|
Smokin Aces
|
| 00:00:53 |
I'm telling you something... |
| 00:00:56 |
You've got to be careful when |
| 00:00:59 |
I did one for... I was |
| 00:01:01 |
I gained, like, 20, 25 pounds. |
| 00:01:04 |
Well, that's my problem, though. |
| 00:01:07 |
That's 'cause |
| 00:01:09 |
Yeah, well, then, |
| 00:01:10 |
Can I get you |
| 00:01:12 |
You're disgusting. |
| 00:01:14 |
Come on, don't keep it |
| 00:01:17 |
Don't even let it rub |
| 00:01:19 |
Do you know what? |
| 00:01:23 |
My grandmother... I swear to |
| 00:01:28 |
She said... She did, 'cause when I used |
| 00:01:32 |
She pissed on your face? |
| 00:01:34 |
Get the fuck out of here. |
| 00:01:37 |
What? |
| 00:01:39 |
You just told me your grandma said |
| 00:01:42 |
- Have some respect. Come on. |
| 00:01:47 |
Why don't you speak a little louder, |
| 00:01:50 |
- What, now? |
| 00:01:52 |
The nurse is in there, and then |
| 00:01:55 |
Who's in the back? Who's |
| 00:01:58 |
Joe, are you guys |
| 00:02:00 |
Because if you are, it's certainly |
| 00:02:03 |
and we'd certainly like |
| 00:02:05 |
We've been here for 16 hours. |
| 00:02:08 |
It's pretty dead. |
| 00:02:10 |
Thank you, |
| 00:02:12 |
All right well, just stay awake, |
| 00:02:17 |
Hey, yo, Mike, where are you, |
| 00:02:20 |
Are you nervous? |
| 00:02:23 |
What? |
| 00:02:24 |
What kind of deodorant do you |
| 00:02:27 |
Look at you. |
| 00:02:29 |
What does that mean? |
| 00:02:31 |
It's bad for you. |
| 00:02:32 |
What? |
| 00:02:34 |
Alzheimer's. You get Alzheimer's |
| 00:02:36 |
with aluminum. |
| 00:02:37 |
I'm sorry. I forgot. I don't |
| 00:02:39 |
Fucking asshole. |
| 00:02:41 |
Watch it. Watch it. Watch |
| 00:02:51 |
Serna just picked up |
| 00:02:53 |
- He's on the phone now. He is on the phone. |
| 00:02:55 |
I got some movement |
| 00:02:57 |
Ricky, pan to the right |
| 00:03:00 |
Okay, we got him. |
| 00:03:04 |
Here we go. Here we go. |
| 00:03:05 |
Zoom back in |
| 00:03:06 |
He is on the phone. Do you |
| 00:03:08 |
He's on the phone. |
| 00:03:09 |
Quiet, quiet. We got it. |
| 00:03:10 |
He's talking to someone |
| 00:03:12 |
- Buzz. |
| 00:03:14 |
Everybody off the walkies now. |
| 00:03:17 |
You got clicks? |
| 00:03:18 |
Clicks? No. Nothing on |
| 00:03:22 |
Do you guys have |
| 00:03:24 |
Yeah, we got it. |
| 00:03:26 |
Buzzy, I'm upstairs. I can't talk |
| 00:03:29 |
I've been sitting by this |
| 00:03:32 |
Now listen to me, Buzzy. |
| 00:03:35 |
Clip? |
| 00:03:36 |
Buddy Israel? |
| 00:03:37 |
Now, I was eavesdropping, so |
| 00:03:40 |
All right, I'm |
| 00:03:42 |
Now, what I heard downstairs |
| 00:03:47 |
Swede. |
| 00:03:48 |
You know a Swede? You |
| 00:03:50 |
Supposedly, a specialist. |
| 00:03:54 |
So I'm thinking we jump, |
| 00:03:55 |
get to Israel before the Swede |
| 00:04:00 |
We grab him... |
| 00:04:01 |
...ransom him back, |
| 00:04:03 |
We're that much closer to |
| 00:04:05 |
Kidnapping? |
| 00:04:07 |
Hey, we keep our mouth shut, play |
| 00:04:11 |
The old man's on the fade, |
| 00:04:13 |
These guys got balls. Let me tell |
| 00:04:15 |
Do they ever. |
| 00:04:16 |
Jesus Christ, |
| 00:04:18 |
You think they'll really |
| 00:04:21 |
You ain't heard |
| 00:04:23 |
But before I get to it, one more |
| 00:04:26 |
Primo wants Israel's heart. |
| 00:04:30 |
What'd he just say? He's |
| 00:04:32 |
His heart? |
| 00:04:34 |
He's been snitching to the |
| 00:04:37 |
You know, he's old-school |
| 00:04:40 |
Now, big concern for me, |
| 00:04:43 |
Let's not fuck around. Someone's cousin, |
| 00:04:46 |
Zip off the boat? |
| 00:04:48 |
Let's get pros. People |
| 00:04:50 |
This thing's gonna |
| 00:04:51 |
You know, there's a pair of broads |
| 00:04:54 |
Which broads? |
| 00:04:55 |
They're reliable? |
| 00:04:57 |
Two of the best. They hit those |
| 00:05:01 |
These girls are worth every penny. I'll |
| 00:05:05 |
All right. Odds are they're |
| 00:05:07 |
Might have to |
| 00:05:08 |
These guys |
| 00:05:10 |
Well, just so I get a quote in my |
| 00:05:13 |
That's the punch line. |
| 00:05:14 |
Here's the punch line. |
| 00:05:16 |
One million flat. |
| 00:05:17 |
Holy shit. |
| 00:05:19 |
If word hits the street that |
| 00:05:22 |
for Buddy fucking Israel, |
| 00:05:23 |
you're gonna have every fucking hit |
| 00:05:27 |
We got to move quickly. No more |
| 00:05:30 |
He said one million. |
| 00:05:33 |
One million, |
| 00:05:34 |
Plus the heart. |
| 00:05:39 |
Holy shit. |
| 00:05:41 |
These guys want him bad. |
| 00:05:44 |
Ladies and gentlemen, |
| 00:05:46 |
he is one of the biggest |
| 00:05:50 |
And we are thrilled |
| 00:05:53 |
And he's won |
| 00:05:56 |
He has won |
| 00:05:59 |
every year in Las Vegas |
| 00:06:02 |
Ladies and gentlemen, would you |
| 00:06:05 |
a big Las Vegas welcome, |
| 00:06:10 |
and his name |
| 00:06:14 |
Come on out here! |
| 00:06:16 |
Buddy "Aces" Israel. |
| 00:06:21 |
Card sharp. Illusionist. |
| 00:06:28 |
Asshole. |
| 00:06:29 |
I say this from the |
| 00:06:32 |
Douchebag. |
| 00:06:35 |
Five-time Vegas |
| 00:06:42 |
The wiseguys, for some |
| 00:06:46 |
They think he's, like, a mystic. |
| 00:06:50 |
Nice shot. |
| 00:06:55 |
Now, Buddy starts making |
| 00:06:59 |
He's doing the Sinatra thing. |
| 00:07:03 |
Becomes |
| 00:07:06 |
Can I whack anybody? |
| 00:07:07 |
Stop it. Stop it. |
| 00:07:09 |
Now he's got connections. |
| 00:07:12 |
So he starts to make plays. |
| 00:07:14 |
Wants to live |
| 00:07:18 |
Bankrolls a couple of B&Es. |
| 00:07:21 |
Fronts some smash-and-grabs, pawn shops, |
| 00:07:26 |
Then he gets his dick wet. |
| 00:07:29 |
Get in the van, man! Get |
| 00:07:34 |
Vegas lounge act |
| 00:07:38 |
Truth is, Buddy don't know the |
| 00:07:41 |
What do you got? |
| 00:07:42 |
He's a wannabe. |
| 00:07:43 |
Like most wannabes, he starts |
| 00:07:47 |
Are you fucking kidding me? |
| 00:07:51 |
That's good work. Good |
| 00:07:56 |
His little criminal foray shines a floodlight |
| 00:08:00 |
Cops get curious, they start camping |
| 00:08:04 |
real fucking quick. |
| 00:08:08 |
People get pinched, |
| 00:08:11 |
The next thing you know, Buddy |
| 00:08:15 |
on none other than |
| 00:08:19 |
Enforcer, |
| 00:08:25 |
Sparazza has been rumored |
| 00:08:27 |
in excess of |
| 00:08:30 |
including one of the Bureau's most |
| 00:08:34 |
I thought Heller |
| 00:08:35 |
He worked for the OSS before |
| 00:08:40 |
He was the first operative |
| 00:08:43 |
Fake identity, |
| 00:08:45 |
everything that is now |
| 00:08:48 |
Heller implemented |
| 00:08:49 |
...your attention |
| 00:08:50 |
I'll show you exactly what I meant |
| 00:08:54 |
And as a result, his undercover |
| 00:08:58 |
Using the latest techniques |
| 00:09:02 |
I will have my ears |
| 00:09:04 |
Removing a slight piece of bone in |
| 00:09:08 |
Eventually, he reached the rank of |
| 00:09:13 |
but due to some internal |
| 00:09:16 |
Primo Sparazza was given |
| 00:09:21 |
Sparazza is |
| 00:09:23 |
Over the years, the serious crimes with |
| 00:09:28 |
including Heller's murder, could |
| 00:09:30 |
A dedicated viciousness and |
| 00:09:34 |
had Sparazza's star |
| 00:09:36 |
So they relocated him to Nevada and made |
| 00:09:40 |
Water. |
| 00:09:41 |
What's his connection |
| 00:09:42 |
Sparazza introduced |
| 00:09:45 |
Gave him his first big break onstage, |
| 00:09:49 |
And Israel played |
| 00:09:52 |
Slowly amassing the loyalties |
| 00:09:55 |
with the idea |
| 00:09:56 |
You know, I've seen |
| 00:09:59 |
Well, you spend your life pulling rabbits |
| 00:10:02 |
anything seems possible. |
| 00:10:03 |
Israel wanted to touch something |
| 00:10:06 |
But what he wound up doing was |
| 00:10:10 |
Sparazza on one side, |
| 00:10:18 |
The infighting that followed drew the |
| 00:10:22 |
operating under the canopy |
| 00:10:24 |
This is it, right here. |
| 00:10:25 |
Presently, we have... |
| 00:10:27 |
Sixteen state |
| 00:10:30 |
running concurrent |
| 00:10:31 |
on select members |
| 00:10:33 |
With Israel being the target |
| 00:10:37 |
His testimony has the |
| 00:10:41 |
off of what's left of La |
| 00:10:43 |
That alone warrants total |
| 00:10:46 |
and a vanishing act with the |
| 00:10:53 |
The wiretaps on Serna and |
| 00:10:57 |
Well, that corroborates |
| 00:10:59 |
Sparazza's health |
| 00:11:00 |
and before he dies, he is demanding |
| 00:11:05 |
A recently opened |
| 00:11:08 |
has been traced |
| 00:11:10 |
That, and the mention |
| 00:11:13 |
makes the contract on Israel |
| 00:11:16 |
How real? |
| 00:11:19 |
How about six figures for |
| 00:11:24 |
Bullshit. |
| 00:11:27 |
They heard about that triad |
| 00:11:31 |
And they recognize |
| 00:11:33 |
Now, you all want this? |
| 00:11:34 |
Hell, yeah. Well, I'm |
| 00:11:37 |
What? |
| 00:11:43 |
There it is! There it is! |
| 00:11:45 |
You called the right bitches |
| 00:11:50 |
You see? Write that shit down. |
| 00:11:54 |
Are you saying that just because me and |
| 00:11:59 |
you know, we chipped |
| 00:12:02 |
they want us to go in and |
| 00:12:05 |
The way it works, girl. Y'all peeled |
| 00:12:09 |
So, we're supposed to go |
| 00:12:14 |
and remove his heart. |
| 00:12:16 |
You go in and pull him out. That |
| 00:12:21 |
Now, I'm still trying to get the |
| 00:12:25 |
What we got right now |
| 00:12:30 |
Buddy Israel. |
| 00:12:31 |
What else did Padiche say? |
| 00:12:33 |
He said the shit might get hot |
| 00:12:37 |
I said, "Cool. 'Cause I got |
| 00:12:41 |
"heaviest bitches alive." |
| 00:12:43 |
Like who? |
| 00:12:45 |
Blood-money mercenary. |
| 00:12:47 |
His countrymen have dubbed him |
| 00:12:53 |
"The Plague." |
| 00:12:54 |
American educated. Fluent in over a |
| 00:12:58 |
Noted for his |
| 00:13:11 |
When he was caught by the SAS |
| 00:13:14 |
in prison he chewed off |
| 00:13:16 |
so he couldn't be |
| 00:13:19 |
Is it possible that |
| 00:13:21 |
A million-dollar hit fee would draw some |
| 00:13:27 |
He has a history of taking on tough |
| 00:13:31 |
Who else? |
| 00:13:33 |
Three of them. Same skank |
| 00:13:38 |
They're used for that |
| 00:13:41 |
Heard about that |
| 00:13:43 |
That got squat-fucked, shot |
| 00:13:47 |
What happened? |
| 00:13:49 |
Well, the Tremor Brothers go rip-shit |
| 00:13:53 |
Seven dead, 28 wounded. |
| 00:13:56 |
Just to get |
| 00:14:01 |
In the course of the melee, one of them |
| 00:14:04 |
Another one catches blowback |
| 00:14:07 |
He's temporarily blinded. |
| 00:14:08 |
Third one gets a bullet lodged |
| 00:14:15 |
They're speed-freak, neo-Nazi |
| 00:14:18 |
Mein Kampf like it was |
| 00:14:21 |
They're meaner than shit, |
| 00:14:22 |
and these motherfuckers |
| 00:14:29 |
at the drop of a hat. |
| 00:14:30 |
- I ain't never heard of him. |
| 00:14:32 |
Then listen up, 'cause he may wind |
| 00:14:36 |
His name is Soot. Lazlo Soot. |
| 00:14:41 |
A lot of folks want |
| 00:14:43 |
Word is Soot is working |
| 00:14:48 |
Now, they don't know where he's |
| 00:14:51 |
or even what he looks like. |
| 00:14:55 |
But when Soot decides to move |
| 00:15:00 |
they're the last ones |
| 00:15:37 |
So, there it is. |
| 00:15:39 |
The bond on Buddy Israel expires in |
| 00:15:43 |
Who posted the bond? |
| 00:15:45 |
Same guys who hired me, |
| 00:15:48 |
He walked out the door after he |
| 00:15:51 |
If this Israel really is the |
| 00:15:55 |
then what are we doing |
| 00:15:59 |
correct me if I'm wrong, but I think they're |
| 00:16:04 |
Here we go. |
| 00:16:05 |
What incentive |
| 00:16:07 |
on something as small time |
| 00:16:10 |
I take it you're not going. |
| 00:16:11 |
No, I'm gonna go |
| 00:16:14 |
and take Fort Knox |
| 00:16:16 |
and after that I'm gonna go |
| 00:16:18 |
Would you please find your |
| 00:16:21 |
and get with this? |
| 00:16:25 |
Seriously. |
| 00:16:28 |
Listen, I know |
| 00:16:33 |
So we have maybe a day |
| 00:16:36 |
before that location |
| 00:16:39 |
gets grapevined and the whole |
| 00:16:42 |
He's in Lake Tahoe |
| 00:16:45 |
We got to lay |
| 00:16:47 |
You go up in there ad-libbing |
| 00:16:49 |
What are we talking |
| 00:16:50 |
Forty-five a piece |
| 00:16:52 |
Ten percent finder's fee |
| 00:16:53 |
So, what's |
| 00:16:55 |
Fast as we can |
| 00:16:56 |
We wait any longer, |
| 00:16:59 |
Then we |
| 00:17:00 |
And we lose our case. |
| 00:17:03 |
Now, Israel's manager, a man |
| 00:17:07 |
has guaranteed us that Israel |
| 00:17:10 |
once the government |
| 00:17:13 |
Now, we've been monitoring |
| 00:17:15 |
and we've learned that Israel |
| 00:17:19 |
of the Nomad Hotel and Casino |
| 00:17:23 |
The high-roller suite? No, |
| 00:17:26 |
Israel's lawyers were left holding |
| 00:17:29 |
And Rupert Reed, one of the firm's |
| 00:17:33 |
And he's dispatched a local |
| 00:17:36 |
to pick him up and |
| 00:17:39 |
It's very simple, gentlemen. |
| 00:17:44 |
A Gulfstream is waiting |
| 00:17:46 |
to transport you |
| 00:17:49 |
And I'll be flying to Los |
| 00:17:52 |
No former witness against the mob |
| 00:17:56 |
as Buddy "Aces" Israel. He's |
| 00:18:01 |
he is our case. |
| 00:18:04 |
And understand that if an |
| 00:18:08 |
it'll be made by those of the |
| 00:18:12 |
They are amoral, ruthless |
| 00:18:19 |
They must not succeed. |
| 00:18:23 |
Sid. |
| 00:18:24 |
Yeah, Buzzy, I just got a call from |
| 00:18:28 |
No shit. |
| 00:18:29 |
The old man |
| 00:18:30 |
So get yourself on a plane |
| 00:19:22 |
Are you fucking kidding me? |
| 00:19:26 |
Fuck you. |
| 00:19:35 |
Goodbye. |
| 00:19:37 |
Good luck. |
| 00:19:40 |
Godspeed. |
| 00:19:42 |
Good day, sir. |
| 00:19:44 |
Don't fuck... What the... |
| 00:19:53 |
You call Mecklen? |
| 00:19:56 |
I got the machine. |
| 00:19:58 |
What did you say? |
| 00:20:00 |
I leave message. |
| 00:20:02 |
I know you left a message. |
| 00:20:08 |
Hugo, you're staring at me |
| 00:20:09 |
for the fucking |
| 00:20:11 |
What did you say to Mecklen on |
| 00:20:15 |
That you were returning his call |
| 00:20:19 |
Wow, that's |
| 00:20:22 |
You have the wisdom of a |
| 00:20:24 |
That's fantastic. |
| 00:20:26 |
We don't have to fill up the |
| 00:20:27 |
Do me a favor, will you? |
| 00:20:29 |
Will you tell me what that is? |
| 00:20:31 |
About what? |
| 00:20:33 |
Look at the collar on that coat. |
| 00:20:41 |
I don't know. |
| 00:20:45 |
Is it cinnamon roll? The |
| 00:20:51 |
That looks like jizz. |
| 00:20:53 |
Yeah. |
| 00:20:54 |
Eastern European jizz. |
| 00:20:57 |
That looks like some fuckhead shot |
| 00:21:03 |
The twist is it's my |
| 00:21:07 |
So, you got the semen, okay, |
| 00:21:11 |
that's been allowed to soak in |
| 00:21:14 |
Work its way into the |
| 00:21:17 |
If you like, |
| 00:21:21 |
To what? Incinerate? |
| 00:21:25 |
Hugo! |
| 00:21:27 |
There isn't a fucking laundry |
| 00:21:31 |
known to man |
| 00:21:34 |
Some shit, suffice it to |
| 00:21:37 |
Do you want my apology? |
| 00:21:39 |
Only if you really, |
| 00:21:41 |
I very sorry. |
| 00:21:44 |
Are you a colossal |
| 00:21:46 |
I am, yes. |
| 00:21:47 |
Get the phone. It's probably Mecklen. |
| 00:21:51 |
All right? |
| 00:21:52 |
And please, for me, |
| 00:21:58 |
Get out of my fucking sight. |
| 00:22:01 |
Yes, sir. Go ahead. |
| 00:22:03 |
We're about three miles |
| 00:22:06 |
So do this in the next day or so, |
| 00:22:11 |
we're in a power position. |
| 00:22:12 |
All right, we got time. Want |
| 00:22:14 |
Yeah. Any word on this Swede? |
| 00:22:16 |
No, just the mention |
| 00:22:18 |
There's no Swedish hit man |
| 00:22:21 |
Maybe he's that good. |
| 00:22:22 |
You know, never been caught. No |
| 00:22:24 |
Maybe, but that's |
| 00:22:26 |
Jesus, I'll tell you, engineering |
| 00:22:30 |
going to these lengths that |
| 00:22:32 |
they're playing |
| 00:22:34 |
Coffee? Anything? I don't |
| 00:22:37 |
No, no, we cool. |
| 00:22:38 |
Coffee? No, no, thanks, darling. Lovely. |
| 00:22:41 |
So, I spoke to Loretta |
| 00:22:43 |
And she told me you, more or |
| 00:22:46 |
My associate, Mr. Serna, |
| 00:22:50 |
and if you could just speak to |
| 00:22:55 |
Your plans. What you got in mind? Pussy. |
| 00:22:59 |
I'm sorry? |
| 00:23:01 |
Pussy. |
| 00:23:03 |
Pushy? |
| 00:23:05 |
Pussy. |
| 00:23:09 |
Yeah, Israel likes pussy. |
| 00:23:12 |
And we like |
| 00:23:14 |
that he likes... |
| 00:23:16 |
Pussy. |
| 00:23:18 |
Correct. |
| 00:23:19 |
Well, |
| 00:23:21 |
enough said. |
| 00:23:23 |
Hi, Jack. Great, good, super. |
| 00:23:26 |
How you doing? Pete. Hello. |
| 00:23:29 |
Great. Come on. |
| 00:23:31 |
Hello? Great. Come on in. |
| 00:23:34 |
Hey, Hollis. Rip Reed. |
| 00:23:37 |
So, Jack, he tells me |
| 00:23:40 |
Yeah, we worked vice, like, |
| 00:23:44 |
Four. |
| 00:23:45 |
About six years. |
| 00:23:46 |
Four, six, five. They didn't teach |
| 00:23:49 |
But I bet you guys got a bunch |
| 00:23:51 |
I grew up soft with the private schools |
| 00:23:55 |
Everyone talked things out, |
| 00:23:57 |
No one ever threw any blows. Still to |
| 00:24:01 |
Imagine that? |
| 00:24:03 |
I don't say this to be |
| 00:24:06 |
don't have much of an opinion of |
| 00:24:08 |
You know, bar fighters and big, |
| 00:24:11 |
You know, sadly, this is it. You |
| 00:24:17 |
Dog-pile of piss-poor physique on top of |
| 00:24:21 |
I appreciate it! |
| 00:24:24 |
I'm babbling. I do that |
| 00:24:26 |
Let's get to the |
| 00:24:28 |
This wanted felon here, Buddy Israel, |
| 00:24:32 |
And his bail-bond bobbing |
| 00:24:35 |
Rip, hand to God, you got |
| 00:24:37 |
Yeah? Okay? I've assembled a team now. |
| 00:24:39 |
We're gonna go in, |
| 00:24:40 |
and everyone is gonna leave |
| 00:24:42 |
No problem. Will not be |
| 00:24:44 |
Great, that's good. You're feeling |
| 00:24:47 |
Outstanding! Get it up there! |
| 00:24:49 |
Come on. Come on, man. |
| 00:24:52 |
Huh? Right there, and then padlock |
| 00:24:56 |
That's a new one |
| 00:24:59 |
Really getting the hairy eyeball |
| 00:25:02 |
He's all right? |
| 00:25:03 |
This is good, though, what you're telling |
| 00:25:08 |
Little boosts. |
| 00:25:09 |
Helps allay my fears. I pass that |
| 00:25:12 |
All right. Look up. Hey, man. |
| 00:25:14 |
Put the fucking rabbit down. |
| 00:25:16 |
Appreciate it. |
| 00:25:17 |
Couple of things. The |
| 00:25:21 |
they're all strapped or packing |
| 00:25:24 |
Strapped. I don't know |
| 00:25:26 |
Strapped? Well, so, |
| 00:25:27 |
What else? He drinks, you know. |
| 00:25:30 |
This guy. He's a strung-out, |
| 00:25:34 |
fucking drunk, |
| 00:25:36 |
Right. Now I'm praying |
| 00:25:39 |
Please! Please, please, |
| 00:25:42 |
Punch him in the seat or something, |
| 00:25:46 |
I don't know. Anyway, I believe we |
| 00:25:51 |
$50,000. |
| 00:25:52 |
$50,000 |
| 00:25:54 |
Yo, calm down. Don't tell |
| 00:25:58 |
That's all |
| 00:25:59 |
Look at the attention |
| 00:26:00 |
We campaigning like |
| 00:26:04 |
And they losing a whole |
| 00:26:06 |
saying it's |
| 00:26:08 |
I am not shelling out this kind of |
| 00:26:11 |
This is a junior suite |
| 00:26:14 |
and the fucking |
| 00:26:15 |
What? |
| 00:26:18 |
Go down there and get him. Go |
| 00:26:22 |
Has Mecklen called? |
| 00:26:28 |
When do we get concerned? |
| 00:26:30 |
We don't get concerned. We'll |
| 00:26:32 |
All right? We just got |
| 00:26:35 |
These flowers have wilted. |
| 00:26:37 |
No, I need you to chill. |
| 00:26:39 |
I need you |
| 00:26:42 |
When your guy gonna call? |
| 00:26:48 |
Hey, yo, Beanie. |
| 00:26:52 |
Hey, ladies. Get up. |
| 00:26:55 |
Beans. |
| 00:26:58 |
Bag them and get some |
| 00:27:08 |
All right, y'all. |
| 00:27:09 |
We did the damn thing. |
| 00:27:12 |
Now proceed to the front |
| 00:27:17 |
or how the fuck y'all want |
| 00:27:20 |
Let's go, step lively. Get your |
| 00:27:23 |
You're acting like y'all on sundial. |
| 00:27:30 |
Damn it. I didn't realize how fucked |
| 00:27:35 |
You went from Beyoncé to Bigfoot |
| 00:27:39 |
Fuck you, pussy! |
| 00:27:40 |
Hey, we did that dance, |
| 00:27:44 |
Goddamn! |
| 00:27:47 |
Hey, yo, |
| 00:27:49 |
Hey, y'all got sick leave? |
| 00:27:51 |
'Cause one of your hoes |
| 00:27:54 |
Yeah, she might be |
| 00:27:56 |
Oh, hell, no! This is nice. |
| 00:28:01 |
What you doing, girl? |
| 00:28:05 |
Hoes gotta go. Get them |
| 00:28:08 |
Get them to the elevator. |
| 00:28:09 |
- Fuck you! Give me my purse! |
| 00:28:12 |
Hey, bitch! |
| 00:28:14 |
Get your hands off me, |
| 00:28:19 |
Thanks, Paul. |
| 00:28:22 |
There was apparently a fight |
| 00:28:26 |
but he wasn't involved. |
| 00:28:27 |
What, like an actual fight? |
| 00:28:29 |
Jesus Christ. |
| 00:28:32 |
He had one of his men call a |
| 00:28:36 |
We're getting robbed |
| 00:28:37 |
Three days staring |
| 00:28:39 |
This guy's got hookers |
| 00:28:42 |
Look at all you're missing. |
| 00:28:44 |
Have you checked this stuff |
| 00:28:46 |
You know that Sparazza's had |
| 00:28:49 |
Fifteen of them. Right? |
| 00:28:50 |
Fifteen separate |
| 00:28:52 |
Look at the work |
| 00:28:54 |
Nose, three times. |
| 00:28:57 |
You take every |
| 00:28:59 |
they haven't been cut this much. Easy. |
| 00:29:00 |
Crazy, you know. |
| 00:29:03 |
Murder, of course. Extortion. Arson. |
| 00:29:07 |
And a paternity suit, just to, you |
| 00:29:10 |
And not one single criminal |
| 00:29:12 |
Well, you can't kill over a hundred |
| 00:29:15 |
Yeah, but the Bureau |
| 00:29:18 |
Then why not go |
| 00:29:19 |
Heller was buried |
| 00:29:21 |
Any time an operative failed, or was |
| 00:29:25 |
Look at what happened to Ness. |
| 00:29:26 |
Ness and the Untouchables |
| 00:29:28 |
Heller got shot and killed. |
| 00:29:30 |
Worse, Sparazza walked. |
| 00:29:33 |
Who knows? Locke has been |
| 00:29:35 |
since yesterday afternoon. |
| 00:29:37 |
Israel's manager is acting as his |
| 00:29:40 |
So I want to be in that penthouse a |
| 00:29:44 |
We gonna get any |
| 00:29:45 |
Israel's obviously |
| 00:29:47 |
We're not gonna have any |
| 00:29:49 |
You show them your ID with |
| 00:29:52 |
it's instant compliance. I've |
| 00:29:55 |
Special Agent Gerald Diego, |
| 00:29:56 |
Federal Bureau of Investigation, |
| 00:29:59 |
We're conducting a series |
| 00:30:02 |
for the Nevada |
| 00:30:03 |
and I'd like to speak |
| 00:30:05 |
Okay, just one second. |
| 00:30:19 |
Where'd you get these? |
| 00:30:21 |
Same place that rents |
| 00:30:24 |
All right, there's |
| 00:30:26 |
The graveyard gets off. We're gonna slip |
| 00:30:30 |
But what about |
| 00:30:33 |
Yeah, well, we'll get our hands |
| 00:30:36 |
Basically, there's two |
| 00:30:37 |
You got your casino-floor, |
| 00:30:40 |
then you got |
| 00:30:42 |
But I guess your friend |
| 00:30:46 |
Hollis? Come on. Get the fuck |
| 00:30:50 |
How about |
| 00:30:52 |
We've been |
| 00:30:53 |
Well, then quit acting like someone took |
| 00:30:57 |
Reed paid us 50 grand. |
| 00:30:58 |
What am I doing? |
| 00:31:00 |
Am I standing here? Your |
| 00:31:03 |
It's embarrassing. |
| 00:31:04 |
Two security levels. |
| 00:31:05 |
The one we're going in under the |
| 00:31:09 |
They're basically in charge |
| 00:31:11 |
with their dicks in their |
| 00:31:18 |
There's a 35-person employee contingent |
| 00:31:22 |
We're gonna break up, split |
| 00:31:25 |
and reconnoiter at the hotel. |
| 00:32:13 |
Come here! Get over here! |
| 00:32:36 |
You stay down! You stay down! |
| 00:32:46 |
I forgive you, Darwin. |
| 00:32:51 |
Shoot, I appreciate that, man. |
| 00:32:54 |
If I needed your car and me and |
| 00:32:59 |
I would've killed you |
| 00:33:02 |
You would've? |
| 00:33:03 |
Hell, yeah. |
| 00:33:05 |
We's just at the wrong |
| 00:33:10 |
So don't feel so bad, chief. |
| 00:33:14 |
Oh, damn. |
| 00:33:18 |
All right, then. |
| 00:33:20 |
You know, up here |
| 00:33:26 |
Really? |
| 00:33:28 |
I'll see you up here someday. |
| 00:33:31 |
You think so? |
| 00:33:35 |
I know so. |
| 00:33:52 |
Small world. |
| 00:34:01 |
All right, enough |
| 00:34:05 |
Grab them suits and the car. |
| 00:34:08 |
And pitch them |
| 00:34:12 |
And y'all follow me |
| 00:34:20 |
Yeah, you want some of me? Yeah, |
| 00:34:24 |
Let go of me! |
| 00:34:27 |
Let go of my arm! |
| 00:34:31 |
Shut up! Fuck off! |
| 00:34:33 |
That's gonna be real incognito |
| 00:34:36 |
This is real brilliant. |
| 00:34:37 |
Okay, why don't you just |
| 00:34:39 |
Would you like two beds |
| 00:34:41 |
No, no, |
| 00:34:44 |
Come on, baby. Don't be shy. |
| 00:34:47 |
Hey! |
| 00:34:50 |
You know I'm playing |
| 00:34:53 |
Let me ask you a question. |
| 00:34:54 |
Y'all really let hoochies |
| 00:34:56 |
I mean, 'cause y'all must |
| 00:34:59 |
Well... |
| 00:35:00 |
As a female, that shit |
| 00:35:03 |
Okay, it's bitches like that the reason |
| 00:35:07 |
They don't respect us! Yeah, we |
| 00:35:11 |
Pieces of ass and pussy. |
| 00:35:12 |
Something pretty in lipstick and |
| 00:35:15 |
Shh! Shut up. What do you |
| 00:35:17 |
She's asleep! I'm trying |
| 00:35:19 |
Come here! Come here! |
| 00:35:22 |
Bitches like that make |
| 00:35:25 |
If we all sisters everywhere, |
| 00:35:29 |
put our shit down one time, |
| 00:35:30 |
a unified front, you know, |
| 00:35:34 |
mobilized, baby, |
| 00:35:38 |
I'm gonna need |
| 00:35:46 |
Say your name. Then say, |
| 00:35:50 |
I don't |
| 00:35:53 |
I didn't ask for |
| 00:35:56 |
I asked for your name, |
| 00:35:59 |
"How can I be |
| 00:36:02 |
My name is Vitoli. How |
| 00:36:06 |
Bravo. |
| 00:36:11 |
My name is Vitoli. |
| 00:36:20 |
My name is Vitoli. |
| 00:36:24 |
My name is Vitoli. |
| 00:36:29 |
My name is Vitoli. |
| 00:36:35 |
My name is Vitoli. |
| 00:36:39 |
My name is Vitoli. |
| 00:36:46 |
Vitoli! |
| 00:36:48 |
Vitoli! |
| 00:36:50 |
Let's go! What, your phone |
| 00:36:54 |
Buddy wants you now up top. |
| 00:36:58 |
Where are you, |
| 00:37:02 |
Vitoli! |
| 00:37:04 |
Come on, bitchy bitch. |
| 00:37:07 |
You open the fucking door. |
| 00:37:12 |
Come on! |
| 00:37:58 |
No, I tell you something. You |
| 00:38:01 |
The deal is off in five minutes |
| 00:38:04 |
I don't know what to say |
| 00:38:06 |
Bullshit! It isn't! |
| 00:38:08 |
I am not... I don't know how to |
| 00:38:12 |
I am not giving up my boys. |
| 00:38:13 |
And they are bricking us... |
| 00:38:15 |
...on that particular issue, |
| 00:38:17 |
I've been cohabitating with these |
| 00:38:22 |
These are the premier |
| 00:38:26 |
And I feel beaten |
| 00:38:29 |
You're just gonna |
| 00:38:31 |
No, I don't have to do shit, which |
| 00:38:34 |
until I get what I want! |
| 00:38:39 |
Listen to me. If we have |
| 00:38:42 |
give them Hugo, all right? |
| 00:38:46 |
I can take that because he needs that |
| 00:38:49 |
It's bigger than that. |
| 00:38:53 |
Ivy, Beanie, Hugo, the works. |
| 00:38:56 |
This is not a fucking |
| 00:39:01 |
I'm not giving up my boys |
| 00:39:03 |
I gave you Sparazza. |
| 00:39:04 |
I'm gonna give them Sparazza and the |
| 00:39:07 |
Get it fucking done! |
| 00:39:08 |
Listen to me, kid. Let's not |
| 00:39:13 |
If we push this, they are gonna |
| 00:39:17 |
and that nullifies |
| 00:39:19 |
And that is mate. |
| 00:39:55 |
All right. |
| 00:40:19 |
Israel rolled! He's giving |
| 00:40:21 |
His entire entourage. He doesn't have |
| 00:40:24 |
Son of a bitch. The |
| 00:40:26 |
Yeah, that's happening. |
| 00:40:28 |
he's gonna run now, |
| 00:40:30 |
I'm gonna call security and make |
| 00:40:32 |
We got to keep him |
| 00:40:34 |
I'd like to take |
| 00:40:36 |
No, I'm sorry, the penthouse |
| 00:40:40 |
Do a sweep on camera three. |
| 00:40:42 |
Bill, can I |
| 00:40:46 |
If you get a chance... |
| 00:40:48 |
Gary? Let's get our personnel |
| 00:40:52 |
I don't like the rolls |
| 00:40:54 |
It's tough, huh? |
| 00:40:56 |
This is tough. I don't know... |
| 00:40:58 |
I mean, you have to |
| 00:41:00 |
And everybody all the time. |
| 00:41:02 |
Yeah, it can be a chore. |
| 00:41:04 |
So, Bill, if I'm |
| 00:41:06 |
so you currently have the |
| 00:41:09 |
That's correct. |
| 00:41:10 |
But with these down, doesn't that |
| 00:41:15 |
I mean, as you said, you got to keep |
| 00:41:18 |
Well, we were worried about the |
| 00:41:20 |
going on up there |
| 00:41:22 |
So you shut them off? |
| 00:41:24 |
Hey, Bill, you said there's some |
| 00:41:28 |
Table 12. Okay? I need |
| 00:41:32 |
A little blue-haired lady there who's |
| 00:41:36 |
Something happened |
| 00:41:40 |
Table 12! |
| 00:41:42 |
I got it. |
| 00:41:44 |
You shut them off. |
| 00:41:46 |
Yes. I mean, no, we... |
| 00:41:49 |
There's personnel stationed at both |
| 00:41:53 |
Okay. |
| 00:41:55 |
Right now? |
| 00:41:57 |
A six-man security force plus Vitoli, |
| 00:42:03 |
You have an executive butler |
| 00:42:05 |
Just in terms of the men that |
| 00:42:10 |
serving lunch and dinner and |
| 00:42:14 |
I'm not clear on the table. |
| 00:42:16 |
I don't know what |
| 00:42:20 |
It's a little blue-haired lady. I'm |
| 00:42:24 |
She is killing it, all right? I want |
| 00:42:28 |
It's got to be frustrating. |
| 00:42:31 |
No guests, though, on the penthouse? No. |
| 00:42:34 |
We have noticed |
| 00:42:36 |
Come on, Bill. We just want to |
| 00:42:38 |
You got some sultan. |
| 00:42:42 |
One of your whales. |
| 00:42:46 |
Big spender? Come on. |
| 00:42:48 |
No, no. |
| 00:42:49 |
Did you cook up this |
| 00:42:51 |
Is this a... |
| 00:42:52 |
We've been looking to renovate that |
| 00:42:56 |
The security in place is solely |
| 00:42:59 |
And who else |
| 00:43:03 |
I'm sorry. We're covering some |
| 00:43:06 |
and I've got to |
| 00:43:08 |
so if you could just show me |
| 00:43:11 |
Of course, great. |
| 00:43:13 |
who has access to the |
| 00:43:15 |
I have the sole pass and relieve all |
| 00:43:19 |
Now, if we can just see |
| 00:43:22 |
Hello? Hello? Is anyone there? I |
| 00:43:27 |
This is Special Agent Donald Carruthers |
| 00:43:35 |
Is that |
| 00:43:38 |
blood? |
| 00:43:39 |
Yes, it is. |
| 00:43:42 |
It's filling up |
| 00:43:45 |
In less than a minute, you're |
| 00:43:51 |
But you shouldn't be feeling |
| 00:43:56 |
Hey, hey. |
| 00:44:00 |
Close your eyes. |
| 00:44:06 |
Close your eyes. |
| 00:44:08 |
Close your eyes. |
| 00:44:11 |
Don't make this face |
| 00:44:24 |
Am I really dying? |
| 00:44:28 |
Bill. |
| 00:44:31 |
Yeah, William. |
| 00:44:37 |
We're all dying. |
| 00:44:59 |
So it's |
| 00:45:01 |
Nobody from security |
| 00:45:03 |
Gunshot vics, dumped in the |
| 00:45:06 |
You're on speakerphone. |
| 00:45:07 |
- Am I on the speakerphone? |
| 00:45:08 |
We got an ID pending |
| 00:45:10 |
He's a bail bondsman |
| 00:45:13 |
Did you recover |
| 00:45:14 |
We got a receipt |
| 00:45:16 |
It was for a uniform rental. |
| 00:45:18 |
The receipt was partially |
| 00:45:20 |
What kind of uniforms? |
| 00:45:21 |
It was listed as |
| 00:45:23 |
- Maroon? |
| 00:45:25 |
With maroon, |
| 00:45:27 |
Were these uniforms recovered? |
| 00:45:28 |
No, we're still looking. |
| 00:45:30 |
Deputy? I need you... |
| 00:45:32 |
I need you to lock down... I need |
| 00:45:36 |
Is that clear? |
| 00:45:39 |
Nobody gets near the crime |
| 00:45:42 |
Dupree was going in as security. Yep. |
| 00:45:44 |
I'm gonna go over |
| 00:45:45 |
You take the car. |
| 00:45:47 |
You find out whatever you |
| 00:45:49 |
I'm gonna get to Israel |
| 00:45:51 |
I don't think that's |
| 00:45:53 |
Because we don't need to bring |
| 00:45:56 |
I'm saying we're gonna hit whoever's |
| 00:45:59 |
I ain't trying to dead |
| 00:46:01 |
and I don't want to be |
| 00:46:02 |
No matter how |
| 00:46:03 |
Wait, wait, wait, wait, wait. I'm getting |
| 00:46:10 |
That's better? |
| 00:46:12 |
What you hearing right now? |
| 00:46:14 |
There was something about some |
| 00:46:18 |
A fed? Like FBI? Yeah. That's |
| 00:46:22 |
It's just some little casino |
| 00:46:24 |
All right, then. When them tricks hit |
| 00:46:29 |
I'm gonna meet them on their |
| 00:46:33 |
Once I'm inside, I'm puttin' chrome |
| 00:46:37 |
Anybody get gully, you know. |
| 00:46:38 |
I'm gonna grip and rip. |
| 00:46:40 |
I got some handloads up here ready |
| 00:46:44 |
Just remember it's more of a |
| 00:46:47 |
Hey, come on, man. You know I |
| 00:46:52 |
You got the .50 up? |
| 00:46:54 |
What the fuck? What the |
| 00:46:56 |
A jumbo jet out of the sky? |
| 00:46:58 |
Blast down the moon? |
| 00:46:59 |
Any of these niggas make one false |
| 00:47:02 |
I ain't trying to be up here |
| 00:47:05 |
That bitch-ass fed get |
| 00:47:12 |
Fucking Kevlar, the way I had to |
| 00:47:28 |
Let me ask you a question. You |
| 00:47:31 |
Or he still fucking with that |
| 00:47:34 |
I ain't trying to break a |
| 00:47:36 |
Yeah, fuck that nigga, man. |
| 00:47:39 |
Anyway, we got each other. That's |
| 00:47:42 |
Feel me? |
| 00:47:44 |
You feel me, girl? |
| 00:47:47 |
Oh, wait a minute. |
| 00:47:48 |
I think the ho train |
| 00:47:53 |
Damn! Four skank-ass bitches. |
| 00:47:57 |
Hey, fuck you. All right. |
| 00:47:58 |
Fuck you and this fucking wig 'cause |
| 00:48:03 |
I'm on my way out. |
| 00:48:07 |
I'm going to just chill in the hallway |
| 00:48:12 |
And you let me know, |
| 00:48:15 |
You just get up in there |
| 00:48:19 |
Mama's got your back. |
| 00:48:27 |
Buzzy? Buzz? |
| 00:48:28 |
Yeah, it's me. All right, you |
| 00:48:31 |
No, nothing on my end. |
| 00:48:33 |
So, how we looking? |
| 00:48:36 |
Fucking thrilled |
| 00:48:38 |
So, this sit-down, you must have |
| 00:48:41 |
Cold blood, |
| 00:48:43 |
Okay, yeah, good. So you're at |
| 00:48:47 |
It's quiet. |
| 00:48:48 |
So, you're not |
| 00:48:50 |
No signs of trouble, nobody |
| 00:48:53 |
Absolutely no. We got |
| 00:48:55 |
Israel's in |
| 00:48:57 |
Yeah. I guess he's been holed |
| 00:48:59 |
How are we on time? |
| 00:49:01 |
He's flying himself. |
| 00:49:03 |
All right, damn, all right. So |
| 00:49:07 |
Yeah. We're in a bit of a |
| 00:49:09 |
It's a matter of who |
| 00:49:12 |
We just got to get |
| 00:49:14 |
It's getting done, Sid. |
| 00:49:15 |
We got to get him, Buzz. Everything, |
| 00:49:19 |
We're gonna get Israel. |
| 00:49:32 |
You open the fucking door. |
| 00:50:15 |
I'm sorry, sir. |
| 00:50:16 |
But this is eyes only. |
| 00:50:18 |
They told me to hand deliver. |
| 00:50:36 |
Where did this come from? |
| 00:50:38 |
They dug it up in archives as |
| 00:50:59 |
Has anyone else seen this? |
| 00:51:00 |
Only the Director himself. He asked |
| 00:51:05 |
Should we inform |
| 00:51:09 |
No. Things have changed. |
| 00:51:12 |
Get the Director |
| 00:51:14 |
and have our jet at the |
| 00:51:16 |
Yes, sir. |
| 00:51:29 |
Officer! |
| 00:51:30 |
Hugo, what's happening, man? |
| 00:51:33 |
Well, yeah, hey, |
| 00:52:14 |
Hey, man. |
| 00:52:19 |
The fuck do you mean? I ain't trying |
| 00:52:23 |
Hey, don't even think |
| 00:52:26 |
that I know you nutted all |
| 00:52:29 |
Man, what the fuck was you thinking, |
| 00:52:33 |
I bet you your dick is |
| 00:52:37 |
Stupid-ass motherfucker. Now, what |
| 00:52:41 |
Hugo! |
| 00:53:34 |
So, what did Mecklen |
| 00:53:38 |
They're getting close, man. |
| 00:53:40 |
Got about a handful of deal points |
| 00:53:45 |
What are you |
| 00:53:49 |
But it's all good, right? |
| 00:53:55 |
Look at me, man. Look at |
| 00:54:01 |
Yeah, okay. |
| 00:54:04 |
You believe in loyalty, |
| 00:54:06 |
Do I believe in loyalty? |
| 00:54:08 |
Especially |
| 00:54:10 |
where an otherwise sensible |
| 00:54:13 |
put his own best interests |
| 00:54:16 |
'Cause outside a goddamn dog, |
| 00:54:19 |
that kind of loyalty, |
| 00:54:23 |
don't get no more dedicated |
| 00:54:25 |
or devout. |
| 00:54:27 |
What I've been saying. I need to |
| 00:54:30 |
He's not picking up |
| 00:54:32 |
I know that. |
| 00:54:34 |
I don't know right now. What |
| 00:54:36 |
Okay, you know, that's one |
| 00:54:40 |
Excuse me? |
| 00:54:45 |
Excuse me? |
| 00:54:47 |
Excuse me, sir. |
| 00:54:48 |
Special Agent |
| 00:54:50 |
I need to get to your |
| 00:54:52 |
Well, I'm headed there |
| 00:54:54 |
Is this an emergency? |
| 00:55:13 |
I'm going down. |
| 00:55:15 |
I'll bet you are. |
| 00:55:24 |
Faggot-ass redneck. |
| 00:55:27 |
What'd you say? |
| 00:55:28 |
Not you. |
| 00:55:30 |
Are these bitches on a |
| 00:55:34 |
Oh, wait, wait, wait, wait. The |
| 00:55:37 |
Yeah, they're headed |
| 00:55:39 |
Good. |
| 00:55:41 |
But that's the role |
| 00:55:42 |
Yeah, that says |
| 00:55:45 |
A ho, ho lot. |
| 00:55:54 |
What up, G? |
| 00:55:56 |
Speak, come on. Speak up. |
| 00:56:00 |
Bitch, I'm about to ball this. |
| 00:56:03 |
Okay, then. Punk. |
| 00:56:06 |
No, it was not |
| 00:56:08 |
This is the first |
| 00:56:09 |
Have you contacted |
| 00:56:11 |
Yeah, cell reception up here is terrible, |
| 00:56:15 |
he's the SAC and he's |
| 00:56:17 |
As to the identity |
| 00:56:18 |
Look, in less than an hour, |
| 00:56:20 |
40 to 50-odd field agents |
| 00:56:22 |
without the slightest clue |
| 00:56:23 |
We are instructed to take |
| 00:56:26 |
That's a two-man operation. |
| 00:56:27 |
What you're describing now |
| 00:56:29 |
Messner? Listen. Hold it. |
| 00:56:32 |
Get him on the phone. |
| 00:56:33 |
If the situation's changed, |
| 00:56:35 |
You Messner? |
| 00:56:36 |
Take a look at that. Hollis |
| 00:56:39 |
Used to be |
| 00:56:40 |
Agent Messner, |
| 00:56:42 |
- What car? |
| 00:56:45 |
Where did you find it? |
| 00:57:04 |
Are the overheads necessary? |
| 00:57:06 |
Turn the overheads off! Now! |
| 00:57:08 |
Not exactly low profile, |
| 00:57:11 |
Hotel locked down at all? |
| 00:57:12 |
I couldn't tell you that |
| 00:57:14 |
Hugo, what the fuck is wrong |
| 00:57:18 |
What, you stuck on stupid or something? |
| 00:57:23 |
Hey, man, stop using that fucking |
| 00:57:28 |
And don't let your bitch |
| 00:57:30 |
It look like she put a bowl |
| 00:57:33 |
Hey, but you need to bring your ass down |
| 00:57:36 |
I ain't cleaning all this |
| 00:57:38 |
I'm tired. I ain't no |
| 00:57:41 |
For real. Bring your ass |
| 00:57:56 |
What the fuck? |
| 00:58:00 |
Hell, no. |
| 00:58:08 |
What'd you say to Mecklen? |
| 00:58:10 |
What I've always been saying, |
| 00:58:15 |
You see, |
| 00:58:17 |
this is one of them rare moments |
| 00:58:20 |
to be completely honest. |
| 00:58:24 |
If I'm asking you what you said to |
| 00:58:29 |
Assume I already know. |
| 00:58:32 |
What do you see right now? |
| 00:58:35 |
You see exactly and only |
| 00:58:39 |
what I choose to show you. |
| 00:58:44 |
That is the lie that I tell your |
| 00:58:49 |
in the moment, |
| 00:58:54 |
but seeing behind |
| 00:59:00 |
that it's all bullshit. |
| 00:59:03 |
But I can shape it, I can shift it, |
| 00:59:08 |
That's why I'm valuable here, |
| 00:59:12 |
I ain't valuable? |
| 00:59:14 |
I love you. I never wanted it |
| 00:59:17 |
It don't matter what you |
| 00:59:22 |
If you thought old man Primo |
| 00:59:27 |
wait till you see |
| 01:00:01 |
I don't believe this. |
| 01:00:06 |
Battery's completely dead. |
| 01:00:10 |
Forget it. You won't get a signal |
| 01:00:14 |
What about that line? Can't you |
| 01:00:18 |
No, these phones are hardwired |
| 01:00:20 |
but once we reach the |
| 01:00:23 |
I'll have the elevators |
| 01:00:29 |
Pasquale Acosta. |
| 01:00:31 |
Blood-money mercenary. |
| 01:00:35 |
The Plague. |
| 01:00:37 |
When he was caught |
| 01:00:40 |
And in prison, he chewed off |
| 01:00:49 |
Why don't you |
| 01:00:51 |
Do what, sir? |
| 01:00:54 |
An emergency shutdown of our |
| 01:00:58 |
No. That has to be |
| 01:01:13 |
How long have you |
| 01:01:16 |
Bill? |
| 01:01:20 |
Oh, my God, I need an ambulance |
| 01:01:40 |
Are you anywhere near |
| 01:01:42 |
But that definitely |
| 01:01:44 |
and I don't know |
| 01:01:45 |
It's your IFB, man. |
| 01:01:47 |
You just picking up |
| 01:01:49 |
We need Nomad hotel security to |
| 01:01:52 |
Girl. Please don't tell me |
| 01:01:55 |
Man, these fools. |
| 01:01:57 |
Man, fucking security's shutting |
| 01:02:05 |
Please remain calm. |
| 01:02:06 |
Now that's the power, there. |
| 01:02:07 |
Elevator service has been temporarily |
| 01:02:12 |
Please remain calm. |
| 01:02:14 |
Elevator service has been temporarily |
| 01:02:18 |
Well, let's get on it, then. |
| 01:02:32 |
I wanna pick them down there. |
| 01:02:35 |
More duct. Come on, more duct. |
| 01:02:45 |
That's how we do! |
| 01:02:48 |
Now, okay, okay. |
| 01:02:50 |
Now, I'm a registered nurse and |
| 01:02:57 |
Whoopsie. |
| 01:02:59 |
Hey, Boogie! |
| 01:03:03 |
get my heating pad, |
| 01:03:05 |
Nana, not during training. |
| 01:03:09 |
Nana, Nana. Nana? |
| 01:03:12 |
Grandma will get it. Go on. |
| 01:03:14 |
Little angel butt. |
| 01:03:16 |
I feel like |
| 01:03:20 |
I don't like punk bitches |
| 01:03:22 |
You got beef? You got beef? |
| 01:03:34 |
What? What? |
| 01:03:37 |
See? Skills. Skills. |
| 01:03:45 |
Fucking stop it. |
| 01:03:53 |
Yeah! |
| 01:03:57 |
...the two men were |
| 01:03:59 |
as authorities speculate as to the |
| 01:04:02 |
The name of one victim |
| 01:04:04 |
but the other victim in being |
| 01:04:07 |
Oh, shit. Goddamn it! |
| 01:04:12 |
The vehicle registered |
| 01:04:15 |
has been recovered in the parking |
| 01:04:19 |
Don, if you can hear this, |
| 01:04:23 |
I changed lives for you. |
| 01:04:26 |
You ain't never had to wash |
| 01:04:31 |
dig it out of your fingernails. |
| 01:04:34 |
You ain't never made |
| 01:04:38 |
Shit, as light |
| 01:04:40 |
bet you ain't never |
| 01:04:42 |
than a fucking fist |
| 01:04:44 |
So if you think I'm gonna let your |
| 01:04:48 |
Listen to me. |
| 01:04:49 |
...sell me off like |
| 01:04:51 |
You know I wouldn't... hand me |
| 01:04:54 |
Whatever you think, |
| 01:04:56 |
You must be out of your fucking mind. |
| 01:04:58 |
If you... |
| 01:04:59 |
Motherfuck! Motherfucker! |
| 01:05:04 |
You're out of your |
| 01:05:05 |
You fucked up... |
| 01:05:09 |
You're fucked up, Ivy! |
| 01:05:10 |
Hugo! You hit? |
| 01:05:12 |
Mr. Israel! I'm in here! |
| 01:05:15 |
Motherfuck you! |
| 01:05:17 |
Get in here! |
| 01:05:20 |
Shit. |
| 01:05:21 |
Drop that goddamn gun now |
| 01:05:26 |
Jesus Christ. Beanie's dead. |
| 01:05:39 |
You murdered Beanie. |
| 01:05:41 |
Put the guns down. He's got |
| 01:05:44 |
Jimmy, cuff him. |
| 01:05:46 |
Take him to |
| 01:05:48 |
Get back here. We'll handle the |
| 01:05:51 |
He's fine. He's giving |
| 01:05:53 |
Yo, get out of here, |
| 01:05:55 |
He working with them people, |
| 01:05:57 |
It's all bullshit. |
| 01:06:00 |
You all right? You stay |
| 01:06:03 |
Mecklen's gonna call any second, |
| 01:06:06 |
You with me, baby? Huh? |
| 01:06:11 |
We're almost home. |
| 01:06:24 |
These two are down. |
| 01:06:26 |
What the fuck is going on? |
| 01:06:33 |
Come on, you fucker. |
| 01:06:38 |
Forget it. It's done. |
| 01:06:40 |
Hey, quit saying that, |
| 01:06:42 |
Girl, I just saw muzzle |
| 01:06:45 |
That's probably where you |
| 01:06:48 |
Somebody just deaded |
| 01:06:51 |
I ain't come all this way just to pack |
| 01:06:55 |
Whatever, man. We can bounce |
| 01:06:58 |
Shoot a little craps. |
| 01:07:08 |
Come on, baby, look. |
| 01:07:12 |
Shit, girl. |
| 01:07:14 |
What? |
| 01:07:15 |
These two dudes just sitting |
| 01:07:20 |
Whatever it was, |
| 01:07:24 |
What are they doing right now? |
| 01:07:27 |
Dying. |
| 01:07:28 |
So, them fellas, the ones that |
| 01:07:33 |
Them police officers, too? |
| 01:07:35 |
Mmm-hmm. |
| 01:07:39 |
Them are left over after my hysterectomy, |
| 01:07:43 |
I'm not gay because |
| 01:07:45 |
My fingers are cut off. |
| 01:07:47 |
Poor me. |
| 01:07:49 |
Warren, go and practice |
| 01:07:52 |
Leave us be alone, shug. |
| 01:08:08 |
Go on, now, shug. |
| 01:08:09 |
Anytime, anytime, fag. |
| 01:08:11 |
I am sorry about that boy. |
| 01:08:13 |
His mama abandoned him |
| 01:08:16 |
and his daddy, my boy Dale, |
| 01:08:17 |
he's over at the Reno-Washoe |
| 01:08:22 |
Got some clarity issues. |
| 01:08:24 |
Did some home-invasion, |
| 01:08:27 |
Wrote a bunch of bad checks. |
| 01:08:29 |
My husband, Bill, committed suicide |
| 01:08:33 |
And ever since then, little Boogie |
| 01:08:39 |
I don't think that's been |
| 01:08:42 |
I might just borrow this |
| 01:08:45 |
Your IFB working? |
| 01:08:46 |
No, that's why |
| 01:08:47 |
Jurisdiction's |
| 01:08:49 |
Anything more on Dupree's car? Nothing. |
| 01:08:50 |
You mean to tell me that nobody |
| 01:08:53 |
that looked like |
| 01:08:54 |
I know. |
| 01:08:56 |
Right here. |
| 01:08:57 |
Ricky, this is Agent Messner. |
| 01:08:58 |
Tell him exactly |
| 01:09:00 |
Yeah, so, earlier, there |
| 01:09:03 |
Yeah, Agent Carruthers. |
| 01:09:05 |
No. He wanted to know... |
| 01:09:06 |
We're talking to the kid. |
| 01:09:08 |
...which floor security |
| 01:09:09 |
And then later I saw him get on |
| 01:09:11 |
Wait, hold on. Wait a |
| 01:09:13 |
There were no other agents. |
| 01:09:15 |
There was nobody here. He |
| 01:09:17 |
Did he give you a name? |
| 01:09:19 |
Spanish something. |
| 01:09:21 |
Yeah, run both those names |
| 01:09:23 |
Something stinks here. |
| 01:09:24 |
Call San Francisco. |
| 01:09:25 |
You know, he was wearing |
| 01:09:27 |
What? |
| 01:09:29 |
The other agent. He said he |
| 01:09:31 |
Then later, when I saw him get |
| 01:09:34 |
This man identified himself |
| 01:09:36 |
Yeah, I mean, he had |
| 01:09:37 |
And when you saw him later, he was |
| 01:09:40 |
Yeah. |
| 01:09:42 |
And that didn't |
| 01:09:45 |
I mean, I thought they gave |
| 01:09:47 |
Walk with me. |
| 01:09:49 |
Okay, so obviously, we got |
| 01:09:53 |
Make your team aware, |
| 01:09:59 |
Fuck it. |
| 01:10:01 |
Okay, now let's get a tactical |
| 01:10:03 |
Okay, we need to get |
| 01:10:05 |
All right, maintenance, |
| 01:10:06 |
I need somebody to power up |
| 01:10:08 |
I need to get Deputy Director Locke |
| 01:10:11 |
All right, done. |
| 01:10:12 |
Come on, step back, step back. |
| 01:10:13 |
Come on... |
| 01:10:24 |
I thought you were gonna go... |
| 01:10:27 |
Gonna go down and get Vitoli. |
| 01:10:31 |
We gotta... |
| 01:10:32 |
We gotta pack up. |
| 01:10:35 |
We gotta pack it up now. |
| 01:10:38 |
Bring him up here. We gotta get |
| 01:10:41 |
All right? Where is he? |
| 01:10:45 |
- He's dead. |
| 01:10:48 |
Shit. |
| 01:10:53 |
Shit, girl. |
| 01:10:55 |
One of them is a fed. |
| 01:10:57 |
Hello, did you hear me? |
| 01:10:59 |
I said one of them |
| 01:11:00 |
Wait a minute, wait a minute. |
| 01:11:02 |
I'm getting all kinds of shit |
| 01:11:04 |
- Just chill for a second. |
| 01:11:12 |
All right, hold on. |
| 01:11:14 |
Just lay still for a minute. Let |
| 01:11:18 |
Get out of the way. |
| 01:11:28 |
Fuck. |
| 01:11:31 |
You ain't gonna |
| 01:11:35 |
Both these motherfuckers |
| 01:11:36 |
No. One of them is not. |
| 01:11:38 |
One of them is bullshit. |
| 01:11:40 |
They got a impostor. |
| 01:11:43 |
You think it might be that motherfucker |
| 01:11:47 |
Wait. Hold up, hold up. What |
| 01:11:52 |
A Donald Carruthers. |
| 01:11:54 |
Which one of them is for real? 'Cause |
| 01:11:58 |
Stop the elevator. |
| 01:12:15 |
Come on. |
| 01:12:54 |
They revoked the deal. |
| 01:12:56 |
They revoked the deal. |
| 01:12:59 |
Wait, wait. What do you mean? |
| 01:13:01 |
- We got it, we got 'em, we got 'em. |
| 01:13:03 |
I don't know. It was the Deputy |
| 01:13:07 |
He just smashed everything. |
| 01:13:10 |
We're done. |
| 01:13:11 |
They're yanking us, Buddy. |
| 01:13:15 |
They killed us. |
| 01:14:13 |
Three minutes. |
| 01:14:20 |
Prepare to move. |
| 01:14:34 |
North elevator door's open. |
| 01:14:36 |
Possible aggression inside. |
| 01:14:38 |
Clear on my mark. |
| 01:14:41 |
Shar. Shar seven, |
| 01:14:42 |
I'm pinched. |
| 01:14:44 |
Bring some heavy shit. |
| 01:14:46 |
Fire from the sky. My count. |
| 01:14:48 |
Bet. |
| 01:16:13 |
Oh, my God. |
| 01:16:37 |
Bring it. |
| 01:17:05 |
Get the fuck down! |
| 01:17:10 |
Get down! |
| 01:17:14 |
Put your fucking hands |
| 01:17:17 |
Throw your weapons down! |
| 01:17:19 |
Step out of the elevator! |
| 01:17:21 |
Are these feds fake or real? |
| 01:17:24 |
Please, Sharice! |
| 01:17:28 |
Oh, shit! I'm shot! |
| 01:17:32 |
Georgia! |
| 01:17:38 |
Georgia, where are you? |
| 01:17:50 |
How bad? |
| 01:17:52 |
Mortal. |
| 01:17:55 |
Mortal. |
| 01:17:57 |
Fuck! |
| 01:17:58 |
Secure these suspects! |
| 01:18:04 |
I need medical assistance. |
| 01:18:08 |
Watch him. You're okay. |
| 01:18:11 |
Get me a medic! |
| 01:18:15 |
Where's that medic? |
| 01:18:17 |
If you can hear me, girl, I |
| 01:18:19 |
I'm moving down |
| 01:18:21 |
I got officers down. Repeat, on |
| 01:18:25 |
Let me isolate the... |
| 01:18:26 |
Never mind! Just get in there. |
| 01:18:30 |
Sharice? |
| 01:18:33 |
Oh, shit. |
| 01:18:35 |
I don't know |
| 01:18:37 |
That shit probably |
| 01:18:45 |
It's on the way up |
| 01:19:18 |
Lester! |
| 01:19:21 |
Fuck. |
| 01:19:49 |
Move! Move! Hurry! |
| 01:19:55 |
- Fuck. Come on! |
| 01:19:59 |
Goddamn. Can you hear me? |
| 01:20:02 |
Get this shit off! |
| 01:20:05 |
Move! |
| 01:20:12 |
Girl, where are you? |
| 01:20:17 |
God damn it, Georgia! |
| 01:20:32 |
Mother... |
| 01:20:37 |
Fuck! |
| 01:20:41 |
I'm hit! |
| 01:20:48 |
We need a medic! |
| 01:20:50 |
Fuck! |
| 01:20:52 |
Fuck! |
| 01:20:54 |
Get me a medic! |
| 01:20:55 |
I need a medic. |
| 01:21:02 |
Somebody get him out of there! |
| 01:21:07 |
I fucked up. |
| 01:21:09 |
I fucked up! |
| 01:22:02 |
I got three coming down now. |
| 01:22:15 |
Go! Move. Move. |
| 01:22:21 |
Forgive me. |
| 01:22:25 |
Get your hands up! |
| 01:22:31 |
Check the vitals on this guy. |
| 01:22:33 |
Initiate all clear. |
| 01:22:34 |
Clear. |
| 01:22:36 |
Floor's secure, sir. |
| 01:22:37 |
Okay, come in. |
| 01:22:40 |
Hold him there |
| 01:22:44 |
Where is Carruthers |
| 01:22:46 |
Carruthers is dead. |
| 01:22:48 |
Account for him! |
| 01:22:53 |
What's your name, baby girl? |
| 01:22:58 |
Georgia. |
| 01:23:00 |
You know you saved |
| 01:23:04 |
Now all you |
| 01:23:08 |
You hurting pretty bad, huh? |
| 01:23:11 |
I got shot twice. |
| 01:23:14 |
I think I accidentally shot |
| 01:23:20 |
If it gives you any comfort, you know, |
| 01:23:27 |
Straight-rocking heat, |
| 01:23:30 |
For real? |
| 01:23:33 |
Your boy very well |
| 01:23:40 |
I probably would've |
| 01:23:43 |
What a shame |
| 01:23:49 |
What was you |
| 01:23:53 |
We was after some fool |
| 01:23:59 |
Damn, girl, you're gonna |
| 01:24:03 |
Put her down. Put her down and |
| 01:24:09 |
Show me your hands. |
| 01:24:13 |
Drop the gun down or I'll fucking |
| 01:24:16 |
I didn't do your man downstairs. |
| 01:24:20 |
Whether you believe me |
| 01:24:21 |
you know, that ain't even the |
| 01:24:24 |
We're going to |
| 01:24:27 |
or we gonna keep doing the |
| 01:24:30 |
I ain't got no problem |
| 01:24:34 |
so I think you're better off |
| 01:25:22 |
Agent Messner |
| 01:25:46 |
Agent Messner. |
| 01:25:47 |
Are you all right, son? You |
| 01:25:50 |
No, I don't need medical |
| 01:25:52 |
Okay, come on, sit down. Please, |
| 01:25:56 |
It's very difficult to |
| 01:25:58 |
Much larger matters loom. |
| 01:25:59 |
I'm sorry to hear |
| 01:26:02 |
He's a good man. |
| 01:26:07 |
He's had a sustained arrhythmic |
| 01:26:10 |
I can't help him here. |
| 01:26:12 |
Okay, gentlemen, |
| 01:26:13 |
Get Mr. Israel up on the roof. |
| 01:26:16 |
I can't explain |
| 01:26:18 |
No, I... |
| 01:26:19 |
I need you to go back to Washington. |
| 01:26:22 |
I'm sorry, I cannot disclose |
| 01:26:24 |
So many people are dead. |
| 01:26:26 |
I need you to return |
| 01:26:27 |
You'll be debriefed in the |
| 01:26:29 |
Go back to Washington. |
| 01:26:31 |
There he goes! |
| 01:26:33 |
No, don't shoot me! |
| 01:26:37 |
He went this way! Please, don't shoot |
| 01:26:54 |
FBI. You gotta |
| 01:27:10 |
Get these hotel guests out |
| 01:27:12 |
Just clear them down the hall. |
| 01:27:17 |
Make room. Make room, please. |
| 01:27:28 |
We'll have to go all the way |
| 01:27:32 |
Clear the way here. |
| 01:28:28 |
Hey. |
| 01:28:33 |
That your car? |
| 01:28:39 |
I'm confiscating it. |
| 01:28:41 |
FBI. |
| 01:28:43 |
Oh, you're FBI. |
| 01:28:46 |
Yes, I am. I would advise you |
| 01:28:49 |
You're investigating those |
| 01:28:52 |
Say what? Three men |
| 01:28:56 |
Two died and had their |
| 01:29:00 |
The other has |
| 01:29:03 |
possible dementia, and will probably |
| 01:29:07 |
Shit, okay. You're right. |
| 01:29:11 |
I'm sorry. |
| 01:29:15 |
You shot me. |
| 01:29:18 |
Yeah, I know. |
| 01:29:22 |
And you dumped us in |
| 01:29:25 |
You were here hunting the |
| 01:29:28 |
Is that who |
| 01:29:33 |
I guess we both got |
| 01:29:36 |
Yeah, goddamn. |
| 01:29:38 |
Crazy motherfuckers |
| 01:29:44 |
Just give us your keys |
| 01:29:46 |
Okay. |
| 01:29:58 |
I'm really sorry |
| 01:30:02 |
Shit gets wild and crazy. |
| 01:30:05 |
Fate just up and fucks you |
| 01:30:10 |
You know? |
| 01:30:12 |
It's the way of the world! |
| 01:30:14 |
The way it's always gonna be. |
| 01:30:18 |
Okay, now. |
| 01:30:21 |
Peace, bro. |
| 01:30:34 |
Oh, fuck this. |
| 01:31:45 |
Suicide of some sort. You know, |
| 01:31:49 |
Deal with the patients. |
| 01:31:50 |
All right, Doctor, thank you. |
| 01:31:53 |
Okay. |
| 01:31:55 |
Where's Israel? |
| 01:31:59 |
What are you doing here? |
| 01:32:01 |
Your debriefing? Your debriefing will |
| 01:32:05 |
No, we need to |
| 01:32:14 |
You are instructed |
| 01:32:18 |
What are you doing, |
| 01:32:20 |
Walk. Let's go. |
| 01:32:23 |
You're going to tell me |
| 01:32:26 |
to inform us that the Israel |
| 01:32:29 |
Why I and my friend |
| 01:32:31 |
whose body is going |
| 01:32:33 |
were never fucking contacted. |
| 01:32:34 |
I cannot discuss it. |
| 01:32:40 |
You are finished. |
| 01:32:41 |
Look at my fucking face. |
| 01:32:47 |
Get that gun out of my spine |
| 01:32:50 |
Thank you. |
| 01:33:04 |
Make it make sense. |
| 01:33:07 |
They are father and son. |
| 01:33:12 |
Israel's mother was 19 |
| 01:33:13 |
at the time when she and |
| 01:33:16 |
of which Israel |
| 01:33:18 |
That same year, she brought |
| 01:33:21 |
Paternity suit? |
| 01:33:23 |
Our surveillance |
| 01:33:25 |
All bogus and bad information that set |
| 01:33:29 |
He's gonna clip Israel. |
| 01:33:31 |
Buddy Israel. |
| 01:33:33 |
They got a guy. Some Swede. |
| 01:33:36 |
Any word on this Swede...? the |
| 01:33:38 |
There's no Swedish hit man |
| 01:33:41 |
Dr. Ingstrom, the Swede, |
| 01:33:44 |
Supposedly a specialist. |
| 01:33:46 |
He's had a sustained arrhythmic |
| 01:33:48 |
He's actually the head of |
| 01:33:51 |
Primo wants Israel's heart. |
| 01:33:53 |
Heart? |
| 01:33:55 |
He's one of the best heart |
| 01:33:57 |
The actual contract |
| 01:34:01 |
the man who escaped |
| 01:34:04 |
Don't shoot me! |
| 01:34:05 |
...in disguise. |
| 01:34:06 |
He was hired by Sparazza to |
| 01:34:12 |
Dr. Ingstrom was here |
| 01:34:15 |
And as father and son, |
| 01:34:28 |
You're talking about a |
| 01:34:31 |
You're talking about |
| 01:34:33 |
You're gonna kill Israel |
| 01:34:40 |
No. |
| 01:34:43 |
Well, they dug it up in archives as |
| 01:34:46 |
That Sparazza had major |
| 01:34:49 |
It wasn't elective. It was |
| 01:34:51 |
Look at the work |
| 01:34:52 |
It wasn't cosmetic. |
| 01:34:55 |
Look at the date |
| 01:34:57 |
Fifteen separate procedures |
| 01:34:59 |
Same year that Sparazza |
| 01:35:03 |
I'd like to show you exactly what I |
| 01:35:07 |
Using the latest techniques |
| 01:35:11 |
I will have my ears |
| 01:35:13 |
Removing a slight piece of bone in |
| 01:35:17 |
A procedure known as rhinoplasty |
| 01:35:21 |
If you add facial hair |
| 01:35:23 |
you have a face |
| 01:35:26 |
and more importantly, nothing |
| 01:35:29 |
Oh, Christ. |
| 01:35:31 |
My accent will be |
| 01:35:34 |
My birthplace, Cosenza, Italy. |
| 01:35:36 |
That's him. |
| 01:35:38 |
And my name... |
| 01:35:39 |
That's Heller. |
| 01:35:43 |
Now, gentlemen, I understand |
| 01:35:45 |
He went deep cover in 1940. He |
| 01:35:49 |
But I firmly believe... |
| 01:35:50 |
Dismantled most of |
| 01:35:52 |
...this is the only way to |
| 01:35:56 |
His superiors were convinced |
| 01:35:59 |
swapped allegiances, |
| 01:36:00 |
so they gave the order |
| 01:36:03 |
All this time, we were told that |
| 01:36:07 |
when it was us, the FBI. |
| 01:36:13 |
And we didn't kill him. |
| 01:36:16 |
He survived. |
| 01:36:20 |
required constant surgery, |
| 01:36:23 |
So he assumed |
| 01:36:29 |
The figment of Primo Sparazza |
| 01:36:32 |
and Freeman Heller |
| 01:36:38 |
Now, the brass wanted Heller's |
| 01:36:41 |
so they buried it completely |
| 01:36:44 |
All the agents from that era, |
| 01:36:47 |
so history defaulted to fable. |
| 01:36:49 |
Until now. Heller's op |
| 01:36:53 |
About 60 years |
| 01:36:55 |
Do you have any idea |
| 01:36:57 |
Yeah. |
| 01:37:00 |
So you made another deal, |
| 01:37:02 |
Israel's deal with the |
| 01:37:04 |
We are now trying to rehabilitate |
| 01:37:08 |
You realize that you're |
| 01:37:11 |
No, son. I'm doing all this |
| 01:37:14 |
So you send us in there, |
| 01:37:16 |
and when it bottoms out, |
| 01:37:19 |
We need cohesion |
| 01:37:21 |
Oh, shitcan the cue-card rhetoric |
| 01:37:25 |
You withheld information while Carruthers |
| 01:37:30 |
And your reasons for doing |
| 01:37:36 |
That? |
| 01:37:39 |
Some mob fossil? |
| 01:37:42 |
A monster that |
| 01:37:44 |
You tell me something, |
| 01:37:47 |
that's going to blow the |
| 01:37:50 |
Possibly. |
| 01:37:51 |
Is he gonna show you where |
| 01:37:53 |
Or is his ultimate worth |
| 01:37:58 |
Utterly useless? |
| 01:38:00 |
That's a risk we take. |
| 01:38:03 |
Empty pockets paid for by |
| 01:38:07 |
You're blowing this |
| 01:38:08 |
Are you out of |
| 01:38:10 |
My guy is dead. You're |
| 01:38:12 |
The Bureau betrayed us. |
| 01:38:14 |
Wake up. |
| 01:38:16 |
Stop pointing... |
| 01:38:17 |
Get that thing out of my face. |
| 01:38:18 |
You betrayed us the |
| 01:38:20 |
You fucking asshole! |
| 01:38:25 |
Okay, if you like, I'll take your |
| 01:38:28 |
right now. |
| 01:38:29 |
Do you want your career |
| 01:38:33 |
Your call. |
| 01:38:35 |
Now, I'm prepared to dismiss your |
| 01:38:38 |
I understand it. I really |
| 01:38:40 |
But a decision |
| 01:38:42 |
And we're required to abide by it, |
| 01:38:45 |
Feelings that might run |
| 01:38:48 |
And that, I need you |
| 01:38:51 |
It's time for you |
| 01:38:53 |
and make no further |
| 01:38:56 |
Is that understood, |
| 01:39:01 |
Are we clear, Agent Messner? |
| 01:39:09 |
We're clear. |
| 01:39:15 |
We're clear. |
