|
Shelter
|
| 00:00:28 |
(FOREBODING MUSIC) |
| 00:02:28 |
(CLEARS THROAT) |
| 00:02:36 |
"Do you ever have emotions |
| 00:02:40 |
"Have you ever lost control |
| 00:02:46 |
"Do these emotions have a name?" |
| 00:02:49 |
These were the first three questions |
| 00:02:51 |
that Dr Malicent asked of Joseph Kinkirk |
| 00:02:54 |
just six hours after his arrest, |
| 00:02:56 |
to which Kinkirk answered, |
| 00:02:59 |
"Yes, yes, and Henry." |
| 00:03:03 |
This course of exchange |
| 00:03:05 |
laid the foundation |
| 00:03:08 |
not only because of the meticulously |
| 00:03:12 |
but also because of |
| 00:03:16 |
in modern psychology - |
| 00:03:17 |
multiple personality syndrome |
| 00:03:21 |
It was a psychological fad, |
| 00:03:25 |
a therapist-induced disorder |
| 00:03:27 |
perpetuated by an unending barrage |
| 00:03:32 |
and ill-conceived Hollywood movies. |
| 00:03:36 |
Joseph Kinkirk |
| 00:03:38 |
at various psychiatric institutions |
| 00:03:43 |
and yet there has not been |
| 00:03:48 |
until after his arrest. |
| 00:03:52 |
Henry did not abduct Sarah McKenzie. |
| 00:03:54 |
He didn't strip her naked |
| 00:03:59 |
He didn't rape her 12-year-old body |
| 00:04:01 |
or attempt to remove her ovaries |
| 00:04:05 |
And he didn't videotape |
| 00:04:07 |
the two hours it took Sarah |
| 00:04:09 |
when that operation failed. |
| 00:04:11 |
Henry did not commit |
| 00:04:15 |
...Henry does not exist. |
| 00:04:20 |
Joseph Kinkirk is fully aware |
| 00:04:26 |
...just as he was |
| 00:04:36 |
(THUNDER CRASHES) |
| 00:04:42 |
It's after midnight, I'm afraid. |
| 00:04:44 |
I need two shots of tequila, a waterback |
| 00:04:49 |
Please. |
| 00:04:51 |
Certainly. |
| 00:04:53 |
At one minute past midnight. |
| 00:04:56 |
The State of Missouri began the execution |
| 00:04:59 |
of Joseph Kinkirk by lethal injection. |
| 00:05:03 |
With no reprieve coming |
| 00:05:08 |
Oh, God. |
| 00:05:14 |
Can I have two... |
| 00:05:16 |
Would you like me |
| 00:05:18 |
No, that's fine. |
| 00:05:20 |
...and Mr Kinkirk was pronounced dead |
| 00:05:22 |
at 18 minutes past the hour. |
| 00:05:24 |
NEWSREADER: As you've just heard. |
| 00:05:26 |
Joseph Kinkirk has been put to death |
| 00:05:29 |
We will have further reaction |
| 00:05:44 |
(MOBILE PHONE RINGS) |
| 00:05:53 |
WOMAN: Hello. |
| 00:05:56 |
Hi, sweetie. |
| 00:05:59 |
I miss you too. |
| 00:06:01 |
(FIRE ALARM BEEPS OVER PHONE) |
| 00:06:03 |
Uncle Stephen's making breakfast. |
| 00:06:06 |
OK, now can we go to Starbucks? |
| 00:06:08 |
How was last night? |
| 00:06:10 |
We watched 'Night of the Living Dead'. |
| 00:06:12 |
Oh, no - secrets! Shh. |
| 00:06:15 |
(SIGHS) |
| 00:06:18 |
Mommy wants to talk to you. |
| 00:06:19 |
So did you see them |
| 00:06:22 |
It was lethal injection. And no. |
| 00:06:25 |
You get shit-faced as usual? |
| 00:06:27 |
Watch your language in front of Sammy. |
| 00:06:29 |
Sorry. Did you, as usual, get shit-faced? |
| 00:06:32 |
I'm running late. |
| 00:06:36 |
Hello? |
| 00:06:39 |
Hey. Hey! That's rude. |
| 00:06:43 |
(MOBILE PHONE RINGS) |
| 00:06:52 |
Dad, can I call you back? |
| 00:06:53 |
I'm just at the airport... |
| 00:06:56 |
You 're shouting again. |
| 00:06:59 |
Sorry! |
| 00:07:00 |
Look, I think you 'll find this one |
| 00:07:03 |
Just send me the file and I'll look it over. |
| 00:07:06 |
No, no, you have to meet him. |
| 00:07:07 |
I'll pick you up at the airport. |
| 00:07:11 |
You can't expect me to rearrange my life |
| 00:07:14 |
every time you dig up |
| 00:07:17 |
Did you hang up? |
| 00:07:20 |
Dad? |
| 00:07:22 |
Hi. |
| 00:07:31 |
So where'd you find |
| 00:07:33 |
He was referred to me by Dr Foster. |
| 00:07:36 |
Charlie? |
| 00:07:37 |
Well, that figures. |
| 00:07:39 |
David was picked up for vagrancy |
| 00:07:41 |
and then released into Charlie's care |
| 00:07:44 |
Well, how long has |
| 00:07:46 |
Couple of days. Since the weekend. |
| 00:07:48 |
That's all? |
| 00:07:50 |
You usually like |
| 00:07:52 |
before you let me pick them apart. |
| 00:07:54 |
Ah, but this one |
| 00:07:58 |
Oh, yeah? |
| 00:08:01 |
Enjoy. |
| 00:08:12 |
(UNSETTLING MUSIC) |
| 00:08:28 |
Can we get a little heat going in here? |
| 00:08:30 |
OVER INTERCOM: Sure. |
| 00:08:34 |
(DOOR OPENS AND CLOSES) |
| 00:08:40 |
Hi. |
| 00:08:42 |
Hi. |
| 00:08:45 |
Thank you. |
| 00:08:49 |
I'm Dr Cara Jessup. |
| 00:08:53 |
David Bernburg. Is that right? |
| 00:08:55 |
(SOUTHERN ACCENT) Yes. |
| 00:08:57 |
'Bernburg' - is that German? |
| 00:09:00 |
I don't know. |
| 00:09:03 |
Do you know why we're here? |
| 00:09:05 |
You want to ask me some questions. |
| 00:09:07 |
Is that alright with you? |
| 00:09:09 |
Yes. |
| 00:09:11 |
OK. Have you been in a wheelchair |
| 00:09:15 |
No. |
| 00:09:17 |
I had an accident a few years back. |
| 00:09:20 |
OK. |
| 00:09:22 |
Are you left- or right-handed? |
| 00:09:24 |
Right. |
| 00:09:27 |
And, um, in your childhood home, |
| 00:09:42 |
10. |
| 00:09:43 |
11 if you count |
| 00:09:47 |
But it didn't open. |
| 00:09:48 |
OK, so when you 're |
| 00:09:52 |
are you inside or outside the house? |
| 00:09:56 |
Inside. It's warmer. |
| 00:09:58 |
Mm-hm. |
| 00:10:05 |
Were you raised in any religion? |
| 00:10:08 |
Ma'am, I was raised in the mountains. |
| 00:10:11 |
God held our hand |
| 00:10:19 |
I'd like to show you |
| 00:10:22 |
and I'd like you to just describe |
| 00:10:30 |
Two small children. |
| 00:10:33 |
And they're playing that game, um... |
| 00:10:38 |
(SINGSONG) Patty cake, patty cake... |
| 00:10:41 |
And this one? |
| 00:10:44 |
It looks like an elephant in the circus. |
| 00:10:48 |
Is it a big elephant? |
| 00:10:50 |
No, a baby elephant. |
| 00:10:54 |
Do you see any numbers in the circle? |
| 00:10:58 |
16. |
| 00:10:59 |
How about this one? |
| 00:11:02 |
73. |
| 00:11:07 |
Do you ever have any emotions |
| 00:11:13 |
No. |
| 00:11:16 |
Do you ever feel angry or violent |
| 00:11:24 |
No. |
| 00:11:27 |
OK. Thank you very much. |
| 00:11:30 |
Alright, Dad, I'm waiting. |
| 00:11:33 |
For what? |
| 00:11:35 |
Well, you didn't bring me here |
| 00:11:39 |
Mind if I make a call? |
| 00:11:41 |
No, I got nothing but time. |
| 00:11:48 |
(PHONE RINGS) |
| 00:12:04 |
(PHONE CONTINUES RINGING) |
| 00:12:20 |
Hello. |
| 00:12:22 |
This is Dr Harding. Is Adam there? |
| 00:12:28 |
I'm sorry, Dr Harding. |
| 00:12:33 |
I'd like you to look for him. |
| 00:12:35 |
(GRUNTS AND GROANS) |
| 00:12:46 |
What was that? |
| 00:12:56 |
This is Adam. |
| 00:12:57 |
Adam, it's Dr Harding. |
| 00:12:59 |
I wonder if you would have a moment |
| 00:13:04 |
Sure. |
| 00:13:11 |
You didn't need to do that. |
| 00:13:14 |
Do what? |
| 00:13:15 |
Show off. It makes you |
| 00:13:30 |
Hello. |
| 00:13:33 |
I'm Dr Jessup. |
| 00:13:35 |
Jessup? You 're Dr Harding's daughter? |
| 00:13:39 |
Yes, I am. And you 're Adam. |
| 00:13:40 |
Your husband was murdered, right? |
| 00:13:42 |
Ooh. |
| 00:13:44 |
Yes. |
| 00:13:48 |
His throat was slit by a mugger. |
| 00:13:50 |
When? |
| 00:13:52 |
Where? |
| 00:13:54 |
When we were walking home from |
| 00:14:01 |
You think that was rude of me? |
| 00:14:04 |
I'm used to it. |
| 00:14:06 |
Aggressive role manipulation |
| 00:14:09 |
used by borderline personalities |
| 00:14:11 |
But you knew that, didn't you? |
| 00:14:15 |
Attagirl. |
| 00:14:17 |
I have to watch out for your |
| 00:14:22 |
Ready to answer some questions? |
| 00:14:23 |
Shoot. |
| 00:14:27 |
In your childhood home, |
| 00:14:30 |
One. |
| 00:14:31 |
One? |
| 00:14:34 |
Actually, two if you count the windshield. |
| 00:14:37 |
I see. |
| 00:14:40 |
Were you raised in any religion? |
| 00:14:43 |
Catholic. |
| 00:14:46 |
OK, Adam, I have a series |
| 00:14:49 |
I'd like you to take a look at them... |
| 00:14:51 |
Dancers, moth, elephants, the Devil. |
| 00:14:56 |
I've seen all this stuff before, Doctor. |
| 00:14:59 |
Yes, you have. Clearly. |
| 00:15:02 |
OK, Adam. |
| 00:15:04 |
Do you see any numbers in the circles? |
| 00:15:07 |
Nope. |
| 00:15:09 |
And this one? |
| 00:15:12 |
No. |
| 00:15:16 |
Great. Great. |
| 00:15:20 |
What about this one? |
| 00:15:25 |
The number seven. |
| 00:15:30 |
OK. |
| 00:15:36 |
OK, Adam, um... |
| 00:15:47 |
Are you wearing contact lenses? |
| 00:15:51 |
No. This is their natural colour. |
| 00:15:59 |
Are you colourblind? |
| 00:16:00 |
Red deficient, since birth. |
| 00:16:05 |
OK, Adam, I think we're done here. |
| 00:16:09 |
Thank you very much |
| 00:16:17 |
Can I go now? |
| 00:16:25 |
CARA: You set me up. |
| 00:16:27 |
No, no. I offered you a chance |
| 00:16:31 |
Adam is the host. David is the alter. |
| 00:16:33 |
Why didn't you let me |
| 00:16:35 |
Where's the fun in that? |
| 00:16:38 |
(EERIE MUSIC, VOICES WHISPER) |
| 00:16:49 |
(BOTH PLAY ROCK MUSIC) |
| 00:16:51 |
Hello! |
| 00:16:52 |
Hello! |
| 00:16:54 |
(LAUGHS) I missed you so much! |
| 00:16:57 |
Yay! |
| 00:16:59 |
Hey, Stevo. This is quite a rig. |
| 00:17:01 |
Hah. |
| 00:17:03 |
There's my angel. How you doing? |
| 00:17:05 |
Go get your stuff, OK? |
| 00:17:07 |
I'll help you. |
| 00:17:09 |
Uh, she was pretty cranky |
| 00:17:11 |
You staying for dinner? |
| 00:17:14 |
Sammy's got school in the morning. |
| 00:17:16 |
You OK? I mean, really OK? |
| 00:17:21 |
Yeah, I'll be OK. |
| 00:17:22 |
(STRUMS ABSENT-MINDEDLY) |
| 00:17:25 |
What are you working on? |
| 00:17:27 |
Oh, I'm just offlining an industrial. |
| 00:17:29 |
Oh, great. |
| 00:17:31 |
You have no idea |
| 00:17:33 |
No. |
| 00:17:34 |
DR HARDING: OK, here we are. |
| 00:17:37 |
Did you say thank you |
| 00:17:39 |
Thank you, Uncle Stephen. |
| 00:17:41 |
Sammy, next time |
| 00:17:43 |
OK. |
| 00:17:44 |
I gotta tell you, I'm loving these |
| 00:17:46 |
Thank you. |
| 00:17:48 |
Thank you very much. |
| 00:17:49 |
Goodbye. Get off my property. |
| 00:17:51 |
(CARA LAUGHS) |
| 00:17:54 |
Don't pull all the way up |
| 00:17:56 |
DR HARDING: Why? |
| 00:17:57 |
It'll be too tight for me to get out. |
| 00:17:59 |
You 'll be able to get out. |
| 00:18:04 |
Yep. (GRUNTS) |
| 00:18:09 |
Hey, honey, get in the bathtub, OK? |
| 00:18:13 |
OK, Mom! |
| 00:18:19 |
What's that? |
| 00:18:20 |
Adam's file. Take a look. |
| 00:18:24 |
I'll think about it. |
| 00:18:37 |
(VOICES WHISPER) |
| 00:18:56 |
(BONES CRUNCH) |
| 00:19:22 |
ADAM: I don't seem to have much time |
| 00:19:26 |
It seems to work both ways. |
| 00:19:29 |
Hows about you? Got your faith? |
| 00:19:32 |
DR HARDING: My daughter |
| 00:19:35 |
He was a good, good man |
| 00:19:37 |
and he was murdered |
| 00:19:40 |
Murdered? |
| 00:19:43 |
So I find it kind of hard to believe |
| 00:19:45 |
in a God that could hurt my daughter... |
| 00:19:48 |
...is Adam there? |
| 00:19:52 |
(SOUTHERN ACCENT) I'm sorry, |
| 00:19:55 |
(GRUNTS AND GROANS) |
| 00:19:58 |
(SQUELCHING AND CRUNCHING) |
| 00:20:24 |
MAN: Little CC. |
| 00:20:25 |
Hey, Charlie. You look terrible. |
| 00:20:28 |
Well, thank you. |
| 00:20:30 |
A course of antibiotics, I'll be fine. |
| 00:20:32 |
Alright. |
| 00:20:35 |
Um, Adam Saber. |
| 00:20:36 |
I want to know how he came to you |
| 00:20:40 |
The police found him laying in the street. |
| 00:20:44 |
He didn't appear intoxicated. |
| 00:20:49 |
Gave his name as David Bernburg. |
| 00:20:51 |
By the time I examined him, |
| 00:20:53 |
he was up on his feet, |
| 00:20:57 |
said he had no idea |
| 00:21:01 |
Well, I thought of |
| 00:21:03 |
Well, yeah, sure. |
| 00:21:05 |
Um, have you ever had a patient |
| 00:21:12 |
No. Why? |
| 00:21:14 |
I was just thinking it might explain... |
| 00:21:16 |
Never mind. |
| 00:21:18 |
How's Sammy? |
| 00:21:20 |
Soccer-crazy. |
| 00:21:22 |
There are tryouts at the school |
| 00:21:24 |
I'd like that. |
| 00:21:26 |
Um, can I get a copy of his hospital file? |
| 00:21:31 |
I'll fax it this afternoon. |
| 00:21:34 |
Take care of yourself, alright? |
| 00:21:36 |
I will. You take care of that kid. |
| 00:21:38 |
Yeah. Always. |
| 00:21:41 |
Um, does Ellie still work in radiology? |
| 00:21:43 |
Yeah, but she's up |
| 00:21:45 |
Alright. Thanks again. |
| 00:21:47 |
'Bye. |
| 00:21:52 |
(COUGHS) |
| 00:22:01 |
Is it possible that |
| 00:22:04 |
he's compressing, |
| 00:22:06 |
and causing some kind |
| 00:22:09 |
Look. |
| 00:22:11 |
This X-ray - the third, the fourth, |
| 00:22:15 |
Fused. |
| 00:22:17 |
So we're looking at X-rays here |
| 00:22:20 |
Two different people. |
| 00:22:22 |
It's a hoax - a guy, the doctor. |
| 00:22:26 |
The doctor? |
| 00:22:28 |
How well do you know him? |
| 00:22:46 |
Gets under your skin, doesn't he? |
| 00:22:49 |
These aren't his films. They can't be. |
| 00:22:53 |
Isn't it possible |
| 00:22:57 |
is actually what you 're seeing? |
| 00:22:59 |
No, because this is not possible. |
| 00:23:02 |
Adam is the real deal. |
| 00:23:04 |
He is a desperately ill young man, |
| 00:23:05 |
but he's fully aware of David |
| 00:23:07 |
David is pure invention |
| 00:23:10 |
You know what? We haven't had |
| 00:23:15 |
Well, you 're coming to Easter, |
| 00:23:17 |
Uh-huh. |
| 00:23:19 |
Do you want me to bring anything? |
| 00:23:21 |
Just your delightful self. |
| 00:23:26 |
That's my girl. |
| 00:23:28 |
Thanks. |
| 00:23:35 |
(MUTTERS) OK, what name? |
| 00:23:42 |
So, David Bernburg, |
| 00:23:46 |
Shadywood. |
| 00:23:50 |
(GASPS) |
| 00:23:54 |
Sorry, Doctor. Scared you a little |
| 00:23:57 |
Yeah, a little bit. Yeah. |
| 00:23:59 |
Listen, uh, I didn't want you to leave |
| 00:24:01 |
without having a chance |
| 00:24:03 |
For what? |
| 00:24:06 |
For trying to help. |
| 00:24:11 |
Thanks. |
| 00:24:15 |
(STARTS CAR) |
| 00:24:28 |
Excuse me. I'm looking for yearbooks. |
| 00:24:32 |
Second aisle down to the back. |
| 00:24:33 |
But you best be quick. |
| 00:24:35 |
No, I'll be quick. I promise. |
| 00:24:40 |
OK. |
| 00:25:27 |
WOMAN: Are you almost done? |
| 00:25:32 |
Um, I'll be done in a minute. |
| 00:25:59 |
(GASPS) |
| 00:26:06 |
CARA: Matthew, Mark, Luke and John |
| 00:26:11 |
Bless me as they lay me down to sleep |
| 00:26:15 |
Five little angels round my bed |
| 00:26:20 |
One to sing and one to pray |
| 00:26:34 |
Amen. |
| 00:26:43 |
She doesn't mean it. |
| 00:26:47 |
Right? |
| 00:26:59 |
(RINGING TONE ON PHONE) |
| 00:27:01 |
(MAN COUGHS) Hello. |
| 00:27:03 |
(CONTINUES COUGHING) |
| 00:27:06 |
You sound terrible. |
| 00:27:08 |
Listen, listen. Can I bring you anything? |
| 00:27:11 |
Uh, no. I've got soup. |
| 00:27:13 |
And, um, that antibiotic's |
| 00:27:18 |
I hate to ask, but you never |
| 00:27:24 |
Oh, I'm sorry. Is first thing alright? |
| 00:27:26 |
Yeah, yeah, of course. |
| 00:27:30 |
I will. |
| 00:27:32 |
(COUGHS) See you soon. |
| 00:27:34 |
OK. Feel better. |
| 00:27:36 |
(COUGHS AND HACKS) |
| 00:27:45 |
(GAGS AND RETCHES) |
| 00:27:53 |
(GENTLE EERIE MUSIC) |
| 00:29:19 |
(RATTLING) |
| 00:29:34 |
Excuse me. |
| 00:29:36 |
Do you know the way |
| 00:29:39 |
(CLICKS TONGUE) |
| 00:29:47 |
I don't know how I got to the hospital. |
| 00:29:50 |
I have no idea |
| 00:29:53 |
You know, I just wake up in my room |
| 00:29:56 |
(CLICKS) |
| 00:29:57 |
DR HARDING: The nurses |
| 00:30:00 |
Was I awake? |
| 00:30:02 |
In a matter of speaking. |
| 00:30:39 |
(KNOCKS) |
| 00:30:45 |
Hello? |
| 00:31:43 |
(WOMAN HUMS SONG SOFTLY) |
| 00:32:03 |
They're ruined, aren't they? |
| 00:32:05 |
I... I'm sorry. I knocked at the front door. |
| 00:32:09 |
I was... |
| 00:32:12 |
They must have been |
| 00:32:15 |
All that music, all that life, all gone. |
| 00:32:19 |
I think... I think some of it |
| 00:32:23 |
Well, there's always hope. |
| 00:32:26 |
Now, who are you? |
| 00:32:28 |
I'm looking for David Bernburg. |
| 00:32:31 |
David? |
| 00:32:33 |
You 're standing on him, aren't you? |
| 00:32:51 |
Well, it happens around |
| 00:32:54 |
some local reporter |
| 00:32:56 |
inevitably stumbles onto |
| 00:32:59 |
and tries to resurrect it |
| 00:33:03 |
Are you talking about David's accident? |
| 00:33:07 |
No, my dear. |
| 00:33:11 |
His murder. |
| 00:33:20 |
How did his accident happen? |
| 00:33:22 |
He fell. |
| 00:33:24 |
Wet leaves on stone steps. |
| 00:33:28 |
And just like that |
| 00:33:36 |
But he accepted his fate |
| 00:33:41 |
For three years, |
| 00:33:43 |
David showed the world how brightly |
| 00:33:50 |
But then... David lost his way. |
| 00:34:00 |
He found a doctor in the city |
| 00:34:03 |
who was experimenting with spinal |
| 00:34:10 |
David came to believe |
| 00:34:13 |
would one day give him back his legs. |
| 00:34:17 |
It seemed as if every month, |
| 00:34:18 |
he'd ride into the city on the bus |
| 00:34:23 |
...only to be injected and sliced open |
| 00:34:28 |
and return broken-hearted. |
| 00:34:33 |
And then one month he left home |
| 00:34:36 |
and never returned. |
| 00:34:42 |
It was one week later |
| 00:34:46 |
He'd... been taken into the woods |
| 00:34:53 |
Tortured. |
| 00:34:56 |
Can you imagine? |
| 00:35:00 |
David sitting there, watching, |
| 00:35:04 |
unable to fight back, |
| 00:35:06 |
watching as they did those |
| 00:35:10 |
I... I cannot. I... |
| 00:35:13 |
And I pray you never will. |
| 00:35:19 |
David turned his back on God |
| 00:35:22 |
and looked to science for his answers. |
| 00:35:26 |
The Lord told us quite plainly. |
| 00:35:33 |
"Wane not, thy faith in me." |
| 00:35:44 |
(PEOPLE CHATTER QUIETLY) |
| 00:35:52 |
Hey, Art. I'll have a cup of coffee |
| 00:35:56 |
Hi, honey bun. |
| 00:36:00 |
No. We had a bird funeral. |
| 00:36:02 |
Great. Great. |
| 00:36:05 |
Well, do you want to pick out a treat |
| 00:36:08 |
OK, go ahead. |
| 00:36:13 |
What's the fundamental difference |
| 00:36:15 |
between a disassociated personality |
| 00:36:19 |
No hello? |
| 00:36:21 |
'Cause I have something. |
| 00:36:23 |
OK, so the real David Bernburg |
| 00:36:30 |
He slipped and broke his back |
| 00:36:35 |
In April of 1982, he was murdered. |
| 00:36:39 |
Now, while every local TV station |
| 00:36:42 |
was recounting the details |
| 00:36:46 |
your Adam Saber was six years old, |
| 00:36:50 |
and he'd been placed in |
| 00:36:53 |
His escape was this... |
| 00:36:56 |
Now, everything |
| 00:36:59 |
he would have gleaned |
| 00:37:03 |
OK, well, say that I agree with these... |
| 00:37:07 |
...somewhat shaky assumptions. |
| 00:37:09 |
Why would Adam create a delusion? |
| 00:37:13 |
Give me your wallet. |
| 00:37:16 |
Any wallet will do? |
| 00:37:19 |
(CHUCKLES) |
| 00:37:21 |
So why do you carry |
| 00:37:25 |
To remind me of her. |
| 00:37:27 |
Mm-hm, and experience the positive |
| 00:37:29 |
Yeah. |
| 00:37:31 |
Now, if this picture existed |
| 00:37:34 |
would you still be able |
| 00:37:37 |
I suppose not, no. |
| 00:37:39 |
Oh, OK. |
| 00:37:40 |
So I believe, as a child, |
| 00:37:43 |
Adam Saber began carrying around |
| 00:37:46 |
so that no matter where he went, |
| 00:37:50 |
there was always someone |
| 00:37:52 |
David Bernburg |
| 00:37:54 |
by Satan-worshipping |
| 00:37:56 |
But to benefit from this mental image, |
| 00:37:58 |
he must be fully aware of it |
| 00:38:01 |
and therefore |
| 00:38:06 |
That is a very compelling diagnosis. |
| 00:38:11 |
How are you gonna prove it? |
| 00:38:12 |
Oh, oh, Dad, I'm not gonna prove it. |
| 00:38:17 |
I'm gonna cure it. |
| 00:38:19 |
(DOOR OPENS AND CLOSES) |
| 00:38:24 |
Hello, Mrs Bernburg. |
| 00:38:26 |
Thank you again for agreeing |
| 00:38:30 |
I wanted to tell you that, um, Adam has |
| 00:38:36 |
I, um... I don't want you to be alarmed. |
| 00:38:40 |
I've raised three boys |
| 00:38:44 |
Not much alarms me. |
| 00:38:46 |
Thank you. I do appreciate it. |
| 00:38:49 |
Here's... this is Adam now. |
| 00:38:53 |
Hello, Adam. |
| 00:38:55 |
This is Dita Bernburg. |
| 00:38:58 |
Is the name familiar to you at all? |
| 00:39:04 |
(SIGHS) Er, her son David |
| 00:39:08 |
Shit. |
| 00:39:12 |
I'm sorry. |
| 00:39:13 |
You may have heard of it. |
| 00:39:16 |
It was in the papers. |
| 00:39:18 |
25 years ago? I was, like, 6 years old. |
| 00:39:23 |
I didn't read the papers much. |
| 00:39:27 |
(PHONE RINGS) |
| 00:39:48 |
You gonna get that? |
| 00:39:50 |
No-one knows I'm here. |
| 00:39:56 |
Yo, this is Adam. |
| 00:39:58 |
I'd like to speak with David, please. |
| 00:40:02 |
There's no David here. |
| 00:40:03 |
(THUD!) |
| 00:40:06 |
(GROANS) |
| 00:40:08 |
(CRACKING AND SQUELCHING) |
| 00:40:27 |
Momma? |
| 00:40:34 |
You found me, Momma. |
| 00:40:36 |
My son is dead. |
| 00:40:40 |
No, Momma. I'm not dead. |
| 00:40:44 |
You are not my son. |
| 00:40:47 |
Yes, I am. |
| 00:40:51 |
We live at the Quarry House |
| 00:40:53 |
(MURMURS) I was able to find |
| 00:40:57 |
My bedroom used to be a library. |
| 00:41:03 |
You used to fold the clothes |
| 00:41:06 |
Stop it. |
| 00:41:08 |
You used to say, "What clothes |
| 00:41:12 |
No. |
| 00:41:19 |
My bed. |
| 00:41:21 |
My bed was made from harvest wood |
| 00:41:24 |
to keep me safe from the spirits. |
| 00:41:27 |
My son died 25 years ago. |
| 00:41:30 |
You have a nail in your pocket. |
| 00:41:40 |
How could you know that? |
| 00:41:43 |
No-one knows that, only... |
| 00:41:48 |
We found it in in Askern Mine. |
| 00:41:56 |
You always carry it, Momma. |
| 00:42:05 |
(SNIFFS) |
| 00:42:11 |
(SOBS) |
| 00:42:24 |
David. |
| 00:42:31 |
(SOBS) |
| 00:42:33 |
Iron from the earth... |
| 00:42:37 |
...to ward off evil. |
| 00:42:44 |
To ward off evil. |
| 00:42:47 |
(SNIFFS) Yes. |
| 00:42:52 |
Then it's not working. |
| 00:42:54 |
(GASPS) |
| 00:43:01 |
CARA: I know there's a rational |
| 00:43:03 |
Momma! |
| 00:44:25 |
Yeah, this is it. |
| 00:44:29 |
You want me to come with you? |
| 00:44:32 |
Are you sure? |
| 00:44:36 |
Alright. |
| 00:44:40 |
I'll be fine. |
| 00:45:10 |
Alright, David, |
| 00:45:15 |
No, ma'am. |
| 00:45:18 |
Well, there's no reason |
| 00:45:29 |
What is it? |
| 00:45:32 |
What's the matter. |
| 00:45:33 |
I was here at night. |
| 00:45:36 |
That's why I didn't recognise this place. |
| 00:45:43 |
Things are different. |
| 00:45:46 |
It was snowing. |
| 00:45:49 |
Right there, there was a shed. |
| 00:45:57 |
(GASPS) |
| 00:45:59 |
He's coming. |
| 00:46:05 |
Who's coming? |
| 00:46:07 |
Shhh. |
| 00:46:11 |
It's alright. It's alright. |
| 00:46:14 |
Tell me. Tell me, who is it? |
| 00:46:20 |
The Devil. |
| 00:46:23 |
(EERIE, CRASHING CHORDS) |
| 00:46:27 |
I'm sorry. Alright, I'm sorry. |
| 00:46:29 |
Please don't leave me. |
| 00:46:32 |
OK? I'm taking you... |
| 00:46:34 |
(SOBS) |
| 00:46:37 |
Please, please, please |
| 00:46:39 |
Listen, the chair is stuck. |
| 00:46:41 |
I have to go back... |
| 00:46:43 |
Please don't leave me. |
| 00:46:47 |
Just... I need to get a signal. |
| 00:46:49 |
I'm just gonna walk away |
| 00:46:51 |
You 're alright. You 're alright. |
| 00:46:58 |
(GROANS) |
| 00:47:01 |
(DIALS PHONE) |
| 00:47:03 |
(DIALLED PHONE RINGS) |
| 00:47:07 |
Hey, Cara. |
| 00:47:09 |
Something wrong? |
| 00:47:12 |
The chair is stuck |
| 00:47:14 |
Alright. Let me find something. |
| 00:47:17 |
Thanks. OK. 'Bye. |
| 00:47:31 |
Let's see what we've got. |
| 00:47:34 |
Stuck, huh? |
| 00:47:36 |
Hi, Adam. |
| 00:47:43 |
Who's Adam? |
| 00:47:47 |
Here we go. |
| 00:47:50 |
My name is Dr Caroline Jessup. |
| 00:47:55 |
Adam... |
| 00:47:57 |
Adam is a patient of mine. |
| 00:48:02 |
Are you alright? |
| 00:48:04 |
You feel confused? |
| 00:48:07 |
You don't tell me |
| 00:48:10 |
You 're not the one who keeps waking up |
| 00:48:14 |
with no idea how you got there. |
| 00:48:15 |
So I asked you a question. |
| 00:48:18 |
Where am I? |
| 00:48:23 |
You 're at Walker's Mill. |
| 00:48:32 |
Hey! |
| 00:48:33 |
Caroline, are you alright? |
| 00:48:37 |
I was, um... I'm just... I'm talking to, er... |
| 00:48:41 |
Wes. |
| 00:48:47 |
Morning, Virgil. |
| 00:49:01 |
Right. There we go. Beautiful. |
| 00:49:04 |
Nice, alright. Take a shot. |
| 00:49:06 |
Dad. |
| 00:49:08 |
I need to talk to you. |
| 00:49:12 |
Why are you... |
| 00:49:14 |
Wh... |
| 00:49:15 |
Why, Dad? Why? |
| 00:49:19 |
Because you 've stopped |
| 00:49:21 |
That's all I do. That's all I do all day long. |
| 00:49:23 |
That's all I do, Dad. |
| 00:49:25 |
You 've stopped asking questions |
| 00:49:28 |
You 've developed |
| 00:49:32 |
which you refuse to submit |
| 00:49:35 |
So what that means is |
| 00:49:38 |
a new thought in your professional life. |
| 00:49:40 |
You have got to learn to |
| 00:49:43 |
and try to move ahead with |
| 00:49:47 |
And simply ask, "What?" |
| 00:49:51 |
Just because you 're older, |
| 00:49:53 |
It might mean |
| 00:49:57 |
What has been your motivation here? |
| 00:49:58 |
Has it been to help Adam |
| 00:50:01 |
...crisis it is that caused him |
| 00:50:04 |
Or has it been to simply flat out |
| 00:50:12 |
Hmm? |
| 00:50:16 |
Oh, hon. |
| 00:50:21 |
Alright, everybody go take a shower now. |
| 00:50:23 |
Honey! |
| 00:50:43 |
OK, so, Wesley Crite was a frontman |
| 00:50:46 |
He died November 1994. |
| 00:50:49 |
It was a possible suicide. |
| 00:50:51 |
At this exact point, |
| 00:50:57 |
He's just been placed |
| 00:50:59 |
So at this low, low moment in his life, |
| 00:51:03 |
he assumes yet another person |
| 00:51:11 |
OK. |
| 00:51:14 |
OK. |
| 00:51:17 |
Good. |
| 00:51:26 |
Hello, Wesley. |
| 00:51:28 |
I'm sorry to keep you waiting. |
| 00:51:34 |
(HOARSELY) I have all the time |
| 00:51:38 |
I'd like to ask you a few questions, |
| 00:51:44 |
I would first like to ask you a question. |
| 00:51:48 |
Yes? |
| 00:51:49 |
Do you hold that doctorate |
| 00:51:53 |
Why do you ask? |
| 00:51:57 |
That thing around your neck. |
| 00:52:03 |
Mmm. |
| 00:52:06 |
I'd-I'd like to consider myself |
| 00:52:12 |
...but a woman of God. |
| 00:52:16 |
There's something I'd like to show you. |
| 00:52:37 |
November 18, 1994. |
| 00:52:43 |
Does that mean anything to you? |
| 00:52:46 |
(WHEEZES) |
| 00:52:48 |
(COUGHS AND GRUNTS) |
| 00:52:49 |
(WHISPERS) Get away from me. |
| 00:52:51 |
Do you know what happened that day? |
| 00:52:54 |
Get away. |
| 00:52:56 |
What happened that day? |
| 00:52:59 |
What do you know about that day? |
| 00:53:01 |
Get away from me. |
| 00:53:03 |
(GASPS) |
| 00:53:06 |
(GRUNTS AND WHEEZES) |
| 00:53:14 |
(CRACKING) |
| 00:53:18 |
(CRACKING) |
| 00:53:20 |
(WHEEZES) |
| 00:53:39 |
David? |
| 00:53:44 |
(EXHALES) |
| 00:53:48 |
Are you alright? |
| 00:53:51 |
(WHISPERS) He was here. |
| 00:53:53 |
(BREATHES SHAKILY) |
| 00:53:58 |
(HUMS TUNE) |
| 00:54:09 |
Where did you hear that? |
| 00:54:12 |
(WHISPERS) I didn't hear it. |
| 00:54:17 |
I've wrote it. |
| 00:54:21 |
(HUMS TUNE) |
| 00:54:26 |
(PLAYS DAVID'S TUNE) |
| 00:54:43 |
That's David's song. |
| 00:54:45 |
Was it ever published? |
| 00:54:48 |
David made it up in the hospital |
| 00:54:52 |
and he'd sing it to himself |
| 00:55:00 |
When he was scared? |
| 00:55:02 |
It seemed to be a sanctuary for him, |
| 00:55:08 |
Is it possible that, um... |
| 00:55:12 |
...the night he was murdered, |
| 00:55:15 |
is it possible that he sang this lullaby? |
| 00:55:20 |
I pray he did. |
| 00:55:24 |
HARDING ON PHONE: Hello? |
| 00:55:26 |
I think that when Adam Saber |
| 00:55:28 |
he may have witnessed |
| 00:55:31 |
And David is an escape |
| 00:55:35 |
Do you have a home address for Adam? |
| 00:55:37 |
Because I wanna know what kind of life |
| 00:55:41 |
(DOG WHINES) |
| 00:55:44 |
Hey there, buddy. |
| 00:55:45 |
(BARKS) |
| 00:55:52 |
Good boy. Good boy. |
| 00:55:59 |
(WHINES) |
| 00:56:10 |
Hello! |
| 00:56:12 |
Hello? |
| 00:56:14 |
Hey, buddy. Are you all alone? |
| 00:56:17 |
It's alright. It's alright. I'm gonna come in. |
| 00:56:19 |
I'm coming in. I'm not gonna hurt you. |
| 00:56:27 |
Hello? |
| 00:56:38 |
(WIND BLOWS) |
| 00:56:55 |
(BARKS LOUDLY) |
| 00:56:57 |
Oh, shit. |
| 00:56:58 |
OK. OK, OK. |
| 00:57:02 |
OK, buddy. Alright. |
| 00:57:05 |
See if I can find anything. (MUTTERS) |
| 00:57:12 |
Here you go. Here you go. |
| 00:57:19 |
There. Poor thing. |
| 00:57:30 |
Ugh. |
| 00:57:43 |
Hello? |
| 00:57:45 |
Is anybody here? |
| 00:57:56 |
Hello? |
| 00:57:59 |
Oh, God. Oh, gosh. |
| 00:58:03 |
Mmm... Ohh... |
| 00:58:10 |
Ohh. |
| 00:58:13 |
(TV BUZZES) |
| 00:58:24 |
(MOANS) |
| 00:58:31 |
(FOREBODING MUSIC) |
| 00:58:35 |
Ohh. |
| 00:58:44 |
OK. |
| 00:58:47 |
(RETCHES) |
| 00:58:55 |
Oh, God. |
| 00:58:57 |
Oh, God. Oh, God. Oh, God. |
| 00:59:01 |
(MYSTERIOUS WHISPERING) |
| 00:59:11 |
(GASPS AND GROANS) |
| 00:59:14 |
(CAMERA CLICKS) |
| 00:59:18 |
(SIREN WAILS DISTANTLY) |
| 00:59:23 |
First dead body? |
| 00:59:26 |
No. |
| 00:59:29 |
We sent someone to pick up |
| 00:59:32 |
(INDISTINCT RADIO |
| 00:59:34 |
Shit! Shit. |
| 00:59:35 |
Um, I-I... I forgot to pick up |
| 00:59:38 |
You don't have to be here. |
| 00:59:40 |
I got it. |
| 00:59:42 |
GIRL: Did you see me? |
| 00:59:45 |
Really, Dad? |
| 00:59:46 |
MAN: Kenna, come on, we're leaving. |
| 00:59:48 |
I'll be there in one second. |
| 00:59:49 |
(OMINOUS MUSIC) |
| 00:59:52 |
DANTON: Hello? |
| 00:59:54 |
It's Caroline Jessup. |
| 00:59:55 |
Adam Saber is at my daughter's |
| 00:59:57 |
You 're sure it's him? |
| 00:59:59 |
Yeah, it's Brockhurst Elementary. |
| 01:00:01 |
At the soccer fields. |
| 01:00:02 |
Hi. |
| 01:00:04 |
As soon as you can. Thanks. |
| 01:00:08 |
Sammy! |
| 01:00:09 |
Sammy! |
| 01:00:11 |
You see? |
| 01:00:13 |
I told you she'd be here. |
| 01:00:14 |
No need to worry. |
| 01:00:18 |
Sammy. |
| 01:00:20 |
Samantha. Samantha. |
| 01:00:22 |
(PANTS) |
| 01:00:24 |
I'm sorry I'm late. |
| 01:00:26 |
But, Mom... |
| 01:00:29 |
Come on. Come on. |
| 01:00:31 |
I want you to go and wait |
| 01:00:33 |
Is everything alright? |
| 01:00:35 |
I'm not entirely sure. |
| 01:00:37 |
Sammy was wonderful! |
| 01:00:39 |
I want you to stay away from my family! |
| 01:00:45 |
But you invited me. |
| 01:00:46 |
I did no such thing. |
| 01:00:48 |
What hospital? |
| 01:00:50 |
When you came to see me. |
| 01:00:52 |
CC, are you alright? |
| 01:00:55 |
What did you call me? |
| 01:00:58 |
Little CC. |
| 01:01:04 |
Who are you? |
| 01:01:07 |
Caroline, it's me. |
| 01:01:09 |
Charles. |
| 01:01:10 |
(SIREN WAIL) |
| 01:01:26 |
I thought we had a rule |
| 01:01:30 |
But he knew my name. |
| 01:01:32 |
And he just wanted to talk to me |
| 01:01:37 |
What did he want to talk about? |
| 01:01:40 |
First he wanted to know family stuff. |
| 01:01:43 |
Yeah? |
| 01:01:46 |
Like what we did this summer. |
| 01:01:48 |
And my birthday. |
| 01:01:52 |
What about your birthday? |
| 01:01:54 |
If I liked the books he sent me. |
| 01:02:00 |
What else? |
| 01:02:03 |
Then he wanted to know |
| 01:02:09 |
What did you tell him? |
| 01:02:12 |
That I didn't believe. |
| 01:02:17 |
Why would you say that, honey? |
| 01:02:20 |
Because if God was real |
| 01:02:35 |
You know, I think... |
| 01:02:37 |
...I think that God knew |
| 01:02:41 |
And he wanted him in heaven |
| 01:02:46 |
It's alright that I don't believe, Mommy. |
| 01:02:50 |
Why? |
| 01:02:53 |
Grandpa doesn't believe anymore. |
| 01:02:55 |
So whatever happens, I'll be with him. |
| 01:03:06 |
Here. |
| 01:03:08 |
God loves you. |
| 01:03:11 |
And he always will, OK? |
| 01:03:13 |
OK. |
| 01:03:19 |
What did you do to your back? |
| 01:03:23 |
Don't know. |
| 01:03:24 |
It kind of itches. |
| 01:03:27 |
I'll put something on it, OK? |
| 01:03:29 |
He, Dad, it's me. |
| 01:03:30 |
Look, I think there's a connection |
| 01:03:33 |
They all seem to want to know |
| 01:03:35 |
Adam asked you, Wes asked me, |
| 01:03:38 |
Charles? |
| 01:03:40 |
Adam came to Sammy's school |
| 01:03:44 |
Caroline, Charles is dead. |
| 01:03:50 |
What? I... Dad, I just talked to him. |
| 01:03:52 |
He was sick, but he didn't... I mean... |
| 01:03:54 |
Dad, I'm so sorry. |
| 01:03:58 |
Me too. |
| 01:04:00 |
He always had to do everything first. |
| 01:04:02 |
(CRIES AND COUGHS) |
| 01:04:05 |
Are you alright? |
| 01:04:07 |
It's just a tickle. |
| 01:04:09 |
I love you, sweetheart. |
| 01:04:12 |
I love you too, Daddy. |
| 01:04:15 |
Bye-bye. |
| 01:04:20 |
(MOANS) |
| 01:04:29 |
I noticed a sketchbook in your room. |
| 01:04:32 |
You like to draw, huh? |
| 01:04:35 |
Idle hands. |
| 01:04:37 |
Moses drowning in an unparted sea. |
| 01:04:40 |
Mm-hm. |
| 01:04:48 |
(INDISTINCT MUFFLED NOISE) |
| 01:05:03 |
(MYSTERIOUS GROWL) |
| 01:05:23 |
So, I'm seeing this, right? |
| 01:05:25 |
The shadow's moving. It looks like |
| 01:05:28 |
Yeah, but... |
| 01:05:30 |
...you know. |
| 01:05:31 |
Cara, this is... Come on, this is Dad. |
| 01:05:33 |
He's doing what he always does. |
| 01:05:35 |
Can you just find out what it is? |
| 01:05:38 |
Yeah, sure. |
| 01:05:43 |
So, uh... |
| 01:05:45 |
What's the deal? |
| 01:05:49 |
The deal, Mr Saber, |
| 01:05:52 |
Excuse me? |
| 01:05:54 |
Male. Approximately 30-50 years of age. |
| 01:06:01 |
You know him? |
| 01:06:04 |
OK. |
| 01:06:07 |
Are you a religious man, Mr Saber? |
| 01:06:11 |
I only ask as this cross |
| 01:06:15 |
(SNIFFS) |
| 01:06:16 |
Do you recognise this? |
| 01:06:19 |
Maybe it was burnt |
| 01:06:26 |
(MYSTERIOUS BREATHING) |
| 01:06:28 |
Does this mean anything to you? |
| 01:06:30 |
No. |
| 01:06:31 |
Adam, do you recognise any of these? |
| 01:06:37 |
Do you recognise them? |
| 01:06:39 |
Does this cross mean anything to you? |
| 01:06:41 |
(RETCHES) |
| 01:06:45 |
(SCREAMS) |
| 01:06:46 |
I said, "I don't recognise them!" |
| 01:06:48 |
OK. Excuse me. Excuse me, Detective. |
| 01:06:51 |
Can I speak to you for a second? |
| 01:06:58 |
Don't push him on this right now. |
| 01:07:02 |
And I... I think I can help you |
| 01:07:04 |
I've seen it somewhere before. |
| 01:07:06 |
Yeah. |
| 01:07:13 |
CARA: I saw markings like this in town. |
| 01:07:15 |
I'm sorry. I didn't know who else to ask. |
| 01:07:23 |
Dr Jessup, why are you here? |
| 01:07:27 |
Your textbooks have failed you, |
| 01:07:31 |
Yes. |
| 01:07:32 |
So listen. |
| 01:07:33 |
That's why God gave us two ears |
| 01:07:39 |
There's the Devil's magic in these hills, |
| 01:07:43 |
that some may try to tend an ailing child |
| 01:07:46 |
or take revenge for a terrible wrongdoing. |
| 01:07:50 |
Remember this. |
| 01:07:52 |
Your books may have failed you, |
| 01:07:58 |
Follow on where the road ends |
| 01:08:04 |
You 'll see a Holler there. |
| 01:08:11 |
(TENSE MUSIC) |
| 01:08:41 |
Excuse me? |
| 01:08:46 |
I... I'm looking for the Granny. |
| 01:08:59 |
It's important that I find her. |
| 01:09:21 |
I need... I need to... |
| 01:09:25 |
I-I think it's some kind of a cross. |
| 01:09:27 |
Do you know what it is? |
| 01:09:32 |
Do you... Do you know? |
| 01:09:39 |
OLD WOMAN: Let me see. |
| 01:09:55 |
It's no cross. |
| 01:10:04 |
How are you doing that? |
| 01:10:08 |
With better eyes than yours. |
| 01:10:12 |
Can you tell me what it means? |
| 01:10:15 |
You won't believe. Child! |
| 01:10:47 |
(ENGINE REVS) |
| 01:11:04 |
What the hell is that? |
| 01:11:05 |
(DRUMMING) |
| 01:11:15 |
Want a soda? |
| 01:11:17 |
You sure? |
| 01:11:30 |
(TENSE MUSIC) |
| 01:11:51 |
No way. No freaking way. |
| 01:11:55 |
Ow! What are you doing? |
| 01:11:59 |
Sorry, pal. |
| 01:12:01 |
I need to try something. |
| 01:12:02 |
Uncle Stephen. |
| 01:12:04 |
What are you doing? |
| 01:12:39 |
(MUSIC INTENSIFIES) |
| 01:12:52 |
(MAN SCREAMS) |
| 01:12:54 |
Arggh! |
| 01:12:57 |
(CHANTS FAINTLY) |
| 01:13:02 |
(MAN MOANS) |
| 01:13:05 |
Hold him down. Hold him down! |
| 01:13:07 |
Keep still! |
| 01:13:12 |
(GASPS) |
| 01:13:14 |
(SUCKS AIR) |
| 01:13:22 |
(BLOWS AIR) |
| 01:14:10 |
(S SUCKS AIR) |
| 01:14:15 |
(BLOWS AIR) |
| 01:14:23 |
(GASPS) |
| 01:14:26 |
He'll be fine. |
| 01:14:28 |
(MAN MOANS) |
| 01:14:35 |
Now will you believe? |
| 01:14:47 |
It's the writing of the mountains. |
| 01:14:53 |
This... is shelter. |
| 01:15:12 |
(SIGHS) |
| 01:15:15 |
(MOBILE PHONE BEEPS) |
| 01:15:20 |
WOMAN ON VOICEMAIL: |
| 01:15:23 |
DETECTIVE DANTON: Dr Jessup, |
| 01:15:26 |
Just wanted to let you know |
| 01:15:29 |
but we released him |
| 01:15:31 |
Any luck with that cross? Call me. |
| 01:15:34 |
WOMAN: Next message. |
| 01:15:36 |
STEPHEN: Jesus, Carrie, |
| 01:15:39 |
OK, the darkness on the video, |
| 01:15:42 |
...it's a sound wave. |
| 01:15:45 |
It's a voice. |
| 01:15:47 |
Carrie, it's a fricking voice. Listen. |
| 01:15:49 |
(DEEP VOICE WHISPERS) |
| 01:15:54 |
...shelter now the faithless! |
| 01:16:01 |
Hear that? |
| 01:16:02 |
(DIAL TONE BEEPS) |
| 01:16:06 |
(PHONE BEEPS AND RINGS) |
| 01:16:08 |
STEPHEN: Cara. |
| 01:16:11 |
Uh, I have no idea. But I do know |
| 01:16:17 |
He was born in Burlington, |
| 01:16:23 |
He's one of those good ol' boys, |
| 01:16:25 |
southern faith healers. |
| 01:16:26 |
He died in... 1918. |
| 01:16:31 |
However, listen to this. OK. |
| 01:16:33 |
There's some sort of historical society |
| 01:16:38 |
Now, there's a guy there |
| 01:16:40 |
He has all this information on him. |
| 01:16:41 |
OK, I'm-I'm... I'm about 50 miles |
| 01:16:45 |
You can be there in an hour. Go. |
| 01:16:46 |
(TENSE MUSIC) |
| 01:16:54 |
(COUGHS) |
| 01:16:57 |
You alright? |
| 01:17:01 |
Let me see what I got. |
| 01:17:04 |
Mom says it's not good for you. |
| 01:17:06 |
Seriously? |
| 01:17:10 |
Yeah? OK. |
| 01:17:15 |
(MUSIC INTENSIFIES) |
| 01:17:24 |
Uncle Stephen. |
| 01:17:27 |
I think there's something on my back. |
| 01:17:35 |
MAN: Well, my late father |
| 01:17:38 |
right after the Great War. |
| 01:17:43 |
(CHUCKLES) |
| 01:17:49 |
1918. |
| 01:17:53 |
That's when it came. |
| 01:17:54 |
The influenza epidemic. |
| 01:18:01 |
And that's when we met him. |
| 01:18:03 |
The Reverend Christian Moore. |
| 01:18:06 |
He was a self-proclaimed faith healer |
| 01:18:09 |
and he told the Holler folks that |
| 01:18:13 |
they didn't need their voodoo medicine. |
| 01:18:15 |
Just faith in the Lord. |
| 01:18:18 |
And he had a good number of Holler folk |
| 01:18:20 |
turn their backs on the Granny. |
| 01:18:26 |
You see, he used, as an example, |
| 01:18:31 |
They were full of health |
| 01:18:36 |
to the ravages of the disease. |
| 01:18:38 |
And they were strange children, |
| 01:18:45 |
Turns out that their silence |
| 01:18:50 |
The Reverend had lost his faith |
| 01:18:53 |
and he had had his own kin inoculated |
| 01:18:58 |
leaving the others to die. |
| 01:19:01 |
CARA: That's awful. |
| 01:19:07 |
And that's why the Holler folk |
| 01:19:10 |
What was that? |
| 01:19:15 |
My father was filming as usual |
| 01:19:20 |
(MUSIC INTENSIFIES) |
| 01:19:29 |
And that's when I found them - |
| 01:19:50 |
(TENSE MUSIC) |
| 01:19:54 |
They dragged the Reverend |
| 01:20:03 |
And she handed down |
| 01:20:08 |
for his faithless ways. |
| 01:20:14 |
(MAN YELLS) |
| 01:20:15 |
And I can't really tell you |
| 01:20:23 |
(SUCKS AIR) |
| 01:20:29 |
...but to a child of eight... |
| 01:20:33 |
...it sure as hell looked like that old hag |
| 01:20:36 |
had sucked out Christian Moore's soul... |
| 01:20:42 |
(BLOWS AIR) |
| 01:20:47 |
...and stuffed his gullet with dirt |
| 01:20:54 |
And then she said something |
| 01:21:03 |
Reverend Christian Moore, |
| 01:21:07 |
shelter now the faithless. |
| 01:21:17 |
(MOBILE PHONE RINGS) |
| 01:21:19 |
Excuse me. |
| 01:21:24 |
Hello. |
| 01:21:26 |
Doctor Jessup, it's Detective Danton. |
| 01:21:29 |
Yeah. What... Wh-what's the matter? |
| 01:21:31 |
I just wanna let you know |
| 01:21:32 |
we've dispatched a squad car |
| 01:21:34 |
They'll be there in a few minutes. |
| 01:21:37 |
Why?! Why? What's happened?! |
| 01:21:38 |
There's been a mistake. |
| 01:21:40 |
(TELEPHONE RINGS) |
| 01:21:46 |
Hello? |
| 01:21:47 |
CARA: Dad? |
| 01:21:49 |
Dad, is Adam with you now? |
| 01:21:52 |
Yes. The police |
| 01:21:56 |
Can he hear what I'm saying? |
| 01:21:58 |
I shouldn't think so. He's in his room. |
| 01:22:00 |
OK, um, Dad, I need you to leave. |
| 01:22:04 |
You 're in danger. |
| 01:22:07 |
Dad, Adam Saber is dead. |
| 01:22:12 |
Can you hear me? |
| 01:22:14 |
Yes, but you 're not making any sense. |
| 01:22:16 |
The body that I found - that was Adam. |
| 01:22:21 |
Whoever's with you now |
| 01:22:24 |
Well, then, who is he? |
| 01:22:26 |
I don't know who he... |
| 01:22:31 |
Oh, my God. |
| 01:22:33 |
(TENSE MUSIC) |
| 01:22:50 |
Dad... |
| 01:22:55 |
(COUGHS) |
| 01:22:57 |
Dad... Dad! |
| 01:22:58 |
(COUGHS AND WHEEZES) |
| 01:23:01 |
Dad, can you hear me? |
| 01:23:04 |
(COUGHS) |
| 01:23:08 |
Can you hear me? |
| 01:23:10 |
Dad? |
| 01:23:12 |
(PHONE HANGS UP) |
| 01:23:15 |
Da... |
| 01:23:18 |
(TELEPHONE RINGS) |
| 01:23:21 |
No... |
| 01:23:23 |
(COUGHS AND WHEEZES) |
| 01:23:27 |
(PHONE DIALS) |
| 01:23:33 |
(TELEPHONE RINGS) |
| 01:23:39 |
Latham Institute. |
| 01:23:41 |
Virgil, I need you to run upstairs |
| 01:23:44 |
OK. I'll check on him. I'll put you on hold. |
| 01:23:55 |
(SHUDDERS AND GROANS) |
| 01:23:59 |
(SUCKS AIR) |
| 01:24:08 |
(SHRIEKS AND YELLS) |
| 01:24:20 |
Dr Harding? Shit. Shit. |
| 01:24:22 |
No! Jesus Christ! |
| 01:24:27 |
Dr... Dr Harding... |
| 01:24:35 |
Cara... Cara... Cara, you... |
| 01:24:37 |
Virgil, where... where's my dad? |
| 01:24:39 |
Something terrible's happened, Cara. I... |
| 01:24:41 |
(SOBS) He's gone. |
| 01:24:44 |
He's dead. |
| 01:24:47 |
I couldn't... |
| 01:24:49 |
He's gone. |
| 01:24:51 |
Wh... Wha... |
| 01:24:54 |
Wh... What? |
| 01:24:57 |
I'm so sorry, Cara. So sorry... |
| 01:25:25 |
(SOBS) |
| 01:25:32 |
(PHONE DIALS) |
| 01:25:38 |
(PHONE RINGS) |
| 01:25:41 |
SAMMY: Hello? |
| 01:25:44 |
Can you... Can you... |
| 01:25:46 |
Mom wants to talk to you. |
| 01:25:49 |
He's getting his car keys. |
| 01:25:52 |
(COUGHS) |
| 01:25:54 |
Sammy, are you alright? |
| 01:25:55 |
Hey. Sammy's coughing up a storm. |
| 01:25:58 |
Her paediatrician's closed. |
| 01:25:59 |
They said I should start |
| 01:26:01 |
(GASPS SOFTLY) |
| 01:26:04 |
STEPHEN: Cara? |
| 01:26:07 |
(SAMMY COUGHS) |
| 01:26:11 |
Are you there? |
| 01:26:14 |
(SAMMY COUGHS) |
| 01:26:15 |
A doctor can't help her. |
| 01:26:18 |
(TENSE MUSIC) |
| 01:26:20 |
Are you out of your mind, Cara? |
| 01:26:22 |
CARA: Think about what you heard |
| 01:26:24 |
This man is so dangerous. |
| 01:26:28 |
No, you have to listen to yourself. |
| 01:26:29 |
I'm not taking my niece |
| 01:26:31 |
I'm taking her to a hospital. |
| 01:26:33 |
Please listen to me and bring her here. |
| 01:26:35 |
No! |
| 01:26:37 |
To the hospital. You 're gonna be fine. |
| 01:26:39 |
(TYRES SQUEAL) |
| 01:26:40 |
Stevo! Wait. |
| 01:26:42 |
Stay the hell away from us. |
| 01:26:44 |
Stevo! You have no idea |
| 01:26:46 |
Samantha Jane! Come with me! |
| 01:26:49 |
Go, go, go, go! Up the stairs. |
| 01:26:54 |
Come on. In the bathroom. |
| 01:26:59 |
You 're in great danger, buckaroo. |
| 01:27:01 |
Hey. Your freak show just showed up |
| 01:27:03 |
CARA: Keep him away from her, OK? |
| 01:27:05 |
Stephen, for once in your life, |
| 01:27:08 |
Here. |
| 01:27:10 |
Hey, baby. Hey, do whatever |
| 01:27:13 |
OK. |
| 01:27:14 |
Now, everything's gonna be OK |
| 01:27:16 |
and I'm gonna stay on the phone |
| 01:27:19 |
I'm scared, Mommy. |
| 01:27:21 |
The man from the soccer field - |
| 01:27:25 |
I know, honey. I know. I know. |
| 01:27:39 |
Stevo! |
| 01:27:41 |
He's coming up the stairs. |
| 01:27:43 |
He's in the house. |
| 01:27:46 |
Stephen? |
| 01:27:50 |
Samantha Jane! |
| 01:27:52 |
Stephen, this is your father. |
| 01:27:54 |
This is no time to be playing games, |
| 01:27:56 |
(COUGHS) |
| 01:28:00 |
Sammy? |
| 01:28:04 |
Samantha Jane, honey. |
| 01:28:06 |
You gotta come with your grandpa, |
| 01:28:08 |
Shh. |
| 01:28:12 |
Please! Damn it, Stevie, open the door! |
| 01:28:15 |
We don't have much time! |
| 01:28:18 |
There's a very bad man coming, Stevie! |
| 01:28:21 |
Open the door! |
| 01:28:23 |
I can't help you if you don't |
| 01:28:26 |
I don't care, man! |
| 01:28:28 |
Stevie! Stevie! |
| 01:28:31 |
Stevie! |
| 01:28:34 |
Sammy! |
| 01:28:35 |
Arrgh! |
| 01:28:37 |
(SCREAMS) |
| 01:28:41 |
(MOANS SOFTLY) |
| 01:28:43 |
(GLASS TINKLES) |
| 01:28:50 |
(SAMMY GASPS) |
| 01:28:54 |
CARA: Sammy! Sammy! Stephen? |
| 01:28:57 |
That was an accident, honey. |
| 01:29:00 |
Listen to me. |
| 01:29:02 |
You gotta come with me, |
| 01:29:06 |
Sammy, tell him |
| 01:29:09 |
She wants to speak to David. |
| 01:29:11 |
David? David's not here, sweetie. |
| 01:29:16 |
Sammy, put me... |
| 01:29:19 |
Caroline? |
| 01:29:24 |
Put David on the fucking phone now! |
| 01:29:31 |
Sammy? Sam... Stephen? Stephen? |
| 01:29:35 |
Mommy... |
| 01:29:38 |
...he fell. |
| 01:29:39 |
CARA: Sammy? |
| 01:29:42 |
Before he wakes up. Uncle Stephen? |
| 01:29:52 |
Are you OK? |
| 01:29:59 |
Tell me where this witchdoctor is. |
| 01:30:02 |
Come on. You 're fine. |
| 01:30:05 |
Don't be scared. |
| 01:30:06 |
Buckle up. |
| 01:30:07 |
(STARTER MOTOR LABOURS) |
| 01:30:09 |
Come on! |
| 01:30:15 |
(EERIE VOICES |
| 01:30:27 |
(GASPS) |
| 01:30:28 |
(COUGHS) |
| 01:30:30 |
When I cough, it feels like |
| 01:30:33 |
(COUGHS) |
| 01:30:34 |
We're gonna see your mom |
| 01:30:36 |
(COUGHS) |
| 01:30:38 |
(TENSE MUSIC) |
| 01:30:58 |
Hey! Hey! |
| 01:31:01 |
Mommy! |
| 01:31:03 |
Give me your hands. It's OK. |
| 01:31:05 |
Oh, my God. Come on. |
| 01:31:07 |
Ow! Ow, Mommy! (SCREAMS) |
| 01:31:09 |
Let me see. |
| 01:31:16 |
(WHIMPERS) |
| 01:31:17 |
OK. Drive, Stephen. |
| 01:31:28 |
How much further? |
| 01:31:30 |
We're in the middle of nowhere. |
| 01:31:32 |
Just go straight. We'll be there soon. |
| 01:31:34 |
Jesus, I hope you know |
| 01:31:36 |
Just keep going straight! |
| 01:31:38 |
Watch out! |
| 01:31:43 |
Oh, God! Oh, good. |
| 01:31:46 |
It's alright. It's alright. |
| 01:31:48 |
We're here. It's alright. |
| 01:31:54 |
You stay here. Stay right here, Stephen. |
| 01:31:56 |
Come on, honey. Come on. |
| 01:31:59 |
Oh, it's OK. You 're alright. |
| 01:32:03 |
(GASPS) |
| 01:32:10 |
Oh, f... Fu... |
| 01:32:15 |
(GASPS) Shit. |
| 01:32:18 |
Ah, come on. |
| 01:32:22 |
Arrgh! Arrgh! (GASPS) |
| 01:32:24 |
(SAMMY COUGHS) |
| 01:32:40 |
Mom, I don't want to... |
| 01:32:43 |
Just show her your back. |
| 01:32:44 |
She looks scary. |
| 01:32:46 |
She's gonna help you. It's OK. |
| 01:32:49 |
Do I have to? |
| 01:32:51 |
(BREATHES HEAVILY) |
| 01:33:00 |
(GRUNTS) |
| 01:33:08 |
(YELLS AND WHIMPERS) |
| 01:33:15 |
Lost your way, did you, child? |
| 01:33:20 |
From God? |
| 01:33:21 |
My daddy died. |
| 01:33:25 |
Terrible thing, to lose a loved one. |
| 01:33:30 |
Worse thing to lose your faith. |
| 01:33:43 |
I'm sorry, child. |
| 01:33:46 |
Why? |
| 01:33:47 |
Once the sheltering has begun, |
| 01:33:53 |
No. No. |
| 01:33:54 |
No, no, you have to do something. |
| 01:33:56 |
She's made her choice. |
| 01:33:57 |
She didn't make a choice. |
| 01:34:00 |
We are all God's children. |
| 01:34:03 |
Please help us. Help... Help her. |
| 01:34:06 |
She will not be alone. |
| 01:34:09 |
She will rest with the sheltered ones. |
| 01:34:11 |
No. No! |
| 01:34:12 |
(SCREAMS PIERCINGLY) |
| 01:34:17 |
(MOUTHS) |
| 01:34:18 |
SAMMY: Mommy! |
| 01:34:21 |
(COUGHS) |
| 01:34:23 |
(DOOR CREAKS) |
| 01:34:35 |
(COUGHS) |
| 01:34:37 |
(TENSE MUSIC) |
| 01:34:44 |
Stephen! Stephen! |
| 01:34:49 |
Cover your eyes, OK? |
| 01:34:50 |
Don't look. Don't look. Don't. |
| 01:34:52 |
Stephen... Stephen? |
| 01:34:55 |
Stephen... |
| 01:34:56 |
(WEEPS AND GASPS) |
| 01:35:04 |
Don't... Keys... Keys... |
| 01:35:08 |
(COUGHS) |
| 01:35:11 |
Sammy! |
| 01:35:13 |
Mom! |
| 01:35:18 |
(PANTS) |
| 01:35:29 |
Arggh! |
| 01:35:31 |
Sammy... |
| 01:35:35 |
(COUGHS) |
| 01:35:39 |
(GASPS) |
| 01:35:45 |
(BOTH SHRIEK) |
| 01:35:57 |
OK. OK. Are you OK? |
| 01:36:00 |
Alright, baby. OK. Come on. |
| 01:36:02 |
(WAILS) |
| 01:36:07 |
OK, I'm sorry. OK, sorry. |
| 01:36:09 |
It's OK. You 're OK. It's OK. |
| 01:36:16 |
(WEEPS) |
| 01:36:30 |
(BOTH BREATHE SHAKILY) |
| 01:36:39 |
(EERIE, GENTLE MUSIC) |
| 01:36:46 |
(COUGHS) |
| 01:36:51 |
(RETCHES) |
| 01:36:53 |
Oh, my God. It's OK, baby. |
| 01:36:58 |
Oh, my God. OK. |
| 01:37:00 |
Mommy, I can't feel my fingers. |
| 01:37:04 |
(WHIMPERS) |
| 01:37:07 |
It's gonna be alright. |
| 01:37:09 |
(WHIMPERS) Ugh! |
| 01:37:12 |
(COUGHS) |
| 01:37:13 |
(MUSIC INTENSIFIES) |
| 01:37:25 |
(SUCKS AIR) |
| 01:37:31 |
(GASPS AND RETCHES) |
| 01:37:41 |
Sammy! |
| 01:37:42 |
(SILENCE) |
| 01:37:50 |
(BREATHES UNSTEADILY) Mommy? |
| 01:38:10 |
You 're bleeding, Mommy. |
| 01:38:17 |
I hit my head. |
| 01:38:19 |
(SOBS) |
| 01:38:22 |
It's OK. It's OK. |
| 01:38:27 |
It's OK. It's OK. Shh... Shh... |
| 01:38:31 |
Shh. Come on. Come here. Come here. |
| 01:38:33 |
Come here. It's OK. It's OK. |
| 01:38:39 |
It's OK. It's alright. It's alright. It's OK. |
| 01:38:43 |
Shh... |
| 01:38:46 |
OK, OK, OK, OK, OK. |
| 01:38:50 |
Shh... OK, OK. OK. OK. |
| 01:38:55 |
(SOBS) |
| 01:38:58 |
(SIGHS) |
| 01:39:04 |
Matthew, Mark, Luke and John |
| 01:39:08 |
Bless the bed that I lay on |
| 01:39:10 |
Bless me as I lay me down to sleep |
| 01:39:13 |
I give myself to God to keep |
| 01:39:18 |
Five little angels round my bed |
| 01:39:20 |
One to the foot and one to the head |
| 01:39:23 |
One to sing and one to pray... |
| 01:39:30 |
(SNORTS) |
| 01:39:32 |
...and one to take my sins away. |
| 01:39:36 |
Amen. |
| 01:39:38 |
(GASPS) |
| 01:39:42 |
Mommy... |
| 01:39:45 |
Mommy... (GASPS) |
| 01:39:48 |
It's OK. |
| 01:39:50 |
(GASPS AND CHOKES) |
| 01:39:56 |
Mommy! |
| 01:40:02 |
(BOTH GRUNT) |
| 01:40:20 |
Arggh! |
| 01:40:25 |
(SPLUTTERS AND COUGHS) |
| 01:40:28 |
(EERIE MUSIC) |
| 01:40:44 |
(EXHALES, WIND BLOWS) |
| 01:40:48 |
(INDISTINCT, GHOSTLY WHISPERS) |
| 01:41:26 |
(WEEPS) |
| 01:42:00 |
(MYSTERIOUS MUSIC) |
| 01:42:07 |
Sammy. |
| 01:42:09 |
Sammy? |
| 01:42:10 |
Breathe. Breathe. Breathe. |
| 01:42:13 |
Breathe, Sammy. |
| 01:42:17 |
(SOBS) |
| 01:42:24 |
Oh, God. (GASPS) |
| 01:42:31 |
(SAMMY HUMS DAVID'S TUNE) |
| 01:42:55 |
Sammy? |
| 01:43:02 |
(EERIE VOCAL WHOOSH) |
