Silence of the Lambs The
|
00:00:33 |
WOODS NEAR QUANTICO, VA |
00:02:40 |
Starling! |
00:02:43 |
Starling! |
00:02:47 |
Crawford wants to see you in his office. |
00:02:50 |
Thank you, sir. |
00:03:38 |
- Clarice. |
00:04:28 |
You looking for Crawford? He should |
00:05:27 |
Starling. |
00:05:29 |
- Clarice M. Good morning. |
00:05:33 |
Sorry to pull you off the course |
00:05:36 |
Your instructors tell me you're doing well. |
00:05:39 |
I hope so. They haven't |
00:05:43 |
A job's come up and I thought about you. |
00:05:45 |
Not a job, really. More of |
00:05:50 |
Yes, sir. |
00:05:51 |
I remember you from my seminar at UVA. |
00:05:57 |
on the Bureau's civil rights record |
00:06:01 |
A-minus, sir. |
00:06:05 |
Double major: Psych and criminology. |
00:06:08 |
Summer internships |
00:06:11 |
It says, when you graduate, you wanna |
00:06:16 |
Yes, very much, sir. Very much. |
00:06:19 |
We're interviewing all serial killers now in |
00:06:24 |
Could be a real help in unsolved cases. |
00:06:27 |
Most of them have been |
00:06:30 |
- Do you spook easily, Starling? |
00:06:34 |
See, the one we want most |
00:06:37 |
I want you to go after him |
00:06:39 |
- Who's the subject? |
00:06:43 |
Hannibal the Cannibal. |
00:06:46 |
I don't expect him to talk to you. |
00:06:50 |
But I have to be able to say we tried. |
00:06:52 |
So if he won't cooperate, |
00:06:55 |
How does he look? How does |
00:06:59 |
If he is, what's he sketching? |
00:07:04 |
Here's a dossier on Lecter. |
00:07:09 |
A copy of our questionnaire |
00:07:12 |
Have your memo on my desk |
00:07:15 |
OK. |
00:07:19 |
Excuse me, sir, but why the urgency? |
00:07:23 |
Is there some connection |
00:07:27 |
I wish there were. |
00:07:31 |
- Yes, sir. |
00:07:35 |
Dr Chilton at the asylum will go over all |
00:07:40 |
Do not deviate from them |
00:07:43 |
And you're to tell him nothing personal. |
00:07:46 |
Believe me, you don't want |
00:07:49 |
Just do your job, |
00:07:53 |
And what is that? |
00:07:54 |
Oh, he's a monster. A pure psychopath. |
00:07:58 |
So rare to capture one alive. |
00:08:00 |
From a research point of view, |
00:08:08 |
We get a lot of detectives here, but |
00:08:15 |
Will you be in Baltimore overnight? |
00:08:18 |
Because this can be quite a fun town |
00:08:23 |
I'm sure this is a great town, Dr Chilton, |
00:08:25 |
but my instructions are to talk to Dr Lecter |
00:08:31 |
I see. Well, let's make this quick, then. |
00:08:34 |
We've tried to study him, but he's much |
00:08:39 |
Oh, my, does he hate us! |
00:08:41 |
He thinks I'm his nemesis. |
00:08:45 |
Crawford's very clever, |
00:08:47 |
- What do you mean, sir? |
00:08:52 |
I don't believe Lecter's |
00:08:55 |
And are you ever his taste! So to speak. |
00:08:59 |
I graduated from UVA, Doctor. |
00:09:02 |
Good. Then you should |
00:09:08 |
Do not touch or approach the glass. |
00:09:11 |
No pencils or pens. |
00:09:15 |
Use the sliding food carrier. If he attempts |
00:09:20 |
- Do you understand me? |
00:09:24 |
I'm going to show you |
00:09:27 |
On July 8, 1981, he complained of chest |
00:09:32 |
His restraints were removed for an EKG. |
00:09:35 |
When the nurse leaned over him, |
00:09:41 |
The doctors managed to reset her jaw, |
00:09:45 |
His pulse never got above 85, |
00:09:50 |
- I keep him in here. |
00:09:56 |
If Lecter feels that you're his enemy, |
00:09:59 |
then maybe we'll have more luck |
00:10:06 |
You might have suggested this |
00:10:11 |
Yes, sir, but then I would have missed |
00:10:18 |
When she's finished, bring her out. |
00:10:48 |
Hi, I'm Barney. He told you, |
00:10:53 |
Yes, he did. Clarice Starling. |
00:10:55 |
Nice to meet you, Clarice. You can |
00:10:59 |
Thank you. I will. |
00:11:03 |
He's past the others, the last cell. |
00:11:05 |
You keep to the right. |
00:11:09 |
- I put out a chair for you. |
00:11:14 |
I'll be watchin'. You'll do fine. |
00:11:27 |
Hi. |
00:11:47 |
I can smell your cunt! |
00:12:02 |
- Good morning. |
00:12:06 |
May I speak with you? |
00:12:07 |
You're one of Jack Crawford's, |
00:12:10 |
- I am, yes. |
00:12:15 |
Certainly. |
00:12:23 |
Closer, please. |
00:12:26 |
Closer. |
00:12:43 |
That expires in one week. |
00:12:48 |
I'm still in training at the academy. |
00:12:51 |
Jack Crawford sent a trainee to me? |
00:12:54 |
Yes, I'm a student. |
00:12:58 |
Maybe you can decide whether or not |
00:13:05 |
That is rather slippery of you, |
00:13:11 |
Sit, please. |
00:13:20 |
Now then, tell me. |
00:13:24 |
Multiple Miggs in the next cell. |
00:13:26 |
He hissed at you. What did he say? |
00:13:31 |
He said "I can smell your cunt." |
00:13:34 |
I see. |
00:13:36 |
I myself cannot. |
00:13:47 |
You use Evyan skin cream. |
00:13:52 |
And sometimes you wear L'Air du Temps. |
00:13:56 |
But not today. |
00:14:00 |
Did you do all these drawings, Doctor? |
00:14:04 |
That is the Duomo |
00:14:09 |
- Do you know Florence? |
00:14:13 |
Memory, Agent Starling, |
00:14:17 |
Well, perhaps you'd care to lend us |
00:14:23 |
Oh, no, no, no, no. |
00:14:26 |
You were doing fine. You had been |
00:14:31 |
You had established trust, with |
00:14:35 |
And now this ham-handed segue |
00:14:41 |
- It won't do. |
00:14:44 |
Either you will or you won't. |
00:14:47 |
Yeah. Jack Crawford |
00:14:50 |
if he's recruiting help |
00:14:53 |
Busy hunting that new one: Buffalo Bill. |
00:14:56 |
What a naughty boy he is. |
00:14:58 |
Do you know why he's called Buffalo Bill? |
00:15:02 |
Please tell me. |
00:15:06 |
It started as a bad joke |
00:15:09 |
They said |
00:15:14 |
Why do you think he removes |
00:15:19 |
Thrill me with your acumen. |
00:15:22 |
It excites him. Most serial killers keep |
00:15:27 |
- I didn't. |
00:15:34 |
You send that through now. |
00:16:02 |
Oh, Agent Starling, you think you can |
00:16:07 |
No. I thought that your knowledge... |
00:16:10 |
You're so ambitious, aren't you? |
00:16:12 |
Do you know what you look like, with |
00:16:16 |
You look like a rube. |
00:16:18 |
A well-scrubbed, hustling rube, |
00:16:23 |
Good nutrition's given you length of bone, |
00:16:25 |
but you're not more than one generation |
00:16:30 |
And that accent you've tried so |
00:16:35 |
What is your father, dear? Is he |
00:16:39 |
How quickly the boys found you. |
00:16:42 |
All those tedious, sticky fumblings |
00:16:46 |
while you could only dream of |
00:16:49 |
getting all the way to the FBI. |
00:16:56 |
You see a lot, Doctor. |
00:16:59 |
But are you strong enough to point |
00:17:05 |
What about it? Why don't you look at |
00:17:10 |
Or maybe you're afraid to. |
00:17:21 |
A census taker once tried to test me. |
00:17:24 |
I ate his liver with some fava beans |
00:17:27 |
and a nice Chianti. |
00:17:38 |
You fly back to school now, little Starling. |
00:17:41 |
Fly, fly, fly. |
00:17:57 |
I bit my wrist so I can die. |
00:18:02 |
Look at the blood! |
00:18:05 |
- Got ya! |
00:18:11 |
- I'm gonna kill him! |
00:18:14 |
Agent Starling! Agent Starling! |
00:18:18 |
- Discourtesy is unspeakably ugly. |
00:18:21 |
No, but I'll give you a chance |
00:18:24 |
- And what is that? |
00:18:27 |
Look deep within yourself, |
00:18:30 |
Go seek out Miss Mofet, |
00:18:33 |
I don't think Miggs could manage again |
00:19:19 |
Hey, Bill. |
00:19:24 |
- Daddy! |
00:19:30 |
- Did you get any bad guys today, Daddy? |
00:19:55 |
FBI. Hands up. Don't move. |
00:19:57 |
Turn around. |
00:20:04 |
You're dead, Starling. |
00:20:06 |
Johnson, good entry, good command. |
00:20:10 |
- The corner. |
00:20:12 |
- No. |
00:20:14 |
3109. |
00:20:16 |
3109. Breaking doors or windows |
00:20:19 |
to enter or exit. |
00:20:22 |
Rule 404. |
00:20:41 |
- Clarice, phone. It's the guru. |
00:20:46 |
- Starling? |
00:20:48 |
Miggs is dead. |
00:20:51 |
Dead? |
00:20:53 |
How? |
00:20:54 |
They heard Lecter whispering to him |
00:20:58 |
They found him at bed check. |
00:21:03 |
- Starling? |
00:21:06 |
I just... I don't know how to feel about this. |
00:21:10 |
You don't have to feel any way about it. |
00:21:15 |
Look, I know it got ugly today, but |
00:21:20 |
Any follow-up on her? |
00:21:23 |
Lecter altered or destroyed |
00:21:26 |
so there's no record |
00:21:29 |
I thought the "yourself" reference |
00:21:34 |
so I figured he's from Baltimore |
00:21:38 |
and there's a "Your Self" storage facility |
00:21:46 |
Unit 31 was leased for ten years, |
00:21:51 |
The contract is in the name |
00:21:57 |
So nobody's been in here since 1980? |
00:22:00 |
Not to my knowledge. |
00:22:02 |
Privacy is a great concern |
00:22:06 |
Yes. I won't disturb anything, I promise. |
00:22:11 |
- May I help you? |
00:22:19 |
- It's stuck. |
00:22:24 |
What about him? |
00:22:26 |
I would ask my driver to help you, |
00:22:32 |
Right. Well, you just stay here. |
00:23:07 |
It's stuck. Hand me that flashlight, sir. |
00:23:24 |
If this door should fall down |
00:23:29 |
this is the number for |
00:23:32 |
Now they know that you're with me. |
00:23:36 |
Yes, Miss Starling. |
00:26:02 |
Clarice. They're waiting for you. |
00:26:08 |
Hester Mofet. It's an anagram, |
00:26:12 |
Hester Mofet. "The rest of me." |
00:26:15 |
"Miss the rest of me." |
00:26:53 |
- Thank you. |
00:26:59 |
How did you? |
00:27:02 |
It's nothing. It was just a scratch. |
00:27:07 |
Dr Lecter, whose head is in that bottle? |
00:27:09 |
Why don't you ask me about Buffalo Bill? |
00:27:12 |
- Do you know something about him? |
00:27:16 |
- You could get that for me. |
00:27:20 |
You wanted me to find him. |
00:27:22 |
His real name is Benjamin Raspail, |
00:27:27 |
whose romantic attachments ran to, |
00:27:32 |
I did not kill him, merely tucked him |
00:27:36 |
after he'd missed three appointments. |
00:27:40 |
- If you didn't kill him, then who did, sir? |
00:27:45 |
His therapy was going nowhere. |
00:27:48 |
His dress, make-up... |
00:27:52 |
- Raspail was a transvestite? |
00:27:56 |
Garden-variety manic-depressive. |
00:28:00 |
I now just think of him |
00:28:03 |
A fledgling killer's |
00:28:07 |
How did you feel |
00:28:10 |
Scared at first, then exhilarated. |
00:28:14 |
Jack Crawford is helping your career. |
00:28:20 |
I never thought about it. |
00:28:22 |
Do you think Jack Crawford |
00:28:25 |
True, he is much older, but do you think |
00:28:30 |
fucking you? |
00:28:34 |
That doesn't interest me and, frankly, |
00:28:41 |
Not any more. |
00:28:50 |
Thank you, Barney. |
00:28:55 |
What happened to your drawings? |
00:28:59 |
Punishment, you see, for Miggs. |
00:29:03 |
When you leave, |
00:29:06 |
Dr Chilton does enjoy his petty torments. |
00:29:10 |
What did you mean |
00:29:21 |
I've been in this room |
00:29:24 |
I know they will never ever |
00:29:28 |
What I want is a view. |
00:29:31 |
I want a window where I can |
00:29:34 |
I want to be in a federal institution |
00:29:38 |
What did you mean by "fledgling killer"? |
00:29:42 |
I'm offering you a psychological profile of |
00:29:53 |
I'll help you catch him, Clarice. |
00:30:02 |
You know who he is, don't you? |
00:30:05 |
Tell me who decapitated |
00:30:07 |
All good things to those who wait. |
00:30:10 |
I've waited, Clarice, but how long |
00:30:15 |
Our little Billy must already be |
00:30:24 |
MEMPHIS, TN |
00:31:21 |
Hey, little cheeper. |
00:31:31 |
I'll be right there. |
00:31:58 |
Can I help you with that? |
00:32:01 |
- Would you? |
00:32:04 |
- Thank you. |
00:32:07 |
Yeah. I got it this far. I just can't |
00:32:11 |
- Here. Grab this. |
00:32:14 |
Just set it down. That's good. |
00:32:17 |
Get in the truck. |
00:32:21 |
I really appreciate this. |
00:32:25 |
Push it all the way back. |
00:32:28 |
- Is this good? |
00:32:33 |
- That's great. |
00:32:35 |
Say, are you about a size 14? |
00:32:38 |
Sorry? |
00:32:59 |
Good. |
00:33:18 |
Oh, good. |
00:33:20 |
Good. |
00:33:50 |
Starling! |
00:33:53 |
Outside. Let's go. |
00:33:56 |
Cindy. In the ring for Starling. Let's go. |
00:34:07 |
FBI! |
00:34:09 |
Pack your field gear. |
00:34:12 |
- Where? |
00:34:14 |
Been in the water a week. |
00:34:17 |
CLAY COUNTY, W VA |
00:34:28 |
He keeps them alive for three days. |
00:34:31 |
No evidence of rape |
00:34:34 |
All the mutilation |
00:34:37 |
OK, three days. Then he shoots them, |
00:34:41 |
skins them and dumps them, |
00:34:45 |
The water leaves us |
00:34:48 |
That's Fredrica Bimmel, the first one. |
00:34:50 |
Her body was the only one |
00:34:53 |
so actually she was the third girl found. |
00:34:56 |
After her, he got lazy. |
00:35:01 |
OK, let's see. |
00:35:03 |
Circles where the girls were abducted. |
00:35:08 |
This new one today washed up here. |
00:35:31 |
Look at him, Starling. |
00:35:35 |
He's a white male. Serial killers tend |
00:35:40 |
He's not a drifter. He's got his own |
00:35:45 |
- Why? |
00:35:48 |
He's in his thirties or forties. |
00:35:52 |
combined with |
00:35:55 |
He's cautious, precise... |
00:35:58 |
And he's never impulsive. |
00:36:01 |
Why not? |
00:36:04 |
Got a real taste for it now |
00:36:09 |
Not bad, Starling. Questions? |
00:36:12 |
Yes, sir. You haven't mentioned anything |
00:36:17 |
or Dr Lecter's offer, sir. |
00:36:20 |
- I'm considering it. |
00:36:24 |
To get his help on Buffalo Bill, sir? |
00:36:29 |
Well, if that was the case, then |
00:36:35 |
If I'd sent you in with an actual agenda, |
00:36:39 |
He would have toyed with you |
00:37:15 |
Excuse me, Sheriff Perkins. |
00:37:18 |
Sheriff Perkins - Jack Crawford, FBI. |
00:37:22 |
Agent Starling. We appreciate |
00:37:26 |
I didn't call you. That was |
00:37:29 |
- We'll extend you every courtesy, but... |
00:37:33 |
This type of sex crime has certain aspects |
00:37:38 |
Know what I mean? |
00:39:26 |
- Oscar, fetch Dr Akins from the chapel. |
00:39:29 |
Tell Lamar to come on |
00:39:33 |
Yeah, we'll be sending in a minute. |
00:39:37 |
I need a six-way linkup. |
00:39:40 |
Chicago, Detroit... |
00:39:42 |
What? |
00:39:48 |
Excuse me. Excuse me, gentlemen. |
00:39:51 |
listen here now. |
00:39:54 |
I know that y'all brought her this far and |
00:39:59 |
for your kindness and your sensitivity. |
00:40:01 |
But now please go on now |
00:40:05 |
Go on now. |
00:40:09 |
Thank you. |
00:40:14 |
Thank you. |
00:40:17 |
OK, good. |
00:40:26 |
Yeah, that's right. Elk River. |
00:40:29 |
Stand by for transmission. |
00:40:35 |
Ray. |
00:40:48 |
Doctor, Lamar, let's take a look at her. |
00:41:15 |
OK, Starling. |
00:41:21 |
Bill. |
00:41:38 |
Star-shaped contact entrance wound |
00:41:44 |
A muzzle stamp at the top. |
00:41:46 |
Wrongful death. |
00:41:49 |
She'll have to go to |
00:41:53 |
Well, I'd better get back to that service. |
00:41:57 |
Lord Almighty. |
00:42:03 |
What else do you see, Starling? |
00:42:06 |
Well, she's not local. |
00:42:09 |
Her ears are pierced three times |
00:42:14 |
That looks like town to me. |
00:42:22 |
Two of her fingernails are broken off |
00:42:28 |
It looks like she's tried |
00:42:31 |
Ray, get pictures of her teeth. |
00:42:45 |
Let's do another. |
00:42:54 |
She's got something in her throat. |
00:42:57 |
When a body comes out of the water, |
00:43:32 |
What is that? Some kind of seed pod? |
00:43:36 |
No, sir. That's a bug cocoon. |
00:43:39 |
There's no way that could |
00:43:41 |
Not unless somebody shoved it in there. |
00:43:46 |
She'll be easier to print when we turn |
00:43:50 |
Yes, sir. I will. |
00:43:56 |
- Oh, Jack. What do you make of these? |
00:44:01 |
- Get close-ups. |
00:44:04 |
this time in two large diamond-shaped |
00:44:07 |
Exit wound level with the second |
00:44:11 |
six inches from the right shoulder blade. |
00:44:14 |
Starling, when I told that sheriff |
00:44:19 |
that really burned you, didn't it? |
00:44:21 |
It was just smoke, Starling. |
00:44:25 |
It matters, Mr Crawford. |
00:44:29 |
- It matters. |
00:44:38 |
Ligature marks found around the wrists, |
00:44:42 |
This would indicate that |
00:45:07 |
- Time, Pilch. My move. |
00:45:10 |
Tough noogies. It's still my turn. |
00:45:14 |
Nice and slow, baby. |
00:45:16 |
If the beetle moves one of your men, |
00:45:21 |
Course it counts. How do you play? |
00:45:24 |
Agent Starling? |
00:45:27 |
Where the heck did this come from? |
00:45:31 |
It was found behind the soft palate |
00:45:35 |
- It's Buffalo Bill, isn't it? |
00:45:38 |
- We heard about it on the radio. |
00:45:42 |
- Cool. |
00:45:46 |
Sphingid ceratomia, maybe. |
00:45:49 |
Boy, he's a big sucker. |
00:45:52 |
OK. Let's check morphology. |
00:46:03 |
What do you do when you're |
00:46:07 |
I try to be a student, Dr Pilcher. |
00:46:10 |
Ever go out for cheeseburgers and beer? |
00:46:14 |
The amusing house wine? |
00:46:16 |
Are you hitting on me, Doctor? |
00:46:18 |
Yes. |
00:46:20 |
- Gotcha. |
00:46:21 |
Agent Starling, meet Mr Acherontia styx. |
00:46:27 |
Weird. |
00:46:28 |
Better known to his friends |
00:46:31 |
- Where does it come from? |
00:46:35 |
Here they'd have to be |
00:46:38 |
Somebody grew this guy. Fed him honey |
00:46:44 |
Somebody loved him. |
00:47:18 |
Where are you? |
00:47:21 |
Let me outta here! |
00:47:24 |
Help me! |
00:47:29 |
Please! |
00:47:32 |
Please help me. |
00:47:37 |
Please! |
00:47:39 |
Why won't you answer me? Please! |
00:47:44 |
- Good morning. I'm Donna Feruchi. |
00:47:47 |
And I'm Tim Langhorn. |
00:47:51 |
Catherine Martin, the 25-year-old |
00:47:54 |
listed as missing, is now |
00:47:58 |
by the serial killer |
00:48:01 |
Police indicate that the girl's |
00:48:04 |
sliced up the back, in what has become |
00:48:09 |
Young Catherine Martin is the only |
00:48:13 |
the Republican senator from Tennessee. |
00:48:15 |
Her kidnapping is not considered |
00:48:18 |
but it has stirred |
00:48:21 |
Reached for comment on the ski slopes |
00:48:26 |
and I quote, "intensely concerned". |
00:48:28 |
Just moments ago Senator Martin |
00:48:33 |
I'm speaking now to the person |
00:48:37 |
Catherine is very gentle and kind. |
00:48:41 |
Talk to her and you'll see. |
00:48:45 |
You have the power. You are in charge. |
00:48:51 |
I know you can feel love and compassion. |
00:48:55 |
You have a wonderful chance |
00:48:59 |
that you can be merciful |
00:49:03 |
that you're big enough to treat Catherine |
00:49:08 |
You have that power. |
00:49:10 |
Please. |
00:49:12 |
My daughter is Catherine. |
00:49:14 |
Boy, that's smart. |
00:49:18 |
She keeps repeating the name. |
00:49:20 |
If he sees Catherine as a person and not |
00:49:26 |
Release my little girl. |
00:49:28 |
You're coming into my hospital |
00:49:32 |
and refusing to share information |
00:49:36 |
Sir, I told you, this is just a routine |
00:49:40 |
- He is my patient. I have rights. |
00:49:44 |
Look, I am not just |
00:49:49 |
This is the number |
00:49:52 |
Either you discuss this with him or you |
00:50:01 |
If your profile helps us catch Buffalo Bill |
00:50:07 |
the senator promises you a transfer |
00:50:09 |
to the VA hospital at Oneida Park, New |
00:50:14 |
Maximum security still applies, of course. |
00:50:17 |
You'd have reasonable access to books. |
00:50:20 |
Best of all, though, |
00:50:22 |
one week of the year, |
00:50:26 |
and go here. |
00:50:31 |
Plum Island. |
00:50:34 |
Every day of that week you may walk on |
00:50:38 |
for up to one hour, under SWAT team |
00:50:43 |
And there you have it. |
00:50:48 |
A copy of the Buffalo Bill case file. |
00:50:53 |
A copy of the senator's offer. |
00:50:55 |
This offer is non-negotiable and final. |
00:50:59 |
Catherine Martin dies, you get nothing. |
00:51:11 |
"Plum Island Animal Disease |
00:51:17 |
Sounds charming. |
00:51:20 |
That's only a part of the island. |
00:51:23 |
- Terns nest there. There's beautiful... |
00:51:29 |
If I help you, Clarice, |
00:51:32 |
Quid pro quo. I tell you things, |
00:51:35 |
Not about this case, though. |
00:51:38 |
Quid pro quo. Yes or no? |
00:51:43 |
Yes or no, Clarice? |
00:51:47 |
Go, Doctor. |
00:51:50 |
What is your worst memory of childhood? |
00:51:54 |
The death of my father. |
00:51:57 |
Tell me about it and don't lie, or I'll know. |
00:52:01 |
He was a town marshal. |
00:52:04 |
One night he surprised two burglars |
00:52:07 |
coming out the back of a drugstore. |
00:52:11 |
They shot him. |
00:52:13 |
Was he killed outright? |
00:52:15 |
No, he was very strong. |
00:52:20 |
My mother died when I was very young. |
00:52:24 |
My father had become the whole world to |
00:52:29 |
I was ten years old. |
00:52:32 |
You're very frank, Clarice. |
00:52:35 |
I think it would be quite something |
00:52:41 |
Quid pro quo, Doctor. |
00:52:44 |
So tell me about Miss West Virginia. |
00:52:51 |
- Yes. |
00:52:54 |
- They all were. |
00:52:57 |
She had an object deliberately |
00:53:01 |
Now, that hasn't been made public yet. |
00:53:06 |
Was it a butterfly? |
00:53:09 |
Yes. A moth. |
00:53:12 |
Just like the one we found |
00:53:17 |
Why does he place them there, Doctor? |
00:53:20 |
The significance of the moth is change. |
00:53:24 |
Caterpillar into chrysalis, or pupa, |
00:53:27 |
and from thence into beauty. |
00:53:30 |
Our Billy wants to change, too. |
00:53:34 |
There's no correlation between |
00:53:37 |
- Transsexuals are very passive. |
00:53:40 |
You're so close to the way you're |
00:53:44 |
No. Tell me why. |
00:53:46 |
After your father's murder you were |
00:53:54 |
I don't imagine the answer is |
00:53:58 |
I lived with my mother's cousin and her |
00:54:04 |
- Was it a cattle ranch? |
00:54:08 |
- How long did you live there? |
00:54:11 |
- Why so briefly? |
00:54:14 |
Why, Clarice? Did the rancher |
00:54:18 |
Did he sodomise you? |
00:54:21 |
No. He was a very decent man. |
00:54:26 |
Quid pro quo, Doctor. |
00:54:29 |
Billy is not a real transsexual. |
00:54:34 |
He's tried to be a lot of things, I expect. |
00:54:37 |
You said that I was very close to the way |
00:54:41 |
There are three centres for |
00:54:44 |
the University of Minnesota |
00:54:48 |
I wouldn't be surprised if Billy had applied |
00:54:52 |
and been rejected. |
00:54:55 |
On what basis would they reject him? |
00:54:58 |
Look for severe childhood disturbances |
00:55:02 |
Our Billy wasn't born a criminal, Clarice. |
00:55:05 |
He was made one through years |
00:55:09 |
Billy hates his own identity, you see, |
00:55:13 |
and he thinks |
00:55:15 |
But his pathology is |
00:55:19 |
and more terrifying. |
00:55:24 |
It rubs the lotion on its skin. |
00:55:29 |
Mister, my family'll pay cash. Whatever |
00:55:35 |
It rubs the lotion on its skin |
00:55:41 |
Yes, it will, Precious. It will get the hose. |
00:55:44 |
OK, OK. |
00:55:52 |
Mister, if you let me go, |
00:55:58 |
See, my mom is a real important woman. |
00:56:01 |
I guess you already know that. |
00:56:03 |
Now it places the lotion in the basket. |
00:56:06 |
Please! |
00:56:08 |
Please! |
00:56:11 |
I wanna go home, please! |
00:56:14 |
It places the lotion in the basket. |
00:56:17 |
I wanna see my mommy! |
00:56:21 |
Please! |
00:56:22 |
I wanna see my... |
00:56:26 |
I wanna see my mommy. |
00:56:29 |
Put the fucking lotion in the basket! |
00:57:06 |
You still think you're gonna walk |
00:57:10 |
I don't think so. |
00:57:12 |
I called Senator Ruth Martin. |
00:57:15 |
She never heard of any deal with you. |
00:57:18 |
They scammed you, Hannibal. |
00:57:22 |
Stand outside. |
00:57:25 |
And shut the door. |
00:57:34 |
There never was a deal with |
00:57:38 |
I designed it. Of course, I worked in a few |
00:57:43 |
Identify Buffalo Bill by name |
00:57:49 |
Senator Martin will have you transferred |
00:57:54 |
Answer me, Hannibal. |
00:57:58 |
You answer me now or, by God, |
00:58:04 |
Who is Buffalo Bill? |
00:58:07 |
His first name is Louis. |
00:58:09 |
I'll tell the rest to the senator herself, |
00:58:13 |
And I have a few conditions of my own. |
00:58:18 |
Clean him up and get him ready to go. |
00:58:21 |
Jack, Hannibal Lecter's |
00:58:24 |
Transferred? |
00:58:25 |
Did you have a trainee make a phoney |
00:58:30 |
Yeah, I rolled the dice. I had to. |
00:58:32 |
Well, she's mad as hell, Jack. |
00:58:36 |
She's asking him |
00:58:45 |
MEMPHIS INTERNATIONAL AIRPORT |
00:59:03 |
Welcome to Memphis. I'm Lieutenant |
00:59:07 |
We'll treat you as good as you treat us. |
00:59:09 |
You be a gentleman, you're gonna |
00:59:13 |
Sir. You sign right here, |
00:59:20 |
Where's? |
00:59:22 |
Here, sir. Use mine. |
01:00:09 |
Senator Martin, Dr Hannibal Lecter. |
01:00:18 |
Dr Lecter, I brought an affidavit |
01:00:23 |
You'll wanna read it before I sign. |
01:00:29 |
I won't waste your time or Catherine's |
01:00:34 |
Clarice Starling and that awful Jack |
01:00:38 |
I only pray they haven't |
01:00:42 |
Let me help you now and I will |
01:00:45 |
You have my word. Paul? |
01:00:50 |
Buffalo Bill's real name is Louis Friend. |
01:00:54 |
I met him just once. He was referred |
01:00:58 |
by my patient, Benjamin Raspail. |
01:01:00 |
They were lovers, you see. |
01:01:03 |
But Raspail had become very frightened. |
01:01:07 |
Apparently, Louis had |
01:01:10 |
and done things with the skin. |
01:01:14 |
We need his address |
01:01:18 |
Tell me, Senator. Did you |
01:01:23 |
- What? |
01:01:25 |
- Now, wait a minute. |
01:01:28 |
- Toughened your nipples, didn't it? |
01:01:32 |
Amputate a man's leg |
01:01:36 |
Tell me, Mom, when your little girl |
01:01:41 |
Take this thing back to Baltimore. |
01:01:45 |
Five foot ten, strongly built, |
01:01:48 |
Hair blond, eyes pale blue. |
01:01:51 |
He'd be about 35 now. He said he lived |
01:01:56 |
That's all I can remember, Mom, but if |
01:02:02 |
And, Senator, just one more thing. |
01:02:07 |
Love your suit. |
01:02:11 |
In a meeting this evening |
01:02:14 |
Dr Lecter agreed |
01:02:17 |
of trying to find the abductor, Buffalo Bill. |
01:02:20 |
- How do you fit in? |
01:02:23 |
- made this breakthrough possible. |
01:02:26 |
That is now a matter of record |
01:02:30 |
- My name is Dr Frederick Chilton. |
01:02:35 |
- Are you with Dr Chilton's group? |
01:02:40 |
Access to Lecter is limited. |
01:02:43 |
I understand, sir. |
01:02:50 |
Log in and check your weapon. |
01:02:53 |
I can't take all the credit. |
01:02:57 |
people at the FBI, folks |
01:03:00 |
And now for the hard part: |
01:03:04 |
Excuse me, folks. |
01:03:20 |
Is it true what they're sayin'? |
01:03:24 |
He's some kind of vampire? |
01:03:29 |
They don't have a name for what he is. |
01:03:32 |
You do know the rules, ma'am? |
01:03:34 |
Yes, Lieutenant Boyle. |
01:03:40 |
Go ahead. |
01:04:16 |
Good evening, Clarice. |
01:04:20 |
I thought you might like |
01:04:25 |
Just until you get your view. |
01:04:28 |
How very thoughfful. |
01:04:31 |
Or did Jack Crawford send you |
01:04:34 |
before you're both booted off the case? |
01:04:36 |
No, I came because I wanted to. |
01:04:43 |
People will say we're in love. |
01:04:49 |
Anthrax Island. |
01:04:52 |
That was an especially |
01:04:55 |
- Yours? |
01:04:58 |
Yeah. |
01:05:00 |
That was good. |
01:05:03 |
Ticktock, ticktock, ticktock. |
01:05:06 |
Your anagrams are showing, Doctor. |
01:05:09 |
Louis Friend? |
01:05:11 |
Iron sulfide, also known as fool's gold. |
01:05:15 |
Oh, Clarice, your problem is |
01:05:19 |
You were telling me the truth back in |
01:05:24 |
I've read the case files. Have you? |
01:05:27 |
Everything you need to find him |
01:05:30 |
- Then tell me how. |
01:05:35 |
Read Marcus Aurelius. Of each |
01:05:40 |
What is its nature? |
01:05:42 |
What does he do, this man you seek? |
01:05:47 |
- He kills women. |
01:05:52 |
What is the first thing he does? |
01:05:58 |
Anger. |
01:06:00 |
Social acceptance. |
01:06:04 |
- Sexual frustrations. |
01:06:09 |
That is his nature. |
01:06:14 |
Do we seek out things to covet? |
01:06:17 |
Make an effort to answer now. |
01:06:19 |
No. We just... |
01:06:21 |
No, we begin by coveting |
01:06:25 |
Don't you feel eyes |
01:06:29 |
And don't your eyes seek out |
01:06:33 |
All right, yes. Now please tell me how... |
01:06:35 |
No. It is your turn to tell me, Clarice. |
01:06:39 |
You don't have any more |
01:06:42 |
Why did you leave that ranch? |
01:06:45 |
Doctor, we don't have |
01:06:49 |
But we don't reckon time |
01:06:52 |
- This is all the time you'll ever have. |
01:06:56 |
No. I will listen now. |
01:07:01 |
After your father's murder, |
01:07:04 |
You went to live with cousins on |
01:07:08 |
And? |
01:07:11 |
And one morning I just ran away. |
01:07:14 |
Not "just", Clarice. What set you off? |
01:07:17 |
- You started at what time? |
01:07:21 |
Then something woke you, didn't it? |
01:07:26 |
I heard a strange noise. |
01:07:29 |
What was it? |
01:07:31 |
It was screaming. |
01:07:36 |
Some kind of screaming. |
01:07:39 |
What did you do? |
01:07:41 |
I went downstairs. |
01:07:44 |
Outside. |
01:07:47 |
I crept up into the barn. |
01:07:50 |
I was so scared to look inside, |
01:07:54 |
What did you see, Clarice? |
01:07:59 |
Lambs. |
01:08:01 |
They were screaming. |
01:08:03 |
They were slaughtering the spring lambs? |
01:08:06 |
And they were screaming. |
01:08:10 |
- And you ran away? |
01:08:14 |
I opened the gate to their pen, |
01:08:18 |
They just stood there, confused. |
01:08:22 |
But you could - and you did, didn't you? |
01:08:25 |
Yes. I took one lamb |
01:08:28 |
- Where were you going, Clarice? |
01:08:33 |
any water and it was very cold, very cold. |
01:08:38 |
I thought... |
01:08:40 |
I thought if I could save just one, but... |
01:08:44 |
He was so heavy. |
01:08:47 |
So heavy. |
01:08:53 |
I didn't get more than a few miles |
01:09:00 |
The rancher was so angry, he sent me |
01:09:05 |
I never saw the ranch again. |
01:09:08 |
What became of your lamb, Clarice? |
01:09:12 |
- He killed him. |
01:09:16 |
Wake up in the dark |
01:09:19 |
and hear the screaming of the lambs? |
01:09:22 |
Yes. |
01:09:24 |
And you think, if you save poor Catherine, |
01:09:28 |
You think if Catherine lives, |
01:09:31 |
you won't wake up in the dark ever again |
01:09:34 |
to that awful screaming of the lambs. |
01:09:38 |
I don't know. |
01:09:40 |
I don't know. |
01:09:43 |
Thank you, Clarice. |
01:09:46 |
- Thank you. |
01:09:56 |
Dr Chilton, I presume. |
01:09:58 |
I think you know each other. |
01:10:02 |
OK. |
01:10:05 |
- Let's go. |
01:10:08 |
- Out. |
01:10:10 |
Sorry, ma'am. I've got orders. I have |
01:10:15 |
Brave Clarice. |
01:10:17 |
You will let me know when those lambs |
01:10:20 |
- Tell me his name, Doctor. |
01:10:25 |
Your case file. |
01:10:31 |
Goodbye, Clarice. |
01:11:36 |
- Ready when you are, doc. |
01:11:49 |
Son of a bitch demanded a second |
01:11:53 |
I wonder what he wants for breakfast. |
01:12:18 |
- Good evening, gentlemen. |
01:12:22 |
Same drill as before, please. |
01:12:31 |
Ready when you are, Sergeant Pembry. |
01:12:49 |
OK. |
01:12:56 |
Hand me that, would ya? |
01:13:03 |
Thanks. |
01:13:08 |
Mind the drawings, please. |
01:13:13 |
Thank you. |
01:13:38 |
Watch it. He's cuffed me! |
01:13:46 |
Jesus Christ! |
01:15:03 |
Ready when you are, Sergeant Pembry. |
01:15:15 |
What is this shit? |
01:15:19 |
- Did somebody go up on five? |
01:15:23 |
Call Pembry. Ask him to tell... |
01:15:27 |
CP. Shots fired on five. |
01:15:31 |
Sergeant Tate. |
01:15:35 |
- Holy shit. |
01:15:39 |
Shut up. Bobby, get the vest. |
01:15:42 |
- Right, sarge. |
01:15:45 |
Look! |
01:15:48 |
- It's stopped. |
01:15:53 |
Get me the SWAT team |
01:15:56 |
We're goin' up. |
01:16:25 |
Pembry! |
01:16:28 |
Boyle! |
01:16:42 |
Oh, God. |
01:16:50 |
Go. |
01:16:58 |
- Clear. |
01:17:01 |
Two officers down. |
01:17:05 |
- Lecter's gone, sarge. |
01:17:08 |
- Boyle's gun is gone, Sergeant. |
01:17:13 |
He's stripped the bed. Might be |
01:17:17 |
Where the fuck is my ambulance? |
01:17:20 |
He's alive. Sergeant Tate, he's alive. |
01:17:25 |
Get a hold of him |
01:17:28 |
- What do I say? |
01:17:33 |
Lecter is missing and armed. |
01:17:35 |
Pembry, can you hear me? |
01:17:38 |
He took Boyle's gun. Pembry got off one |
01:17:42 |
Keep breathin' in and out. |
01:17:46 |
You look real good. |
01:17:49 |
Yeah, you look real good. |
01:18:08 |
- You ready? |
01:18:10 |
Let's go. |
01:18:21 |
Looking good, Pembry. You're gonna |
01:18:26 |
I need that IV now! |
01:18:28 |
Can we get the straps? |
01:18:32 |
Stay with me. Stay with me here. |
01:18:35 |
We're losin' him. Downstairs. |
01:18:38 |
And up. |
01:18:41 |
Elevator! |
01:18:48 |
CP to Tate. |
01:18:50 |
Roger, Lieutenant. Tate here. |
01:18:53 |
I'm on the elevator |
01:18:56 |
He seems to be hangin' on. |
01:18:58 |
Top three floors secured. |
01:19:01 |
Main stairwell secured. |
01:19:04 |
We think he's on two. |
01:19:18 |
Tate, are you still with me? |
01:19:22 |
We're pretty sure he's somewhere on two, |
01:19:45 |
He's on the roof of the elevator. |
01:19:50 |
OK, guys. |
01:20:08 |
I see him. |
01:20:09 |
There's a gun by his hand. |
01:20:12 |
- One warning: We need him alive. |
01:20:16 |
Lecter, put your hands on your head. |
01:20:21 |
One in the leg. |
01:20:33 |
No movement. |
01:20:36 |
Johnny, hold your fire. |
01:20:39 |
We're openin' the hatch. |
01:20:41 |
Watch his hands. |
01:20:45 |
- Affirm. |
01:21:12 |
Memphis General, medical unit 26. |
01:21:14 |
We're inbound with a male police officer |
01:21:18 |
Weapon unknown. We've got grand mal |
01:21:23 |
Vital signs are good. |
01:21:26 |
- 90? |
01:21:28 |
We got him on lactated Ringer's and |
01:21:39 |
They found the ambulance in a parking |
01:21:45 |
He killed a tourist, too. |
01:21:49 |
- By now he could be anywhere. |
01:21:52 |
- Oh, really? |
01:21:55 |
I can't explain it. |
01:21:59 |
- It's over. She's dead. |
01:22:03 |
The thing is that Lecter said everything |
01:22:07 |
Dr Lecter said a lot of things. |
01:22:10 |
He's here, Ardelia. |
01:22:39 |
Is this Lecter's handwriting? |
01:22:43 |
"Clarice, doesn't this random scattering |
01:22:48 |
like the elaboration of a bad liar? |
01:22:51 |
Desperately random? |
01:22:54 |
Not random at all, maybe. |
01:22:59 |
But there is no pattern |
01:23:02 |
- They were even found in random order. |
01:23:06 |
- The one he weighted down. |
01:23:10 |
From Belvedere, Ohio. |
01:23:14 |
First girl taken, third body found. |
01:23:17 |
- Why? |
01:23:19 |
What did Lecter say |
01:23:23 |
- Simplicity. |
01:23:28 |
How do we first start to covet? |
01:23:31 |
- We covet what we see... |
01:23:36 |
- Hot damn, Clarice. |
01:23:43 |
BELVEDERE, OHIO |
01:24:51 |
- Mr Bimmel? |
01:24:54 |
I'm Clarice Starling. I'm with the FBI. |
01:25:00 |
I sure appreciate you letting me |
01:25:04 |
I don't know nothin' new to tell ya. |
01:25:06 |
Police been back here |
01:25:10 |
Fredrica went into Chicago |
01:25:14 |
She left the interview OK. |
01:25:20 |
Her bedroom's how she left it. |
01:25:22 |
Upstairs. Door to the left. |
01:28:04 |
He's making himself a "woman suit", |
01:28:07 |
He can sew, this guy. He's very skilled. |
01:28:10 |
- He's a tailor or a dressmaker. |
01:28:12 |
That's why they're so big. He has to |
01:28:16 |
- so that he can loosen their skin. |
01:28:19 |
And where he is. |
01:28:22 |
- Where? |
01:28:25 |
Be on the ground in 45 minutes. |
01:28:27 |
That's great news, sir, but how... |
01:28:30 |
Johns Hopkins came up with some |
01:28:33 |
Subject's name |
01:28:37 |
Lecter's description was accurate. |
01:28:41 |
Customs had some paper on him. |
01:28:43 |
They stopped a carton two years ago |
01:28:49 |
The addressee was a Jame Gumb. |
01:28:52 |
Chicago's only 400 miles from here. |
01:28:55 |
No, Starling. There's not enough time. |
01:28:59 |
I need you to link him to the Bimmel girl. |
01:29:03 |
Yes, sir, you bet. I'll do my best. |
01:29:05 |
Starling, we wouldn't |
01:29:09 |
Nobody's gonna forget that. |
01:29:14 |
Thank you, sir. |
01:29:18 |
Mr Crawford? |
01:29:32 |
Thanks for the scraps, asshole. |
01:29:34 |
I got a better idea. |
01:29:57 |
OK, Precious. Time for a little treat. |
01:30:12 |
Precious! |
01:30:15 |
Come on, girl! |
01:30:18 |
Come on, Precious. |
01:30:29 |
Come on, Precious! |
01:30:31 |
I got a yummy snack for ya! |
01:30:42 |
Precious! |
01:30:44 |
Are you up there, you little shit? |
01:30:47 |
Come and get it, pretty girl. |
01:30:56 |
Precious, please come. Come on. |
01:31:21 |
Would you fuck me? |
01:31:22 |
Come on. Take that bone. |
01:31:29 |
I'd fuck me. |
01:31:31 |
Come on. |
01:31:36 |
I'd fuck me hard. |
01:31:38 |
I'd fuck me so hard. |
01:31:45 |
No. |
01:32:30 |
AIR NATIONAL GUARD HQ |
01:32:44 |
Is that a good job, FBI agent? |
01:32:48 |
I mean, better places than this? |
01:32:52 |
Sometimes you do. |
01:32:54 |
Freddie was so happy for me |
01:32:59 |
Toaster giveaways and Barry Manilow |
01:33:03 |
She thought it was such hot shit. |
01:33:05 |
What did she know? Big dummy. |
01:33:08 |
Stacy, did Fredrica ever mention a man |
01:33:14 |
- How about John Grant? |
01:33:17 |
Would she have had a friend |
01:33:20 |
If she had a guy, |
01:33:22 |
- Sewing was her life. |
01:33:26 |
Sure. Me and Pam Malavesi used to help |
01:33:31 |
Can you give me Mrs Lippman's address? |
01:33:35 |
CALUMET CITY, IL |
01:34:01 |
So powerful. So beautiful. |
01:34:09 |
Precious? |
01:34:16 |
- Precious? |
01:34:28 |
- Put her in that bucket. |
01:34:35 |
Poodlie-poo. Precious. |
01:34:38 |
- Darling heart, are you all right? |
01:34:46 |
She broke her leg |
01:34:49 |
- Don't you hurt my dog! |
01:34:53 |
You don't know what pain is! |
01:35:08 |
- Oh, fuck! |
01:35:13 |
I'm gonna do it, mister! |
01:35:19 |
All right, mister! I'm doin' it! |
01:35:43 |
OK, I'm coming. |
01:35:47 |
We're goin' in. |
01:35:53 |
Good afternoon. Sorry to bother you. |
01:35:58 |
FBI! Everybody down! |
01:36:01 |
No, Lippmans don't live here any more. |
01:36:03 |
Excuse me. |
01:36:07 |
Clear! |
01:36:09 |
What's the problem, officer? |
01:36:11 |
I'm investigating the death |
01:36:17 |
There's no one here, Jack. |
01:36:21 |
Clarice. |
01:36:23 |
- Your name is? |
01:36:25 |
Mr Gordon. Good. Well, Fredrica used to |
01:36:31 |
No. Uh-uh. |
01:36:33 |
Oh, wait. |
01:36:35 |
Was she a great, big, fat person? |
01:36:38 |
- She was a big girl, sir. |
01:36:41 |
No, I read about her in the newspaper. |
01:36:46 |
Mrs Lippman had a son. |
01:36:48 |
I got his card here someplace. |
01:36:51 |
- May I? |
01:37:12 |
Are you close to catchin' |
01:37:15 |
Yes. We may be. |
01:37:19 |
Did you take over this place |
01:37:26 |
Yeah, I bought this house two years ago. |
01:37:32 |
Did she leave any records? |
01:37:35 |
Tax forms? List of employees? |
01:37:39 |
No, nothin' like that at all. |
01:37:43 |
Say, has the FBI learned something? |
01:37:46 |
The police around here |
01:37:59 |
I mean, have you got, like, a description, |
01:38:04 |
No. |
01:38:08 |
No, we don't. |
01:38:20 |
Here's that number. |
01:38:23 |
Very good, Mr Gordon. |
01:38:34 |
Sure, you can use my phone. |
01:38:38 |
Freeze! Put your hands over your head. |
01:38:41 |
And turn around. Spread your legs. |
01:38:45 |
Spread your legs. |
01:38:48 |
Freeze! |
01:40:20 |
Hello? Are you there? |
01:40:24 |
I'm down here! |
01:40:45 |
- Catherine Martin? |
01:40:50 |
FBI. You're safe. |
01:40:53 |
Safe, shit! Get me outta here! |
01:41:10 |
- You're all right. Where is he? |
01:41:13 |
- Just get me outta here! |
01:41:18 |
Just get me outta here! |
01:41:21 |
Oh, my God. |
01:41:25 |
Catherine, I'm gonna get you outta there, |
01:41:29 |
I've gotta leave this room. Be right back. |
01:41:31 |
No! Don't you leave me here, |
01:41:35 |
Don't you leave me here! |
01:41:42 |
Please! |
01:41:44 |
I gotta get outta here! |
01:41:49 |
Catherine, the other officers'll |
01:41:53 |
Wait! Don't go! Please! |
01:41:57 |
Quiet! |
01:45:50 |
- You OK? |
01:45:53 |
How did you track Buffalo Bill here? |
01:46:01 |
Clarice M Starling. |
01:46:06 |
Congratulations. |
01:46:40 |
Special Agent Starling. |
01:46:42 |
- Special Agent Mapp. |
01:46:45 |
- Excuse me. |
01:46:49 |
Pilch, could you take our picture? |
01:46:52 |
Yeah. Sure. |
01:46:55 |
Look, I just wanted |
01:46:58 |
I'm not much good at this kinda thing, |
01:47:01 |
OK. Sure. |
01:47:04 |
Thank you, Mr Crawford. |
01:47:14 |
Your father would have been proud today. |
01:47:19 |
Don't forget your phone call. |
01:47:25 |
- Starling. |
01:47:29 |
Have the lambs stopped screaming? |
01:47:31 |
- Dr Lecter. |
01:47:34 |
I won't be on long enough. |
01:47:39 |
- Where are you, Dr Lecter? |
01:47:43 |
The world's more interesting |
01:47:46 |
So you take care now |
01:47:49 |
You know I can't make that promise. |
01:47:52 |
I do wish we could chat longer but... |
01:47:56 |
I'm having an old friend for dinner. |
01:48:00 |
- Bye. |
01:48:05 |
Dr Lecter? |
01:48:14 |
Excuse me. You got |
01:48:17 |
- We have the big-shot security. |