Solaris
|
00:00:47 |
Chris, what is it? |
00:00:52 |
I love you so much. |
00:00:57 |
Don't you love me any more? |
00:01:12 |
I've made progress, and I recognise that. |
00:01:16 |
But my wife, who I can't |
00:01:22 |
Anything can set her off. It |
00:01:26 |
something on the news, something |
00:01:30 |
A commemorative T-shirt in the window. |
00:01:35 |
and it's like all my progress |
00:01:40 |
I feel totally the opposite. I see the TV and |
00:01:45 |
and I feel nothing. The more I see the images, |
00:01:51 |
I mean, I think I'm supposed to feel |
00:01:59 |
Linda, this is Chris Kelvin. |
00:02:03 |
I have two times available this week; |
00:02:06 |
7am on Tuesday or 6.15pm on Thursday. |
00:02:11 |
You can leave a message if either of |
00:02:18 |
Well, I know that's not true. |
00:02:21 |
Because I know you, and I know it's not true. |
00:02:30 |
Good. I'm glad. |
00:02:33 |
All right. |
00:02:35 |
Let's pick this up on Wednesday. |
00:03:40 |
Can I help you? |
00:03:42 |
We're looking for Dr Chris Kelvin. |
00:03:51 |
Chris... |
00:03:55 |
I can't imagine what you must be |
00:04:00 |
I apologise if it seems melodramatic, |
00:04:07 |
in the situation. |
00:04:10 |
I need your help. |
00:04:13 |
I need you to come to Solaris, Chris. |
00:04:16 |
I don't know how to describe |
00:04:20 |
We can't even agree amongst ourselves |
00:04:30 |
I suppose the most obvious |
00:04:36 |
But none of us want to. That's why |
00:04:46 |
I told the crew that your |
00:04:50 |
made you the ideal candidate for this job. |
00:04:55 |
Don't worry. I didn't elaborate. |
00:04:59 |
But it's true. |
00:05:02 |
So, anyway... |
00:05:07 |
I hope you will come to Solaris, Chris. |
00:05:11 |
I think you need to. |
00:05:13 |
You will see what I mean. |
00:05:17 |
I wish I could be more specific |
00:05:23 |
People are listening. |
00:05:31 |
You can imagine the distress Dr |
00:05:39 |
Why not send in the security force? |
00:05:41 |
We did. We lost contact as |
00:05:46 |
They haven't returned. |
00:05:50 |
There must be some sort of on-board Al system. |
00:05:53 |
They shut it down. |
00:05:55 |
The company was hoping to solve this |
00:05:59 |
Obviously these are extreme circumstances. |
00:06:04 |
Some preparation is involved but |
00:06:07 |
The flight itself is fully automated. |
00:06:15 |
We feel confident that if you board the |
00:06:22 |
Is that what everybody wants? |
00:06:26 |
Of course. |
00:11:42 |
Find the probability of F. |
00:11:48 |
OK, stop. Go back. |
00:11:53 |
Snow. |
00:12:15 |
Kelvin, is it? |
00:12:18 |
Yeah. |
00:12:20 |
Kelvin. Right. Oh, man. |
00:12:24 |
Sorry about that, Kelvin. |
00:12:26 |
Names, you know, just... |
00:12:29 |
For some reason. |
00:12:31 |
Yeah. |
00:12:34 |
Well, you wanna come in? |
00:12:37 |
I'm fine. |
00:12:39 |
Whose blood is that, leading to the lab? |
00:12:44 |
Yeah. Blood. |
00:12:48 |
How 'bout that? |
00:12:54 |
Katarn. |
00:12:56 |
He, um... |
00:12:59 |
Security forces showed up and he just took off, |
00:13:02 |
and they put a hole in his pot. |
00:13:07 |
What happened to Gibarian? |
00:13:14 |
It was a suicide. |
00:13:19 |
Who found him? |
00:13:21 |
I found him. |
00:13:24 |
What happened to Rhys? |
00:13:27 |
Yeah, now, Rhys... |
00:13:30 |
We don't know, because the |
00:13:35 |
- Disappeared? |
00:13:37 |
- How did he disappear? |
00:13:41 |
Don't know. We do know that he's not on the ship, |
00:13:45 |
and that's all we know. |
00:13:49 |
Where's Dr Gordon? |
00:13:52 |
Dr Gordon. She is in her room, |
00:13:56 |
and Dr Gordon won't let you in her room. |
00:14:06 |
Can you tell me what's happening here? |
00:14:11 |
I could tell you what's happening, |
00:14:13 |
but I don't know if that'd |
00:14:27 |
I just wanna talk to you. |
00:14:31 |
You have to give me your |
00:14:39 |
All right. |
00:14:56 |
Well? |
00:14:58 |
- What happened to Gibarian? |
00:15:02 |
- I wanted to hear your version. |
00:15:06 |
He killed himself. |
00:15:10 |
Why haven't you come home? What happened here? |
00:15:15 |
What did you find? |
00:15:20 |
- Who are you representing? |
00:15:24 |
before they abandon this |
00:15:37 |
Until it starts happening to you, |
00:16:30 |
- Who else is here? |
00:16:34 |
I saw a boy. |
00:16:40 |
Gibarian's son. |
00:16:45 |
- Michael. |
00:16:49 |
I think that's why you're here. |
00:16:53 |
I want a formal interview with you and |
00:16:56 |
Yeah. All right. |
00:17:00 |
How much sleep do you need, Kelvin? |
00:17:03 |
- How much sleep? |
00:17:05 |
- How long can you go without sleep? |
00:17:11 |
Well, |
00:17:12 |
when you do go to sleep, |
00:17:16 |
I find I sleep much better with the door locked. |
00:17:23 |
I was with the project when it was still |
00:17:29 |
I was trained in physics. |
00:17:31 |
I was sent here to assess the |
00:17:36 |
Whether or not it was a viable commercial |
00:17:42 |
I was still compiling data when |
00:17:46 |
Did you run any tests on the food, air, water? |
00:17:49 |
I checked it 50 times. There are no signs |
00:17:58 |
How about you? How are you doing? |
00:18:03 |
Depression. |
00:18:05 |
Along with bouts of hypomania |
00:18:09 |
Suggestions of agoraphobia, |
00:18:13 |
shock, fatigue, denial. |
00:18:16 |
- Not unusual, given the circumstances. |
00:18:20 |
All right. Now, what can you tell |
00:18:26 |
Just that I want it to |
00:18:31 |
If I can stop it that means |
00:18:41 |
You know you can go home, |
00:18:47 |
I can guarantee it. |
00:18:56 |
Yeah. |
00:18:58 |
The thing is... Man, I would |
00:19:04 |
But Gordon? |
00:19:07 |
Gordon happens to be Gordon, you know? |
00:19:19 |
But I'll see what I can do. |
00:19:22 |
We take off into the cosmos. |
00:19:27 |
Ready for anything |
00:19:32 |
Death. |
00:19:37 |
We're proud of ourselves. |
00:19:39 |
But when you think about |
00:19:47 |
We don't want other worlds. We want mirrors. |
00:22:33 |
So, anyway... How's the spawn? |
00:22:36 |
Oh, good. He cries and shits |
00:22:40 |
I know the feeling. |
00:22:43 |
When are you leaving? |
00:22:46 |
- We've been postponed again. |
00:22:49 |
Nobody knows yet. |
00:22:51 |
The governments are looking for a buyer. I |
00:22:56 |
You can tell me. I'm a doctor. |
00:22:58 |
Well, Doctor, as we study Solaris, |
00:23:02 |
the most interesting thing is it... |
00:23:06 |
Well, it seems to be reacting. Almost |
00:23:11 |
We can't explain it. |
00:23:14 |
Are you listening to me? Chris? |
00:23:19 |
- So anyway... |
00:23:23 |
Go to her. Her name is Rheya. She's a |
00:23:29 |
Maybe she needs a shrink. |
00:23:31 |
Don't we all? |
00:24:18 |
Don't blow it. |
00:24:25 |
You start. |
00:24:27 |
I did. |
00:24:29 |
Really? |
00:24:31 |
All right, I'm gonna resist the |
00:24:37 |
- Do you always resist your impulses? |
00:24:42 |
Try poetry. |
00:24:47 |
"And death shall have no dominion." |
00:24:50 |
Thomas. |
00:24:54 |
It's not a very happy poem, though. |
00:24:58 |
Well, you didn't seem very happy |
00:25:07 |
I wasn't. |
00:25:10 |
And tonight? |
00:25:15 |
It's early. |
00:27:54 |
Goddammit. |
00:28:30 |
I'm awake. |
00:28:33 |
Yes. |
00:28:36 |
How are you here? |
00:28:41 |
How do you mean? |
00:28:45 |
Where do you think you are? Where |
00:28:51 |
At home. |
00:28:55 |
Where is home? |
00:28:59 |
With you, where we live. |
00:29:02 |
And do you remember being anywhere else |
00:29:10 |
- Our apartment. |
00:29:16 |
It's dark. It's very very dark. |
00:29:21 |
And there are no paintings on the wall. |
00:29:25 |
No pictures anywhere. |
00:29:29 |
No pictures on the fridge, even, which |
00:29:34 |
Do you remember where we first saw each other? |
00:29:41 |
On a train. |
00:29:53 |
Chris... |
00:30:01 |
I'm so happy to see you. |
00:30:06 |
I love you so much. |
00:30:14 |
Don't you love me any more? |
00:30:22 |
I have to check out something with the crew. |
00:30:25 |
No! |
00:30:27 |
Don't leave me! |
00:30:29 |
Why? |
00:30:33 |
- Why? |
00:30:44 |
It's OK. |
00:30:58 |
Why are you sitting over there? |
00:31:05 |
Can I come and sit with you? |
00:32:18 |
Hey. |
00:32:24 |
What was that? |
00:32:30 |
Yeah. |
00:32:32 |
How 'bout that? |
00:32:35 |
Still workin' on that. |
00:32:42 |
Where's your visitor? |
00:32:45 |
I don't know. Stopped appearing. |
00:32:50 |
- Who's your visitor? |
00:33:12 |
Who was it? |
00:33:16 |
My wife. |
00:33:20 |
Dead? |
00:33:30 |
So what was her name? |
00:33:35 |
Will she come back? |
00:33:44 |
Do you want her to? |
00:34:43 |
- No, it isn't. |
00:34:45 |
- No, it isn't. It's crap. |
00:34:48 |
You can submit it to someone |
00:34:52 |
That's not an indication of anything. |
00:34:54 |
So no one else's opinion counts except for yours? |
00:34:59 |
- Yeah. |
00:35:02 |
- That's insane. |
00:35:05 |
Brings out the red in my eyes. |
00:35:11 |
Did you show it to your father? |
00:35:15 |
- Yeah. |
00:35:17 |
- And he liked it. |
00:35:19 |
- He said he liked it. |
00:35:24 |
He's a man who doesn't pass out |
00:35:29 |
- What's that tell you? |
00:35:33 |
All right. When do you wanna get hitched? |
00:35:40 |
Every time I bring it up you |
00:35:45 |
I know. |
00:35:46 |
I'm sorry. It's just... |
00:35:49 |
It's so difficult for me. |
00:35:51 |
Still? Is it something that I'm not doing? |
00:35:55 |
No. That's not the issue at all. |
00:35:58 |
Because, you know, if you keep putting this off, |
00:36:01 |
then in 15 or 20 years I'm just gonna stop asking. |
00:36:05 |
Well, I've got ages, then. |
00:36:09 |
So apart from the poem that you |
00:36:15 |
The night that you were hitting on me. |
00:36:17 |
Oh, I don't think so. What's your favourite poem? |
00:36:20 |
My favourite Dylan Thomas |
00:36:25 |
There's the... |
00:36:27 |
Well, there's the one he's most famous for, |
00:36:30 |
which starts: |
00:36:33 |
- "There was a young man from Nantucket..." |
00:36:38 |
I'm not marrying you. |
00:36:44 |
Oh, you're marrying me. |
00:36:57 |
Would we have to invite anyone else? |
00:37:01 |
There should be witnesses. |
00:37:05 |
Otherwise nobody'd believe us. |
00:37:11 |
When I was little I had this |
00:37:16 |
who used to live under the |
00:37:20 |
I used to go and visit. I had a very |
00:37:24 |
As you know. That was like my sibling. |
00:37:28 |
That was the person I used to have battles |
00:37:35 |
What happened progressively |
00:37:39 |
is that my mother stopped communicating with me. |
00:37:42 |
She only communicated with me as |
00:37:47 |
and we didn't have conversations any more. |
00:37:49 |
Admittedly, she was certifiable. |
00:37:52 |
But that was a strange way to grow up. |
00:37:58 |
You know, you're with the right man. |
00:38:00 |
I so know that. That's what's great. |
00:38:03 |
Cos, man... |
00:38:31 |
Rheya. |
00:38:34 |
It's me. |
00:38:44 |
I don't remember that. |
00:38:48 |
When did you get that? |
00:38:52 |
I got it just before I came here. |
00:38:55 |
- Was I with you? |
00:39:06 |
I don't actually remember anything. |
00:39:11 |
I only remember you. |
00:39:16 |
Have I been ill? |
00:39:21 |
Sort of. |
00:39:25 |
And we've been apart? |
00:39:27 |
- Yes. |
00:39:30 |
A few years. |
00:39:34 |
- Were you alone? |
00:39:37 |
Was that difficult? |
00:39:43 |
It was easier than being with someone else. |
00:39:47 |
Did you think about me? |
00:39:53 |
Yes. |
00:40:03 |
What is that, out there? |
00:40:07 |
Solaris. |
00:40:10 |
Oh, my God, yes. |
00:40:18 |
I can't remember how I got here. |
00:40:21 |
Did I come here with you? |
00:40:25 |
- I don't know how you got here. |
00:40:32 |
I woke up and you were here. |
00:40:37 |
So I wasn't here yesterday? |
00:40:39 |
No. |
00:40:43 |
Right. |
00:41:38 |
Getting dressed? |
00:41:42 |
People will notice tonight. |
00:41:45 |
If you're not there, Rheya, |
00:41:48 |
people will notice. |
00:41:54 |
I can put up with all of it, you know? |
00:42:01 |
changing jobs every three months, all of it. |
00:42:07 |
What I can't put up with is you hiding from me. |
00:42:10 |
Why do you do that? |
00:42:17 |
Do you wanna be here? |
00:42:20 |
Cos I need help. I can't do this... |
00:42:28 |
The idea of God was dreamed up by man. |
00:42:32 |
A silly animal with a small brain. |
00:42:34 |
Even the limits that we |
00:42:38 |
- It designs, it creates... |
00:42:42 |
No, hold it. You're talking about something else |
00:42:47 |
Ascribing human characteristics |
00:42:50 |
Aren't we all? |
00:42:52 |
Rheya, given all the elements of |
00:42:57 |
our existence is inevitable. |
00:42:59 |
It's no more mysterious than trees or sharks. |
00:43:03 |
We're a mathematical probability, and that's all. |
00:43:07 |
How do you explain that of all |
00:43:10 |
only we are conscious of our own mortality? |
00:43:13 |
You can't explain that. That |
00:43:16 |
Maybe religion has been bred into us. |
00:43:19 |
The pope is a wonderful woman... |
00:43:41 |
- Excuse me. |
00:43:44 |
Not yet. |
00:43:46 |
You see? He's funny, at least. |
00:44:02 |
Where you been? |
00:44:10 |
Away from those fucking people. |
00:44:15 |
They're my friends. |
00:44:21 |
Yeah. |
00:44:35 |
Chris, I've got to talk to you. |
00:44:41 |
What's wrong? |
00:44:45 |
I don't understand what's happening. |
00:44:50 |
And if I do understand what's happening |
00:44:54 |
What do you mean? |
00:44:56 |
I mean... |
00:45:03 |
I'm not the person I remember. |
00:45:06 |
Or at least I'm not sure I am. |
00:45:09 |
I do remember things, but I |
00:45:16 |
I don't remember experiencing those things. |
00:45:24 |
I'm really really trying to understand. |
00:45:30 |
And these... |
00:45:33 |
These strange thoughts keep coming into my head, |
00:45:36 |
and I don't know where they're |
00:45:43 |
And I don't know what's happening. |
00:45:47 |
- What do you think's happening? |
00:45:50 |
- No. |
00:45:52 |
You don't understand. Because I |
00:45:57 |
I don't understand what is happening now. |
00:46:02 |
This |
00:46:09 |
But I don't. I don't remember seeing it. |
00:46:13 |
I don't remember being there. |
00:46:20 |
Rheya, it's fatigue. It's brought on by stress. |
00:46:25 |
It's fatigue. That's why you take this. |
00:46:29 |
Right. Yeah. |
00:46:32 |
No, it is. You'll be fine. I'll talk to |
00:46:36 |
And you're gonna be fine. |
00:46:42 |
- I'm coming right back. |
00:46:45 |
- Are you gonna be all right here? |
00:46:53 |
This door locks from the inside. |
00:46:56 |
- Yeah. |
00:46:59 |
Yeah. |
00:47:01 |
You sure you're gonna be all right? |
00:47:03 |
You keep asking me that, actually. Yes. Yeah. |
00:47:06 |
I'm fine. |
00:47:09 |
Stay here. |
00:47:33 |
I was so worried, man. |
00:47:36 |
About this guy. But then you show up, |
00:47:41 |
Particularly after the first... |
00:47:45 |
Yeah, you were pretty... |
00:47:49 |
You deserved to be as freaked out as you were. |
00:47:52 |
She can never know anything |
00:48:02 |
No. |
00:48:07 |
I wonder if they can get pregnant. |
00:48:12 |
Where are you going? |
00:48:14 |
- I can't be here. |
00:48:17 |
You should have told me. |
00:48:19 |
- It wouldn't have made any difference. |
00:48:22 |
Chris, I had to. |
00:48:25 |
Obviously I had to. You know that about me. |
00:48:28 |
I had no idea you'd react like this. Listen. |
00:48:31 |
Listen to me. |
00:48:34 |
What's changed? I didn't even know you wanted one. |
00:48:37 |
Why would I want one? Why would I want a child, |
00:48:40 |
or anything that would bring life into this house? |
00:48:44 |
- No, Chris. No. |
00:48:51 |
No, Chris, you don't understand. |
00:48:54 |
You have to understand. I had no idea you |
00:48:58 |
- Then you won't make it. |
00:49:01 |
- Let go of me! |
00:49:03 |
No! |
00:49:09 |
Oh, my God. |
00:49:12 |
Oh, no. |
00:49:14 |
You wanna change Gordon's mind. |
00:49:18 |
your very nice wife... She's nice, right? |
00:49:22 |
They get together, right? Cos |
00:49:27 |
Right now we got woman and woman, right? |
00:49:31 |
If we get Women together on the same |
00:49:35 |
You know what happens. All kinds |
00:49:39 |
But good shit, you know? |
00:49:41 |
Mysterious, but good. Usually very |
00:49:46 |
That's my plan, you know? What do you think? |
00:49:52 |
I'll have to think about that. |
00:50:02 |
"And death shall have no dominion." |
00:50:06 |
"Dead men naked, they shall be one |
00:50:09 |
With the man in the wind and the west moon." |
00:50:12 |
"When their bones are picked |
00:50:16 |
They shall have stars at elbow and foot." |
00:50:20 |
"Though they go mad they shall be sane." |
00:50:23 |
"Though they sink through the |
00:50:27 |
"Though lovers be lost love shall not." |
00:50:31 |
"And death shall have no dominion." |
00:51:16 |
You found me. |
00:51:22 |
I came back for you. |
00:51:26 |
I came back that day. |
00:51:37 |
I'm sorry. |
00:51:52 |
All right. Enough hypothesising. |
00:51:55 |
The visitors. Are they or are they |
00:51:59 |
Subatomic particles. I'm not sure. |
00:52:01 |
What do you think? |
00:52:03 |
I think probably. |
00:52:05 |
Stabilised by what? |
00:52:10 |
Guess. |
00:52:13 |
I don't know. Maybe a Higgs field. |
00:52:17 |
So if we created a negative Higgs field |
00:52:24 |
they might disintegrate? |
00:52:26 |
Maybe. You know, it would take a lot of power. |
00:52:30 |
Shut down all the noncritical ship functions. |
00:52:33 |
This is just a theory, you |
00:52:36 |
- Let's find out. |
00:52:41 |
What if they follow us back? |
00:52:44 |
What if what's happening here |
00:52:48 |
Don't you see that as a problem? |
00:52:50 |
I think it's a serious |
00:52:53 |
It's driving us crazy so it |
00:52:56 |
Is that really why you think they're here? |
00:52:59 |
Given its resources it could have |
00:53:06 |
Meet me in the lab in an hour. |
00:53:09 |
- I won't let you. |
00:53:11 |
- How you gonna stop me taking her back? |
00:53:16 |
Shouldn't be too hard. We could chart |
00:53:22 |
Chris, what's she talking about? |
00:53:25 |
- Nothing. |
00:53:29 |
Maybe they don't need any. |
00:53:32 |
Chris, what are they talking about? |
00:53:35 |
You didn't tell her? |
00:53:37 |
Tell me what? |
00:53:55 |
- You came before. |
00:54:00 |
You what? |
00:54:05 |
I sent you away. |
00:54:08 |
Into space. |
00:54:10 |
Oh, my God. |
00:54:16 |
No. Rheya... |
00:54:21 |
Don't touch me. |
00:54:23 |
Rheya, I didn't understand. |
00:54:28 |
Rheya. |
00:54:31 |
- Don't. |
00:55:07 |
What were you trying to |
00:55:14 |
Kelvin... |
00:55:21 |
It is a mistake to become |
00:55:26 |
You're being manipulated. |
00:55:28 |
If she were ugly, you wouldn't want |
00:55:34 |
She's a mirror that reflects part of |
00:55:38 |
- She's alive. |
00:55:42 |
Try to understand that, if |
00:55:45 |
What about your visitor? The one you're |
00:55:51 |
Who is it? What is it? |
00:55:53 |
Does it feel? Can it touch? |
00:55:56 |
Does it speak? |
00:56:00 |
We are in a situation that is beyond morality. |
00:56:06 |
Your wife is dead. |
00:56:08 |
How do you know? How can you be definitive |
00:56:14 |
She's a copy. A facsimile. |
00:56:17 |
And she's seducing you all over again. |
00:56:20 |
You're sick. |
00:56:27 |
We are not taking her back with us. |
00:57:42 |
Leave the light off. |
00:57:57 |
You think you're dreaming me. |
00:58:01 |
You're not Gibarian. |
00:58:03 |
No? |
00:58:06 |
Who am l, then? |
00:58:09 |
- A puppet. |
00:58:12 |
Well, maybe you're my puppet. |
00:58:14 |
But like all puppets, you |
00:58:18 |
That's the puppet's dream |
00:58:28 |
Why did you kill yourself? |
00:58:31 |
It seemed like a good idea at the |
00:58:35 |
- What about your son? |
00:58:39 |
And that's not your wife. They |
00:58:49 |
What does Solaris want from us? |
00:58:52 |
Why do you think it has to want something? |
00:58:55 |
This is why you have to leave. If |
00:59:01 |
you'll die here. |
00:59:04 |
I can't leave her. |
00:59:07 |
I'll figure it out. |
00:59:09 |
Do you understand what I'm trying to tell you? |
00:59:12 |
There are no answers. |
00:59:15 |
Only choices. |
00:59:37 |
Rheya? |
01:00:29 |
Gordon! |
01:01:11 |
- What happened? |
01:01:39 |
She's dead. |
01:01:43 |
No. |
01:02:06 |
I never get used to them. These resurrections. |
01:03:08 |
Oh, no. |
01:03:12 |
No. |
01:03:21 |
Why'd you do that? |
01:03:25 |
Rheya? |
01:03:27 |
Don't call me that. |
01:03:37 |
There are two components. |
01:03:40 |
A high-energy proton accelerator |
01:03:46 |
By adjusting the tuning frequency I get |
01:03:52 |
and an almost pure beam at 160GHz. |
01:03:56 |
I used it on mine. |
01:04:01 |
What happens? |
01:04:03 |
They disappear, back where they came from. |
01:04:10 |
It's what she wants. |
01:04:15 |
I won't let her do it. |
01:04:19 |
She'll come to me when you're asleep. |
01:04:25 |
Then I won't sleep. |
01:04:30 |
Don't you see? I came from your memory of her. |
01:04:33 |
That's the problem. I'm not a whole person. |
01:04:38 |
In your memory you get to control everything. |
01:04:42 |
So even if you remember something wrong, |
01:04:47 |
I'm suicidal because that's how you remember me. |
01:04:50 |
My voice sounds the way it does |
01:04:54 |
I don't believe that we're |
01:04:59 |
I think that we can choose to do it differently. |
01:05:03 |
The day I left and you said you wouldn't make |
01:05:10 |
This is my chance to undo that mistake. |
01:05:14 |
And I need you to help me. |
01:05:16 |
But am I really Rheya? |
01:05:24 |
I don't know any more. |
01:05:26 |
All I see is you. |
01:05:58 |
All I see is you. |
01:06:09 |
It created me. |
01:06:13 |
And yet I can't communicate with it. |
01:06:19 |
It must hear me, though. |
01:06:22 |
It must know what's happening to me. |
01:06:26 |
And you and l, we would have to |
01:06:31 |
some kind of |
01:06:38 |
unspoken understanding |
01:06:41 |
that I'm not really a human being. |
01:06:47 |
No, Rheya. |
01:06:55 |
Chris... |
01:06:58 |
I wish you would just let |
01:07:02 |
And then you can go back to Earth and |
01:07:11 |
No. |
01:07:13 |
It's the only solution that makes any sense. |
01:07:18 |
We could never have a life |
01:07:22 |
You know that. |
01:07:25 |
It would be impossible. |
01:07:29 |
And this? What kind of life is this? |
01:07:33 |
Trapped here. |
01:07:35 |
It's not a life. |
01:07:39 |
I don't know what to call it. |
01:07:41 |
It's what we have. |
01:07:45 |
It's enough for me. |
01:07:47 |
You need to rest. |
01:07:50 |
You're going to make yourself ill. |
01:07:54 |
- I don't care. |
01:08:00 |
Please, Chris. |
01:08:01 |
You have to rest. |
01:08:33 |
You know I'm not human so I don't |
01:08:37 |
Of course you can use the device. |
01:08:40 |
It's not murder. You said that yourself. |
01:08:43 |
You're the one who had the |
01:08:47 |
Chris doesn't trust me. |
01:13:32 |
Chris, don't blame Gordon. |
01:13:37 |
It's not her fault. I begged her to do it. |
01:13:43 |
It's better this way. |
01:13:46 |
I found the suicide note. |
01:13:49 |
I went through your things. |
01:13:52 |
The page torn from the book of poems. |
01:13:57 |
And I realised |
01:14:00 |
I'm not her. |
01:14:02 |
I'm not Rheya. |
01:14:06 |
I know you loved me, though. |
01:14:09 |
I know that. I felt that. |
01:14:13 |
And I love you. |
01:14:15 |
I wish we could just live |
01:14:21 |
Maybe there's a place where we can. |
01:14:25 |
But I know it's not on Earth. |
01:14:27 |
And it's not on this ship. |
01:14:33 |
That's all I can say right now. |
01:14:57 |
- You killed her. |
01:14:59 |
- It's murder. |
01:15:03 |
- She'll be back. |
01:15:04 |
- Why would you let her do it? |
01:15:07 |
It's not human. |
01:15:09 |
Whatever it is, it's not human, |
01:15:14 |
And I wanna win. I want humans to win. |
01:15:17 |
Whose side are you on? |
01:15:21 |
- What are you doing? |
01:15:40 |
Gordon. |
01:16:10 |
- I knew it. |
01:16:14 |
Hard to say because of the cold. |
01:16:19 |
He attacked me. |
01:16:24 |
There I am. Somehow, there I am. |
01:16:27 |
And I couldn't tell you how I'm |
01:16:33 |
But before I can get to that, |
01:16:36 |
what's this over here? |
01:16:39 |
Comin' at me. What are you tryin' to do? |
01:16:43 |
Oh, I see. You're tryin' to kill me. |
01:16:46 |
Yeah, confusing. I'll tell you somethin' |
01:16:50 |
and my welcoming committee dropped |
01:16:54 |
And, by the way, after all that |
01:16:56 |
I find this, whoever this... I get my |
01:17:03 |
I survive the first 30 seconds of this life, |
01:17:10 |
And by killing someone who happens to be me. |
01:17:15 |
See, most people... I would think most people |
01:17:20 |
"l don't know." However, this is at |
01:17:25 |
This is... What if this is a gift? I'm a gift. |
01:17:29 |
Hey. |
01:17:34 |
I say we use the Higgs device on him. |
01:17:44 |
I don't think you really have time. |
01:17:49 |
Why would you say that? |
01:17:53 |
Well, you know, ever since we |
01:17:57 |
Solaris started taking on mass exponentially. |
01:18:02 |
You might have noticed how |
01:18:06 |
That would be because everything within its gravitational field |
01:18:14 |
And, yeah, sorry. |
01:18:16 |
By the way, the Higgs device also |
01:18:27 |
Can I make a suggestion? |
01:18:30 |
I mean, this is... You can do what you want, |
01:18:35 |
and take the Athena back. |
01:18:42 |
Wear your seat belt. |
01:19:41 |
Switch to internal power. |
01:19:43 |
Start fuel cell operational diagnostic. |
01:19:47 |
Service check on LGA. |
01:19:50 |
Point and calibrate high-beam antenna. |
01:19:53 |
Depressurising. Spin all turbines to standby. |
01:19:57 |
Disengage coupling interlocks |
01:20:00 |
Vent and seal all main engine propellant lines. |
01:20:21 |
Earth. |
01:20:24 |
Even the word sounded strange to me now. |
01:20:27 |
Unfamiliar. |
01:20:33 |
How long had I been gone? |
01:20:36 |
How long had I been back? |
01:20:40 |
Did it matter? |
01:20:46 |
I tried to find the rhythm of |
01:20:52 |
I followed the current. |
01:20:55 |
I was silent and attentive. |
01:20:59 |
I made a conscious effort to smile, |
01:21:03 |
nod, |
01:21:05 |
stand, |
01:21:07 |
and perform the millions of gestures |
01:21:15 |
I studied these gestures until |
01:21:22 |
But I was haunted by the idea |
01:21:25 |
that I remembered her wrong. |
01:21:31 |
That somehow I was wrong about everything. |
01:22:36 |
Depressurising. Spin all turbines to standby. |
01:22:41 |
Disengage coupling interlocks |
01:22:46 |
Vent and seal all main engine propellant lines. |
01:23:51 |
Rheya! |
01:24:01 |
Rheya? |
01:26:12 |
Chris? |
01:26:57 |
Am I alive or dead? |
01:27:03 |
We don't have to think like that any more. |
01:27:10 |
We're together now. |
01:27:15 |
Everything we've done is forgiven. |
01:27:19 |
Everything. |