|
Austin Powers International Man of Mystery
|
| 00:00:35 |
Ladies and gentlemen, |
| 00:00:39 |
I have gathered here before me |
| 00:00:41 |
the world's deadliest assassins, |
| 00:00:44 |
and yet each of you has failed |
| 00:00:50 |
That makes me angry, |
| 00:00:54 |
Mr Bigglesworth gets upset. |
| 00:00:56 |
And when Mr Bigglesworth |
| 00:00:59 |
People die! |
| 00:01:08 |
Why must I be surrounded |
| 00:01:10 |
by frickin' idiots? |
| 00:01:18 |
Mustafa, Frau Farbissina, |
| 00:01:22 |
I spared your lives because |
| 00:01:25 |
of Britain's top secret agent, |
| 00:01:27 |
the only man |
| 00:01:31 |
We must kill Austin Powers! |
| 00:01:41 |
Yeah! |
| 00:02:13 |
Come on, babies. |
| 00:02:16 |
Show me love. |
| 00:02:20 |
Great, babies! Yeah! |
| 00:02:23 |
Oh, behave. |
| 00:02:26 |
It's Austin Powers! |
| 00:02:49 |
It's Austin Powers! Aah! |
| 00:03:44 |
Hello, Mrs Kensington. |
| 00:03:46 |
Hello, Austin. |
| 00:03:48 |
Why don't you ever |
| 00:03:51 |
You know how Mr Kensington |
| 00:03:55 |
Oh, behave. |
| 00:03:57 |
Yeah! |
| 00:03:59 |
Yeah, baby! Yeah. |
| 00:04:07 |
Hello, Austin. |
| 00:04:09 |
I'm Basil Exposition |
| 00:04:12 |
We have just received word |
| 00:04:15 |
is planning a trap |
| 00:04:17 |
at the Electric Psychedelic |
| 00:04:21 |
here in swinging London. |
| 00:04:22 |
We'll be there. |
| 00:04:37 |
Yeah, have a look, baby! |
| 00:04:41 |
There you go. Come on, baby. |
| 00:04:43 |
Yeah, yeah! |
| 00:04:51 |
Austin, it's a swinging shindig. |
| 00:04:54 |
It's my happening, baby, |
| 00:04:57 |
Yeah, man! |
| 00:05:19 |
Can I get you a drink, Mr Powers? |
| 00:05:20 |
Sure! |
| 00:05:22 |
Austin, we've got |
| 00:05:24 |
Wait. |
| 00:05:25 |
I've got an idea. |
| 00:05:28 |
Why on earth |
| 00:05:32 |
Right. Let me show you, baby. |
| 00:05:33 |
That ain't no woman. |
| 00:05:35 |
It's a man, man. |
| 00:05:40 |
One of Dr Evil's assassins. |
| 00:05:43 |
He's got a knife! |
| 00:05:51 |
Good work, Mrs Kensington. |
| 00:05:52 |
All right, get up. Get up! |
| 00:05:53 |
Right... where's Dr Evil, huh? |
| 00:05:57 |
Where is he? |
| 00:06:01 |
There's the bastard. |
| 00:06:04 |
Come on. Let's go. |
| 00:06:06 |
Coming through. |
| 00:06:07 |
Excuse me. |
| 00:06:12 |
I've got you now, Dr Evil. |
| 00:06:14 |
Not this time. |
| 00:06:16 |
Come, Mr Bigglesworth! |
| 00:06:18 |
See you in the future, Mr Powers. |
| 00:06:26 |
My God! |
| 00:06:26 |
He's freezing himself. |
| 00:06:55 |
And so Dr Evil escaped |
| 00:06:57 |
and had himself |
| 00:07:00 |
to return at a time when |
| 00:07:03 |
and greed and corruption |
| 00:07:21 |
Yes? |
| 00:07:22 |
Commander Gilmour? |
| 00:07:23 |
Speaking. |
| 00:07:24 |
This is Ritter |
| 00:07:27 |
We have a potential bogey |
| 00:07:29 |
and an unorthodox |
| 00:07:31 |
What are you saying, son? |
| 00:07:33 |
Well, it appears to be |
| 00:07:37 |
Good God... He's back. |
| 00:07:39 |
Well, in many ways, |
| 00:07:42 |
He's always offered |
| 00:07:44 |
at competitive prices. |
| 00:07:45 |
Shut up. |
| 00:07:47 |
Shall I scramble TAC HQ |
| 00:07:49 |
What's its current position? |
| 00:07:51 |
I'm presently tracking |
| 00:07:54 |
Oh, my God! The big boy's gone. |
| 00:07:56 |
Listen, son... |
| 00:07:58 |
I want you to forget |
| 00:08:01 |
- Phillips... call the President. |
| 00:08:05 |
Prepare the jet, |
| 00:08:09 |
and, uh, Phillips, feed my fish? |
| 00:08:12 |
Not too much. |
| 00:08:15 |
I'm off to London, Eng-a-land. |
| 00:08:23 |
Powers volunteered |
| 00:08:25 |
in case Dr Evil |
| 00:08:28 |
Well, I hope |
| 00:08:30 |
We don't wanna have |
| 00:08:33 |
like after WW II. |
| 00:08:37 |
This is our celebrity vault. |
| 00:08:54 |
Please. |
| 00:08:55 |
Who is this |
| 00:08:58 |
The ultimate gentleman spy: |
| 00:09:00 |
Irresistible to women, |
| 00:09:03 |
a legend in his own time. |
| 00:09:07 |
Stage One: |
| 00:09:09 |
Laser cutting begins. |
| 00:09:16 |
Laser cutting complete. |
| 00:09:29 |
Stage 2: Warm liquid goo |
| 00:09:37 |
Warm liquid goo phase |
| 00:09:40 |
Stage 3: Reanimation beginning. |
| 00:09:46 |
Reanimation complete. |
| 00:09:56 |
Stage 4: Cleansing beginning. |
| 00:10:06 |
Cleansing complete. |
| 00:10:30 |
Stage 5: Evacuation beginning. |
| 00:11:04 |
Evacuation comp... |
| 00:11:16 |
Evacuation com... |
| 00:11:18 |
Com... |
| 00:11:20 |
Com... |
| 00:11:22 |
Evacuation com... |
| 00:11:31 |
Uh... uh... Wh-where am I? |
| 00:11:36 |
You're in |
| 00:11:39 |
It's 1997. |
| 00:11:42 |
You've been |
| 00:11:44 |
for 30 years. |
| 00:11:45 |
WHO ARE THESE PEOPLE? |
| 00:11:46 |
Shouting |
| 00:11:48 |
of the unfreezing process. |
| 00:11:50 |
Yes. It's difficult to control |
| 00:11:55 |
This is Commander Gilmour, |
| 00:11:56 |
US Strategic Command, |
| 00:11:58 |
and General Borschevsky, |
| 00:12:01 |
Russian Intelligence? Are you mad? |
| 00:12:04 |
A lot's happened |
| 00:12:07 |
The Cold War's over. |
| 00:12:09 |
Finally, those capitalist pigs |
| 00:12:13 |
Eh, comrades? Eh? |
| 00:12:15 |
Austin... We won. |
| 00:12:17 |
Oh, groovy. Smashing. |
| 00:12:21 |
Hello. |
| 00:12:22 |
Hello! |
| 00:12:23 |
Mr Powers... |
| 00:12:26 |
We've got a madman |
| 00:12:28 |
Dr Evil. |
| 00:12:30 |
When do I begin? |
| 00:12:32 |
Immediately. |
| 00:12:33 |
You'll work |
| 00:12:35 |
Mrs Kensington! |
| 00:12:38 |
Austin, Mrs Kensington |
| 00:12:42 |
MISS Kensington is her daughter. |
| 00:12:46 |
Ah, here she is. |
| 00:12:50 |
Vanessa is one |
| 00:12:59 |
My God, Vanessa's got |
| 00:13:02 |
And I bet she shags |
| 00:13:07 |
How do I tell them |
| 00:13:10 |
I have no inner monologue? |
| 00:13:14 |
I... hope I didn't say |
| 00:13:22 |
Mr Powers, my job is to |
| 00:13:26 |
You know, a lot's |
| 00:13:28 |
No doubt, love, but as long |
| 00:13:32 |
promiscuous sex with many |
| 00:13:35 |
while experimenting |
| 00:13:39 |
in a consequence-free |
| 00:13:41 |
I'll be sound as a pound. |
| 00:13:44 |
Well, um, agent Kensington |
| 00:13:47 |
will get you all set up. |
| 00:13:48 |
She is... extremely dedicated. |
| 00:13:51 |
So, Austin. |
| 00:13:52 |
Good luck. |
| 00:13:54 |
The world's depending on you. |
| 00:13:55 |
Thanks, Exposition. |
| 00:13:57 |
- Oh, and Austin? - Yes? |
| 00:14:01 |
Be careful. |
| 00:14:05 |
Thanks. |
| 00:14:11 |
Danger Powers... personal effects. |
| 00:14:14 |
Actually, my name |
| 00:14:18 |
It says here "Name... Danger Powers." |
| 00:14:20 |
No, no, no, no, no. |
| 00:14:22 |
Danger's my middle name. |
| 00:14:26 |
OK. Austin Danger Powers... |
| 00:14:29 |
one blue crushed velvet suit... |
| 00:14:32 |
Hey, all right. |
| 00:14:33 |
One frilly lace cravat... |
| 00:14:34 |
There it is. |
| 00:14:36 |
One silver medallion |
| 00:14:39 |
One pair of Italian boots... |
| 00:14:42 |
Buon giorno, boys. |
| 00:14:43 |
One vinyl record album: |
| 00:14:45 |
Burt Bacharach Plays His Hits... |
| 00:14:47 |
Hey, Burt! |
| 00:14:48 |
One Swedish-made... |
| 00:14:55 |
That's not mine. |
| 00:14:56 |
One credit card receipt |
| 00:15:01 |
signed by Austin Powers... |
| 00:15:03 |
I'm telling you, baby, |
| 00:15:06 |
One warranty card for |
| 00:15:10 |
filled out by... Austin Powers... |
| 00:15:12 |
I don't even know what this is. |
| 00:15:14 |
This sort of thing |
| 00:15:17 |
One book: "Swedish-made Penis |
| 00:15:19 |
"(This Sort of Thing |
| 00:15:23 |
By... Austin Powers. |
| 00:15:26 |
Uh... just sign the form. |
| 00:15:29 |
OK, don't get heavy, man, |
| 00:15:31 |
just to get things |
| 00:15:33 |
You're all right, baby. |
| 00:15:35 |
Listen, Mr Powers. |
| 00:15:37 |
I look forward to |
| 00:15:39 |
but do me a favour and |
| 00:15:42 |
You can address me as... |
| 00:15:46 |
Oh, come on. |
| 00:15:48 |
All right, then... Vanessa. |
| 00:15:50 |
Was that so hard? |
| 00:15:53 |
Now come along. |
| 00:15:54 |
We have to leave immediately. |
| 00:15:56 |
We preserved your private jet |
| 00:15:59 |
It's waiting |
| 00:16:01 |
My jumbo jet! Smashing, baby! |
| 00:16:04 |
Oop... sorry. |
| 00:16:06 |
Mr Powers? |
| 00:16:11 |
Quickly. |
| 00:16:13 |
Quickly. Come on, lad. Let's go. |
| 00:16:29 |
Gentlemen, |
| 00:16:32 |
It's been 30 years, but I'm back. |
| 00:16:36 |
Everything's gone |
| 00:16:38 |
except for one small flaw... |
| 00:16:40 |
due to a technical error |
| 00:16:43 |
complications arose in |
| 00:16:47 |
But my design was perfect. |
| 00:16:50 |
Look what you did |
| 00:16:54 |
But, Dr Evil, |
| 00:16:58 |
feline complications |
| 00:17:01 |
Silence! |
| 00:17:10 |
Let this be |
| 00:17:13 |
that this organization |
| 00:17:20 |
Gentlemen, let's get down |
| 00:17:28 |
We've got a lot of work to do. |
| 00:17:30 |
Someone help me! |
| 00:17:32 |
I-I'm... still alive, |
| 00:17:38 |
Some of you I know, |
| 00:17:40 |
some of you I'm meeting |
| 00:17:42 |
Ah-ah! Hello, out there! |
| 00:17:46 |
Could someone |
| 00:17:47 |
I'm in quite... a lot of pain. |
| 00:17:50 |
OK, you've all been |
| 00:17:52 |
- Oohhh! - Excuse me. |
| 00:17:55 |
Yes. He's down there. |
| 00:17:57 |
No, not dead... burned. Badly. |
| 00:18:02 |
Yes... |
| 00:18:04 |
Right. |
| 00:18:06 |
If somebody could |
| 00:18:09 |
I could get out. |
| 00:18:10 |
I designed this device myself... |
| 00:18:12 |
Oh! Hi. Good. |
| 00:18:14 |
I'm glad you found me. Listen... |
| 00:18:16 |
I'm very badly burned, |
| 00:18:17 |
so if you could just... |
| 00:18:21 |
You shot me! |
| 00:18:22 |
OK, moving on... |
| 00:18:24 |
You shot me in the arm! |
| 00:18:26 |
Why did... |
| 00:18:38 |
Right. |
| 00:18:39 |
Let me go around the table |
| 00:18:42 |
Frau Farbissina: |
| 00:18:44 |
Founder of the militant wing |
| 00:18:47 |
Random Task: Korean ex-wrestler, |
| 00:18:51 |
evil handyman extraordinaire. |
| 00:18:54 |
Random Task, show them what you do. |
| 00:19:11 |
Patty O'Brien: |
| 00:19:12 |
Ex-Irish assassin. |
| 00:19:14 |
His trademark... a superstitious man, |
| 00:19:17 |
he leaves a tiny keepsake |
| 00:19:20 |
on every victim he kills. |
| 00:19:22 |
Scotland Yard would love |
| 00:19:24 |
on that piece of evidence. |
| 00:19:27 |
Yeah, they're |
| 00:19:34 |
What? Why's everyone always |
| 00:19:38 |
They are after me lucky charms! |
| 00:19:41 |
What? |
| 00:19:43 |
It's |
| 00:19:47 |
With this cartoon leprechaun, |
| 00:19:49 |
and all of these childrens |
| 00:19:51 |
"Hey, leprechaun man! |
| 00:19:53 |
Won't you give |
| 00:19:56 |
And there's always |
| 00:19:57 |
these little, |
| 00:19:59 |
just stuck right in the cereal, |
| 00:20:01 |
so that when the kids eat them, |
| 00:20:03 |
"Oh, this is candy. I'm having fun!" |
| 00:20:08 |
Finally, we come |
| 00:20:11 |
His name: |
| 00:20:13 |
Number Two. |
| 00:20:15 |
For 30 years, Number Two |
| 00:20:18 |
the legitimate face |
| 00:20:22 |
Dr Evil, over the last 30 years, |
| 00:20:26 |
Virtucon has grown |
| 00:20:28 |
About 15 years ago, we changed from |
| 00:20:33 |
to the communications industry. |
| 00:20:36 |
We own cable companies |
| 00:20:39 |
We own a steel mill |
| 00:20:42 |
shipping in Texas, |
| 00:20:45 |
and a factory in Chicago |
| 00:20:47 |
that makes miniature models |
| 00:20:50 |
Naturally, yes. |
| 00:20:52 |
Gentlemen... |
| 00:20:56 |
I have a plan. |
| 00:21:07 |
It's called blackmail. |
| 00:21:09 |
As you know, |
| 00:21:12 |
are the wealthiest landowners |
| 00:21:15 |
Either the royal family |
| 00:21:19 |
or we make it seem |
| 00:21:22 |
has had an affair |
| 00:21:24 |
and therefore... |
| 00:21:30 |
Prince Charles |
| 00:21:33 |
he admitted it, |
| 00:21:35 |
Right. OK, people, |
| 00:21:37 |
you have to tell me |
| 00:21:39 |
I've been frozen |
| 00:21:43 |
Throw me a frickin' bone here. |
| 00:21:45 |
I'm the boss. Need the info. |
| 00:21:49 |
OK, no problem. |
| 00:21:51 |
Here's my second plan: |
| 00:21:53 |
Back in the sixties, |
| 00:21:54 |
I developed |
| 00:21:56 |
which was a sophisticated heat |
| 00:22:00 |
Using these "Lasers," we punch a hole |
| 00:22:04 |
in the protective layer |
| 00:22:06 |
which we call the "Ozone Layer". |
| 00:22:09 |
Slowly, but surely, ultraviolet |
| 00:22:13 |
increasing the risk |
| 00:22:16 |
That is, unless... |
| 00:22:27 |
That also... already has happened. |
| 00:22:31 |
Shit. |
| 00:22:35 |
Oh, hell, let's just do |
| 00:22:37 |
hijack some nuclear weapons and |
| 00:22:41 |
Gentlemen, it's come |
| 00:22:43 |
that a breakaway Russian |
| 00:22:45 |
is about to transfer |
| 00:22:48 |
to the United Nations |
| 00:22:50 |
Here's the plan: |
| 00:22:52 |
We get the warhead, and we hold |
| 00:22:57 |
$1 million! |
| 00:23:03 |
Don't you think |
| 00:23:06 |
for more than |
| 00:23:08 |
A million dollars isn't exactly |
| 00:23:11 |
Virtucon alone makes |
| 00:23:15 |
- Really? - Mm-hmm. |
| 00:23:16 |
That's a lot more. |
| 00:23:19 |
OK, then. |
| 00:23:20 |
We hold the world ransom for... |
| 00:23:24 |
$100... billion! |
| 00:23:33 |
Pretty groovy jumbo jet, eh? |
| 00:23:35 |
When you see |
| 00:23:37 |
don't come a-knockin', baby! Yeah! |
| 00:23:39 |
I'm going to need you to sign |
| 00:23:42 |
- Release forms? - Yes. |
| 00:23:44 |
You're not officially working |
| 00:23:46 |
and these forms indemnify |
| 00:23:49 |
mishaps that may occur |
| 00:23:51 |
Mishaps? But isn't that what being |
| 00:23:53 |
an international man |
| 00:23:57 |
OK. Name: Austin... Danger Powers. |
| 00:24:02 |
Sex: Yes, please! |
| 00:24:05 |
How does a hot chick like you |
| 00:24:06 |
end up working in |
| 00:24:10 |
Oh. Well, I went to Oxford, |
| 00:24:12 |
where I excelled |
| 00:24:15 |
but I ended up specializing |
| 00:24:18 |
I really wanted to travel. |
| 00:24:19 |
You know, sort of see the world? |
| 00:24:21 |
That's fascinating, Vanessa. |
| 00:24:23 |
Why don't we go |
| 00:24:25 |
What? |
| 00:24:26 |
I've been frozen for 30 years. |
| 00:24:27 |
I've gotta see if my bits |
| 00:24:30 |
Excuse me? |
| 00:24:31 |
My wedding tackle. |
| 00:24:33 |
I'm sorry... |
| 00:24:34 |
My meat and two veg, |
| 00:24:36 |
Hello, lads, you still awake? |
| 00:24:38 |
Mr Powers, please, I'd appreciate it |
| 00:24:41 |
if you could concentrate |
| 00:24:43 |
and give your libido a rest. |
| 00:24:46 |
Can I, uh... |
| 00:24:48 |
Can I show you something? |
| 00:24:50 |
If you're feeling |
| 00:24:55 |
There's a service |
| 00:24:59 |
Tell the one |
| 00:25:03 |
I can be so warm |
| 00:25:05 |
I won't bite... hard. |
| 00:25:14 |
All right. |
| 00:25:17 |
Let me ask you a question, |
| 00:25:22 |
Do I make you horny? |
| 00:25:24 |
Randy? |
| 00:25:25 |
Do I make you horny, baby? |
| 00:25:28 |
I hope this is part of |
| 00:25:32 |
Oh, turbulence! Oh, look at that! |
| 00:25:34 |
Oh, turbulence! Oh, I've gone over! |
| 00:25:37 |
Oh, I fell over again! |
| 00:25:39 |
Oh! Mr Powers! |
| 00:25:42 |
I will never have |
| 00:25:44 |
If you were the |
| 00:25:46 |
and I was the last woman |
| 00:25:48 |
and the future of the human race |
| 00:25:49 |
depended on our having sex |
| 00:25:52 |
I still would not |
| 00:25:54 |
What's your point, Vanessa? |
| 00:26:01 |
Don't be afraid, you can call me |
| 00:26:05 |
Maybe it's late, but just call me |
| 00:26:09 |
Tell me and I'll be around |
| 00:26:14 |
Yeah! |
| 00:26:16 |
Remember when we |
| 00:26:18 |
You said if it didn't look |
| 00:26:20 |
we should try |
| 00:26:23 |
so that a part of you |
| 00:26:24 |
Oh, sure. |
| 00:26:25 |
Well, after a couple of years, |
| 00:26:27 |
we... got a little impatient. |
| 00:26:31 |
Dr Evil, I want you |
| 00:26:35 |
My son? |
| 00:26:37 |
Ja. |
| 00:26:38 |
SCOTT! |
| 00:26:48 |
Hello, Scott. |
| 00:26:50 |
Hi. |
| 00:26:52 |
I'm your father... |
| 00:26:54 |
Dr Evil. |
| 00:26:59 |
I haven't seen you |
| 00:27:01 |
and now you come back |
| 00:27:03 |
and just expect a relationship? |
| 00:27:05 |
I hate you. |
| 00:27:10 |
What? |
| 00:27:11 |
Could I have a hug? |
| 00:27:14 |
No. |
| 00:27:15 |
- Give me a hug. - No way. |
| 00:27:17 |
- Come here. |
| 00:27:19 |
- Let's go. - Forget it. |
| 00:27:20 |
- Pronto. - What are you doing? |
| 00:27:22 |
I'm with it. I'm hip. |
| 00:27:39 |
Don't look at me like |
| 00:27:42 |
Give your father a hug. |
| 00:27:43 |
You're... hey, don't touch me! |
| 00:27:45 |
Hug... hug... hug... |
| 00:27:48 |
Get away from me, |
| 00:28:07 |
Viva Las Vegas, baby! Yeah! |
| 00:28:20 |
Welcome to Las Vegas, sir. |
| 00:28:26 |
So... |
| 00:28:28 |
which side of the bed |
| 00:28:30 |
You're sleeping |
| 00:28:32 |
I'd like to take this |
| 00:28:36 |
that we're only sharing a room |
| 00:28:39 |
that we're a married |
| 00:28:41 |
Right. |
| 00:28:42 |
Should we shag now |
| 00:28:45 |
How do you like to do it? |
| 00:28:46 |
Do you like to wash up first, |
| 00:28:48 |
you know, top and tails, |
| 00:28:51 |
Personally, before I'm on the job |
| 00:28:52 |
I like to give |
| 00:28:54 |
a bit of a how's-your-father. |
| 00:28:58 |
I'm just joking, Vanessa. |
| 00:28:59 |
I'm just trying |
| 00:29:01 |
For shits and giggles. |
| 00:29:03 |
Let's unpack. |
| 00:29:11 |
Gor blimey... |
| 00:29:13 |
Nerd alert! |
| 00:29:29 |
How did this get in here? |
| 00:29:31 |
Somebody's playing |
| 00:29:33 |
Honestly, it's not mine. |
| 00:29:36 |
Hey, Americans, yeah! |
| 00:29:38 |
Enjoy that wine. |
| 00:29:40 |
Hey, there you are. |
| 00:29:41 |
Hi. Do I know you? |
| 00:29:43 |
No, but that's where |
| 00:29:44 |
Hey, viva Las Vegas, baby. |
| 00:29:48 |
- OK, Austin... - Yes? |
| 00:29:50 |
There's a company in Las Vegas |
| 00:29:52 |
which we think |
| 00:29:55 |
Plenty of |
| 00:29:57 |
are gambling in this casino. |
| 00:29:58 |
Smashing. Let's go. |
| 00:30:00 |
Look. There's one over there. |
| 00:30:03 |
Changing 1,000. |
| 00:30:04 |
Hello. |
| 00:30:05 |
Excuse me. |
| 00:30:10 |
Do you mind if I join you? |
| 00:30:12 |
Not at all. |
| 00:30:15 |
The game is blackjack, |
| 00:30:17 |
$10,000 minimum bet. |
| 00:30:19 |
King for you, sir, |
| 00:30:24 |
17? |
| 00:30:33 |
Hit me. |
| 00:30:35 |
You have 17, sir. |
| 00:30:37 |
I like to live dangerously. |
| 00:30:43 |
Four. 21. |
| 00:30:52 |
Five. |
| 00:30:56 |
I'll stay. |
| 00:30:58 |
I suggest you hit, sir. |
| 00:31:03 |
I also like to live |
| 00:31:07 |
As you wish, sir. |
| 00:31:12 |
20 beats your five. |
| 00:31:14 |
I'm sorry, sir. |
| 00:31:15 |
Well, I won't lie to you. |
| 00:31:18 |
Cards are not my bag, baby. |
| 00:31:21 |
Allow myself to introduce... |
| 00:31:25 |
myself. |
| 00:31:27 |
My name is |
| 00:31:30 |
and this is my wife Oprah. |
| 00:31:34 |
My name is Number Two. |
| 00:31:37 |
This is my Italian |
| 00:31:39 |
Her name is Alotta... |
| 00:31:40 |
Alotta Fagina. |
| 00:31:44 |
Come again? |
| 00:31:45 |
Alotta Fagina. |
| 00:31:47 |
I'm sorry. I'm just not getting it. |
| 00:31:49 |
It sounded like you said |
| 00:31:53 |
Never mind. |
| 00:31:57 |
What exactly do you do, |
| 00:32:00 |
That's my business. |
| 00:32:03 |
If you'll excuse me, |
| 00:32:04 |
I have to go to |
| 00:32:07 |
You keep your eye |
| 00:32:09 |
We'll rendezvous |
| 00:32:29 |
You didn't happen to see... |
| 00:32:30 |
Anything at all. |
| 00:32:33 |
Ah. Sorry. |
| 00:32:55 |
Whoo! That is one crazy getup |
| 00:32:59 |
Oh, thank you. |
| 00:33:01 |
Are you in the show? |
| 00:33:02 |
Uh, no. Actually, I'm English. |
| 00:33:05 |
Whew. I'm sorry. |
| 00:33:08 |
Right. |
| 00:33:18 |
Hey, partner? |
| 00:33:20 |
Have a good one. |
| 00:33:22 |
OK. |
| 00:33:47 |
Hey, partner, you gotta relax. |
| 00:33:49 |
Gonna blow out your o-ring, |
| 00:34:04 |
Who does Number Two work for? |
| 00:34:09 |
Who does Number Two work for? |
| 00:34:14 |
Right, buddy. |
| 00:34:19 |
Hey... hey, just grab |
| 00:34:21 |
bite your lip, and give it hell. |
| 00:34:24 |
We're gonna get through this. |
| 00:34:30 |
Hey, that sounds pretty nasty. |
| 00:34:32 |
How about a courtesy |
| 00:34:42 |
Jesus Christ, boy. |
| 00:34:44 |
What did you eat? |
| 00:34:57 |
Gentlemen, |
| 00:34:59 |
the warhead is ours. |
| 00:35:01 |
Patch me through to the UN's |
| 00:35:08 |
Gentlemen, my name is Dr Evil. |
| 00:35:11 |
In a little while you'll notice |
| 00:35:14 |
has gone missing. |
| 00:35:16 |
If you want it back, |
| 00:35:17 |
you're going |
| 00:35:21 |
$1 million. |
| 00:35:30 |
Sorry. |
| 00:35:33 |
$100 billion. |
| 00:35:37 |
Gentlemen, silence. |
| 00:35:39 |
Now, Mr Evil... |
| 00:35:42 |
DOCTOR Evil. |
| 00:35:43 |
I didn't spend six years |
| 00:35:45 |
to be called mister, |
| 00:35:48 |
It is the policy |
| 00:35:50 |
not to negotiate |
| 00:35:53 |
Really? |
| 00:35:56 |
So long. |
| 00:36:04 |
Gentlemen, in exactly five days |
| 00:36:07 |
we will be |
| 00:36:48 |
Hello, Mummy? |
| 00:36:49 |
Oh, hello, Vanessa. |
| 00:36:51 |
And how's Austin? |
| 00:36:52 |
He's asleep. |
| 00:36:54 |
You didn't. |
| 00:36:56 |
Oh, God, no! No! |
| 00:36:59 |
I made him sleep on the sofa. |
| 00:37:00 |
Vanessa, I'm proud of you. |
| 00:37:04 |
Why? |
| 00:37:05 |
Because you've managed to resist |
| 00:37:08 |
Austin Powers' charms. |
| 00:37:10 |
Oh, well, God knows |
| 00:37:12 |
I actually had to be |
| 00:37:14 |
You didn't tell me |
| 00:37:17 |
It's really bizarre. |
| 00:37:18 |
You can't judge him |
| 00:37:21 |
What about his teeth? |
| 00:37:22 |
Darling, you have to understand, |
| 00:37:24 |
in Britain in the sixties |
| 00:37:27 |
you could be a sex symbol |
| 00:37:28 |
and still have bad teeth. |
| 00:37:30 |
It didn't matter. |
| 00:37:32 |
I don't get that, Mummy. |
| 00:37:34 |
Once Austin |
| 00:37:36 |
it's impossible to get out. |
| 00:37:38 |
Did you ever? |
| 00:37:40 |
Me? No, of course not. |
| 00:37:43 |
I was married to your father. |
| 00:37:45 |
You didn't ever... want to, did you? |
| 00:37:48 |
Austin is very charming, |
| 00:37:50 |
very debonair. |
| 00:37:52 |
He's handsome, witty, |
| 00:37:54 |
has a knowledge of fine wines. |
| 00:37:56 |
Sophisticated. |
| 00:37:58 |
A world-renowned photographer. |
| 00:38:01 |
Women want him, |
| 00:38:03 |
and men want to be him. |
| 00:38:04 |
He's every bit an |
| 00:38:08 |
You didn't answer |
| 00:38:11 |
I know. |
| 00:38:13 |
Let me just say this... |
| 00:38:15 |
Austin was |
| 00:38:18 |
Caring friend I ever had. |
| 00:38:21 |
I will always love him. |
| 00:38:26 |
Do you want to speak to him? |
| 00:38:27 |
No. It's been too long. |
| 00:38:29 |
OK, well, I'm going |
| 00:38:31 |
but I love you. |
| 00:38:33 |
Ciao, darling. |
| 00:38:40 |
A limo's just pulled up. |
| 00:38:42 |
Let me see. |
| 00:38:46 |
That's Dr Evil's cat. |
| 00:38:48 |
How can you tell? |
| 00:38:49 |
I never forget a pussy |
| 00:38:52 |
cat. |
| 00:38:57 |
Oh, no. He's gone away. |
| 00:39:02 |
My God, Vanessa, |
| 00:39:04 |
you are so incredibly beautiful. |
| 00:39:08 |
That's it... yes... |
| 00:39:10 |
Yes... yes... |
| 00:39:11 |
Come on, darling, |
| 00:39:12 |
I'm gonna take you out |
| 00:39:26 |
Ladies and gentlemen, |
| 00:39:29 |
What the world |
| 00:39:32 |
Needs now |
| 00:39:34 |
Is love |
| 00:39:36 |
Sweet love |
| 00:39:38 |
No, not just for some |
| 00:39:42 |
But everyone |
| 00:39:46 |
What the world |
| 00:39:48 |
Needs now |
| 00:39:50 |
Is love |
| 00:39:52 |
Sweet love |
| 00:39:55 |
No, not just for some |
| 00:39:59 |
But for... |
| 00:40:01 |
Everyone |
| 00:40:32 |
Oh, yeah. |
| 00:40:33 |
Get on with it, Austin. |
| 00:40:35 |
I'm gonna do it... |
| 00:40:36 |
Do it a bit. |
| 00:40:37 |
Oh, go on... yes! |
| 00:40:42 |
Right hand green! |
| 00:40:43 |
- Oh, no, no... - Aah! |
| 00:40:48 |
You all right? |
| 00:40:50 |
You all right? Oh, you know what? |
| 00:40:51 |
Wait a tick. I forgot |
| 00:40:55 |
Why don't I take the stairs? |
| 00:41:02 |
Why take the stairs when I could |
| 00:41:10 |
Why take the escalator when I've |
| 00:41:18 |
I know what... |
| 00:41:19 |
I'll take the elevator. |
| 00:41:25 |
Austin. |
| 00:41:26 |
Yes? |
| 00:41:27 |
Come have some |
| 00:41:30 |
OK. |
| 00:41:32 |
Oh, I tripped. Oh... |
| 00:41:34 |
You know, I haven't had |
| 00:41:37 |
- Well, I'm sorry. - Why? |
| 00:41:40 |
I'm sorry that bug |
| 00:41:46 |
Always wanting |
| 00:41:48 |
That's you in a nutshell. |
| 00:41:50 |
No. THIS is me in a nutshell. |
| 00:41:51 |
Help! I'm in a nutshell! |
| 00:41:53 |
How did I get |
| 00:41:55 |
Look at the size of this |
| 00:41:58 |
what sort of shell |
| 00:42:00 |
This is crazy. |
| 00:42:02 |
Yes. Look at you. |
| 00:42:04 |
No. |
| 00:42:06 |
You're smashed. |
| 00:42:07 |
- No, I'm not. - Yes, you are. |
| 00:42:09 |
No, I'm not. I'm the sensible one. |
| 00:42:10 |
I'm always |
| 00:42:15 |
Oh, kiss me. |
| 00:42:17 |
- I can't, darling. - Why not? |
| 00:42:19 |
'Cause you're drunk. It's not right. |
| 00:42:20 |
I'm not drunk. |
| 00:42:22 |
what Mummy was talking |
| 00:42:24 |
I can't. |
| 00:42:27 |
Well, tell me all |
| 00:42:30 |
I'm dying to know |
| 00:42:33 |
She was very groovy. |
| 00:42:39 |
Your dad loved her very much. |
| 00:42:44 |
If there was one other cat |
| 00:42:46 |
that could have loved her |
| 00:42:47 |
and treated her |
| 00:42:49 |
well, it was me. |
| 00:42:52 |
But unfortunately... |
| 00:42:55 |
for yours truly... |
| 00:43:00 |
that train has sailed. |
| 00:43:06 |
Vanessa? |
| 00:43:08 |
Vanessa, hello? |
| 00:43:11 |
Come on, roll over. |
| 00:43:13 |
Sleepytime. |
| 00:43:19 |
OK, Austin needs his hand back. |
| 00:43:29 |
You've got mail! |
| 00:43:32 |
Hello, Austin. |
| 00:43:33 |
This is Basil Exposition |
| 00:43:36 |
Now, I want you to find out |
| 00:43:38 |
what part Virtucon plays in |
| 00:43:43 |
I'll need you to go to Alotta |
| 00:44:14 |
Hello, hello. |
| 00:44:21 |
Yes, yes, OK, great. |
| 00:44:26 |
Project Vulcan. |
| 00:44:28 |
Yeah, OK. |
| 00:44:30 |
Cheeky, huh? Yeah. |
| 00:44:32 |
Come on, baby, give it to me. |
| 00:44:33 |
Yes, yes, yes, |
| 00:44:35 |
no, no! |
| 00:44:44 |
You seem surprised to see me, |
| 00:44:46 |
Miss Fagina. |
| 00:44:48 |
What do you want... |
| 00:44:50 |
Mr Cunningham, was it? |
| 00:44:52 |
Please, call me Richie. |
| 00:44:55 |
Miss Fagina, |
| 00:44:57 |
your boss... Number Two... |
| 00:45:00 |
I understand that cat's involved |
| 00:45:06 |
How did you know? |
| 00:45:07 |
I didn't, baby. |
| 00:45:09 |
You just told me. |
| 00:45:12 |
It's for the mining industry, |
| 00:45:14 |
Mr Cunningham. |
| 00:45:15 |
You know, uh, we can talk |
| 00:45:19 |
Let me slip into |
| 00:45:22 |
Oh, behave. |
| 00:45:24 |
The look |
| 00:45:26 |
Of love |
| 00:45:28 |
Is in |
| 00:45:30 |
Your eyes |
| 00:45:33 |
A look |
| 00:45:34 |
Good God. |
| 00:45:36 |
Your smile |
| 00:45:38 |
Can't disguise |
| 00:45:43 |
The look |
| 00:45:46 |
Of love |
| 00:45:49 |
It says so much more |
| 00:45:53 |
Than words could ever say |
| 00:46:00 |
And when my heart has heard |
| 00:46:03 |
Well, it takes |
| 00:46:07 |
I can hardly |
| 00:46:11 |
Feel my arms around you |
| 00:46:15 |
You've got that look... |
| 00:46:17 |
Come in... |
| 00:46:19 |
And I'll show you everything |
| 00:46:23 |
... your face |
| 00:46:27 |
And when |
| 00:46:30 |
Well, it takes |
| 00:46:35 |
I can hardly |
| 00:46:38 |
Feel my arms around you |
| 00:46:42 |
You've got the look |
| 00:46:45 |
Of love |
| 00:46:47 |
It's on your face |
| 00:46:53 |
May I wash you? |
| 00:46:55 |
Oh, groovy, baby. |
| 00:47:08 |
Mm, yes... |
| 00:47:11 |
That feels yummy. Ha ha. Mm... |
| 00:47:20 |
In Japan, men come first |
| 00:47:23 |
and women come second. |
| 00:47:26 |
Or sometimes not at all. |
| 00:47:31 |
Care for some sake? |
| 00:47:34 |
Sake it to me, baby. |
| 00:47:39 |
Yes. |
| 00:47:40 |
Kinky. |
| 00:47:42 |
Klinky. |
| 00:47:53 |
How do you feel, Mr Cunningham? |
| 00:47:55 |
Mm, I feel |
| 00:48:05 |
How dare you |
| 00:48:08 |
I'm sorry, baby. |
| 00:48:15 |
Pardon me for being rude. |
| 00:48:16 |
It was not me. It was my food. |
| 00:48:18 |
It just popped up to say hello, |
| 00:48:19 |
and now it's gone |
| 00:48:22 |
That's beautiful. |
| 00:48:24 |
Thank you. |
| 00:48:29 |
What exactly |
| 00:48:31 |
I will tell you all in due time. |
| 00:48:34 |
But first, |
| 00:48:35 |
let's make love, |
| 00:48:37 |
you silly, hairy, little man. |
| 00:48:41 |
I say! Hello, vicar. |
| 00:48:45 |
Ooh. That's the spot, all right. |
| 00:48:49 |
That's the spot right there. |
| 00:48:58 |
Austin Powers |
| 00:49:00 |
Any suggestions? |
| 00:49:02 |
Jawohl, Herr Doctor. |
| 00:49:04 |
I have created |
| 00:49:06 |
to defeat Austin Powers. |
| 00:49:10 |
Bring in the Fembots! |
| 00:49:21 |
You keep sayin' |
| 00:49:23 |
You've got |
| 00:49:28 |
Go, Fembots! |
| 00:49:29 |
... but confess... |
| 00:49:32 |
These are the latest word |
| 00:49:36 |
Lethal, efficient, |
| 00:49:39 |
brutal. |
| 00:49:40 |
No man can resist their charm. |
| 00:49:43 |
Send in the guards! |
| 00:49:45 |
These boots |
| 00:49:48 |
And that's |
| 00:49:49 |
Kill these women. |
| 00:49:52 |
These boots are gonna |
| 00:50:01 |
Are ya ready, boots? |
| 00:50:04 |
Start walkin' |
| 00:50:16 |
Quite impressive. |
| 00:50:18 |
Thank you, Herr Doctor. |
| 00:50:20 |
I like to see girls |
| 00:50:29 |
By calibre, of course, |
| 00:50:31 |
I mean both the size |
| 00:50:34 |
and the high quality |
| 00:50:36 |
Its two meanings. |
| 00:50:37 |
Calibre... it's a homonym. |
| 00:50:42 |
Forget it. |
| 00:50:47 |
At ease, boys. |
| 00:50:51 |
Austin, I want to |
| 00:50:55 |
We're going to outfit |
| 00:50:57 |
It looks like a watch, |
| 00:50:58 |
but in fact |
| 00:50:59 |
it's a geosynchronous |
| 00:51:02 |
Very shagadelic. |
| 00:51:03 |
And then there's this. |
| 00:51:06 |
OK, let me guess. |
| 00:51:07 |
The floss is garrote wire, |
| 00:51:09 |
the toothpaste is |
| 00:51:12 |
and the toothbrush |
| 00:51:16 |
No, actually. |
| 00:51:17 |
Well, since you've been frozen, |
| 00:51:19 |
there have been fabulous advances |
| 00:51:21 |
in the field of dentistry. |
| 00:51:22 |
W-what do you mean? |
| 00:51:24 |
Nothing. |
| 00:51:25 |
Oh, look, here's Basil. |
| 00:51:28 |
Hello, Exposition. |
| 00:51:29 |
Austin. |
| 00:51:30 |
Let me bring you up to speed. |
| 00:51:32 |
Dr Evil has hijacked |
| 00:51:35 |
from Kreplachistan. |
| 00:51:36 |
Only two things scare me, |
| 00:51:38 |
and one is nuclear war. |
| 00:51:40 |
What's the other? |
| 00:51:42 |
Excuse me? |
| 00:51:43 |
What's the other thing |
| 00:51:45 |
Carnies. |
| 00:51:47 |
What? |
| 00:51:48 |
Circus folk. |
| 00:51:49 |
Nomads, you know. |
| 00:51:51 |
Smell like cabbage. |
| 00:51:53 |
Small hands. |
| 00:51:54 |
Oh... indeed. |
| 00:51:57 |
Perhaps these photographs are |
| 00:52:01 |
I've uncovered the details |
| 00:52:03 |
Oh, good God. An underground missile? |
| 00:52:06 |
Austin, where |
| 00:52:08 |
Austin did some |
| 00:52:10 |
at Alotta Fagina's penthouse. |
| 00:52:13 |
Our next move |
| 00:52:17 |
Any ideas? |
| 00:52:19 |
Yes - Virtucon runs a tour |
| 00:52:24 |
I thought perhaps we could |
| 00:52:27 |
and do some onsite |
| 00:52:29 |
Top drawer, Kensington. |
| 00:52:31 |
Oh, uh, Austin, |
| 00:52:35 |
This is my mother, |
| 00:52:36 |
Mrs Exposition. |
| 00:52:38 |
How do you do? |
| 00:52:41 |
Austin! |
| 00:52:43 |
My God, man, what have you done? |
| 00:52:45 |
That's not your mother. |
| 00:52:48 |
Get off! Get off! Come on! |
| 00:52:50 |
Why won't this wig come off?! |
| 00:52:54 |
Austin! |
| 00:52:55 |
Hold on one second. |
| 00:52:56 |
No, no. Unhand my mother! |
| 00:52:58 |
Oh... oh, Mother. |
| 00:53:00 |
Mother, are you all right? |
| 00:53:01 |
Austin, have you gone mad? |
| 00:53:04 |
No. |
| 00:53:05 |
You have a lot of |
| 00:53:08 |
I'm sorry, Basil. I thought she was a man. |
| 00:53:10 |
Damn it, man, |
| 00:53:13 |
You have to admit, |
| 00:53:15 |
Austin! |
| 00:53:16 |
No offence, but if |
| 00:53:18 |
it does look like she was |
| 00:53:22 |
Really, Austin. |
| 00:53:29 |
OK, give in to the |
| 00:53:33 |
and say the words. |
| 00:53:34 |
Come on. |
| 00:53:35 |
I love you, Dad. |
| 00:53:38 |
I love you, too, son. |
| 00:53:46 |
OK, group, |
| 00:53:48 |
we have some newcomers |
| 00:53:50 |
Say hello to Scott |
| 00:53:55 |
Evil, actually. |
| 00:54:00 |
Dr Evil. |
| 00:54:03 |
Hello, Dr Evil. Hello, Scott. |
| 00:54:06 |
Hello, everybody. |
| 00:54:08 |
So, Scott, why don't |
| 00:54:10 |
What brings you here |
| 00:54:13 |
Well, I just |
| 00:54:15 |
for the first time |
| 00:54:17 |
I was partially frozen |
| 00:54:19 |
That is beautiful |
| 00:54:21 |
that you can admit to that. |
| 00:54:23 |
He comes back and wants me to |
| 00:54:27 |
But, Scott, who's going to take |
| 00:54:31 |
Listen to the words he used - |
| 00:54:32 |
"Who's going to take over |
| 00:54:35 |
It feels like that to some |
| 00:54:40 |
So what DO |
| 00:54:42 |
I don't know. |
| 00:54:43 |
I was thinking I like animals. |
| 00:54:46 |
Maybe I'd be a vet. |
| 00:54:47 |
An evil vet? |
| 00:54:49 |
No. Maybe, like, |
| 00:54:51 |
An evil petting zoo? |
| 00:54:53 |
You always do that! |
| 00:54:57 |
I just think, like, he hates me. |
| 00:55:00 |
I really think |
| 00:55:02 |
Now, Scott, we don't want |
| 00:55:05 |
We might say |
| 00:55:07 |
but we really don't. |
| 00:55:10 |
Actually, the boy's quite astute. |
| 00:55:11 |
I really am |
| 00:55:14 |
but so far, unsuccessfully. |
| 00:55:16 |
He's quite wily |
| 00:55:20 |
This is what |
| 00:55:23 |
OK, well, we've heard |
| 00:55:26 |
Now, uh, you tell us |
| 00:55:30 |
The details of my life |
| 00:55:33 |
Oh, no, please, please. |
| 00:55:35 |
Let's hear about |
| 00:55:37 |
- Yeah. - Come on. |
| 00:55:41 |
Very well. |
| 00:55:43 |
Where do I begin? |
| 00:55:44 |
My father was a self-improving |
| 00:55:49 |
with low-grade narcolepsy |
| 00:55:53 |
My mother was a 15-year-old |
| 00:55:57 |
with webbed feet. |
| 00:55:59 |
My father would womanise, |
| 00:56:02 |
He would make outrageous claims |
| 00:56:04 |
like he invented |
| 00:56:06 |
Sometimes he would accuse |
| 00:56:10 |
the sort of general malaise |
| 00:56:13 |
that only the genius possess |
| 00:56:17 |
My childhood was typical. |
| 00:56:19 |
Summers in Rangoon, luge lessons. |
| 00:56:23 |
In the spring, |
| 00:56:26 |
When I was insolent, |
| 00:56:28 |
I was placed in a burlap bag |
| 00:56:31 |
Pretty standard, really. |
| 00:56:33 |
At the age of 12, |
| 00:56:36 |
At the age of 14, |
| 00:56:38 |
a Zoroastrian named Vilma |
| 00:56:42 |
There really is nothing |
| 00:56:45 |
It's breathtaking. |
| 00:56:48 |
You know, we have to stop. |
| 00:56:52 |
Austin, can I have |
| 00:56:54 |
Of course you may, love. |
| 00:56:57 |
Look, I know I'm being neurotic, |
| 00:57:00 |
but I can't shake off |
| 00:57:03 |
about that Italian secretary. |
| 00:57:04 |
You know, Miss Fagina. |
| 00:57:06 |
I don't want to sound paranoid, |
| 00:57:08 |
but I've had some bad |
| 00:57:11 |
and I have been known |
| 00:57:13 |
I'm sorry. |
| 00:57:14 |
No. Don't be sorry, baby. |
| 00:57:16 |
You're right to be suspicious. |
| 00:57:19 |
I shagged her. |
| 00:57:20 |
What? |
| 00:57:21 |
I shagged her rotten, baby, yeah! |
| 00:57:24 |
I don't believe you, Austin. |
| 00:57:28 |
Saucer of milk, table two. Meow! |
| 00:57:31 |
But did you use protection? |
| 00:57:32 |
Of course. I had my 9mm automatic. |
| 00:57:35 |
You know I meant |
| 00:57:38 |
Only sailors |
| 00:57:42 |
Not in the nineties, Austin. |
| 00:57:44 |
Well, they should, |
| 00:57:45 |
They go from port to port. |
| 00:57:47 |
Vanessa, don't have a thrombo. |
| 00:57:50 |
Alotta meant nothing to me. |
| 00:57:52 |
Well, it means something to me. |
| 00:57:54 |
Austin, if you want us |
| 00:57:57 |
you have to get it into your |
| 00:57:59 |
You can't just go off |
| 00:58:02 |
And if you could, I wouldn't |
| 00:58:05 |
Vanessa... |
| 00:58:08 |
You're everything to me. |
| 00:58:11 |
You just don't get it, do you? |
| 00:58:15 |
Good night, Austin. |
| 00:58:17 |
Welcome to the nineties. |
| 00:58:19 |
You're going to be very lonely. |
| 00:58:43 |
Hey. Check this guy out. |
| 00:58:47 |
Peace. Peace. |
| 00:58:49 |
Yeah. |
| 00:58:55 |
Jimi Hendrix... |
| 00:58:56 |
Deceased... |
| 00:58:58 |
Drugs. |
| 00:59:01 |
Janis Joplin. |
| 00:59:03 |
Deceased, alcohol. |
| 00:59:05 |
Mama Cass. |
| 00:59:06 |
Deceased, ham sandwich. |
| 00:59:37 |
Gee, that's great. |
| 00:59:38 |
Is the lighting halfway decent? |
| 00:59:40 |
They got the flag up now. |
| 00:59:41 |
You can see |
| 00:59:43 |
Beautiful. |
| 00:59:50 |
Good morning, Austin. |
| 00:59:52 |
You know, I sometimes forget |
| 00:59:54 |
you've missed out |
| 00:59:58 |
Fall of the Berlin Wall, |
| 01:00:00 |
the first female |
| 01:00:02 |
end of apartheid. |
| 01:00:04 |
Yeah, and I can't believe |
| 01:00:07 |
I mean, women loved him. |
| 01:00:09 |
I didn't see |
| 01:00:12 |
The tour is about to begin, |
| 01:00:14 |
so if you'll please |
| 01:00:16 |
Welcome to Virtucon, |
| 01:00:19 |
Virtucon is a leading |
| 01:00:21 |
you can find right |
| 01:00:24 |
Do you think she's |
| 01:00:26 |
Who? |
| 01:00:27 |
You know who. |
| 01:00:28 |
Oh, the Italian bird. |
| 01:00:30 |
No, baby. She's rancid. |
| 01:00:32 |
I think you're shagadelic, baby. |
| 01:00:35 |
You're switched on. You're smashing. |
| 01:00:37 |
We make steel, petroleum products, |
| 01:00:40 |
and volatile chemicals. |
| 01:00:41 |
But don't worry about |
| 01:00:45 |
She's the village bicycle. |
| 01:00:47 |
Everyone's had a ride. |
| 01:00:50 |
On your right, |
| 01:00:52 |
you'll notice a door |
| 01:00:55 |
Only authorised |
| 01:00:57 |
I'll take him. |
| 01:00:58 |
You take her. |
| 01:01:12 |
All right. |
| 01:01:15 |
Let's go. |
| 01:01:22 |
Oh, look, there's a guard. |
| 01:01:23 |
What are we going to do? |
| 01:01:24 |
We don't look anything like |
| 01:01:25 |
our photo badges. |
| 01:01:26 |
Don't worry, baby. |
| 01:01:28 |
I learned a mind-control |
| 01:01:30 |
during my travels to India. |
| 01:01:31 |
I learned it from my guru, |
| 01:01:33 |
the late guru Shastri, |
| 01:01:35 |
a chaste man who died |
| 01:01:37 |
that had all the hallmarks |
| 01:01:39 |
Watch me. |
| 01:01:41 |
Hi, folks. |
| 01:01:43 |
You're entering |
| 01:01:44 |
I'm going to have to see |
| 01:01:46 |
some identification, please. |
| 01:01:46 |
Sure. |
| 01:01:51 |
There seems to be |
| 01:01:54 |
Everything seems |
| 01:01:59 |
Everything seems to be in order. |
| 01:02:03 |
That's fantastic. Let's go. |
| 01:02:05 |
I'm going to go |
| 01:02:08 |
and get you |
| 01:02:12 |
I'm going to go |
| 01:02:15 |
and get you some orange sherbet. |
| 01:02:17 |
Austin, let's go. |
| 01:02:19 |
Here, have a piece of gum. |
| 01:02:23 |
Here, have a piece of gum. |
| 01:02:26 |
Don't mind if I do. |
| 01:02:28 |
OK, Austin, let's go now. |
| 01:02:32 |
It's Bolton. We've got a problem. |
| 01:02:37 |
Intruders in the complex. |
| 01:02:39 |
Watch out. |
| 01:02:40 |
Halt. Here he is. This way. |
| 01:02:44 |
Judo chop! |
| 01:02:48 |
They're coming! |
| 01:02:50 |
Hang on. I'm going to floor it. |
| 01:02:52 |
Watch out. Move! |
| 01:02:53 |
Move! Move! |
| 01:02:57 |
Careful, Austin. |
| 01:02:59 |
Nooooo! |
| 01:03:03 |
Watch out! |
| 01:03:04 |
Watch out! |
| 01:03:08 |
Watch out! |
| 01:03:25 |
Hello? |
| 01:03:26 |
Yes, this is Mrs Harwin. |
| 01:03:29 |
Yes, my husband is a henchman |
| 01:03:32 |
in Dr Evil's private army. |
| 01:03:33 |
What? |
| 01:03:34 |
Oh, my God. |
| 01:03:37 |
Thanks for calling. |
| 01:03:42 |
Hi, Mom! |
| 01:03:44 |
Sit down, Billy. |
| 01:03:45 |
I've got some bad news. |
| 01:03:48 |
Your stepfather was |
| 01:03:51 |
But, Mom, since Dad left, |
| 01:03:53 |
Steve's been |
| 01:03:59 |
People never think |
| 01:04:01 |
the family of a henchman. |
| 01:04:06 |
Oh! Thank goodness |
| 01:04:08 |
All right. Stay very cool, baby. |
| 01:04:36 |
Mr Powers, welcome |
| 01:04:41 |
You're just in time. |
| 01:04:44 |
Enjoy the show. |
| 01:04:52 |
Gentlemen, I give you the Vulcan... |
| 01:04:56 |
The world's most powerful |
| 01:04:59 |
Does that make you horny? |
| 01:05:01 |
Not now, Austin. |
| 01:05:03 |
So powerful it can penetrate |
| 01:05:06 |
delivering a 50-kiloton |
| 01:05:08 |
deep into the liquid |
| 01:05:11 |
Upon detonation, every volcano |
| 01:05:19 |
It seems we have no choice |
| 01:05:21 |
but to pay your ransom. |
| 01:05:23 |
You have my instructions. Bye-bye. |
| 01:05:28 |
Check it out, Butthead. |
| 01:05:30 |
This chick has three boobs. |
| 01:05:33 |
How many butts does she have? |
| 01:05:42 |
Do you like your |
| 01:05:45 |
I designed them myself. |
| 01:06:03 |
Scott! Scott, my boy, how are you? |
| 01:06:06 |
How was your day? |
| 01:06:08 |
Well, my friend sweet Jay |
| 01:06:09 |
took me to that video arcade |
| 01:06:11 |
And they don't |
| 01:06:12 |
so Jay got into a fight, and |
| 01:06:15 |
'cause I don't speak French,", |
| 01:06:17 |
And then the guy says |
| 01:06:19 |
and I'm like, "Just back off." |
| 01:06:20 |
And they're all, "Get out." |
| 01:06:22 |
And we're like, "Make me." |
| 01:06:23 |
It was cool. |
| 01:06:25 |
Fascinating. |
| 01:06:27 |
What are your plans |
| 01:06:29 |
I thought I'd stay in. |
| 01:06:31 |
There's a good tittie movie |
| 01:06:32 |
And that's how you'd like |
| 01:06:36 |
Yeah. |
| 01:06:38 |
Pretty much, right. |
| 01:06:39 |
What? |
| 01:06:47 |
Scott, I want you to meet |
| 01:06:51 |
Austin Powers. |
| 01:06:54 |
You're feeding him? |
| 01:06:57 |
No, Scott. |
| 01:07:00 |
I'm going to place him |
| 01:07:04 |
involving an overly |
| 01:07:08 |
Why don't |
| 01:07:10 |
I mean, I'll go get a gun. |
| 01:07:12 |
It'll be fun. Bang! Dead. Done. |
| 01:07:14 |
One more peep out of you |
| 01:07:17 |
and I am not joking. |
| 01:07:21 |
All right. Let's begin. |
| 01:07:23 |
Dr Evil, do you really |
| 01:07:27 |
No, Mr Powers. |
| 01:07:30 |
I expect them to die. |
| 01:07:33 |
Even after they pay me |
| 01:07:36 |
I'm still going to melt every |
| 01:07:43 |
Release the sharks! |
| 01:07:44 |
Mr Powers, you'll notice |
| 01:07:47 |
have laser beams |
| 01:07:49 |
I figure every creature |
| 01:07:54 |
Ahem. Dr Evil, it's about the sharks. |
| 01:07:58 |
When you were frozen, |
| 01:08:00 |
they were put |
| 01:08:02 |
We tried to get some, |
| 01:08:04 |
but it would've taken months |
| 01:08:07 |
You know, I have |
| 01:08:11 |
and that is to have sharks |
| 01:08:14 |
with frickin' laser beams |
| 01:08:17 |
Now, evidently |
| 01:08:20 |
informs me |
| 01:08:22 |
Can you remind me |
| 01:08:25 |
Honestly, throw me a bone here. |
| 01:08:27 |
What do we have? |
| 01:08:29 |
Sea bass. |
| 01:08:35 |
Right. |
| 01:08:37 |
They are mutated sea bass. |
| 01:08:40 |
Really? Are they ill-tempered? |
| 01:08:43 |
Absolutely. |
| 01:08:44 |
That's a start, you know. |
| 01:08:46 |
Guard, begin the unnecessarily |
| 01:08:53 |
Close the tank! |
| 01:08:55 |
A-aren't you even |
| 01:08:58 |
They could get away. |
| 01:09:00 |
No, no, no. I'm going |
| 01:09:03 |
and not actually |
| 01:09:05 |
I'm just going to assume |
| 01:09:07 |
I have a gun in my room. |
| 01:09:09 |
You give me five seconds, |
| 01:09:11 |
I'll come back |
| 01:09:13 |
I'll blow their brains out. |
| 01:09:14 |
Scott. |
| 01:09:16 |
You just don't get it, do you? |
| 01:09:19 |
You don't. |
| 01:09:22 |
It's no hassle. |
| 01:09:24 |
Shh. |
| 01:09:25 |
- But... - Ssh. |
| 01:09:26 |
- All I'm say... - Shh! |
| 01:09:28 |
- They're gonna get... - Shh! |
| 01:09:30 |
- I... - Shh! |
| 01:09:31 |
- I'm... - Shh! |
| 01:09:32 |
- Would... - Shh! |
| 01:09:33 |
- Knock knock. - Who's there? |
| 01:09:34 |
Shh! |
| 01:09:36 |
- Look... - Shh. |
| 01:09:37 |
Let me tell you a little story |
| 01:09:39 |
about a man named... Shh! |
| 01:09:40 |
Shh! Even before you start, |
| 01:09:42 |
That was a pre-emptive shh! |
| 01:09:44 |
Know that I have a whole bag |
| 01:09:53 |
What's your plan? |
| 01:09:55 |
First, I plan to soil myself. |
| 01:09:58 |
Then I'm going to regroup |
| 01:10:01 |
Any thoughts? |
| 01:10:03 |
Wait a minute... |
| 01:10:04 |
I always have this with me, |
| 01:10:08 |
OK. I get it. |
| 01:10:09 |
I have bad teeth. |
| 01:10:11 |
No, Austin. The floss is to |
| 01:10:17 |
All right. Hold on. |
| 01:10:21 |
Got it. OK. |
| 01:10:22 |
Toothpaste. |
| 01:10:23 |
Hello. |
| 01:10:29 |
Judo chop! |
| 01:10:32 |
Hang on! |
| 01:10:43 |
Judo trip. |
| 01:10:46 |
No! |
| 01:10:59 |
Not a good time |
| 01:11:02 |
Indeed. |
| 01:11:05 |
That's not the way |
| 01:11:07 |
No. |
| 01:11:10 |
It's a shame he wasn't |
| 01:11:14 |
He'll never be the head |
| 01:11:17 |
- OK. That'll do. - OK. |
| 01:11:27 |
I mean, guys, come on. |
| 01:11:30 |
Can you believe John Smith |
| 01:11:32 |
is getting married tomorrow? |
| 01:11:34 |
I can't. |
| 01:11:35 |
Where is Smitty, anyway? |
| 01:11:36 |
It's not like him |
| 01:11:38 |
especially his own stag party. |
| 01:11:39 |
Well, you know he works |
| 01:11:40 |
as a henchman for Dr Evil. |
| 01:11:41 |
Sometimes they work late. |
| 01:11:44 |
You know, can I |
| 01:11:46 |
that may sound |
| 01:11:49 |
I think it is such a tribute |
| 01:11:51 |
to our buddy, John Smith, |
| 01:11:53 |
that so many of his friends |
| 01:11:55 |
showed up to honour him today. |
| 01:11:57 |
There's a lot of love |
| 01:11:58 |
- Hear, hear. - Hear, hear. |
| 01:12:03 |
Hi. |
| 01:12:04 |
I have a phone call |
| 01:12:07 |
Oh. I'll get it. |
| 01:12:12 |
He's dead? |
| 01:12:15 |
Decapitated by an ill-tempered |
| 01:12:21 |
Yes. |
| 01:12:23 |
OK. |
| 01:12:25 |
What's wrong? |
| 01:12:26 |
What happened? Was that John? |
| 01:12:28 |
Is he coming late? |
| 01:12:32 |
John Smith won't be coming. |
| 01:12:33 |
Why not? |
| 01:12:35 |
He was decapitated by an |
| 01:12:38 |
Oh, my God. |
| 01:12:40 |
Are you kidding me? |
| 01:12:42 |
To Smitty. |
| 01:12:44 |
- To Smitty. - To Smitty. |
| 01:12:50 |
Oh, no! What are we gonna do? |
| 01:12:52 |
Oh, look. There's an |
| 01:12:54 |
I'm gonna stay here |
| 01:12:56 |
OK. I'll hurry back. |
| 01:13:01 |
Listen, Vanessa. |
| 01:13:04 |
Whatever happens, I want you to know |
| 01:13:07 |
that I feel really bad |
| 01:13:13 |
What I'm trying to say is... |
| 01:13:15 |
that if you want me |
| 01:13:19 |
well, that's just groovy, baby. |
| 01:13:21 |
Behave. |
| 01:14:01 |
Come, everyone. |
| 01:14:02 |
Let us repair |
| 01:14:06 |
Project Vulcan |
| 01:14:12 |
Scott, don't you want to see |
| 01:14:15 |
Blow me. |
| 01:14:16 |
Excuse me. |
| 01:14:18 |
Show me. |
| 01:14:20 |
OK. |
| 01:14:33 |
Position the Vulcan. |
| 01:14:50 |
Bring in the warhead. |
| 01:15:21 |
Hello, hello. |
| 01:15:23 |
Hello, Mr Powers. |
| 01:15:24 |
- Hello, Mr Powers. |
| 01:15:26 |
Care to have a little fun? |
| 01:15:28 |
Care to have a little fun? |
| 01:15:29 |
No, actually, I, uh... |
| 01:15:31 |
I have to save the world. |
| 01:15:43 |
Is it cold in here? |
| 01:16:02 |
Arm the probe. |
| 01:16:18 |
Yeah... |
| 01:16:20 |
Yeah... |
| 01:16:21 |
No, I've got to get Dr Evil! |
| 01:16:24 |
I've got to get Dr Evil. |
| 01:16:27 |
No, no. Um, baseball, |
| 01:16:30 |
Baseball. Cold showers. |
| 01:16:31 |
Give it up, Mr Powers. |
| 01:16:33 |
Margaret Thatcher naked |
| 01:16:36 |
Margaret Thatcher naked |
| 01:16:38 |
Positions! |
| 01:16:39 |
Gentlemen. |
| 01:16:45 |
Let's lock and load. |
| 01:16:47 |
Right, lads. |
| 01:16:49 |
Don't go. |
| 01:16:51 |
- Stay with us. - Don't go. |
| 01:16:53 |
Please don't go. |
| 01:16:54 |
You can't resist us, Mr Powers. |
| 01:16:56 |
You can't resist us, Mr Powers. |
| 01:16:59 |
Au contraire, baby. |
| 01:17:01 |
I think you can't resist me. |
| 01:17:04 |
You're the one |
| 01:17:06 |
Who makes me come runnin' |
| 01:17:08 |
You're the sun |
| 01:17:13 |
When you're around, |
| 01:17:17 |
I want to make you mine |
| 01:17:21 |
I close my eyes |
| 01:17:23 |
And see you before me |
| 01:17:25 |
I think I would die |
| 01:17:28 |
If you were to ignore me |
| 01:17:30 |
Have a look-see |
| 01:17:31 |
Just how much I adore you |
| 01:17:35 |
I'd get down on my knees |
| 01:17:36 |
I'd do anything for you. |
| 01:17:39 |
I don't want anybody else |
| 01:17:44 |
When I think about you, |
| 01:17:48 |
Ah-ah-ah, I don't want |
| 01:17:52 |
Oh, no, oh, no, oh, no |
| 01:17:57 |
I want you. |
| 01:17:58 |
I don't want anybody else. |
| 01:18:01 |
When I think about you, |
| 01:18:03 |
I touch myself. |
| 01:18:05 |
Ooh. |
| 01:18:07 |
I |
| 01:18:10 |
I don't want anybody else |
| 01:18:14 |
When I think about you, |
| 01:18:18 |
Ah-ah-ah, I don't want |
| 01:18:23 |
When I think about you, |
| 01:18:27 |
I touch myself |
| 01:18:29 |
Austin? |
| 01:18:30 |
Vanessa! |
| 01:18:31 |
Uh, it's not what it seems. |
| 01:18:36 |
At ease, boys. |
| 01:18:38 |
Likewise. |
| 01:18:40 |
Vanessa, I can explain. |
| 01:18:42 |
What happened was I broke in |
| 01:18:45 |
Then all of a sudden, |
| 01:18:47 |
and smoke came |
| 01:18:49 |
So I thought I'd work my mojo, |
| 01:18:53 |
We got cross-mojonations, and |
| 01:18:55 |
You know, that thing, and I |
| 01:18:59 |
and then... |
| 01:19:01 |
OK, Austin, I believe you. |
| 01:19:03 |
Now, get dressed. |
| 01:19:04 |
Smashing, baby. |
| 01:19:07 |
Onward, boys. |
| 01:19:13 |
Launching |
| 01:19:20 |
Begin initial |
| 01:19:26 |
Subterranean nuclear detonation |
| 01:19:41 |
Watch out! |
| 01:19:47 |
There's a man who leads |
| 01:19:48 |
Right front! |
| 01:19:49 |
A life of danger |
| 01:19:51 |
Detonation |
| 01:19:52 |
To everyone he meets, |
| 01:19:58 |
Every move he makes |
| 01:20:01 |
Another chance he takes |
| 01:20:04 |
Oh, I tripped! |
| 01:20:08 |
Open the frickin' door! |
| 01:20:10 |
Secret agent man, |
| 01:20:13 |
Probe destruction |
| 01:20:16 |
They've given you a number |
| 01:20:23 |
Six... |
| 01:20:25 |
Five... |
| 01:20:26 |
Four... |
| 01:20:27 |
Three... |
| 01:20:29 |
Two... |
| 01:20:30 |
One... |
| 01:20:32 |
Nooooo! |
| 01:20:39 |
Abort. Abort. Abort. |
| 01:20:47 |
Now to Dr Evil. |
| 01:20:50 |
Din-din. |
| 01:20:52 |
I want chicken, I want liver |
| 01:20:55 |
Meow mix, meow mix, please deliver |
| 01:20:59 |
I've got you now, Dr Evil. |
| 01:21:02 |
Well done, Mr Powers. |
| 01:21:05 |
We're not so different, you and I. |
| 01:21:09 |
However, isn't it ironic |
| 01:21:12 |
that the very things |
| 01:21:15 |
free love, swinging parties - |
| 01:21:19 |
are all now in the nineties |
| 01:21:22 |
considered to be... |
| 01:21:25 |
evil? |
| 01:21:26 |
No, man. |
| 01:21:28 |
What we swingers |
| 01:21:30 |
is uptight squares like you |
| 01:21:32 |
whose bag was money |
| 01:21:35 |
We were innocent, man. |
| 01:21:37 |
If we'd known the consequences |
| 01:21:40 |
we would have done things |
| 01:21:42 |
but the spirit |
| 01:21:45 |
It's freedom, baby. |
| 01:21:46 |
Yeah! |
| 01:21:47 |
Face it. |
| 01:21:49 |
Freedom failed. |
| 01:21:51 |
No, man, freedom didn't fail. |
| 01:21:53 |
Right now we've got freedom |
| 01:21:57 |
It's a very groovy time. |
| 01:21:59 |
There's nothing more |
| 01:22:03 |
All right, baldy. Shut your cakehole. |
| 01:22:06 |
Come on. Let's go. On your bike. |
| 01:22:08 |
Not so fast. |
| 01:22:11 |
It seems the tables |
| 01:22:14 |
Go ahead, Austin. |
| 01:22:17 |
Hey, I can take my Sega, right, Dad? |
| 01:22:20 |
It seems the tables |
| 01:22:23 |
Not really. Kill the little |
| 01:22:26 |
But, Dad, we just had |
| 01:22:29 |
I had the group liquidated, |
| 01:22:31 |
They were insolent. |
| 01:22:33 |
I hate you! I hate you! |
| 01:22:35 |
I wish I was never |
| 01:22:38 |
Scott, that hurts Daddy |
| 01:22:41 |
Ah, Number Two. Your |
| 01:22:46 |
Go ahead. Take Mr Powers away. |
| 01:22:48 |
No. |
| 01:22:50 |
What? |
| 01:22:52 |
Dr Evil, I've spent |
| 01:22:55 |
turning this two-bit evil empire |
| 01:22:58 |
into a world-class |
| 01:23:01 |
I was going to have |
| 01:23:03 |
But, you, like an idiot, |
| 01:23:07 |
And you don't realise |
| 01:23:10 |
It's only corporations. |
| 01:23:12 |
Silence, Number Two! |
| 01:23:13 |
No! |
| 01:23:14 |
I've had enough |
| 01:23:20 |
Mr Powers... |
| 01:23:22 |
I have a business proposition |
| 01:23:24 |
you might find |
| 01:23:27 |
All right. I've had enough. |
| 01:23:34 |
Judo chop! |
| 01:23:38 |
The complex |
| 01:23:46 |
Let's split! Let's go! |
| 01:23:50 |
This place is gonna blow! |
| 01:24:02 |
I brought you |
| 01:24:04 |
Thank you. |
| 01:24:10 |
The complex |
| 01:24:14 |
Come on. Let's go. |
| 01:24:19 |
The complex |
| 01:24:22 |
This way, Austin. |
| 01:24:23 |
Come on, baby! It's gonna blow! |
| 01:24:25 |
Let's go. Move it! |
| 01:25:00 |
Yeah. Mmm. |
| 01:25:05 |
I love you, Mr Powers. |
| 01:25:07 |
And I love you, Mrs Powers. |
| 01:25:14 |
Oh, that'll be |
| 01:25:15 |
Ignore it, Austin. Come back to bed. |
| 01:25:18 |
Duty calls, baby. |
| 01:25:24 |
Hello, Austin. |
| 01:25:25 |
Oh, I hope I'm not interrupting |
| 01:25:29 |
No, not at all, Basil. |
| 01:25:31 |
Did you get that |
| 01:25:34 |
Yes, we did, Basil, |
| 01:25:36 |
I'm gonna have to |
| 01:25:39 |
Oh, don't forget these. |
| 01:25:41 |
Oh, thanks. |
| 01:25:42 |
There you go. |
| 01:25:43 |
Did you get my other gift? |
| 01:25:45 |
We did. |
| 01:25:46 |
Yes, Basil, nice rack. |
| 01:25:50 |
But who in the world |
| 01:25:51 |
gave us this drawing? |
| 01:25:53 |
It's bizarre. |
| 01:25:54 |
As you know, Dr Evil |
| 01:25:58 |
which has disappeared |
| 01:26:01 |
Oh, dear, hold on. Coffee? |
| 01:26:03 |
Oh, yes, please. |
| 01:26:04 |
OK. Thank you. |
| 01:26:05 |
Oh, and Vanessa, by the way, |
| 01:26:07 |
you have been made |
| 01:26:10 |
Oh, that's fantastic, Basil! Thanks. |
| 01:26:12 |
Milk? |
| 01:26:13 |
Oh, yes, please. |
| 01:26:15 |
And, Austin, her Majesty the Queen |
| 01:26:17 |
informs me you are |
| 01:26:19 |
Very shagadelic! |
| 01:26:21 |
Well, the best of luck |
| 01:26:24 |
I can't believe that |
| 01:26:27 |
Oh, what a lovely pair. |
| 01:26:29 |
Thanks, Basil. |
| 01:26:30 |
I think I'll like |
| 01:26:33 |
Bye-bye. |
| 01:26:34 |
Good-bye. |
| 01:26:35 |
You know, Vanessa, |
| 01:26:37 |
I'll never forget |
| 01:26:40 |
You were so |
| 01:26:44 |
So incredibly sexy... |
| 01:26:47 |
I knew I had to have you. |
| 01:26:50 |
Right then and there. |
| 01:26:54 |
Did you feel the same way? |
| 01:26:57 |
Actually, I couldn't stop |
| 01:27:03 |
Oh, I ordered |
| 01:27:05 |
Oh, lovely, Austin. |
| 01:27:07 |
Right over |
| 01:27:09 |
Let's go out |
| 01:27:10 |
It's a beautiful night. |
| 01:27:11 |
We can look at the stars. |
| 01:27:13 |
Smashing idea, baby, yeah. |
| 01:27:15 |
Yes? |
| 01:27:16 |
Yeah. |
| 01:27:19 |
Oh...! Look out! |
| 01:27:24 |
That really hurt! |
| 01:27:26 |
I'm going to have a lump there, |
| 01:27:28 |
Who throws a shoe? Honestly. |
| 01:27:33 |
You fight like a woman. |
| 01:27:55 |
Austin. |
| 01:27:57 |
Honestly, it's not mine. |
| 01:28:00 |
No, use it. |
| 01:28:19 |
Smashing! |
| 01:28:30 |
Look how beautiful |
| 01:28:32 |
Hey, isn't that the big dipper? |
| 01:28:35 |
Yeah, and that looks |
| 01:28:38 |
Austin. |
| 01:28:39 |
Well, you know. |
| 01:28:41 |
Hey, I've never seen |
| 01:28:43 |
Yeah. What is that? |
| 01:28:47 |
Good God. |
| 01:28:53 |
I'm gonna get you, Austin Powers. |
| 01:28:57 |
It's frickin' freezing |
| 01:29:08 |
Austin Powers |
| 01:29:09 |
He's the man for you |
| 01:29:20 |
Austin |
| 01:29:22 |
Powers |
| 01:29:30 |
Darling, you look fabulous. |
| 01:29:32 |
OK, baby. |
| 01:29:33 |
All right. |
| 01:29:34 |
There we go. |
| 01:29:35 |
Look at that face. Show me. Come on. |
| 01:29:37 |
There. Bit of hair, bit of hair. |
| 01:29:39 |
Smashing. OK. |
| 01:29:41 |
It's coming around now. |
| 01:29:44 |
Yes. Great. Yes. Yes. |
| 01:29:46 |
Yes. No! No! |
| 01:29:48 |
No, it's not working! |
| 01:29:49 |
Go change. There you go. |
| 01:29:51 |
Can you change her? |
| 01:29:53 |
Very good. |
| 01:29:54 |
Very good. |
| 01:29:56 |
And right here. |
| 01:29:57 |
Right here. Looking right there. |
| 01:29:59 |
I'm not even looking. |
| 01:30:01 |
Oh, you're working. |
| 01:30:03 |
You got your mojo working |
| 01:30:06 |
Look. I'm not even shooting it. |
| 01:30:08 |
Smashing. |
| 01:30:09 |
Come on. Can I get a smile? |
| 01:30:12 |
OK, come on. |
| 01:30:13 |
Come on, you boys. |
| 01:30:17 |
OK, good. Lovin' it. |
| 01:30:19 |
Let's make a Vanessa sandwich. |
| 01:30:21 |
The winged horn, the winged horn. |
| 01:30:22 |
Come on, Austin. |
| 01:30:25 |
Oh, behave. |
| 01:30:27 |
OK, you're an animal! |
| 01:30:29 |
An animal! |
| 01:30:30 |
Yes. |
| 01:30:34 |
Yes! That's it. |
| 01:30:36 |
Yeah. Yeah. Yeah, yeah! |
| 01:30:38 |
Just the top of the hair. |
| 01:30:40 |
Bore and shoot. |
| 01:30:42 |
Again. Try it one more time. |
| 01:30:43 |
And, um, bore and shoot. |
| 01:30:45 |
That's it. Yeah. |
| 01:30:47 |
Let's go. Come on. Come on. |
| 01:30:48 |
Come on! |
| 01:30:50 |
Ignore this. Ignore this. |
| 01:30:52 |
Ignore me doing this. |
| 01:30:57 |
Fabulous, darling. |
| 01:31:03 |
Go! Go! Go! |
| 01:31:10 |
Lord. Lord. |
| 01:31:15 |
Show me the eye. |
| 01:31:17 |
Yes. Yes. |
| 01:31:19 |
Yes. No! No! No! |
| 01:31:21 |
Never get up. Oh, spit! |
| 01:31:24 |
What say we go out on the town |
| 01:31:27 |
and swing, baby? Yeah. |
| 01:31:36 |
Missis |
| 01:31:39 |
Will ya |
| 01:31:41 |
Make me tea? |
| 01:31:44 |
Make love to me |
| 01:31:47 |
Put on the telly |
| 01:31:50 |
To the BBC |
| 01:31:53 |
To the BBC, yeah, yeah, yeah |
| 01:31:56 |
BBC One |
| 01:31:57 |
BBC Two |
| 01:31:59 |
BBC Three |
| 01:32:00 |
BBC Four |
| 01:32:01 |
BBC Five |
| 01:32:03 |
BBC Six |
| 01:32:04 |
BBC Seven |
| 01:32:06 |
BBC heaven |
| 01:32:08 |
Missis |
| 01:32:11 |
Will ya |
| 01:32:13 |
Make me tea? |
| 01:32:16 |
Make love to me |
| 01:32:19 |
Put on the telly |
| 01:32:22 |
To the BBC |
| 01:32:24 |
To the BBC, yeah, yeah, yeah |
| 01:32:28 |
BBC One |
| 01:32:30 |
BBC Two |
| 01:32:31 |
BBC Three |
| 01:32:32 |
BBC Four |
| 01:32:33 |
BBC Five |
| 01:32:35 |
BBC Six |
| 01:32:36 |
BBC Seven |
| 01:32:37 |
BBC heaven |
| 01:33:02 |
Missis |
| 01:33:05 |
Will ya |
| 01:33:08 |
Make me tea? |
| 01:33:11 |
Make love to me |
| 01:33:13 |
Put on the telly |
| 01:33:16 |
To the BBC |
| 01:33:19 |
To the BBC, yeah, yeah, yeah |
| 01:33:22 |
BBC One |
| 01:33:23 |
BBC Two |
| 01:33:25 |
BBC Three |
| 01:33:26 |
BBC Four |
| 01:33:28 |
BBC Five |
| 01:33:29 |
BBC Six |
| 01:33:30 |
BBC Seven |
| 01:33:32 |
BBC heaven |
| 01:33:34 |
BBC peace |
