|
Smokin Aces 2 Assassins Ball
|
| 00:00:48 |
JULES: Is this the past or the |
| 00:00:52 |
And this is real? This is |
| 00:00:57 |
Working on your man, |
| 00:00:59 |
VICKY: Yeah, interesting career. |
| 00:01:06 |
Is this that in-transmission |
| 00:01:09 |
JULES: Yep. There's an awful lot |
| 00:01:12 |
and they're using some |
| 00:01:16 |
Is that accurate? |
| 00:01:19 |
- Walter Weed. |
| 00:01:23 |
My wife, Elizabeth, |
| 00:01:25 |
Why is the bureau putting a |
| 00:01:28 |
The question's |
| 00:01:30 |
Retiring, wheelchair-bound, |
| 00:01:32 |
There's really |
| 00:01:33 |
BAKER: How many enemies |
| 00:01:39 |
Tell me about April 19th. April |
| 00:01:45 |
Am I in some |
| 00:01:48 |
BAKER: No, Walter, you're |
| 00:01:51 |
Bureau intel has |
| 00:01:54 |
that a multimillion-dollar |
| 00:01:57 |
by parties |
| 00:02:00 |
Unconfirmed information is |
| 00:02:03 |
and that multiple assets |
| 00:02:06 |
Confirmed information from |
| 00:02:09 |
had the termination date |
| 00:02:13 |
Tomorrow? |
| 00:02:15 |
Tomorrow. |
| 00:02:20 |
And you said, |
| 00:02:22 |
Your termination. |
| 00:02:28 |
You're the target. |
| 00:02:31 |
Tomorrow's the day you're |
| 00:02:34 |
(NERVOUS LAUGHTER) |
| 00:02:37 |
This is some kind of |
| 00:02:40 |
Abrams is behind this, |
| 00:02:42 |
For my retirement party? |
| 00:02:43 |
This is |
| 00:02:45 |
Normally this level of asset engagement |
| 00:02:49 |
Mubarak was a market |
| 00:02:52 |
Hamid Karzai |
| 00:02:55 |
You're talking about people |
| 00:03:01 |
What do I have in common with |
| 00:03:06 |
That's what we want |
| 00:03:11 |
So tell me a story. |
| 00:03:46 |
You asked to |
| 00:03:52 |
I thought we should |
| 00:03:55 |
Pray together and ask the |
| 00:04:00 |
You do want God's love, |
| 00:04:06 |
Of course, Father. |
| 00:04:07 |
Well, then you know |
| 00:04:35 |
(CHUCKLES) |
| 00:04:50 |
Please, Father, |
| 00:04:54 |
kiss me first? |
| 00:05:12 |
(COUGHS) |
| 00:05:20 |
(PRIEST CLATTERS ON FLOOR) |
| 00:05:28 |
I was sent by the parents of the |
| 00:05:34 |
As penance for your sins, they've |
| 00:05:53 |
(SIGHS) |
| 00:05:59 |
Sometimes, true forgiveness |
| 00:06:16 |
BAKER: An unknown individual |
| 00:06:18 |
that'll draw every animal |
| 00:06:21 |
wield a knife, |
| 00:06:22 |
Sublime, as always. |
| 00:06:28 |
This individual, the |
| 00:06:32 |
is likely a major player in |
| 00:06:36 |
It's not likely that we'll know the |
| 00:06:40 |
but we should be |
| 00:06:44 |
I've been employed and |
| 00:06:47 |
What would happen to the world if we all |
| 00:06:52 |
(SHUSHING) |
| 00:06:55 |
Chaos. That's what |
| 00:06:58 |
Yeah. I understand that, |
| 00:07:01 |
But everything has a |
| 00:07:04 |
I'm talking $2,000,000. |
| 00:07:08 |
Okay, okay, |
| 00:07:10 |
Look, I... |
| 00:07:12 |
A lot more. My brother, Morris Mecklen, |
| 00:07:15 |
he's got this client, Buddy |
| 00:07:19 |
Two days and you'll have |
| 00:07:21 |
Please! |
| 00:07:22 |
We don't have |
| 00:07:24 |
We only have now. |
| 00:07:28 |
The Mayans and the ancient |
| 00:07:32 |
- What the fuck? |
| 00:07:33 |
who perfected it. |
| 00:07:35 |
- Depending on the position... |
| 00:07:37 |
...and the depth of the ice |
| 00:07:42 |
the language center, |
| 00:07:46 |
My eyes! I can't see! |
| 00:07:51 |
Different parts |
| 00:07:52 |
...different results. |
| 00:07:54 |
$3,000,000. I can |
| 00:07:56 |
The cerebellum |
| 00:07:59 |
not your hearing, |
| 00:08:02 |
Don't do this. |
| 00:08:03 |
The people who have employed |
| 00:08:05 |
and once |
| 00:08:07 |
- I see the job through. |
| 00:08:09 |
- No! You don't have to do this! |
| 00:08:12 |
BAKER: This is like an |
| 00:08:15 |
Every sociopath in the known |
| 00:08:17 |
is gonna be coming |
| 00:08:20 |
(SCREAMS) |
| 00:08:24 |
(SHUSHING) |
| 00:08:30 |
McTeague. |
| 00:08:31 |
HAL LEUCO: |
| 00:08:33 |
Are you free? |
| 00:08:35 |
Free, no. |
| 00:08:38 |
Our intel is still |
| 00:08:41 |
What we're finding |
| 00:08:43 |
show no allegiance to any individual |
| 00:08:47 |
They're just |
| 00:08:49 |
- (GRUNTS) Yeah! Yeah! |
| 00:08:51 |
Where's my fucking shipment? |
| 00:08:55 |
Where's my |
| 00:08:58 |
They're on the base. They're |
| 00:09:02 |
All right? They're watching |
| 00:09:07 |
You're gonna fuck me? |
| 00:09:09 |
Oh, I am fucking you. |
| 00:09:11 |
I want my |
| 00:09:16 |
You motherfucking filthy... |
| 00:09:19 |
(BOTH EXCLAIMING) |
| 00:09:22 |
(BOTH EXHALE) |
| 00:09:29 |
They're in the depot. |
| 00:09:30 |
Excellent work, sailor. |
| 00:09:33 |
BAKER: The variety of monsters |
| 00:09:36 |
more than likely |
| 00:09:37 |
is like the |
| 00:09:41 |
(CHUCKLES) |
| 00:09:43 |
Gonna make this joke about you shooting |
| 00:09:51 |
but it wasn't as good |
| 00:09:58 |
How was the old swabbie? |
| 00:10:04 |
Fucker said they's holding our stash |
| 00:10:09 |
You know, I heard that |
| 00:10:11 |
have had at least |
| 00:10:14 |
before they's |
| 00:10:16 |
so, Sis, I was wondering, I |
| 00:10:19 |
Or maybe he was banging you while he |
| 00:10:23 |
Lester, why don't |
| 00:10:25 |
that you want this sweet little |
| 00:10:29 |
I admit I wouldn't |
| 00:10:31 |
- Come on. Come on, now. |
| 00:10:32 |
you fucking prick. Get your |
| 00:10:35 |
FRITZ: Don't you know, boy, |
| 00:10:37 |
That's what double-fucked |
| 00:10:40 |
That's how we lost |
| 00:10:42 |
You think you want a whole |
| 00:10:44 |
whose eyeballs are touching because you |
| 00:10:49 |
Bunny Rabbit. |
| 00:10:51 |
Time to get serious. We |
| 00:10:54 |
(ALL LAUGHING) |
| 00:10:58 |
(SCREAMING) |
| 00:11:01 |
KAITLYN: God damn! |
| 00:11:12 |
That's a mini! Four |
| 00:11:16 |
Let's go, Sling Blade, |
| 00:11:20 |
(CELL PHONE RINGING) |
| 00:11:22 |
Well, if it ain't |
| 00:11:25 |
God damn it, Lester! |
| 00:11:30 |
Always busy, sugar. |
| 00:11:32 |
We like to keep it oiled so |
| 00:11:35 |
What you got |
| 00:11:39 |
Why? |
| 00:11:44 |
There's a theory that this has to |
| 00:11:48 |
some piece of cryptology that |
| 00:11:52 |
but invaluable |
| 00:11:54 |
I am only |
| 00:11:57 |
Any top secrets |
| 00:12:00 |
are deemed declassified long |
| 00:12:03 |
Walter, we can head-scratch |
| 00:12:06 |
but the clock |
| 00:12:16 |
(MILTON GRUNTING) |
| 00:12:24 |
Oh, God, my face. |
| 00:12:29 |
What did you do to my face? |
| 00:12:34 |
(SCREAMING) |
| 00:12:44 |
That's it? |
| 00:12:48 |
(CHUCKLES) |
| 00:12:52 |
I thought you were |
| 00:12:55 |
You're not gonna |
| 00:12:57 |
No. The face is sacred. |
| 00:13:00 |
But the throat... |
| 00:13:02 |
BAKER: Most of these |
| 00:13:05 |
but they will be cold-blooded, |
| 00:13:08 |
(MILTON CHOKING) |
| 00:13:13 |
The bureau has mobilized my |
| 00:13:16 |
of protecting and thereby extending |
| 00:13:22 |
I trust these people |
| 00:13:25 |
and we're asking you |
| 00:13:28 |
Agent Dumare, |
| 00:13:30 |
Agents Abrego and Nicholas, |
| 00:13:32 |
Sir. |
| 00:13:34 |
Agent Redstone's gonna be on close |
| 00:13:36 |
Hey. |
| 00:13:40 |
You'll be moved to |
| 00:13:42 |
until the deadline |
| 00:13:48 |
What is the price? |
| 00:13:49 |
$3,000,000. |
| 00:13:53 |
For $3,000,000... |
| 00:13:54 |
I'd kill my own mother. |
| 00:13:55 |
Actually, I did, |
| 00:13:59 |
God, I... $3,000,000? |
| 00:14:02 |
I can't imagine what I would've |
| 00:14:04 |
Walter. They're |
| 00:14:08 |
You just give us the word and we'll |
| 00:14:26 |
The exact time |
| 00:14:27 |
HAL LEUCO: |
| 00:14:30 |
April 19th, 3:00 a.m. |
| 00:14:32 |
Any deviation from this timeline |
| 00:14:44 |
You just have that money |
| 00:14:47 |
and I will have something |
| 00:14:54 |
All right, Agent Baker. |
| 00:15:09 |
BAKER: Keeping |
| 00:15:10 |
depends in no small part |
| 00:15:15 |
We are ghosts, gentlemen. |
| 00:15:18 |
We're completely off |
| 00:15:20 |
We're all being |
| 00:15:23 |
in an effort to leave |
| 00:15:26 |
You all know Agent Dumare. |
| 00:15:31 |
Agents Williamson, Osterberg, will be in |
| 00:15:37 |
Culham will be |
| 00:15:39 |
Jules and her team will be our sole |
| 00:15:42 |
We're overlord 24l7. |
| 00:15:44 |
We'll have real-time sat images, |
| 00:15:47 |
Anything happens |
| 00:15:49 |
you'll know |
| 00:15:51 |
WALTER: |
| 00:15:53 |
Why this guy? |
| 00:15:54 |
I suppose I should be flattered, |
| 00:15:58 |
BAKER: Great men |
| 00:16:02 |
Well, I hardly qualify. |
| 00:16:05 |
I shot a gun once on a range |
| 00:16:12 |
Well, I've fired hundreds |
| 00:16:15 |
Don't worry, Walter. |
| 00:16:17 |
We promise not to let |
| 00:16:20 |
Our location will be unknown |
| 00:16:24 |
That means we'll be |
| 00:16:26 |
That's no cell phones, PDAs, |
| 00:16:31 |
You got them, |
| 00:16:33 |
And all forms |
| 00:16:34 |
Remember, none of us |
| 00:16:37 |
So, what, things go |
| 00:16:39 |
The way you fucking eat, you |
| 00:16:41 |
(ALL LAUGHING) |
| 00:16:59 |
We're T minus 30. |
| 00:17:03 |
DUMARE: All right, |
| 00:17:04 |
Don't let the door hit |
| 00:17:07 |
Dom, I'm serious about that pension, |
| 00:17:10 |
You fucking stunad, they |
| 00:17:13 |
Not unless you do something |
| 00:17:16 |
Don't you remember Cabo, |
| 00:17:19 |
WALTER: How old are you? |
| 00:17:22 |
Somebody up there |
| 00:17:25 |
You're soaring up, |
| 00:17:30 |
You must have some pretty |
| 00:17:35 |
Any one in particular |
| 00:17:37 |
Meeting Ronald Reagan. |
| 00:17:41 |
(SIGHS) |
| 00:17:43 |
I can only imagine, it must've |
| 00:17:47 |
and God coming forth. |
| 00:17:52 |
He was |
| 00:17:54 |
God? |
| 00:17:55 |
(LAUGHING) |
| 00:17:57 |
Reagan. |
| 00:18:00 |
BAKER: Sorry. |
| 00:18:02 |
Okay. |
| 00:18:04 |
God was colossal, too. |
| 00:18:39 |
Okay, gentlemen, recon takes |
| 00:18:43 |
We don't breathe |
| 00:19:07 |
Good to go. |
| 00:19:16 |
What do you |
| 00:19:17 |
Rocket fuel. |
| 00:19:36 |
Thank you. |
| 00:19:38 |
Want you to meet |
| 00:19:41 |
Welcome to Little Jazz. |
| 00:19:42 |
These are my agents you guys |
| 00:19:47 |
This door is your |
| 00:19:50 |
out of what essentially |
| 00:20:02 |
Gentlemen, you're looking |
| 00:20:09 |
Turn of the last century, they built |
| 00:20:14 |
Transport |
| 00:20:17 |
Back in those days, these |
| 00:20:22 |
And if it wasn't the |
| 00:20:26 |
it was the bootleggers |
| 00:20:40 |
These tunnels used to |
| 00:20:42 |
They sealed them shut |
| 00:20:44 |
In 1955, Ike's administration |
| 00:20:48 |
NICHOLAS: Sorry. Ike? |
| 00:20:51 |
REDSTONE: Eisenhower, rookie. |
| 00:20:55 |
If it's not on an iPod, these |
| 00:20:57 |
ABREGO: Don't let them |
| 00:20:59 |
You don't give it back |
| 00:21:02 |
Next time Red messes with |
| 00:21:05 |
- Gearbox? |
| 00:21:13 |
Gentlemen, |
| 00:21:17 |
You know, truth be told, it |
| 00:21:19 |
for Sammy "The Ant" Battaglia |
| 00:21:21 |
Later on, one of our most |
| 00:21:25 |
used to take |
| 00:21:26 |
get his little geriatric |
| 00:21:29 |
What evac points |
| 00:21:31 |
MALCOLM: Well, that's |
| 00:21:33 |
It would take more munitions to bring |
| 00:21:37 |
but it's a warren. There's |
| 00:21:42 |
Not too crazy |
| 00:21:45 |
You guys got enough food and |
| 00:21:48 |
Plus you have |
| 00:21:50 |
of upstairs, corridors, |
| 00:21:54 |
Seriously, you'd have to be |
| 00:22:00 |
Walter, what do you think? |
| 00:22:03 |
I think I'm about as safe |
| 00:22:07 |
DUMARE: |
| 00:22:08 |
That would be |
| 00:22:09 |
Jesus, Saddam renting |
| 00:22:11 |
NICHOLAS: Wow. |
| 00:22:12 |
If you're that impressed, rookie, |
| 00:22:14 |
- Sorry? |
| 00:22:16 |
Just get down in there. |
| 00:22:18 |
Come on, rookie, in the |
| 00:22:22 |
- Go on. |
| 00:22:23 |
Yeah. Right after |
| 00:22:25 |
(EXCLAIMING) |
| 00:22:26 |
Rookie fights back. |
| 00:22:28 |
Okay, who the fuck |
| 00:22:29 |
(STUTTERS) |
| 00:22:31 |
That would be me. |
| 00:22:32 |
I figured he ought to know the |
| 00:22:34 |
- You fucking... |
| 00:22:35 |
You didn't follow through. It's |
| 00:22:37 |
Still, he nearly |
| 00:22:39 |
A she-he, bro. That's |
| 00:22:41 |
- BAKER: Hey! |
| 00:22:45 |
You girls want to play grab-ass, |
| 00:22:50 |
- I need you right and tight. |
| 00:22:51 |
- Yes, sir. |
| 00:22:55 |
Let's load in |
| 00:22:58 |
ABREGO: Yes, sir. |
| 00:23:02 |
Fucking guineas. You get them |
| 00:23:07 |
If I'm not mistaken, |
| 00:23:10 |
Easy, the guy's |
| 00:23:11 |
You fuck with the bull, |
| 00:23:18 |
(MAN CHATTERING ON PA) |
| 00:23:29 |
BABY BOY: Minotaurs. |
| 00:23:31 |
Minotaurs are cloven-hoofed |
| 00:23:34 |
You mean miniatures. |
| 00:23:36 |
Yeah. |
| 00:23:37 |
(FRITZ EXCLAIMS) |
| 00:23:38 |
You know what he meant. |
| 00:23:40 |
Yeah. |
| 00:23:41 |
You all be careful. Them |
| 00:23:45 |
and the little ones |
| 00:23:47 |
I always make it a point not to |
| 00:23:52 |
but we can use them little boys |
| 00:23:57 |
Yeah. |
| 00:23:58 |
They're Satan's little secret |
| 00:24:04 |
I saw one of them little |
| 00:24:06 |
took the heart right out of a Great |
| 00:24:10 |
- You seen what? |
| 00:24:11 |
Where'd you see that? Now that |
| 00:24:15 |
FRITZ: Yeah. Sent me |
| 00:24:17 |
You still take comfort |
| 00:24:20 |
(CHUCKLES) |
| 00:24:21 |
Don't you blaspheme, boy. |
| 00:24:24 |
Never too old to put you over my |
| 00:24:28 |
You're still scared |
| 00:24:30 |
(CHUCKLING) |
| 00:24:32 |
I ain't scared |
| 00:24:34 |
just very mindful of their |
| 00:24:37 |
(FRITZ LAUGHS) |
| 00:25:07 |
BAKER: Card tricks? |
| 00:25:09 |
Oh, a little. |
| 00:25:13 |
It's playing cards themselves |
| 00:25:17 |
They're based on |
| 00:25:21 |
cards that were used for |
| 00:25:25 |
Can't tell you how handy |
| 00:25:29 |
You don't really buy into that |
| 00:25:36 |
The psychologist Carl Jung |
| 00:25:40 |
Synchronicity. |
| 00:25:42 |
The idea being that all of nature's |
| 00:25:46 |
that the past, the |
| 00:25:49 |
through an act of random |
| 00:25:53 |
can predict the course |
| 00:25:55 |
What's that thing I heard? It's like the |
| 00:25:58 |
Something like that? |
| 00:26:02 |
Mmm. |
| 00:26:03 |
(SIGHS) Well, there's four |
| 00:26:09 |
52 cards for the |
| 00:26:12 |
and if you add up the pips on every |
| 00:26:18 |
the number of days |
| 00:26:20 |
All right. |
| 00:26:22 |
Where's my card, ace of |
| 00:26:25 |
It's not there? |
| 00:26:26 |
No, it's not. |
| 00:26:30 |
Well, why don't you look |
| 00:26:45 |
(LAUGHS) |
| 00:26:47 |
Not bad. That's good. |
| 00:26:51 |
How the hell |
| 00:26:53 |
I can't tell you that. |
| 00:27:19 |
BAKER: What are these? Are these |
| 00:27:26 |
No. |
| 00:27:30 |
I had them made. You |
| 00:27:37 |
Not at all. |
| 00:27:39 |
You've dedicated |
| 00:27:46 |
You want bald eagles on your playing |
| 00:28:42 |
Gentlemen, should have a real |
| 00:28:46 |
Cats playing? Tight. |
| 00:28:49 |
BAKER: Yeah? Who's that? |
| 00:28:50 |
Well, the feature soloist |
| 00:28:53 |
Got mad skills |
| 00:28:54 |
Uh-huh. |
| 00:28:57 |
So, how long you guys gonna |
| 00:29:02 |
We'll hold out |
| 00:29:05 |
This thing's got an |
| 00:29:07 |
After that, it won't be worth |
| 00:29:12 |
They gotta |
| 00:29:14 |
Even if they do, they |
| 00:29:21 |
You going back |
| 00:29:23 |
No, man. |
| 00:29:25 |
Working on this alias for this |
| 00:29:29 |
Cat I like |
| 00:29:32 |
Ghetto retard, |
| 00:29:33 |
barely educated, brought |
| 00:29:36 |
Oh, that should be a pretty |
| 00:29:38 |
What? I fucking |
| 00:29:40 |
You hate hip-hop? |
| 00:29:41 |
Oh, what? A black man |
| 00:29:43 |
I bet you tell me my |
| 00:29:45 |
I just can't live |
| 00:29:46 |
Just gonna snatch up my brother |
| 00:29:49 |
- You're putting words in my mouth. |
| 00:29:51 |
Hip-hop is the |
| 00:29:53 |
of superior musical forms |
| 00:29:56 |
These kids don't know |
| 00:29:59 |
Miles Davis, |
| 00:30:02 |
but hey, when it's required of |
| 00:30:07 |
flashing knots and nines on these |
| 00:30:14 |
Like I said, should be a |
| 00:30:30 |
Little too convincing, |
| 00:30:31 |
Fuck you. |
| 00:30:37 |
Excuse me. |
| 00:30:44 |
Excuse me. |
| 00:30:47 |
Excuse me? |
| 00:30:50 |
Of course, sir. |
| 00:31:09 |
Culham, what do you got? |
| 00:31:11 |
(O VER RADIO) |
| 00:31:12 |
Good, good. Just stop short of |
| 00:31:18 |
Osterberg, |
| 00:31:21 |
Wide open |
| 00:31:24 |
All right, keep it |
| 00:31:26 |
All clear here, Baker. |
| 00:31:27 |
BAKER: Copy that. |
| 00:31:28 |
Let's get all-around |
| 00:31:30 |
Copy that. |
| 00:31:32 |
Hey, how's my |
| 00:31:35 |
- Fat and getting fatter. |
| 00:31:37 |
Hey! Hey! |
| 00:31:39 |
- Hey, watch it. |
| 00:31:41 |
Sit-reps every 20. |
| 00:31:44 |
(KNOCKING ON DOOR) |
| 00:31:59 |
Yeah? |
| 00:32:00 |
Evening, neighbor. |
| 00:32:02 |
I just want to make sure that |
| 00:32:05 |
I'm okay, thank you. |
| 00:32:07 |
A beautiful woman like you |
| 00:32:11 |
As your neighbor, I just wanted |
| 00:32:16 |
Hmm. |
| 00:32:18 |
And what's that |
| 00:32:21 |
What was it? Troy? |
| 00:32:23 |
Mmm-hmm. |
| 00:32:26 |
(BOTH CHUCKLING) |
| 00:32:27 |
You like to |
| 00:32:29 |
Yeah. |
| 00:32:30 |
- Crazy. |
| 00:32:32 |
What about experimenting? |
| 00:32:34 |
Baby, I'm at |
| 00:32:35 |
(CHUCKLES) |
| 00:32:37 |
No. You will be. |
| 00:32:40 |
BAKER: What do the |
| 00:32:43 |
Wish I knew. |
| 00:32:44 |
I never could |
| 00:32:47 |
My grandfather, he would sit at the |
| 00:32:53 |
Always seemed a bit more |
| 00:32:57 |
Well, that's not surprising. |
| 00:33:03 |
Cards are more cerebral. |
| 00:33:06 |
Are they, now? |
| 00:33:12 |
So do you have |
| 00:33:21 |
This is my wife, Elizabeth, |
| 00:33:23 |
Wow, really... |
| 00:33:29 |
Wow, they're like mirrors to one |
| 00:33:36 |
There you go. |
| 00:33:43 |
I never figured you |
| 00:33:47 |
You almost seem shocked. |
| 00:33:49 |
Sorry. Pardon me. |
| 00:33:51 |
Well, that right there's |
| 00:33:57 |
So were mine. |
| 00:34:03 |
Tractor-trailer |
| 00:34:07 |
lost... |
| 00:34:10 |
Lost control. |
| 00:34:11 |
(TIRES SCREECHES) |
| 00:34:13 |
(CRASHES) |
| 00:34:24 |
I lost all the |
| 00:34:29 |
but through all the horrible, |
| 00:34:38 |
I still find that one |
| 00:34:45 |
What's that one thing? |
| 00:34:48 |
NICHOLAS: Sir? |
| 00:34:52 |
I'm sorry, Walter. |
| 00:35:00 |
(KNOCKING ON DOOR) |
| 00:35:12 |
Who is it? |
| 00:35:14 |
(KNOCKING CONTINUES) |
| 00:35:43 |
MAN: Agent Dumare? |
| 00:35:45 |
Who's there? |
| 00:35:46 |
(SILENCED GUNSHOT) |
| 00:36:09 |
BAKER: Miss me? |
| 00:36:10 |
JULES: A girl doesn't |
| 00:36:12 |
Go secure for encrypt. |
| 00:36:19 |
Line secure. |
| 00:36:22 |
BAKER: What's on the grid? |
| 00:36:23 |
Nothing. You're |
| 00:36:25 |
and your location through everything |
| 00:36:29 |
but we did find something |
| 00:36:31 |
He's been on the radar |
| 00:36:33 |
and he's been |
| 00:36:35 |
Brokered at least two dozen |
| 00:36:38 |
This guy has worked schoolboy |
| 00:36:41 |
but I think we got a name. |
| 00:36:44 |
Hal Leuco. |
| 00:36:46 |
Hal Leuco? |
| 00:36:48 |
Okay, do me a favor. See if you get |
| 00:36:51 |
Check the |
| 00:36:52 |
You know, those Limbaugh assholes, |
| 00:36:56 |
Never been that lucky. |
| 00:36:59 |
I don't know. Maybe nothing. I |
| 00:37:03 |
You got it, honey. |
| 00:37:05 |
And your heart forever? |
| 00:37:06 |
You've always |
| 00:37:11 |
(SIGHS) |
| 00:37:14 |
This town's got more tunnels |
| 00:37:19 |
The whole city's a warren |
| 00:37:23 |
Speaking of depraved, |
| 00:37:25 |
I'm gonna shove that RPG |
| 00:37:28 |
(CHUCKLES) |
| 00:37:30 |
Remember old Bobby Dubap, |
| 00:37:34 |
That shitstain got himself |
| 00:37:37 |
Did they fire it? |
| 00:37:39 |
Fire it? |
| 00:37:40 |
(LAUGHING) |
| 00:37:41 |
I'm telling you, boy. I |
| 00:37:44 |
to bother to stuff a |
| 00:37:48 |
up somebody's bunghole, |
| 00:37:53 |
Wouldn't you feel just a |
| 00:37:56 |
(LAUGHING) Why would you put |
| 00:37:59 |
I don't know. You got your |
| 00:38:02 |
Why don't you tell me? |
| 00:38:03 |
Y'all are real at |
| 00:38:05 |
Ah, don't pay him no mind. |
| 00:38:08 |
His brother Jeeves, brother |
| 00:38:13 |
Now he thinks he's fit, |
| 00:38:17 |
I'd rather be incarcerated than have to |
| 00:38:21 |
Yeah, I can see that. You'd last |
| 00:38:25 |
(LAUGHING) |
| 00:38:28 |
Yeah, you'd really be reckoning |
| 00:38:32 |
Yeah, well, there's gonna be |
| 00:38:34 |
"There's gonna be |
| 00:38:40 |
BAKER: Good to see you're |
| 00:38:42 |
Oh, I am. I'm utterly |
| 00:38:47 |
Is that not |
| 00:38:50 |
What? Are you |
| 00:38:52 |
What? |
| 00:38:54 |
You're joking, right? |
| 00:38:56 |
What? What the hell |
| 00:38:59 |
Vandeven is |
| 00:39:02 |
What? |
| 00:39:03 |
Her vagina was made with, |
| 00:39:05 |
She's, like, 85% man. |
| 00:39:06 |
- Come on. Come on, Red. |
| 00:39:08 |
Are you serious? I |
| 00:39:13 |
No. Go relieve Abrego |
| 00:39:16 |
Okay. Okay, Bake. You guys, you |
| 00:39:20 |
And if that kid |
| 00:39:21 |
I am gonna permanently alter |
| 00:39:24 |
All right, take the kid with |
| 00:39:27 |
Jesus, you guys. |
| 00:39:31 |
(COCKS GUN) |
| 00:39:45 |
You're worried |
| 00:39:49 |
Lot of steel and concrete between you |
| 00:39:55 |
A name did |
| 00:40:05 |
Hal Leuco. |
| 00:40:13 |
No. |
| 00:40:14 |
Never heard of it? Never |
| 00:40:22 |
I haven't been involved in that |
| 00:40:25 |
but if I was, I would've |
| 00:40:29 |
A name as distinctive |
| 00:40:32 |
Hal Leuco. |
| 00:40:37 |
Walter, |
| 00:40:42 |
Sorry, I wish I |
| 00:41:14 |
- Hey! |
| 00:41:16 |
I knew you were |
| 00:41:17 |
No, no, no, no, no, no, no. |
| 00:41:20 |
Hey. I just got paid, okay? |
| 00:41:23 |
(LAUGHS) Wait. Troy. |
| 00:41:26 |
- Troy. |
| 00:41:29 |
I like to be seduced, Troy. |
| 00:41:35 |
I didn't think you |
| 00:41:47 |
Think of all the grateful women |
| 00:41:52 |
Hmm? |
| 00:41:55 |
(MAN COUGHS) |
| 00:41:57 |
Asshole. |
| 00:42:01 |
(SINGING) Ae fond kiss, |
| 00:42:05 |
Look, maybe it's not just about |
| 00:42:09 |
What's the significance |
| 00:42:11 |
Well, that's gonna take some real |
| 00:42:14 |
I'm gonna get |
| 00:42:16 |
Well, press it, okay? |
| 00:42:19 |
I ran Hal Leuco by him |
| 00:42:21 |
But I did get some |
| 00:42:23 |
on that name crosscheck |
| 00:42:25 |
to what looks like some kind of veil |
| 00:42:30 |
True Patriot? Now, where'd |
| 00:42:33 |
It's just a random hit off |
| 00:42:35 |
which went off |
| 00:42:37 |
Okay, dig it out for me, |
| 00:42:39 |
We always do. |
| 00:42:45 |
Baker for overwatch. |
| 00:42:52 |
Dom? Sit-rep. |
| 00:42:59 |
Dumare, you copy? |
| 00:43:03 |
Dom? |
| 00:43:06 |
All clear here. |
| 00:43:08 |
Good. Let's hope |
| 00:43:11 |
All right, boys, we're |
| 00:43:15 |
That's when the party starts, or |
| 00:43:18 |
Let's hope for the best |
| 00:43:21 |
I want you to keep |
| 00:43:24 |
The next three hours |
| 00:43:26 |
Anything looks out of place, |
| 00:43:30 |
Keep your mind tight and |
| 00:44:06 |
Hey, man. |
| 00:44:22 |
(JAZZ MUSIC PLAYING) |
| 00:44:55 |
(CROWD APPLAUDING) |
| 00:44:56 |
(MAN WHISTLES) |
| 00:45:20 |
Baker, do you copy? Okay. |
| 00:45:29 |
Remember now, honey pie, |
| 00:45:32 |
Put the fear |
| 00:45:33 |
You'll hear me |
| 00:45:34 |
Lester, you just try and keep |
| 00:45:39 |
What can I get for you? |
| 00:45:41 |
What are you offering? |
| 00:45:43 |
That depends what |
| 00:45:45 |
And if my taste |
| 00:45:48 |
who happen to have |
| 00:45:50 |
Hey, that makes you |
| 00:45:52 |
Excuse me. |
| 00:45:54 |
Mike Gooding, |
| 00:45:56 |
- I just listened to that set, man. |
| 00:45:58 |
Very impressed, |
| 00:45:59 |
My man. |
| 00:46:00 |
- Thank you. |
| 00:46:02 |
Sure. |
| 00:46:03 |
All right. |
| 00:46:18 |
(INDISTINCT CHATTER) |
| 00:47:08 |
Too much oil. |
| 00:47:13 |
Excuse me? |
| 00:47:16 |
You use too much oil. |
| 00:47:19 |
You're wearing Caron Poivre, |
| 00:47:23 |
but it's being |
| 00:47:25 |
Bravo. You're very good |
| 00:47:28 |
but I don't use |
| 00:47:36 |
I didn't mention anything |
| 00:47:39 |
Think it's on the gun |
| 00:47:48 |
I think tonight's gonna |
| 00:48:03 |
Overwatch, we got |
| 00:48:07 |
Like a low-rent |
| 00:48:10 |
It's being towed |
| 00:48:13 |
That pretend street urchin |
| 00:48:18 |
Probably a couple |
| 00:48:21 |
It's time to set |
| 00:48:31 |
(CHUCKLING) |
| 00:48:35 |
OSTERBERG: |
| 00:48:40 |
Overwatch. |
| 00:48:41 |
What's wrong with this thing? |
| 00:48:45 |
Overwatch, do you copy? |
| 00:48:47 |
Copy that. |
| 00:48:49 |
- Check it out. |
| 00:49:00 |
(GROANING) |
| 00:49:04 |
Osterberg! |
| 00:49:05 |
(THUDS) |
| 00:49:06 |
Dumare, I got an agent down, |
| 00:49:10 |
(EXCLAIMS) |
| 00:49:15 |
Injuns two, |
| 00:49:19 |
Okay, so we got |
| 00:49:21 |
April 19th. On current or planned |
| 00:49:25 |
Baker, some stuff came up. |
| 00:49:27 |
Oklahoma City bombing |
| 00:49:29 |
Both the Bay of Pigs and the |
| 00:49:33 |
and what a lot of Americans |
| 00:49:34 |
is that April 19th was |
| 00:49:38 |
But, Baker, April 19th was the |
| 00:49:52 |
Jesus Christ. |
| 00:49:55 |
What the hell |
| 00:49:56 |
From what I can glean, some |
| 00:49:59 |
against the United States |
| 00:50:01 |
of widespread international |
| 00:50:05 |
So we already look bad, and this |
| 00:50:07 |
Okay, what kind of ops |
| 00:50:10 |
Torture of prisoners in US |
| 00:50:12 |
Radiation poisoning of a |
| 00:50:16 |
Murder of an Iraqi family, |
| 00:50:19 |
and the bombing of a subway |
| 00:50:21 |
in order to sway support |
| 00:50:24 |
All carried out under the |
| 00:50:28 |
Prisoner torture, |
| 00:50:31 |
Radiation poisoning, |
| 00:50:33 |
Iraqi family murders, |
| 00:50:37 |
Train station bombings, |
| 00:50:40 |
Look, I want you |
| 00:50:41 |
Okay? I want bank accounts, I |
| 00:50:43 |
Already done. We got |
| 00:50:46 |
so no one who wasn't staring at them |
| 00:50:49 |
They're similar to |
| 00:50:51 |
this Hal Leuco character |
| 00:51:01 |
Nice. |
| 00:51:04 |
Osterberg. |
| 00:51:07 |
(GRUNTING) |
| 00:51:15 |
LESTER: Hey! Don't shit |
| 00:51:18 |
Hi! |
| 00:51:19 |
I look like that dude, |
| 00:51:21 |
He's in Sniper. |
| 00:51:24 |
(LAUGHS) |
| 00:51:32 |
All these gentlemen callers |
| 00:51:36 |
I like the single life. |
| 00:51:40 |
Look, this situation, |
| 00:51:44 |
Two heads are |
| 00:51:45 |
Bigger targets. |
| 00:51:50 |
Then why haven't |
| 00:51:56 |
The night's still young. |
| 00:52:08 |
Well, hello, handsome. |
| 00:52:20 |
(BEEPS) |
| 00:52:26 |
Walter, why didn't you |
| 00:52:29 |
April 19th, is the day |
| 00:52:34 |
It hadn't |
| 00:52:36 |
Someone says you're gonna die, the |
| 00:52:39 |
Something's not |
| 00:52:41 |
You know how some people, they |
| 00:52:45 |
You see, I get this twinge in my |
| 00:52:50 |
and right now it's telling me either |
| 00:52:54 |
- Which one is it? Is it? |
| 00:52:56 |
Yes, and I resent |
| 00:53:00 |
I have given the better part of my |
| 00:53:04 |
You have no right to |
| 00:53:08 |
Hey, paesan. You check out |
| 00:53:12 |
Sexy as fuck, but man, |
| 00:53:15 |
It's got this serious-ass |
| 00:53:19 |
I don't know about her |
| 00:53:23 |
Dom. |
| 00:53:25 |
I'll keep an eye on her. |
| 00:53:27 |
What's with you, man? |
| 00:53:31 |
I'm fine. |
| 00:53:34 |
All right, man. |
| 00:53:41 |
FRITZ: Come on, come on. |
| 00:53:46 |
Time is a-wasting. |
| 00:53:52 |
All right, spuds. |
| 00:53:55 |
Fire in the hole. |
| 00:54:00 |
- What the hell was that? |
| 00:54:02 |
- Where's our generator? |
| 00:54:04 |
Are you serious? |
| 00:54:11 |
Everybody be cool. A little power |
| 00:54:19 |
Go with me on this. |
| 00:54:23 |
Everybody freeze. This |
| 00:54:25 |
- Who the fuck are you? |
| 00:54:27 |
I've been following this woman for |
| 00:54:30 |
Now get Baker |
| 00:54:32 |
Baker, you getting this? |
| 00:54:33 |
Baker, do you copy? |
| 00:54:36 |
Dom, did you get a movement |
| 00:54:44 |
Man, fuck this. |
| 00:54:46 |
Everybody relax, |
| 00:54:52 |
Deep breaths, dry palms. |
| 00:54:56 |
We're gonna take care |
| 00:54:59 |
I want everybody within |
| 00:55:02 |
to place their weapons |
| 00:55:06 |
Slowly. |
| 00:55:19 |
(LAUGHS) |
| 00:55:29 |
(MUMBLES) |
| 00:55:52 |
(WHOOPING) |
| 00:55:53 |
(BOTH LAUGHING) |
| 00:55:54 |
I believe we's ranged. |
| 00:55:58 |
(TRIUMPHANT MUSIC PLAYING) |
| 00:56:00 |
- Reload! |
| 00:56:02 |
(GRUNTING) |
| 00:56:29 |
(YELLING) |
| 00:56:33 |
(GRUMBLING) |
| 00:56:38 |
Oh, shit! |
| 00:56:50 |
(ALL LAUGHING) |
| 00:56:54 |
BAKER: Someone's |
| 00:57:02 |
We were invisible. |
| 00:57:07 |
(BREATHES HEAVILY) |
| 00:57:25 |
Wait! |
| 00:57:27 |
I'm not paid |
| 00:57:28 |
Fuck! |
| 00:57:43 |
(EXCLAIMS) |
| 00:57:54 |
(GROANS) |
| 00:58:16 |
(YELLING) |
| 00:58:21 |
MALCOLM: Shit! |
| 00:58:33 |
(CRYING) I should've |
| 00:58:36 |
Not my strong suit, |
| 00:58:38 |
It never was. |
| 00:58:47 |
BAKER: Dumare, |
| 00:58:49 |
- BAKER: Nick? |
| 00:58:51 |
Can anybody up there hear me? |
| 00:58:54 |
ABREGO: Copy that, Chief. |
| 00:58:56 |
Locking mechanism unaffected. |
| 00:58:57 |
You hold your position. |
| 00:58:59 |
You kill anything you don't |
| 00:59:01 |
Jules, overwatch |
| 00:59:03 |
I need full response, |
| 00:59:04 |
I repeat, |
| 00:59:06 |
Copy, Chicago field |
| 00:59:08 |
Send me everything you got. |
| 00:59:09 |
I'm on it. |
| 00:59:11 |
No, not at all. |
| 00:59:12 |
Fuck! |
| 00:59:14 |
Yeah, yeah, yeah! |
| 00:59:15 |
Yeah, baby, go wide! |
| 00:59:18 |
Bang! Bang! Bang! Bang! |
| 00:59:38 |
Hey! Check this one out! |
| 00:59:44 |
(LAUGHING) |
| 00:59:46 |
That's not |
| 00:59:48 |
You could've killed us |
| 00:59:50 |
(EXCLAIMS) God damn it! |
| 00:59:52 |
And that's for taking |
| 00:59:54 |
I've been shot. |
| 00:59:56 |
I've been gut shot. Abrego, please. |
| 01:00:01 |
Baker, I got Dumare on the |
| 01:00:03 |
- DUMARE: Open the goddamn door! |
| 01:00:04 |
He needs medical |
| 01:00:07 |
What the hell is he |
| 01:00:10 |
Dom, what are you |
| 01:00:12 |
Why aren't you |
| 01:00:14 |
What's he doing? Abrego, |
| 01:00:18 |
What are you talking about? He's |
| 01:00:21 |
- Stand down, Abrego. |
| 01:00:22 |
What, are you fucking nuts? |
| 01:00:24 |
Not till Baker |
| 01:00:25 |
Do not open that door. |
| 01:00:28 |
(WHIMPERING) |
| 01:00:32 |
and I know |
| 01:00:40 |
Wait, wait. |
| 01:00:56 |
Now. |
| 01:01:50 |
(SCREAMS) |
| 01:01:51 |
My eyeholes! |
| 01:01:55 |
(YELLING) |
| 01:02:03 |
(BEEPING) |
| 01:02:15 |
(BEEPING RAPIDLY) |
| 01:02:18 |
(GROANS) |
| 01:02:39 |
Oh, dear me. |
| 01:02:43 |
Baby Boy. |
| 01:02:49 |
You did real good. |
| 01:02:57 |
There's a time for tears, |
| 01:03:01 |
There's money for the |
| 01:03:15 |
Do not open that door. |
| 01:03:17 |
Step away, man. |
| 01:03:18 |
Open the door. |
| 01:03:20 |
- Now! |
| 01:03:22 |
I am not letting him die |
| 01:03:24 |
- Stand down now! |
| 01:03:27 |
(GRUNTING) |
| 01:03:32 |
- BAKER: Abrego, this is a direct order. |
| 01:03:34 |
Do not open that door! |
| 01:03:36 |
Fuck. |
| 01:03:40 |
I'm coming! |
| 01:03:46 |
What the fuck, Dom? |
| 01:03:50 |
(GRUNTS) |
| 01:03:51 |
You're not Dom. |
| 01:03:57 |
(GRUNTING) |
| 01:04:02 |
(YELLS) |
| 01:04:21 |
Sir, I've got gunfire |
| 01:04:25 |
Proceed with |
| 01:04:27 |
You are our last |
| 01:04:34 |
(EXCLAIMS) |
| 01:04:35 |
Hold your fire! |
| 01:04:39 |
It's me! It's Dumare! I think |
| 01:04:42 |
I'm coming out! |
| 01:04:50 |
FRITZ: Hell! |
| 01:05:07 |
Jules, where's my backup? |
| 01:05:08 |
They're en route. But, Zane, |
| 01:05:10 |
Jules, the fucking |
| 01:05:12 |
The assassins targeting Weed all |
| 01:05:15 |
Wetwork for Uncle Sam. |
| 01:05:17 |
So you're saying that they've |
| 01:05:20 |
No, that's just it. |
| 01:05:21 |
All of the vendors have |
| 01:05:23 |
and at one point or another have |
| 01:05:26 |
for the US government. |
| 01:05:29 |
Do you hear me? |
| 01:05:31 |
Jules? Jules? |
| 01:05:32 |
Shit. |
| 01:05:57 |
You've been lugging that |
| 01:05:59 |
like a Afghani at a fucking |
| 01:06:04 |
Hold on! Hold on down there! |
| 01:06:08 |
Any of you want to see |
| 01:06:11 |
What? |
| 01:06:16 |
JULES: How far away |
| 01:06:18 |
JENNY: It's 20 out. |
| 01:06:19 |
Local PD's onsite |
| 01:06:20 |
Just stay on it. |
| 01:06:27 |
What the fuck is that? |
| 01:06:28 |
NICHOLAS: Sir? |
| 01:06:37 |
I'm a businessman. I'm here |
| 01:06:43 |
Stand down. |
| 01:06:44 |
Relinquish your weapon and |
| 01:06:46 |
If you don't let me in, |
| 01:06:50 |
(EXCLAIMS) |
| 01:06:52 |
SOOT: Deal or no deal? |
| 01:06:53 |
No deal. |
| 01:06:56 |
God damn it, Bake. |
| 01:06:58 |
Shut up. |
| 01:06:59 |
You're wasting time, |
| 01:07:01 |
(SCREAMS) |
| 01:07:04 |
No matter what you do, |
| 01:07:07 |
and if you kill that man, I swear |
| 01:07:10 |
Repeat. I will hunt |
| 01:07:13 |
and kill you if it's |
| 01:07:15 |
I'll make sure |
| 01:07:25 |
- Will that door hold? |
| 01:07:27 |
If our intel's correct, three |
| 01:07:30 |
If he's not dead at 3:00 a.m. |
| 01:07:32 |
Cheer up, Houdini. You're |
| 01:07:37 |
Y'all mind if I crash |
| 01:07:41 |
Eeny... |
| 01:07:43 |
- Walter! |
| 01:07:47 |
...miny... |
| 01:07:54 |
...moe. |
| 01:08:05 |
- Walter, you okay? |
| 01:08:09 |
Nick. |
| 01:08:11 |
Come on. Come on. |
| 01:08:15 |
Look, okay, okay. No, |
| 01:08:17 |
No, no, no. Cover his chest, |
| 01:08:19 |
Cover his chest. Wound. Right |
| 01:08:21 |
Okay, look at me. Breathe. |
| 01:08:23 |
- What is happening to me? |
| 01:08:25 |
(SHUSHING) No, no. |
| 01:08:28 |
- No, no. No. No, no. |
| 01:08:30 |
- No, no. Open your eyes. |
| 01:08:32 |
BAKER: Come on. |
| 01:08:34 |
Come on. Come on. |
| 01:08:39 |
Fuck! |
| 01:08:57 |
Hit him again, lummox. Two more |
| 01:09:08 |
Wait, wait, wait, wait. |
| 01:09:09 |
Get away from |
| 01:09:10 |
Hey, hey, hey. |
| 01:09:11 |
This is |
| 01:09:13 |
There's enough C-4 |
| 01:09:15 |
to bring down |
| 01:09:17 |
If I release this button, |
| 01:09:22 |
Okay, okay. |
| 01:09:23 |
I can take him. |
| 01:09:24 |
Whoa, whoa, whoa, whoa. Hey, |
| 01:09:26 |
Just stand down. |
| 01:09:27 |
Requesting permission |
| 01:09:29 |
No, Red. |
| 01:09:30 |
- Stand down. Red! |
| 01:09:33 |
A dozen men are dead. |
| 01:09:34 |
Red! No! |
| 01:09:36 |
(EXCLAIMS IN PAIN) |
| 01:09:37 |
Whoa! |
| 01:09:39 |
All right? Everything's |
| 01:09:43 |
Red, you okay? |
| 01:09:44 |
Do I look like I'm fucking |
| 01:09:48 |
See? Red's okay. |
| 01:09:51 |
Walter, you're |
| 01:09:55 |
You're about to |
| 01:09:57 |
For the greater good. |
| 01:09:59 |
There are men |
| 01:10:01 |
that are wanted |
| 01:10:03 |
directly aligned |
| 01:10:06 |
They have engaged in |
| 01:10:09 |
ever perpetrated |
| 01:10:12 |
In 40 years, I have never had the |
| 01:10:20 |
Walter, |
| 01:10:23 |
This is sanctioned murder. |
| 01:10:25 |
You're sweeping up for |
| 01:10:28 |
Hal Leuco fed you a line of bullshit, |
| 01:10:31 |
I am not being used. |
| 01:10:34 |
I am well aware |
| 01:10:36 |
a vicious, coordinated assault |
| 01:10:41 |
conducting tortures in the |
| 01:10:44 |
He stages these sessions, |
| 01:10:47 |
and disseminates the |
| 01:10:49 |
And Ariella Martinez, |
| 01:10:52 |
well-versed in exotic |
| 01:10:55 |
She liquidates a Russian |
| 01:10:59 |
used only |
| 01:11:06 |
(CHOKING) |
| 01:11:07 |
Lazlo Soot. He murders an Iraqi |
| 01:11:14 |
Those crazed hillbillies, |
| 01:11:15 |
The True Patriot is a |
| 01:11:18 |
They blew up a train station in Spain. |
| 01:11:21 |
It swayed a major election, |
| 01:11:24 |
who then pulled his |
| 01:11:26 |
NEWSCASTER 1: 191 people were killed |
| 01:11:29 |
NEWSCASTER 2: It seems the train targeted |
| 01:11:34 |
(INDISTINCT CHATTERING) |
| 01:11:40 |
These are cold-blooded |
| 01:11:44 |
in open warfare |
| 01:11:47 |
They have been sent a contract |
| 01:11:52 |
where I can terminate |
| 01:11:55 |
Okay, Walter, |
| 01:11:57 |
Everything you know about |
| 01:12:02 |
Yes. Hal Leuco, whoever |
| 01:12:06 |
he's been planning on using you for |
| 01:12:09 |
Yes, Walter. They planted these stories. |
| 01:12:12 |
They stitched them together |
| 01:12:18 |
It's blowback, Walter. |
| 01:12:20 |
Everyone you mentioned, |
| 01:12:23 |
yeah, they've done some |
| 01:12:25 |
but on behalf of the US government, |
| 01:12:31 |
Do you see what's happening |
| 01:12:36 |
- This is about eradication. |
| 01:12:38 |
Yes, and that's what |
| 01:12:40 |
- Don't let them. Don't. |
| 01:12:41 |
My wife and my daughter |
| 01:12:47 |
By what? Chance? |
| 01:12:53 |
Ideas live on, Agent Baker. |
| 01:12:59 |
And when I roll out that door |
| 01:13:04 |
I join |
| 01:13:07 |
I will be remembered. |
| 01:13:14 |
You have a choice. |
| 01:13:18 |
Destiny's plaything, |
| 01:13:21 |
or avenging angel? |
| 01:13:29 |
Please don't do this. |
| 01:13:33 |
Walter, please. Fuck. |
| 01:13:46 |
Come on. Come on. |
| 01:13:54 |
(GRUNTS) |
| 01:14:00 |
(SCREAMS) |
| 01:14:27 |
FRITZ: Help me. |
| 01:14:32 |
Help me, boy. |
| 01:14:36 |
(CACKLING) Help me. |
| 01:14:43 |
I'll help you, |
| 01:14:45 |
(GUNSHOT) |
| 01:14:59 |
(BREATHING HEAVILY) |
| 01:15:55 |
(COUGHING) |
| 01:15:56 |
MAN 1: Sir? |
| 01:16:05 |
MAN 2: Hey, buddy, |
| 01:16:27 |
Gun! He's got a gun! |
| 01:16:29 |
Whoa! I'm Agent Baker. |
| 01:16:30 |
Don't. Don't move. Get down on |
| 01:16:32 |
VEJAR: Get off him! |
| 01:16:34 |
You four, lock this place |
| 01:16:38 |
See to Lester Young there |
| 01:16:41 |
Agent Baker, I'm Special |
| 01:16:44 |
I know you've been through |
| 01:16:46 |
Where's Walter Weed? |
| 01:16:47 |
He's dead. |
| 01:16:48 |
You can verify that? You |
| 01:16:51 |
He blew himself up |
| 01:16:54 |
I'm gonna ask you |
| 01:16:56 |
Did you see a body? Did |
| 01:17:01 |
He was sitting on enough C-4 |
| 01:17:04 |
He was a suicide bomber. |
| 01:17:10 |
We have reason to believe |
| 01:17:15 |
What? |
| 01:17:18 |
We think Leuco was |
| 01:17:21 |
taking care of old assets like |
| 01:17:25 |
in order to eradicate |
| 01:17:28 |
anyone he'd dealt |
| 01:17:30 |
There's an element of shadow |
| 01:17:32 |
CIA, NSA, |
| 01:17:35 |
It's unclear, but you and |
| 01:17:39 |
Okay, wait a minute, |
| 01:17:42 |
My team did an extensive |
| 01:17:44 |
They tracked Weed all the |
| 01:17:47 |
He worked for the agency, |
| 01:17:49 |
It was all fabricated. |
| 01:17:51 |
Leuco papered, disseminated |
| 01:17:54 |
to create |
| 01:17:57 |
Hal Leuco isn't |
| 01:17:59 |
It's short for Haliaeetus leucocephalus. |
| 01:18:06 |
BAKER: You want bald eagles on your |
| 01:18:10 |
The assassins, the money we were |
| 01:18:14 |
As Walter Weed, Leuco had |
| 01:18:18 |
everything we'd been |
| 01:18:20 |
As Hal Leuco, he was privy to |
| 01:18:25 |
We were a week away from proving |
| 01:18:28 |
when this happened. |
| 01:18:31 |
$3,000,000. |
| 01:18:35 |
I'm glad. |
| 01:18:37 |
How could he get away |
| 01:18:39 |
working at the highest |
| 01:18:42 |
Leuco is a ghost, |
| 01:18:46 |
Now you see him, |
| 01:18:48 |
That's why I needed to know, |
| 01:18:53 |
Are you sure? |
| 01:18:58 |
How could he |
| 01:19:21 |
How the hell |
| 01:19:23 |
I can't tell you that. |
| 01:19:30 |
Son of a bitch. |
| 01:20:01 |
Southside bar owner Malcolm |
| 01:20:05 |
that his place of business |
| 01:20:06 |
would be the scene of a |
| 01:20:09 |
Firefighters are |
