|
Slipstream
|
| 00:00:58 |
I was talking |
| 00:01:00 |
You know, Noah, |
| 00:01:02 |
Yeah, and he was telling me |
| 00:01:06 |
and he said to me, |
| 00:01:10 |
this is retribution |
| 00:01:14 |
Yeah, I know, I know. |
| 00:01:17 |
What's that, dear? |
| 00:01:19 |
Oh, yes, I heard. |
| 00:01:22 |
Poor old Felix. |
| 00:01:24 |
How are the boys taking it? |
| 00:01:25 |
No, well, you never know, do you? |
| 00:01:28 |
Yeah, you've gotta enjoy life. |
| 00:01:32 |
You know, |
| 00:01:35 |
I started looking in the mirror |
| 00:01:38 |
You are bringing |
| 00:01:40 |
...and I'd say, |
| 00:01:44 |
"The show's on the road, |
| 00:01:46 |
and you've to get get up |
| 00:01:49 |
Yeah... |
| 00:01:52 |
Oh, it'll be lovely to see you again... |
| 00:01:54 |
Well, do you think you'll ever |
| 00:02:01 |
Oh, I'm going to Las Vegas. |
| 00:02:05 |
Tomorrow. Going up to see |
| 00:02:09 |
my sister-in-law, Sandra, yeah. |
| 00:02:12 |
And Gina, my niece... |
| 00:02:16 |
is driving me up there |
| 00:02:19 |
We're going to take Sandra |
| 00:02:21 |
Sandra's lived there all her life, |
| 00:02:23 |
and she's never been to a show! |
| 00:02:25 |
Isn't that something, huh? |
| 00:02:28 |
Listen, I'll talk to you soon, |
| 00:02:31 |
Bye. |
| 00:02:41 |
Did you see that? |
| 00:02:43 |
Felix? |
| 00:02:46 |
Can we go now? |
| 00:02:53 |
- What happened? |
| 00:02:56 |
- It's over? |
| 00:02:59 |
- Yeah? |
| 00:03:03 |
Come on, Felix. |
| 00:03:06 |
Come on. |
| 00:03:17 |
One decaf, no sugar, |
| 00:03:19 |
- One iced tea. |
| 00:03:21 |
- Thanks, Lily. |
| 00:03:22 |
How did the reading go? |
| 00:03:23 |
My agent thinks I have a really |
| 00:03:26 |
- You'll do fine. |
| 00:03:27 |
From your mouth to God's ear. |
| 00:03:29 |
- Cut! |
| 00:03:32 |
Hi, Felix. Like the cat. |
| 00:03:34 |
- That's funny. |
| 00:03:38 |
Nine lives. |
| 00:03:41 |
That's Lily. She's sweet. |
| 00:03:42 |
She's from Russia |
| 00:03:44 |
She's my new best friend. |
| 00:03:46 |
Hello? |
| 00:03:48 |
Hello? Hello? |
| 00:03:52 |
Anyway, where was I? |
| 00:03:55 |
Right, this woman Shelley. |
| 00:03:57 |
She says you go back |
| 00:04:01 |
and you get in touch with everything |
| 00:04:04 |
Say you were an addict or nuts |
| 00:04:06 |
You have fears of elevators |
| 00:04:08 |
or stuff like clowns and opera singers, |
| 00:04:11 |
it all comes up through |
| 00:04:13 |
so you get pulled back |
| 00:04:15 |
It's karma... Indian stuff |
| 00:04:18 |
The Akashic records |
| 00:04:20 |
This woman, |
| 00:04:21 |
It's awesome. |
| 00:04:23 |
...past-life regression, |
| 00:04:26 |
...walk you through this stuff, |
| 00:04:29 |
My yoga teacher told me about her. |
| 00:04:32 |
You ought to try yoga, |
| 00:04:35 |
She charges $300 an hour. |
| 00:04:38 |
Her name's Shelley something. |
| 00:04:41 |
- Anyway, her first name's Shelley... |
| 00:04:45 |
A poodle called Tiddles, |
| 00:04:47 |
and she does this channeling, |
| 00:04:50 |
- Oh, she says that all this... |
| 00:04:53 |
...an illusion, a dream. |
| 00:04:57 |
Felix? That's all it is. |
| 00:05:00 |
"A dream within a dream." |
| 00:05:01 |
What? |
| 00:05:03 |
"A dream within a dream." |
| 00:05:06 |
Sorry, I overheard you talking. |
| 00:05:10 |
A dream within a dream. |
| 00:05:21 |
That's so cool. |
| 00:05:24 |
Anyway, she's got this really stinky dog, |
| 00:05:36 |
Felix! |
| 00:06:06 |
- What's your problem, man? |
| 00:06:08 |
- What's your problem! |
| 00:06:10 |
Get out of there. |
| 00:06:12 |
What's your problem? |
| 00:06:14 |
Oh, my God. |
| 00:06:18 |
We've lost the plot! |
| 00:06:22 |
We've lost the plot. |
| 00:06:25 |
Hey, you! Get out of my car. |
| 00:06:29 |
Call 911, please! Somebody help! |
| 00:06:31 |
Do something, please! |
| 00:06:33 |
Help, help. |
| 00:06:42 |
No! We've lost the plot! |
| 00:06:44 |
Watch out. My name's Gavin. |
| 00:06:49 |
Hey, this is digital, man. |
| 00:06:52 |
This is digital, man. |
| 00:06:54 |
Welcome to America. |
| 00:06:56 |
Oh, my God, this is insane. |
| 00:06:58 |
Awesome. |
| 00:07:13 |
Can you tell us what happened? |
| 00:07:14 |
This is guy was getting out |
| 00:07:16 |
...have any reason why, |
| 00:07:19 |
- He really... |
| 00:07:22 |
and no one was helping me. |
| 00:07:23 |
Then these guys |
| 00:07:25 |
He got off a few shots. |
| 00:07:27 |
Shooting mostly Democrats. |
| 00:07:30 |
I mean, I didn't know what to do. |
| 00:07:32 |
It was complete pandemonium |
| 00:07:35 |
and there was a man |
| 00:07:39 |
Of course, I was terrified. I mean... |
| 00:07:42 |
Can you describe what happened? |
| 00:07:43 |
I saw the guy in this vehicle, the beat-up |
| 00:07:47 |
just get out and lose |
| 00:07:49 |
- La-la land. |
| 00:07:55 |
- Thank you, sir. |
| 00:08:09 |
We're here. |
| 00:08:12 |
We are? |
| 00:08:13 |
Yeah. |
| 00:08:17 |
What do they put in that stuff, |
| 00:08:19 |
What do you mean? |
| 00:08:21 |
You've been out of it |
| 00:08:23 |
I didn't sleep much last night. |
| 00:08:27 |
- Felix? |
| 00:08:29 |
Look at that sky. |
| 00:08:34 |
Felix! |
| 00:08:36 |
You want to come in? |
| 00:08:38 |
No, I've gotta get back. |
| 00:08:40 |
I've gotta get back. |
| 00:08:45 |
Okay. |
| 00:08:53 |
See you tomorrow. |
| 00:08:56 |
Same time. |
| 00:08:58 |
- See you. |
| 00:09:00 |
I will. |
| 00:09:24 |
Hello? |
| 00:09:26 |
What? |
| 00:09:30 |
Come on, you're not serious! |
| 00:09:36 |
Oh, my God, I am on TV! |
| 00:09:39 |
... and he shoots |
| 00:09:42 |
and he's yelling something, |
| 00:09:46 |
Police commended the men... |
| 00:09:47 |
Oh, my God, I look horrible! |
| 00:09:49 |
God! Not that bad. |
| 00:09:53 |
Stormy! |
| 00:09:59 |
Mommy's gonna be a movie star! |
| 00:10:03 |
Look! Look, look. |
| 00:10:04 |
Oh, listen, where are you? |
| 00:10:09 |
- Are you in there now? |
| 00:10:11 |
Why didn't he wake me? |
| 00:10:13 |
I can't believe you slept through it. |
| 00:10:15 |
Who were you with? |
| 00:10:16 |
- Felix Bonhoeffer. |
| 00:10:18 |
The older gentleman |
| 00:10:21 |
- Gina! |
| 00:10:22 |
Listen, I've gotta go. Mort's being |
| 00:10:26 |
... shot him at point-blank range. |
| 00:10:28 |
The gunman was heard |
| 00:10:31 |
"We've lost the plot!" |
| 00:10:32 |
I'm not going to be here next week |
| 00:10:34 |
because I'm driving |
| 00:10:36 |
I'll call you as soon as I get back. |
| 00:10:38 |
Gina, would you come on |
| 00:10:40 |
Look, I'm sorry... |
| 00:10:41 |
It's playing in there now? |
| 00:10:43 |
... and that, folks, |
| 00:10:45 |
Well, I'm not a crook. |
| 00:10:46 |
Thanks so much forjoining me |
| 00:10:48 |
- Women! |
| 00:10:53 |
I need you here. |
| 00:10:55 |
Hey, Gav, how's Brian? |
| 00:10:57 |
How you feeling? |
| 00:11:03 |
Right, this woman Shelley. |
| 00:11:27 |
Good night. |
| 00:11:28 |
Good night. |
| 00:11:37 |
So, you taking off tomorrow? |
| 00:11:39 |
Yeah, early, about 8:00. |
| 00:11:41 |
All right. You know not |
| 00:11:44 |
- Yeah, I know. |
| 00:11:47 |
I'm a pretty safe driver. |
| 00:11:48 |
I should charge you extra |
| 00:11:51 |
- Thank you. I appreciate it. |
| 00:11:54 |
Good night. |
| 00:12:06 |
- Are you Bette Lustig's niece? |
| 00:12:08 |
Are you Bette Lustig's niece? |
| 00:12:09 |
- Oh, my God! |
| 00:12:12 |
What's your problem? |
| 00:12:14 |
I'm not bothering anyone... |
| 00:12:15 |
You opened up her car door. |
| 00:12:18 |
- I want to talk to her. |
| 00:12:20 |
He was in the bar earlier. |
| 00:12:21 |
Yeah, he was quiet, no trouble. |
| 00:12:23 |
So what's the deal then, brother? |
| 00:12:25 |
Is she Bette Lustig's niece? |
| 00:12:27 |
Leave him, Mort. |
| 00:12:28 |
It's okay. My name is Bonhoeffer, |
| 00:12:32 |
- Bonhoeffer? |
| 00:12:34 |
I saw you on the news |
| 00:12:37 |
- Tracy Abbott. |
| 00:12:39 |
- That's right, yes. |
| 00:12:41 |
- I know you. |
| 00:12:44 |
- You gonna be okay? |
| 00:12:46 |
- Are you sure? |
| 00:12:48 |
- Easy does it, now, fella. |
| 00:13:01 |
Hey, Gina, |
| 00:13:03 |
I'll be fine. |
| 00:13:12 |
... crossfire shootout |
| 00:13:16 |
Gina, you know how to reach me. |
| 00:13:19 |
I do! |
| 00:13:42 |
You're a real good citizen, |
| 00:13:46 |
Ray, can we talk? |
| 00:13:48 |
Nothing to talk about, baby. |
| 00:13:51 |
I need more time. |
| 00:13:54 |
Time's up, old pal, |
| 00:13:56 |
It's zippo. |
| 00:13:59 |
So what do I do now? |
| 00:14:00 |
Just drive. |
| 00:14:01 |
Where? |
| 00:14:03 |
You know where. Drive. |
| 00:15:19 |
It's not meant to happen |
| 00:15:22 |
I got a wife, two kids. |
| 00:15:25 |
It was just business. |
| 00:15:27 |
Say bye-bye, little birdies, |
| 00:15:30 |
Stop! Don't do this! |
| 00:15:32 |
Bye-bye. |
| 00:16:43 |
Did you get through to Sandra? |
| 00:16:45 |
No. |
| 00:16:46 |
No, I left her a message, told her |
| 00:16:49 |
and that tomorrow |
| 00:16:52 |
What did she say? |
| 00:16:54 |
I told you she wasn't there. |
| 00:16:59 |
- It's so hot. |
| 00:17:02 |
Your Uncle Bernie used to say |
| 00:17:06 |
like Elizabeth Taylor |
| 00:17:09 |
- Paul Newman. |
| 00:17:11 |
Paul Newman. |
| 00:17:13 |
You know, he had |
| 00:17:16 |
- Who? |
| 00:17:19 |
Ready? |
| 00:17:21 |
I'll have a glass of milk, |
| 00:17:25 |
and is it too late for oatmeal? |
| 00:17:28 |
No, you could get oatmeal. |
| 00:17:29 |
Great, I'll have it |
| 00:17:32 |
and a glass of orange juice, please. |
| 00:17:34 |
Alrighty. |
| 00:17:37 |
Hey, Joanie, |
| 00:17:42 |
All right, Mel, we got two poached, |
| 00:17:46 |
and a milk and an OJ. |
| 00:17:48 |
Okay. Busy out there? |
| 00:17:50 |
Yeah, packed to the rafters. |
| 00:17:55 |
My feet are killing me. |
| 00:17:58 |
Hey, Bonnie, what time is it? |
| 00:18:02 |
My watch stopped. |
| 00:18:06 |
Call Joanie when my order's ready. |
| 00:18:09 |
I'm gonna get some air. |
| 00:18:13 |
She needs to move her ass, anyway. |
| 00:18:18 |
Hi, Bonnie. |
| 00:18:20 |
Hey, Eddie. |
| 00:18:33 |
How's your daughter doing, Eddie? |
| 00:18:35 |
She's fine, thank you. |
| 00:18:42 |
How's your daughter doing, Eddie? |
| 00:18:44 |
She's fine, thank you. |
| 00:18:54 |
Good morning. |
| 00:19:07 |
Take it easy, Bonnie. |
| 00:19:09 |
- Bonnie. |
| 00:19:11 |
You still want Joanie |
| 00:19:13 |
Forget it. I'll take it. |
| 00:19:17 |
Hey, are you okay? |
| 00:19:18 |
Yeah, yeah, I'm all right. |
| 00:19:20 |
Hey, thanks a bunch, Joanie. |
| 00:19:22 |
Sorry, Bonnie, I forgot. |
| 00:19:24 |
All right, ladies, here we are... |
| 00:19:30 |
There's your oatmeal |
| 00:19:33 |
Thank you. |
| 00:19:37 |
Hello there, gentlemen. |
| 00:19:39 |
The house is open. |
| 00:19:47 |
There you go. |
| 00:19:49 |
Coffee. |
| 00:19:52 |
Okay, coffee. |
| 00:19:53 |
Sir, anything for you? |
| 00:19:56 |
Okay. One coffee coming up. |
| 00:19:59 |
Would you like some water? |
| 00:20:01 |
No. |
| 00:20:04 |
Bonnie. |
| 00:20:07 |
Yes, sir? |
| 00:20:08 |
That is your name, is it not? |
| 00:20:10 |
Excuse me? |
| 00:20:11 |
- Bonnie. |
| 00:20:13 |
That is your name, is it not? |
| 00:20:15 |
Oh, yeah, it is. |
| 00:20:18 |
What do you call the other one? |
| 00:20:21 |
Sorry, my friend can be |
| 00:20:23 |
- Isn't that right, Fat Man? |
| 00:20:26 |
- Call you what? |
| 00:20:27 |
- But you are fat. |
| 00:20:29 |
Bonnie, don't you think |
| 00:20:32 |
Don't you think he's fat, Bonnie? |
| 00:20:35 |
No, sir. |
| 00:20:36 |
Thank you, lady, thank you. |
| 00:20:39 |
So, what'll it be? |
| 00:20:42 |
I would like... |
| 00:20:45 |
Let's see here, I would like... |
| 00:20:47 |
Omelet, Denver style. |
| 00:21:01 |
...side of bacon, real crisp, |
| 00:21:03 |
Oh, I see hash browns |
| 00:21:05 |
That's good, |
| 00:21:08 |
Ray, toast is included also. |
| 00:21:11 |
Isn't that something? |
| 00:21:15 |
Not your sourdough |
| 00:21:20 |
and real well-done. |
| 00:21:21 |
Like his mama used to make it. |
| 00:21:23 |
Yes, how my mommy |
| 00:21:27 |
For you, sir? |
| 00:21:29 |
We're making |
| 00:21:31 |
Are we making you nervous? |
| 00:21:33 |
We're real sorry, Bonnie. |
| 00:21:34 |
Look, I don't want any trouble. |
| 00:21:37 |
Who's causing trouble? |
| 00:21:38 |
I know what it is. |
| 00:21:41 |
It's making her all of a dither. |
| 00:21:42 |
You think I look |
| 00:21:44 |
- Probably turning her on. |
| 00:21:46 |
I mean, |
| 00:21:47 |
making you hot, bothered, |
| 00:21:52 |
'Cause if it is, Bonnie, |
| 00:21:55 |
and we can get really acquainted. |
| 00:22:04 |
Look, please, do you... |
| 00:22:08 |
Do you want to order? |
| 00:22:12 |
I think not. |
| 00:22:19 |
I'm just happy being here, |
| 00:22:21 |
if that's all hunkety-dunkety-doo |
| 00:22:28 |
So... |
| 00:22:30 |
what do you call the other one? |
| 00:22:38 |
Come out with your hands up. |
| 00:22:43 |
Isn't it just a beautiful day |
| 00:22:46 |
Come and get me, copper! |
| 00:22:48 |
Don't, Johnny! No! |
| 00:22:52 |
What a beautiful day! |
| 00:22:55 |
Wouldn't you agree, ladies? |
| 00:22:57 |
Just drink your milk. |
| 00:22:58 |
Beautiful day? |
| 00:23:00 |
You can look at me all you want, |
| 00:23:03 |
You got a problem, Bonnie? |
| 00:23:04 |
No, sir. |
| 00:23:06 |
Well, okay. If there are no problems, |
| 00:23:10 |
Look, we don't want |
| 00:23:13 |
How about rustling up |
| 00:23:16 |
I like that, Yogi. |
| 00:23:18 |
Smarter than |
| 00:23:20 |
Boo Boo. So silly. |
| 00:23:24 |
- What's your name, baby doll? |
| 00:23:30 |
That's what you've been |
| 00:23:34 |
Joanie. |
| 00:23:37 |
Ain't that cute. |
| 00:23:38 |
Little sad, too, |
| 00:23:42 |
Still wanna be |
| 00:23:45 |
Am I right? |
| 00:23:48 |
Not quite ready to let go |
| 00:23:53 |
Pretty soon, sweetie pie, you're |
| 00:23:57 |
when you join the festering parade |
| 00:24:03 |
the Bette Anns, the Mary Lous, |
| 00:24:08 |
the Bonnies. |
| 00:24:10 |
Just talking about you. |
| 00:24:12 |
Come on, get a move on! |
| 00:24:13 |
Boo Boo tends to get a little snarly |
| 00:24:15 |
when he hasn't eaten, |
| 00:24:18 |
So we got the Joanies, |
| 00:24:23 |
How you doing, old gal? |
| 00:24:26 |
It is Bette, isn't it? |
| 00:24:27 |
Not "Bett"? |
| 00:24:29 |
And her name's Gina, right? |
| 00:24:30 |
Good morning. |
| 00:24:32 |
Or should I say, good afternoon. |
| 00:24:40 |
Hello. |
| 00:24:44 |
What's your problem, pointy head? |
| 00:24:46 |
Got no problems. |
| 00:24:48 |
Then what are you staring at? |
| 00:24:50 |
Nothing. |
| 00:24:52 |
Heck of a lot of staring going on |
| 00:24:55 |
Makes me feel real itchy |
| 00:24:57 |
You don't have to be sorry. |
| 00:24:59 |
Be conscientious, be American, |
| 00:25:03 |
That's what I like to see. |
| 00:25:04 |
That's all I ask |
| 00:25:07 |
"I am not a crook!" |
| 00:25:09 |
Bonnie, where's |
| 00:25:12 |
I'm just preparing it now. |
| 00:25:14 |
Good! Continue the preparation. |
| 00:25:18 |
- What is your name, pinhead? |
| 00:25:24 |
That's an all-American name to me, Mel. |
| 00:25:26 |
Got a ring of authenticity. |
| 00:25:29 |
Kinda cracker barrel, |
| 00:25:31 |
Chill Wills, Slim Pickens, |
| 00:25:37 |
Nice cozy little setup |
| 00:25:39 |
Tell me something, if you're not |
| 00:25:44 |
What exactly is your relationship |
| 00:25:49 |
- Nothing. |
| 00:25:52 |
I'm gonna keep my eye |
| 00:25:56 |
Bonnie, come on out. |
| 00:26:01 |
Mel, this way. |
| 00:26:05 |
Mel, let me introduce you |
| 00:26:08 |
His friends, and in this regard |
| 00:26:11 |
as one of his closest |
| 00:26:15 |
Hi, gang. |
| 00:26:16 |
You okay, Geek, |
| 00:26:18 |
Let's put up the Closed sign |
| 00:26:21 |
and keep out |
| 00:26:23 |
- I sure did, Yogi. |
| 00:26:26 |
Come on. |
| 00:26:33 |
Now that we're all snug and cozy, |
| 00:26:37 |
five, six, seven little peas in a pod... |
| 00:26:40 |
Speaking of pods reminds me: |
| 00:26:41 |
You guys ever see |
| 00:26:44 |
Long time ago? Anyone? |
| 00:26:47 |
No? Never saw it. |
| 00:26:49 |
How 'bout that, Geek? They never saw |
| 00:26:52 |
That is so sad. |
| 00:26:54 |
Invasion of the Body Snatchers! |
| 00:26:57 |
- It's a great movie. |
| 00:26:59 |
- And Dana Wynter. |
| 00:27:01 |
What's with you people? |
| 00:27:03 |
It's Geek's favorite movie. |
| 00:27:06 |
And Fourth of July. |
| 00:27:08 |
He was a big star |
| 00:27:11 |
and I met him once |
| 00:27:13 |
You never told me that, Geek. |
| 00:27:15 |
Yeah, he gave me his autograph, |
| 00:27:18 |
Lucky son of a gun. |
| 00:27:20 |
He amazes and astonishes me, |
| 00:27:24 |
You're a regular old sly boots, |
| 00:27:29 |
Look at him. |
| 00:27:30 |
He's blushing, |
| 00:27:34 |
My old pal, a real sly boots. |
| 00:27:40 |
Anyway. |
| 00:27:52 |
Where was I? |
| 00:27:53 |
Body snatchers, these people |
| 00:27:57 |
- Dinner's ready. |
| 00:27:59 |
these pod people |
| 00:28:02 |
Right, these creatures, |
| 00:28:05 |
'cause that's what they are. |
| 00:28:06 |
Goddamn parasites. |
| 00:28:08 |
These parasites take over the bodies |
| 00:28:12 |
- good, decent people. |
| 00:28:15 |
like you and me. |
| 00:28:16 |
Men, women, |
| 00:28:18 |
- decaffeinated pussies. |
| 00:28:21 |
Decaffeinated pussies. |
| 00:28:23 |
- Men and women... |
| 00:28:26 |
And all the Aunt Beas |
| 00:28:28 |
- Talk show hosts and anchormen... |
| 00:28:32 |
Sorry, anchorpersons. |
| 00:28:33 |
- He is so bad. |
| 00:28:35 |
People like Larry King Live, |
| 00:28:40 |
Dan Rather, Paula Zahn, |
| 00:28:42 |
Katie Couric, Martha Stewart. |
| 00:28:44 |
- Everyone from Oprah to... |
| 00:28:47 |
Fire! |
| 00:28:55 |
They take over the bodies |
| 00:28:58 |
and you know what? |
| 00:29:01 |
They become them. |
| 00:29:04 |
First we had the Trekkies... |
| 00:29:06 |
...now we have the Poddies... |
| 00:29:10 |
and they run |
| 00:29:12 |
- You want to know why? |
| 00:29:14 |
'Cause they are mainstream. |
| 00:29:18 |
Mainstream. |
| 00:29:19 |
That's not the real deal, right? |
| 00:29:21 |
Better believe it, old son. |
| 00:29:24 |
Mainstream. Gee whiz. |
| 00:29:26 |
But Kevin is on to them. |
| 00:29:27 |
Let us make no mistake. |
| 00:29:29 |
Our Kevin is on to them. |
| 00:29:31 |
Science, science... |
| 00:29:32 |
Have no fear about Kevin. |
| 00:29:33 |
Kevin is one smart cookie. |
| 00:29:35 |
No flies on our Kevin. |
| 00:29:37 |
Reporting for duty. |
| 00:29:39 |
Yes... |
| 00:29:48 |
What? |
| 00:29:49 |
Don't forget about |
| 00:29:53 |
Problem? |
| 00:29:54 |
He has to stay awake. |
| 00:29:58 |
Right. |
| 00:30:00 |
He has to stay awake. |
| 00:30:02 |
That's his problem. |
| 00:30:07 |
- Felix! |
| 00:30:09 |
Once you fall asleep, |
| 00:30:11 |
- Parasites. |
| 00:30:13 |
That's it, shazam, |
| 00:30:15 |
- What? |
| 00:30:17 |
It almost happens |
| 00:30:19 |
Yeah, he's gotta stay awake. |
| 00:30:20 |
You wanna know why? |
| 00:30:25 |
You've already done that bit. |
| 00:30:27 |
- What? |
| 00:30:30 |
Well, I'm doing it again, okay? |
| 00:30:32 |
- Okay. |
| 00:30:37 |
If you're so smart, Boo Boo, |
| 00:30:40 |
Well, no, you tell them. |
| 00:30:43 |
It's so hot in here. |
| 00:30:45 |
The air conditioning |
| 00:30:47 |
- What! |
| 00:30:50 |
Why don't you go in there? |
| 00:30:52 |
Give us a break, |
| 00:30:54 |
You were telling us |
| 00:30:58 |
Ever since he was an itsy-bitsy |
| 00:31:02 |
our Kevin had bought |
| 00:31:04 |
hook, line, sinker, and the grand piano, |
| 00:31:07 |
Hello? |
| 00:31:08 |
Suddenly he became |
| 00:31:11 |
a noble champion of non-profit |
| 00:31:16 |
And why? |
| 00:31:17 |
Because it made him feel |
| 00:31:21 |
You know the feeling. |
| 00:31:23 |
But sadly, Kevin, our hero, |
| 00:31:29 |
You've all heard about core issues? |
| 00:31:32 |
Kevin had tons of these things |
| 00:31:36 |
because secretly |
| 00:31:39 |
He'd sort of cottoned on |
| 00:31:43 |
that runs our world |
| 00:31:45 |
he became bipolar, |
| 00:31:48 |
had problems with rage |
| 00:31:53 |
Poor schmuck couldn't relate. |
| 00:31:58 |
And that's awful. |
| 00:31:59 |
Poor schmuck probably |
| 00:32:03 |
- Yeah, right. |
| 00:32:05 |
Dana could've got him |
| 00:32:08 |
got him to clean up |
| 00:32:12 |
Hello? |
| 00:32:13 |
She also had her own stuff |
| 00:32:17 |
What time is it? |
| 00:32:19 |
Let's make no mistake about that. |
| 00:32:23 |
Let it be understood! |
| 00:32:26 |
- Hey... that's my line. |
| 00:32:30 |
You stomped all over |
| 00:32:32 |
you stupid son of a bitch. |
| 00:32:34 |
You stomped all over |
| 00:32:36 |
This is supposed to be |
| 00:32:39 |
- I'll kill you! |
| 00:32:41 |
- Jesus Christ! |
| 00:32:43 |
- It's Bette? |
| 00:32:45 |
- Her name's Gina. |
| 00:32:46 |
- You write this shit, dude? |
| 00:32:48 |
Oh, I'm bipolar. Are you bipolar? |
| 00:32:50 |
I'm bipolar. I'm a schmuck. |
| 00:32:51 |
I'm a schmuck, |
| 00:32:53 |
- He was a... |
| 00:32:55 |
He's also co-dependent. |
| 00:32:56 |
I'm Boo Boo. |
| 00:32:58 |
- Very funny. |
| 00:33:00 |
- Adult child of alcoholics. |
| 00:33:03 |
- Stop doing this! |
| 00:33:06 |
Cool it! |
| 00:33:25 |
- This is boring. |
| 00:33:34 |
Hey, Matt, Matt, are you okay? |
| 00:33:35 |
What do I say next? |
| 00:33:37 |
"It's quite simple, really." |
| 00:33:38 |
I know that. What comes next? |
| 00:33:40 |
- Cut, cut. |
| 00:33:42 |
Burt, come on, wake up! |
| 00:33:44 |
Matt, you're killing us. |
| 00:33:46 |
Okay, back to first positions, |
| 00:33:50 |
- Put on the air conditioning! |
| 00:33:53 |
Boo Boo! I'm Boo Boo. |
| 00:33:54 |
- Going down. |
| 00:34:00 |
- Matt. Matt just went down. |
| 00:34:03 |
- Shouldn't you get the... |
| 00:34:06 |
He went down, huh? |
| 00:34:07 |
Jesus, now what? |
| 00:34:10 |
He's nuts. |
| 00:34:11 |
Matt? |
| 00:34:13 |
Grab his arms. |
| 00:34:14 |
Actors. |
| 00:34:22 |
Real nice! |
| 00:34:24 |
Watch his head! |
| 00:34:26 |
Oh, I can't feel my face! |
| 00:34:28 |
Let's loosen his shirt. Breathe! |
| 00:34:30 |
- Let's break for lunch. |
| 00:34:32 |
Break for lunch, everyone! |
| 00:34:35 |
One hour, everyone. |
| 00:34:36 |
You! You want my part. |
| 00:34:39 |
I don't want your part. |
| 00:34:41 |
I don't want any water! |
| 00:34:42 |
- Let him breathe. |
| 00:34:46 |
- Can we get Monica in here, please? |
| 00:34:48 |
- The production nurse. |
| 00:34:51 |
- I'll get her. |
| 00:34:54 |
- All right. |
| 00:34:55 |
- I need an ice pack. |
| 00:34:57 |
- Does it still hurt? |
| 00:35:00 |
Abby, I need you to get me |
| 00:35:03 |
- I just gotta figure out where... |
| 00:35:05 |
You can't work like this anymore. |
| 00:35:08 |
- I know that. |
| 00:35:10 |
Come here, Michael. |
| 00:35:11 |
My good little... |
| 00:35:12 |
How are you, sweetie? |
| 00:35:14 |
Jennifer, can you call Marcia, |
| 00:35:17 |
and tell her that she needs |
| 00:35:20 |
- Right this second. |
| 00:35:22 |
Probably at the motel |
| 00:35:24 |
Okay, calm down. |
| 00:35:25 |
I am calm! |
| 00:35:26 |
You're pulling my chest hairs! |
| 00:35:28 |
Listen to me! |
| 00:35:29 |
You are the leader. |
| 00:35:31 |
You're hurting my nipp... |
| 00:35:32 |
From now on, you are gonna do |
| 00:35:35 |
Yes. |
| 00:35:36 |
We are printing the second take. |
| 00:35:39 |
We need to match that last take |
| 00:35:41 |
with the milk spilled |
| 00:35:43 |
and then when we come back from |
| 00:35:47 |
Yes, I get it, I get it. |
| 00:35:50 |
You are such an infant. |
| 00:35:52 |
You're a baby! |
| 00:35:54 |
Very touchy, isn't he? |
| 00:35:55 |
Gavin, go down |
| 00:35:57 |
Whoopsy daisy. |
| 00:35:59 |
Drop dead, Lars. |
| 00:36:00 |
I love you too! |
| 00:36:04 |
Evan. Evan, darling... |
| 00:36:05 |
- It's Gavin! |
| 00:36:07 |
Listen, Evan, what are we |
| 00:36:09 |
- I mean, it doesn't even match... |
| 00:36:12 |
- What! |
| 00:36:14 |
Gavin, I'm really sorry |
| 00:36:16 |
but I don't know |
| 00:36:18 |
- Who does? |
| 00:36:20 |
"Stop it! Stop doing this!" |
| 00:36:22 |
I thought Mort |
| 00:36:23 |
No, that changed last night. |
| 00:36:25 |
- Well, I didn't know! |
| 00:36:27 |
You should've said something! |
| 00:36:29 |
- Come on, Florence Nightingale. |
| 00:36:35 |
The nurse is coming over now, |
| 00:36:38 |
she was over there at craft service |
| 00:36:41 |
Unbelievable. |
| 00:36:42 |
Hey, what are you doing? |
| 00:36:44 |
Looking at your continuity sheets, |
| 00:36:46 |
if that's what these |
| 00:36:48 |
You're such an asshole, Lars! |
| 00:36:50 |
I don't look through your shit. |
| 00:36:51 |
How's Marlon doing |
| 00:36:53 |
- Should we get a doctor, too? |
| 00:36:56 |
Honey, oh! Honey, come here. |
| 00:36:58 |
- How do you feel? |
| 00:37:00 |
Get him in the chair. |
| 00:37:03 |
Back it in, back it in. |
| 00:37:04 |
I've done this before like this. |
| 00:37:06 |
Déja vu. |
| 00:37:08 |
Should we start the scene |
| 00:37:10 |
We finished it, man. |
| 00:37:13 |
- We started the scene? |
| 00:37:15 |
You were terrific. |
| 00:37:16 |
No, no, I didn't think |
| 00:37:18 |
You scared the shit out of me. |
| 00:37:21 |
Hey, hey! If you ever touch me |
| 00:37:24 |
I will eat your heart for lunch! |
| 00:37:28 |
What are you talking about?! |
| 00:37:29 |
Don't you touch me! |
| 00:37:32 |
That's lunch, everyone! |
| 00:37:34 |
One hour! |
| 00:37:37 |
I'm gonna be sick. |
| 00:37:40 |
You need to lie down. |
| 00:37:41 |
- You want my part? |
| 00:37:44 |
What happened, honey? |
| 00:37:45 |
He was overacting. |
| 00:37:46 |
Leave me alone! |
| 00:37:49 |
- Time's gone all weird... |
| 00:37:52 |
Gotta get outta here! |
| 00:37:54 |
Oh, Jesus Christ! |
| 00:37:55 |
Anybody know what's for lunch? |
| 00:37:57 |
Get him to his trailer. |
| 00:38:02 |
Buddy, I need to call a doctor. |
| 00:38:04 |
I need a cell phone, someone! |
| 00:38:06 |
You should have a fucking phone! |
| 00:38:10 |
That motherfucker! |
| 00:38:12 |
Did you see that? |
| 00:38:17 |
This whole thing is going |
| 00:38:23 |
Okay, so we're clear? |
| 00:38:26 |
Yes, and we're gonna print |
| 00:38:28 |
If it were up to me, |
| 00:38:30 |
Anything for safety, |
| 00:38:33 |
Come on, Lars, please, |
| 00:38:36 |
I'm just kidding, old chum. |
| 00:38:39 |
Are you? |
| 00:38:40 |
No. |
| 00:38:42 |
- Who loves you, baby? |
| 00:38:46 |
Come on, sexy. |
| 00:38:47 |
Who's that woman? |
| 00:38:49 |
That's Lily. She's Russian. |
| 00:38:52 |
What's she doing on my set? |
| 00:38:53 |
Gavin, she financed half your film. |
| 00:38:55 |
- That's why she wants a bigger part? |
| 00:38:58 |
What's she doing with Lars? |
| 00:38:59 |
Giving him aid and sustenance |
| 00:39:03 |
Shit, directing sucks! |
| 00:39:05 |
I'm here. Where's the baby? |
| 00:39:08 |
- Jennifer has him. |
| 00:39:10 |
I was out buying diapers for him |
| 00:39:14 |
Oh, that's funny. |
| 00:39:16 |
Gavin. |
| 00:39:18 |
I'm sor... I'm sorry. Sorry. |
| 00:39:24 |
That's 45 minutes, people. |
| 00:39:26 |
Back at 4:00. Back at 4:00! |
| 00:39:28 |
Back at 4:00, copy that! |
| 00:39:31 |
Gavin, this is Dr. Cohen. |
| 00:39:33 |
Hi, Dr. Stuart Cohen. |
| 00:39:35 |
- What's up? |
| 00:39:39 |
- What's going on? |
| 00:39:47 |
- Dead? |
| 00:39:48 |
I don't believe it. |
| 00:39:49 |
Yeah, I don't know what to say. It was... |
| 00:39:51 |
What happened? |
| 00:39:52 |
It could have been |
| 00:39:55 |
I took Dr. Cohen to Ray's trailer... |
| 00:39:57 |
Yeah, he was lying down there... |
| 00:39:59 |
- Who was laying down? |
| 00:40:01 |
- Who was laying down? |
| 00:40:03 |
Right, and he didn't look good. |
| 00:40:04 |
I asked him to sit up. |
| 00:40:07 |
I gave him some water. |
| 00:40:08 |
I turned around to get my stuff, |
| 00:40:11 |
It was awful. |
| 00:40:14 |
Are you sure he's dead? |
| 00:40:15 |
What do you mean? |
| 00:40:18 |
He's dead, extremely dead. |
| 00:40:20 |
Okay, so what do we do now? |
| 00:40:23 |
There's gonna have to be an autopsy, |
| 00:40:26 |
Did he have an insurance medical |
| 00:40:29 |
I guess so. |
| 00:40:30 |
Did he or didn't he? |
| 00:40:33 |
I don't know. |
| 00:40:35 |
Gavin, calm down! |
| 00:40:36 |
All I'm saying is they have |
| 00:40:39 |
I'm sure they do. |
| 00:40:43 |
I'm an actor in the film, |
| 00:40:45 |
Bonnie. |
| 00:40:46 |
...Gavin, but he's a little stressed. |
| 00:40:49 |
Okay, but hell, he doesn't |
| 00:40:51 |
Does he have a family |
| 00:40:53 |
Yeah, I have a wife and a child. |
| 00:40:57 |
- He means Matt. |
| 00:41:00 |
You know, the deceased? |
| 00:41:02 |
Does he have a family? |
| 00:41:03 |
Yes, he does. He has a wife |
| 00:41:06 |
I think they're divorced. |
| 00:41:07 |
- His kids are divorced? |
| 00:41:12 |
Do you laugh at everything? |
| 00:41:15 |
She thinks this is funny. |
| 00:41:19 |
- Are all you movie people like this? |
| 00:41:22 |
Who's in charge of things? |
| 00:41:23 |
I'm the director. |
| 00:41:25 |
- You've gotta be kidding. |
| 00:41:27 |
He's in charge. |
| 00:41:30 |
- Who the hell was that? |
| 00:41:33 |
I thought as much. |
| 00:41:36 |
Well, no. He's in LA. |
| 00:41:39 |
I'm gonna have to talk to him. |
| 00:41:41 |
You know what, I'm gonna call |
| 00:41:44 |
- I'll wait for the ambulance. |
| 00:41:47 |
No, it's okay. Go to lunch. |
| 00:41:48 |
Copy that. |
| 00:41:53 |
Gavin! |
| 00:41:55 |
Your ice pack. |
| 00:42:06 |
Why has he got |
| 00:42:08 |
He had an accident |
| 00:42:11 |
He surfs? |
| 00:42:12 |
Oh, yeah. |
| 00:42:13 |
- Harvey Brickman's office. |
| 00:42:15 |
- He's not here. |
| 00:42:16 |
- Would you like me to try his cell? |
| 00:42:18 |
God! |
| 00:42:21 |
He's on medication, isn't he? |
| 00:42:23 |
He's on everything. |
| 00:42:25 |
Thought as much. |
| 00:42:27 |
Vicodin? |
| 00:42:28 |
Yeah. |
| 00:42:30 |
Yeah, you got it. |
| 00:42:32 |
That's why he's wacko. |
| 00:42:35 |
He's wacko? |
| 00:42:36 |
Hello. |
| 00:42:38 |
Hey, Harvey, it's Gavin. |
| 00:42:40 |
- Marvin? |
| 00:42:41 |
- Gavin? |
| 00:42:43 |
I'm directing one of your films. |
| 00:42:45 |
- Which one? |
| 00:42:47 |
Yeah, out here in the desert. |
| 00:42:49 |
- Garvin? |
| 00:42:52 |
- Right, no, I'm directing... |
| 00:42:54 |
- It's very hot out here. |
| 00:42:56 |
- Near Vegas. |
| 00:42:57 |
Listen, Harvey, |
| 00:42:59 |
Actually, we have |
| 00:43:01 |
One of your actors, Matt Dobbs, |
| 00:43:03 |
well, he collapsed |
| 00:43:05 |
Who's he? |
| 00:43:09 |
Playing... |
| 00:43:10 |
Well, he's dead. |
| 00:43:12 |
What do you mean? He can't die. |
| 00:43:15 |
Nobody dies until I tell 'em to die. |
| 00:43:17 |
- It could've been a heart... |
| 00:43:19 |
Hiya, Francis! |
| 00:43:22 |
You. Call me. |
| 00:43:29 |
Or heat exhaustion. |
| 00:43:30 |
What do you mean, |
| 00:43:32 |
We're already three weeks in. |
| 00:43:34 |
What do you want me to do, recast? |
| 00:43:37 |
You'd break up |
| 00:43:39 |
We can't recast. |
| 00:43:42 |
John! John, take this away. |
| 00:43:44 |
- What should I do? |
| 00:43:47 |
You're the director! |
| 00:43:49 |
Everybody wants to be |
| 00:43:51 |
- What should I do! |
| 00:43:52 |
Get somebody |
| 00:43:54 |
maybe transpo, |
| 00:43:57 |
- Get on with what? |
| 00:43:58 |
Nothing, nothing, nothing. |
| 00:44:00 |
Could you come up here? |
| 00:44:03 |
Shut it down. |
| 00:44:04 |
Okay, I'll shut down production |
| 00:44:07 |
You have my cell phone number. |
| 00:44:09 |
Actually, production |
| 00:44:11 |
Or you could call |
| 00:44:13 |
Well, it's not really in Vegas. |
| 00:44:17 |
Hello, Harvey? |
| 00:44:37 |
Hey, Gav, catch! |
| 00:44:38 |
Where the hell am I? |
| 00:44:40 |
- Matt Dobbs just died. |
| 00:44:43 |
He's an actor. |
| 00:44:44 |
He was your bright idea, |
| 00:44:45 |
What do I know? |
| 00:44:47 |
You'd better get up there |
| 00:44:50 |
before some other idiot |
| 00:44:55 |
Very nice to meet you. |
| 00:45:03 |
So unprofessional. |
| 00:45:05 |
Hey, Gav! |
| 00:45:06 |
- Okay, this is the situation. |
| 00:45:08 |
This is what the deal is. |
| 00:45:11 |
- Harvey is coming up on Monday. |
| 00:45:14 |
And what are we supposed to do, |
| 00:45:17 |
I'm not sure |
| 00:45:19 |
- Will you recast? |
| 00:45:21 |
- Harvey wants to do a rewrite. |
| 00:45:24 |
- Yes, we're gonna do a rewrite. |
| 00:45:27 |
Oh, you would say that, Jeffrey. |
| 00:45:29 |
- So nice! |
| 00:45:31 |
I have no idea what |
| 00:45:33 |
You need to bring |
| 00:45:35 |
- Yes, the real writer. |
| 00:45:38 |
Yeah, well, speak to your agent. |
| 00:45:41 |
You don't understand, man. |
| 00:45:45 |
Well, what's that thing called, force... |
| 00:45:47 |
Force major. |
| 00:45:48 |
He knows that. |
| 00:45:51 |
Bette, here's an idea. |
| 00:45:53 |
I gotta be paid. I'm gonna get |
| 00:45:56 |
Oh, babycakes, you're gonna get paid. |
| 00:45:59 |
Mommy'll look after that. |
| 00:46:03 |
Bette, will you go fuck yourself? |
| 00:46:07 |
You too, darling. |
| 00:46:09 |
And that girly horse |
| 00:46:13 |
Why don't you just drop dead? |
| 00:46:16 |
I've enough of this shit! |
| 00:46:19 |
I think it's a pretty healthy group. |
| 00:46:22 |
I'll sue their ass. |
| 00:46:25 |
Burt, can we see dailies tonight? |
| 00:46:27 |
I don't know, Gav. |
| 00:46:29 |
- Like everything else on this movie. |
| 00:46:32 |
- Yeah, I got a question. |
| 00:46:34 |
Who wrote this piece of crap? |
| 00:46:38 |
You guys figure it out. |
| 00:46:41 |
Yeah, baby! |
| 00:47:44 |
My God, this place |
| 00:48:33 |
Will that be it, sweetie? |
| 00:48:35 |
I think this gentleman's next. |
| 00:48:37 |
No, sir. You're next. |
| 00:48:40 |
Thank you. |
| 00:48:43 |
That'll be $1.35. |
| 00:48:45 |
What? |
| 00:48:46 |
$1.35. |
| 00:48:49 |
- That's all? |
| 00:48:51 |
No, it's just so cheap. |
| 00:48:53 |
That's the way it is out here, |
| 00:48:57 |
Yes, sirree, home on the range |
| 00:49:02 |
The deer and the antelope play. |
| 00:49:04 |
Dolly's Little Diner. |
| 00:49:07 |
Home from home. |
| 00:49:11 |
What's your name? |
| 00:49:12 |
Dolly Parton Lookalike. |
| 00:49:14 |
Dolly Parton Lookalike. |
| 00:49:17 |
Dolly Parton Lookalike... |
| 00:49:20 |
My, my... |
| 00:49:21 |
Thank you very much. |
| 00:49:27 |
Have a good day, |
| 00:49:32 |
Catchy little tune, isn't it? |
| 00:49:35 |
Yeah. |
| 00:49:38 |
Thanks. |
| 00:49:43 |
Beautiful day. |
| 00:49:46 |
Yeah, you could say that again. |
| 00:49:48 |
Beautiful day. |
| 00:49:49 |
Waiting for your lady friend? |
| 00:49:52 |
Yes, I am. |
| 00:49:54 |
She'll be out soon. |
| 00:50:07 |
- Hello. |
| 00:50:50 |
Mommy? |
| 00:51:25 |
Felix? |
| 00:51:28 |
That bathroom was so gross |
| 00:51:30 |
The place had flooded. |
| 00:51:32 |
There was stuff everywhere. |
| 00:51:35 |
God, you look like |
| 00:51:37 |
It's just the heat. I'm okay. |
| 00:51:39 |
Yeah. |
| 00:51:40 |
Can I go behind the car? |
| 00:51:42 |
Yeah, why not? |
| 00:51:44 |
Okay, you stand guard. |
| 00:51:45 |
Yeah. What? |
| 00:51:47 |
Stand guard. |
| 00:51:48 |
- No peeking! |
| 00:51:51 |
Hello. |
| 00:51:52 |
Who's that man |
| 00:51:54 |
I don't know. |
| 00:51:55 |
He said he thought |
| 00:51:58 |
He was kind of cute. |
| 00:51:59 |
That's better. |
| 00:52:01 |
Whose car is this? |
| 00:52:03 |
I don't know. |
| 00:52:07 |
Does it smell kind of funny? |
| 00:52:08 |
Yeah. |
| 00:52:12 |
Ready? |
| 00:52:13 |
- Yeah. |
| 00:52:15 |
Let's go. |
| 00:52:23 |
Have a nice day. |
| 00:52:46 |
Hello, my friend. |
| 00:52:48 |
Could you possibly give me |
| 00:52:51 |
I fear that my car |
| 00:52:54 |
I seem to be lost. I don't know |
| 00:52:57 |
Oh, it does. |
| 00:53:01 |
You're doing the right thing, |
| 00:53:03 |
but I can get us there. |
| 00:53:05 |
Good, then get in. |
| 00:53:08 |
To the land of Babylon |
| 00:53:14 |
I love the desert. |
| 00:53:16 |
You came into that diner |
| 00:53:20 |
Way down there on the highway. |
| 00:53:21 |
We spoke briefly. |
| 00:53:23 |
Where's your girlfriend? |
| 00:53:25 |
She's in the back. |
| 00:53:29 |
Does she always sleep |
| 00:53:32 |
I never noticed. |
| 00:53:33 |
She's not my girlfriend. |
| 00:53:35 |
Oh, I apologize. |
| 00:53:36 |
"Not having seen the dawn, |
| 00:53:40 |
- You're Kevin McCarthy, aren't you? |
| 00:53:43 |
I saw you in a great movie once. |
| 00:53:45 |
It was called The Invasion |
| 00:53:47 |
Was I in that? |
| 00:53:49 |
Yeah, and Dana Wynter. |
| 00:53:51 |
She was your girlfriend, |
| 00:53:53 |
Indeed she was. |
| 00:53:54 |
- You were the hero. |
| 00:53:57 |
Yeah. |
| 00:53:59 |
How do you like that! |
| 00:54:22 |
Why doesn't he listen to you... |
| 00:54:25 |
- Gavin. |
| 00:54:26 |
I can never remember his name. |
| 00:54:30 |
Morty! Morty! |
| 00:54:32 |
Yeah, where you been, |
| 00:54:35 |
Yeah, I saw Francis yesterday. |
| 00:54:37 |
He looks terrific. |
| 00:54:39 |
You can't talk? |
| 00:54:41 |
And Leo! What, you having an orgy? |
| 00:54:45 |
I got you! I got you, you bastard! |
| 00:54:48 |
You call me, now! |
| 00:54:49 |
Call me! All right, don't forget. |
| 00:54:51 |
I love you more. |
| 00:54:54 |
So why doesn't he |
| 00:54:56 |
I tend to rattle his cage. |
| 00:54:58 |
So was it like this before the actor... |
| 00:55:01 |
- Matt Dobbs. |
| 00:55:04 |
Anarchy. |
| 00:55:07 |
He'd call script conferences |
| 00:55:10 |
It made everyone crazy. |
| 00:55:11 |
I thought we had a script! |
| 00:55:14 |
He's an actor, what can I tell you. |
| 00:55:17 |
He was the "look at me |
| 00:55:20 |
They're all such assholes. |
| 00:55:21 |
I asked this guy, Matt Dobbs, |
| 00:55:24 |
- I said, "Why are you doing this?" |
| 00:55:26 |
He said it was a generational thing. |
| 00:55:28 |
- What's that mean? |
| 00:55:31 |
Little puke. Come on! |
| 00:55:34 |
You couldn't do anything to stop it? |
| 00:55:36 |
What could I do? |
| 00:55:40 |
He was terrified. |
| 00:55:41 |
Couldn't make decisions about |
| 00:55:45 |
I could've helped him, |
| 00:55:46 |
Camera set-ups, lots of... |
| 00:55:51 |
That's too bad. |
| 00:55:53 |
Dino! |
| 00:55:54 |
Dino, is that you, Dino? |
| 00:55:56 |
Dino! How you doing? |
| 00:55:58 |
You doing Hannibal 4: Blue Dragon |
| 00:56:01 |
He wants more money? |
| 00:56:02 |
It's sad. |
| 00:56:04 |
He's a nice little guy |
| 00:56:06 |
- What's his name? |
| 00:56:08 |
I think he's trying |
| 00:56:11 |
Yeah, with big brother Mikey. |
| 00:56:14 |
Some hot shit producer, |
| 00:56:16 |
with three big awards |
| 00:56:18 |
This poor schmuck's been trying |
| 00:56:21 |
Let's have lunch. |
| 00:56:23 |
Why do people play this game? |
| 00:56:27 |
It eases tension. |
| 00:56:28 |
Well, I'd rather enjoy my tension. |
| 00:56:30 |
It gets things done! |
| 00:56:32 |
When does Bonhoeffer get here? |
| 00:56:33 |
- I thought he was here! |
| 00:56:36 |
I never know what the hell |
| 00:56:38 |
with his stupid accent. |
| 00:56:39 |
What is he, Icelandic? |
| 00:56:41 |
No, he's Welsh. |
| 00:56:42 |
Why do I always end up |
| 00:56:44 |
- Where you shooting tomorrow? |
| 00:56:46 |
Let's start kicking some ass, man! |
| 00:56:50 |
Where's the director?! |
| 00:56:54 |
Let's get on with it! |
| 00:56:59 |
Cut, cut, cut! |
| 00:57:03 |
- Cut! |
| 00:57:06 |
Hey, Harvey! |
| 00:57:08 |
Today's Monday, isn't it? |
| 00:57:11 |
What shot? |
| 00:57:13 |
The shot where Bette and Gina |
| 00:57:16 |
Script check. Script check! |
| 00:57:20 |
There's no such scene! |
| 00:57:22 |
I'm in Room 419. |
| 00:57:24 |
You think that I was |
| 00:57:28 |
Shut up! |
| 00:57:29 |
- Harvey... |
| 00:57:32 |
you little putz! |
| 00:57:36 |
It's my baby boy, actually, |
| 00:57:38 |
His name is Michael Joshua... |
| 00:57:39 |
I don't wanna know his name! |
| 00:57:44 |
You try to direct my movie |
| 00:57:47 |
But my wife is suffering |
| 00:57:49 |
- Post-what?! |
| 00:57:51 |
It's post-partum depression, |
| 00:57:53 |
It's like Brooke Shields. |
| 00:57:55 |
- Your brother was right! |
| 00:57:56 |
Yes, your big brother, |
| 00:57:58 |
He said you're a loser, an idiot. |
| 00:58:01 |
You bet your sweet ass |
| 00:58:04 |
Mikey! |
| 00:58:07 |
Stop the car! Stop the car! |
| 00:58:09 |
I mean, you asked me |
| 00:58:11 |
Harvey! Harvey! |
| 00:58:13 |
Ask the schmuck |
| 00:58:15 |
- What? |
| 00:58:16 |
and that why I have |
| 00:58:18 |
Well, here's the darn card |
| 00:58:22 |
It has my little... |
| 00:58:24 |
clearances and concerts |
| 00:58:32 |
Why are you doing this to me? |
| 00:58:34 |
- I lost my way. |
| 00:58:43 |
Hello, Felix. |
| 00:58:52 |
Are you ready, love? |
| 00:58:55 |
Let's go have some breakfast. |
| 00:58:57 |
- Hi. |
| 00:58:59 |
- Yeah. |
| 00:59:02 |
Yeah. |
| 00:59:04 |
What are you looking at? |
| 00:59:06 |
Nothing. |
| 00:59:08 |
You got this for me |
| 00:59:12 |
Don't you remember? |
| 00:59:13 |
Oh, yeah. |
| 00:59:15 |
Are you all right, love? |
| 00:59:17 |
Yeah, I'm fine. |
| 00:59:20 |
Aren't you gonna be hot |
| 00:59:22 |
No, I'm all right. |
| 00:59:26 |
Can we sit anywhere? |
| 00:59:28 |
- Anywhere you please, honey child. |
| 00:59:30 |
There he goes again. |
| 00:59:32 |
Can we sit anywhere? |
| 00:59:33 |
- Anywhere you please, honey child. |
| 00:59:36 |
Be with you in a moment. |
| 00:59:38 |
Latte, extra hot, no foam, please. |
| 00:59:41 |
Mr. Bonhoeffer? |
| 00:59:43 |
I'd like an orange juice. |
| 00:59:44 |
- Mr. Bonhoeffer? |
| 00:59:46 |
Lars Munsen. |
| 00:59:49 |
Oh, hi. |
| 00:59:51 |
Gina's been our moral support |
| 00:59:53 |
Oh, Lars. |
| 00:59:55 |
She's our lucky mascot. |
| 00:59:58 |
Totally amazing. |
| 00:59:59 |
There you have it. |
| 01:00:03 |
Thank you, Lars. |
| 01:00:04 |
I should have introduced you. |
| 01:00:06 |
This young beauty's |
| 01:00:07 |
She's my protégé. Her name's Lily. |
| 01:00:11 |
- Hi, Lily. |
| 01:00:20 |
So, how is everything? |
| 01:00:22 |
Fantasia, old man. |
| 01:00:24 |
- Lunacy. |
| 01:00:26 |
A looking glass world. |
| 01:00:27 |
Mad Hatter's tea party. |
| 01:00:29 |
Yeah? |
| 01:00:30 |
One orange juice. |
| 01:00:32 |
- Latte, no foam, sweetie pie. |
| 01:00:38 |
It's my pleasure. |
| 01:00:43 |
- Who the hell was that? |
| 01:00:45 |
That's Aaron. |
| 01:00:48 |
So, what's the latest development? |
| 01:00:49 |
You are, Mr. Bonhoeffer. |
| 01:00:51 |
- I am? |
| 01:00:52 |
Hurtling up here from tired old |
| 01:00:56 |
Maybe you can write me |
| 01:00:59 |
- Me too. |
| 01:01:02 |
Oh, yes, please. |
| 01:01:06 |
Harvey's coming up |
| 01:01:09 |
He's here. |
| 01:01:10 |
Flew in this morning. |
| 01:01:11 |
I doubt he'll help matters much. |
| 01:01:14 |
Harvey experiences road rage |
| 01:01:17 |
Heads will tumble, |
| 01:01:19 |
and many a tear will fall, |
| 01:01:23 |
Hi-ho, and merrily we go. |
| 01:01:25 |
Godspeed. |
| 01:01:27 |
Don't forget, now. |
| 01:01:29 |
See you guys later. |
| 01:01:32 |
Done with the paper? |
| 01:01:33 |
It's yours, old chum, all yours. |
| 01:01:35 |
Thanks. |
| 01:01:36 |
Bye. |
| 01:01:40 |
So that's Lars Munsen, huh? |
| 01:01:42 |
Lars and Lily. |
| 01:01:44 |
What do you know. |
| 01:01:50 |
God, it's hot. |
| 01:02:12 |
This is where it all started. |
| 01:02:17 |
It's Bette, honey, |
| 01:02:18 |
your old friend, Bette Lustig. |
| 01:02:21 |
Bette, I've been looking |
| 01:02:23 |
I had something to tell you. |
| 01:02:25 |
I know, honey. Gina told me |
| 01:02:28 |
Gina? |
| 01:02:32 |
I can't remember |
| 01:02:35 |
Look! |
| 01:02:36 |
Gina said you had |
| 01:02:38 |
Remember? |
| 01:02:41 |
We drove up here three days ago. |
| 01:02:43 |
We're heading back |
| 01:02:45 |
You wanna come with us? |
| 01:02:46 |
That's 45 minutes! |
| 01:02:50 |
Felix... |
| 01:02:52 |
Are you okay, honey? |
| 01:02:55 |
Don't think so. |
| 01:02:56 |
Let's go and say hello to Gina. |
| 01:02:59 |
- Gina, yeah. |
| 01:03:02 |
I think so. |
| 01:03:04 |
Of course you do. |
| 01:03:06 |
Are you in pain, honey? |
| 01:03:07 |
No, not anymore. |
| 01:03:09 |
- Gina. |
| 01:03:10 |
You remember Felix. |
| 01:03:12 |
Of course I do. |
| 01:03:13 |
- Hello. |
| 01:03:14 |
Would you like to join us |
| 01:03:16 |
- No, I can't. |
| 01:03:18 |
Why not, honey? |
| 01:03:20 |
You look pale. |
| 01:03:22 |
I can't remember. |
| 01:03:24 |
Can't remember. |
| 01:03:27 |
- What's going on around here? |
| 01:03:33 |
Kitty, kitty, kitty, kitty, kitty. |
| 01:03:34 |
Don't do that, please. |
| 01:03:36 |
- Why not? |
| 01:03:37 |
You shouldn't play |
| 01:03:39 |
- Right, Gina? |
| 01:03:41 |
- You're next. |
| 01:03:44 |
Yes, try to rest. |
| 01:03:48 |
- Remember? |
| 01:03:51 |
I feel so cold. |
| 01:03:53 |
Godspeed. |
| 01:03:59 |
They're making a movie |
| 01:04:02 |
So I've heard. |
| 01:04:03 |
I tried to get a part in it, |
| 01:04:07 |
I hear my friend Tracy |
| 01:04:10 |
Isn't that right, Felix? |
| 01:04:12 |
A very important part. |
| 01:04:13 |
Isn't that right, Felix? |
| 01:04:15 |
- Hello, Felix. |
| 01:04:18 |
Will you have tea with us? |
| 01:04:31 |
I love the desert. |
| 01:04:35 |
Isn't it beautiful? |
| 01:04:37 |
I love the desert. |
| 01:04:38 |
Don't look at the camera, Felix. |
| 01:04:40 |
Just be real. Like John Ford |
| 01:04:43 |
"Just be real." |
| 01:04:46 |
Beats the shit out of me. |
| 01:04:48 |
That is such a crock. |
| 01:05:04 |
Are we in a movie? |
| 01:05:06 |
Everything's a movie. |
| 01:05:07 |
Talking pictures. |
| 01:05:09 |
- That's all it is. |
| 01:05:12 |
Cheesy dreams... |
| 01:05:14 |
while Huckleberry Finn goes |
| 01:05:17 |
Who's Ben Johnson? |
| 01:05:19 |
He was in The Last Picture Show. |
| 01:05:21 |
Just like us. |
| 01:05:22 |
- Don't move, my love. Be still. |
| 01:05:30 |
He's gone. |
| 01:06:20 |
You know, when my little Ruthie died, |
| 01:06:22 |
I'd look into that mirror and I'd say, |
| 01:06:25 |
"Bette, honey, this is it, girl. |
| 01:06:27 |
The show's on the road, |
| 01:06:30 |
- It's so sad. |
| 01:06:32 |
Something... |
| 01:06:36 |
something like that, honey. |
| 01:06:38 |
- How fast will your car go? |
| 01:06:42 |
I have to go now. |
| 01:06:44 |
I'll see you |
| 01:06:46 |
Okay. Thank you, dear. |
| 01:06:48 |
Are you sure you don't need me |
| 01:06:50 |
No. |
| 01:06:52 |
What are you looking for? |
| 01:06:53 |
Are you okay? |
| 01:06:55 |
- Yeah. |
| 01:06:59 |
Take care. |
| 01:07:02 |
Okay. See you. |
| 01:07:05 |
I just... |
| 01:07:07 |
need to find my... |
| 01:07:11 |
money. |
| 01:08:32 |
What a moron! |
| 01:08:44 |
It's not too hot for you, |
| 01:08:46 |
Oh, it is a bit. |
| 01:08:48 |
But it sure is beautiful out here. |
| 01:08:50 |
Pretty warm. |
| 01:08:51 |
I got us some candy bars. |
| 01:08:54 |
Hi. How you doing? |
| 01:08:58 |
Nuts, potato chips. |
| 01:09:00 |
Oh, good. That's great. |
| 01:09:02 |
- Have a nice day, sir. |
| 01:09:17 |
Something bothering you, mister? |
| 01:09:19 |
No, something bothering you? |
| 01:09:22 |
Yes. I don't like being watched |
| 01:09:24 |
or stared at, for that matter. |
| 01:10:20 |
Detective Buzz Larabee. |
| 01:10:25 |
I need you to identify a body. |
| 01:10:31 |
So... |
| 01:10:32 |
how well'd you know him? |
| 01:10:34 |
I worked part-time at his bar, |
| 01:10:37 |
And when did you see him last? |
| 01:10:40 |
Tuesday night. |
| 01:10:42 |
- This was at the bar? |
| 01:10:45 |
So, what did you talk about? |
| 01:10:47 |
We didn't talk much. |
| 01:10:49 |
When I got off work that night, |
| 01:10:51 |
Mort escorted me to my car |
| 01:10:53 |
He was like that... polite, |
| 01:10:57 |
He told me to take care and... |
| 01:11:00 |
gave me a few days off |
| 01:11:05 |
- Anything else? |
| 01:11:11 |
A man called Bonhoeffer. |
| 01:11:20 |
Freaky, the whole |
| 01:11:22 |
How? |
| 01:11:23 |
I'd seen this man earlier on TV, |
| 01:11:27 |
- Who? |
| 01:11:29 |
That's what he called himself. |
| 01:11:30 |
- I don't think it was his real name. |
| 01:11:33 |
He was involved in a shootout. |
| 01:11:34 |
Now, involved in a shootout? |
| 01:11:36 |
What do you mean? |
| 01:11:38 |
He was with my friend Tracy |
| 01:11:41 |
Well, what's this |
| 01:11:43 |
Who? |
| 01:11:45 |
The guy on the slab, lady, |
| 01:11:47 |
your friend in the freezer. |
| 01:11:54 |
Are you okay? |
| 01:11:56 |
No. Can I sit down? |
| 01:11:58 |
Let me get you some water. |
| 01:12:00 |
Tiddles! |
| 01:12:11 |
Hi, Shelley. |
| 01:12:14 |
Where's the kitchen? |
| 01:12:17 |
It's through there. |
| 01:12:19 |
Are these two okay? |
| 01:12:20 |
- They're channeling. |
| 01:12:42 |
There you go. |
| 01:12:43 |
Thanks. |
| 01:12:49 |
What happened next? |
| 01:12:50 |
He calmed down |
| 01:12:52 |
so Mort asked if it was okay |
| 01:12:55 |
You know, was it safe. |
| 01:12:57 |
He said he had to go. |
| 01:12:59 |
Okay. Then what? |
| 01:13:01 |
He got into his car and started |
| 01:13:05 |
"...he started to..." |
| 01:13:08 |
He got into his car |
| 01:13:11 |
"...of the parking lot... |
| 01:13:15 |
and then..." |
| 01:13:24 |
Dinner's ready. |
| 01:13:28 |
Dinner's ready. |
| 01:13:29 |
Okay. I'll be there in a moment. |
| 01:13:32 |
How's it going? |
| 01:13:35 |
I don't know. It's a... |
| 01:13:37 |
little strange. |
| 01:13:38 |
Like you. |
| 01:13:45 |
Hi, Stormy. |
| 01:13:47 |
Hello. |
| 01:13:49 |
Do you want to read |
| 01:13:51 |
No. Later, love. |
| 01:13:54 |
- Come on. |
| 01:14:13 |
That was nice, thank you. |
| 01:14:14 |
Eat your salad, it's good for you. |
| 01:14:17 |
I hate salad. |
| 01:14:19 |
- Bunny food. |
| 01:14:22 |
You know, he was falling all over |
| 01:14:25 |
and I don't know, |
| 01:14:28 |
And then the next thing, |
| 01:14:30 |
He collapsed, and so that was... |
| 01:14:33 |
You know, the actor died. |
| 01:14:34 |
We were left high and dry, literally. |
| 01:14:38 |
- Wow. |
| 01:14:40 |
But the spooky thing was... |
| 01:14:43 |
What? |
| 01:14:44 |
Well, I don't know how |
| 01:14:47 |
it's like we have no control |
| 01:14:50 |
It's like we're being |
| 01:14:53 |
Everybody on the set felt it. |
| 01:14:55 |
It was like a big joke. |
| 01:14:57 |
Ajoke? |
| 01:14:58 |
- Yeah, a joke. |
| 01:15:01 |
- How? |
| 01:15:04 |
- He did it for a laugh. |
| 01:15:08 |
Who wrote it, Gavin? |
| 01:15:10 |
- I don't know. |
| 01:15:12 |
Nobody knows who he is |
| 01:15:16 |
It's kinda scary. |
| 01:15:18 |
How do you mean, scary? |
| 01:15:20 |
Like when you're a little kid... |
| 01:15:22 |
and it's dark... |
| 01:15:25 |
you keep thinking that you see |
| 01:15:28 |
looking at you through a window. |
| 01:15:30 |
It's kinda like a dream. |
| 01:15:39 |
Oh, shit! |
| 01:15:40 |
Can't you control your pages?! |
| 01:16:14 |
Oh, my God. |
| 01:16:56 |
Where the hell is he? |
| 01:17:04 |
Felix! |
| 01:17:07 |
Hey, Felix! Felix! |
| 01:17:11 |
So? |
| 01:17:14 |
What? |
| 01:17:15 |
What happens next, man? |
| 01:17:17 |
Search me. |
| 01:17:23 |
You schmuck. Schmucko! |
| 01:17:27 |
You talking to me? |
| 01:17:28 |
Who in the hell do you think |
| 01:17:31 |
Leave me alone. |
| 01:17:33 |
You just killed Barbara. |
| 01:17:35 |
- Who? |
| 01:17:38 |
- So what? |
| 01:17:39 |
who's been holding |
| 01:17:42 |
There's a lot of people |
| 01:17:44 |
and they're pissed off at you, man! |
| 01:17:46 |
What... what... what's... |
| 01:17:49 |
I don't know this place. |
| 01:17:53 |
Garvin, baby! |
| 01:17:58 |
- Where am I? |
| 01:18:01 |
Like viruses. |
| 01:18:02 |
What are you talking about? |
| 01:18:03 |
We're inside his hard drive, man. |
| 01:18:06 |
You are nuts. |
| 01:18:07 |
Okay, so I'm nuts, |
| 01:18:09 |
Do you see? |
| 01:18:12 |
- Who's Felix? |
| 01:18:15 |
I eat writers for breakfast. |
| 01:18:18 |
Listen, I can't talk right now. |
| 01:18:21 |
Did somebody say Felix Bonhoeffer? |
| 01:18:24 |
- Well, who the hell are you? |
| 01:18:27 |
I've gotta question |
| 01:18:29 |
and what do you two |
| 01:18:32 |
He's a writer. |
| 01:18:33 |
He was involved |
| 01:18:36 |
- A shootout? |
| 01:18:38 |
I knew it! I knew it! I knew it! |
| 01:18:41 |
Yeah, I knew there was something |
| 01:18:46 |
Where can I find him? |
| 01:18:48 |
Look in there, over there to the left. |
| 01:18:50 |
See him sleeping in the chair? |
| 01:18:53 |
So that's him. |
| 01:18:56 |
- No, don't disturb him. |
| 01:18:58 |
- Because he owes me, that's why. |
| 01:19:01 |
A conclusion. |
| 01:19:03 |
Tell me about it, huh? |
| 01:19:04 |
Especially when he's tired. |
| 01:19:07 |
He's extremely dangerous, |
| 01:19:10 |
That's why I have to lock |
| 01:19:14 |
I hate writers. I always have. |
| 01:19:19 |
Would you mind |
| 01:19:21 |
- Who's that? |
| 01:19:22 |
- His wife. |
| 01:19:24 |
His wife. |
| 01:19:26 |
I know that voice. |
| 01:19:27 |
Love, the garbage? |
| 01:19:29 |
Gina, don't wake him, Gina. |
| 01:19:31 |
Gina, please don't wake him. |
| 01:19:33 |
Love? |
| 01:19:48 |
Love, can you please |
| 01:19:51 |
What? Sorry. |
| 01:19:53 |
Can you please take out |
| 01:19:56 |
I don't want it to smell up the house. |
| 01:19:58 |
Okay. Hi, Stormy. |
| 01:20:00 |
- Come on, love. |
| 01:20:14 |
God Almighty. |
| 01:20:15 |
Why'd you kill me off like that? |
| 01:20:17 |
What? |
| 01:20:18 |
Why'd you kill me off like that? |
| 01:20:20 |
I didn't kill you off. |
| 01:20:22 |
Shit, man, you killed me in scene 23. |
| 01:20:26 |
Keep your voice down. |
| 01:20:29 |
There, see? |
| 01:20:30 |
I was supposed to go to scene 32. |
| 01:20:34 |
You were? |
| 01:20:35 |
Yeah, man, my part |
| 01:20:37 |
I had three more scenes. |
| 01:20:39 |
Oh, I don't remember that. |
| 01:20:42 |
Look at scene 32. |
| 01:20:44 |
That was supposed to be me. |
| 01:20:47 |
I was supposed to come in and yell... |
| 01:20:48 |
Stop doing this! |
| 01:20:52 |
So they didn't shoot it |
| 01:20:54 |
Man, Matt Dobbs |
| 01:20:57 |
He was all over the place... |
| 01:20:59 |
- Who was the director? |
| 01:21:01 |
Gavin, yeah, I remember. |
| 01:21:04 |
He was a pussy on this thing. |
| 01:21:05 |
Nice guy, but he had no control. |
| 01:21:07 |
Matt Dobbs was directing |
| 01:21:10 |
He was? Oh, I'm sorry. |
| 01:21:13 |
My name's not Mort, it's Phil. |
| 01:21:17 |
Phil Henderson? |
| 01:21:18 |
Phil, I'm sorry, Phil. I didn't... |
| 01:21:20 |
So, who's Mort? |
| 01:21:24 |
Mort is the character |
| 01:21:26 |
What's wrong with you? |
| 01:21:28 |
Oh, the hole in the head. |
| 01:21:32 |
So, this guy was directing everything? |
| 01:21:35 |
Everything, man. |
| 01:21:36 |
He had us doing line readings. |
| 01:21:38 |
He kept saying he knew |
| 01:21:41 |
Big fucking deal. |
| 01:21:43 |
He kept saying things like, |
| 01:21:44 |
"I was out last night, |
| 01:21:47 |
- "and Marlon was there..." |
| 01:21:48 |
"...and Marlon said this, |
| 01:21:51 |
and Al, you know he loved improv." |
| 01:21:53 |
- All that crap. |
| 01:21:54 |
Maybe that's why the jerk-off died. |
| 01:21:57 |
He had to have total control, |
| 01:22:00 |
A power freak. |
| 01:22:04 |
You remember that speech about |
| 01:22:08 |
Body snatchers? No. |
| 01:22:09 |
- You didn't write that? |
| 01:22:12 |
I knew it. I knew it. |
| 01:22:15 |
He just took off on this speech |
| 01:22:19 |
Don't you see the dailies? |
| 01:22:20 |
No, I'm not allowed |
| 01:22:22 |
Well, you wrote the movie, |
| 01:22:25 |
It was very good. |
| 01:22:26 |
In fact, that's the only reason |
| 01:22:29 |
It was a big break for me. |
| 01:22:30 |
So, someone died? |
| 01:22:33 |
Yeah, Matt Dobbs. |
| 01:22:35 |
You wrote the part of Ray |
| 01:22:39 |
I did? |
| 01:22:40 |
Yeah, man, what's wrong with you? |
| 01:22:43 |
No, no, I'm not on drugs. |
| 01:22:44 |
Ray, the character that Matt Dobbs |
| 01:22:48 |
Matt Dobbs |
| 01:22:50 |
he was white, like her. |
| 01:22:54 |
Oh, my God. |
| 01:22:55 |
Why did you kill me off, Felix? |
| 01:22:57 |
- Barbara. |
| 01:23:01 |
That's all I was. |
| 01:23:02 |
It's Barbara. |
| 01:23:04 |
Now you have no continuity. |
| 01:23:07 |
Nothing makes sense anymore. |
| 01:23:12 |
It's so unfair. |
| 01:23:14 |
It's just so unfair. |
| 01:23:21 |
So unfair. |
| 01:23:25 |
Go. |
| 01:23:27 |
Mommy. |
| 01:23:32 |
Oh, my God. |
| 01:23:34 |
Let's get a doctor, an ambulance. |
| 01:23:37 |
Oh, God. |
| 01:23:43 |
It's okay, man. It's okay. |
| 01:23:46 |
Yeah, they gave him |
| 01:23:49 |
Bloodwork was fine, |
| 01:23:53 |
They even gave him |
| 01:23:57 |
What happened was |
| 01:24:00 |
Love, can you take out the trash |
| 01:24:04 |
The kitchen trash. |
| 01:24:05 |
Love, can you please take out |
| 01:24:09 |
Are you okay? |
| 01:24:11 |
I can't move. |
| 01:24:13 |
I couldn't wake him up. |
| 01:24:16 |
so I just called the ambulance, |
| 01:24:18 |
and we got him to the hospital. |
| 01:24:19 |
I guess he's just stressed out. |
| 01:24:21 |
He's been working so late |
| 01:24:24 |
I'll see you at the hospital. |
| 01:24:27 |
No escape. |
| 01:25:02 |
We got him to emergency, |
| 01:25:04 |
but couldn't find |
| 01:25:06 |
He's right as rain. |
| 01:25:08 |
Terrible pain. |
| 01:25:10 |
So, when they gonna |
| 01:25:12 |
Maybe Tuesday. |
| 01:25:15 |
Maybe not today, maybe tomorrow. |
| 01:25:18 |
Life. |
| 01:25:37 |
Hi, Felix. |
| 01:25:49 |
Felix. |
| 01:26:12 |
Hi. |
| 01:26:18 |
I'm Dr. Geekman, and this is |
| 01:26:22 |
So, you're ready to go home? |
| 01:26:24 |
The good news is we can find nothing |
| 01:26:28 |
- Absolutely nothing. |
| 01:26:31 |
Right, stress, anxiety, perhaps. |
| 01:26:34 |
Has he been under stress? |
| 01:26:35 |
I'm sorry, you're his wife? |
| 01:26:37 |
- Gina, hello. |
| 01:26:39 |
Has he been under stress, |
| 01:26:41 |
He's been writing a screenplay. |
| 01:26:43 |
He's a bit obsessive about it, |
| 01:26:47 |
but other than that |
| 01:26:50 |
- You're an all-or-nothing kind of guy? |
| 01:26:53 |
Lots of people |
| 01:26:55 |
Need to relax, let go. |
| 01:26:58 |
Yeah, let go. |
| 01:27:01 |
Has your husband ever been diagnosed |
| 01:27:05 |
He just thinks he's losing his mind. |
| 01:27:07 |
He thinks he's going crazy, Doctor. |
| 01:27:12 |
- Hello. |
| 01:27:15 |
Well, like Stu said, just complete rest. |
| 01:27:18 |
Yes, complete rest. |
| 01:27:19 |
Lots of sleep and easy does it. |
| 01:27:21 |
Moderation in all things. |
| 01:27:31 |
You're next! |
| 01:27:33 |
Okay, well, no physical activity |
| 01:27:36 |
and complete rest, |
| 01:27:40 |
We could try some medication. |
| 01:27:42 |
- Oh, no, Doctor, no drugs. |
| 01:27:45 |
- No. |
| 01:27:47 |
No. |
| 01:27:50 |
Be good to yourself. Relax. |
| 01:27:52 |
Thank you. |
| 01:27:56 |
Hello? |
| 01:27:57 |
Thank you, Doctor. |
| 01:28:46 |
Are you okay? |
| 01:28:49 |
Yeah. |
| 01:28:51 |
Are you sure? |
| 01:29:02 |
Hello, Felix. |
| 01:29:09 |
What are you doing? |
| 01:29:10 |
I've gotta get out. |
| 01:29:12 |
- I've gotta get out of here. |
| 01:29:19 |
God! |
| 01:29:22 |
Don't! |
| 01:29:23 |
Please stop. |
| 01:29:24 |
Love. Love! |
| 01:29:26 |
I've got to get back. |
| 01:29:27 |
It's 4:00. |
| 01:29:30 |
My time's up. I've gotta go back. |
| 01:29:32 |
- Please don't be crazy. |
| 01:29:34 |
Hold it. |
| 01:29:36 |
I've gotta get back. |
| 01:29:37 |
We're almost home. |
| 01:29:38 |
- I'm here to help. |
| 01:29:40 |
We're not gonna hurt him. |
| 01:29:44 |
No, he's just been released |
| 01:29:46 |
Okay, so he's not |
| 01:29:48 |
No, he's just been under |
| 01:29:50 |
Morning View Highway. |
| 01:29:51 |
All right, take it easy. |
| 01:29:54 |
Hey! Wait, wait! |
| 01:30:31 |
What's that, dear? |
| 01:30:33 |
Oh, yes, I heard. |
| 01:30:35 |
I heard. |
| 01:30:37 |
Poor old Felix. |
| 01:30:44 |
Cut. That's lunch, everyone. |
| 01:30:47 |
That's it. |
| 01:31:37 |
You're pulling my chest hairs! |
| 01:33:42 |
You're next. |
| 01:33:49 |
Go, go, go. |
| 01:36:02 |
- Hi. |
| 01:36:04 |
So, you're ready to go home? |
