Specialist The
|
00:01:06 |
Nice view. |
00:01:57 |
Perfect timing. |
00:02:11 |
Wait a minute. He's not alone. |
00:02:13 |
That's heartbreaking news. |
00:02:15 |
Pull the plug. A kid's in the car. |
00:02:18 |
The drug lord's in the car. |
00:02:20 |
Kid took a bad ride, that's all. |
00:02:22 |
Abort the action. |
00:02:23 |
You're the rigger. |
00:02:24 |
I'm the trigger. I decide. |
00:02:26 |
You just sit back and watch the show. |
00:02:31 |
Activate the fail-safe, you psycho! |
00:02:35 |
Here's a tip, Ray. There is no fail-safe. |
00:02:38 |
Come on! Come on! |
00:03:02 |
He'll never make it. |
00:04:12 |
You're an arrogant man, Raymond. |
00:04:14 |
I taught you everything you know, |
00:04:18 |
Gonna kill me too, Colonel? |
00:04:20 |
You're a specialist, Captain. |
00:04:35 |
Don't forget to write. |
00:05:02 |
You like watching her die? |
00:05:04 |
Taking them down? |
00:05:06 |
Now I'm taking you down. |
00:05:10 |
You're goin' nowhere... |
00:05:12 |
...you're as dead as those people... |
00:05:15 |
...in the river. |
00:05:17 |
We both are! |
00:07:10 |
Have you decided to take thejob? |
00:07:12 |
I saw your ad today. |
00:07:14 |
-I know it's late-- |
00:07:16 |
After all, you're giving me a new life. |
00:07:20 |
Really? When? |
00:07:21 |
When you kill those three bastards. |
00:07:24 |
I'm flattered. |
00:07:26 |
You better get somebody else. |
00:07:29 |
I like your voice. |
00:07:31 |
You don't need an explosives contractor. |
00:07:34 |
Yes, I do. |
00:07:36 |
-You're my only hope. |
00:07:39 |
The law's been bought. |
00:07:42 |
Use a bullet. |
00:07:44 |
Bullets... |
00:07:45 |
...are imprecise. |
00:07:47 |
I heard you control your explosions... |
00:07:51 |
What I shape is my business. |
00:07:54 |
All I'm saying... |
00:07:55 |
...word is you are the best. |
00:07:58 |
Whose word? |
00:07:59 |
If we couldjust meet.... |
00:08:01 |
I don't meet or work in Miami |
00:08:04 |
Why do you keep calling me back? |
00:08:07 |
Why? |
00:08:09 |
I like your voice. |
00:08:57 |
Is it my cologne? |
00:10:16 |
They're killers. |
00:10:19 |
I don't owe the world any favors. |
00:10:23 |
I thought.... |
00:10:25 |
I thought maybe it would pass. |
00:10:28 |
Every day is worse. |
00:10:31 |
Remembering what happened. |
00:10:33 |
That's what I do instead of being alive. |
00:10:36 |
My father hid me in the closet. |
00:10:40 |
I could still see. |
00:10:43 |
My mother suffered. |
00:10:47 |
They tortured her to get my father to talk. |
00:10:50 |
We're going to have to kill her. |
00:10:52 |
He walked by something |
00:10:56 |
They covered his face |
00:11:00 |
Waste them. |
00:11:01 |
It was too small. |
00:11:04 |
So they shot him. |
00:11:07 |
I never thought... |
00:11:09 |
...blood would be so sticky. |
00:11:11 |
Sometimes I think I can never wash it off. |
00:11:26 |
The only thing I understand |
00:11:29 |
I'm going in, and I'm going to do it myself. |
00:11:33 |
You'll only get one of them. |
00:11:35 |
That's why I need you. |
00:11:39 |
I don't do this kind ofjob anymore. |
00:11:57 |
I know you've been watching me, |
00:12:01 |
...l'm on the level, |
00:12:05 |
I can't wait anymore, I'm going in. |
00:12:07 |
-They'll make you. |
00:12:10 |
Adrian Hastings. |
00:12:11 |
Wish me luck. |
00:12:46 |
Señor León. |
00:12:53 |
How's it coming in? |
00:12:56 |
Oh, boy. You don't give up. |
00:12:59 |
It's packed in Monopoly boxes. |
00:13:05 |
That's great, Papa. |
00:13:07 |
You get it in. I'll put it on the street. |
00:13:15 |
Come here. |
00:13:18 |
-How are you? |
00:13:20 |
You went all out. It's fantastic. |
00:13:26 |
-So let's talk numbers. |
00:13:29 |
Go grab yourself a nice mulatta. |
00:13:33 |
I want my money. |
00:13:38 |
An advance. |
00:13:41 |
Token? |
00:13:43 |
Token. |
00:13:48 |
Listen to me, boy. |
00:13:50 |
You know what the Dark Ages are? |
00:13:52 |
The Dark Ages are what I brought |
00:13:55 |
I computerized your operation. |
00:13:57 |
I streamlined your security. |
00:14:02 |
So don't fuck with me. |
00:14:05 |
What is this? |
00:14:06 |
A tip? I don't work for tips. |
00:14:10 |
I want my money. I want it now. |
00:14:12 |
Go get it. |
00:14:15 |
It's always a pleasure working with you. |
00:15:05 |
Champagne, please. |
00:16:11 |
Is there something you want? |
00:16:15 |
What I want, I take. |
00:16:18 |
Champagne? |
00:16:20 |
-Thank you. |
00:16:25 |
Welcome to our bank. |
00:16:29 |
I've never seen you before. |
00:16:32 |
I lived here when I was little. |
00:16:35 |
A lot's happened since you left. |
00:16:38 |
Like what? |
00:16:39 |
Like me. |
00:16:42 |
Insecurity is a terrible thing. |
00:16:45 |
It would be. |
00:16:48 |
I'd like to dance. |
00:16:50 |
What's wrong with keeping |
00:16:52 |
Later. Right now, I'm taking what I want. |
00:16:58 |
You look beautiful tonight! |
00:17:37 |
I'll have my driver to pick you up |
00:18:04 |
Right on time. |
00:18:15 |
Should I do it, Timer? |
00:18:41 |
-Kind ofyoung to be riding the bus. |
00:18:44 |
What? I'm not good enough for you? |
00:18:48 |
I wanna play. |
00:18:49 |
Come on, baby.... |
00:18:51 |
-Stop! Leave me alone! |
00:19:05 |
Here, you can take my seat. |
00:19:08 |
Thank you! |
00:19:16 |
That seat's taken. |
00:19:19 |
Fuck you. |
00:19:21 |
Excuse me? |
00:19:22 |
Fuck you. |
00:19:31 |
Hold these, please. |
00:19:45 |
What's going on? |
00:20:05 |
I hate knives. |
00:20:12 |
Fuck you! You son of a bitch! |
00:20:32 |
I believe there's a vacancy. |
00:21:14 |
-What do you drink? |
00:21:17 |
Martini on the rocks. |
00:21:19 |
Gold tequila, straight up. |
00:21:23 |
No one knows Miami like I do. |
00:21:27 |
You like spending the day with me? |
00:21:30 |
Yeah. |
00:21:32 |
Do you? |
00:21:35 |
Kiss me. |
00:21:36 |
I hardly know you. |
00:21:43 |
Wait 'til you try to spend the night. |
00:21:56 |
Thanks. |
00:22:16 |
Stay here. I must take care of something. |
00:22:19 |
Got a light? |
00:22:28 |
Is that the piece of shit? |
00:22:42 |
Where were you? |
00:22:44 |
Home. |
00:22:49 |
Thanks. |
00:23:18 |
What happened to you? |
00:23:21 |
I didn't like the show. |
00:23:24 |
You don't... |
00:23:26 |
...walk away from me... |
00:23:30 |
...ever. |
00:23:32 |
You understand? |
00:23:34 |
Sorry. |
00:23:37 |
Get in the car. |
00:23:39 |
Sure. |
00:24:02 |
Every time... |
00:24:05 |
...he touches me l.... |
00:24:09 |
I mean... |
00:24:10 |
...he's the man who shot my father! |
00:24:13 |
And he's... |
00:24:16 |
...kissing me and.... |
00:24:20 |
Oh, God! |
00:24:23 |
You don't have to do it. |
00:24:25 |
It's the only way I can get |
00:24:33 |
You see, I have this dream: |
00:24:36 |
I'm right there when it happens. |
00:24:39 |
He looks at me like I'm a stranger. |
00:24:43 |
And I say my name. |
00:24:47 |
And it's the last thing he ever hears. |
00:24:52 |
They don't suspect you? |
00:24:54 |
I'm trusted, for the moment. |
00:24:59 |
He's always with you. How do you live? |
00:25:01 |
Alone. |
00:25:04 |
That's not what I mean. |
00:25:06 |
How do you live... |
00:25:08 |
...with yourself?. |
00:25:10 |
How do you? |
00:26:29 |
Hey, you! |
00:26:33 |
I'm talking to you. |
00:26:37 |
You think you know me? |
00:26:39 |
I asked you a question. |
00:26:43 |
'Cause the way you're looking at me, |
00:26:46 |
Where did we meet? |
00:26:48 |
Nowhere. |
00:26:51 |
Nowhere. |
00:26:53 |
You like the bitch? |
00:27:02 |
Maybe you like me. |
00:27:06 |
I don't like you. |
00:27:10 |
Then don't stare so hard. |
00:27:12 |
Somebody could... |
00:27:16 |
...put something in your eye. |
00:27:30 |
Fucking pervert. |
00:27:40 |
Let's move it. |
00:27:59 |
Good night. |
00:28:06 |
Adrian. |
00:29:24 |
Are you listening? |
00:29:28 |
The first rule: |
00:29:30 |
Don't go near them again. |
00:29:33 |
Second rule: |
00:29:35 |
Don't contact me. |
00:29:37 |
I'll contact you. |
00:29:38 |
Maybe I can help you. |
00:29:41 |
-Let me see-- |
00:29:43 |
They're my problem now and I'm theirs. |
00:29:49 |
Are you close enough to walk over? |
00:30:00 |
Rule three: |
00:30:03 |
If this is a setup... |
00:30:05 |
...l... |
00:30:07 |
...will kill you. |
00:30:46 |
Now what? |
00:30:48 |
That cop was a regular. |
00:30:51 |
Get out of here! |
00:30:54 |
Asshole! |
00:31:19 |
Don't go anywhere. |
00:31:20 |
I'll be right back. |
00:31:22 |
Lucky me. |
00:31:56 |
Hey, Charlie! |
00:32:10 |
J & B. |
00:32:14 |
The word is, Manny... |
00:32:16 |
...you're skimming. |
00:32:18 |
Somebody's lying. I never took a dollar. |
00:32:22 |
I hope it ain't you. |
00:32:25 |
Because if you're trying |
00:32:30 |
You've known me, what, ten years? |
00:32:33 |
I'm clean. |
00:32:35 |
Good. |
00:32:36 |
Very good. |
00:32:38 |
Then you have nothing to worry about. |
00:32:43 |
Let me see the books. |
00:33:15 |
That is it. What? |
00:33:17 |
-How about a drink? |
00:33:24 |
September's missing. |
00:33:27 |
See you, Manny. |
00:33:41 |
What do you feel like doing? |
00:33:55 |
What? |
00:33:56 |
I'm working. |
00:33:58 |
You have two hours! |
00:34:18 |
Get another job, kid. |
00:34:32 |
They got two bodies in there. |
00:34:35 |
...and a hit on your brothel manager. |
00:34:38 |
Something you ordered? |
00:34:42 |
He was a thief. |
00:34:43 |
-Tell me about the bomb. |
00:34:46 |
There was no damage |
00:34:48 |
The arming device was impacted |
00:34:53 |
Brilliant plan, totally professional. |
00:34:56 |
-This guy is good. |
00:34:59 |
He could put a bomb in your crab shell |
00:35:04 |
I'll kill him! |
00:35:05 |
You can't kill anyone |
00:35:10 |
I'll find him. |
00:35:11 |
The important thing to find out |
00:35:15 |
Maybe he's with the CIA. |
00:35:17 |
Maybe he works for the Mafia. |
00:35:19 |
But we have to find out who. |
00:35:22 |
Overview. |
00:35:24 |
What does eliminating Charlie mean |
00:35:28 |
-Nothing. |
00:35:30 |
So this target wasn't territorial. |
00:35:31 |
It was personal. |
00:35:34 |
How the fuck do you know so much? |
00:35:36 |
He's guessing. Let me take a few boys, |
00:35:40 |
Wait a minute. Give me a second. |
00:35:45 |
Little time to think here, huh? |
00:35:53 |
You take over, OK? |
00:35:56 |
I said, Trent will handle it, OK? |
00:36:01 |
-What did you say? |
00:36:02 |
That's nice. Thank you. |
00:36:08 |
Fuck you. |
00:36:12 |
I'll need resources on this one, Joe. |
00:36:15 |
Also, the place was crawling with cops. |
00:36:18 |
I can't be tripping over civil servants |
00:36:20 |
I need total control. |
00:36:22 |
Yeah, OK, I will.... |
00:36:25 |
I will take care of that. |
00:36:31 |
Personally. |
00:37:56 |
Hello, Timer. |
00:37:58 |
Having a good day? |
00:38:06 |
Here you go. Knock yourself out. |
00:38:43 |
I saw it on the news. |
00:38:46 |
You got the first one. |
00:38:48 |
Thank you. |
00:38:50 |
Thank you. |
00:38:51 |
Well, I'mjust doin' myjob. |
00:38:55 |
I could help you. |
00:38:57 |
I could... |
00:38:58 |
...set them up for you. |
00:38:59 |
No, you stay clear. |
00:39:02 |
Their future is about to become very dark. |
00:39:06 |
You're still following me. |
00:39:08 |
Aren't you? |
00:39:11 |
It's gotten so I can feel you. |
00:39:13 |
It's all part of the work. |
00:39:16 |
Do you think about me? |
00:39:18 |
I think about you. |
00:39:20 |
My own personal ghost. |
00:39:23 |
Or angel maybe. |
00:39:25 |
-We could meet. |
00:39:28 |
But, I don't meet. |
00:39:30 |
-When this is over, I should leave. |
00:39:35 |
Soon. |
00:39:36 |
Very soon. |
00:39:44 |
Trent, you know the Chief of Police. |
00:39:46 |
Trent is going to work with us |
00:39:50 |
He was a former employee of the... |
00:39:53 |
...CIA. |
00:39:55 |
He is an explosives expert, |
00:39:59 |
I don't know. |
00:40:00 |
This has become very public. |
00:40:05 |
Yeah, please. |
00:40:07 |
It would be hard for Ned to go unnoticed. |
00:40:11 |
I think there's more involved here |
00:40:18 |
I'd say that I'm the one you can trust, |
00:40:22 |
To take him out clean. |
00:40:24 |
Our bomb boys are the best. |
00:40:26 |
I hope that's true. |
00:40:29 |
...because this man's impressive. |
00:40:31 |
What are you, a fucking fan? |
00:40:33 |
Come on! Stop that, this is serious, right? |
00:40:36 |
Don't you two start! |
00:40:39 |
We're here to find a way to protect |
00:40:42 |
Is that understood? |
00:40:47 |
I must tell you... |
00:40:49 |
...that this one is not negotiable. |
00:40:51 |
I'll do what I can. Put him on as a fed. |
00:41:02 |
Chief, always a pleasure. |
00:41:05 |
Good to see you again. |
00:41:11 |
OK, Danny, help me up. |
00:41:15 |
Oh, boy. I hate that deep couch. |
00:41:19 |
Now, listen. Danny, you'll do me a favor. |
00:41:24 |
Do your best to make |
00:41:27 |
No, please. You do that, |
00:41:30 |
...l will not forget you. |
00:41:40 |
A man's got to eat. |
00:41:48 |
Idiota. |
00:42:04 |
Where's the bomb squad? |
00:42:17 |
Come on, boys and girls, |
00:42:20 |
What've you got? |
00:42:22 |
We're doing a complete background |
00:42:27 |
Give me the next one. |
00:42:39 |
Listen, I'll handle the biographies. |
00:42:47 |
Chief says you're on this. Fine. |
00:42:50 |
But I don't take orders |
00:42:53 |
OK, Ace? |
00:42:56 |
I must tell you. I'm sorry, |
00:42:59 |
...the fullest cooperation |
00:43:02 |
I must tell you something. |
00:43:04 |
This doesn't feel like full cooperation. |
00:43:07 |
Look at this shit. What's this? |
00:43:09 |
Shouldn't this be in the lock-up? |
00:43:11 |
I don't know. Maybe I'm wrong. |
00:43:13 |
You guys are the experts. |
00:43:16 |
I mean, like what is this? This is.... |
00:43:20 |
This is Semtex. |
00:43:21 |
Am I right? Plastique. |
00:43:24 |
Plastic explosive. |
00:43:25 |
Am I right? You're the expert. |
00:43:27 |
This could blow up this whole area, |
00:43:30 |
...the whole building could go up. |
00:43:33 |
I don't know. |
00:43:35 |
Maybe if I put this in here.... |
00:43:39 |
What else do we have here? |
00:43:41 |
This is a plunger detonator, right? |
00:43:46 |
This looks like American circuitry to me. |
00:43:49 |
...but American craftsmanship |
00:43:53 |
Watch. |
00:43:55 |
Here we go. |
00:43:57 |
Let's see. |
00:44:00 |
Perfect fit, first time... |
00:44:02 |
...every time. Screw it on. |
00:44:04 |
One little twist. |
00:44:06 |
And, voilà. |
00:44:08 |
A perfect receiver bomb. |
00:44:10 |
Which of course is... |
00:44:12 |
...absolutely worthless without a... |
00:44:16 |
...transmitter. |
00:44:25 |
Twenty seconds, and... |
00:44:27 |
...we're hot. |
00:44:30 |
Deactivate it, you sanctimonious prick! |
00:44:33 |
Cut that shit! |
00:44:37 |
OK, you made your point! |
00:44:38 |
Have l? |
00:44:40 |
-That's enough! |
00:44:43 |
You think I give a shit |
00:44:45 |
I don't! |
00:44:46 |
You've had enough. Is that it? |
00:44:48 |
Yes, enough is enough! |
00:44:51 |
-I can't do it. |
00:44:53 |
What the hell, are you crazy? |
00:44:56 |
I'm the craziest person |
00:44:59 |
Six. |
00:45:01 |
Five. |
00:45:03 |
Four. |
00:45:04 |
-Three. |
00:45:15 |
Now, here's a tip... |
00:45:17 |
...you take care of the shit work. |
00:45:20 |
And leave the fox at the party to me. OK? |
00:45:24 |
We on the same page? |
00:45:29 |
Ace? |
00:46:10 |
Do you like it? Those go upstairs. |
00:46:12 |
I like where I live. |
00:46:15 |
I like you where I live. |
00:46:18 |
Thanks. |
00:46:20 |
Close the doors. Leave. |
00:46:36 |
Better than you're used to? |
00:46:38 |
Next time you order a hit you might |
00:46:47 |
You like to live dangerously? |
00:46:51 |
A little danger never killed anyone. |
00:46:53 |
Right, baby? |
00:46:56 |
Sometimes. |
00:47:12 |
You know... |
00:47:13 |
...when I look at you... |
00:47:17 |
...l see something I like very much. |
00:47:21 |
Know what it is? |
00:47:23 |
I'm breathless with anticipation. |
00:47:26 |
I see me. |
00:47:41 |
Let's get this over with. |
00:48:04 |
Wait a minute. |
00:48:07 |
You're the Mob's accountant, Bill. |
00:48:10 |
Is that all you've got for me? |
00:48:12 |
No. I have something else for you. |
00:48:21 |
See you later. |
00:48:22 |
Don't touch that! It could be a bomb! |
00:48:29 |
Very funny. |
00:49:42 |
Son of a bitch! |
00:50:01 |
Kid! |
00:50:05 |
Look at the way you parked |
00:50:08 |
Sir, I didn't park your car. |
00:50:13 |
Sorry. |
00:50:15 |
I'll get it for you. |
00:50:54 |
Here's your tip. |
00:52:32 |
Some ride that must have been. |
00:52:36 |
Is this the decoy? |
00:52:38 |
Who was this supposed to fool? |
00:52:42 |
Any witnesses? |
00:52:45 |
The kid? |
00:52:51 |
Nice one, Ray. |
00:52:54 |
Clever boy. |
00:53:04 |
'"Bye-bye.'" |
00:53:07 |
At least he hasn't lost his sense of humor. |
00:53:15 |
Who gave you permission to smile? |
00:53:17 |
Shut up. |
00:53:43 |
Quite a step up for you, isn't it? |
00:53:45 |
Depends on how you look at it. |
00:53:49 |
-Tomas is on his way-- |
00:53:52 |
Who are you? |
00:53:54 |
I said, '"Who are you?'" |
00:53:57 |
Who are you? |
00:53:58 |
I'll tell you who you are. |
00:53:59 |
You are nobody. |
00:54:01 |
I created Adrian Hastings. |
00:54:03 |
I got you inside. |
00:54:05 |
You work for me. |
00:54:10 |
You should have him |
00:54:12 |
You get your three corpses, |
00:54:15 |
That was the deal. What happened? |
00:54:18 |
I can't keep him on the line |
00:54:21 |
He doesn't want to take a meeting. |
00:54:23 |
What should I do? |
00:54:26 |
You're in over your head. |
00:54:28 |
Maybe you've outlived your usefulness. |
00:54:31 |
You need me. |
00:54:33 |
I studied him, I drew him out. |
00:54:37 |
With my voice, with my ads. He trusts me. |
00:54:42 |
Why do I need you? |
00:54:44 |
Why don't I just grab him |
00:54:47 |
Why do you even need... |
00:54:49 |
...to live at all? |
00:54:51 |
Maybe he's not interested in a big-mouth, |
00:54:58 |
You know what I love about you? |
00:55:02 |
It's not just this... |
00:55:04 |
...poetry. |
00:55:08 |
It's your heart. |
00:00:04 |
But if you don't set up a meeting with |
00:00:08 |
...you'll pray for a lifetime |
00:00:11 |
...his delicate touch. |
00:00:14 |
-I promise. |
00:00:16 |
I'm sorry. |
00:00:21 |
I've always wondered... |
00:00:25 |
...what was it like... |
00:00:28 |
...after you watched your parents die. |
00:00:30 |
Did you go over to the bed? |
00:00:33 |
Did little May hug them? |
00:00:37 |
Did you try to shake them awake? |
00:00:41 |
How much blood? |
00:00:43 |
I'm just curious, was there... |
00:00:46 |
...a lot of blood? |
00:00:48 |
Don't push me. |
00:01:08 |
What are you doing here? |
00:01:10 |
Take it easy, hotshot. |
00:01:12 |
I'm checking up on you. |
00:01:14 |
I don't need you goddamn |
00:01:17 |
Why don't you look for who's hitting us? |
00:01:21 |
What's the first move? |
00:01:22 |
Door-to-door search? |
00:01:24 |
I'm sick of you. |
00:01:26 |
My father thinks he needs you. |
00:01:29 |
When he finds out he doesn't... |
00:01:31 |
...you're mine. |
00:01:33 |
Well.... |
00:01:35 |
I feel threatened. |
00:01:36 |
You are threatened. |
00:03:07 |
Five hundred. |
00:03:19 |
OK, I'm out of here. |
00:04:26 |
Just a second. |
00:04:31 |
May Munro. |
00:04:43 |
Where are you going! |
00:04:45 |
Get up! |
00:04:46 |
Go in there! Get him! |
00:04:53 |
Keep them back. |
00:04:58 |
Get them out! |
00:05:07 |
Good one, Ray. |
00:05:09 |
Really good. |
00:05:57 |
Joe, I am so sorry. |
00:06:09 |
You're sorry? |
00:06:13 |
My son... |
00:06:17 |
...is in a closed casket... |
00:06:21 |
...and... |
00:06:23 |
...you are sorry. |
00:06:28 |
I hold you responsible. |
00:06:30 |
He wouldn't lay low. |
00:06:32 |
What did you say? |
00:06:37 |
I said, '"He wouldn't lay low.'" |
00:06:39 |
Are you trying to tell me |
00:06:43 |
That's how it was. |
00:06:44 |
The way it was! |
00:06:48 |
His life was in your hands! |
00:06:50 |
You know what you did? |
00:06:52 |
You cut my heart out, you know. |
00:06:56 |
And now you look, my... |
00:07:01 |
...my son... |
00:07:04 |
...is lying in a box. |
00:07:07 |
You know... |
00:07:08 |
...you were the one... |
00:07:10 |
...who let it happen. |
00:07:12 |
You're not thinking straight. |
00:07:14 |
Jesus Christ, don't you try to tell me. |
00:07:16 |
I swear to God, don't say another word. |
00:07:18 |
Not another word or I'll kill you here. |
00:07:20 |
You understand? |
00:07:33 |
Now... |
00:07:38 |
...you go out... |
00:07:41 |
...you go out and you find |
00:07:45 |
...and you... |
00:07:47 |
...bring him to me alive... |
00:07:50 |
...before I bury Tomas. |
00:09:14 |
"Adrian Hastings of Miami, Dade County. |
00:09:17 |
"Services 3:00 p.m., Friday |
00:09:25 |
Her body's in cold storage |
00:09:32 |
How does this sound? |
00:09:33 |
'"Lonely, needy, deeply hurt. |
00:09:37 |
Story of my life. |
00:09:41 |
Get this on every major |
00:09:44 |
Put the response number through |
00:09:48 |
OK? |
00:09:48 |
OK. |
00:10:22 |
Guys like this, they won't advertise. |
00:10:26 |
Do your best. |
00:10:30 |
Hi, baby! Are you wearing any underwear? |
00:10:34 |
Get rid of him. |
00:10:35 |
Your experience doesn't match my needs. |
00:10:38 |
-Get rid of him. |
00:10:42 |
Thirty calls and nothing. |
00:10:44 |
I don't know if this makes sense. |
00:10:45 |
I'll decide if it makes any sense or not, OK? |
00:10:48 |
Go on, take it. Take it! |
00:10:50 |
Line five and.... |
00:10:53 |
Go. |
00:10:54 |
Hello? |
00:10:55 |
Calling about the ad, right? |
00:11:00 |
Yeah. |
00:11:03 |
Right. |
00:11:05 |
I thought you were someone else. |
00:11:08 |
The ad was similar to others. |
00:11:10 |
Give me a number. |
00:11:14 |
Forget it. |
00:11:15 |
You have a message from May. |
00:11:17 |
I've got a message... |
00:11:20 |
...from May. |
00:11:22 |
-Who is this? |
00:11:25 |
She wants to meet you. |
00:11:27 |
No, I don't think so. |
00:11:33 |
Put Trent on the line. |
00:11:35 |
What did you say? |
00:11:36 |
Trent. He's standing next to you. |
00:11:41 |
Put him on the line! |
00:11:45 |
Ned, can you hear me? |
00:11:48 |
Talk to me. Talk to me, Ned. |
00:11:51 |
Your playmates know what kind of man |
00:11:56 |
That killing people |
00:11:59 |
Watching those bloody bodies |
00:12:03 |
Talk to me. When you crawl |
00:12:07 |
...and you are alone, aren't you? |
00:12:12 |
Losing yourjob as a CIA attack dog... |
00:12:15 |
...or knowing that I turned you in |
00:12:19 |
Talk to me! |
00:12:20 |
You'll sell your service |
00:12:23 |
You stinking maggot! |
00:12:24 |
Fuck you, Ray! Fuck you! You killed! |
00:12:28 |
Your bombs! |
00:12:30 |
How many? 10, 50, 100, |
00:12:34 |
It was your bombs on the bridge |
00:12:38 |
But you're getting sloppy. |
00:12:42 |
You killed an innocent bystander. |
00:12:44 |
It is eating you up inside, isn't it? |
00:12:46 |
You were always too sensitive. |
00:12:50 |
I'm coming to take all the pain away. |
00:12:53 |
I'll fucking cut it right out of you, |
00:12:57 |
I'm right behind you! I know you! |
00:13:00 |
You've got no mercy. |
00:13:05 |
And you got no code. |
00:13:06 |
-Listen to me, you son of a bitch! |
00:13:14 |
Goddamn it! |
00:13:15 |
Son of a bitch! |
00:13:17 |
I'll fucking kill you! I'll vaporize your ass! |
00:13:19 |
What're you looking at? |
00:13:24 |
Turn around! |
00:13:33 |
Nobody... |
00:13:35 |
...says a word. |
00:13:39 |
Tell me that you got a trace. |
00:13:41 |
Just tell me. |
00:13:43 |
He jumped off before we locked him. |
00:13:46 |
-We got a partial trace. |
00:14:15 |
She gave of herself... |
00:14:18 |
...for 40 years. |
00:14:20 |
She dedicated her life... |
00:14:22 |
...generously... |
00:14:24 |
...courageously... |
00:14:27 |
...to all of us, Cuban orphans everywhere. |
00:14:32 |
She has shown us a road. |
00:14:34 |
For the wages sin pays is death. |
00:14:38 |
But the gift God gives... |
00:14:41 |
...is everlasting life... |
00:14:43 |
...by Christ, Jesus, Our Lord. |
00:15:49 |
How did I look? |
00:16:29 |
Why did you do this? |
00:16:31 |
I wanted to meet you. |
00:16:35 |
I wanted to know if you were |
00:16:39 |
Nobody ever is. |
00:17:06 |
Hold it. |
00:17:10 |
Open the casket. |
00:17:12 |
Who are you? |
00:17:13 |
I said, '"Open the fucking casket! '" |
00:17:25 |
Bitch! |
00:17:27 |
Fuck! |
00:18:01 |
We shouldn't be here. |
00:18:04 |
Not if we want to stay alive. |
00:18:06 |
Is it worth it? |
00:18:08 |
I think so. |
00:18:14 |
I hope so. |
00:18:38 |
Let me see this beautiful face. |
00:20:58 |
Why'd you let me think I killed you? |
00:21:00 |
It was the only way |
00:21:03 |
Give me some details. |
00:21:05 |
Poor lady O.D.'d in the emergency room. |
00:21:10 |
I dropped my wallet in her purse... |
00:21:12 |
...and here I am. |
00:21:16 |
Pretty good, especially... |
00:21:19 |
...if you're an amateur. |
00:21:23 |
You could've been killed. |
00:21:26 |
I had to be there when he died. |
00:21:29 |
I needed to see it. |
00:21:34 |
Anyway.... |
00:21:37 |
I knew you'd choose |
00:21:41 |
I studied your style. |
00:21:45 |
I know you always focused |
00:21:51 |
So I knew... |
00:21:54 |
...as long as I was facing Tomas, |
00:22:00 |
Even closer, like this... |
00:22:07 |
...l knew I'd feel safe. |
00:22:19 |
Excuse me. |
00:22:20 |
Police are looking for these two. |
00:22:22 |
If you see them, |
00:22:26 |
Wait. |
00:22:28 |
I have seen them. |
00:23:15 |
Back from the dead. |
00:23:18 |
Jesus. |
00:23:19 |
Thank God. |
00:23:21 |
I was just going to call you. |
00:23:23 |
About the funeral thing, |
00:23:27 |
It was the only way to draw him out. |
00:23:29 |
It worked. I don't have to tell you. |
00:23:31 |
I used the '"attachment'" thing, |
00:23:35 |
Couldn't stay away from me. |
00:23:37 |
So? |
00:23:38 |
I just want to get one thing straight. |
00:23:41 |
You did all this to deliver him to me? |
00:23:46 |
We had a deal. I hold up my end of a deal. |
00:23:49 |
You're a classic, May. |
00:23:51 |
Where is he? |
00:23:53 |
-Here! |
00:23:54 |
-In the hotel. |
00:23:56 |
I got a key. I think it-- |
00:24:02 |
This key? |
00:24:04 |
I mean, I do have a key. |
00:24:06 |
-He's on a high floor, it's 10 or 1 1 . |
00:24:10 |
-Go on. |
00:24:13 |
-Shut up. Take her to the car. |
00:24:16 |
Stop yanking me around! |
00:24:26 |
He made me so nervous. |
00:24:29 |
Where can I go? |
00:24:37 |
Harry, listen-- |
00:24:40 |
Harry, she'll call you back. |
00:24:44 |
Give me my phone! |
00:24:50 |
Room 1205. |
00:25:04 |
León's men are on their way up. |
00:25:06 |
You set me up. |
00:25:08 |
-Why? |
00:25:30 |
Hit it. Let's get out. |
00:25:31 |
There's a fire. Let's go. Rush. |
00:25:36 |
Where you going? Use the stairs. |
00:26:20 |
We're sorry. |
00:26:23 |
Please check the number and |
00:26:34 |
Ifyou have to make a call, |
00:26:39 |
Ifyou need help, |
00:27:10 |
Don't move! |
00:27:11 |
Don't touch anything! |
00:27:25 |
Give me your hand! |
00:27:48 |
Holy shit! |
00:27:58 |
Go! Go! |
00:28:10 |
Hey, what's with the lights here? |
00:28:12 |
Security, get him! |
00:28:46 |
Come on, asshole! Come on! |
00:29:23 |
There has been an accident, |
00:29:26 |
No cause for alarm. |
00:29:55 |
That's her. |
00:29:57 |
Her who? |
00:29:58 |
That's the bitch who was banging Tomas. |
00:30:01 |
Her ID was faked. |
00:30:08 |
Alice... |
00:30:09 |
...and Stan Munro. |
00:30:12 |
What are you talking about? |
00:30:15 |
I was the kid your little boy |
00:30:23 |
That was a long time ago. |
00:30:25 |
Not to me. |
00:30:28 |
Now I understand. |
00:30:30 |
Now I understand. You.... |
00:30:32 |
You think... |
00:30:35 |
...that my son Tomas gave the orders |
00:30:40 |
If anybody in this house has power to give |
00:30:45 |
Understand? I give the orders. |
00:30:47 |
I give the orders of who is killed... |
00:30:50 |
...and who is not killed. |
00:30:55 |
I need her... |
00:30:57 |
...to get to Ray. |
00:30:58 |
I must make one phone call, |
00:31:00 |
But I need her now. |
00:31:02 |
You sure? |
00:31:04 |
Joe, please. |
00:31:11 |
Take the bitch. |
00:31:32 |
Show time. |
00:31:36 |
-Hello? |
00:31:38 |
I'm sorry. I didn't know they were coming. |
00:31:42 |
I'll tell you what I believe. |
00:31:44 |
I believe you're very good on the phone. |
00:31:48 |
I need to see you. |
00:31:51 |
And get set up again? |
00:31:53 |
No, I'll pass. |
00:31:56 |
I'm through taking risks. |
00:31:57 |
So that's it? |
00:31:59 |
We just walk away? |
00:32:01 |
Forever? |
00:32:02 |
It's safer for everybody. |
00:32:07 |
Come on, I don't know what |
00:32:11 |
...but I know it's not based on safety. |
00:32:14 |
You're too much of an unknown. |
00:32:17 |
Adrian Hastings, May Munro. |
00:32:19 |
Who the hell are you? |
00:32:23 |
Remember the Fontainebleau? |
00:32:25 |
I remember. |
00:32:29 |
Remember touching me? |
00:32:33 |
Do you remember my voice? |
00:32:36 |
Not over the phone... |
00:32:40 |
...but carried on breath. |
00:32:43 |
On you. |
00:32:46 |
Near you. |
00:32:50 |
Close enough to feel. |
00:32:52 |
Why are you saying this to me? |
00:32:55 |
Because I have to. |
00:32:59 |
Come on, Ray. |
00:33:02 |
You gotta see me. |
00:33:05 |
Please. |
00:33:07 |
Please, baby. |
00:33:19 |
Double-M Seafood, right now. |
00:33:23 |
All right. |
00:33:24 |
And Ray.... |
00:33:26 |
I'm here. |
00:33:28 |
Do you remember the note |
00:33:31 |
The last thing I said to you? |
00:33:34 |
I remember everything. |
00:33:37 |
I meant every word. |
00:34:02 |
You're goin' in alone. |
00:34:04 |
And if this is a trap... |
00:34:06 |
...l promise you, you're gonna die. |
00:34:09 |
But if he's in there... |
00:34:11 |
...make him feel safe and secure. |
00:34:15 |
...on this microphone. |
00:34:17 |
The second I hear his voice... |
00:34:20 |
...we move in. |
00:34:21 |
Understand? |
00:34:22 |
Now get out of the fucking car. |
00:34:41 |
When this is all over... |
00:34:43 |
...l can see us spending time together. |
00:34:46 |
You know, you wash... |
00:34:49 |
...the stink of Tomas and Ray off you... |
00:34:52 |
...you might clean up pretty good. |
00:35:03 |
Go ahead. |
00:35:06 |
And then you can go in |
00:35:08 |
I don't give a shit! |
00:35:13 |
Go on! |
00:35:16 |
Move! |
00:35:26 |
If she blinks... |
00:35:28 |
...kill her. |
00:35:55 |
Bad plan, Ned. |
00:35:57 |
That's it, we've got him. Move in. |
00:36:23 |
Go, you chicken shits! |
00:36:25 |
You think he'll top that? Get in there! |
00:36:28 |
Watch the river and the side streets! |
00:36:31 |
Fucking crabs! |
00:36:32 |
Nice one. |
00:36:39 |
Watch the river! |
00:37:05 |
You want to set me up again? |
00:37:08 |
What's that? |
00:37:10 |
Break it down. |
00:37:14 |
Air brakes. |
00:37:18 |
Complex sound, slightly muffled. |
00:37:21 |
People talking... |
00:37:22 |
...clamping down steps. |
00:37:25 |
A clapping shut. |
00:37:27 |
Voices...mechanical sounds. |
00:37:30 |
-A hiss! |
00:37:34 |
You must have an overview. |
00:37:36 |
Are they on both tapes? |
00:37:38 |
I knew it! We gotta have bus routes. |
00:37:43 |
He uses pay phones, |
00:37:46 |
Oh, Ray, always so precise. |
00:37:49 |
Let's say, he gets on a bus |
00:37:52 |
...goes in both directions. |
00:37:55 |
He takes the bus 20, 25 minutes |
00:38:01 |
Four, four and four. |
00:38:03 |
Here we go, triangulation. |
00:38:05 |
Three routes, that's it. |
00:38:10 |
How about the restaurants? |
00:38:12 |
He must eat sometime. |
00:38:15 |
Try to remember. He'd have gotten off |
00:38:18 |
Look at that face! |
00:38:20 |
We have a lot of regular customers, |
00:38:23 |
Look at that face again! |
00:38:25 |
Nothing. |
00:38:27 |
Hey, Henry! |
00:38:31 |
I forgot to tell you, we deliver. |
00:38:53 |
Now there's a vision. |
00:39:00 |
Good morning, stranger. |
00:39:03 |
I've got to go. |
00:39:04 |
Where? I think we already wore out |
00:39:15 |
I want to stay with you. |
00:39:18 |
But it's not over for me. |
00:39:23 |
Let me get this right. |
00:39:27 |
You think killing Joe |
00:39:30 |
Something has to. |
00:39:34 |
You did the job. I'm not asking |
00:39:39 |
No. |
00:39:41 |
You owe her. |
00:39:45 |
Her. A whole life. Come here. |
00:39:50 |
Come here. |
00:40:00 |
Put all this behind you now, |
00:40:04 |
I know what I'm talking about. |
00:40:10 |
I have to go. |
00:40:12 |
Wish me luck. |
00:40:14 |
No. |
00:40:25 |
Come here. You're not going. |
00:41:12 |
Detonation sequence primed. Enter code. |
00:41:15 |
Top of the world, Mom. |
00:41:18 |
Controlled! |
00:41:20 |
One...two...three.... |
00:41:32 |
I'm afraid to ask. |
00:41:33 |
Explosions will occur |
00:41:36 |
Each one of these lights is a pressure |
00:41:40 |
-Where are they? |
00:41:42 |
Don't worry, they're not armed yet. |
00:41:43 |
When these lights turn red...worry. |
00:41:56 |
This is good. Nice sneak attack! |
00:41:58 |
Do not approach the warehouse. |
00:42:02 |
Please, cut the bullshit. |
00:42:11 |
That's a good one. I taught him that. |
00:42:16 |
Nice sense of irony, |
00:42:19 |
Nice work, Ray. |
00:42:21 |
WARNING! |
00:42:22 |
Gunfire will automatically |
00:42:25 |
...sufficient to destroy two square miles. |
00:42:33 |
Give me that. |
00:42:36 |
Listen up! Anybody shoots... |
00:42:38 |
...anybody shoots, I shoot them! |
00:42:42 |
This whole place is wired and |
00:42:57 |
That's new. |
00:42:59 |
How's that feel, Ace? |
00:43:05 |
Fuck this amateur hour. |
00:43:17 |
You're crazy. |
00:43:25 |
All the highly trained professionals |
00:43:31 |
...all the hardware... |
00:43:33 |
...all the technology, |
00:43:37 |
Nothing. |
00:43:39 |
You gotta do everything yourself. |
00:43:43 |
And why? |
00:43:46 |
You can't get good help these days. |
00:44:14 |
A surprise for you, Ray. |
00:44:22 |
It's set. Let's go. |
00:44:31 |
Don't move! |
00:44:32 |
-I'll lead you through the mines. |
00:44:35 |
Ray...? |
00:44:39 |
I'm sorry. Should I have knocked? |
00:44:47 |
You lose, I win. |
00:44:51 |
She's hot, Ray. |
00:44:54 |
Cigarette case. Honest lnjun, take a look. |
00:44:59 |
Just a peek, no touch. |
00:45:08 |
You might ask yourself, |
00:45:16 |
Take it out. Slowly. |
00:45:19 |
Slowly. |
00:45:23 |
Open it. |
00:45:27 |
Everyone deserves to die. |
00:45:30 |
Ask God. |
00:45:31 |
He kills across the board. |
00:45:36 |
So why shouldn't l? |
00:45:39 |
Bye. |
00:45:42 |
Here's a tip I learned from you. |
00:45:44 |
It's a focused detonation. Only she blows. |
00:45:46 |
-It's pretty nifty. |
00:45:49 |
Any change in angle, it goes. |
00:45:52 |
Got it. |
00:45:53 |
Anyway, Ray, she's dead already. |
00:45:56 |
...what I need is to take you alive |
00:45:59 |
...wants to look in your eyes when you die. |
00:46:02 |
Sick fuck. |
00:46:04 |
I'm touched, really. |
00:46:06 |
What happened to us, Ray? |
00:46:09 |
We were... |
00:46:11 |
...we were good together. |
00:46:15 |
You were the rigger and I was the trigger. |
00:46:20 |
You shouldn't have taken me down. |
00:46:22 |
Because now, you fuck! |
00:46:28 |
I see you're still into |
00:46:32 |
Those memories always do you in, right? |
00:46:35 |
It's that '"trying to save the innocent.'" |
00:46:38 |
You know your problem, Ray? |
00:46:42 |
You're too sentimental. |
00:46:43 |
There's nothing wrong |
00:46:47 |
Sometimes it can save your ass. |
00:46:54 |
Here's a tip: no fail-safe. |
00:46:56 |
Pressure pads. |
00:47:05 |
30 seconds to total destruction. |
00:47:10 |
Slide it to me. |
00:47:16 |
25 seconds. |
00:47:19 |
It's all right. |
00:47:21 |
Just do it, May. |
00:47:22 |
Slide your hands out. |
00:47:25 |
20 seconds. |
00:47:31 |
Get out of here. |
00:47:34 |
Not without you. |
00:47:38 |
I'm right behind you. |
00:47:44 |
10 seconds. |
00:47:52 |
5 seconds. |
00:47:54 |
Come on! Come on! |
00:47:57 |
3 seconds. |
00:49:21 |
Thank you. |
00:49:32 |
You are a kind God. |
00:49:36 |
Thank you. |
00:50:04 |
You bastarda! |
00:50:18 |
How do you feel? |
00:50:19 |
Better. |
00:54:26 |
Subtitles conformed by SOFTITLER |
00:55:02 |
Word is you are the best. |
00:55:05 |
If we couldjust meet.... |
00:55:07 |
I don't meet or work in Miami |
00:55:11 |
Every day is worse... |
00:55:13 |
...remembering what happened. |
00:55:15 |
For twenty years |
00:55:19 |
Waste them. |
00:55:21 |
...against an untouchable criminal empire. |
00:55:24 |
The only thing I understand anymore |
00:55:26 |
You'll only get one of them. |
00:55:28 |
That's why I need you. |
00:55:29 |
Her only hope is |
00:55:35 |
His identity is unknown. |
00:55:38 |
An explosives expert. |
00:55:39 |
He uses his skills to punish |
00:55:45 |
Your specialist's name is Ray Quick. |
00:55:47 |
He's ex-Coperative Ops. |
00:55:48 |
Worked with me in fact. Years ago. |
00:55:50 |
You deserve better. |
00:55:52 |
This guy is good. |
00:55:53 |
If he put a bomb in your crab shell |
00:55:56 |
You think killing Joe is the solution? |
00:55:58 |
Something has to. |
00:56:01 |
Nice one, Ray. |
00:56:03 |
Now come on out. |
00:56:04 |
I want my son to be protected |
00:56:09 |
You like to live dangerously? |
00:56:11 |
A little danger never killed anyone. |
00:56:16 |
Come on, talk to me! |
00:56:17 |
You shot a lot of people! |
00:56:18 |
Now they've come back to haunt you! |
00:56:20 |
Fine then, come on! |
00:56:21 |
You've got no mercy. |
00:56:22 |
And you've got no code! |
00:56:24 |
I'm right behind you... |
00:56:25 |
...and I'm gonna |
00:56:27 |
Now! |