Sleepers
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This is a true story about friendship |
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This is my story and that of |
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who truly mattered. |
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Two of them were killers |
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The other is a nonpracticing attorney |
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too afraid to let it go, |
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I'm the only one who can speak for them |
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Walk, walk |
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My three friends and I |
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happy and content to live |
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The West Side streets of Manhattan |
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A cement kingdom where we felt ourselves |
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Hell's Kitchen was populated |
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Puerto Rican |
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Hard men living hard lives. |
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Move it! |
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He said |
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Walk like a man |
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Shut the fuck up! |
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We lived in railroad apartments |
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Few mothers worked and all had |
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Get the fuck down and shut up! |
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Get the fuck down! |
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Get the fuck down |
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I buried one fucking wife, |
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Domestic violence was |
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yet there was no divorce |
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The will of the church was forceful. |
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For a marriage to end, |
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Yet despite the harshness of life... |
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Hell's Kitchen offered |
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enjoyed by few other neighborhoods. |
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Crimes against people of the |
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When they did occur, |
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and in some cases final. |
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A drug dealer from |
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moved heroin into Hell's Kitchen. |
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Packet killed the 12-year-old son |
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It was the last packet |
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Hell's Kitchen was a place of innocence |
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My friends and I spent lots of time |
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We each served as altar boys. |
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Everyone wanted |
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since the funeral |
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and more if you looked |
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There was an active competition |
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to come up with |
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Two weeks into the new school year |
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in the school hallway, |
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l... I'm very pleased that so many |
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In church it was used |
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they should stand, |
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all based on the number of times |
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In my pocket, it was cause for havoc. |
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And, uh, it will be a great day. |
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You will be defenders of the faith... |
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you will be soldiers of Christ... |
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and you will receive the gifts... |
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of the Holy Spirit. |
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Well, it's gonna be a great day... |
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and your parents |
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When you were baptized, |
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and now you're gonna |
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Let me have the clacker. |
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- What clacker? |
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Let everyone rise. |
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Let us pray. |
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Nuns are such easy targets. |
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John and I spent more time |
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We were the only two of the group |
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And John and I were intrigued |
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A secret world of betrayal |
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where people openly admitted |
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Confession was better than any book |
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or any movie we could see, |
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committed by people we knew. |
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The temptation to be part of that |
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If we get caught, they'll burn us. |
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What if our mothers are out there? |
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What if we end up |
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- Yeah, what if we hear something worse? |
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Like a murder. |
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What if somebody |
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Relax. All we gotta do is sit back, |
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Hide. |
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Seconds later, |
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l, uh, sleep with married men. |
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Men with families. |
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In the morning I tell myself |
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Yes? |
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You see, I'm, uh... |
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I'm pregnant. |
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- The father? |
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- What are you going to do? |
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And I know what I should do. |
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I just don't know what I'm gonna do. |
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Look, I gotta go. |
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Thanks for listenin', fellas. |
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I know you'll keep it to yourselves. |
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- She knew. |
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Why do you think she told us all that? |
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I don't know. |
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Father Robert Carillo |
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who was as comfortable sitting |
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as he was standing at the altar |
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He had toyed with the life of petty |
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He was a friend. A friend |
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You know what crap like that |
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Come on, Father. It beats smoking, |
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Maybe. |
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- So what do you hear? Anything? |
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I hear you're interested |
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Who says? |
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Word is, you wanna get the feel |
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I don't know |
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- You don't, huh? |
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Well, maybe I got |
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Yeah, I guess you did. |
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I'll see you later tonight. |
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What's tonight? |
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I gotta drop some books |
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for the elderly and disabled |
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- Your mother said you'd love to help. |
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Shakes, I don't want you |
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Come on, Father. |
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That's all I wish |
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- That's it? |
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- That's it. |
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And kids shouldn't be listening |
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- I'll see you tonight. |
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Okay. |
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Michael was the most sexually |
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which meant that he kissed a girl |
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But his real love was Carol Martinez. |
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Hell's Kitchen's half-breed... |
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She was raised by her father, |
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Carol stayed pretty much to herself, but |
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We could always count on Carol |
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on the first night of the Ice Capades. |
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While crowds of families |
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waiting to see the skaters perform... |
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we each had one eye in a hole... |
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watching two dozen beautiful, |
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get into their skaters' outfits. |
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This is what heaven must be about. |
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Good, good, good, good vibrations |
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Oh, my God! |
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- Hey, uh, Carol, you wanna take a look? |
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So lucky. Oh, wow. |
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She's so beautiful. |
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I could die now, |
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When my friends and I were young... |
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Hell's Kitchen was run |
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When he was young, King Benny |
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Lucky Luciano did a lot of good |
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but you ain't gonna read about that |
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There was talk King Benny |
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that prick on West 23rd Street. |
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He ran bootleg with Dutch Schultz... |
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and he opened up a couple of clubs |
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I was 14 when I first heard about him. |
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The story goes, as a kid |
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He was always getting the shit |
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And then one day... |
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some Irish guy about 25 years old... |
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he takes King Benny and he flings him |
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King Benny breaks |
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You know what King Benny does? |
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He waits. |
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He waits eight years |
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He walks into a public bathhouse. |
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King Benny |
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He lays 'em down on the sink. |
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Then he looks over at the guy |
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"When I look in the mirror, |
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Then he pulls out a gun... |
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and he shoots the guy |
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Bang! Bang! |
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Then he says to the guy... |
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" Now when you take a bath |
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No one ever fucked |
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Revenge. |
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Revenge. |
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Can I talk to you for a minute? |
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I'd like to work for you, |
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You're the butcher's kid. |
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- Yeah. |
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what kind of job |
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Whatever. |
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Oh, doesn't matter, huh? |
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Everybody says this is the place |
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- Who is "everybody"? |
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Oh, them. |
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Let me ask you, |
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They know you got jobs. |
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Sorry I wasted your time. |
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- Hold on a sec. |
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Come back tomorrow |
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- What time tomorrow? |
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- You'll be here? |
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My first job for King Benny |
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and ate up only 40 minutes |
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In the dark clubroom, one of the guys |
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and direct me to one of the two |
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Hey, it was a perfect way |
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Whoa, whoa, whoa. Come on. |
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Let's go. Right here. See what kind |
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You gotta be nuts. |
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Yeah, we know, |
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Give me the bag. |
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Hey, what you do there? |
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- Answer me! What you do there? |
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- They stopped me and took my money. |
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- The money they took is in the bag. |
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- Fuck you! |
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- All right, all right, take it easy. |
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- Take it easy. |
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Let me have the bag. |
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All right. Thanks, kid. |
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- What about them? |
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- No. |
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I need somebody with me. |
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- What you need? |
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Your friends? |
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These kids you can trust. |
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Okay, get your friends. |
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Father Bobby knew my friends and I |
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and he wasn't pleased. |
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He wasn't worried about |
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when they ask you to pick up a gun. |
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He didn't want that to happen to us. |
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You think running for King Benny |
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- It pays. |
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Not like this. |
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Most priests liked to preach |
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Father Bobby liked to talk during |
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- Oh, good shot! |
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- I found an art class for you to take. |
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No, you don't have to pay anything. |
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- I don't know. It could be |
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- Or it could be the first step. |
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You never know. |
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- You all could get out of here. |
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Come on. Let's play. |
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- Listen, I got a story I wanna tell you. |
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- 'Cause that one gave me nightmares. |
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He was born poor just like you guys. |
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He takes this job from the pope. |
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Okay, Father, but, uh, |
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Because the pope was looking |
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to paint the ceiling |
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- Don't sound like |
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Michelangelo needed the... |
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'cause it paid more money |
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That way, he could pay off |
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- What's his father? |
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He conned people |
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- Goats? |
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- Chickens? |
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- You know what happened? |
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He painted a ceiling |
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Painted like it was touched |
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- Did he pay off the loans? |
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Hey, Father, how long did it take him? |
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- Took him about nine years. |
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- That's right. |
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I had a Puerto Rican guy |
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And he had a bum leg. |
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You know, I don't know |
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- Hey, just give us a job painting. |
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- The Sistine Chapel. |
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- Sistine Chapel. |
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Outside events meant little. |
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In a society changing radically |
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we watched the images scatter nightly |
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Young protesters spoke about |
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and fix the world. |
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But while they shouted their slogans... |
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my friends and I |
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for the young men of Hell's Kitchen... |
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who came back from Vietnam |
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We viewed with skepticism |
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those protected by money |
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A growing army of feminists |
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demanding equality... |
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yet our mothers still |
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who abused them |
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For me and my friends, |
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They might as well have occurred |
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in another century. |
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Our attention was elsewhere. |
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We sat with Father Bobby in a third |
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hoping he'd recover |
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a gift from one of his mother's |
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I hope you like these. |
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- You better not tell me you don't. |
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Father Bobby |
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- I gave on Sunday. I'm in a rush, okay? |
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Little punk. He got out of line, |
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- You put him in the hospital. |
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Look, if he's smart |
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- What are you, about 220? 230? |
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You're a big guy. How much |
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80? 85? |
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If this were a fight, |
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Look, it was a slap. |
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Well, next time you'll be meeting me. |
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And I may not be in your division... |
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but I do weigh more than 85 pounds. |
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And you won't need a doctor |
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You'll need a priest |
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See you in church. |
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Father Bobby would have |
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It's a shame we lost him |
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We were down 7-6 in the last inning |
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- Against Hector Maldonado |
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Come on, Davy! |
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- He got nothin'! |
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- Who's that? |
00:18:35 |
- What happened to her? |
00:18:37 |
Some kind of cancer got in her legs |
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- Come on. |
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Come on, Davy! |
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He can't touch you, Davy! |
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Hey, while you don't got any legs, |
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This is it. Home run. |
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- Oh, easy, Mike. |
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What the fuck you looking at, |
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- She's nothing but charm. |
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- Let's play! |
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- You can take him, Mikey. |
00:19:03 |
Hey, swallow your tongue, |
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You could've helped her |
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- Didn't have to throw the game. |
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You ever wonder why |
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Game over, losers. |
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- He's no better than you. |
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No, you let him be... |
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all because Irish here has a thing |
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Stay away from us, Fat Man. |
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You boys are soft like bread. |
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It's going to catch up to you, and |
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What happens is our business, |
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You gotta stay tough to be tough. |
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Guy smells it when you're weak, |
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You see that street? |
00:19:44 |
And you boys are appetizers. |
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Somebody gonna come along, eat you up |
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Take it easy, Fat Man. |
00:19:52 |
Yes, but going soft |
00:19:55 |
You have to keep yourself mean |
00:19:58 |
- All right, all right, calm down. |
00:20:00 |
It's like hanging out |
00:20:02 |
- Yeah. |
00:20:04 |
Look, this just free advice from me to |
00:20:07 |
- It don't matter. |
00:20:12 |
In truth, we were all surprised |
00:20:14 |
but in his mind losing that game... |
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and handing a feeling of victory |
00:20:19 |
was more than the right thing to do. |
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Come on. Let's go swimming. |
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The temperature |
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on the day our lives |
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I'm frying like an egg up here. |
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a couple of sodas, and head down |
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- It's hot. |
00:20:43 |
- We're surrounded by a wall, genius. |
00:20:46 |
Will you guys shut up, please? |
00:20:49 |
- It's 98 degrees, John. |
00:20:52 |
We haven't hit the hot dog vendor |
00:20:55 |
I don't know, Mikey. |
00:20:59 |
I mean, he gets pretty pissed... like |
00:21:02 |
We can eat hot dogs, |
00:21:07 |
Air's probably safer, Mike. |
00:21:09 |
Yeah, a hot dog ain't worth |
00:21:12 |
- Yeah, but anyway, whose turn was it? |
00:21:15 |
- Yeah, it's yours. |
00:21:18 |
- Yes, it is. |
00:21:20 |
- He went two weeks... |
00:21:22 |
- Are you nuts? I went right after him. |
00:21:24 |
- It's too hot. |
00:21:30 |
Mustard, onions, no soda. |
00:21:33 |
- I know you. |
00:21:36 |
The scam was simple. |
00:21:38 |
I was to walk up to the hot dog vendor |
00:21:41 |
The vendor would then hand me my hot dog |
00:21:45 |
This left the vendor with two choices, |
00:21:48 |
He could stand his ground and swallow |
00:21:51 |
The second forces him |
00:21:54 |
where my friends could feast |
00:21:58 |
Uh, I'm gonna need two napkins. |
00:22:02 |
Hey, my money! Thief! |
00:22:05 |
Well, my temperature's rising |
00:22:07 |
- And my feet on the floor |
00:22:09 |
- Twenty people knockin' |
00:22:12 |
I took it from him and ran. |
00:22:13 |
I scooted past Tommy Mung's Dry Cleaners |
00:22:17 |
The vendor gave chase, a wooden-handled, |
00:22:22 |
All right. More. Give me two. |
00:22:25 |
- Gimme some |
00:22:28 |
- Gimme some lovin' |
00:22:31 |
Gimme some lovin'every day |
00:22:34 |
You know, these things |
00:22:36 |
Genius, these are gas tanks |
00:22:39 |
They're heavier than shit. |
00:22:41 |
Think we can push it, |
00:22:44 |
- Push it where, huh? |
00:22:46 |
Be a nice surprise for the guy, when |
00:22:49 |
not to find his cart. |
00:22:51 |
Hey |
00:22:55 |
Well, I feel so good |
00:22:58 |
You better take it easy |
00:23:02 |
Been a hard day |
00:23:05 |
We made it, baby |
00:23:07 |
And I'm so glad we made it |
00:23:11 |
The vendor tired at 47 th and 9th. |
00:23:17 |
He was beat, but not beaten. |
00:23:19 |
He could go 10 minutes more |
00:23:22 |
Come on. Give it up. |
00:23:38 |
What's wrong, Mikey? |
00:23:40 |
Shakes is taking too long. |
00:23:43 |
He'll be fine. He's Shakes. |
00:23:45 |
You better take it easy |
00:23:48 |
You guys were supposed to take |
00:23:50 |
- Oh, now he tells us. |
00:23:52 |
- He's still running? |
00:23:54 |
I got a plan. |
00:23:57 |
The plan, as it turned out, |
00:23:59 |
and as dumb as anything |
00:24:01 |
We were to hold the cart |
00:24:03 |
leaning it downward, |
00:24:05 |
We were to let it go |
00:24:07 |
Then we'd leave the scene |
00:24:09 |
to ease the cart |
00:24:11 |
To this day, |
00:24:14 |
but we would all pay a price. |
00:24:16 |
It only took a minute, |
00:24:19 |
- You got it? |
00:24:21 |
I can't hold it! I can't hold it! |
00:24:24 |
- Hold it up! Come on! |
00:24:27 |
- Shit! |
00:24:39 |
Stop! Get out of... No! |
00:25:04 |
Damn! |
00:25:09 |
- My God! |
00:25:12 |
What have you boys done? |
00:25:14 |
What in the name of God |
00:25:16 |
I think we just killed a man. |
00:25:23 |
WhileJames Caldwell was slowly |
00:25:26 |
we were charged |
00:25:28 |
and remanded |
00:25:31 |
- I'm sorry, Dad! |
00:25:35 |
Take it easy! |
00:25:39 |
You're going to jail, and you don't |
00:25:42 |
Ma! |
00:25:44 |
You stay out of this. |
00:25:47 |
He shouldn't have to do time. Nobody |
00:25:50 |
I done enough time for everybody! |
00:26:17 |
I hear you're short an altar boy. |
00:26:23 |
You still remember what to do? |
00:26:26 |
Easy on the water, |
00:26:29 |
and ring the bells whenever |
00:26:32 |
Get ready. We got five minutes |
00:26:47 |
I'm gonna miss this. |
00:26:51 |
I'm gonna miss all this. |
00:26:55 |
I've been doing all I can, |
00:27:02 |
I could run. |
00:27:05 |
We all could run. |
00:27:09 |
Disappear for a while. |
00:27:11 |
Nobody's gonna come looking. |
00:27:14 |
Nobody's gonna care about us... |
00:27:17 |
about where we go. |
00:27:23 |
You run now, |
00:27:28 |
Hiding's not gonna make it go away. |
00:27:30 |
People aren't gonna forget. |
00:27:34 |
You've gotta face this. |
00:27:41 |
I can't, Father. |
00:27:45 |
I don't wanna face it. |
00:27:48 |
I'm too scared to face it. |
00:27:52 |
I'm scared too. |
00:27:54 |
Nobody's more scared than I am. |
00:27:57 |
But you gotta do it. |
00:28:01 |
You're gonna be okay. |
00:28:03 |
You're gonna make it through there. |
00:28:06 |
You understand? |
00:28:12 |
Come on. We got an audience. |
00:28:21 |
I counted three rummies |
00:28:26 |
Plus, Fat Ralphie's sleeping one off |
00:28:31 |
It's the rain. Bad weather |
00:28:39 |
This is one of my favorites. |
00:28:41 |
What is? |
00:28:44 |
"Whatever you do to the least |
00:28:53 |
Come on. |
00:29:00 |
We never saw the vendor as a man... |
00:29:02 |
not the way we saw |
00:29:05 |
and we didn't care enough about him |
00:29:08 |
We gave little notice |
00:29:11 |
or that he had a wife |
00:29:14 |
and hoped to bring them |
00:29:15 |
We didn't pay attention |
00:29:18 |
We didn't see any of that. |
00:29:20 |
We only saw a free lunch. |
00:29:24 |
Thomas Marcano, the Court |
00:29:27 |
to be remanded for a period of no more |
00:29:31 |
at the Wilkinson Home for Boys. |
00:29:32 |
John Reilly, the Court |
00:29:35 |
to be remanded for a period of no more |
00:29:39 |
to the Wilkinson Home for Boys. |
00:29:41 |
Lorenzo Carcaterra... |
00:29:44 |
taking into consideration |
00:29:47 |
after the theft of the cart |
00:29:49 |
in consideration of that, the Court |
00:29:52 |
no more than one year, |
00:29:54 |
at the Wilkinson Home for Boys. |
00:29:58 |
Michael Sullivan... |
00:29:59 |
the Court hereby sentences you |
00:30:02 |
of no more than 18 months, no less than |
00:30:06 |
And I might add, had it not been for the |
00:30:09 |
who spoke in glowing terms |
00:30:12 |
I would have sentenced you |
00:30:15 |
I still have my doubts |
00:30:17 |
but only time will serve |
00:30:23 |
- Could you do me a favor, Father? |
00:30:26 |
The past couple of weeks... |
00:30:28 |
my mother and father looked like |
00:30:31 |
- Could you watch over 'em for me? |
00:30:35 |
And no matter what you hear, |
00:30:39 |
You mean, you want me to lie? |
00:30:41 |
It's a good lie, Father. |
00:30:47 |
Come on. Let's go. |
00:30:50 |
- Be strong. |
00:31:28 |
The Wilkinson Home for Boys |
00:31:32 |
housed in five separate units. |
00:31:34 |
From the outside, |
00:31:36 |
what those who ran it |
00:31:39 |
some kind of nice school |
00:31:43 |
Michael, Tommy, John and I were |
00:31:47 |
We each had a private 12-foot room. |
00:31:49 |
I'd been in my room less than an hour |
00:31:54 |
It doesn't take very long to know |
00:31:57 |
or how strong you can be. |
00:31:59 |
I knew from my first day at Wilkinson |
00:32:14 |
Hello, Carcaterra. |
00:32:17 |
- Toss your clothes on the floor. |
00:32:21 |
What, are you expecting a dressing room? |
00:32:23 |
- Now, lose the clothes. |
00:32:33 |
Let's go. Let's go. |
00:32:45 |
What's that piece of shit |
00:32:48 |
It's Mary. |
00:32:50 |
I don't give a fuck whose mother it is. |
00:33:05 |
Everything. |
00:33:07 |
- So you want me to stand here naked? |
00:33:11 |
I knew you Hell's Kitchen boys |
00:33:21 |
Now what? |
00:33:25 |
Get dressed. |
00:33:31 |
There were four guards |
00:33:33 |
with one... in our case, Nokes... |
00:33:38 |
Ferguson was the only son |
00:33:40 |
and was on the waiting list |
00:33:42 |
and Suffolk County |
00:33:45 |
Styler was using his job at Wilkinson's |
00:33:49 |
Addison was a graduate |
00:33:51 |
who wanted nothing more |
00:33:54 |
Hey. Come on. Quit pushing. |
00:33:55 |
It was not a group |
00:33:58 |
Most, if not all, the inmates |
00:34:00 |
A number of them were riding out |
00:34:03 |
All were violent offenders. Few seemed |
00:34:07 |
And as for rehabilitation? |
00:34:09 |
Forget it. |
00:34:16 |
Mikey. |
00:34:19 |
Yeah, all right. |
00:34:45 |
Hey, what the fuck |
00:34:47 |
- You got close to me. |
00:34:51 |
It bothers me. |
00:34:53 |
I don't wanna be near you |
00:35:01 |
Whoa! Yes! |
00:35:03 |
Fight! |
00:35:50 |
You know, your time here |
00:35:54 |
You're still the same |
00:35:56 |
the day you walked in here. |
00:36:00 |
Okay. Everybody go on back |
00:36:03 |
There's nothing more to see. |
00:36:07 |
Go on, go. Sit down. |
00:36:11 |
Go on. |
00:36:14 |
Go ahead. |
00:36:22 |
- That go for me too? |
00:36:26 |
You go back to your room. |
00:36:29 |
Go on. |
00:36:31 |
You and me, we're gonna finish this |
00:36:35 |
- Yeah, maybe at dinner. |
00:36:38 |
you Hell's Kitchen boys |
00:36:43 |
I got to smell it. |
00:36:45 |
You got to smell it. |
00:36:51 |
That's good. |
00:36:52 |
Where you goin'? |
00:36:54 |
You said to get lunch. |
00:36:56 |
Oh, you boys don't need to get back |
00:36:59 |
there's plenty to eat |
00:37:03 |
You can smell it. |
00:37:09 |
I'm not hungry. |
00:37:12 |
Well, I don't give a fuck |
00:37:14 |
You eat because |
00:37:21 |
I'm still not hungry. |
00:37:28 |
I'll tell you when you're |
00:37:34 |
Excuse me. |
00:37:37 |
Get the fuck down on your knees now |
00:37:42 |
Come on. Now, eat! Don't think |
00:37:46 |
You got some mashed potatoes. |
00:37:50 |
Come on, now, |
00:37:52 |
Don't be thinking you got all day. |
00:37:55 |
Let's go. Hey! |
00:37:57 |
None of you clowns are leaving here... |
00:37:59 |
until these assholes finish |
00:38:01 |
You got that? |
00:38:03 |
Hey, you. Here's a piece of bread. |
00:38:05 |
You can't have a good lunch |
00:38:08 |
Let's go! Come on, now. |
00:38:10 |
That's good. Yeah, show the boys |
00:38:13 |
Rules! You understand? |
00:38:16 |
Hey, look, boys. |
00:38:20 |
Shift's over, Nokes. |
00:38:22 |
No, l-l... I'm not ready to go yet. |
00:38:24 |
I still got a few more things I gotta |
00:38:28 |
This is my tour now. |
00:38:31 |
Stay out of this one. |
00:38:33 |
This one I'm staying in. |
00:38:40 |
Don't fuck with me, boy. |
00:38:43 |
No, Nokes... |
00:38:45 |
you fuck with me. |
00:38:48 |
I'm asking you. |
00:38:56 |
You're eatin' into my shift. |
00:39:00 |
I'll get out of your way for now. |
00:39:05 |
I'll take what I can get. |
00:39:09 |
You boys get off your knees. |
00:39:23 |
It's a tragedy. |
00:39:27 |
I don't understand you boys. |
00:39:29 |
I don't think you know |
00:39:31 |
You gotta have rules |
00:39:34 |
Now, I don't know what it was like |
00:39:37 |
but in my house, with my father, |
00:39:41 |
and if you... you didn't follow |
00:39:45 |
You had rules, |
00:39:49 |
Sometimes it wasn't nice, |
00:39:52 |
We sure did learn. |
00:39:55 |
Yeah, right around there to the right. |
00:40:04 |
I mean, it's a simple thing, really. |
00:40:06 |
You got rules, |
00:40:09 |
That's the beginning of the story, |
00:40:19 |
- Do we understand each other? |
00:40:21 |
Face the wall. |
00:40:26 |
You too. |
00:40:31 |
Now, we got interrupted earlier |
00:40:34 |
but there's no one |
00:40:47 |
What do you want? |
00:40:50 |
A blow job. |
00:40:53 |
Face the wall! |
00:40:59 |
Down on your knees. |
00:41:04 |
Face the wall. Face it! |
00:41:22 |
There are no clear pictures |
00:41:25 |
I buried it as deep |
00:41:29 |
What I remember most clearly |
00:41:31 |
was that it was my 14th birthday... |
00:41:34 |
and the end of my childhood. |
00:41:45 |
Early in my stay, I'd written |
00:41:48 |
I couldn't look at my father |
00:41:50 |
all that had happened to me. |
00:41:52 |
Michael had done the same with |
00:41:55 |
Tommy's mother couldn't |
00:41:58 |
John's mother |
00:42:03 |
But no one could stop |
00:42:07 |
So listen, let's try to keep this |
00:42:11 |
Nokes warned us not to say anything |
00:42:14 |
If we did, |
00:42:31 |
You lost a few pounds. |
00:42:33 |
It's not exactly home cookin'. |
00:42:36 |
Sit down. |
00:42:38 |
So, I get to see |
00:42:41 |
I loved Father Bobby, |
00:42:45 |
I was afraid he'd look right through me, |
00:42:48 |
right through to the truth. |
00:42:49 |
Shakes, is there anything |
00:42:54 |
Anything at all? |
00:42:56 |
You shouldn't come here |
00:43:01 |
I appreciate it and all. |
00:43:04 |
I don't think it's |
00:43:29 |
I stopped off at Attica today on my way |
00:43:33 |
You have any friends not in jail? |
00:43:37 |
Not as many as I would like. |
00:43:40 |
What's he in for? |
00:43:43 |
Triple murder. |
00:43:44 |
He killed three men |
00:43:48 |
- And he's a good friend? |
00:43:53 |
We hung out together. |
00:43:55 |
We were close, |
00:44:09 |
We were both sent up here. |
00:44:14 |
That's right. |
00:44:18 |
And it wasn't easy. |
00:44:20 |
Just like it's not easy |
00:44:25 |
This place killed him. |
00:44:27 |
Made him not care anymore. |
00:44:33 |
Don't let this place |
00:44:36 |
Don't let it make you think |
00:44:40 |
I gotta go, Father. |
00:44:49 |
I'll see you in the Kitchen, hmm? |
00:44:53 |
I'm counting on you now. |
00:44:56 |
Wipe the tears off your face. |
00:44:59 |
Don't let 'em see you crying. |
00:45:01 |
Don't give them the satisfaction. |
00:45:06 |
You'll be out of here |
00:45:11 |
You're gonna be okay. |
00:45:19 |
I didn't want to let him go. |
00:45:21 |
I never felt as close to anyone |
00:45:31 |
A number of the inmates, |
00:45:34 |
would often cry themselves |
00:45:37 |
There were other cries too. |
00:45:39 |
These differed from those |
00:45:42 |
They were low and muffled... |
00:45:44 |
the sounds of pained anguish. |
00:45:46 |
Those cries can change |
00:45:49 |
They are cries that, once heard, |
00:45:53 |
On this one night, those cries |
00:45:56 |
when Ralph Ferguson paid him a visit. |
00:46:14 |
I was expecting to read |
00:46:17 |
There were only six for me to read. |
00:46:19 |
Which means I'm missing how many? |
00:46:22 |
Man, this is English class. |
00:46:29 |
Now, I want to help you. |
00:46:32 |
or you may not care, |
00:46:41 |
- You got a second? |
00:46:44 |
No. You did a great job |
00:46:49 |
You really seemed to like the book. |
00:46:52 |
It's my favorite. I liked it more |
00:46:55 |
Why is that? |
00:46:58 |
It's like he wouldn't |
00:47:02 |
Took what he had to take... |
00:47:04 |
the beatings, insults and whatever... |
00:47:07 |
and he learned from it. |
00:47:09 |
Then when the time came for him |
00:47:13 |
- You admire that? |
00:47:18 |
You... You got a copy |
00:47:20 |
I got the Classics Illustrated comic. |
00:47:23 |
No, it's not the same thing. |
00:47:25 |
Listen, I gotta go. |
00:47:27 |
Wait, wait, wait. One minute, one |
00:47:32 |
- Thought you might like to have it. |
00:47:35 |
Well, you loved the book that much, |
00:47:39 |
- I can't pay you. |
00:47:42 |
- You've gotten gifts before, |
00:47:45 |
Well, it's my way of saying thanks. |
00:47:48 |
For what? |
00:47:50 |
That somebody listens, |
00:47:53 |
- You're a good teacher, Mr. Carlson... |
00:47:55 |
we can discuss the book |
00:47:57 |
think the count |
00:47:59 |
He's got a shot. |
00:48:01 |
Any particular section |
00:48:03 |
That's easy. The part |
00:48:19 |
Here you go, little star. |
00:48:28 |
It was only a game... |
00:48:30 |
just a touch football game, |
00:48:33 |
but a game I wish |
00:48:36 |
- Hut, hut. |
00:48:38 |
The guards practiced |
00:48:40 |
- Our team was picked |
00:48:43 |
- We had a two-hour practice. |
00:48:46 |
- Didn't matter much. |
00:48:47 |
We weren't supposed to win. |
00:48:49 |
We were just supposed to show up. |
00:48:51 |
Who's the toughest guy out here? |
00:48:53 |
How do you mean "tough"? |
00:48:55 |
- Who can talk and have everyone listen? |
00:48:57 |
Black kid over there. |
00:49:00 |
Michael saw an opening... |
00:49:02 |
a chance to bring the game to our level, |
00:49:05 |
But he needed help. |
00:49:08 |
Black kid with an Italian name. |
00:49:10 |
With Rizzo on our side, |
00:49:14 |
Look, white boy, I don't know what |
00:49:17 |
But in here the guards call the play, |
00:49:20 |
- Why? |
00:49:23 |
Guards steer clear of me, all right? |
00:49:26 |
If I play in a game |
00:49:28 |
that might change my cushion. |
00:49:30 |
I'm not saying we gotta win. |
00:49:33 |
We do every day. |
00:49:36 |
'Cause on Saturday |
00:49:40 |
Really. |
00:49:41 |
They don't fuck with you like they do |
00:49:44 |
You're just an animal to 'em. |
00:49:46 |
- I don't give a fuck. |
00:49:49 |
And beating them on Saturday |
00:49:53 |
- Then why, white boy? Why? |
00:49:57 |
just for a couple of hours. |
00:50:00 |
Now, don't try anything funny, Sambo. |
00:50:02 |
Nobody'll get hurt. |
00:50:05 |
- I call heads. |
00:50:08 |
He called heads. |
00:50:12 |
- Let's go. |
00:50:23 |
You're gonna die, motherfucker. |
00:50:30 |
- You all right? |
00:50:36 |
None of you motherfuckers |
00:50:39 |
We got ourselves a game. |
00:50:42 |
This shit feels good. |
00:50:49 |
Hut, hut! |
00:50:56 |
- Fuck! |
00:51:06 |
Yeah! |
00:51:11 |
Yeah, keep smiling, |
00:51:13 |
Yeah. |
00:51:16 |
For 90 minutes, |
00:51:19 |
moved it miles beyond the locked gates |
00:51:21 |
of the surrounding countryside... |
00:51:23 |
and brought it back down to the streets |
00:51:27 |
- For those 90 minutes, |
00:51:39 |
Yeah! |
00:51:46 |
Rizzo! Rizzo! Rizzo! |
00:51:48 |
Rizzo! Rizzo! Rizzo! |
00:51:51 |
Rizzo! Rizzo! Rizzo! |
00:51:53 |
Rizzo! Rizzo! |
00:51:54 |
Rizzo! Rizzo! Rizzo! |
00:51:57 |
Rizzo! Rizzo! |
00:51:59 |
- Rizzo! Rizzo! Rizzo! |
00:52:01 |
Rizzo. |
00:52:03 |
Rizzo. |
00:52:05 |
- Rizzo! Rizzo! Rizzo! |
00:52:09 |
- Good game. |
00:52:12 |
For once, we had a victory. |
00:52:14 |
But it didn't last. |
00:52:18 |
And all I wanted to do was die. |
00:52:21 |
I was not alone in the hole. |
00:52:23 |
I knew my friends were |
00:52:26 |
each in his own cell |
00:52:28 |
suffering his own demons. |
00:52:30 |
Rizzo was there too. |
00:52:34 |
I had lost any sense of time. |
00:53:15 |
I thought you'd never wake up. |
00:53:17 |
I thought I'd never want to. |
00:53:19 |
John and Tommy |
00:53:23 |
How are they? |
00:53:26 |
They're alive. |
00:53:28 |
Who isn't? |
00:53:32 |
Rizzo. |
00:53:35 |
They killed him? |
00:53:38 |
They took turns beating him... |
00:53:40 |
until there was |
00:53:47 |
Rizzo was dead because of us. |
00:53:50 |
We made him think that |
00:53:51 |
in a meaningless football game |
00:53:55 |
that it would give us |
00:53:58 |
Once again, we were wrong. |
00:54:02 |
- They give you your release date yet? |
00:54:06 |
Waved it in front of me |
00:54:09 |
When do you figure? |
00:54:11 |
I don't know. End of spring, |
00:54:14 |
I wish we were comin' with ya. |
00:54:17 |
Would've been nice for all of us |
00:54:20 |
No use thinking about that. We're gonna |
00:54:26 |
When I get out, I could get Father Bobby |
00:54:29 |
- Shave a month or two off. |
00:54:32 |
There's a lot to talk about. |
00:54:34 |
Maybe if people knew what was |
00:54:37 |
I don't want anybody to know. |
00:54:39 |
Not Father Bobby, King Benny, |
00:54:43 |
not my mother, nobody. |
00:54:47 |
Yeah, I don't either. I mean... |
00:54:49 |
I wouldn't know what to say |
00:54:51 |
I can't think of anybody |
00:54:54 |
I mean, either |
00:54:56 |
or they won't give a shit. |
00:54:58 |
Yeah, I don't even think we should |
00:55:03 |
We got no choice |
00:55:05 |
and talking makes living it harder... |
00:55:08 |
so we might as well |
00:55:11 |
The truth stays with us. |
00:55:15 |
I wanna be able |
00:55:18 |
and not have to worry |
00:55:21 |
what's gonna happen to me. |
00:55:25 |
If I can get that... |
00:55:28 |
then I'll be happy. |
00:55:32 |
Someday, John. Promise. |
00:55:51 |
I was in my last hours as an inmate |
00:55:55 |
I was given four copies |
00:55:57 |
The final reminder |
00:56:01 |
I never heard the key |
00:56:04 |
and I never heard |
00:56:07 |
You should be asleep. |
00:56:10 |
I just wanted to say good-bye. |
00:56:13 |
We all did. |
00:56:16 |
I told him... |
00:56:18 |
I said, "I don't care |
00:56:20 |
I'm not working |
00:56:22 |
- Yeah, but you put in for it? |
00:56:24 |
'Cause I put in for it, |
00:56:27 |
I come in early three days. |
00:56:31 |
A part of all of us |
00:56:34 |
A night that will never |
00:56:37 |
The night ofJune 1, 1968. |
00:56:40 |
The Summer of Love. |
00:56:43 |
Our last night |
00:57:29 |
At 8:25 p.m., two men |
00:57:32 |
The bartender knew their faces... |
00:57:34 |
as most of the neighborhood |
00:57:36 |
They were two of the founding members |
00:57:39 |
They were also its deadliest. |
00:57:42 |
The blond-haired man... |
00:57:43 |
had been in and out of jail |
00:57:45 |
He robbed and killed at will, |
00:57:48 |
He's presently a suspect |
00:57:52 |
He was an alcoholic and cocaine abuser |
00:57:55 |
He once shot a mechanic dead |
00:58:00 |
The dark-haired man |
00:58:02 |
and had committed his first murder |
00:58:05 |
In return he was paid $50. |
00:58:08 |
He drank and he did drugs... |
00:58:09 |
and he had a wife he never saw |
00:58:15 |
Making a noble attempt |
00:58:18 |
- The Republicans will take the House. |
00:58:22 |
- It's gonna take more than four years... |
00:58:25 |
He's got the charisma. |
00:58:28 |
He's our man. Reagan's... |
00:58:30 |
He's gonna... |
00:58:32 |
Hey, Jerry. |
00:58:35 |
They're talkin' |
00:58:39 |
Order those two men some drinks |
00:58:42 |
- And Jerry. |
00:58:44 |
You tell them that Republicans |
00:58:46 |
and either a political conversion |
00:58:50 |
Sure thing. |
00:58:55 |
- Gentlemen. |
00:58:58 |
The gentleman there would like |
00:59:01 |
You know the rules. |
00:59:05 |
You get my meaning? |
00:59:23 |
Order something for me. |
00:59:55 |
Can I help you |
00:59:58 |
Not right now. |
01:00:01 |
Enjoy the rest of your meal. |
01:00:42 |
You know what the divorce rate was |
01:00:46 |
l, uh... I ordered the brisket |
01:00:50 |
And, uh, two baskets of soda bread. |
01:00:55 |
That okay by you? |
01:00:59 |
Take a look at the guy at the table. |
01:01:13 |
Motherfucker. |
01:01:40 |
- That's him. |
01:01:46 |
Bingo. |
01:02:11 |
- This is amazing. |
01:02:17 |
Who the fuck are you guys? |
01:02:20 |
Hey. Who the fuck |
01:02:24 |
I thought you'd be happy to see us. |
01:02:29 |
You know, I thought |
01:02:31 |
You know, with all that training, |
01:02:35 |
just to end up watchin' |
01:02:37 |
That seems like a waste. |
01:02:38 |
I'm askin' y'all for the last time. |
01:02:40 |
Why don't you take your time? |
01:02:48 |
- I could see how he might forget us. |
01:02:50 |
You know, we were just somethin' |
01:02:53 |
It's a little harder |
01:02:55 |
You gave us |
01:03:01 |
Can't quite place us, |
01:03:02 |
Let me help you out. |
01:03:04 |
You're lookin' atJohn Reilly |
01:03:13 |
Oh, yeah. |
01:03:18 |
Yeah, that's right. |
01:03:25 |
It was a long time ago. |
01:03:30 |
- So how ya been? |
01:03:33 |
Yeah. So what do ya want? |
01:03:36 |
What I've always wanted |
01:03:43 |
Oh, you ordered the meat loaf. |
01:03:48 |
The brisket's really good here, |
01:03:52 |
You fucked up. |
01:04:06 |
Nah, you were |
01:04:09 |
Both of youse. |
01:04:11 |
All of youse. |
01:04:14 |
Scared shitless, but l... |
01:04:18 |
I tried to make you tough. |
01:04:20 |
- I tried to make you hard. |
01:04:23 |
All this time I thought you just liked |
01:04:26 |
You two motherfuckers |
01:04:29 |
- You're gonna burn in hell. |
01:04:37 |
Did that hurt, Nokes? |
01:05:14 |
Jerry. Sorry. Should've made |
01:05:24 |
Jesus! |
01:05:30 |
- John Reilly, how do you plead? |
01:05:34 |
Thomas Marcano? |
01:05:36 |
Not guilty, Your Honor. |
01:05:38 |
John Reilly and Thomas Marcano... |
01:05:40 |
you are hereby held |
01:05:42 |
In all the years |
01:05:44 |
we had never once spoken to each other |
01:05:48 |
We remained caring friends... |
01:05:50 |
but the relationship |
01:05:52 |
We drifted together... |
01:05:54 |
always wondering |
01:05:57 |
that would force us |
01:06:12 |
One down, Shakes. |
01:06:14 |
One down. |
01:06:17 |
One what? |
01:06:20 |
One Sean Nokes. |
01:06:23 |
Nokes? |
01:06:33 |
At the time of Nokes's shooting... |
01:06:34 |
Michael was working as an assistant |
01:06:37 |
I got a call that he wanted to meet me |
01:06:41 |
Then he hung up. |
01:06:45 |
Hey. So what'd they say? |
01:06:47 |
- What? |
01:06:49 |
It's a little cloak-and-dagger, |
01:06:51 |
Come on, man. Nokes. |
01:06:55 |
- John did. |
01:06:58 |
What'd he say? |
01:06:59 |
He said, "One down, Shakes. |
01:07:05 |
Heard they hired Danny Snyder |
01:07:07 |
It's temporary. King Benny's |
01:07:09 |
No, no, no, no. Don't let him do that. |
01:07:12 |
- Perfect? The guy's a fall-down drunk. |
01:07:15 |
Perfect for what? |
01:07:21 |
You coverin' this story |
01:07:22 |
- Me? |
01:07:25 |
Ask me what movie's playing |
01:07:27 |
I'm lucky they let me |
01:07:33 |
Get some coffee? |
01:07:35 |
Let's take a walk. |
01:07:46 |
I'm gonna prosecute |
01:07:49 |
- What? Are you fuckin' nuts? |
01:07:53 |
You should stay home tomorrow. |
01:07:54 |
Call in sick |
01:07:56 |
I'm not takin' this case to win. |
01:07:59 |
I'm takin' this case to lose. |
01:08:01 |
What does that mean? |
01:08:05 |
It means it's payback time. |
01:08:07 |
Look. John and Tommy started this. |
01:08:12 |
It's messy, |
01:08:14 |
but here it is. |
01:08:17 |
You and l, we can finish it. |
01:08:20 |
Finish what, Mikey? |
01:08:24 |
You read |
01:08:27 |
I don't know. |
01:08:30 |
See, I read a little bit of it |
01:08:34 |
I read words like "revenge." |
01:08:40 |
Payback time. |
01:08:43 |
It's our time. |
01:08:45 |
What are you sayin', Mike? |
01:08:47 |
I'm sayin' it's time for all of us |
01:08:52 |
I'm sayin' it's time |
01:08:56 |
Let's walk. |
01:09:00 |
So I asked for the case. |
01:09:02 |
Told 'em I was from |
01:09:04 |
Knew the mentality of the area. |
01:09:06 |
They bought it. |
01:09:08 |
And the connection |
01:09:10 |
What connection? All juvenile records |
01:09:14 |
We were never at Wilkinson's. |
01:09:19 |
We gotta go after the guards. |
01:09:23 |
Bring it all down. |
01:09:24 |
Adam Styler. Plainclothes cop, |
01:09:27 |
Known to shake down dealers |
01:09:29 |
He's got a cocaine problem. |
01:09:33 |
Henry Addison. Now works for the mayor, |
01:09:36 |
He's a community outreach director |
01:09:38 |
Sexual habits haven't changed. |
01:09:42 |
Ralph Ferguson. Works in |
01:09:46 |
How long you been |
01:09:47 |
Recently divorced, |
01:09:48 |
and on weekends |
01:09:51 |
Seems clean, then. Right? |
01:09:53 |
That's exactly why |
01:09:55 |
Plan is to call Ferguson in |
01:09:58 |
Get him talkin' |
01:10:01 |
Once I got him on the stand, |
01:10:05 |
Mike... |
01:10:08 |
Sure you wanna go this way? |
01:10:13 |
I mean, we buried this |
01:10:17 |
You still sleep |
01:10:24 |
John and Tommy? You want them |
01:10:27 |
Nah. It'll play better in court |
01:10:41 |
A "not guilty" verdict... |
01:10:42 |
had to be a verdict that no one |
01:10:44 |
Danny Snyder was to remain |
01:10:49 |
Michael's plan relied heavily |
01:10:51 |
to deliver information |
01:10:53 |
Both were skills |
01:10:56 |
We'd set up a simple |
01:10:58 |
If Michael was sending, |
01:11:00 |
for me to call |
01:11:03 |
If I needed |
01:11:05 |
I would have |
01:11:07 |
pick up an early edition |
01:11:09 |
write "Edmund" in the upper right |
01:11:12 |
and drop it |
01:11:19 |
For this plan to succeed, |
01:11:21 |
and the only people |
01:11:23 |
The plan depended |
01:11:25 |
which meant that word had to get |
01:11:27 |
that he was not an open target. |
01:11:29 |
After this night, Michael |
01:11:33 |
The only time we would see him |
01:11:35 |
- That's it? |
01:11:38 |
We got four witnesses who saw |
01:11:41 |
I gotta get that number down. |
01:11:42 |
- I'll talk to King Benny. |
01:11:45 |
I can handle two, but, uh... |
01:11:47 |
you gotta get us |
01:11:49 |
- One what? |
01:11:51 |
A witness |
01:11:53 |
somewhere else |
01:11:55 |
A witness they can't touch. |
01:11:58 |
- Don't they got a name for that? |
01:12:02 |
Nice. And what are we callin' it? |
01:12:05 |
A favor. |
01:12:09 |
Get up! Come on! |
01:12:14 |
- Tony? |
01:12:16 |
Bring Danny Snyder to see me. |
01:12:18 |
- Danny Snyder the lawyer? |
01:12:21 |
- No, King. |
01:12:42 |
I can't do this now, |
01:12:44 |
It's been a long time for me. |
01:12:48 |
You need somebody younger. |
01:12:52 |
Younger is not better. |
01:12:54 |
Doesn't have experience, doesn't |
01:12:57 |
Hey, I'm lucky |
01:13:01 |
I had only four cases last year. |
01:13:03 |
You know how many I won? |
01:13:05 |
None. That's how many. None. |
01:13:09 |
In two of them, l-l, uh... |
01:13:11 |
I think the, uh, the jury |
01:13:14 |
They must have been innocent. |
01:13:17 |
It's tough to get innocent men |
01:13:20 |
I wasn't even planning |
01:13:22 |
I was just gonna plead it down |
01:13:25 |
I wasn't... I wasn't planning |
01:13:28 |
Well, your plans have been changed. |
01:13:31 |
Well, I am afraid that I'll make |
01:13:34 |
and, you know, uh, uh, uh, |
01:13:38 |
and you don't wanna take that risk. |
01:13:39 |
- Life is risk. |
01:13:42 |
- Life is risk. |
01:13:46 |
- Mm-hmm. |
01:13:50 |
I haven't been in here before. |
01:13:53 |
- What do you need me to do? |
01:13:55 |
You're gonna be given |
01:14:00 |
All you have to do is read. |
01:14:02 |
You can read, can't you? |
01:14:04 |
Uh, is it, uh, it's... |
01:14:06 |
Just don't drift, don't drink, |
01:14:10 |
What if I do lose? |
01:14:11 |
Then you go down |
01:14:14 |
Never heard that expression before. |
01:14:18 |
Dirt nap. |
01:14:21 |
I'm not really |
01:14:24 |
I mean, a guy gets hit by a bus, |
01:14:27 |
l-I like that. |
01:14:28 |
Some lady, uh, slips in a supermarket. |
01:14:31 |
- I'm with her. A guy... |
01:14:34 |
I'm an alcoholic. This is a murder case. |
01:14:38 |
- It was once. |
01:14:40 |
Before you let the drink lead. |
01:14:43 |
Be sober by tomorrow... |
01:14:45 |
and don't look so worried, Snyder. |
01:14:47 |
You got nothing to lose, |
01:14:50 |
I don't want to be a burden to you, |
01:14:55 |
Or along with my alcohol problem, |
01:14:58 |
I mean, n-nothing big, just... |
01:15:00 |
Go away. |
01:15:11 |
Within days |
01:15:13 |
the West Side Boys |
01:15:16 |
The king requested that the verbal abuse |
01:15:20 |
Cries of"traitor" and "gutter rat" |
01:15:23 |
but there was never |
01:15:25 |
The hit on Michael Sullivan, |
01:15:28 |
could only come from King Benny. |
01:15:30 |
The underground word... |
01:15:32 |
had spread through the streets |
01:15:39 |
King Benny's sleepers |
01:15:42 |
"Sleepers" was a street name... |
01:15:44 |
for anyone who spent time |
01:15:55 |
Hey! You gonna pay for that, |
01:15:58 |
I need your help, Fat Man. |
01:16:03 |
- King Benny been to see you? |
01:16:05 |
What a fucking thing |
01:16:08 |
You have a drunk lawyer |
01:16:10 |
a kid lawyer on the other... |
01:16:12 |
Fucking paperboy |
01:16:16 |
There are four sets of eyeballs |
01:16:19 |
Meanwhile, the two on trial |
01:16:22 |
Fucking General Custer |
01:16:25 |
There's no connection |
01:16:27 |
The cops think |
01:16:28 |
It's just we need you |
01:16:30 |
Dude, you get caught on this, |
01:16:34 |
I'm talking real jail. |
01:16:38 |
Hey, Mike. |
01:16:43 |
They are not good boys anymore. |
01:16:46 |
They're killers now. |
01:16:48 |
Cold as stone. |
01:16:50 |
I know. |
01:16:52 |
I know what they were |
01:16:53 |
And it's not about that. |
01:16:55 |
It's not worth it, |
01:16:57 |
just to get even. |
01:17:00 |
You and the lawyer |
01:17:02 |
to get out the right way. |
01:17:03 |
There's no choice. |
01:17:10 |
On occasion, |
01:17:12 |
She still lived in the neighborhood and |
01:17:16 |
Her concern for us |
01:17:19 |
Whenever we went out as a group... |
01:17:20 |
Carol would walk between Michael |
01:17:25 |
in step between |
01:17:27 |
Mug me or marry me, Shakes. |
01:17:29 |
I'm too tired for anything else. |
01:17:32 |
Would you settle |
01:17:35 |
If that's your best offer. |
01:17:39 |
I'll throw in a hug and a kiss. |
01:17:41 |
Deal. |
01:17:48 |
- You look tired. |
01:17:51 |
They don't give you time to sleep |
01:17:53 |
What a very special time for me |
01:17:58 |
So how much do you know? |
01:18:00 |
Just what the neighborhood says... |
01:18:03 |
or what I read |
01:18:05 |
What does the neighborhood say? |
01:18:07 |
That they're gonna |
01:18:09 |
That their best friend's |
01:18:11 |
- You believe that? |
01:18:14 |
Unless we all have it wrong. |
01:18:16 |
He did take the fuckin' case. |
01:18:18 |
- He did take the case. |
01:18:23 |
You know Michael very well. |
01:18:25 |
Maybe even better than I do. |
01:18:27 |
Yeah, I thought I did. |
01:18:30 |
- You do know. |
01:18:32 |
He went in there |
01:18:34 |
Now you tell me. |
01:18:37 |
The best kind. |
01:18:39 |
The kind that'd throw away everything |
01:18:45 |
What are you tellin' me, Shakes? |
01:18:48 |
You know this neighborhood, Carol. |
01:18:50 |
Everything's a shakedown or a scam. |
01:19:00 |
I'm hungry. |
01:19:02 |
I'm gonna get somethin' to eat. |
01:19:05 |
There's this point in Michael... |
01:19:07 |
that you can't go beyond. |
01:19:09 |
I mean, you can try. |
01:19:10 |
I tried... |
01:19:12 |
and he just shut down. |
01:19:15 |
Couldn't touch him. |
01:19:21 |
I thought it was me. |
01:19:25 |
After a while, |
01:19:28 |
- You still love him? |
01:19:32 |
If I did, I'd say "yes." |
01:19:35 |
But you're with John now. |
01:19:36 |
Yeah. As much as anybody |
01:19:43 |
The man I know |
01:19:45 |
None of us are. |
01:19:47 |
But there's somethin' special |
01:19:51 |
You just have to look |
01:19:54 |
Yeah. |
01:19:58 |
Why didn't you ever ask me out? |
01:20:00 |
- Me? |
01:20:03 |
'Cause you were Mikey's girl. |
01:20:07 |
- He got to you first. |
01:20:10 |
- I think it was Tommy's turn. |
01:20:15 |
I don't know. It was, uh... |
01:20:19 |
l-I didn't think |
01:20:27 |
Well, you were wrong, Shakes. |
01:20:31 |
You were wrong. |
01:20:38 |
What? Go ahead, say it. |
01:20:42 |
You work at social services. |
01:20:43 |
You got files... |
01:20:45 |
and from time to time |
01:20:47 |
Yeah. Sure. Whatever. |
01:20:50 |
Wait. What? |
01:20:52 |
What? What do you want? |
01:20:54 |
Y-You want me to get the files, |
01:20:56 |
- No, I didn't want. I didn't... |
01:21:04 |
You still visitJohn? |
01:21:06 |
Yeah. Once a week |
01:21:07 |
- Good. |
01:21:10 |
Yeah, good. Just don't tell him |
01:21:13 |
Don't tell him anything. |
01:21:14 |
The more he thinks this thing's |
01:21:18 |
Shakes, what is this about? |
01:21:22 |
If you want a Rolls-Royce, |
01:21:26 |
You go to England |
01:21:28 |
If you want champagne, |
01:21:30 |
If you need money, |
01:21:33 |
But if you want dirt or scum |
01:21:36 |
or some secret nobody |
01:21:39 |
there's only one place to go... |
01:21:42 |
It is the lost and found of shit. |
01:21:45 |
They lose it and we find it. |
01:21:50 |
Now you only got two witnesses |
01:21:54 |
- Two others changed their minds. |
01:21:58 |
The suits at the bar. |
01:22:01 |
So that still leaves |
01:22:03 |
For now. |
01:22:06 |
Everything else fallin' into place? |
01:22:09 |
Except for your witness. |
01:22:11 |
That pocket's still empty. |
01:22:14 |
I know. |
01:22:19 |
When you were sent away... |
01:22:22 |
I was always sorry |
01:22:32 |
I didn't know |
01:22:35 |
I like anything that don't talk. |
01:22:38 |
Michael's vision of where he wanted |
01:22:41 |
He was aiming for guilty... |
01:22:43 |
a charge of guilty against |
01:22:46 |
against Sean Nokes, Adam Styler, |
01:22:50 |
I will present you evidence and offer |
01:22:54 |
I will place him |
01:22:56 |
I will bring witnesses to the stand |
01:22:59 |
that they were there |
01:23:01 |
I will present enough evidence |
01:23:05 |
and come back with a clear decision |
01:23:09 |
I'm sure you all know what that means, |
01:23:15 |
John. John Reilly... |
01:23:18 |
and Thomas Marcano are two |
01:23:21 |
and just, uh, as, |
01:23:26 |
on the slightest threads of evidence. |
01:23:28 |
On the bright side, |
01:23:42 |
It's nice when you come around. |
01:23:47 |
Hey, bring me another spoon. |
01:23:50 |
- Take it. |
01:24:01 |
So how's work? |
01:24:04 |
I'm still there. |
01:24:09 |
You know, Pop, l, uh... |
01:24:15 |
John and Tommy... |
01:24:16 |
and, uh, suddenly I started |
01:24:20 |
Well, where's the chicken? |
01:24:25 |
So? |
01:24:27 |
Nothin'. |
01:24:32 |
But you're doin' good, right? |
01:24:34 |
Oh, yeah. I'm good. |
01:24:37 |
Good. |
01:25:19 |
- What the hell do these things do? |
01:25:21 |
Just look at all this shit. |
01:25:25 |
- Ain't none of it on the approved list. |
01:25:29 |
My mother |
01:25:30 |
Oh, don't blame us for your fuckin' |
01:25:38 |
When are you gonna let us |
01:25:51 |
Maybe he needs somethin' |
01:25:53 |
Put your hands on the table |
01:25:57 |
Spread your legs. |
01:25:59 |
Start thinkin' up some prayers. |
01:26:11 |
- We don't hear no prayin'. |
01:26:14 |
Blessed art thou among women and |
01:26:18 |
- Pray nice and loud. |
01:26:21 |
Now louder! |
01:26:23 |
Fuckin' pray! Come on now! |
01:26:26 |
- Louder! |
01:26:30 |
Louder, fucker! |
01:26:33 |
Pray till your balls hurt! |
01:26:38 |
Louder! |
01:26:45 |
Sorry I'm late. |
01:26:48 |
I got this idea for a witness, |
01:26:50 |
But I wanted you to come along |
01:26:55 |
- Where are we going? |
01:26:57 |
- Where is it? |
01:26:59 |
No, Shakes. I can't... |
01:27:09 |
How was court today? |
01:27:11 |
Like the first round of a fight... |
01:27:17 |
How did the boys look? |
01:27:19 |
Like they wished |
01:27:22 |
It's the sheep that stray |
01:27:27 |
It's not too late, Father. |
01:27:31 |
We still have a chance to bring in |
01:27:34 |
One more chance. |
01:27:38 |
Is that chance legal? |
01:27:41 |
Last chances never are. |
01:27:43 |
King Benny behind this? |
01:27:46 |
He's in on it, but, uh, |
01:27:50 |
- Who is? |
01:27:54 |
I should've smelled it. |
01:27:57 |
The minute he went for the case, |
01:28:00 |
It's a good plan. |
01:28:03 |
Just about every base you look at, |
01:28:06 |
Not every base. |
01:28:08 |
You're short something, |
01:28:10 |
You don't shit a shitter, right? |
01:28:12 |
That's right. |
01:28:16 |
So what is it? |
01:28:20 |
Witness. We need |
01:28:25 |
and say they were with John and Tommy |
01:28:27 |
So you figured if you had a priest, |
01:28:30 |
Not just any priest. |
01:28:43 |
So you're... |
01:28:47 |
you're asking me... |
01:28:50 |
you're asking me to lie. |
01:28:53 |
You're asking me to swear to God |
01:28:56 |
I'm asking you to save |
01:29:04 |
- Did they kill that guard? |
01:29:08 |
So what they said is true. |
01:29:13 |
Yes. |
01:29:16 |
They killed him exactly like that. |
01:29:21 |
I think I need a drink. |
01:29:25 |
Anyone want a drink? |
01:29:28 |
Yeah. |
01:29:44 |
This is some favor |
01:29:47 |
- We know that. |
01:29:52 |
You said if there was ever |
01:29:55 |
I could come to you, ask you. |
01:29:57 |
I was thinking more |
01:30:02 |
I don't need Yankee tickets, Father. |
01:30:08 |
What about the life that was taken, |
01:30:11 |
To me? Nothing. |
01:30:16 |
Why not? Tell me. |
01:30:25 |
He was a... |
01:30:28 |
He was a guard at Wilkinson's. |
01:30:33 |
All right? |
01:30:34 |
If Father Bobby |
01:30:36 |
he deserved to know |
01:30:38 |
If he wasn't, I trusted that the |
01:30:43 |
I thought that Carol |
01:30:45 |
Jesus Christ, |
01:30:47 |
We weren't that tough. |
01:30:52 |
They held us down. |
01:30:57 |
I told him about the torture, |
01:31:01 |
I told him about |
01:31:03 |
who prayed to Father Bobby's god |
01:31:06 |
I told him everything. |
01:31:08 |
And you can't... |
01:31:10 |
You just took it all. |
01:31:14 |
You'd hear it |
01:31:19 |
You know he wanted to be a priest. |
01:31:33 |
I just sort of blacked out, |
01:31:35 |
is that I couldn't even breathe. |
01:31:39 |
I started to choke... |
01:31:46 |
Then I blacked out. |
01:31:49 |
But I do remember when... |
01:31:52 |
they'd take us down in the basement... |
01:31:54 |
and tie two or three of us |
01:32:15 |
I got a decision to make. |
01:32:21 |
I only pray it's the right one. |
01:32:25 |
It will be, Father, |
01:32:34 |
Good night. |
01:32:43 |
Okay, so you were sitting down, |
01:32:47 |
- And two men entered McHale's, correct? |
01:32:49 |
Did you see the two men |
01:32:53 |
l-I noticed it, yes. |
01:32:55 |
- Did you hear |
01:32:57 |
- Did you see them pull out their guns? |
01:33:00 |
- Did you hear the shots? |
01:33:03 |
And what did they do? What was their |
01:33:09 |
They walked out of McHale's |
01:33:12 |
And at that time, Mrs. Salinas, |
01:33:17 |
Yes. I looked up |
01:33:21 |
- Are you positive? |
01:33:23 |
And are the two men you saw in McHale's, |
01:33:26 |
- Yes, they are. |
01:33:30 |
They're sitting right over there. |
01:33:33 |
Your Honor, will the record reflect |
01:33:36 |
defendants John Reilly and Thomas |
01:33:40 |
- Noted. |
01:33:43 |
Counsel, are you ready to proceed? |
01:33:47 |
Yes, Your Honor, we are. |
01:33:49 |
I just have a few questions. |
01:33:53 |
Uh, you stated that, uh, you |
01:33:57 |
- Is that correct? |
01:33:59 |
Are you sure that's all you had... |
01:34:03 |
- Yes. A bottle of red Chianti. |
01:34:06 |
Had you anything to drink, |
01:34:09 |
- What do you mean, prior? |
01:34:12 |
Maybe did you have anything |
01:34:15 |
- Yes, I did. |
01:34:17 |
I went shopping, and l, um... |
01:34:20 |
I stopped at a place |
01:34:22 |
See, I didn't ask you where you went. |
01:34:26 |
- A martini. |
01:34:30 |
Um, probably some wine. |
01:34:33 |
Yes, and how... Uh, how many, uh, |
01:34:38 |
Um, one-one glass, maybe two. |
01:34:42 |
- Closer to two? |
01:34:46 |
And did you, uh, uh... |
01:34:50 |
It's like pulling teeth. |
01:34:52 |
Uh... |
01:34:54 |
I should've pinned |
01:34:57 |
And, uh, tell me, uh, |
01:35:01 |
Uh... Strike that. Uh... |
01:35:06 |
Uh, uh... |
01:35:11 |
What time, Mrs. Salinas, |
01:35:13 |
Objection, Your Honor. |
01:35:15 |
What Mrs. Salinas did |
01:35:18 |
has nothing to do with what |
01:35:20 |
- How much she had |
01:35:25 |
Mrs. Salinas, what time, |
01:35:28 |
- About 1:30. |
01:35:31 |
It was a while ago. |
01:35:34 |
l-I like to eat |
01:35:37 |
A martini, two glasses of wine |
01:35:39 |
- Is that correct? |
01:35:41 |
And then you had wine at dinner |
01:35:45 |
- Is that right? |
01:35:48 |
How much wine did you have to drink |
01:35:51 |
- Two glasses. |
01:35:54 |
four glasses of wine and a martini |
01:35:58 |
- Is a lot for you to drink? |
01:36:01 |
Uh-huh. Sure. |
01:36:04 |
Uh... And, uh... |
01:36:07 |
had you ever heard a gun fired |
01:36:12 |
No. |
01:36:14 |
Uh, how would you |
01:36:17 |
It's loud, |
01:36:20 |
- Did the sound, uh, frighten you? |
01:36:24 |
Did you close your... |
01:36:28 |
At first, um, until the shooting |
01:36:32 |
Did you think the men who did |
01:36:35 |
Well, l-I really didn't know |
01:36:37 |
l-I just knew |
01:36:40 |
Did you think you might be shot dead |
01:36:45 |
Yes. Yes, I did. |
01:36:47 |
Yet, despite that fear, |
01:36:51 |
you looked at their faces, |
01:36:55 |
- Yes, I did. |
01:36:59 |
- Yes, I did. |
01:37:01 |
Did you really, really look, |
01:37:07 |
I glanced at them when they walked by, |
01:37:10 |
You glanced. You didn't look. |
01:37:15 |
I saw them. |
01:37:17 |
You glanced at them, |
01:37:20 |
You glanced at them through the eyes |
01:37:24 |
who maybe had too much to drink. |
01:37:27 |
Objection, Your Honor. |
01:37:29 |
There is no need, Your Honor. |
01:37:31 |
Thank you, Mrs. Salinas. |
01:37:37 |
It was 6:15 on Sunday morning. |
01:37:40 |
Frank Magcicco worked |
01:37:43 |
He was a first-rate detective with |
01:37:47 |
He was also King Benny's nephew. |
01:37:49 |
Nick Davenport |
01:37:52 |
He was ambitious and wanted |
01:37:55 |
He knew the fastest way up the track |
01:37:57 |
a maximum amount of dirty cops |
01:38:00 |
- Frank, what is this shit? |
01:38:02 |
I'd do what the kid says. |
01:38:05 |
you're gonna be having breakfast |
01:38:07 |
Man, you got a real hard-on |
01:38:10 |
- What's your beef with him? |
01:38:12 |
- I can't wait. |
01:38:15 |
No one knows if I give you |
01:38:17 |
- And I mean nobody. |
01:38:19 |
It fell into my lap, |
01:38:29 |
Christ almighty! |
01:38:37 |
- Got everything in here |
01:38:41 |
- My preference is |
01:38:45 |
This piece of shit's pullin' in about |
01:38:48 |
- Has been for about three years. |
01:38:51 |
- He ain't gonna see five. |
01:38:53 |
That ain't up to me. |
01:38:59 |
Show the jury this. |
01:39:02 |
- Well, what do you got there, Ness? |
01:39:06 |
the body of a drug dealer |
01:39:08 |
was found in an alley |
01:39:10 |
three bullets in his head, |
01:39:12 |
- I'm with you so far. |
01:39:15 |
and these are the shells. |
01:39:17 |
And, uh, what's behind |
01:39:20 |
The prints on the gun |
01:39:26 |
- Hey, do me a favor, would you? |
01:39:29 |
If I ever make it onto your shit list, |
01:39:31 |
Give me a chance to apologize. |
01:39:34 |
So, you need anything else, |
01:39:36 |
- He knows how to get a hold of me. |
01:39:40 |
- The water gets choppy out your way. |
01:39:44 |
Hey, Ness. Did you ever think |
01:39:48 |
And leave the good guys? |
01:40:00 |
The body of Christ. |
01:40:03 |
- The body of Christ. |
01:40:06 |
- The body of Christ. |
01:40:10 |
- The body of Christ. |
01:40:14 |
- The body of Christ. |
01:40:17 |
The body of Chri... |
01:40:27 |
Amen. |
01:40:31 |
The body of Christ. |
01:40:36 |
Michael had done |
01:40:38 |
of an assistant district attorney |
01:40:41 |
He had a forensic expert |
01:40:44 |
of the gun that killed Nokes. |
01:40:46 |
He just never had the murder weapon |
01:40:49 |
and he never gave the jury |
01:40:52 |
The tension of his task, |
01:40:55 |
and the uncertainty about the outcome |
01:40:58 |
- Did you see their faces? |
01:41:01 |
- And they looked at me. |
01:41:04 |
No. They just looked at me |
01:41:06 |
Are you sure the two defendants |
01:41:08 |
I know they killed him. |
01:41:10 |
If the plan worked, |
01:41:13 |
If it failed, the fault |
01:41:16 |
Oh, boy, man! |
01:41:18 |
Father Bobby Carillo, the priest with |
01:41:22 |
remained the key to a plan |
01:41:26 |
Did you turn around, look behind you |
01:41:30 |
- Why-Why didn't you |
01:41:33 |
- Mr. Carson, did the two individuals |
01:41:38 |
Did they threaten anyone in |
01:41:42 |
I didn't see it, but I know it. |
01:41:44 |
If you didn't see the defendants |
01:41:47 |
then how do you know it was |
01:42:11 |
So what's the emergency? |
01:42:17 |
You know, Shakes shouldn't |
01:42:19 |
Hey, nobody sent me. |
01:42:24 |
Why? |
01:42:26 |
Shakes met with Father Bobby |
01:42:29 |
- He hasn't heard from him since. |
01:42:36 |
- What if he doesn't testify? |
01:42:54 |
Ha... Have Shakes talk |
01:42:58 |
Have him tell him the whole story. |
01:43:02 |
- He already has. |
01:43:06 |
l-I wa... I was with him |
01:43:13 |
I heard everything, Michael. |
01:43:25 |
So you know. |
01:43:28 |
Yeah. |
01:43:33 |
If only you'd told me. |
01:43:38 |
l... I think things |
01:43:44 |
If you could've talked. |
01:43:50 |
Maybe... Maybe we... |
01:43:56 |
Maybe... |
01:44:03 |
I don't... |
01:44:18 |
- Spill 'em, you know? |
01:44:20 |
Hey, Shay, how ya doin'? |
01:44:22 |
Oh, man, that diet is working. |
01:44:26 |
- You still have a thing for Doris Day? |
01:44:32 |
You know Lastrega? |
01:44:34 |
Hard to miss a lady |
01:44:37 |
She needs the heads. |
01:44:44 |
Take this to the witch. |
01:44:48 |
- Now, why does she need the heads? |
01:44:51 |
Oh. Wonderful. |
01:44:53 |
Puts them in a bowl |
01:44:56 |
And then? |
01:44:59 |
People get headaches, |
01:45:02 |
She looks into their eyes and tells them |
01:45:07 |
She says a few words, |
01:45:11 |
Once in a while, the person who |
01:45:15 |
This guy Addison, |
01:45:20 |
he quits his job in two weeks. |
01:45:23 |
He don't want nobody to know |
01:45:26 |
He don't want nobody to see pictures |
01:45:30 |
- He knows us? |
01:45:34 |
The boys he buys for parties |
01:45:36 |
Now, Addison makes good money, |
01:45:41 |
- How much does he owe? |
01:45:45 |
- I paid that off. |
01:45:48 |
Addison's debts belong to me now. |
01:45:52 |
- You hate debts. |
01:45:57 |
We're in the dirty end of the field now. |
01:46:00 |
And I like to play alone. |
01:46:05 |
Don't let this change it. Go. |
01:46:19 |
His mother named him Edward Goldenberg |
01:46:24 |
To continue the Hollywood connection, |
01:46:28 |
" Little Caesar" as he made his way up |
01:46:33 |
He had a 12-year-old son in |
01:46:36 |
He named him Rizzo, |
01:46:39 |
who died while in the custody |
01:46:42 |
I want you to give me some money. |
01:46:45 |
All right. I'll play along. |
01:46:50 |
I ain't paying it back. |
01:46:55 |
- This somebody I know? |
01:46:59 |
- Rizzo? |
01:47:03 |
How did he know Rizzo? |
01:47:05 |
Henry Addison was a guard |
01:47:09 |
He was there the same time as Rizzo, |
01:47:16 |
Bip, count out $8,000. |
01:47:20 |
Put it in an envelope. |
01:47:25 |
You, uh, go back |
01:47:30 |
Old men always do. |
01:47:32 |
Ran with the Guineas, |
01:47:35 |
I ran when I could. |
01:47:38 |
Looked good doin' it too. |
01:47:42 |
Gave the business some style, |
01:47:47 |
Made it a call for respect, the way |
01:47:51 |
Always liked that about you. |
01:47:54 |
I'm no help to you. |
01:48:04 |
I'll look up our friend |
01:48:09 |
He owes you something |
01:48:11 |
- Ain't nothin' worth more |
01:48:14 |
What, old man? What's this guy owe |
01:48:19 |
He owes you Rizzo. He's the man |
01:48:32 |
They said he died of pneumonia. |
01:48:35 |
They said. |
01:48:43 |
What is the relevance of this? |
01:48:45 |
So Ralph Ferguson |
01:48:47 |
I don't know, Counsel. |
01:48:51 |
I understand that, Your Honor. Again, |
01:48:55 |
Uh, otherwise, just another name |
01:49:00 |
- Mr. Snyder, any objections? |
01:49:06 |
Your Honor, the prosecution would like |
01:49:35 |
- Good morning, Mr. Ferguson. |
01:49:37 |
I'd like to thank you for coming. |
01:49:41 |
I'm just sorry it had to be |
01:49:44 |
You and the victim, Sean Nokes, |
01:49:47 |
I think your testimony as a character |
01:49:49 |
We were great friends. It would be |
01:49:53 |
- Would you say |
01:49:57 |
- How long did you know each other? |
01:50:02 |
- Did you see each other often? |
01:50:05 |
Weekends, holidays, vacations... |
01:50:10 |
- What kind of man was Sean Nokes? |
01:50:13 |
He was too good to be shot dead |
01:50:17 |
Objection, Your Honor. Statement |
01:50:19 |
- He was asked his opinion. |
01:50:22 |
Please proceed. |
01:50:24 |
Mr. Ferguson, were you aware |
01:50:28 |
Sean Nokes had no enemies. |
01:50:30 |
Thank you, Mr. Ferguson. |
01:50:38 |
What is that, a prison? |
01:50:40 |
No. It's a juvenile facility |
01:50:43 |
And your function was what |
01:50:45 |
Standard stuff... |
01:50:49 |
make sure they got |
01:50:52 |
keep an eye out for trouble, |
01:50:54 |
- Nothing exciting. |
01:50:57 |
allowed to use force to, as you put it, |
01:51:01 |
Wh-What? |
01:51:04 |
- Were you allowed to hit them? |
01:51:07 |
Were any of the boys |
01:51:10 |
at any time at the Wilkinson Home? |
01:51:13 |
Yeah, I'm sure that something |
01:51:15 |
It was a... It was a big place. |
01:51:19 |
Sure. Let's narrow |
01:51:21 |
Did you or Mr. Nokes ever hit |
01:51:24 |
at the Wilkinson Home for Boys? |
01:51:34 |
Would you like me to repeat |
01:51:37 |
No. |
01:51:40 |
Then answer it, please. |
01:51:43 |
A few of the boys who we considered |
01:51:46 |
- Uh, were hit on occasion. |
01:51:50 |
- I don't know what you mean? |
01:51:52 |
Open hand? Kick? Baton, maybe? |
01:51:56 |
It depended on what |
01:51:59 |
- Who determined that situation? |
01:52:02 |
That's a lot of power to have |
01:52:04 |
- It came with the job, sir. |
01:52:17 |
Boys were tortured, |
01:52:19 |
Define torture? |
01:52:22 |
Well, let's define torture. |
01:52:25 |
Uh, cigarette burning, |
01:52:31 |
solitary confinement |
01:52:36 |
- Would you say that took place? |
01:52:39 |
- Who tortured them? |
01:52:42 |
Which guards? |
01:52:45 |
I don't... |
01:52:49 |
Remember one. |
01:52:52 |
Mr. Ferguson, remember one. |
01:52:59 |
Remember one. |
01:53:02 |
Mr. Fergu... |
01:53:05 |
Let me ask you this, Mr. Ferguson. |
01:53:07 |
Counsel, this line of questioning |
01:53:10 |
- It will, Your Honor. |
01:53:13 |
Yes, sir. Uh, Mr. Ferguson, |
01:53:17 |
at the Wilkinson Home for Boys? |
01:53:22 |
Was there ever any sexual abuse |
01:53:28 |
- Yes. I heard that there was. |
01:53:31 |
I'm asking what you saw. |
01:53:36 |
- Please push the door closed. |
01:53:39 |
- No! |
01:53:43 |
Did you and Sean Nokes ever |
01:53:48 |
Did you and Sean Nokes ever rape |
01:53:59 |
Counselors, approach. |
01:54:14 |
I just fucked your little friend Johnny. |
01:54:16 |
Counselor, what the hell |
01:54:21 |
I guess I called |
01:54:23 |
Counselor, I've given you wide latitude |
01:54:26 |
- Now it's blown up in your face. |
01:54:30 |
- Oh, you're gonna like it. |
01:54:35 |
Mr. Ferguson, |
01:54:37 |
- Please, Ferguson... |
01:54:40 |
- And remember something... |
01:54:43 |
- I like it nice and slow. |
01:54:48 |
Would your ex-wife ever leave |
01:54:52 |
- My child? |
01:54:54 |
In other words, would your ex-wife |
01:54:57 |
- With-with-with your child? |
01:55:00 |
There would be no reason |
01:55:03 |
- It wouldn't come up. |
01:55:05 |
Didn't she ever voice any concern... |
01:55:09 |
explaining why she would never |
01:55:14 |
- Alone with your son? |
01:55:16 |
- Objection. |
01:55:18 |
Did you ever rape one of the boys |
01:55:21 |
- Sean Nokes. Did he... Did he... |
01:55:25 |
- From your ex-wife... |
01:55:37 |
Yes. |
01:55:49 |
Yes? |
01:55:55 |
Yes, what? |
01:56:01 |
Yes, Sean Nokes |
01:56:08 |
- Were you there? |
01:56:12 |
Did you observe these experiences? |
01:56:15 |
Yes. |
01:56:18 |
Did you more than observe? |
01:56:21 |
I was drinking and... |
01:56:25 |
Were there any other guards around |
01:56:30 |
Yes. |
01:56:33 |
- With you and Mr. Nokes? |
01:56:36 |
- On more than one occasion? |
01:56:43 |
Yeah. |
01:56:51 |
Mr. Ferguson, do you still think |
01:56:56 |
He was my friend. |
01:57:00 |
A friend who raped and abused boys |
01:57:15 |
I have no further questions. |
01:57:22 |
I want this to be over. |
01:57:26 |
I want this to be over. |
01:57:31 |
Witness is excused. |
01:57:34 |
Mr. Ferguson. |
01:57:37 |
Mr. Ferguson... |
01:57:40 |
if I were you, I wouldn't stray |
01:57:43 |
People will want to talk to you. |
01:57:48 |
Michael continued to swim both ends |
01:57:52 |
Playing prosecution and |
01:57:55 |
and still keptJohn and Tommy's |
01:58:00 |
Little Caesar, who always kept |
01:58:05 |
called in the Henry Addison loan. |
01:58:08 |
It was a loan Addison |
01:58:11 |
and it gave Little Caesar |
01:58:44 |
Davenport wasted little time |
01:58:48 |
He was quickly arrested |
01:58:52 |
and eight counts |
01:58:56 |
Twenty-three, please... |
01:59:08 |
That's six for me, two for you. |
01:59:13 |
See, most people |
01:59:16 |
It's easier to see the ball |
01:59:18 |
- Yeah. |
01:59:26 |
You're gonna have a heart attack, |
01:59:30 |
Yeah, well, I'm not going |
01:59:35 |
John and Tommy smell something. |
01:59:39 |
A spick be living in the White House |
01:59:43 |
Snyder came through big. |
01:59:46 |
The way you told it, I thought |
01:59:48 |
Oh, no. He's a drunk, |
01:59:50 |
We only win |
01:59:54 |
Then you'll have to get them |
01:59:56 |
You have to put them someplace else. |
02:00:00 |
And he's doing a Claude Rains so far. |
02:00:03 |
What if he doesn't show? What if we |
02:00:08 |
The street is the only one that matters. |
02:00:11 |
with suits, money, |
02:00:15 |
If you got cash, |
02:00:17 |
But on the street, |
02:00:20 |
She's blind where the judge sits, |
02:00:24 |
Out here, the bitch got eyes. |
02:00:27 |
We need both. |
02:00:30 |
Then you need a witness. |
02:01:16 |
Ladies and gentlemen of the jury... |
02:01:19 |
you are to disregard the testimony |
02:01:22 |
His entire testimony |
02:01:25 |
That concludes the people's case, |
02:01:27 |
- People rest? |
02:01:29 |
- Is the defense ready to proceed? |
02:01:34 |
Uh, Your Honor, I don't, uh... |
02:01:38 |
- You don't know? |
02:01:41 |
- We're waiting, uh... |
02:01:43 |
present a witness |
02:01:46 |
9:00 a.m. |
02:02:07 |
- Everything good? |
02:02:09 |
- Good. I like to hear that. |
02:02:42 |
- You're late. |
02:02:49 |
Your Honor, the defense calls |
02:03:00 |
Father, do you know |
02:03:02 |
- I know all the people in my parish. |
02:03:07 |
- Yes, I do. |
02:03:10 |
Since they were boys. |
02:03:13 |
- Remain standing. |
02:03:15 |
- It'll be 20 years this spring. |
02:03:18 |
- I'm a priest. |
02:03:21 |
of the state of New York |
02:03:24 |
Do you swear the evidence |
02:03:26 |
the whole truth and nothing |
02:03:31 |
I do. |
02:03:37 |
Father, do you recall, uh, |
02:03:42 |
- Yes, I do. |
02:03:45 |
I was at the basketball game at the |
02:03:49 |
And, uh, when |
02:03:54 |
- About 7:30. |
02:03:57 |
- Between 9:30 and 10:00. |
02:04:01 |
Sad to say, it was the Celtics. |
02:04:05 |
were a little too much for our boys that |
02:04:08 |
Well, next time, give me a call. |
02:04:11 |
I'll try that. |
02:04:15 |
Father Carillo, |
02:04:18 |
- No. I went there with two friends. |
02:04:24 |
John Reilly and Thomas Marcano. |
02:04:28 |
- The two defendants? |
02:04:32 |
Father Carillo, at 8:25 p. M... |
02:04:35 |
the time the police say |
02:04:39 |
were you still with Mr. Reilly |
02:04:42 |
- Yes, I was. |
02:04:45 |
Mr. Reilly and Mr. Marcano |
02:04:49 |
It was around 10:30, |
02:04:53 |
They dropped me off |
02:04:55 |
near where they had picked me up. |
02:04:57 |
Did the two defendants |
02:05:00 |
No, they didn't. But I imagine |
02:05:02 |
they went looking for the first |
02:05:05 |
So, then, Father, |
02:05:08 |
were with you at 8:25 |
02:05:11 |
they couldn't have shot and killed |
02:05:15 |
Isn't that correct? |
02:05:17 |
Not unless they shot him |
02:05:19 |
No. No. |
02:05:26 |
Then he was not shot |
02:05:30 |
No further questions, Your Honor. |
02:05:33 |
- Your witness, Mr. Sullivan. |
02:05:41 |
Did you buy the tickets for the game, |
02:05:43 |
- No. I bought them. |
02:05:45 |
I went to the box office |
02:05:48 |
Uh, did anyone know |
02:05:50 |
I don't think so. |
02:05:52 |
- Was anyone with you |
02:05:55 |
- No one saw you buy the tickets? |
02:05:58 |
- Did you get a receipt? |
02:06:00 |
- Pay by check, MasterCard, Visa? |
02:06:05 |
I usually pay for things in cash. |
02:06:09 |
You care for the boys in your parish, |
02:06:11 |
Very much. |
02:06:13 |
And there isn't anything you |
02:06:16 |
Anything in my power to do, |
02:06:20 |
You're like a father, a good father, |
02:06:24 |
- Something along those lines, yes. |
02:06:27 |
as a good father, you would want |
02:06:30 |
As much as I would want to protect them |
02:06:34 |
- Like a murder? |
02:06:39 |
Let me get this straight then. |
02:06:41 |
No one knew you were going to the game. |
02:06:44 |
No one saw you buy tickets for the game. |
02:06:47 |
You have no receipt for the tickets. |
02:06:51 |
- Yes, that's correct. |
02:06:55 |
How do we know |
02:06:58 |
were at the game |
02:07:01 |
I'm telling you as a witness |
02:07:04 |
Yes, as a priest. |
02:07:08 |
A priest with ticket stubs |
02:07:12 |
and I always keep the stubs. |
02:07:20 |
Do you want to see them? |
02:07:26 |
Uh, why is that, Father? |
02:07:30 |
Because you never know when someone |
02:07:35 |
Has anyone ever questioned |
02:07:38 |
No. No one ever has. |
02:07:51 |
I have no further questions. |
02:07:56 |
Thank you, Father. |
02:08:05 |
I've never recovered from seeing |
02:08:08 |
and lie for us to even |
02:08:12 |
He didn't just testify for them. |
02:08:16 |
and the evil that had lived there |
02:08:19 |
Still, I was sorry he had to do it. |
02:08:27 |
With respect to the charge |
02:08:30 |
do you find the defendant, |
02:08:34 |
- Not guilty. |
02:08:38 |
do you find the defendant, |
02:08:41 |
- Guilty or not guilty? |
02:08:44 |
Thank you very much. |
02:09:07 |
Hi. How are you? |
02:09:10 |
- Yeah. |
02:09:14 |
A lot of relish. |
02:09:18 |
Give him two napkins. |
02:09:24 |
You did good in there, Counselor. |
02:09:28 |
So, what happens to you now? |
02:09:31 |
What happens? I walk away. |
02:09:33 |
I'll wait a few weeks, |
02:09:37 |
and after the way |
02:09:39 |
they won't be in a rush |
02:09:44 |
So you switch to the other side |
02:09:47 |
The money's better. |
02:09:49 |
There's always gonna be more bad guys |
02:09:53 |
And can you imagine the work |
02:09:56 |
- Yeah. |
02:10:00 |
Not for me. |
02:10:02 |
I've seen all the law |
02:10:06 |
- It's time for something else. |
02:10:09 |
Let you know when I know. |
02:10:11 |
You know, you're too old |
02:10:14 |
and you're too young |
02:10:16 |
Why you shooting holes |
02:10:20 |
You'll work it out. |
02:10:27 |
It's time for quiet, Shakes. |
02:10:31 |
I just want to shut my eyes and |
02:10:37 |
I'm weary. |
02:10:42 |
I don't know. |
02:10:46 |
Maybe I'll get lucky, |
02:10:49 |
Well, don't disappear on me, Counselor. |
02:10:55 |
- Hey, you can't afford a good lawyer. |
02:10:59 |
I may need a good friend though. |
02:11:03 |
I'll find you when you do. |
02:11:08 |
Always have. |
02:11:15 |
A full month had passed |
02:11:17 |
and no one had made contact. |
02:11:19 |
In those few weeks, |
02:11:21 |
to what they'd been |
02:11:24 |
Carol had returned to her stack |
02:11:28 |
helping troubled teens |
02:11:30 |
John and Tommy |
02:11:32 |
running the West Side Boys. |
02:11:34 |
I was promoted from clerk |
02:11:37 |
covering the entertainment beat. |
02:11:39 |
Michael, as he had promised, |
02:11:41 |
after working the losing end |
02:11:44 |
Excuse me. |
02:11:48 |
I don't know |
02:11:53 |
- All right. |
02:11:56 |
- I can't believe you got away with it. |
02:11:59 |
- It was all Mikey's plan. |
02:12:01 |
- I was gonna have him burned. |
02:12:04 |
And I figured he's a friend, |
02:12:07 |
Well, the way he's handling |
02:12:09 |
- I started feeling sorry |
02:12:12 |
Never feel sorry for a lawyer. |
02:12:15 |
Get over here, Counselor! |
02:12:17 |
You are the real count... |
02:12:20 |
alive and well |
02:12:23 |
- Fuckin' maniac. |
02:12:27 |
- You maniac. Jesus! |
02:12:30 |
- Uh-oh. |
02:12:33 |
Why don't you give me a kiss |
02:12:40 |
- Get out of the way. |
02:12:46 |
- Break it up there! |
02:12:54 |
- The Four Gladiators. |
02:12:57 |
The Four Gladiators. Worst quartet |
02:13:01 |
- Yeah, but what was that name |
02:13:04 |
Genius wanted to call it |
02:13:06 |
- Nice name! |
02:13:10 |
- That would've sent albums |
02:13:13 |
We weren't that bad. I mean, |
02:13:15 |
- We were that bad. |
02:13:21 |
- One song for Carol. |
02:13:24 |
- I retired a long time ago. |
02:13:26 |
Don't you guys have to go |
02:13:30 |
- Ohh! |
02:13:33 |
No. We always got time |
02:13:37 |
Just kidding. |
02:13:39 |
- Wine, anybody? |
02:13:41 |
All right. Start us off. |
02:13:46 |
- How many songs do you know? |
02:13:54 |
Walk like a man |
02:14:01 |
Walk like a man, fast as you can |
02:14:05 |
Walk like a man, my son |
02:14:09 |
I'll tell the world |
02:14:28 |
On March 16, 1984, |
02:14:32 |
was found face up |
02:14:34 |
right next to the bottle |
02:14:37 |
At the time of his death, he was |
02:14:41 |
He was two weeks past |
02:14:48 |
Thomas Marcano died |
02:14:52 |
He was shot at close range |
02:14:54 |
The body lay undiscovered |
02:14:57 |
There was a crucifix and a picture |
02:15:00 |
He was 29 years old. |
02:15:04 |
Michael Sullivan lives in a small |
02:15:07 |
where he works part-time |
02:15:09 |
He no longer practices law, |
02:15:12 |
He lives quietly and alone. |
02:15:17 |
Carol still works |
02:15:20 |
and lives in Hell's Kitchen. |
02:15:21 |
She has never married... |
02:15:22 |
but is a single mother |
02:15:26 |
The boy, |
02:15:30 |
Ioves to read and is called |
02:15:35 |
It was our special night, |
02:15:39 |
It was our happy ending... |
02:15:42 |
and the last time we would ever |
02:16:31 |
The future lay sparkling ahead... |
02:16:34 |
and we thought we would |