, please?
00:13:01 Oh, the editor.
00:13:04 Listen, you and that cheap outfit
00:13:07 l know, but wait a minute, l'm talking.
00:13:11 What?
00:13:30 Jim.
00:13:35 Jim, why didn't you phone?
00:13:38 l would've been dressed.
00:13:40 l suppose you've seen the morning paper?
00:13:42 Oh, that. Lies, ridiculous lies.
00:13:45 Now, Linda, l let you talk your way out
00:13:48 but that's no joke sitting on that bed.
00:13:51 Me? That's not me.
00:13:54 Do you think l'd be caught dead
00:13:56 That's irrelevant.
00:13:58 ln the picture l'm looking at,
00:14:13 Good morning.
00:14:16 Good morning.
00:14:19 Jim, this is Mr. Petrov.
00:14:22 Mr. Petrov, this is Jim...
00:14:25 Jim Montgomery, my fiance.
00:14:28 You've heard of Mr. Petrov,
00:14:30 Yes.
00:14:32 lsn't he the man
00:14:34 Yes, he's the one.
00:14:38 Yes, l'm the one.
00:14:42 l'm glad to see you, Mr. Montgomery.
00:14:46 Linda, the editor said he'll be very happy
00:14:49 but how about those pictures?
00:14:51 Yes, as l was saying,
00:14:57 Yes, how about those pictures?
00:14:59 Now, Linda, l don't want to upset you
00:15:01 but don't you think this is a poor time
00:15:05 l mean, couldn't we wait until
00:15:10 Yes, Jim, of course, it's only fair to you.
00:15:20 Glad to have met you, Mr. Petrov.
00:15:23 Me, too, Mr. Montgomery.
00:15:27 Charming chap.
00:15:32 l'm awfully sorry, Linda,
00:15:35 But how?
00:15:36 Mr. Petrov, the lobby is simply bursting
00:15:39 They're on their way up, what shall l do?
00:15:42 Stall them off, Cecil.
00:15:44 -We'll sneak down the freight elevator.
00:15:47 Get dressed.
00:15:49 All right.
00:16:12 Let's go back. l'm tired.
00:16:45 Gosh, l can't keep this up much longer.
00:16:47 l haven't been on skates since l was a kid.
00:16:50 -lt was your idea.
00:16:53 How much longer do we have
00:16:56 The reporters will probably leave by dark.
00:17:00 l guess it would look kind of funny...
00:17:03 if we denied the marriage now,
00:17:06 l don't know what to do.
00:17:08 l don't either.
00:17:11 The word is ''either.''
00:17:15 All right.
00:17:16 The word is ''either.''
00:17:18 No use squabbling.
00:17:21 The word is ''neither.''
00:22:09 Yes, it was my idea.
00:22:12 -Have you any more of them?
00:22:17 Read all about the secret marriage!
00:22:20 Paper, read all about the secret marriage!
00:22:24 Did you hear that?
00:22:26 We're about the only two people
00:22:28 who don't think we're married.
00:22:29 We don't ''think'' we're not.
00:22:32 Except me.
00:22:36 Don't tell me l have to convince you, too,
00:22:39 We might just as well be.
00:22:41 We certainly can't afford to deny it
00:22:45 No, l'm afraid not.
00:22:47 The only difference between us
00:22:50 that we can't even get a divorce.
00:22:52 lf l really could get a divorce from you
00:22:55 that would put a stop
00:22:58 lt certainly would.
00:23:05 Peter, you've got to marry me.
00:23:09 Why, Linda, this is so sudden.
00:23:12 lf we get married now, l could start
00:23:17 l don't know.
00:23:21 You got me into all this,
00:23:24 lt wasn't my fault
00:23:28 All right, it's my fault...
00:23:30 but you've just got to marry me.
00:23:34 l'd like to think it over.
00:23:37 But why? There's nothing to think over.
00:23:41 All right.
00:23:42 But where can we get a license?
00:23:46 -Why don't you try New Jersey?
00:23:58 The name of the bride is?
00:24:03 My real name is Linda Thompson.
00:24:08 And the name of the groom is?
00:24:11 Peter P. Peters.
00:24:18 l beg your pardon...
00:24:20 but what are grounds for divorce
00:24:25 Marriage.
00:24:32 Good afternoon.
00:24:38 Lady Tarrington, your suite is ready.
00:24:40 Will you announce me to Mr. Petrov?
00:24:42 -ls Mr. Petrov expecting you?
00:24:45 Room 2601 .
00:24:47 l'll have you announced.
00:24:52 Petrov, where are you?
00:24:56 lt's not Petrov. lt's the desk.
00:24:59 Lady Tarrington?
00:25:03 Did you say Lady Tarrington?
00:25:08 Tell her to go back to Paris.
00:25:11 She's already on her way up?
00:25:13 lt's calamitous.
00:25:14 Oh, dear, let me talk to the floor manager.
00:25:18 Cecil Flintridge speaking.
00:25:21 lt's you, Mr. Baird.
00:25:23 How are you?
00:25:24 That doesn't matter.
00:25:27 There is a woman on her way up here...
00:25:29 who started the whole silly rumor
00:25:32 Yes, l said ''rumor.''
00:25:34 -Did you say ''rumor''?
00:25:41 Denise. lt's you.
00:25:44 -So, they are not married.
00:25:47 That is, not exactly. No.
00:25:51 My journey is going to be more exciting
00:25:55 Oh, dear, you.... You're not going to....
00:25:58 Yes, indeed l am.
00:26:03 That's Petrov now.
00:26:09 l don't wish to shilly-shally,
00:26:12 is Petrov married or is Petrov not married?
00:26:14 Yes, he is not.
00:26:18 Johnson.
00:26:21 Change that lock!
00:26:41 Gardenias, 10 cents.
00:26:45 Right here, please.
00:26:49 A corsage for the bride.
00:26:54 -lt's all right.
00:27:17 Tomorrow, we'll be all straightened out.
00:27:18 You'll be on your way,
00:27:24 Where?
00:27:26 l've got to get back
00:27:28 Sort of catch up with my usual gay life.
00:27:31 Forget all this.
00:27:33 l hope you enjoy your gaiety.
00:27:36 Thanks. l hope you enjoy your divorce.
00:27:40 Thanks.
00:27:42 l didn't know getting married
00:27:45 l'm sorry now l asked you.
00:27:48 That's all right. l'll get over it.
00:27:52 Of course.
00:30:16 l guess the honeymoon's over.
00:30:19 Wouldn't you like to come in for a drink?
00:30:23 No, l don't think so.
00:30:26 Good night.
00:30:27 Maybe you'd prefer a cigarette
00:30:32 No. Thanks just the same.
00:30:34 l just wanted to thank you for everything.
00:30:39 You're welcome.
00:30:44 Good night.
00:30:47 Sorry.
00:30:48 lt's way past my bedtime.
00:30:50 Good night, Linda.
00:31:50 Come in.
00:31:56 lt's you, Cecil.
00:31:58 Yes, may l come in?
00:32:01 lsn't it way past your bedtime?
00:32:03 Yes, but l haven't been able
00:32:05 l've been waiting up to see you.
00:32:07 -To see me?
00:32:09 l must acquaint you
00:32:12 lt feels like a veritable pendulum,
00:32:17 Then a moment later, it swings fro and to.
00:32:21 Tell me, Miss Keene, are you Mrs. Petrov?
00:32:25 Or should l say...
00:32:27 Mrs. Petrov, are you Miss Keene?
00:32:32 l'll tell you, Cecil. We are married.
00:32:36 Mrs. Petrov, my best congratulations.
00:32:40 Thank you.
00:32:41 Now l can go to bed
00:32:44 So can l.
00:32:46 Mrs. Petrov, l hope you will forgive me...
00:32:49 but in the storm and stress
00:32:52 l rather willfully changed the lock.
00:32:55 But may l present you with this?
00:32:58 Shall we call it
00:33:03 Thank you.
00:33:04 Thank you.
00:33:06 Good night.
00:33:43 Come in.
00:33:45 Peter.
00:33:49 Why, Denise. Look, you can't come in here.
00:33:53 Why?
00:33:54 Afraid your wife will object?
00:33:56 Yes, exactly.
00:33:59 Peter, please.
00:34:00 Think of a new one.
00:34:02 But l'm married, really.
00:34:04 Save your breath, Pete.
00:34:06 Jeffrey told me the truth.
00:34:08 But even Jeffrey doesn't know.
00:34:10 Are you sure your wife knows?
00:34:13 Please go away, will you?
00:34:15 l don't believe you.
00:34:18 And l won't budge
00:34:29 Peter, you're so worked up.
00:34:33 And l love it.
00:34:38 Linda.
00:34:40 -Wait a minute.
00:34:45 This is Lady Tarrington.
00:34:48 This is my wife, Mrs.... Miss Keene.
00:34:52 l've heard about you.
00:34:55 l hadn't heard about you.
00:34:57 Why have you been so secretive
00:35:02 l didn't think you'd be interested.
00:35:05 How silly of you.
00:35:08 l imagine Lady Tarrington
00:35:11 when you get to know her.
00:35:13 Yes, she is, l mean....
00:35:15 Then, you really are married to Peter?
00:35:18 Yes, really.
00:35:20 -Do you mind?
00:35:22 But l do think it'd be awfully pleasant...
00:35:25 if you would divorce him.
00:35:27 No, l'm sure l'll never divorce him.
00:35:32 You know, you're a lot more intelligent
00:35:36 Why, thank you.
00:35:38 l wish l could say the same of you.
00:35:41 Good night.
00:35:52 Tai!
00:35:55 l'm sorry, Peter.
00:35:57 No, don't apologize.
00:36:01 l certainly didn't mean to.
00:36:07 -Bon voyage,
00:36:09 No, but l thought maybe you were.
00:36:15 -l'll send for you, Tai.
00:36:29 -Good luck, Peter.
00:36:43 Linda, Linda darling, she's gone.
00:36:48 May l come in just long enough
00:36:50 how happy l am
00:37:07 At least, tell me where you are going.
00:37:10 All right, Linda, if that's the way
00:37:14 Good luck and bless you.
00:37:17 -Now, what?
00:37:21 This time for good.
00:37:23 For whose good?
00:37:26 -Creditors?
00:37:29 You know, the people who come up
00:37:36 This is Arthur Miller.
00:37:42 Arthur, have you heard from Linda?
00:37:43 -She just phoned.
00:37:45 She wouldn't tell me
00:37:47 Something about a Lady Tarrington...
00:37:48 and that she was going through
00:37:52 Why didn't you do something to stop her?
00:37:54 l'm all worn out
00:37:56 What did you do to stop
00:37:58 Don't you read the papers?
00:37:59 l proved she was married to you
00:38:02 -You proved?
00:38:03 You took those pictures. How?
00:38:15 As long as she wasn't
00:38:17 l thought l could get her in my revue.
00:38:18 But no, you had to horn in.
00:38:21 -So now l've lost her.
00:38:24 Petrov!
00:38:26 You're here. Let me tell you....
00:38:29 How do you do, Miss Keene?
00:38:31 You may be interested to learn
00:38:33 Shake hands with Arthur, he hasn't either.
00:38:35 Really, l'm glad.
00:38:37 The Metropolitan has cancelled
00:38:39 because of the scandalous notoriety...
00:38:41 occasioned by your association
00:38:43 Oh, my word, she's fainted.
00:38:46 lt's just a dummy.
00:38:48 l know she's a dummy.
00:38:50 A tap-dancing dummy.
00:38:54 You mean a dumb dummy, of course.
00:38:58 That picture in the paper....
00:39:03 You know where we are, don't you?
00:39:05 We're right here in New York
00:39:07 with a whole company of ballet artists
00:39:10 All because of you
00:39:13 Say, maybe Arthur and l can help you out.
00:39:15 Maybe we could use your boy in our show.
00:39:17 My what?
00:39:18 What do you say, buddy?
00:39:21 You vandal.
00:39:23 Petrov, the great Petrov,
00:40:06 What's the matter, Pete?
00:40:08 l'm still trying to get an idea for the ballet.
00:40:10 -There's just something missing.
00:40:14 There's a man outside
00:40:16 He looks like a process server.
00:40:19 Nobody is to go near Petrov.
00:40:21 -Yeah, but the man insists if he don't see--
00:40:24 l'm going to dance with Linda Keene.
00:40:26 -ls she back?
00:40:29 We'll have masks made to look like her.
00:40:31 lf l can't dance with one Linda,
00:40:34 l think you've got something.
00:40:37 The man says
00:40:39 You go out and tell the man you're Petrov.
00:40:42 -Like a game, you mean?
00:40:49 What's troubling you, my good fellow?
00:40:51 Are you Peter P. Peters, known as Petrov?
00:40:55 What an amusing alliteration.
00:40:58 l am.
00:41:00 Here's a present for you.
00:41:02 Thank you very much.
00:41:09 Now l begin to see the idea of the game.
00:41:12 You see, l'm not Peter P. Peters,
00:41:17 Wise guy, eh?
00:41:19 Leave these premises at once.
00:41:29 l'm waiting to speak
00:41:34 l'll speak with Mr. Jeffrey Baird.
00:41:36 This is Cecil Flintridge.
00:41:39 Yes, l'll wait.
00:41:46 Hello.
00:41:47 Hello, Jeffrey. Yes, are you there?
00:41:50 Of course, l'm here.
00:41:52 Now, don't shout at me. l'm in jail.
00:41:55 That's all right. We don't need you.
00:41:58 l'm in jail for battery
00:42:01 l'm at the Susquehanna Street Jail.
00:42:05 Susquehanna.
00:42:09 S-U-S-Q-U....
00:42:13 ''Q! ''
00:42:16 You know, the thing
00:42:19 Billiards!
00:42:21 B-l-L-L--
00:42:23 What is this, a spelling bee?
00:42:26 No, ''L'' for larynx.
00:42:29 L-A-R-Y-N....
00:42:33 No, not ''M,'' ''N.''
00:42:35 ''N'' as in neighbor.
00:42:37 Neighbor. N-E-l-G-H-B....
00:42:41 ''B.''
00:42:46 You know, the stinging insect.
00:42:49 lnsect!
00:42:50 l-N-S....
00:42:53 ''S! ''
00:42:55 ''S'' for symbol.
00:42:58 S-Y....
00:43:00 ''Y! ''
00:43:05 Why? Don't ask me why.
00:43:08 Look, Jeffrey, l'm in jail.
00:43:11 Wait a minute.
00:43:12 What jail did you say this was?
00:43:14 Susquehanna Street Jail.
00:43:16 Thank you indeed, thank you very much.
00:43:19 l'm in the.... The....
00:43:22 Jeffrey, listen closely.
00:43:25 Do you know where the Oak Street Jail is?
00:43:28 You do? Fine.
00:43:31 l'll have them transfer me there
00:48:19 Look, Linda, l insist that you give up
00:48:24 Yes, Miss Keene, it was
00:48:27 -Our men will serve Petrov.
00:48:31 Besides, l'll derive a great deal of pleasure
00:48:46 Linda.
00:48:48 -lt was swell of you to come.
00:48:51 l want you to meet my attorney,
00:48:53 -How do you do?
00:49:08 He said if he couldn't dance with you,
00:50:53 Arthur, take me backstage.
00:50:55 Why, Mrs. Petrov.
00:51:01 Hello, you're back. What do you want?
00:51:06 What's the matter, Cecil?
00:51:22 Arthur, please.
00:55:46 English