Singin in the Rain

en
00:00:20 Singin' in the rain
00:00:22 Just singin' in the rain
00:00:24 What a glorious feelin'
00:00:26 We're happy again
00:00:28 We'll walk down the lane
00:00:30 With a happy refrain
00:00:32 And singin'
00:01:37 This is Dora Bailey...
00:01:40 talking to you from the front of
00:01:44 What a night, ladies and gentlemen!
00:01:47 Every star in
00:01:50 to make Monumental Pictures'
00:01:54 the outstanding event of 1927.
00:01:57 Everyone is breathlessly awaiting...
00:01:59 the arrival of Lina Lamont
00:02:03 Look who's arriving now!
00:02:05 It's that famous
00:02:08 the darling of the flapper set,
00:02:14 Zelda! Oh, Zelda!
00:02:16 With her new red-hot pash,
00:02:21 that well-known eligible bachelor.
00:02:23 Zelda's had so much unhappiness.
00:02:26 I hope this time it's really love.
00:02:30 And here comes that exotic star,
00:02:37 and her new husband,
00:02:42 They've been married
00:02:44 but still as happy as newlyweds.
00:02:48 Well, well, well.
00:02:50 It's Cosmo Brown!
00:02:58 Cosmo is Don Lockwood's best friend.
00:03:01 He plays the piano for Don and Lina
00:03:06 Oh, folks, this is it!
00:03:16 The stars of tonight's picture,
00:03:20 Don Lockwood and Lina Lamont!
00:03:29 Ladies and gentlemen,
00:03:33 it's no wonder they're
00:03:36 like bacon and eggs.
00:03:39 Lockwood and Lamont.
00:03:44 Don, you can tell me confidentially...
00:03:47 are these rumors true that wedding bells
00:03:51 Lina and I have no statement to make
00:03:56 You've come a long way together, Don.
00:04:00 Well, Lina and I have made
00:04:03 No, no, Don.
00:04:07 Dora, not in front
00:04:10 Yes!
00:04:13 But, Don, the story of your success
00:04:16 to young people all over the world.
00:04:19 - Please.
00:04:24 Well, to begin with,
00:04:27 would have to include
00:04:31 We were kids together,
00:04:34 Yes?
00:04:35 Well, Dora, I've had one motto
00:04:41 Dignity.
00:04:42 Always dignity.
00:04:45 This was instilled in me by Mom and Dad
00:04:49 They sent me to the finest schools,
00:04:52 That's where I first met Cosmo.
00:04:55 And with him, I used to perform for
00:05:07 They used to make such a fuss over me.
00:05:10 If I was good, I was allowed to
00:05:15 They brought me up on Shaw, Moliere...
00:05:18 the finest of the classics.
00:05:21 To this was added musical training
00:05:32 We rounded out our apprenticeship...
00:05:34 at the most exclusive
00:05:37 And at all times...
00:05:40 the motto remained: Dignity.
00:05:43 Always dignity.
00:05:47 In a few years, Cosmo and I embarked
00:05:52 We played the finest
00:05:56 Fit as a fiddle and ready for love
00:05:58 I can jump over the moon up above
00:06:01 Fit as a fiddle and ready for love
00:06:05 Haven't a worry, haven't a care
00:06:07 Feel like a feather
00:06:09 Fit as a fiddle and ready for love
00:06:13 Soon the church bells
00:06:15 And a march with Ma and Pa
00:06:18 All the church bells will be ringin'
00:06:20 With a hey-nonny-nonny
00:06:23 Hi-diddle-diddle, my baby's okay
00:06:25 Ask me a riddle, I'm happy to say
00:06:27 Fit as a fiddle and ready for love
00:07:28 Audiences everywhere adored us.
00:07:33 Finally, we decided
00:07:37 We were stranded...
00:07:39 We were staying here when the offers
00:07:44 We sorted them out and decided
00:07:48 Okay, Lina, you hate him.
00:07:52 Phil, you come in. Keep on grinding.
00:07:56 Now here's the bit, Bert,
00:08:00 Cut! No, no!
00:08:03 You were supposed to go over the bar
00:08:07 Try it again, okay, Bert? Bert!
00:08:10 Oh, that's just swell!
00:08:12 Take him away, fellas.
00:08:16 We've lost more darn stuntmen
00:08:19 It'll take hours to get
00:08:22 Mr. Dexter, I can do that.
00:08:24 - You're a musician!
00:08:27 No kidding!
00:08:29 Don Lockwood, sir,
00:08:32 Wise guy, huh?
00:08:34 Get this guy into Bert's suit!
00:08:37 And remember, Lockwood, you might be
00:08:43 Camera!
00:08:45 Phil, come in!
00:08:48 Here's where you get it
00:08:53 Cut! That was wonderful!
00:08:57 You got any more little chores
00:09:00 Plenty.
00:09:27 My roles in these films were urbane...
00:09:31 sophisticated, suave.
00:09:36 And of course,
00:09:39 Lina was, as always,
00:09:43 Warm and helpful. A real lady.
00:09:50 Hello, Miss Lamont.
00:09:56 It was sure a thrill
00:09:59 Don, I want you to meet the producer
00:10:03 I just saw some rushes for the picture
00:10:08 He told me they were all you.
00:10:10 I'm putting you and Lina together
00:10:13 - We'll discuss a contract.
00:10:20 Are you doing anything tonight,
00:10:25 Well, that's funny.
00:10:33 Lina and I have had the same
00:10:37 But most important of all,
00:10:42 Dignity.
00:10:43 Always dignity.
00:10:47 Thank you, Don.
00:10:48 And I'm sure you and Lina will continue
00:10:53 in your greatest picture,
00:11:02 Get enough, boys?
00:11:40 She's so refined.
00:11:42 I think I'll kill myself.
00:12:24 Thank you, ladies and gentlemen.
00:12:30 We're pretty darn thrilled at your
00:12:33 We had fun making it, and we hope
00:12:41 We screen actors aren't much good
00:12:44 so we'll just act out our thanks.
00:12:58 It's a smash, eh, Mr. Simpson?
00:12:58 It's a smash, eh, Mr. Simpson?
00:13:00 - Don. Lina, you were gorgeous.
00:13:03 For heaven's sake, what's the big idea?
00:13:05 Can't a girl get a word in edgewise?
00:13:10 The publicity department, Rod here,
00:13:13 if Don made the speeches
00:13:15 Why?
00:13:16 You're a beautiful woman. Audiences
00:13:20 The studio's gotta keep their stars
00:13:23 - No one's got that much money.
00:13:26 What's the big idea?
00:13:30 No. It's just that Don's
00:13:34 Next time, write me out a speech.
00:13:37 Why don't you go out now
00:13:41 What do you know about it,
00:13:46 Donnie, how can you let him
00:13:50 My fian...
00:13:52 Now, Lina, you've been reading
00:13:55 You shouldn't believe
00:13:59 that Dora Bailey
00:14:01 Now try to get this straight.
00:14:05 There has never been
00:14:09 Oh, Donnie, you don't mean that.
00:14:12 Come on. We'll be late
00:14:14 You better go in separate cars
00:14:18 Ta-ta, Donnie! See ya there!
00:14:22 Donnie. What's wrong with that girl?
00:14:26 Haven't you heard? She's irresistible.
00:14:29 I can't shake her. This cooked-up
00:14:33 The price of fame.
00:14:36 You've gotta take the little heartaches
00:14:39 I got no glory. I got no fame.
00:14:43 But I've got...
00:14:45 - I don't know. What?
00:14:57 Don't tell me.
00:15:00 I don't understand. This car hasn't
00:15:04 There's Don Lockwood!
00:15:06 - Give me your autograph!
00:15:09 I want a souvenir!
00:15:11 - I want a souvenir too!
00:15:15 You're tearing my...
00:15:17 Hey, Cos, call me a cab!
00:15:19 Okay, you're a cab.
00:15:21 Thanks a lot!
00:15:37 - Lady, keep driving.
00:15:40 - I'll call the police!
00:15:42 - Don't hurt me!
00:15:45 You are a criminal!
00:15:49 - You're a famous gangster!
00:15:51 I've seen your picture
00:15:55 This man jumped into my car...
00:15:57 - Why, it's Don Lockwood!
00:16:00 - Out for a joyride?
00:16:03 My car broke down,
00:16:05 You're a lucky lady.
00:16:08 - Why, no.
00:16:11 Good night, Officer.
00:16:13 Well, thanks for saving my life.
00:16:18 I'm driving to Beverly Hills.
00:16:21 I'd like to get out of this torn suit
00:16:26 Yes, I am.
00:16:31 I'd very much like to know
00:16:34 Selden. Kathy Selden.
00:16:36 Enchanted, Miss Selden.
00:16:39 I'm sorry I frightened you.
00:16:41 I was getting a little too much love
00:16:44 Oh, that's what you were
00:16:47 They did that to you?
00:16:53 Yes, it is, isn't it?
00:16:56 It is terrible.
00:16:58 Well, we movie stars get the glory.
00:17:01 I guess we have to take
00:17:05 People think we lead lives
00:17:08 but we're really lonely.
00:17:12 Terribly lonely.
00:17:14 Mr. Lockwood, I can't tell you how sorry
00:17:18 but it was understandable
00:17:21 - I knew I'd seen you.
00:17:25 I don't remember.
00:17:29 - You saw one once?
00:17:32 There was a girl, Lina Lamont.
00:17:37 If you've seen one,
00:17:41 - Thank you.
00:17:43 Movies are entertaining
00:17:46 but the personalities on the screen
00:17:49 They don't talk, they don't act.
00:17:53 Well, you know.
00:17:56 Like that.
00:17:58 You mean, like what I do?
00:18:01 Well, yes.
00:18:02 Well, yes.
00:18:02 Here we are, Sunset and Camden.
00:18:07 Wait a minute.
00:18:10 - Pantomime on the screen isn't acting?
00:18:12 Acting means great parts, wonderful
00:18:16 - Words.
00:18:18 What's your lofty mission in life that
00:18:22 Well, I'm an actress.
00:18:25 Oh, on the stage.
00:18:27 I'd like to see you act.
00:18:29 I could brush up on my English
00:18:33 if they'd let in a movie actor.
00:18:35 I'm not in a play now, but I will be.
00:18:38 You're going to New York.
00:18:43 Kathy Selden as Juliet,
00:18:46 You'll have to wear a beard
00:18:48 Laugh if you want to, but at least
00:18:52 What are you so conceited about?
00:18:54 You're nothing but a shadow on film.
00:18:58 - Stop!
00:19:01 Just because you're
00:19:03 you expect every girl to fall
00:19:07 Well, don't you touch me!
00:19:09 Fear not, sweet lady.
00:19:12 I am but a humble jester...
00:19:14 and you are too far above me.
00:19:17 Farewell, Ethel Barrymore.
00:19:19 I must tear myself from your side.
00:19:34 - Is this R.F. Simpson's house?
00:19:37 - I'm from the Coconut Grove.
00:19:40 I see. Thank you.
00:20:06 - Nice party, R.F.
00:20:08 Mr. Brown, do you really think
00:20:12 - I should think so.
00:20:14 There's Don!
00:20:18 - Don, did you come by way of Australia?
00:20:21 Listen, Cos, tell me the truth.
00:20:25 As long as I'm working for Monumental,
00:20:27 You're my pal.
00:20:30 What's the matter?
00:20:32 Maybe you should tell me
00:20:35 - I feel a little shaken.
00:20:39 Where have you been?
00:20:42 There you are, Donnie.
00:20:45 - Hello, Lina.
00:20:48 Together again, like two little stars.
00:20:51 No kidding, folks.
00:20:56 All right, open that screen.
00:20:59 - A movie? We've just seen one.
00:21:03 I've got a few little
00:21:06 All right, everyone, sit down.
00:21:10 There's a madman coming into
00:21:13 - Got that gadget working, Sam?
00:21:14 - Got that gadget working, Sam?
00:21:17 Okay, let her go.
00:21:24 Hello.
00:21:26 This is a demonstration
00:21:31 Notice, it is a picture of me,
00:21:36 Note how my lips
00:21:41 are synchronized together...
00:21:43 in perfect unison.
00:21:46 - Who's that?
00:21:50 - Come out from there, Mr. Simpson.
00:21:57 My voice has been
00:22:01 A talking picture.
00:22:04 Thank you. Good-bye.
00:22:10 - Well?
00:22:13 - It's a scream!
00:22:16 - Think they'll ever use it?
00:22:18 The Warner Brothers are making a whole
00:22:22 They'll lose their shirts.
00:22:24 - It'll never amount to a thing.
00:22:27 Let's get on with the show, boys.
00:22:32 I have a delicious surprise.
00:22:35 I want you kiddies
00:22:43 Well, if it isn't Ethel Barrymore.
00:22:52 I do hope you're gonna favor us
00:22:54 - Please.
00:22:57 - Or a scene from 'Romeo and Juliet.'
00:23:00 Don't be shy. You'd make about the
00:23:08 All I do is dream of you
00:23:12 With the dawn I still go on
00:23:16 You're every thought
00:23:18 You're every song I ever sing
00:23:20 Summer, winter, autumn and spring
00:23:24 And were there more
00:23:28 They'd be spent in sweet content
00:23:32 When skies are gray
00:23:34 Morning, noon and nighttime too
00:23:36 All I do the whole day through
00:24:02 You're the cat's meow!
00:24:07 All I do the whole day through
00:24:11 - I have to tell you how good you were.
00:24:14 Now that I know where you live,
00:24:18 - Listen, Mr. Lockwood...
00:24:21 Oh, someone lofty
00:24:25 She couldn't learn
00:24:27 She's an actress
00:24:29 Here's one thing
00:24:37 Lina, she was aiming at me!
00:24:39 - You've never looked lovelier.
00:24:42 It happens to me
00:24:45 Where is she?
00:24:47 Donnie?
00:24:51 Excuse me.
00:24:53 She just grabbed her things and vaulted.
00:24:57 Sorry. I don't have time
00:25:35 Keep that action going.
00:25:38 A little more action, boys.
00:25:45 - Good morning, fellas.
00:25:49 'First talking picture, The Jazz Singer,
00:25:53 - All-time flop by end of the second.
00:25:56 - Good luck.
00:25:58 I am now Count Pierre de Battaille,
00:26:01 - What's this one about?
00:26:04 You're a French aristocrat,
00:26:08 and she won't even
00:26:10 Well, it's a living.
00:26:15 Hit him. Hit him.
00:26:17 Knock him down.
00:26:21 Why bother to shoot this picture?
00:26:25 If you've seen one,
00:26:27 - What'd you say that for?
00:26:30 That's what that Kathy Selden
00:26:32 That's three weeks ago.
00:26:36 - Well, I can't get her out of my mind.
00:26:40 She's the first dame who hasn't fallen
00:26:43 - I guess she's on my conscience.
00:26:47 - I've got to find her.
00:26:49 short of sending out
00:26:52 Snap out of it. Don't let
00:26:56 You're Don Lockwood, aren't you?
00:27:00 What's the first thing an actor learns?
00:27:03 Come rain, come shine, come snow,
00:27:07 Ridi, Pagliacci, ridi.
00:27:12 The world's so full
00:27:14 I'm sure we should all
00:27:17 But are we? No.
00:27:20 Positively no!
00:27:25 Short people have long faces,
00:27:29 Big people have little humor,
00:27:34 And in the words of that immortal bard,
00:27:37 as he was about to be led
00:27:40 as he was about to be led
00:27:41 Make 'em laugh, make 'em laugh
00:27:44 Don't you know
00:27:47 My dad said
00:27:50 But be a comical one
00:27:53 They'll be standin' in lines
00:27:56 For those old
00:27:59 Now you could study Shakespeare
00:28:02 And you could charm the critics
00:28:05 Just slip on a banana peel
00:28:08 Make 'em laugh, make 'em laugh
00:28:13 Make 'em laugh
00:28:14 Don't you know
00:28:18 My grandpa said
00:28:21 But give it plenty of hoke
00:28:24 Make 'em roar
00:28:26 Take a fall, butt a wall
00:28:30 You start off by pretending
00:28:33 You wiggle 'til they're giggling
00:28:36 And then you get
00:28:39 Make 'em laugh, make 'em laugh
00:28:43 Make 'em laugh
00:28:45 Don't you... All the...
00:28:48 My dad...
00:28:54 They'll be standin' in lines
00:28:57 For those old
00:30:13 Make 'em laugh, make 'em laugh
00:30:17 Don't you know everyone...
00:30:29 Make 'em laugh
00:30:33 Make 'em laugh
00:30:37 Make 'em laugh
00:30:42 Make 'em laugh, make 'em laugh
00:30:46 Make 'em laugh
00:30:55 - Ready, Don?
00:30:57 Here we go again. I think we have
00:31:00 - I hope so.
00:31:03 - Where's Lina?
00:31:05 Well, well, here comes
00:31:08 This wig weighs a ton.
00:31:12 - Everybody used to wear them.
00:31:15 Honey, you look beautiful.
00:31:17 Yes, you look great.
00:31:20 Thanks, Joe.
00:31:21 I looked for you the other night
00:31:24 - Where were you?
00:31:27 And I know what you've been busy at...
00:31:30 - As a matter of fact, yes.
00:31:33 - I've been worried about her.
00:31:36 After all, I'm the one who got
00:31:39 But you didn't lose your job,
00:31:42 You're darn tootin' she did.
00:31:45 What?
00:31:46 They weren't gonna fire her, so I called
00:31:50 Okay, Don, remember.
00:31:52 You're madly in love with her, and you
00:31:56 Cosmo, mood music.
00:32:01 Roll 'em!
00:32:03 Okay, Don.
00:32:08 You see her.
00:32:15 Why, you rattlesnake, you.
00:32:19 That's not all I'm gonna do
00:32:23 I never heard of anything so low.
00:32:26 Fine. Looks great.
00:32:28 What did you do it for?
00:32:30 'Cause you liked her.
00:32:33 So that's it.
00:32:35 Believe me, I don't like her
00:32:40 You reptile.
00:32:41 Sticks and stones may break my bones...
00:32:44 I'd like to break
00:32:47 You and who else, you big lummox?
00:32:49 Kiss her, Don.
00:32:53 That's it! More!
00:32:55 Great! Cut!
00:32:58 You couldn't kiss me like that
00:33:02 Meet the greatest actor in the world.
00:33:06 - You don't mean that.
00:33:08 Joe, bring me a tarantula.
00:33:10 Stop that chitchat, you lovebirds.
00:33:13 Hold it!
00:33:14 - Hold it!
00:33:16 - We're really rolling.
00:33:20 All right, everybody, save it!
00:33:22 Tell them to go home.
00:33:25 - What?
00:33:27 Everybody go home until further notice!
00:33:30 - What's the matter, R.F.?
00:33:33 My darlin' little mammy
00:33:37 This is no joke, Cosmo.
00:33:40 - More what?
00:33:43 - It's just a freak.
00:33:46 I told you talking pictures were
00:33:50 Don, we're going to put
00:33:52 We're going to make 'The Dueling
00:33:54 That means I'm out of a job. I can start
00:33:59 We're putting you in as
00:34:02 Thanks, R.F.! I can stop suffering
00:34:05 Wait a second, Mr. Simpson.
00:34:08 Every studio
00:34:10 Theaters are putting in sound equipment.
00:34:13 - We know nothing about this gadget.
00:34:16 You do what you always did.
00:34:19 - Yeah?
00:34:22 - Yeah?
00:34:22 'Lamont And Lockwood: They Talk.'
00:34:25 Well, of course we talk.
00:34:46 I got a feelin' you're foolin'
00:34:48 I got a feelin' you're havin' fun
00:34:50 I'll get the go-by when you are done
00:34:53 It's a holiday, today's the wedding
00:34:56 It's a jolly day
00:34:58 Should I reveal exactly how I feel
00:35:02 Should I confess
00:35:28 Beautiful girl
00:35:32 Beautiful girl
00:35:35 Of all that lies
00:35:41 My heart cries
00:35:43 That girl on his right
00:35:45 You're a dazzling eyeful
00:35:47 - I've featured her in nightclub shows.
00:35:50 She'd be good in the part
00:35:53 - That's a good idea.
00:35:56 There may be blondes and brunettes
00:35:59 That are hard to resist
00:36:02 You surpass them like a queen
00:36:05 You've got those lips
00:36:09 And you're over sweet 16
00:36:12 Oh, beautiful girl
00:36:17 Beautiful girl
00:36:21 What can I do
00:36:23 But give my heart to you
00:36:29 A beautiful girl
00:36:34 She's stylish.
00:36:36 She's chic.
00:36:37 And she also is smart
00:36:44 For lounging in her boudoir...
00:36:47 this simple, plain pajama.
00:36:51 Her cloak is trimmed
00:36:54 to lend a dash of drama.
00:36:58 Anyone for tennis?
00:37:00 Well, this will make them cringe.
00:37:04 And you'll knock 'em dead at dinner...
00:37:07 if your gown just drips with fringe.
00:37:12 You simply can't be too modest...
00:37:14 at the beach or by the pool.
00:37:18 And in summertime it's organdy...
00:37:21 that'll keep you fresh and cool.
00:37:25 You'd never guess what loud applause...
00:37:27 this cunning hat receives.
00:37:31 And you'd never dream
00:37:35 within these sleeves.
00:37:38 A string of pearls
00:37:41 It started quite a riot.
00:37:45 And if you must wear fox
00:37:48 Dame Fashion says, 'Dye it.'
00:37:51 Black is best when you're in court.
00:37:54 The judge will be impressed
00:37:59 But white is right
00:38:03 And you want to be well-dressed
00:38:11 Beautiful girl
00:38:15 For you I've got a passion
00:38:17 Beautiful girl
00:38:21 You're my queen of fashion
00:38:24 I'm in a whirl
00:38:28 Over my beautiful
00:38:34 Girl
00:38:45 - That's stupendous!
00:38:47 - Kathy, come here.
00:38:50 Kathy, Mr. Simpson is thinking of
00:38:53 That's wonderful, Mr. Simpson.
00:38:56 - That's Kathy Selden!
00:39:00 - Wait a minute.
00:39:02 Before Mr. Lockwood reminds you,
00:39:05 I'm the girl who hit
00:39:07 Believe me,
00:39:10 Good-bye, Sid.
00:39:13 Wait a minute.
00:39:15 We wanted to use her in Zelda's picture,
00:39:18 I think it's wonderful.
00:39:20 - He's been looking for her for weeks.
00:39:24 R.F., the owner of the Coconut Grove
00:39:27 - but you're the head of this studio.
00:39:30 She's hired. But don't let
00:39:33 - Take care of that, Phillips.
00:39:36 I'm glad you turned up.
00:39:41 Is it all right for you
00:39:43 You mean, lofty star
00:39:46 Not exactly, but for lunch, don't you
00:39:51 Look, Kathy, all that stuff about
00:39:55 Oh? It certainly seems
00:39:58 From what I've read in the columns
00:40:02 You read the fan magazines.
00:40:06 I pick them up in the beauty parlor
00:40:09 just like anybody.
00:40:11 Honest?
00:40:15 - Well, I buy four or five a month.
00:40:19 Anyway, to get back
00:40:21 you and Miss Lamont do achieve
00:40:24 Did you say all my pictures?
00:40:29 I guess now that I think of it,
00:40:33 Eight or nine. It seems to me
00:40:37 'If you've seen one,
00:40:42 I did say some awful things
00:40:45 No. I deserved them.
00:40:48 Of course, I must admit
00:40:52 So upset that I haven't been able
00:40:58 Honest?
00:41:00 Honest.
00:41:03 Well, I've been pretty upset too.
00:41:08 Kathy, look.
00:41:10 Seeing you again,
00:41:17 Kathy, I'm trying to say
00:41:20 I'm such a ham.
00:41:22 I guess I'm not able to
00:41:25 - What do you mean?
00:41:29 Come here.
00:41:38 This is the proper setting.
00:41:41 Why, it's just an empty stage.
00:41:43 At first glance, yes.
00:41:49 A beautiful sunset.
00:41:54 Mist from the distant mountains.
00:41:59 Colored lights in a garden.
00:42:04 Milady is standing on her balcony...
00:42:06 in a rose-trellised bower...
00:42:12 flooded with moonlight.
00:42:14 We add 500,000 kilowatts
00:42:21 a soft summer breeze...
00:42:25 and...
00:42:27 You sure look lovely
00:42:31 Now that you have the proper setting,
00:42:37 I'll try.
00:42:40 Life was a song
00:42:43 You came along
00:42:46 I've laid awake
00:42:53 If I but dared
00:42:56 To think you cared
00:42:59 This is what I'd say to you
00:43:08 You were meant for me
00:43:16 And I was meant for you
00:43:25 Nature patterned you
00:43:28 And when she was done
00:43:33 You were all the sweet things
00:43:37 Rolled up in one
00:43:41 You're like a plaintive melody
00:43:50 That never lets me free
00:43:59 But I'm content
00:44:03 The angels must have sent you
00:44:08 And they meant you
00:44:13 Just for me
00:45:43 But I'm content
00:45:48 The angels must have sent you
00:45:53 And they meant you
00:46:00 Just for me
00:46:24 Now...
00:46:25 ta, te, ti, to, tu.
00:46:31 Ta, tay, tee, toe, too.
00:46:35 No, no, Miss Lamont.
00:46:40 Now let me hear you read your line.
00:46:44 And I can't stand 'im.
00:46:47 And I can't stand him.
00:46:50 And I can't stand 'im.
00:46:54 Can't.
00:46:55 Can't.
00:46:58 'Cahn't.'
00:47:00 'Can-t.'
00:47:02 Can't. Can't.
00:47:05 Very good. Now...
00:47:06 Around the rocks the rugged rascal ran.
00:47:10 - Around the rocks the rugged...
00:47:14 Around the rocks the rugged rascal ran.
00:47:19 - Shall I continue?
00:47:20 Don't mind me.
00:47:22 Sinful Caesar sipped his snifter...
00:47:25 seized his knees and sneezed.
00:47:28 - Sinful Caesar snipped his sifter...
00:47:32 - Sipped his snifter.
00:47:35 Sinful Caesar sipped his snifter,
00:47:40 - Marvelous.
00:47:42 Oh, here is a good one.
00:47:44 Chester chooses chestnuts,
00:47:47 He chews them and he chooses them.
00:47:50 He chooses them and he chews them,
00:47:53 cheddar cheese and chives
00:47:57 - Wonderful! Do another one.
00:48:00 Moses supposes his toeses are roses...
00:48:04 but Moses supposes erroneously.
00:48:07 Moses, he knowses
00:48:10 as Moses supposes his toeses to be.
00:48:16 Moses supposes his toeses are roses...
00:48:19 but Moses supposes erroneously.
00:48:21 But Moses, he knowses
00:48:25 as Moses supposes his toeses to be.
00:48:27 Moses supposes his toeses are roses...
00:48:30 but Moses supposes erroneously.
00:48:33 - A Mose is a Mose.
00:48:35 A toes is a toes.
00:48:38 Moses supposes his toeses are roses
00:48:41 But Moses supposes erroneously
00:48:44 For Moses, he knowses
00:48:47 As Moses supposes his toeses to be
00:48:50 - Moses
00:48:52 - Moses
00:48:55 - Eenie meenie minie Moses
00:48:58 As Moses supposes his toeses to be
00:49:01 A rose is a rose is a rose
00:49:03 A rose is what Moses
00:49:06 Couldn't be a lily
00:49:09 It's gotta be a rose
00:51:25 All right, here we go.
00:51:28 - Quiet!
00:51:30 Roll 'em!
00:51:34 Oh, Pierre, you shouldn't...
00:51:37 She's gotta talk into the mike.
00:51:42 Cut!
00:51:43 - What's the matter, Dexter?
00:51:46 Look, Lina, don't you remember?
00:51:50 There's a microphone right there
00:51:54 - Yeah.
00:51:57 I was talking,
00:52:00 Yes, my dear, but please remember:
00:52:04 Pierre, you shouldn't have come.
00:52:08 Pierre, you shouldn't have come.
00:52:10 - Yes, that's much better.
00:52:13 Now, Lina, look.
00:52:15 Here's the mike,
00:52:19 - Yeah.
00:00:05 A man records it
00:00:09 But you have to talk
00:00:13 in the bush!
00:00:15 Now try it again.
00:00:16 - Gee, this is dumb.
00:00:19 Lina, don't worry. We're all
00:00:22 Everything's gonna be okay.
00:00:24 Roscoe, you know the scene where I say,
00:00:28 I don't like those lines there.
00:00:32 'I love you, I love you, I love you'?
00:00:35 Sure. Any way it's comfortable.
00:00:37 But into the bush!
00:00:39 Okay, again! Quiet!
00:00:42 - Quiet!
00:00:47 ...you shouldn't have...
00:00:50 ...flirting with danger.
00:00:57 Cut! Lina, we're missing
00:01:01 You've got to talk into the mike!
00:01:03 Well, I can't make love to a bush!
00:01:06 All right, all right.
00:01:09 We'll have to think
00:01:17 What are you doing?
00:01:19 - You're being wired for sound.
00:01:22 Watch out for those dentalized
00:01:26 Everybody's picking on me!
00:01:28 Okay, Lina,
00:01:32 The mike is in there.
00:01:34 That's it.
00:01:36 Now the sound will run from it...
00:01:39 through this wire onto the record.
00:01:42 It'll catch whatever you say.
00:01:44 Now, let's hear how it sounds, Lina.
00:01:48 Okay, quiet!
00:01:50 - Quiet!
00:01:55 Oh, Pierre, you shouldn't have come.
00:01:58 You're flirting with danger.
00:02:02 - What's that noise?
00:02:05 Swell.
00:02:07 Cut!
00:02:13 That's right.
00:02:15 Now don't forget, Lina,
00:02:19 and whatever you say goes
00:02:23 - Now please, Lina, talk into the mike.
00:02:26 Don't make any quick, jerky movements
00:02:30 Okay, let's go.
00:02:32 Quiet!
00:02:34 Roll 'em!
00:02:39 Pierre, you shouldn't have come.
00:02:43 What's this wire doing here?
00:02:59 You two shouldn't go
00:03:02 Lina's probably waiting
00:03:05 - How I wish...
00:03:07 I'll be leading the cheering section
00:03:46 What's that,
00:03:48 It's those pearls, Mr. Simpson.
00:03:56 I am the noblest lady of the court,
00:04:00 yet I am the saddest
00:04:04 What is the matter, my lady?
00:04:06 I'm so downhearted, Theresa.
00:04:09 My father has me betrothed
00:04:12 and I can't stand 'im.
00:04:14 But he is such a catch.
00:04:17 All the ladies of the court wish
00:04:21 My heart belongs to another.
00:04:24 Pierre de Battaille.
00:04:26 Ever since I met him,
00:04:30 Sounds good and loud, huh?
00:04:41 Oh, Pierre, you shouldn't have...
00:04:45 You're flirting with danger.
00:04:47 They will surely...
00:04:51 ...too valuable.
00:04:52 She never could remember
00:04:56 'Tis Cupid himself
00:05:00 smitten by his arrow...
00:05:09 The night is full of our enemies.
00:05:15 Hey, Lina, whatcha hittin' him with,
00:05:21 I love you.
00:05:25 I love you.
00:05:31 I love you. I love you.
00:05:37 Did somebody get paid
00:05:42 Sounds like a comedy inside.
00:05:44 - It's a Lockwood-Lamont talkie.
00:05:47 This is terrible.
00:05:56 What's that?
00:05:57 The sound.
00:05:59 - Tell them to fix it!
00:06:03 What's this?
00:06:05 Yvonne, captured by Rouge Noir
00:06:09 Oh! Oh, my sword!
00:06:12 I must fly to her side.
00:06:15 Yvonne, Yvonne, my own!
00:06:19 Pierre will save me! Pierre!
00:06:23 Pierre is miles away, you wench!
00:06:26 No, no, no!
00:06:28 Yes, yes, yes!
00:06:31 No, no, no!
00:06:32 Yes, yes, yes!
00:06:35 No... no... no!
00:06:42 This is a scream.
00:06:43 This is a scream.
00:06:43 Give me pictures
00:06:45 I love you! I love you!
00:06:50 We're all ruined.
00:06:51 - You can't release this picture.
00:06:53 We're booked to open in six weeks
00:06:56 But you're such big stars,
00:06:59 I never want to see
00:07:02 - Wasn't that awful?
00:07:05 I liked it.
00:07:16 Take a last look at it.
00:07:18 It'll be up for auction
00:07:20 You're out of your mind.
00:07:23 No bank's gonna foreclose
00:07:25 - It wasn't so bad.
00:07:28 There's no use kidding myself.
00:07:30 Once they release
00:07:32 Lockwood and Lamont are through.
00:07:34 The picture's a museum piece.
00:07:38 Things went wrong with the sound. If you
00:07:41 It wasn't that. This is sweet
00:07:45 Something happened
00:07:48 Everything you ever said about me
00:07:51 I'm no actor.
00:07:53 Just a lot of dumb show.
00:07:58 Well, at least
00:08:00 No kidding. Did you ever see anything
00:08:05 Yeah. How about Lina?
00:08:07 All right.
00:08:10 Maybe it was a photo finish.
00:08:13 - You're not through!
00:08:16 With your looks and figure, you could
00:08:19 - Block hats.
00:08:21 - Dig ditches.
00:08:24 Fit as a fiddle and ready for love
00:08:27 Fit as a fiddle
00:08:31 Too bad I didn't do that in 'Dueling
00:08:34 - Why don't you?
00:08:37 - Make a musical.
00:08:39 Sure. Make a musical.
00:08:41 The new Don Lockwood.
00:08:44 The only trouble is that after they
00:08:47 nobody would come to see me jump off
00:08:51 Why don't you turn
00:08:54 - 'Dueling Cavalier'?
00:08:56 They've got six weeks
00:08:58 Add songs and dances,
00:09:01 And you got it.
00:09:03 Hey, I think it'll work.
00:09:05 Of course!
00:09:06 It may be crazy,
00:09:09 'The Dueling Cavalier'
00:09:11 - Hot dog!
00:09:14 Fellas, I feel this is
00:09:18 - No, your lucky day's the 24th.
00:09:20 It's 1:30. It's morning.
00:09:22 Yes, and what a lovely mornin'.
00:09:22 Yes, and what a lovely mornin'.
00:09:27 - Good mornin'
00:09:31 We've talked
00:09:33 - Good mornin'
00:09:37 Good mornin', good mornin'
00:09:40 It's great to stay up late
00:09:42 Good mornin'
00:09:46 When the band began to play
00:09:51 Now the milkman's on his way
00:09:55 So good mornin', good mornin'
00:09:58 Sunbeams will soon smile through
00:10:00 Good mornin'
00:10:03 And you and you and you
00:10:05 Good mornin', good mornin'
00:10:07 We've gabbed
00:10:09 Good mornin'
00:10:12 Nothin' could be grander
00:10:14 In the morning
00:10:16 It's great to stay up late
00:10:18 Good mornin'
00:10:21 Might be just as zippy
00:10:23 When we left the movie show
00:10:25 The future wasn't bright
00:10:27 But came the dawn, the show goes on
00:10:31 So say good mornin'
00:10:33 Good mornin'
00:10:35 Rainbows are shining through
00:10:38 - Good mornin'
00:10:40 Monsieur
00:10:41 - Buenos días
00:10:43 Buon giorno
00:10:45 Guten Morgen
00:10:47 Good mornin' to you
00:11:48 - ¡Olé!
00:11:51 ¡Toro! ¡Ah-ha!
00:11:57 Charleston!
00:12:52 Hey, we can't make this
00:12:55 What do you mean?
00:13:02 She can't act, she can't sing
00:13:05 - A triple threat.
00:13:08 What's so funny?
00:13:10 I'm sorry.
00:13:12 I liked her best when the sound
00:13:15 'Yes, yes, yes!'
00:13:16 No, no, no!
00:13:22 Wait a minute.
00:13:26 Come here, Kathy.
00:13:28 Now sing. I said, 'Sing.'
00:13:30 - Good mornin'
00:13:32 - Keep your eyes on my face.
00:13:35 Good mornin'
00:13:38 Watch my mouth.
00:13:39 Good mornin', good mornin'
00:13:42 It's great to stay up late
00:13:46 Well? Convincing?
00:13:48 Enchanting. What?
00:13:53 Don't you get it?
00:13:56 Lina moves her mouth, and Kathy's voice
00:13:59 - That's wonderful.
00:14:03 - Why not?
00:14:05 - You'd be throwing away your own career.
00:14:08 It's only for this one picture.
00:14:10 The important thing now
00:14:12 save Lockwood and Lamont.
00:14:16 All right, if it's only
00:14:21 - Do you think it'll get by?
00:14:24 Sure, and it's simple
00:14:26 Just dance around Lina
00:14:29 All right, we'll spring it
00:14:32 Don, you're a genius.
00:14:34 I'm glad you thought of it.
00:14:47 Good night, Kathy.
00:14:49 Good night, Don.
00:14:51 Take care of that throat.
00:14:56 This California dew is just
00:14:59 Really?
00:15:01 From where I stand, the sun
00:15:53 I'm singin' in the rain
00:15:57 Just singin' in the rain
00:16:01 What a glorious feelin'
00:16:04 I'm happy again
00:16:08 I'm laughin' at clouds
00:16:11 So dark up above
00:16:15 The sun's in my heart
00:16:18 And I'm ready for love
00:16:21 Let the stormy clouds chase
00:16:25 Everyone from the place
00:16:29 Come on with the rain
00:16:31 I've a smile on my face
00:16:35 I walk down the lane
00:16:39 With a happy refrain
00:16:42 Just singin'
00:16:44 Singin' in the rain
00:16:50 Dancin' in the rain
00:17:01 I'm happy again
00:17:11 I'm singin' and dancin'
00:19:08 I'm dancin'
00:19:10 And singin'
00:19:12 In the rain
00:19:34 That's wonderful!
00:19:36 We'll keep it secret until we're ready
00:19:40 But I'm worried about Lina.
00:19:43 - There might be fireworks.
00:19:47 Okay. Boys, this is great.
00:19:52 Now, let's see.
00:19:55 The title's not right.
00:19:58 We need a musical title. Cosmo?
00:20:05 'The Dueling Mammy.'
00:20:12 I've got it.
00:20:18 - 'The Dancing Cavalier.'
00:20:22 Cosmo, remind me to make you
00:20:24 - Thanks, R.F. Have a cigar.
00:20:29 Now what about the story?
00:20:31 We need modern musical numbers.
00:20:38 How's this? We throw
00:20:41 The hero's a young hoofer
00:20:43 He sings and dances.
00:20:44 One night backstage, he's reading
00:20:47 and a sandbag falls
00:20:49 and he dreams he's back
00:20:51 This way we get in the modern
00:20:54 But in the dream part,
00:20:56 Sensational! Cosmo,
00:21:01 Gimme a raise.
00:21:10 He holds her in his arms
00:21:15 Would you
00:21:17 Would you
00:21:20 He tells her of her charms
00:21:24 Would you
00:21:26 Would you
00:21:29 They met as you and I
00:21:33 And they were only friends
00:21:39 But before
00:21:42 The story ends
00:21:48 He'll kiss her with a sigh
00:21:53 Would you
00:21:55 Would you
00:21:57 And if the girl were I
00:22:01 Would you
00:22:03 Would you
00:22:05 And would you dare to say
00:22:09 Let's do the same as they
00:22:15 I would
00:22:19 Would you
00:22:25 And would you dare to say
00:22:30 Let's do the same as they
00:22:36 I would
00:22:41 Would you
00:22:51 Perfect.
00:22:54 Once the picture is released,
00:22:56 - Swell!
00:22:58 - One scene and a number.
00:23:00 It's new. It's for
00:23:03 It's called 'Broadway Melody.'
00:23:04 It's the story of a young hoofer
00:23:08 First, we set the stage
00:23:11 It goes like this.
00:23:12 It goes like this.
00:23:13 Don't bring a frown
00:23:17 Ah, you gotta clown on Broadway
00:23:22 Your troubles there
00:23:25 They're out of style
00:23:27 For Broadway
00:23:32 A million lights
00:23:34 They flicker there
00:23:37 A million hearts
00:23:41 No skies of gray
00:23:46 That's the Broadway
00:23:50 Melo-dy
00:24:52 Gotta dance
00:25:01 Gotta dance
00:25:10 Gotta dance
00:25:29 Shh!
00:25:38 Gotta dance
00:25:40 Gotta dance
00:25:42 Gotta dance
00:25:49 Broadway rhythm
00:25:52 Everybody dance
00:25:56 Broadway rhythm
00:25:58 Everybody dance
00:26:01 Out on that gay White Way
00:26:05 Orchestras play
00:26:09 Broadway rhythm, it's got me
00:26:12 Everybody sing and dance
00:26:20 That Broadway rhythm
00:26:26 That Broadway rhythm
00:26:30 When I hear that happy beat
00:26:34 Feel like dancin' down the street
00:26:39 That Broadway rhythm
00:26:41 Writhing, beating
00:26:43 Rhythm
00:26:44 Gotta dance
00:26:45 Gotta dance
00:26:48 Gotta dance
00:26:49 Gotta dance
00:30:31 When I hear that happy beat
00:30:34 Feel like dancin' down the street
00:30:47 When I hear that happy beat
00:30:50 Feel like dancin' down the street
00:31:03 When I hear that happy beat
00:31:06 Feel like dancing down the street
00:35:17 Gotta dance
00:35:23 Gotta dance
00:35:32 Gotta dance
00:35:34 Gotta dance
00:36:08 That's the Broadway
00:36:13 Melo-dy
00:36:27 That's the idea of the number.
00:36:29 That's the idea of the number.
00:36:30 I can't quite visualize it.
00:36:33 - On film it'll be better yet.
00:36:35 You've got to have that Selden girl
00:36:38 - It's all set up.
00:36:40 Don't let Lina know about it.
00:36:45 All set in there?
00:36:45 All set in there?
00:36:50 Nothing can keep us apart.
00:36:52 Our love will last
00:36:57 All right, Kathy. Go ahead.
00:37:00 Nothing can keep us apart.
00:37:02 Our love will last
00:37:06 That's great. Perfect. Cut.
00:37:11 'Til the stars turn cold.
00:37:14 Oh, Kathy, I love you.
00:37:18 I can't wait
00:37:21 No more secrecy.
00:37:25 Your fans will be
00:37:28 From now on, there's only one fan
00:37:35 There! What did I
00:37:37 Thanks, Zelda.
00:37:39 I want that girl
00:37:42 She ain't gonna be my voice.
00:37:45 - Thanks, Zelda. You're a real pal.
00:37:48 - Look, Miss Lamont. Don and I...
00:37:53 I was calling him Don
00:37:55 I mean... I mean...
00:37:58 I was kissing her!
00:38:02 That's ridiculous. Everybody knows
00:38:07 Look, Lina.
00:38:10 I'm going to marry her.
00:38:12 Silly boy.
00:38:15 She's just a flirt trying
00:38:18 I'll put a stop to that.
00:38:23 You're a little late.
00:38:25 If she weren't in the picture,
00:38:27 As far as I can see,
00:38:30 - Who will ever hear of her?
00:38:33 Why do you think Zelda's
00:38:35 Because Kathy nearly stole
00:38:37 She's doing you a favor,
00:38:39 And she's getting
00:38:42 You mean it's gonna say up on the screen
00:38:46 Of course. What do you think?
00:38:48 - They can't do that.
00:38:51 And there's a whole publicity campaign
00:38:53 Publicity?
00:38:55 They can't make a fool
00:38:57 They can't make a laughingstock
00:39:00 What do they think I am,
00:39:03 I make more money than...
00:39:08 put together!
00:39:12 'Monumental Pictures
00:39:14 over Lina's singing pipes
00:39:17 I never said that.
00:39:18 'Premiere tomorrow night to reveal
00:39:23 Boss, you can't pull a switch
00:39:26 We were all prepared on the campaign
00:39:28 Now you do this.
00:39:30 I don't know anything about this.
00:39:34 - What are we gonna do?
00:39:37 Absolutely nothing.
00:39:40 You wouldn't want to call the papers and
00:39:46 Lina, did you send
00:39:48 I gave an exclusive story
00:39:51 You'll never get away with it.
00:39:53 - I wouldn't do that if I were you.
00:39:58 What do you think I am,
00:40:01 I had my lawyer
00:40:05 And I control my publicity,
00:40:09 - Yeah?
00:40:10 The studio's responsible for every word
00:40:14 If I don't like it, I can sue.
00:40:17 What?
00:40:18 I can sue.
00:40:20 If you tell the papers
00:40:23 it would be 'detrimental
00:40:28 I could sue you for the whole studio.
00:40:32 - That's a lot of nonsense.
00:40:37 Contract dated June 8, 1925...
00:40:39 paragraph 34,
00:40:41 'The party of the first part'...
00:40:45 You win, Lina.
00:40:47 Take Kathy Selden's
00:40:49 Go ahead. Let's just get
00:40:52 Satisfied?
00:40:54 Just one little thing more.
00:40:57 You want me to change
00:40:59 to Lamont Pictures Incorporated?
00:41:01 Oh, R.F., you're cute.
00:41:04 I was just thinking...
00:41:06 you've given this little girl
00:41:08 and you're gonna give her
00:41:11 - So what?
00:41:15 doubling for my voice, don't you think
00:41:19 and nothing else?
00:41:21 You're crazy.
00:41:22 I'm still more important
00:41:25 I wouldn't do that to her
00:41:27 You'd be taking her career away from
00:41:31 People?
00:41:33 I ain't people.
00:41:35 I'm a...
00:41:40 'A shimmering, glowing star...
00:41:42 in the cinema firmament.'
00:41:45 It says so. Right there.
00:42:01 Oh, Pierre.
00:42:03 At last I've found you.
00:42:06 Oh, Pierre.
00:42:07 Oh, Pierre.
00:42:08 Oh, speak to me.
00:42:12 I'll kiss her with a sigh
00:42:16 Would you, would you
00:42:21 And if the girl were I
00:42:25 Would you, would you
00:42:30 Oh, Pierre, hold me
00:42:33 Lockwood's a sensation.
00:42:34 Yes, but Lamont. What a voice!
00:42:38 - It's going over wonderfully, isn't it?
00:42:41 Our love will last
00:42:46 And would you dare to say
00:42:51 Let's do the same as they
00:42:58 I would
00:43:03 Would you
00:43:31 - R.F., it's a real smash.
00:43:33 - We owe you a lot.
00:43:35 - Kathy, we made it!
00:43:38 It's just great, Don.
00:43:39 Lina, you were fabulous.
00:43:42 Yeah, and I'm gonna
00:43:46 - What do you mean by that?
00:43:50 Listen, Lina.
00:43:52 I thought something was cooking
00:43:55 Now get this!
00:43:57 She only did this
00:43:59 That's what you think.
00:44:01 Come on!
00:44:03 Lina's getting carried away,
00:44:05 - Yes, she is.
00:44:07 Don't get any fancy ideas
00:44:10 Never mind! Listen to that applause, and
00:44:14 You won't give all that up because
00:44:19 She's got something there.
00:44:21 Part of that choice is mine,
00:44:25 You got a five-year contract.
00:44:28 Why don't you tell her off?
00:44:31 I'm confused.
00:44:33 - They're tearing the house apart.
00:44:37 I once gave you a cigar.
00:44:39 - Wait a minute...
00:44:41 Selden, you're stuck!
00:44:43 If this happens, you'll get yourself
00:44:46 Who needs you? They'd come to see me
00:44:50 Just a minute. Don's a smash too.
00:44:54 I'm not so sure!
00:44:56 You're the big Mr. Producer,
00:44:59 From now on, as far
00:45:03 Lina Lamont Pictures Incorporated, huh?
00:45:05 - Yeah.
00:45:07 - Don, they're yelling for a speech.
00:45:10 Yeah, everybody's always
00:45:13 Tonight I'm gonna do
00:45:15 I'm gonna make the speech!
00:45:18 - You can't do that!
00:45:21 This is Lina's big night,
00:45:26 - Right?
00:45:33 Ladies and gentlemen...
00:45:35 I can't tell you how thrilled we are
00:45:39 for 'The Dancing Cavalier,'
00:45:43 If we bring a little joy
00:45:48 it makes us feel as though our hard work
00:45:54 Bless you all!
00:45:56 She didn't sound that way
00:45:58 Cut the talk, Lina. Sing!
00:46:06 I got an idea.
00:46:14 What am I gonna do?
00:46:17 We've got it. Rod, set up
00:46:20 Kathy, come here. Kathy will
00:46:23 She'll be back of the curtain singing,
00:46:27 like in the picture?
00:46:28 - That's right.
00:46:29 You gotta do it.
00:46:31 Of course she's got to do it.
00:46:34 - Get over to that microphone.
00:46:38 I'll do it, Don...
00:46:40 but I never want to see you again,
00:46:43 Come on, Lina.
00:46:48 What are you going to sing,
00:46:55 'Singing In The Rain.'
00:46:57 'Singing In The Rain.'
00:47:00 'Singing In The Rain.'
00:47:05 'A' flat.
00:47:07 'A' flat.
00:47:08 In 'A' flat.
00:47:21 I'm singin' in the rain
00:47:24 Just singin' in the rain
00:47:26 What a glorious feelin'
00:47:29 I'm happy again
00:47:31 I'm laughin' at clouds
00:47:34 So dark up above
00:47:37 The sun's in my heart
00:47:42 Let the stormy clouds chase
00:47:44 Everyone from the place
00:47:47 Come on with the rain
00:47:49 I've a smile on my face
00:47:53 I'll walk down the lane
00:47:55 With a happy refrain
00:47:58 I'm singin'
00:48:04 I'm singin' in the rain
00:48:08 What a glorious feelin'
00:48:11 I'm happy again
00:48:13 I'm laughin' at clouds
00:48:16 So dark up above
00:48:19 The sun's in my heart
00:48:24 Let the stormy clouds chase...
00:48:28 Ladies and gentlemen,
00:48:31 That's the girl whose voice
00:48:34 She's the real star
00:48:47 You are
00:48:50 My lucky star
00:48:55 I saw you
00:48:59 From afar
00:49:04 Two lovely eyes
00:49:06 At me they were gleaming
00:49:12 Beaming
00:49:16 I was starstruck
00:49:22 You're all
00:49:25 My lucky charms
00:49:30 I'm lucky
00:49:35 In your arms
00:49:39 You've opened heaven's portal
00:49:44 Here on Earth
00:49:51 You are
00:49:55 My lucky
00:50:00 Star