|
Somewhere In Time
|
| 00:01:01 |
Richard say, Kudos. |
| 00:01:03 |
Wow, that was... You found some |
| 00:01:06 |
- Yeah? |
| 00:01:08 |
He suffers from |
| 00:01:11 |
It's about whatever |
| 00:01:12 |
- Richard, we loved the play. |
| 00:01:16 |
- You could understand it? |
| 00:01:17 |
I'll talk to you later. |
| 00:01:24 |
You aced it. |
| 00:01:26 |
This is, uh... I'm sorry. |
| 00:01:29 |
Pam? This is Shelley, |
| 00:01:30 |
Hi. How are you? I'm |
| 00:01:32 |
So we'll talk to you |
| 00:01:36 |
Oh, boy. Look at... |
| 00:01:39 |
Kudos. That was a fine, |
| 00:01:44 |
- I'm afraid I don't know... |
| 00:01:46 |
Hey, Shelley, I gotta go |
| 00:01:52 |
- What is happening? |
| 00:01:55 |
Hey. Shelley! Oh, thank you. |
| 00:01:59 |
What happened here? |
| 00:02:00 |
- Oh yeah, everybody signed. |
| 00:02:04 |
- Where'd you sign this? |
| 00:02:06 |
Good, I got some news. |
| 00:02:08 |
There was an agent in the |
| 00:02:11 |
...he thinks this play might be |
| 00:02:14 |
Yeah. I know. |
| 00:02:16 |
- Let's keep our fingers crossed. |
| 00:02:22 |
Penelope, great! |
| 00:02:24 |
Okay. Now, I think this thing |
| 00:02:29 |
Here you go. |
| 00:02:32 |
I think we shouldn't cut the mask. |
| 00:02:46 |
Come back to me. |
| 00:02:59 |
Who was she? |
| 00:03:01 |
- I never saw her in my life! |
| 00:03:04 |
- Oh, my God! |
| 00:03:08 |
Is this a party, or what? |
| 00:03:52 |
How was the play? |
| 00:03:57 |
Are you all right? |
| 00:06:52 |
- Aha! |
| 00:06:53 |
- Aha, where ya goin'? |
| 00:06:56 |
- Where? |
| 00:06:58 |
- What about the play? |
| 00:07:02 |
- Okay. When will it be done? |
| 00:07:06 |
Oh, my God! Richard, there are |
| 00:07:13 |
- Shell going with you? |
| 00:07:16 |
We broke up. |
| 00:07:30 |
The White Sox are |
| 00:07:31 |
...for a Comiskey Park |
| 00:07:33 |
The Cubs are just beginning |
| 00:08:41 |
- How long will you be with us? |
| 00:08:43 |
Fine. If you'll |
| 00:08:45 |
Sure. |
| 00:08:52 |
Arthur, 313, please. |
| 00:08:55 |
- Have a pleasant stay. |
| 00:08:56 |
Thank you. |
| 00:08:58 |
Uh, is this your first |
| 00:09:00 |
Collier. Yeah. For some reason, I |
| 00:09:05 |
- I always heard how nice it was though. |
| 00:09:07 |
Oh, about eight years ago. See, I used |
| 00:09:10 |
Yeah. The students come here now |
| 00:09:15 |
...and the rooms. |
| 00:09:17 |
It seems to me, I remember they |
| 00:09:20 |
...back in... '47, was it? |
| 00:09:24 |
Oh, really? You been |
| 00:09:26 |
I've been here |
| 00:09:28 |
- 1910? |
| 00:09:30 |
Came here with my parents |
| 00:09:32 |
My father was a desk clerk. |
| 00:09:34 |
I used to drive him crazy |
| 00:09:38 |
He got so mad at me sometimes, |
| 00:09:41 |
Three, George. |
| 00:09:46 |
Got yourself a |
| 00:09:51 |
Oh, great. |
| 00:09:55 |
Okay, let's see now. |
| 00:09:58 |
- Here you go. |
| 00:10:00 |
If there's anything I can do |
| 00:10:02 |
My name's Arthur, and I live in |
| 00:10:05 |
Okay. Thanks a lot. |
| 00:10:10 |
Have we ever met before? |
| 00:10:14 |
- Have we ever me... |
| 00:10:18 |
No. No, I'm sure we haven't. |
| 00:10:46 |
- Sir? |
| 00:10:48 |
- In about 40 minutes, sir. |
| 00:10:52 |
Yes, sir. |
| 00:13:36 |
Arthur! Hi. |
| 00:13:38 |
Yes, Mr. Collier? |
| 00:13:40 |
Arthur, you know, in |
| 00:13:42 |
...there's a photograph. |
| 00:13:44 |
- There's no nameplate. |
| 00:13:48 |
She was a famous |
| 00:13:51 |
Starred in a play in |
| 00:13:53 |
I-I'm sorry. D-Did you say |
| 00:13:57 |
Down by the lake. |
| 00:13:58 |
Really? When was |
| 00:14:02 |
Oh... 1912. |
| 00:14:09 |
1912? |
| 00:15:35 |
Hey, Arthur! |
| 00:15:37 |
Arthur, hi. Listen. |
| 00:15:38 |
Could you take my luggage and put it |
| 00:15:41 |
And can you tell me where |
| 00:15:43 |
In town, right |
| 00:15:45 |
Great. Look out. |
| 00:15:49 |
Thanks a lot! |
| 00:15:52 |
See you around, Arthur! |
| 00:15:59 |
Yeah. |
| 00:16:05 |
Yes! |
| 00:16:09 |
Oh, my God. |
| 00:16:12 |
"One of the most revered |
| 00:16:15 |
...for many years, she was the |
| 00:16:25 |
"Under the guidance of her manager, |
| 00:16:27 |
...Elise McKenna was the first American actress |
| 00:16:34 |
"Never seen in public |
| 00:16:37 |
...apparently, without |
| 00:16:38 |
...the absolute |
| 00:16:42 |
Excuse me. Do you have |
| 00:16:45 |
...that aren't in the racks under |
| 00:16:48 |
Well, we do have |
| 00:16:49 |
...but they're in the back, and |
| 00:16:51 |
Oh. Could you do |
| 00:16:55 |
- Well, all right. |
| 00:16:59 |
- Okay. |
| 00:17:04 |
Here you are. |
| 00:17:06 |
Oh. Thank you, |
| 00:18:22 |
- Yes? |
| 00:18:24 |
- Yes. |
| 00:18:27 |
...I just read your book on |
| 00:18:29 |
...and I really |
| 00:18:31 |
What is it you want? |
| 00:18:32 |
Information about |
| 00:18:36 |
What sort of |
| 00:18:39 |
Well, I'm a playwright, and I was thinking |
| 00:18:41 |
...and, of course, I'd have to talk... |
| 00:18:43 |
Ma'am, please! |
| 00:18:44 |
Please, don't. |
| 00:18:51 |
This is not for a |
| 00:18:54 |
This is something |
| 00:18:58 |
I don't understand. |
| 00:19:06 |
Where did you get that? |
| 00:19:09 |
She gave it to me, ma'am. |
| 00:19:11 |
At the opening night |
| 00:19:12 |
...at Millfield College |
| 00:19:16 |
That watch was |
| 00:19:19 |
She never... never left it |
| 00:19:23 |
It disappeared |
| 00:19:26 |
She died that night? |
| 00:19:31 |
Won't you come |
| 00:19:35 |
Thank you. |
| 00:19:38 |
I have some things I've been |
| 00:19:55 |
That was a costume from |
| 00:19:59 |
Miss Roberts... |
| 00:20:01 |
...what was she like? |
| 00:20:04 |
When I knew her, she was |
| 00:20:10 |
...she was just too much |
| 00:20:12 |
...she seemed |
| 00:20:15 |
Well, she wasn't always |
| 00:20:17 |
Oh, no. Not at all. |
| 00:20:19 |
People who knew her |
| 00:20:21 |
...said that she was quick |
| 00:20:24 |
Strong, willful. Not at all |
| 00:20:29 |
- What made her change? |
| 00:20:31 |
...the change seems to have |
| 00:20:35 |
After she performed in a |
| 00:20:43 |
That was her manager, |
| 00:20:47 |
Was he really as strange as you |
| 00:20:51 |
There was something strange |
| 00:20:58 |
Oh, wow, look |
| 00:21:01 |
- May I? |
| 00:21:03 |
This is incredible. |
| 00:21:04 |
This guy, Finney, he was my |
| 00:21:08 |
- Really? |
| 00:21:11 |
She read that book |
| 00:21:22 |
She had that made. |
| 00:21:51 |
What is it? |
| 00:21:54 |
That's my favorite music |
| 00:21:59 |
I don't understand |
| 00:22:07 |
- Doctor Finney? |
| 00:22:09 |
I have another class. |
| 00:22:11 |
- Collier, sir. Richard Collier. |
| 00:22:13 |
Uh, yes I was. |
| 00:22:15 |
Well, I try to make my classes |
| 00:22:20 |
- What can I do for you? |
| 00:22:22 |
- Shoot! |
| 00:22:26 |
That is a question. |
| 00:22:29 |
Let me tell you |
| 00:22:31 |
...Richard, is it? |
| 00:22:35 |
I was in Venice... |
| 00:22:38 |
...in 1971. |
| 00:22:41 |
I was staying in |
| 00:22:45 |
But I mean, very old. |
| 00:22:47 |
The structure, the |
| 00:22:52 |
The atmosphere was |
| 00:22:57 |
And my room, I felt |
| 00:23:00 |
...a century or more |
| 00:23:05 |
- You understand? |
| 00:23:06 |
So, in other words, then the |
| 00:23:10 |
Not all important, |
| 00:23:13 |
The rest is here. |
| 00:23:18 |
One afternoon, I... |
| 00:23:22 |
...I was lying down |
| 00:23:26 |
All the sights around me... |
| 00:23:31 |
Even the sounds I heard... |
| 00:23:33 |
...and I conceived a notion. |
| 00:23:35 |
What, I asked myself... |
| 00:23:38 |
...if l attempt to |
| 00:23:43 |
Suggest to it that |
| 00:23:47 |
...but 1571. |
| 00:23:50 |
I closed my eyes... |
| 00:23:51 |
...and fed a suggestion |
| 00:23:56 |
It's August, 1571. |
| 00:24:00 |
I am in the |
| 00:24:03 |
...and I spelled out |
| 00:24:08 |
...and did it |
| 00:24:10 |
...and again and |
| 00:24:14 |
And? |
| 00:24:17 |
Well... |
| 00:24:19 |
...I'll never really |
| 00:24:22 |
I've never done it since. |
| 00:24:25 |
And I'm not sure I'd |
| 00:24:29 |
I felt exhausted afterwards, |
| 00:24:34 |
And if it really |
| 00:24:37 |
...I was only there a fraction |
| 00:24:40 |
- A flicker. |
| 00:24:43 |
...you were there. |
| 00:24:46 |
I thought so. |
| 00:24:48 |
Oh, it wasn't |
| 00:24:51 |
How would it |
| 00:24:53 |
There were objects around me that |
| 00:24:58 |
...and I knew |
| 00:25:00 |
Oh, if I were going |
| 00:25:04 |
Mind you - I have |
| 00:25:06 |
But if I did... |
| 00:25:08 |
...I would disassociate myself |
| 00:25:13 |
Move everything out of sight, that |
| 00:25:19 |
Then, who knows? |
| 00:25:31 |
Whoops. |
| 00:25:44 |
- Hi. |
| 00:25:45 |
Listen, do you have any 1912 money? |
| 00:26:02 |
Aha! That's it. |
| 00:26:08 |
All right... |
| 00:26:12 |
Not too bad. |
| 00:26:14 |
Yup, yup, yup, yup. |
| 00:26:26 |
Ah, good evening, Miss McKenna. |
| 00:26:35 |
Evening, Miss McKenna. |
| 00:26:38 |
You don't know me... |
| 00:26:41 |
...but you will. |
| 00:26:45 |
Okay. |
| 00:27:04 |
It is June 27, 1912. |
| 00:27:08 |
Oh, boy. |
| 00:27:11 |
You are lying |
| 00:27:13 |
...in the Grand Hotel... |
| 00:27:14 |
...and it is 6:00 p.m. in the |
| 00:27:19 |
Your mind accepts |
| 00:27:22 |
It is 6:00 p.m. |
| 00:27:28 |
Elise McKenna is in this hotel |
| 00:27:32 |
Her manager, |
| 00:27:35 |
...is in this hotel at |
| 00:27:38 |
Now, this moment, here. |
| 00:27:42 |
Elise McKenna and you... |
| 00:27:46 |
- That's not very bright. |
| 00:27:49 |
...on June 27, 1912... |
| 00:27:52 |
...6:00 p.m., on |
| 00:27:57 |
Elise McKenna and you. |
| 00:28:01 |
Elise McKenna, |
| 00:28:05 |
She and her company, who are in |
| 00:28:09 |
...even as you lie here on your bed |
| 00:28:13 |
...6:00 p.m., June 27, 1912. |
| 00:28:19 |
The stage is being set for their |
| 00:28:23 |
Your mind... |
| 00:28:25 |
...accepts this absolutely. |
| 00:28:28 |
It is 6:00 p.m. |
| 00:28:33 |
You have traveled |
| 00:28:35 |
Soon, you will |
| 00:28:38 |
...and you will walk |
| 00:28:40 |
...and you will go downstairs |
| 00:28:43 |
She is in the hotel |
| 00:28:46 |
Damn it! |
| 00:28:57 |
There's no question |
| 00:28:58 |
- Now, now, now, now. |
| 00:29:03 |
That which you think |
| 00:29:05 |
Your mind accepts this |
| 00:29:09 |
It has to happen! |
| 00:29:10 |
You know that now! |
| 00:29:14 |
It has to happen. |
| 00:29:16 |
There is no question. |
| 00:29:19 |
You know it. |
| 00:29:21 |
It has to happen. |
| 00:29:23 |
Relax. |
| 00:29:25 |
Accept. |
| 00:29:27 |
Relax... and accept. |
| 00:29:31 |
Shut up! |
| 00:30:09 |
- Yeah. Not bad. |
| 00:30:13 |
- Hey, look at these pictures. |
| 00:30:15 |
I'll bet they're a hundred years |
| 00:30:20 |
Isn't that nice? |
| 00:30:22 |
What a place, huh? |
| 00:30:24 |
- You like those? |
| 00:30:26 |
- They're yours. |
| 00:30:29 |
- You suppose it is? |
| 00:30:33 |
- Look at the rest of the place. |
| 00:30:35 |
Look at here. The |
| 00:30:38 |
Yeah, but look how much |
| 00:30:55 |
Arthur! |
| 00:30:57 |
Arthur? Arthur? |
| 00:31:03 |
Arthur? |
| 00:31:06 |
Arthur! |
| 00:31:08 |
Hi. Arthur, I'm really sorry |
| 00:31:12 |
...you're the only one |
| 00:31:14 |
Listen, you know those things in |
| 00:31:16 |
Where do they |
| 00:31:18 |
Is there a storeroom |
| 00:31:20 |
Arthur, please. Where do |
| 00:31:22 |
The... attic, Mr. Collier. |
| 00:31:38 |
Oh, shit! |
| 00:31:52 |
Come on. |
| 00:31:57 |
Here we go. |
| 00:32:08 |
Twelve! |
| 00:32:27 |
McKenna. |
| 00:32:45 |
Yes. |
| 00:32:51 |
I was there. |
| 00:33:14 |
It is 6:00 p.m., |
| 00:33:17 |
There is no question |
| 00:33:19 |
It is 6:00 p.m... |
| 00:33:38 |
Room 416... room 416. |
| 00:33:43 |
9:18... tomorrow morning. |
| 00:33:50 |
9:18... 9:18... |
| 00:34:02 |
Believe. |
| 00:34:05 |
Believe... |
| 00:34:08 |
Believe... |
| 00:34:41 |
1912, 1912, 1912. |
| 00:34:47 |
1912, 1912. |
| 00:36:23 |
I made it. |
| 00:36:29 |
Oh, brother... |
| 00:36:41 |
I made it! |
| 00:37:51 |
Maude! |
| 00:37:57 |
I'm back! |
| 00:38:07 |
- Are you ready yet? |
| 00:38:08 |
I don't know why you |
| 00:38:11 |
Indeed. I suspect |
| 00:38:13 |
And what am I to |
| 00:38:15 |
What you will, Rollo. |
| 00:38:20 |
Are we to have this |
| 00:38:22 |
...each and every time I notice the |
| 00:38:26 |
Notice her existence? |
| 00:38:27 |
Oh! That scarcely describes your |
| 00:38:31 |
"Rapt appraisal of her"... |
| 00:38:34 |
- Oh, Maude. |
| 00:38:35 |
- I want to lie down for a while. |
| 00:38:37 |
- Great idea! |
| 00:38:38 |
I warn you. I've had enough |
| 00:38:41 |
That's what you always say to |
| 00:38:43 |
That's your answer |
| 00:38:45 |
Unless you come |
| 00:38:47 |
...I shall leave |
| 00:38:57 |
Excuse me. Did you see someone |
| 00:39:01 |
Yes. Some young |
| 00:39:03 |
I'll be damned. I'd |
| 00:39:06 |
Indeed, you'd |
| 00:39:07 |
I'd have reported it myself |
| 00:39:17 |
Good afternoon, Miss McKenna. |
| 00:39:20 |
Good afternoon, |
| 00:39:26 |
Good afternoon, Miss McKenna. |
| 00:39:28 |
May I please |
| 00:39:38 |
- Yes? |
| 00:39:40 |
Is Miss McKenna here? |
| 00:39:43 |
No. I'm afraid |
| 00:39:44 |
Could you tell me |
| 00:39:46 |
I'm sorry, I have |
| 00:39:50 |
Strike one. |
| 00:39:57 |
Oh, I beg your pardon. |
| 00:40:08 |
Getting out? |
| 00:40:47 |
Not inside, Arthur. |
| 00:41:02 |
- Are you Arthur? |
| 00:41:08 |
Here you go. |
| 00:41:10 |
Arthur! |
| 00:41:57 |
Oh, I'm sorry. |
| 00:41:59 |
I say, I shall have her! |
| 00:42:01 |
Not in my life, |
| 00:42:11 |
Whatever you desire... |
| 00:42:12 |
...I guarantee you... |
| 00:42:19 |
Be out of here within two |
| 00:42:23 |
- That's impossible, the man's insane. |
| 00:42:26 |
- You know Robinson. |
| 00:42:29 |
All right. If he's that anxious to get us out |
| 00:42:33 |
What? |
| 00:42:34 |
Sorry. Have you |
| 00:42:36 |
You have a message for her? Give |
| 00:42:39 |
As for our precious |
| 00:42:44 |
- Madam! I do not so regard her. |
| 00:42:47 |
And you shall |
| 00:42:50 |
- And I say, I shall have her. |
| 00:42:55 |
Give in, Cecily. |
| 00:42:56 |
- It's not your place to say. |
| 00:43:00 |
Good people, this is a |
| 00:43:04 |
Let's not bury the |
| 00:43:07 |
Excuse me! |
| 00:43:10 |
I'm terribly sorry |
| 00:43:11 |
I wonder if you know where |
| 00:43:16 |
Very well, very well. |
| 00:43:20 |
From the beginning. |
| 00:43:23 |
"Ay early, stipend, shall we |
| 00:43:28 |
"Whatever you desire." |
| 00:43:30 |
Hello. |
| 00:43:31 |
Take it again, Madeline. |
| 00:43:33 |
"Why not put her on the scale |
| 00:43:37 |
May I speak to you, please, |
| 00:43:40 |
May I please speak to... |
| 00:43:44 |
Miss McKenna... |
| 00:43:47 |
Elise. may I... |
| 00:43:49 |
Whoo, boy. |
| 00:43:51 |
Miss McKenna... Good |
| 00:44:01 |
- I'm... |
| 00:44:04 |
Qu'est que c'est? |
| 00:44:05 |
Never seen an actress |
| 00:44:13 |
I'm... I'm looking for |
| 00:44:15 |
- Most likely walking by the lake, my dear. |
| 00:44:20 |
- Watch it, sonny. |
| 00:46:25 |
Is it you? |
| 00:46:30 |
Is it? |
| 00:46:37 |
Yes. |
| 00:46:41 |
- Are you all right? |
| 00:46:43 |
- I'm sorry if I startled you. |
| 00:46:45 |
- I think I did. |
| 00:46:50 |
May I speak |
| 00:47:00 |
Anything the matter? |
| 00:47:04 |
Who was that |
| 00:47:07 |
I've no idea. |
| 00:47:09 |
- He gave no name? |
| 00:47:13 |
- You were conversing, McKenna. |
| 00:47:21 |
Well, not really. |
| 00:47:25 |
No, no need to look |
| 00:47:30 |
Keep on walking. |
| 00:47:42 |
- Are you a guest here, sir? |
| 00:47:46 |
Are you a guest |
| 00:47:49 |
Yes. |
| 00:47:50 |
Then I must ask you to stop |
| 00:47:54 |
If you do not, I shall see |
| 00:48:06 |
What did you |
| 00:48:08 |
Oh, what I've always |
| 00:48:26 |
That gown of |
| 00:48:28 |
I'm not crazy about |
| 00:48:30 |
It'll have to be redone. |
| 00:48:32 |
I shall discuss it |
| 00:48:43 |
Good evening. Reservations |
| 00:48:46 |
Woods... yes. Monsieur, what |
| 00:48:51 |
Monsieur, may I |
| 00:48:53 |
I'm dining with |
| 00:49:01 |
- Good evening. |
| 00:49:10 |
I told you, we should have |
| 00:49:13 |
- Poughkeepsie. |
| 00:49:16 |
And I just won't |
| 00:49:39 |
It isn't the lines at all. |
| 00:49:44 |
Isn't he the nincompoop who thought |
| 00:49:49 |
- Oh, mon cheri, we meet again! |
| 00:49:53 |
I so admire a man not hidebound |
| 00:49:58 |
- Ma'am? |
| 00:49:59 |
I haven't seen one |
| 00:50:02 |
- A decade? |
| 00:50:04 |
Oh, still looking |
| 00:50:07 |
- Yes. In fact... |
| 00:50:16 |
- Thank you. |
| 00:50:48 |
What do you think |
| 00:50:50 |
Dancing with you. |
| 00:50:52 |
But we don't even |
| 00:50:55 |
- I know everything about you. |
| 00:50:58 |
What do you mean? |
| 00:50:59 |
- If you will excuse me... |
| 00:51:01 |
- I think I do. |
| 00:51:04 |
You have no idea how far |
| 00:51:29 |
There's no need |
| 00:51:38 |
The man's an intruder. |
| 00:51:40 |
Will you kindly see to it that he |
| 00:51:45 |
If you will, sir. |
| 00:51:57 |
One moment. |
| 00:52:01 |
I shall go with him. |
| 00:52:04 |
McKenna... |
| 00:52:09 |
Are you sure you |
| 00:52:13 |
Don't worry, William. |
| 00:52:32 |
Thank you so much. |
| 00:52:33 |
- Your name, please? |
| 00:52:36 |
- Your place of residence? |
| 00:52:39 |
- Your occupation? |
| 00:52:42 |
A playwright... |
| 00:52:44 |
Yes, but I'm not |
| 00:52:46 |
- And you say that you know |
| 00:52:48 |
Which is patently absurd. You couldn't |
| 00:52:50 |
We've never met. You're |
| 00:52:55 |
But then... |
| 00:52:57 |
...why did you say, |
| 00:53:01 |
I don't have |
| 00:53:02 |
I know you don't. |
| 00:53:04 |
I wish you would, though. |
| 00:53:12 |
What is the matter |
| 00:53:16 |
He's just looking out for |
| 00:53:19 |
Why is that? |
| 00:53:24 |
Wait, wait. |
| 00:53:28 |
When can I |
| 00:53:33 |
I don't know. |
| 00:53:57 |
Guardez la ligne, Marie. |
| 00:54:00 |
And have it ready by |
| 00:54:01 |
I'll do my best. |
| 00:54:09 |
Smiling, McKenna? |
| 00:54:12 |
Seems appropriate. |
| 00:54:15 |
Rather handsome young |
| 00:54:19 |
- I'll keep an eye on him. |
| 00:54:26 |
Is he the one, William? |
| 00:54:30 |
Is he? |
| 00:54:33 |
Only you can |
| 00:54:37 |
Now... |
| 00:54:39 |
...tomorrow night's |
| 00:54:41 |
Remember. Stay |
| 00:54:44 |
Keep the mystery. |
| 00:54:48 |
- "Excess within control". |
| 00:54:56 |
Sleep well, McKenna. |
| 00:55:29 |
All right. |
| 00:56:02 |
Who is it? |
| 00:56:04 |
Richard Collier. |
| 00:56:14 |
Good morning. |
| 00:56:18 |
You sleep all right? |
| 00:56:20 |
- Wonderfully. |
| 00:56:22 |
I didn't sleep |
| 00:56:24 |
But I was on a |
| 00:56:27 |
Don't you even |
| 00:56:29 |
Yes, I will, at |
| 00:56:34 |
I mean... would you like |
| 00:56:37 |
At 6:00 a.m.? |
| 00:56:39 |
Oh, well. Later? |
| 00:56:41 |
I don't eat breakfast |
| 00:56:43 |
Oh, no. Of course not. |
| 00:56:45 |
- Lunch? |
| 00:56:47 |
No, no, no. It's |
| 00:56:49 |
- Isn't that your name? |
| 00:56:51 |
- Shh! Shh! |
| 00:56:52 |
Marie. She's sleeping |
| 00:56:53 |
- Marie? |
| 00:56:57 |
I'm sorry. |
| 00:56:58 |
Well... of course my |
| 00:57:01 |
...but I was hoping you'd call |
| 00:57:04 |
- Why should I? |
| 00:57:07 |
Just hoped you would. |
| 00:57:10 |
When can I |
| 00:57:12 |
I shall be |
| 00:57:13 |
- All day? That's crazy! You can't... |
| 00:57:17 |
Will you walk with me? |
| 00:57:19 |
I can't. |
| 00:57:22 |
Young woman, if you do not |
| 00:57:24 |
Positively insane, and do |
| 00:57:32 |
Walk with me. Please. |
| 00:57:40 |
Say, "Richard" - that's me - |
| 00:57:43 |
"I would love to walk with you, and |
| 00:57:45 |
...not be afraid of you |
| 00:57:48 |
Say "Yes". |
| 00:57:55 |
Yes. |
| 00:57:57 |
One o'clock. |
| 00:57:59 |
Outside the hotel. |
| 00:58:03 |
She's crazy about me. |
| 00:58:27 |
Can I persuade |
| 00:58:30 |
Where are you |
| 00:58:32 |
Chicago. Where |
| 00:58:35 |
I'm given to understand |
| 00:58:39 |
You understand correctly. |
| 00:58:41 |
No doubt you dream of |
| 00:58:44 |
...in one of your "opera". |
| 00:58:47 |
That's plural for opus. I presume |
| 00:58:50 |
And seen them produced. |
| 00:58:52 |
- Really? |
| 00:58:54 |
I'm not entirely unacquainted |
| 00:58:56 |
...of the American stage |
| 00:58:59 |
- Perhaps I've seen one? |
| 00:59:03 |
I also doubt |
| 00:59:04 |
...that I shall ever see one |
| 00:59:08 |
You don't really believe |
| 00:59:13 |
Why are you here? |
| 00:59:15 |
Is it money? |
| 00:59:18 |
I don't think you really |
| 00:59:20 |
There is a law, Collier. |
| 00:59:23 |
I warn you. I will not |
| 00:59:25 |
Oh, yes? |
| 00:59:28 |
- The matter's concluded, sir. |
| 00:59:31 |
Oh, yes. You may |
| 00:59:39 |
- Good morning, sir. |
| 00:59:40 |
Excuse me. |
| 00:59:47 |
Forgive me again, sir. |
| 00:59:52 |
I'm very sorry, sir. |
| 00:59:53 |
Ah, that's |
| 00:59:55 |
I'd like a room, please. |
| 00:59:56 |
Oh... don't |
| 00:59:59 |
Well, I was rather ill when I arrived |
| 01:00:04 |
Ah, I see. |
| 01:00:06 |
You do have a room, sir? |
| 01:00:08 |
Oh... yes, yes. |
| 01:00:10 |
Thank you. |
| 01:00:16 |
One single, |
| 01:00:18 |
Bathroom privileges extra. |
| 01:00:21 |
Would you care to sign |
| 01:00:28 |
Excuse me. |
| 01:00:29 |
I-I'm sorry. Are you sure |
| 01:00:31 |
The right room, sir? |
| 01:00:34 |
Oh, I'm sorry, Mr. Biehl. |
| 01:00:36 |
Forgot to put a |
| 01:00:38 |
I'm very sorry. |
| 01:00:48 |
Right. |
| 01:00:49 |
- Shall I sign? |
| 01:01:03 |
Excuse me. |
| 01:01:05 |
Let me just |
| 01:01:09 |
Grand Hotel. |
| 01:01:10 |
9:18. |
| 01:01:13 |
Thank you, sir. |
| 01:01:18 |
- Bingo! |
| 01:01:20 |
Oh... nothing. |
| 01:01:25 |
Which room is |
| 01:01:29 |
It's no problem. I can |
| 01:01:32 |
Thank you very much. |
| 01:01:56 |
See you around, Arthur. |
| 01:02:13 |
- Morning. |
| 01:02:17 |
Astonishing. |
| 01:02:22 |
- Hello. |
| 01:02:23 |
- You look lovely. |
| 01:02:25 |
- Shall we? |
| 01:02:28 |
Sorry I'm late. |
| 01:02:31 |
- What did you do to your face? |
| 01:02:33 |
New blade wasn't |
| 01:02:35 |
I shudder to think what you'd look |
| 01:02:39 |
Oh, no. I don't |
| 01:02:42 |
Gotta give him credit. |
| 01:02:45 |
Would you like me |
| 01:02:46 |
Wouldn't do |
| 01:02:49 |
I think I know |
| 01:03:00 |
Whoa! Wait for me! |
| 01:04:22 |
Mr. Collier... |
| 01:04:24 |
...it isn't easy being |
| 01:04:27 |
Over the years, I... |
| 01:04:30 |
...I found it necessary |
| 01:04:35 |
So understand, |
| 01:04:39 |
...that I'm even with |
| 01:04:44 |
...when we only |
| 01:04:46 |
Why did you say... |
| 01:04:53 |
I was expecting... |
| 01:04:55 |
Me? |
| 01:04:59 |
Someone. |
| 01:05:00 |
Who? |
| 01:05:02 |
Tell me. |
| 01:05:07 |
- I think you'll laugh. |
| 01:05:10 |
In a way. |
| 01:05:13 |
William told me |
| 01:05:16 |
- Robinson? |
| 01:05:20 |
He knows, somehow. |
| 01:05:23 |
He really does. |
| 01:05:27 |
He knew a lot of things |
| 01:05:29 |
My career, my... |
| 01:05:37 |
He told me that... |
| 01:05:40 |
...one day I would |
| 01:05:44 |
...change my life. |
| 01:05:46 |
Did he tell you that man would |
| 01:05:51 |
Yes. |
| 01:05:54 |
And... |
| 01:05:56 |
...what do you think |
| 01:05:58 |
...do you believe that? |
| 01:06:01 |
No. |
| 01:06:03 |
You're obviously not. |
| 01:06:19 |
That's beautiful! |
| 01:06:22 |
What is it? |
| 01:06:24 |
That's Rachmaninoff, |
| 01:06:29 |
I saw him with the |
| 01:06:31 |
I love his music, but I've |
| 01:06:34 |
Really? |
| 01:06:36 |
Well, I'll introduce |
| 01:06:58 |
Sorry we had the carriage |
| 01:07:03 |
See that guy's face? |
| 01:07:05 |
They're gonna hang |
| 01:07:15 |
Stick out your tongue. |
| 01:07:17 |
- Huh? |
| 01:07:21 |
Why? |
| 01:07:22 |
Oh, no. |
| 01:07:34 |
The most peculiar moment |
| 01:07:37 |
I think you'll survive it, |
| 01:07:43 |
What time |
| 01:07:50 |
4:30. |
| 01:07:52 |
- I must be getting back. |
| 01:07:54 |
- Can't you stay a little longer? |
| 01:07:58 |
- The play! |
| 01:08:02 |
It's lovely. |
| 01:08:06 |
Where did you get it? |
| 01:08:10 |
It was given to me. |
| 01:08:19 |
Well, shall we? |
| 01:08:25 |
So... |
| 01:08:26 |
...when's the |
| 01:08:29 |
Tonight. |
| 01:08:35 |
Where are you going? |
| 01:08:37 |
Denver. |
| 01:08:46 |
Well, thank you for a |
| 01:08:51 |
Could we talk |
| 01:08:54 |
- I really should rest a while, I... |
| 01:09:01 |
Very well, then. Just |
| 01:09:28 |
What did you want |
| 01:09:47 |
No. |
| 01:10:14 |
Oh, my God. |
| 01:10:16 |
What's happening? |
| 01:10:39 |
McKenna? |
| 01:10:44 |
McKenna? |
| 01:10:46 |
Come in. |
| 01:10:53 |
I think you'd better go. |
| 01:10:54 |
Have you been waiting |
| 01:10:56 |
- This is hardly the time for discussion... |
| 01:10:58 |
Yes! Does that |
| 01:11:00 |
Our relationship is |
| 01:11:02 |
Strictly business? |
| 01:11:03 |
I'm involved with you as |
| 01:11:06 |
Not a doormat. Do not attempt |
| 01:11:13 |
Richard... |
| 01:11:19 |
I shall leave a ticket for |
| 01:11:30 |
"Excess within |
| 01:11:35 |
Au revoir. |
| 01:12:18 |
- Good evening, miss. |
| 01:12:23 |
Particularly bad. |
| 01:12:25 |
- I'll not go downstairs again. |
| 01:12:30 |
I've just been dining... |
| 01:12:31 |
...with the man my father |
| 01:12:34 |
- Oh, banker Harwell. |
| 01:12:37 |
All 67 years... |
| 01:12:38 |
...and five-foot-four of height and |
| 01:12:43 |
He does have |
| 01:12:45 |
And never lets |
| 01:12:48 |
I'm amazed he has the |
| 01:12:51 |
He's so happily |
| 01:12:55 |
Perhaps he won't |
| 01:12:58 |
There must be something |
| 01:13:01 |
Yes! His absence. |
| 01:13:10 |
The man of my dreams |
| 01:13:22 |
And what man |
| 01:13:25 |
The one I have |
| 01:13:31 |
The sort of man... |
| 01:13:34 |
...each woman dreams |
| 01:13:36 |
...and most secret |
| 01:13:44 |
I can almost see |
| 01:13:50 |
What would I |
| 01:13:54 |
...if he were really here? |
| 01:13:57 |
"Forgive me". |
| 01:14:01 |
I've never known |
| 01:14:05 |
I've lived without |
| 01:14:10 |
Is it any wonder then I |
| 01:14:14 |
You've... |
| 01:14:16 |
...brought it to me |
| 01:14:20 |
Is there any way that... |
| 01:14:23 |
...that I can tell you how |
| 01:14:28 |
Any way at all to |
| 01:14:30 |
...sweetness you |
| 01:14:34 |
There is so much |
| 01:14:39 |
...I cannot find |
| 01:14:43 |
Except for these: |
| 01:14:48 |
I love you. |
| 01:14:54 |
And such would |
| 01:14:57 |
...if he were really here. |
| 01:15:39 |
In God's name, |
| 01:15:42 |
- Nothing. |
| 01:15:43 |
Rewriting the |
| 01:15:45 |
- I got it back on course. |
| 01:15:47 |
We've just got to |
| 01:15:50 |
Very well. Just a moment, |
| 01:15:54 |
Quickly! |
| 01:16:02 |
And a little flourish. |
| 01:16:03 |
Yes, yes. Yes, very |
| 01:16:06 |
Just one moment. |
| 01:16:08 |
I'm just going to |
| 01:16:10 |
Oh, yes, yes, yes! I'm just |
| 01:16:13 |
One moment. |
| 01:16:18 |
A little smile, please. |
| 01:16:20 |
Not-not quite. Perhaps if you |
| 01:16:25 |
Yes, that's it. |
| 01:16:31 |
- Perfect! |
| 01:16:52 |
And I say, I |
| 01:16:56 |
Not in my, life, |
| 01:16:57 |
Mr. Collier? |
| 01:16:58 |
I am the one |
| 01:17:01 |
For you. |
| 01:17:02 |
Neither do you! |
| 01:17:05 |
I can provide her with |
| 01:17:07 |
...rather than |
| 01:17:10 |
Are you sure of |
| 01:17:14 |
I think an old |
| 01:17:25 |
Do you have any notion |
| 01:17:27 |
...I have been |
| 01:17:32 |
Since March of 1903. |
| 01:17:39 |
March, 1903. |
| 01:17:42 |
That's correct. |
| 01:17:44 |
She was 16 |
| 01:17:48 |
There she was... |
| 01:17:49 |
...on that dingy stage... |
| 01:17:52 |
...in that pathetic play. |
| 01:17:56 |
Total radiance. |
| 01:18:00 |
It only took seconds |
| 01:18:02 |
...exactly what |
| 01:18:05 |
Mrs. Robinson? |
| 01:18:08 |
Do you actually believe... |
| 01:18:11 |
...that I have |
| 01:18:13 |
...cared for her, |
| 01:18:16 |
...developed her |
| 01:18:18 |
...merely to groom a wife? |
| 01:18:22 |
What, then? |
| 01:18:24 |
A star. |
| 01:18:29 |
Only someone with... |
| 01:18:31 |
...the limited awareness |
| 01:18:32 |
...could possibly conceive that my |
| 01:18:35 |
...is no more |
| 01:18:38 |
Are you incapable of |
| 01:18:41 |
...has it within herself |
| 01:18:44 |
...if not the greatest... |
| 01:18:46 |
...actress of |
| 01:18:58 |
I owe you an apology. |
| 01:18:59 |
What? |
| 01:19:02 |
I understand you now. |
| 01:19:04 |
You have nothing but the |
| 01:19:08 |
- And you... |
| 01:19:10 |
Of course, she'll |
| 01:19:12 |
...she will continue |
| 01:19:14 |
...and she will become |
| 01:19:20 |
- With you at her side? |
| 01:19:22 |
With me at her side. |
| 01:19:25 |
Never! |
| 01:19:26 |
My God. |
| 01:19:29 |
You really think you |
| 01:19:32 |
Collier... |
| 01:19:33 |
I know who you are. |
| 01:19:38 |
Ever since |
| 01:19:40 |
I've known |
| 01:19:43 |
You came to |
| 01:19:45 |
God, you're out |
| 01:20:01 |
- No more. |
| 01:20:02 |
- One curtain call? |
| 01:20:06 |
- Marie, did you find him? |
| 01:20:09 |
- Did you try his room? |
| 01:20:14 |
- What did they say at the desk? |
| 01:20:16 |
- He left no message? |
| 01:20:19 |
This makes no |
| 01:20:22 |
What could have |
| 01:20:26 |
Marie! |
| 01:20:28 |
Marie, help me |
| 01:20:35 |
Wait, Marie. |
| 01:20:43 |
Thank you, Marie. |
| 01:20:58 |
Your performance |
| 01:21:00 |
...I must say... |
| 01:21:02 |
...was somewhat eccentric. |
| 01:21:04 |
Where is he? What |
| 01:21:06 |
I've done |
| 01:21:09 |
Mr. Collier has left. |
| 01:21:12 |
- That's all. |
| 01:21:14 |
Gone... |
| 01:21:16 |
...from the hotel... |
| 01:21:18 |
...and your life. |
| 01:21:20 |
I don't believe you. |
| 01:21:24 |
I must admit. |
| 01:21:27 |
He was somewhat |
| 01:21:29 |
...others that we've |
| 01:21:32 |
...you and I. |
| 01:21:35 |
A trifle more sincere, |
| 01:21:37 |
Then he was not the |
| 01:21:41 |
No. |
| 01:21:41 |
Then you were wrong |
| 01:21:46 |
You were wrong. |
| 01:21:50 |
I love him... |
| 01:21:53 |
...and he's going |
| 01:21:57 |
Do you understand? |
| 01:22:02 |
I love him. |
| 01:22:05 |
What difference... can that |
| 01:22:10 |
I'll find him, William. |
| 01:22:13 |
Don't you dare |
| 01:22:21 |
Now, if you will excuse |
| 01:22:25 |
Of course. |
| 01:22:47 |
May I remind you... |
| 01:22:49 |
...that we leave |
| 01:23:43 |
Thank you. |
| 01:24:52 |
Elise! |
| 01:24:54 |
Elise? |
| 01:24:57 |
Elise? |
| 01:25:02 |
Sir? |
| 01:25:04 |
Are you all right? |
| 01:25:06 |
- The company... are they gone? |
| 01:25:09 |
The ones who did the play last night. |
| 01:25:11 |
They left as soon as |
| 01:25:19 |
Oh, come along, Arthur. |
| 01:26:34 |
Richard! |
| 01:27:04 |
- You all right? |
| 01:27:06 |
- I thought I lost you. |
| 01:27:08 |
Never, never, never! |
| 01:29:03 |
You will marry |
| 01:29:08 |
- Sorry. |
| 01:29:10 |
Sure. |
| 01:29:12 |
I was just laughing at the |
| 01:29:15 |
- For one moment there... |
| 01:29:17 |
I thought you had a wife and |
| 01:29:21 |
Oh, Elise... |
| 01:29:23 |
I want to be |
| 01:29:25 |
You are! |
| 01:29:28 |
You are! |
| 01:29:32 |
Tell me more about |
| 01:29:34 |
- Well... |
| 01:29:36 |
Are there |
| 01:29:38 |
- I could... |
| 01:29:41 |
Assuming that I ever want |
| 01:29:44 |
- You will. |
| 01:29:56 |
Good plays. |
| 01:29:56 |
- What? |
| 01:30:00 |
I never let you |
| 01:30:01 |
- No. |
| 01:30:08 |
What time do |
| 01:30:09 |
I don't know. |
| 01:30:14 |
- Oh, don't look... |
| 01:30:19 |
- It's 5:00. |
| 01:30:21 |
I don't feel sleepy |
| 01:30:23 |
No. |
| 01:30:27 |
The first thing I |
| 01:30:29 |
You've already done. |
| 01:30:32 |
- Well, the second thing, then. |
| 01:30:34 |
Buy you a new suit. |
| 01:30:37 |
I don't understand. |
| 01:30:40 |
- Can you blame them? |
| 01:30:41 |
I think my |
| 01:30:43 |
What's wrong with this? So |
| 01:30:45 |
- Oh, at least 15. |
| 01:30:48 |
Well, I think |
| 01:30:50 |
Let me show you. |
| 01:30:51 |
It's a really great suit, |
| 01:30:54 |
The sleeves fit. |
| 01:30:55 |
That's pretty good for me. My |
| 01:30:58 |
And... it's got pockets everywhere. |
| 01:31:02 |
Oh, and this is the best part. This is a |
| 01:31:09 |
Richard? |
| 01:31:12 |
Richard? |
| 01:31:15 |
Richard! |
| 01:31:17 |
Richard! Richard! |
| 01:31:20 |
Richard! |
| 01:31:23 |
Richard! |
| 01:32:03 |
How's traffic? |
| 01:32:09 |
The road conditions are |
| 01:32:14 |
At the inbound Kennedy, at Jackson, |
| 01:32:19 |
...right at the center |
| 01:32:20 |
Traffic is backed up |
| 01:32:24 |
No. No, no. |
| 01:32:27 |
No! |
| 01:32:29 |
No! |
| 01:32:50 |
June 29, 1912. |
| 01:32:53 |
It's June 29, 1912. |
| 01:32:58 |
June 29. I'm back. |
| 01:33:01 |
I'm back. Oh, God... |
| 01:33:03 |
June 29, 1912. |
| 01:33:30 |
No! |
| 01:37:13 |
Mr. Collier? |
| 01:37:17 |
Are you sure |
| 01:37:18 |
Well, the maid says he's |
| 01:37:22 |
Are you all right, sir? |
| 01:37:24 |
Use the passkey. |
| 01:37:28 |
Mr. Collier? |
| 01:37:33 |
Oh, my God! |
| 01:37:34 |
- Let's get him on the bed. |
| 01:37:37 |
- Careful, careful! |
| 01:37:40 |
- Better take his legs. |
| 01:37:41 |
All right, over here. |
| 01:37:43 |
Okay. |
| 01:37:45 |
Easy. |
| 01:37:57 |
Operator? Get Dr. Paul up |
| 01:38:04 |
Looks like he hasn't |
| 01:38:06 |
- You'll better send for an ambulance. |
| 01:38:08 |
What a shame. |
| 01:38:11 |
Operator? Get |
| 01:38:12 |
- He is gonna make it, isn't he? |
| 01:38:15 |
- They're on their way. |
| 01:38:16 |
We're gonna |
| 01:38:18 |
We've got some downstairs. |
| 01:38:21 |
Keep him warm |
| 01:38:25 |
Such a fine man. |
| 01:38:27 |
What a shame. |
| 01:38:32 |
I wonder what happened. |
| 01:38:34 |
Gotta keep him goin' |
| 01:38:45 |
Glady's, this is Arthur again, |
| 01:38:48 |
We've got to... |
| 01:43:28 |
THE END |
