Smoke
|
00:01:28 |
I'll tell you why they're |
00:01:29 |
Yeah? And why is that? |
00:01:32 |
Management. Those guys are walking |
00:01:37 |
They made some great deals. Tommy. Hernandez. Carter. |
00:01:42 |
That was four years ago. |
00:01:44 |
Look who they got rid of. |
00:01:45 |
Mitchell. Backman. McDowell. |
00:01:51 |
Wilson, for Chrissakes. |
00:01:53 |
And Nolan Ryan. Don't forget him. |
00:01:54 |
Yeah. And Amos Otis. |
00:01:59 |
The team was good, the best |
00:02:02 |
But then they had to screw it up. |
00:02:13 |
Hey, Auggie. How's it going? |
00:02:16 |
Hey, man. Good to see |
00:02:19 |
Two tins of Schimmelpennincks. |
00:02:21 |
And throw in a lighter |
00:02:30 |
The boys and I were just |
00:02:33 |
discussion about women and cigars |
00:02:39 |
I suppose it all goes |
00:02:43 |
The Queen of England? |
00:02:44 |
Not Elizabeth the Second, |
00:02:46 |
Did you ever hear of Sir Walter Raleigh? |
00:02:50 |
Sure. He's the guy who threw |
00:02:53 |
I used to smoke Raleigh cigarettes. |
00:02:56 |
They came with a free |
00:02:58 |
That's the man. Well, Raleigh was the |
00:03:04 |
and since he was a |
00:03:08 |
Queen Bess, he used to call her |
00:03:12 |
smoking caught on as a fashion at court. |
00:03:15 |
I'm sure Old Bess must have shared |
00:03:22 |
Once, he made a bet with her that |
00:03:29 |
You mean, weigh smoke? |
00:03:31 |
Exactly. Weigh smoke. |
00:03:34 |
You can't do that. |
00:03:36 |
I admit it's strange. Almost |
00:03:39 |
But Sir Walter was a clever guy. |
00:03:42 |
First, he took an unsmoked cigar and |
00:03:49 |
Then he lit up and smoked the cigar, |
00:03:51 |
carefully tapping the |
00:03:55 |
When he was finished, he |
00:03:58 |
along with the ashes and |
00:04:03 |
Then he subtracted that number from the |
00:04:11 |
The difference was the |
00:04:24 |
He's a writer. |
00:04:26 |
Lives in the neighborhood. |
00:04:28 |
And what kind of writer |
00:04:31 |
Very funny. Some of the |
00:04:35 |
sometimes I think you |
00:04:37 |
You know, go in for some |
00:04:40 |
To clean out the valves in your brain. |
00:04:43 |
It was just a joke, Auggie. |
00:04:45 |
The guy's a novelist. |
00:04:48 |
Paul Benjamin. You ever hear of him? |
00:04:52 |
That's a stupid question. |
00:04:53 |
The only things you guys |
00:04:56 |
and sports pages of the Post. |
00:05:00 |
He's published three or four books. |
00:05:04 |
But nothing now for the past few years. |
00:05:07 |
What's the matter? He run out of ideas? |
00:05:09 |
He ran out of luck. |
00:05:11 |
Remember that holdup out here |
00:05:14 |
You talking about the bank? |
00:05:15 |
The time those two guys started |
00:05:17 |
That's it. Four people got killed. |
00:05:18 |
One of them was Paul's wife. |
00:05:21 |
The poor lug, he hasn't |
00:05:25 |
The funny thing was, she stopped |
00:05:29 |
To stock up on cigars for him. |
00:05:33 |
Four or five months pregnant |
00:05:37 |
that when she was killed, |
00:05:41 |
Bad day at Black Rock, eh, Auggie? |
00:05:44 |
It was bad, all right. |
00:05:48 |
I sometimes think that if she hadn't |
00:05:53 |
or if the store had been |
00:05:57 |
it would have taken her a few |
00:05:59 |
and then maybe she wouldn't have |
00:06:02 |
She'd still be alive, the |
00:06:05 |
Hey! What are you doing there, kid? |
00:06:08 |
Hey, cut that out! |
00:06:57 |
Watch out, man. You'll get |
00:07:05 |
It's a law of the universe. |
00:07:08 |
You have to let me do something for |
00:07:13 |
OK. If I think of something, I'll |
00:07:17 |
Please. At least let me |
00:07:21 |
I don't drink coffee. |
00:07:24 |
On the other hand, since you insist, |
00:07:29 |
if you offered me a cold |
00:07:32 |
Good. |
00:07:37 |
My name is Paul. |
00:07:39 |
Im Rashid. Rashid Cole. |
00:07:44 |
Listen, if someone offered |
00:07:46 |
you wouldn't necessarily |
00:07:49 |
People don't do that kind |
00:07:52 |
I'm not "people." I'm just me. And I do |
00:07:58 |
Thanks, but I'll manage. |
00:08:03 |
In case you're wondering, I |
00:08:06 |
And I'm not offering |
00:08:09 |
just a place to crash |
00:08:14 |
I can take care of myself. Don't worry. |
00:08:18 |
Suit yourself. |
00:08:22 |
But if you change your mind, |
00:08:25 |
Miss |
00:08:28 |
Do you have a pen I can borrow? |
00:08:35 |
In case you change your mind, |
00:08:39 |
here's my address. |
00:08:43 |
You don't take anything |
00:08:46 |
I try not to, anyway. It's |
00:08:49 |
I mean, look at you, Vincent. |
00:08:50 |
You're the guy with the wife and three |
00:08:54 |
You're the guy with the white shoes and |
00:08:59 |
But you've had two heart attacks, |
00:09:03 |
I should stop smoking |
00:09:07 |
The fuckers are going |
00:09:08 |
Enjoy it while you can, Vin. |
00:09:11 |
Pretty soon, they're going to |
00:09:15 |
Pretty soon, they catch |
00:09:17 |
they'll stand you up |
00:09:20 |
Tobacco today, sex tomorrow. |
00:09:23 |
In three or four years, it'll probably |
00:09:27 |
Speaking of which, are you still going |
00:09:30 |
It's all set. My guy in Miami said he'd |
00:09:35 |
Are you sure you don't |
00:09:38 |
Five thousand dollars outlay, a |
00:09:41 |
A consortium of Court |
00:09:44 |
They're just drooling to get their |
00:09:48 |
Hey, I don't care what you do, but just |
00:09:50 |
The last I heard, it was still illegal |
00:09:54 |
It's the law that's buying. |
00:09:56 |
That's what's so beautiful about it. |
00:09:59 |
I mean, when was the last time you |
00:10:03 |
Suit yourself. Just don't keep |
00:10:06 |
They come in, they go out. I've |
00:10:09 |
I've got to get moving. Terry |
00:10:12 |
See you in September, Auggie. |
00:10:13 |
Okay, my man. |
00:10:28 |
Are you closed? |
00:10:30 |
You run out of Schimmelpennincks? |
00:10:32 |
Do you think I could buy |
00:10:34 |
No problem. It's not as though I'm |
00:11:01 |
Looks like someone forgot a camera. |
00:11:05 |
Yeah, I did. |
00:11:08 |
It's yours? |
00:11:11 |
It's mine all right. |
00:11:13 |
I've owned that little |
00:11:21 |
I didn't know you took pictures. |
00:11:25 |
I guess you could call it a hobby. |
00:11:28 |
It doesn't take me more than |
00:11:30 |
but I do it every day. Rain |
00:11:35 |
Sort of like the postman. |
00:11:39 |
So you're not just some guy who |
00:11:43 |
That's what people see, but |
00:12:08 |
They're all the same. |
00:12:10 |
That's right. |
00:12:11 |
More than four thousand |
00:12:14 |
The corner of 3rd Street and Seventh |
00:12:18 |
Four thousand straight days |
00:12:23 |
That's why I can never take a vacation. |
00:12:25 |
I've got to be in my spot every morning. |
00:12:27 |
Every morning in the same |
00:12:30 |
I've never seen anything like this. |
00:12:36 |
It's my project. What |
00:12:43 |
Amazing. |
00:12:46 |
I'm not sure I get it, though. I mean... |
00:12:51 |
What was it that gave you the |
00:12:57 |
I don't know, it just came to me. |
00:13:01 |
It's my corner, after all. |
00:13:04 |
It's just one little part of the world, |
00:13:06 |
but things happen there, too, |
00:13:12 |
It's a record of my little spot. |
00:13:17 |
It's kind of overwhelming. |
00:13:34 |
You'll never get it if you |
00:13:39 |
What do you mean? |
00:13:41 |
I mean, you're going too fast. You're |
00:13:50 |
But they're all the same. |
00:13:53 |
They're all the same, but each one |
00:13:57 |
You've got your bright |
00:13:59 |
You've got your summer |
00:14:02 |
You've got your weekdays |
00:14:05 |
You've got your people |
00:14:07 |
and you've got your people |
00:14:12 |
Sometimes the same people, |
00:14:16 |
And sometimes the different |
00:14:19 |
and the same ones disappear. |
00:14:22 |
The earth revolves around |
00:14:25 |
the light from the sun hits |
00:14:37 |
Slow down, huh? |
00:14:41 |
Yeah, that's what I'd recommend. |
00:14:43 |
You know how it is. |
00:14:45 |
Tomorrow and tomorrow and tomorrow, |
00:14:47 |
time creeps on its petty pace. |
00:15:47 |
Jesus. |
00:15:52 |
Look. |
00:15:58 |
It's Ellen. |
00:16:00 |
Yeah. There her allright. |
00:16:03 |
She's in quite a few from that year. |
00:16:07 |
She must have been on her way to work. |
00:16:09 |
It's Ellen. |
00:16:16 |
Look at her. |
00:16:22 |
Look at my sweet darling. |
00:17:44 |
Shit. |
00:17:52 |
Who is it? |
00:17:53 |
Rashid. |
00:17:54 |
Who? |
00:17:55 |
Rashid Cole. The lemonade kid, remember? |
00:17:58 |
Yeah. Come on up. |
00:18:14 |
Come on in. I didn't |
00:18:19 |
Same here. |
00:18:24 |
But I had a long talk with my |
00:18:29 |
to see how a move like this |
00:18:31 |
and he said it would be okay. |
00:18:50 |
Time to wake up. |
00:18:56 |
Rashid! |
00:19:01 |
Up and out. I have to work in |
00:19:06 |
What time is it? |
00:19:07 |
Eight-thirty. |
00:19:09 |
Eight-thirty? |
00:19:11 |
You'll find juice and eggs |
00:19:13 |
Cereal in the cupboard. |
00:19:15 |
Take whatever you want. But it's |
00:20:06 |
Jesus, do you make a lot of noise. |
00:20:08 |
I'm sorry. They just... they |
00:20:11 |
A little less clumsiness around |
00:20:15 |
How long have you been here? |
00:20:18 |
Two nights. |
00:20:19 |
And how long did I |
00:20:23 |
A couple of nights. |
00:20:24 |
Well, it looks like our |
00:20:37 |
I'm sorry I messed up. |
00:20:41 |
But all good things |
00:20:43 |
No hard feelings, okay? |
00:20:47 |
and I can't get my work |
00:20:49 |
You don't have to apologize. |
00:20:52 |
The coast is probably clear now anyway. |
00:20:54 |
Are you going to be all right? |
00:20:57 |
Absolutely. The world is my oyster. |
00:20:59 |
Whatever that means. |
00:21:02 |
Do you need some money? |
00:21:04 |
Not a penny, not a |
00:21:12 |
Take good care of yourself, okay? |
00:21:14 |
You too. |
00:21:16 |
And make sure the light is green |
00:21:18 |
Oh, by the way, I liked your book. I |
00:22:36 |
Is your name Paul Benjamin? |
00:22:37 |
How can I help you? |
00:22:38 |
I just want to know what your |
00:22:42 |
How the hell did you |
00:22:44 |
What do you mean, how'd I get in? |
00:22:45 |
I pushed the door and |
00:22:48 |
The damn lock's broken again. |
00:22:50 |
And so you just barge in on strangers, |
00:22:54 |
I'm looking for my nephew, Thomas. |
00:22:56 |
Thomas? Who's Thomas? |
00:22:57 |
Don't give me any of that. |
00:22:59 |
You can't fool me, mister. |
00:23:00 |
I'm telling you. I don't |
00:23:03 |
Thomas Cole. Thomas |
00:23:09 |
You mean Rashid? |
00:23:11 |
Rashid? Rashid! Is that what |
00:23:15 |
Well, whatever his name |
00:23:18 |
He left two days ago, and I |
00:23:22 |
And what was he doing |
00:23:23 |
That's what I want to know. |
00:23:24 |
What's a man like you messing around |
00:23:27 |
Are you some kind of pervert, or what? |
00:23:28 |
Look, lady, that's enough. If you don't |
00:23:33 |
Do you hear me? Right now! |
00:23:35 |
I just want to know where he is. |
00:23:36 |
As far as I know, he |
00:23:41 |
His parents? Is that what |
00:23:45 |
That's what he said. |
00:23:46 |
He told me he lived with his mother and |
00:23:51 |
I always knew that |
00:23:52 |
but now he's gone and made up |
00:24:03 |
Do you mind if I sit down? |
00:24:12 |
He's been living with me and his |
00:24:15 |
And we don't live in Manhattan. |
00:24:17 |
We live in Boerum Hill. In the projects. |
00:24:22 |
He doesn't go to the Trinity School? |
00:24:24 |
He goes to John Jay |
00:24:30 |
And his parents? |
00:24:33 |
His mother's dead, and he hasn't |
00:24:41 |
I shouldn't have let him go. |
00:24:44 |
Could anything happened lately? |
00:24:46 |
Anything unusual or unexpected? |
00:24:50 |
Well, one thing I suppose, but I don't |
00:24:54 |
A friend of mine called |
00:24:56 |
and said she'd spotted Thomas's father working |
00:25:02 |
And you told your nephew about it? |
00:25:04 |
I figured he had a right to know. |
00:25:07 |
And? |
00:25:09 |
And nothing. Thomas looked at |
00:25:12 |
I don't have a father. As far as I'm |
00:26:24 |
You going to sit here all day? |
00:26:26 |
I don't know. I haven't decided yet. |
00:26:30 |
Why don't you pick some other spot? |
00:26:32 |
It gives a man the creeps |
00:26:37 |
It's a free country, isn't it? |
00:26:39 |
As long as I'm not trespassing on your |
00:26:46 |
Let me give you some |
00:26:50 |
There's two dollars and fifty-seven |
00:26:54 |
And considering all the time you've |
00:26:58 |
you won't make but about fifty |
00:27:03 |
However you slice it, |
00:27:08 |
I'm not going to rob you, mister. |
00:27:10 |
Do I look like a thief? |
00:27:12 |
I don't know what you look like, boy. |
00:27:14 |
As far as I can tell, you sprouted up |
00:27:19 |
You live in this town... or |
00:27:22 |
Just passing through. |
00:27:24 |
Just passing through. |
00:27:27 |
A lonesome traveler with |
00:27:31 |
plops himself across from |
00:27:37 |
There's other places to roam, |
00:27:43 |
You don't want to make |
00:27:46 |
I'm working on a sketch. |
00:27:49 |
That old garage of yours is so |
00:27:54 |
It's rundown, all right. But drawing a |
00:28:02 |
Let's see what you did. |
00:28:04 |
It'll cost you five bucks. |
00:28:05 |
Five bucks! You mean you're going to |
00:28:08 |
Once you look at it, you're |
00:28:10 |
That's guaranteed. And |
00:28:14 |
So if you're not |
00:28:15 |
you might as well not bother to look. |
00:28:17 |
It'll just tear you up |
00:28:20 |
Son-of-a-bitch. You're some |
00:28:26 |
I just tell it like it is, mister. |
00:28:29 |
If I'm getting on your nerves, though, |
00:28:34 |
Are those eyes in your head, or are those brown |
00:28:41 |
You've been sitting here all day, and how many |
00:28:45 |
Not a one. |
00:28:46 |
Not a one. |
00:28:49 |
Not one customer. |
00:28:54 |
I bought this broken-down shit-hole |
00:29:00 |
and if business don't pick up soon, |
00:29:03 |
What do I want to be hiring someone |
00:29:09 |
It was just a thought. |
00:29:12 |
Wont you keep your |
00:29:14 |
Keep your hands to yourself. |
00:29:37 |
Auggie. |
00:29:39 |
Auggie, I think there's a customer. |
00:29:46 |
Hello Auggie |
00:29:52 |
It's really you, isn't it, Auggie? |
00:29:56 |
Christ, Ruby, it's been so |
00:30:03 |
Eighteen and a half years. |
00:30:06 |
Is that all? I thought it |
00:30:10 |
You're looking good, Auggie. |
00:30:13 |
No I'm not. I look like shit. And |
00:30:21 |
What's with the patch, anyway? What'd |
00:30:27 |
hock it for a bottle of gin? |
00:30:29 |
I don't want to talk about it. |
00:30:33 |
If you really want to know. I lost it. |
00:30:35 |
And I'm not sorry I did. |
00:30:39 |
That thing was cursed, and it |
00:30:42 |
And you think it looks better to go |
00:30:46 |
You always were a |
00:30:48 |
A little weasel with |
00:30:51 |
At least I've stayed true to myself. |
00:30:53 |
Which is more than I can |
00:30:57 |
I came here to talk to you about something, |
00:31:03 |
You owe me that much. I drove all the way from Pittsburgh |
00:31:08 |
Fine. Talk away, lady of |
00:31:13 |
I think this is between you and |
00:31:20 |
You heard her, pipsqueak. The lady |
00:31:25 |
Go outside and stand in front of the door. If anyone |
00:31:32 |
Yeah, I got it. |
00:31:34 |
The store's closed. |
00:31:38 |
And when do I tell them it's open? |
00:31:40 |
When I tell you it's open. It's |
00:31:45 |
Okay, I got it. You don't have to yell. |
00:32:05 |
All right, sugar, what's on your mind? |
00:32:12 |
Will you stop staring at me like |
00:32:15 |
Like what? |
00:32:17 |
Like what you're doing. |
00:32:22 |
I need your help, and if you keep staring |
00:32:26 |
Help, huh? And I don't suppose this help |
00:32:31 |
Don't rush me, okay? You're jumping to |
00:32:35 |
And besides, it's not for me. |
00:32:43 |
It's for our daughter. |
00:32:46 |
Our daughter? |
00:32:51 |
Is that what you said? Our daughter? |
00:32:56 |
I mean, you might have a |
00:33:00 |
And even if I did -- which I don't |
00:33:06 |
Her name is Felicity, and |
00:33:10 |
She ran away from Pittsburgh last year, |
00:33:15 |
and now she's living in some shit-hole |
00:33:23 |
Strung out on crack, |
00:33:27 |
four months pregnant. |
00:33:31 |
I can't bear to think about that baby. |
00:33:33 |
Our grandchild, Auggie. Just |
00:33:36 |
Stop it, already. Just stop |
00:33:40 |
Was that your idea to call her Felicity? |
00:33:43 |
It means "happiness." |
00:33:44 |
I know what it means. That |
00:33:48 |
I don't know who else |
00:33:50 |
You've suckered me before, sweetheart |
00:33:52 |
Why should I believe you now? |
00:33:57 |
Why would I lie to you? |
00:34:00 |
You think it was easy to come |
00:34:07 |
Why would I do it if I didn't have to? |
00:34:11 |
That's what you told me when I |
00:34:14 |
You remember, baby, don't you? |
00:34:16 |
The judge gave me a choice: |
00:34:20 |
So I wind up in the navy for four |
00:34:24 |
I watch men lose their arms and |
00:34:28 |
and you, sweet Ruby McNutt, you run |
00:34:33 |
You didn't write to me |
00:34:35 |
What was I supposed to think? |
00:34:37 |
Yeah, well, I lost my pen. By the time I |
00:34:42 |
It was over with Bill |
00:34:45 |
Maybe you don't remember it now, but |
00:34:53 |
You weren't so lukewarm |
00:35:00 |
It fizzled, baby. |
00:35:04 |
But we had our good |
00:35:09 |
A couple of moments, |
00:35:13 |
And that's how Felicity |
00:35:15 |
During one of those two seconds. |
00:35:17 |
You're conning me, sweetheart. |
00:35:25 |
I thought I could handle it. |
00:35:30 |
I didn't want to bug you. |
00:35:31 |
I thought I could handle it on my own, |
00:35:35 |
and I couldn't. |
00:35:39 |
She's in it real bad, Auggie. |
00:35:46 |
Nice try, old girl. I'd |
00:35:49 |
You know, for old time's sake. |
00:35:53 |
But I really cant right now. All my spare cash is tied up |
00:36:01 |
Too bad. You caught |
00:36:04 |
You're a cold-hearted bastard |
00:36:07 |
How'd you ever get so mean, Auggie? |
00:36:09 |
I know you think I'm |
00:36:11 |
Every word I told you is |
00:37:25 |
I'll tell you what. You want |
00:37:30 |
Nothing permanent, mind you, |
00:37:35 |
-- the one above the office |
00:37:37 |
It looks like they've been throwing |
00:37:40 |
and it's time it got cleaned up. |
00:37:43 |
What's your offer? |
00:37:46 |
Five bucks an hour. That's |
00:37:51 |
It's a quarter past two now. |
00:37:54 |
My wife's picking me up at five-thirty, |
00:37:58 |
If you can't finish today, |
00:38:01 |
Is there a benefits package, or are |
00:38:08 |
Benefits? |
00:38:11 |
You know, health insurance, |
00:38:14 |
It's not fun being exploited. Workers |
00:38:21 |
I'm afraid we'll be working |
00:38:32 |
Five dollars an hour? |
00:38:40 |
I'll take it. |
00:38:50 |
Cyrus Cole. |
00:38:53 |
Paul. Paul Benjamin. |
00:40:14 |
Time for a pause, kid. Relax. |
00:40:45 |
I don't mean to be nosy, |
00:40:47 |
but I was wondering what |
00:40:52 |
An ugly piece of hardware, aint it? |
00:41:02 |
I'll tell you what happened to my arm. |
00:41:04 |
I'll tell you what happened. |
00:41:08 |
Twelve years ago, |
00:41:11 |
God looked down on me |
00:41:13 |
and said, "Cyrus, |
00:41:16 |
you're a bad, stupid, selfish man. |
00:41:24 |
First, I'm going to fill |
00:41:30 |
and then I'm going to put |
00:41:35 |
and then I'm going to |
00:41:40 |
and kill the woman who loves you. |
00:41:43 |
But you, Cyrus, |
00:41:46 |
I'm going to let you live, |
00:41:48 |
because living is a |
00:41:53 |
And just so you don't forget |
00:42:02 |
I'm going to rip off your arm |
00:42:08 |
If I wanted to, I could rip off |
00:42:15 |
I'm going to be merciful and |
00:42:26 |
Every time you look at your hook, |
00:42:33 |
I want you to remember |
00:42:37 |
what a bad, stupid, selfish man you are. |
00:42:45 |
Let that be a lesson to you, Cyrus, |
00:42:48 |
a warning to mend." |
00:42:53 |
So, have you mended your ways? |
00:43:00 |
I try. |
00:43:03 |
Every day. |
00:43:32 |
Hi, baby. How'd it go today? |
00:43:33 |
If I have to wash one more old lady's |
00:43:39 |
Busy, huh? That's good, because things |
00:43:44 |
Don't worry, Cy. It's early days yet. |
00:45:10 |
Hey, it's you. |
00:45:12 |
I wanted to give you this as |
00:45:17 |
Appreciation for what? |
00:45:19 |
I don't know. For helping me out. |
00:45:26 |
Where did you get that thing? |
00:45:28 |
I bought it. Twenty-nine ninety-five |
00:45:39 |
Well, that does it. |
00:45:42 |
You'll be able to watch the ball games. |
00:45:45 |
You know, as a little |
00:45:47 |
Where the hell do you |
00:45:49 |
Business meeting. |
00:45:50 |
I'm seeing my accountant |
00:45:52 |
Cut it out, will you? Just |
00:45:57 |
I don't really have time. |
00:45:59 |
Close the door. |
00:46:07 |
Sit down in that chair. |
00:46:18 |
Now listen carefully. |
00:46:22 |
Your Aunt Em came here |
00:46:31 |
She was sick with |
00:46:37 |
We had an interesting |
00:46:44 |
Do you understand what I'm saying? |
00:46:48 |
Your aunt thinks you're |
00:46:55 |
Tell me about it, kid. I want |
00:47:01 |
You don't really want to know. |
00:47:02 |
I don't, huh? And what makes you such an |
00:47:07 |
Okay, okay. |
00:47:21 |
It's all so stupid. |
00:47:24 |
There's this guy, see. Charles Clemm. |
00:47:29 |
The kind of guy you don't |
00:47:32 |
And? |
00:47:34 |
I crossed paths with him. That's why I'm |
00:47:37 |
To make sure I don't run into him again. |
00:47:38 |
So that's the something you |
00:47:45 |
I just happened to be walking by... |
00:47:47 |
All of a sudden, the Creeper and this other |
00:47:51 |
with masks on their faces |
00:47:54 |
They just about ran smack into me. |
00:47:57 |
The Creeper recognized me, and |
00:48:02 |
If the guy from the check-cashing place hadn't rushed |
00:48:07 |
I'm telling you, the Creeper would have |
00:48:11 |
But the noise distracted him, |
00:48:14 |
and when he turned around to see |
00:48:18 |
One more second, and |
00:48:25 |
Why don't you go to the police? |
00:48:27 |
The man has friends. And they're not likely |
00:48:32 |
What makes you think you'll be any safer around |
00:48:37 |
It might not be far, |
00:48:40 |
Black is black and white is white, |
00:48:48 |
It looks like they've |
00:48:52 |
Let's not get too idealistic. |
00:48:55 |
Fair enough. We wouldn't want |
00:49:11 |
Now call your aunt Em and |
00:50:16 |
Get in, Auggie. I've got |
00:50:19 |
You don't give up, do you? |
00:50:20 |
Just get in and shut up. |
00:50:21 |
I'm not asking you to do anything. |
00:50:24 |
Where to? |
00:50:25 |
Dammit, Auggie, don't |
00:50:27 |
Just get in the car. |
00:50:30 |
I told her she was |
00:50:33 |
You what? |
00:50:34 |
It was the only way, Auggie. |
00:50:35 |
Otherwise, she wasn't |
00:50:37 |
I think you'd better stop |
00:50:39 |
Relax, okay? You don't |
00:50:43 |
Just go in there and pretend. |
00:50:45 |
It won't kill you to do |
00:50:47 |
Besides, you might even learn something. |
00:50:49 |
Yeah, like what? |
00:50:51 |
That I wasn't bullshitting |
00:50:53 |
At least you'll know I've |
00:50:55 |
Look, I'm not saying you |
00:50:56 |
It's just that she's not my daughter. |
00:50:59 |
Wait till you see her, Auggie. |
00:51:01 |
And what's that supposed to mean? |
00:51:02 |
She looks just like you. |
00:51:05 |
Cut it out. |
00:51:07 |
When I told her I was going to |
00:51:15 |
It's the first time Felicity's |
00:51:17 |
She's dying to meet you, Auggie. |
00:51:28 |
Nice neighborhood you've brought me to. |
00:51:30 |
Full of happy, prosperous people. |
00:52:01 |
Well? |
00:52:02 |
Well what? |
00:52:06 |
Aren't you going to say anything? |
00:52:08 |
What do you want me to say? |
00:52:11 |
I don't know. |
00:52:13 |
Hello, Mom. Hello, Dad. |
00:52:15 |
Something like that. |
00:52:17 |
I don't got no daddy, you dig? I got born |
00:52:21 |
Jesus Christ. This is all I need. |
00:52:25 |
You told me you wanted to |
00:52:31 |
Yeah, I might have said that. |
00:52:33 |
Chico told me to see what he was like, |
00:52:38 |
Well, now I've seen him, and |
00:52:41 |
Are you rich mister? |
00:52:42 |
Yeah, I'm a millionaire. I walk around in |
00:52:49 |
Be nice, sweetie. We're |
00:52:51 |
Help? What the fuck do |
00:52:54 |
I've got a man, don't I? |
00:52:56 |
That's more than you can |
00:52:58 |
Hey, hey, don't talk to |
00:53:03 |
You're telling me you actually |
00:53:07 |
You're telling me you |
00:53:11 |
You can do whatever you |
00:53:15 |
We're thinking of the baby. |
00:53:17 |
We want you to get yourself |
00:53:20 |
Before it's too late. |
00:53:25 |
What baby? |
00:53:26 |
Your baby. The baby you're |
00:53:30 |
Yeah, well, there ain't |
00:53:31 |
There's nothing in there now. |
00:53:37 |
What are you talking about? |
00:53:41 |
An abortion, stupid. |
00:53:42 |
I had an abortion the |
00:53:46 |
So you don't have to bug |
00:53:53 |
Bye-bye, baby! |
00:54:03 |
Come on, let's get out |
00:54:05 |
Yeah, that's right, you better go. |
00:54:07 |
Chico'll be back any minute, and I'm sure |
00:54:13 |
Chico's a real man. Not some scuzzy |
00:54:19 |
Do you hear what I'm saying? |
00:54:22 |
He'll chop up Mr. Dad |
00:54:26 |
That's a promise. |
00:54:29 |
He'll kick the living shit out of him. |
00:54:52 |
Listen carefully. |
00:54:57 |
About twenty-five years ago, a young |
00:55:07 |
There was an avalanche, |
00:55:11 |
the snow swallowed him up, |
00:55:14 |
and his body was never recovered. |
00:55:16 |
The end. |
00:55:18 |
No, not the end. The beginning. |
00:55:25 |
His son was just a |
00:55:31 |
but the years passed, and when he |
00:55:38 |
One day last winter, he went out by |
00:55:45 |
He gets halfway to the bottom and then |
00:55:54 |
Just as he's unwrapping |
00:55:59 |
he looks down and sees a body, right |
00:56:08 |
He bends down |
00:56:10 |
to take a closer look, |
00:56:12 |
and suddenly he feels that |
00:56:18 |
that he's looking at himself. |
00:56:20 |
There he is - dead - and |
00:56:24 |
frozen in a block of ice |
00:56:31 |
He gets down on all fours, looks |
00:56:41 |
and realizes that he's |
00:56:48 |
And the strange thing is that the |
00:56:58 |
The boy has become a man, and it turns |
00:57:20 |
So what are you going to do today? |
00:57:26 |
Read, think, do some |
00:57:32 |
But tonight I'm going to |
00:57:35 |
Celebrate? What for? |
00:57:37 |
It's my birthday. I'm seventeen years |
00:57:43 |
and I think I should celebrate |
00:57:46 |
Hey, hey. Happy birthday. |
00:58:05 |
I thought I recognized you. You're |
00:58:12 |
I confess. |
00:58:16 |
I keep waiting for the |
00:58:20 |
Anything in the works? |
00:58:23 |
It's coming along. |
00:58:26 |
At the rate he's going, he'll have a |
00:58:30 |
Wonderful. |
00:58:32 |
I apologize for springing |
00:58:35 |
but Mr. Benjamin and I are |
00:58:38 |
and we would be most pleased |
00:58:42 |
Isn't that right, Mr. Benjamin? |
00:58:49 |
Yes. We would be honored. |
00:58:53 |
And what's the occasion |
00:58:56 |
It's my birthday. |
00:58:58 |
And how many people will be |
00:59:01 |
I wouldn't actually call it a party. |
00:59:02 |
It's more along the lines of a |
00:59:07 |
The guest list is quite restricted. |
00:59:09 |
So far, there's Mr. Benjamin and myself. |
00:59:12 |
If you accept, that |
00:59:14 |
Ah-hah, I see. A cozy dinner. |
00:59:16 |
But aren't threesomes a little |
00:59:18 |
Three's a crowd. Yes, I'm aware of that. |
00:59:21 |
But I have to keep an eye on |
00:59:25 |
To make sure he doesn't |
00:59:27 |
And what are you, his chaperone? |
00:59:30 |
Actually, I'm his father. |
00:59:34 |
Most people assume I'm his father. |
00:59:36 |
It's a logical assumption... given |
00:59:40 |
But the fact is, it's |
00:59:44 |
He's my father, and I'm his son. |
01:00:02 |
Hey, man, good to see you. |
01:00:06 |
This is April Lee, Auggie. |
01:00:11 |
Howdy, Miss April. I'm right |
01:00:14 |
And this pretty little lady here |
01:00:21 |
the hottest chili pepper |
01:00:25 |
Ain't that so, baby? |
01:00:26 |
Ees so, Auggie. And you not |
01:00:33 |
So, what brings you to a dive like this? |
01:00:36 |
It's his birthday so we |
01:00:39 |
How old, kid? |
01:00:41 |
Seventeen. |
01:00:42 |
Seventeen? |
01:00:49 |
I remember when I was seventeen. |
01:00:57 |
Christ, when I was seventeen, I was |
01:01:06 |
Is that what you are, son? One |
01:01:09 |
Definitely. I'd say you've |
01:01:12 |
Good. Keep it up, and maybe one day you'll |
01:01:26 |
Hey, Auggie, I've just been thinking. |
01:01:27 |
You wouldn't need some |
01:01:29 |
Some summer help while Vinnie's gone? |
01:01:34 |
What did you have in mind? |
01:01:35 |
I'm thinking about the kid. |
01:01:38 |
I'm sure he'd do a good job for you. |
01:01:40 |
Hey, kid. You interested in a job? I just got word from your |
01:01:48 |
A job? |
01:01:49 |
I definitely wouldn't turn down a job. |
01:01:52 |
Come around to the cigar |
01:01:55 |
at ten o'clock and we'll |
01:01:57 |
We'll see what we can work out. |
01:01:58 |
Ten o'clock tomorrow |
01:02:02 |
I owe you one. |
01:02:04 |
Don't forget. |
01:02:25 |
It's 1942, right? |
01:02:29 |
And he's caught in |
01:02:32 |
I'm talking about one of the |
01:02:35 |
Five hundred thousand people |
01:02:38 |
and there's Bakhtin, |
01:02:40 |
expecting to be killed any day. |
01:02:42 |
He has plenty of tobacco, |
01:02:45 |
So he takes the pages of a manuscript |
01:02:50 |
and tears them up to |
01:02:53 |
His only copy? |
01:02:54 |
His only copy. |
01:03:02 |
I mean, if you think you're going to die, what's |
01:03:07 |
And so he huffed and he puffed, and |
01:03:13 |
Nice try. You had me going |
01:03:17 |
no writer would ever |
01:03:18 |
Would he? |
01:03:22 |
You don't believe me, huh? |
01:03:26 |
I'll show you. It's all in this book. |
01:03:32 |
What's this? |
01:03:33 |
I don't know. |
01:03:36 |
Is it yours? |
01:03:39 |
Yeah, it might be. |
01:03:42 |
Here, catch. |
01:03:48 |
So you're saying it |
01:03:52 |
Not exactly. I mean, there |
01:03:56 |
Christ. You didn't |
01:03:58 |
They dropped the package on |
01:04:04 |
I picked it up. |
01:04:06 |
And started to run. |
01:04:08 |
And started to run. |
01:04:14 |
Good thinking. |
01:04:16 |
That's just it. I didn't think. |
01:04:20 |
I just did it. |
01:04:21 |
You have one hell of a knack for |
01:04:25 |
So how much does it come to? |
01:04:26 |
Six thousand dollars. |
01:04:29 |
Five thousand eight hundred and |
01:04:34 |
So you robbed the robbers, and |
01:04:38 |
That's it. In a nutshell. |
01:04:41 |
Yeah, well, you have to be |
01:04:46 |
If you want my opinion, |
01:04:48 |
take this money back to the Creeper. |
01:04:49 |
Just give it back and |
01:04:51 |
No way. There's no way I'm giving |
01:04:53 |
A lot of good it will do |
01:04:56 |
That money is my whole future. |
01:05:00 |
Keep up with that attitude, |
01:05:05 |
Seventeen is a hell of an age to die. |
01:05:11 |
Is that what you want? |
01:05:23 |
I'll be back in about an hour. |
01:05:25 |
Watch the register while I'm gone, okay? |
01:05:27 |
Sure thing. See you later. |
01:06:29 |
It might be illegal, but it's hard to see |
01:06:33 |
No harm done. |
01:06:35 |
This is what it must have felt like |
01:06:38 |
Forbidden pleasures, eh? |
01:06:41 |
Much business while I was gone? |
01:06:42 |
A little. Not much. |
01:06:43 |
This way, gentlemen. Let's |
01:06:50 |
What the fuck is going on here! |
01:06:57 |
Look at this! The |
01:07:00 |
Holy fucking shit! |
01:07:49 |
The kid's sorry, Auggie. |
01:07:51 |
Yeah, well, I'm sorry too. |
01:07:56 |
It took me three years to save up those |
01:08:01 |
I can't hardly pay for this beer. |
01:08:08 |
Not to speak of having |
01:08:12 |
Do you understand what I'm saying? |
01:08:15 |
My credibility. |
01:08:20 |
So yeah, I'm sorry, too. |
01:08:22 |
About as sorry as I've ever |
01:08:31 |
He's got something to tell you, Auggie. |
01:08:35 |
If he's got something to tell me, |
01:08:40 |
It's for you. |
01:08:42 |
For me? |
01:08:44 |
And what am I supposed |
01:08:46 |
Open it. |
01:09:11 |
What is this, some kind of joke? |
01:09:13 |
No, it's five thousand dollars. |
01:09:33 |
I don't want your |
01:09:37 |
It's probably stolen anyway. |
01:09:40 |
What do you care where |
01:09:43 |
And why the hell would |
01:09:46 |
So I can get my job back. |
01:09:49 |
You're a dumb, whacked-out |
01:09:52 |
Don't be an ass, Auggie. He's trying to |
01:09:57 |
He's crazy. |
01:09:58 |
No, he's not. You are. |
01:10:01 |
You're right. |
01:10:03 |
I just wasn't sure you knew. |
01:10:06 |
It's written all over |
01:10:22 |
Now say something nice to |
01:10:38 |
Fuck you, kid. |
01:10:41 |
Fuck you, too, you |
01:10:53 |
Good. I'm glad that's settled! |
01:11:25 |
Mr. Benjamin, I presume? |
01:11:28 |
You got a security problem in |
01:11:30 |
The lock on that door |
01:11:34 |
Not a good idea in these troubled times. |
01:11:36 |
You never know what kind of trash |
01:11:40 |
I'll talk to the landlord |
01:11:43 |
You do that. Don't want no |
01:11:49 |
And who do I have the |
01:11:53 |
Pleasure? |
01:11:54 |
I wouldn't call this |
01:12:00 |
I'd say it's more in |
01:12:05 |
It doesn't matter. I |
01:12:10 |
You're the Creeper, aren't you? |
01:12:11 |
The what? |
01:12:14 |
Ain't nobody calls Charles |
01:12:18 |
Do you understand me? |
01:12:19 |
Sure, I understand. |
01:12:40 |
...If it happens, it happens. |
01:12:42 |
If it doesn't, it doesn't. |
01:12:43 |
Do you understand what I'm saying? |
01:12:46 |
You never know what's |
01:12:48 |
and the moment you think you know, |
01:12:49 |
that's the moment you |
01:12:52 |
That's what we call a |
01:12:58 |
Sure, Auggie. I follow. |
01:13:05 |
When you don't know |
01:13:08 |
I know what that is. |
01:13:11 |
It's after you're dead and you go |
01:13:26 |
Jesus, man, you're one fucking mess. |
01:13:29 |
If the cops hadn't come, I |
01:13:34 |
They did some number on you. |
01:13:38 |
For once in my life I |
01:13:41 |
There's something to be |
01:13:46 |
Does it hurt? |
01:13:47 |
Of course it hurts. |
01:13:50 |
I thought maybe he was pretending. |
01:13:53 |
You haven't heard from Rashid, have you? |
01:13:54 |
Not a peep. |
01:13:56 |
I spoke to his aunt a couple of days |
01:13:59 |
It's beginning to get a little scary. |
01:14:02 |
That could be a good sign, though. |
01:14:05 |
Or didn't. |
01:14:07 |
There's no way of knowing, is there? |
01:15:08 |
So you're just going |
01:15:11 |
I don't have much choice, do I? It's |
01:15:16 |
Still, you can't just write her off. |
01:15:19 |
Yeah? And what else am I supposed to do? |
01:15:21 |
There's no baby anymore, and if she wants |
01:15:26 |
She's just a kid. There's time for |
01:15:30 |
Dream on, Auggie. She'll be lucky to |
01:15:35 |
Not if you got her into |
01:15:38 |
I'd never be able to talk her into it. |
01:15:40 |
And even if I could, |
01:15:42 |
And that's just what I don't |
01:15:46 |
No you're not. |
01:15:47 |
Are you calling me a liar? |
01:15:49 |
I don't even have insurance |
01:15:53 |
Remember that business venture |
01:15:57 |
Well, my tugboat came in. I'm flush. |
01:16:00 |
Bully for you. |
01:16:03 |
No, bully for you. |
01:16:08 |
What's this? |
01:16:10 |
Why don't you open it and find out? |
01:16:13 |
Jesus God, Auggie. |
01:16:16 |
Five thousand bucks. |
01:16:22 |
And you're giving it to me? |
01:16:25 |
It's all yours, baby. |
01:16:30 |
For keeps? |
01:16:32 |
For keeps. |
01:16:42 |
You're an angel, Auggie. |
01:16:44 |
Fuck this angel shit. |
01:16:49 |
But no bawling, okay? I can't |
01:17:07 |
There's just one thing I want to know. |
01:17:09 |
Anything, Auggie. Just name it. |
01:17:11 |
Felicity. |
01:17:15 |
She's not my daughter, is she? |
01:17:23 |
I don't know. |
01:17:28 |
She might be. |
01:17:30 |
Then again, she might not. |
01:17:35 |
Mathematically speaking, |
01:17:42 |
It's your call. |
01:18:43 |
Bureau of Missing |
01:18:49 |
Well, blow me down. |
01:19:03 |
Hey. What are you doing here on Sunday? |
01:19:07 |
We decided to have a |
01:19:10 |
Uh, yeah, sure. Just a second. |
01:19:40 |
Jesus Christ! |
01:19:46 |
Hi, kid. |
01:19:48 |
Wow. They sure did a job on you. |
01:19:50 |
Research. |
01:19:53 |
I worked the scene right into my story. |
01:19:55 |
That makes the medical bills one |
01:19:59 |
Try selling that one to the IRS. |
01:20:01 |
You know these men? |
01:20:02 |
I thought we had some customers. |
01:20:04 |
Yeah, he knows us. But you've |
01:20:07 |
We came here to deliver |
01:20:13 |
It's all right. I really do know them. |
01:20:17 |
Cyrus Cole. |
01:20:18 |
Augustus Wren. |
01:20:20 |
Paul Benjamin. |
01:20:22 |
That's funny. His name |
01:20:25 |
Well, you and Junior have |
01:20:28 |
Yeah, but he's my son. |
01:20:30 |
He's my own flesh and blood. |
01:20:31 |
But here you got the same |
01:20:33 |
and you're not even the same color. |
01:20:36 |
That's how we met. |
01:20:40 |
We're members of the |
01:20:43 |
Believe it or not, there are |
01:20:47 |
But only two in the New |
01:20:50 |
That's how Paul and I got |
01:20:52 |
We're the only ones who |
01:20:55 |
You're full of crap, kid. Why don't you |
01:21:01 |
What the hell's going on, guys? |
01:21:05 |
You better ask him. |
01:21:07 |
Yeah, Rashid baby, spill it. |
01:21:10 |
Rashid? |
01:21:12 |
Sometimes. |
01:21:14 |
It's what you'd call a nom de guerre. |
01:21:18 |
What the hell are we talking about? |
01:21:21 |
Come on. Tell him your real name. |
01:21:31 |
Thomas. |
01:21:34 |
Paul. Rashid. Thomas. Which one is it? |
01:21:39 |
Thomas. |
01:21:41 |
Come on, come on, you yellow |
01:21:44 |
First name and last name. |
01:21:46 |
What difference does it make? |
01:21:47 |
If it doesn't make any |
01:21:50 |
I was going to tell |
01:21:52 |
In my own time.... |
01:21:53 |
No time like the present, man. |
01:21:57 |
Well? |
01:22:11 |
Thomas Cole. My name is |
01:22:24 |
Are you making fun of me? |
01:22:32 |
You mocking me? |
01:22:34 |
You mocking me? |
01:22:36 |
I won't let no punk kid |
01:22:40 |
You mocking me? |
01:22:41 |
Like it or not, Cyrus, |
01:22:43 |
Just like yours. |
01:22:45 |
Now ask him who his mother was. |
01:22:48 |
I don't like this. I |
01:22:52 |
Louisa Vail. Remember her, Cyrus? |
01:22:54 |
You shut your mouth! |
01:23:00 |
Damn you. There'll be none of that |
01:23:07 |
Stop it! Stop it! |
01:23:16 |
He's your son, goddammit! He's your son! |
01:23:20 |
Do you want to kill your son? |
01:23:21 |
Youre lying. |
01:26:18 |
Look Im telling you, |
01:26:22 |
Those slobs in the Pentagon'll be out |
01:26:26 |
They got this Saddam character now, and they're |
01:26:32 |
Hey, man, how's it going? |
01:26:35 |
Hi, Auggie. |
01:26:38 |
Two, right? |
01:26:41 |
Make it one. |
01:26:44 |
You usually get two. |
01:26:45 |
Yeah, I know, but I'm |
01:26:49 |
Somebody's worried about my health. |
01:26:52 |
Ah-hah. |
01:26:55 |
And how's the work going |
01:26:56 |
Fine. |
01:26:58 |
Or it was until a couple of days ago. |
01:26:59 |
A guy from The New York Times called |
01:27:05 |
They want to publish |
01:27:09 |
That's a feather in your |
01:27:13 |
Yeah, great. The problem is, I have four days to come |
01:27:19 |
You know anything |
01:27:21 |
Christmas stories? Sure, |
01:27:25 |
I know a ton of 'em. |
01:27:27 |
Anything good? |
01:27:28 |
Good? Of course. Are you kidding? |
01:27:32 |
I'll tell you what. Buy me lunch, my friend, and |
01:27:36 |
How's that? |
01:27:37 |
And I guarantee every |
01:27:56 |
So. Are we ready? |
01:27:59 |
Ready. Any time you are. |
01:28:02 |
I'm all ears. |
01:28:07 |
You remember how you once asked |
01:28:11 |
Well, this is the story of |
01:28:14 |
As a matter of fact, it's |
01:28:18 |
Are you following me so far? |
01:28:20 |
Every word. |
01:28:21 |
So this is the story of how it happened. |
01:28:25 |
Okay. |
01:28:28 |
It was the summer of seventy-six, back |
01:28:32 |
The summer of the bicentennial. |
01:28:34 |
A kid came in one morning and started |
01:28:38 |
He's standing by the rack of |
01:28:41 |
Hes stuffing skin |
01:28:44 |
It was crowded around the counter just |
01:28:47 |
But once I noticed what he |
01:28:49 |
He took off like a jackrabbit, and by the time I managed to get out |
01:28:56 |
I chased after him for about |
01:29:00 |
He'd dropped something along the way, and since I didn't |
01:29:08 |
It turned out to be his wallet. |
01:29:11 |
There wasn't any money inside, |
01:29:14 |
along with three or four snapshots. |
01:29:18 |
I suppose I could have called |
01:29:20 |
I had his name and |
01:29:22 |
but I felt kind of sorry for him. |
01:29:24 |
He was just a measly little punk, |
01:29:26 |
and once I looked at those |
01:29:31 |
I couldn't bring myself to |
01:29:35 |
Roger Goodwin. |
01:29:38 |
That was his name. |
01:29:40 |
In one of the pictures, I remember, |
01:29:43 |
In another one, he was holding some trophy he got from |
01:29:51 |
I just didn't have the heart. |
01:29:55 |
without much going for him, |
01:29:57 |
and who cared about a couple |
01:30:03 |
So I held onto the wallet. |
01:30:06 |
Every once in a while I'd get a little urge to send it back |
01:30:13 |
Then Christmas rolls around, |
01:30:19 |
Vinnie was going to invite me over, |
01:30:21 |
wife had to go down to |
01:30:26 |
So I'm sitting in my |
01:30:28 |
feeling a little sorry for myself, and then |
01:30:35 |
I figure what the hell, why |
01:30:38 |
and I put on my coat and go |
01:30:42 |
The address was over in Boerum |
01:30:46 |
It was freezing out that day, and I remember getting |
01:30:50 |
Everything looks the same in that place, and you keep |
01:30:56 |
Anyway, I finally get to the apartment |
01:31:01 |
Nothing happens. |
01:31:03 |
I assume no one's there, but |
01:31:07 |
I wait a little longer, and |
01:31:11 |
I hear someone shuffling to the door. |
01:31:13 |
An old woman's voice asks, "Who's there?" |
01:31:21 |
Is that you, Roger? she says, and then she |
01:31:29 |
She has to be at least |
01:31:33 |
and the first thing I notice |
01:31:39 |
I knew you'd come. Roger, she says. "I knew you wouldn't forget your Granny |
01:31:50 |
I don't have much time |
01:31:52 |
I had to say something real fast, |
01:31:56 |
I could hear the words coming out of |
01:32:00 |
I said. "I came back to |
01:32:05 |
Don't ask me why I did |
01:32:08 |
It just came out that way, and suddenly |
01:32:12 |
in front of the door, |
01:32:16 |
It was like a game we both decided to |
01:32:24 |
I mean, that woman knew |
01:32:27 |
She was old and dotty, but she wasn't so far gone that she couldn't |
01:32:35 |
But it made her happy to pretend, and since I had nothing |
01:32:44 |
So we went into the apartment |
01:32:46 |
Every time she asked me a question |
01:32:50 |
I told her I'd found a |
01:32:53 |
I told her I was about to get married. |
01:32:54 |
I told her a hundred pretty stories, and |
01:32:58 |
That's fine, Roger, she would |
01:33:02 |
I always knew things |
01:33:07 |
After a while, I started getting hungry. |
01:33:10 |
There didn't seem to be |
01:33:12 |
so I went out to a store in the neighborhood |
01:33:18 |
A precooked chicken, vegetable soup, a |
01:33:27 |
Ethel had a couple of bottles |
01:33:32 |
and so both of us we managed to put |
01:33:37 |
We both got a little tipsy |
01:33:40 |
and after the meal was over we went out to sit in the |
01:33:47 |
I had to take a pee, so I excused myself |
01:33:53 |
That's where things took another turn. |
01:33:58 |
It was ditsy enough doing my |
01:34:01 |
but what I did next |
01:34:07 |
and I've never forgiven myself since... |
01:34:11 |
I go into the bathroom, |
01:34:13 |
and stacked up against the |
01:34:16 |
I see a pile of six or seven cameras. |
01:34:19 |
Brand-new, thirty-five |
01:34:22 |
still in their boxes. |
01:34:26 |
I've never taken a picture in my life, |
01:34:29 |
much less never stolen anything, |
01:34:33 |
but the moment I see those |
01:34:38 |
I decide I want one of them for myself. |
01:34:42 |
Just like that. |
01:34:44 |
And without even stopping |
01:34:46 |
I tuck one of the boxes under my arm |
01:34:53 |
I couldn't have been gone |
01:34:55 |
but in that time Granny |
01:35:00 |
Too much Chianti, I suppose. |
01:35:03 |
I went into the kitchen |
01:35:06 |
and she slept on through the |
01:35:11 |
There didn't seem to be any point in |
01:35:19 |
I couldn't even write a note to say |
01:35:24 |
so I just left. |
01:35:27 |
I put her grandson's wallet on the table, picked up |
01:35:39 |
And that's the end of the story. |
01:35:47 |
Did you ever go back to see her? |
01:35:56 |
Once, about three or four months later. |
01:36:00 |
I felt so bad about stealing the |
01:36:05 |
I finally made up my mind to return it, |
01:36:10 |
Someone else had moved into the apartment, |
01:36:20 |
She probably died. |
01:36:22 |
Yeah, probably. |
01:36:33 |
Which means that she spent |
01:36:41 |
I guess so. I never |
01:36:49 |
It was a good deed, Auggie. It |
01:36:55 |
I lied to her, and |
01:36:57 |
I don't see how you can |
01:36:59 |
You made her happy. And the |
01:37:04 |
It's not as if the person you |
01:37:10 |
Anything for art, eh, Paul? |
01:37:13 |
I wouldn't say that. But at least |
01:37:20 |
And now you've got your |
01:37:27 |
Yes, I suppose I do. |
01:37:46 |
Bullshit is a real talent, Auggie. |
01:37:51 |
To make up a good story, a person has to |
01:37:58 |
I'd say you're up |
01:38:02 |
What do you mean? |
01:38:06 |
I mean, it's a good story. |
01:38:14 |
Shit. If you can't share your secrets with |
01:38:33 |
Exactly. Life just wouldn't |
01:44:24 |
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