Species The Awakening
|
00:01:22 |
For the gods keep the secrets of life |
00:01:27 |
Men did, however, figure out one secret. |
00:01:31 |
How to use fire. |
00:01:34 |
And Zeus punished them |
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Something so terrible, |
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the writer Hesiod called it the source |
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Any guess what punishment |
00:01:50 |
Some kind of disease? |
00:01:53 |
No. |
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- War? |
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Fire? Floods? Drought? |
00:02:00 |
None of those. |
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For their punishment, Zeus gave them... |
00:02:07 |
Women. |
00:02:23 |
- Hello? Uncle Tom? |
00:02:39 |
Hey. |
00:02:41 |
- So, what's today's experiment? |
00:02:45 |
There are extinct |
00:02:50 |
Crinoids, a type of echinoderm. |
00:02:53 |
The mature crinoids artificially |
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Hence the name. |
00:02:59 |
Sea Lily. |
00:03:01 |
Very good. |
00:03:03 |
You know, theoretically, |
00:03:05 |
I could use the molecular genetic material |
00:03:13 |
Isn't that a little unnatural? |
00:03:15 |
Yeah. |
00:03:19 |
But interesting, right? |
00:03:24 |
You seem distracted. |
00:03:29 |
It's Oxford, |
00:03:32 |
But I can't go to England |
00:03:35 |
You're the only family I've got. |
00:03:39 |
I'll see you later. I have another class. |
00:04:08 |
Hey, Uncle Tom. |
00:04:11 |
What are you cooking? |
00:04:12 |
A fabulous red wine sauce. |
00:04:16 |
Tempting, but I have a date. |
00:04:19 |
He should already be here. |
00:04:22 |
As far as going to England is concerned, |
00:04:25 |
you're too talented for this little town. |
00:04:27 |
- Oh, but I thought we already |
00:04:32 |
But what if I came with you? |
00:04:34 |
Really? |
00:04:37 |
You're bright. You deserve it. |
00:04:41 |
And anyway, I'm getting a little homesick. |
00:04:46 |
I don't know what to say. |
00:04:51 |
In cases like that, |
00:04:55 |
A toast. |
00:05:00 |
To your future. |
00:05:02 |
And to Oxford. |
00:05:04 |
Oh, that must be him. |
00:05:07 |
Don't wait up. |
00:05:10 |
- And thank you. |
00:05:53 |
Miss? |
00:05:57 |
Jesus Christ. |
00:06:14 |
Miranda? |
00:06:22 |
Hey, Miranda, come on, |
00:06:32 |
Miranda, come on, you... |
00:06:38 |
What have we got? |
00:06:39 |
Female. No ID or any clothing. |
00:06:42 |
Some jogger found her |
00:06:49 |
Uncle Tom? |
00:06:50 |
I hope you're hungry. |
00:06:52 |
Tempting, but I have a date. |
00:06:56 |
You're bright. |
00:06:59 |
To your future. |
00:07:09 |
Miss. I need you |
00:07:13 |
What's your name? |
00:07:16 |
Miranda. Hollander. |
00:07:22 |
Hollander. |
00:07:56 |
These blood levels can't be right. |
00:08:07 |
These aren't human. |
00:08:09 |
We shot them. That's how they came out. |
00:08:12 |
Yeah, right. Nice try. |
00:08:15 |
Stop screwing with me. |
00:08:19 |
Okay. You're the boss. Whatever you say. |
00:08:34 |
Just stay still and relax, ma'am. |
00:09:42 |
Edward? What kind of joke is this? |
00:10:07 |
Get out! |
00:11:54 |
- What's going on? |
00:12:42 |
I don't understand. |
00:12:46 |
When are you going to tell me |
00:12:49 |
We're going to Mexico. |
00:12:52 |
Mexico? Why? |
00:12:57 |
Well, it's beautiful down there. |
00:13:01 |
Haven't you always wanted to see it? |
00:13:03 |
Is it the police you're afraid of? |
00:13:10 |
Yeah. |
00:13:11 |
Whatever happened at the hospital, |
00:13:17 |
Right? |
00:13:26 |
Are you saying I killed those people? |
00:13:32 |
Yes. |
00:13:34 |
And no. |
00:13:39 |
"Yes and no"? |
00:13:42 |
What are you not telling me? |
00:13:45 |
You're sick. |
00:13:49 |
- And I can't help you. |
00:13:52 |
With what? |
00:13:56 |
I wish I knew. |
00:14:00 |
But, Uncle Tom... |
00:14:02 |
If I'm sick, shouldn't I go see a doctor |
00:14:07 |
No. |
00:14:09 |
They can't help you either. |
00:14:12 |
Why not? |
00:14:24 |
We're going to Mexico |
00:14:30 |
He's an old colleague of mine |
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I was his professor. |
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Although sometimes I wondered |
00:14:42 |
He was brilliant. Crazy but brilliant. |
00:14:47 |
But I haven't seen him in years because I... |
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I didn't wanna have anything |
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But he's the only one that can... |
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That might be able to help you, Miranda. |
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I tried. |
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But I... |
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I guess I failed. |
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Tell me. |
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I didn't always work with fossils, Miranda. |
00:16:04 |
I always wanted to tell you the truth. |
00:16:08 |
The truth about what? |
00:16:15 |
Forbes and I made you. |
00:16:18 |
In our lab. |
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As part of a project we were working on. |
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I tried to keep it from you. |
00:16:35 |
No. |
00:16:40 |
There were these DNA strands... |
00:16:44 |
From somewhere else. |
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Sent to us. |
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I mean... |
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To Earth. |
00:16:59 |
We mixed those DNA strands |
00:17:03 |
Experimented with a new kind of life. |
00:17:09 |
You were one of the results. |
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But it was wrong. |
00:17:14 |
So I walked away from it. |
00:17:21 |
But I didn't want anything |
00:17:25 |
So I took you with me. |
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And raised you as best I could |
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You were all that mattered |
00:17:38 |
You're lying. |
00:17:41 |
Not this time, Miranda. |
00:17:45 |
What about your parents? |
00:17:52 |
My mother was your sister. |
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No. |
00:17:57 |
I'm an only child. They never existed. |
00:18:00 |
All your childhood memories |
00:18:03 |
were one big story I told you |
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Again and again, till you believed it. |
00:18:09 |
You only think you remember. |
00:18:20 |
I lied until you stopped asking me |
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Until you believed we were just |
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happy human beings. |
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I'm sorry. |
00:18:49 |
I am so... |
00:18:53 |
Terribly sorry. |
00:19:00 |
Lts okay, it's okay. |
00:19:38 |
So, why would Forbes live in Mexico? |
00:19:43 |
I guess some people |
00:19:46 |
And what did you two |
00:19:49 |
Let's just say |
00:19:53 |
I thought what we were doing |
00:19:59 |
He was abusing the project. |
00:20:02 |
Uncle Tom? |
00:20:16 |
- What's that? |
00:20:20 |
I've been administering them to you |
00:20:23 |
Just... |
00:20:25 |
Two or three times a year |
00:20:27 |
to keep the alien side |
00:20:33 |
But ever since you got sick... |
00:20:42 |
They don't seem to work as well. |
00:20:46 |
So, what exactly is wrong with me? |
00:20:51 |
I wish I knew. |
00:20:55 |
It could be an infection, |
00:21:00 |
Whatever it is, I don't know enough |
00:21:06 |
Forbes is the one who designed you, so... |
00:21:10 |
He's the only one |
00:21:22 |
It's going down. |
00:21:25 |
Yeah, for now. |
00:21:35 |
You're a mixture of human and alien DNA. |
00:21:39 |
A highly functional hybrid. |
00:21:43 |
You can soak up a body of knowledge |
00:21:48 |
I didn't teach you anything, Miranda. |
00:22:00 |
This look familiar? |
00:22:02 |
Of course. |
00:22:08 |
I read this a hundred times. |
00:22:12 |
You've never opened that book in your life. |
00:22:16 |
That's not possible. |
00:22:21 |
Okay. |
00:22:23 |
You know nothing about cars, right? |
00:22:25 |
Right. So what? |
00:22:31 |
Take this. |
00:22:33 |
Close your eyes. |
00:22:46 |
You know that clicking noise you have? |
00:22:49 |
You should switch to a higher octane gas. |
00:22:55 |
That's why you get |
00:23:34 |
If you sign here, sir. |
00:23:39 |
Your keys, senorita. Enjoy. |
00:23:43 |
I'm looking for an American who lives |
00:23:49 |
I'm not familiar with this gentleman. |
00:23:54 |
Thank you, I'd appreciate it. |
00:24:23 |
Hey. Where are you going? |
00:24:29 |
I'm going to find Forbes. |
00:24:35 |
Why don't you stay in and rest? |
00:24:39 |
I filled the syringe with the hormones. |
00:24:43 |
If the rash gets worse while I'm gone, |
00:24:50 |
I'll see you later. |
00:25:30 |
Hey, nino. |
00:25:42 |
Okay, gracias. |
00:26:59 |
Let me in! |
00:27:51 |
- Hold on there, fellow. Where's the fire? |
00:27:54 |
Hey, I know you. |
00:27:57 |
Leland Fisk. San Antonio, Texas. |
00:28:02 |
Same hotel. |
00:28:04 |
Hey, how'd you like to go for a drink? |
00:28:07 |
- No. No, thank you. |
00:28:09 |
Come on! I'm buying. Yeah. |
00:28:13 |
Look, I heard you back at the hotel, |
00:28:17 |
asking that Calderon fellow |
00:28:21 |
Well, I'll tell you something, |
00:28:24 |
unless you give him a bribe, |
00:28:28 |
No, that's the way |
00:28:30 |
They play dumb until you play ball. |
00:28:35 |
Now, you seem like a right, nice fellow, |
00:28:40 |
I'm gonna cut through all that bull, |
00:28:49 |
What are you getting at? |
00:28:51 |
You want to know how |
00:28:57 |
Now, at midnight, |
00:29:00 |
you go down |
00:29:05 |
There'll be a taxicab there. |
00:29:07 |
You wait till he flashes his lights. |
00:29:13 |
Then you go over |
00:29:19 |
Any business you have with Forbes, |
00:29:22 |
you put it in an envelope |
00:29:25 |
I'm looking for Forbes McGuire. |
00:29:59 |
Hey, where are we? Is this where he lives? |
00:30:05 |
I'm a friend of Forbes. |
00:30:09 |
Hey, buddy, are you listening to me? |
00:33:02 |
Come and sit |
00:33:06 |
Do not hasten to bid me adieu |
00:33:10 |
Just remember that Red River Valley |
00:33:15 |
And the fellow who loved you so true |
00:33:20 |
Oh, the Red River Valley |
00:33:29 |
Hold on, I'm coming. |
00:33:35 |
Hold your goll-darned horses, |
00:33:51 |
- Oh, you don't look so good. |
00:33:53 |
You set me up, you son of a bitch! |
00:33:55 |
- Now, you just hold on there. |
00:33:57 |
Now, I don't care who put you up to it, |
00:33:58 |
but, God help me, I'm not leaving here |
00:34:00 |
until you tell me where I find Forbes! |
00:34:03 |
Yeah, well, I don't think you're tough |
00:34:06 |
what to do in my own hotel room. |
00:34:11 |
Put the gun down. |
00:34:13 |
Oh, lookee here. |
00:34:16 |
Oh, is that your new bodyguard, huh? |
00:34:18 |
Put it down, now. |
00:34:20 |
Oh, I'm so scared, I'm scared. I'm... |
00:34:48 |
That cowboy |
00:34:54 |
What is this place? |
00:35:00 |
He can't be here. |
00:35:03 |
Listen. |
00:35:13 |
Whoever's here, they're behind this door. |
00:35:18 |
Yeah, but how do we get in? |
00:35:45 |
Yeah! Giddyup, girl. |
00:36:12 |
That's it! Giddyup! That's the way. |
00:36:18 |
Fantastic. |
00:36:21 |
Go on. Go on, what'd I say? What'd I say? |
00:36:26 |
Oh, that's a girl. Come on, sweetheart. |
00:36:34 |
Oh, baby. |
00:36:36 |
McGuire. |
00:36:38 |
What the... |
00:36:41 |
Holy shit! |
00:36:49 |
I don't believe it! |
00:36:51 |
As I live and breathe, Tom Hollander. |
00:36:54 |
Why did you try to have me killed? |
00:36:57 |
What are you talking about? |
00:36:58 |
I'm talking about the nun. |
00:37:02 |
And your friend, the cab driver. |
00:37:03 |
Okay, I do not know |
00:37:09 |
You haven't changed, have you? |
00:37:13 |
Hello, sweetheart. |
00:37:17 |
Forbes McGuire. |
00:37:20 |
Have we met somewhere before? |
00:37:23 |
And by the bys, |
00:37:27 |
You left out a keypad for us. |
00:37:33 |
Oh, my God. We have met before. |
00:37:38 |
You're G-178. |
00:37:40 |
- Her name's Miranda. |
00:37:48 |
Oh, right. |
00:37:54 |
Azura's my director |
00:37:58 |
We've already met. |
00:38:00 |
This was your nun. |
00:38:03 |
What? |
00:38:05 |
Oh, for God sakes, Azura. |
00:38:08 |
Listen, Tom, I'm really sorry, mate, |
00:38:12 |
That's because no one |
00:38:14 |
That's the trouble with these |
00:38:17 |
No complex thinking, love. |
00:38:19 |
Absolutely no higher |
00:38:23 |
But this one? |
00:38:25 |
Come on, sweetheart, |
00:38:29 |
I hold advanced degrees in Biochemistry, |
00:38:34 |
Well, well, well, |
00:38:38 |
You sly, old fox. |
00:38:41 |
I mean, come on. |
00:38:43 |
Frankenstein built some stumbling drunk |
00:38:45 |
with a couple of bolts |
00:38:47 |
Another bloke at Caltech wins tenure |
00:38:51 |
And you, you come up with this. |
00:38:55 |
The Holy Grail of every man's dream. |
00:39:09 |
What the... |
00:39:14 |
What's happening to her? |
00:39:16 |
She's sick. |
00:39:24 |
Put her up there. |
00:39:26 |
We need an IV line |
00:39:29 |
Oh, no shit? |
00:39:32 |
And keep an eye on her blood pressure. |
00:39:34 |
We need to stabilize |
00:39:38 |
Come on, sweetheart. |
00:39:59 |
You're playing with fire, you know that? |
00:40:03 |
Look, I dabble, okay? |
00:40:05 |
You know, once in a while |
00:40:08 |
And for Christ sakes, |
00:40:09 |
if I can really make |
00:40:11 |
by giving them back |
00:40:15 |
Because it's not their dead relative |
00:40:17 |
if they look like them, |
00:40:20 |
Do your clients even know that? |
00:40:22 |
They don't need to. |
00:40:26 |
The alien side almost never comes out. |
00:40:30 |
What about your cab driver? |
00:40:32 |
Look, who knows? You know? |
00:40:36 |
So, okay, there's been |
00:40:38 |
you know, |
00:40:40 |
And admittedly, you know, |
00:40:43 |
might have escaped into town, |
00:40:46 |
They die off in a month or two. |
00:40:54 |
What's wrong with Miranda? Any ideas? |
00:40:58 |
Yeah. |
00:41:04 |
So, what is it? What does she have? |
00:41:10 |
Old age. |
00:41:14 |
Come again? |
00:41:16 |
Mortality, mate. You know, |
00:41:19 |
She's just reached the end of her lifespan. |
00:41:24 |
Her? Are you crazy? Look at her. |
00:41:28 |
Yeah, I know. It's hard to believe, isn't it? |
00:41:31 |
She's young, she's beautiful, |
00:41:43 |
How long? |
00:41:45 |
I mean, you know, until... |
00:41:50 |
Soon. You know, today, maybe tomorrow. |
00:42:05 |
I could try making you another one. |
00:42:11 |
Whatever you might think, |
00:42:14 |
Well then, tell her the truth. |
00:42:17 |
Tell her she's gonna die. |
00:42:18 |
I mean, isn't that what being |
00:42:22 |
What about Azura? |
00:42:26 |
Don't you care about her? |
00:42:28 |
Hell, no. |
00:42:32 |
Blonde, probably, green eyes and a tan. |
00:42:35 |
I mean, come on, mate. |
00:42:39 |
No. |
00:42:42 |
Look, all right then, |
00:42:45 |
After all, you lied to her in the |
00:42:48 |
Was that because |
00:42:51 |
Or was it just a convenient way |
00:42:57 |
Oh, shit, mate. |
00:43:01 |
Don't listen to me. What do I know? |
00:43:04 |
I mean, look at me. |
00:43:09 |
I'm the one who should have died off |
00:43:13 |
I'll tell you, between me, you |
00:43:16 |
I kind of hope one of these buggers |
00:43:39 |
Miranda... |
00:43:42 |
I raised you as my niece, |
00:43:47 |
but I love you like my daughter. |
00:43:50 |
Unfortunately, |
00:43:54 |
there's nothing he can do. |
00:43:58 |
And I |
00:44:02 |
just want you to know |
00:44:06 |
I'm truly sorry. |
00:44:23 |
There's something I want to see. |
00:44:29 |
You name it. |
00:44:37 |
I don't know |
00:44:41 |
Or if I have a soul or not. |
00:44:44 |
But, whatever I've done, I have to settle it. |
00:44:57 |
Look, Miranda, |
00:45:00 |
Wherever you wanna go, we'll go. |
00:45:03 |
I would like to be back home. |
00:45:07 |
Of course. But... |
00:45:09 |
And go to the police there. |
00:45:12 |
The police? |
00:45:16 |
I killed people in that hospital. |
00:45:21 |
I need to take responsibility for that. |
00:45:25 |
Miranda... |
00:45:27 |
Even if... |
00:45:29 |
Even if I don't make it home, |
00:45:32 |
I have to try. |
00:45:46 |
Aw! |
00:45:50 |
Group hug? |
00:45:52 |
Come on, you two. Come with me. |
00:46:06 |
Okay, so there is one way |
00:46:12 |
Why didn't you tell us this before? |
00:46:15 |
Because it requires |
00:46:25 |
No way. |
00:46:28 |
I won't be a party to a murder. |
00:46:30 |
You won't get caught, all right? |
00:46:32 |
People disappear around here all the time, |
00:46:36 |
You gotta try and think of it |
00:46:39 |
You know, a complete infusion |
00:46:43 |
Miranda, it's the only way |
00:46:47 |
It's immoral. |
00:46:50 |
Immoral? Give me a break. |
00:46:54 |
Cheats, liars, murderers, rapists, |
00:46:57 |
We take one of those guys off the street, |
00:47:02 |
Well, that's... That's not the point. |
00:47:05 |
I'm not a killer. |
00:47:28 |
There must be another way. |
00:47:36 |
You have to let me accept this. |
00:47:40 |
I've had a good life, |
00:47:43 |
and mostly because of you. |
00:47:51 |
So, have you thought about what you'll do |
00:47:54 |
afterwards? |
00:47:58 |
Forbes is a lost soul. |
00:48:01 |
Living in a pit of misery. |
00:48:04 |
Maybe you should help him. |
00:48:08 |
Is there nothing good |
00:48:11 |
I told you, I want nothing more to do |
00:48:16 |
So you'd leave him here |
00:48:22 |
Can you honestly tell me |
00:48:25 |
working with things that have been dead |
00:48:30 |
Uncle, don't you miss |
00:48:38 |
You were my true scientific work. |
00:00:42 |
Hey, hey! Right here, mate. |
00:00:47 |
Get her on the table. |
00:00:52 |
We need to get a sedative inside her |
00:00:56 |
- Turns? |
00:00:57 |
She's fighting for her life, |
00:01:00 |
but very, very strong side comes out. |
00:01:10 |
Come on. |
00:01:14 |
Okay. |
00:01:16 |
Okay, that'll stabilize |
00:01:19 |
But we need to do a human graft soon, |
00:01:23 |
Now, go out and get me a donor. |
00:01:28 |
Me? You want me to... |
00:01:31 |
Yeah, it's time to get your hands dirty. |
00:01:37 |
Do you want to save her, or not? |
00:01:41 |
Go! |
00:04:27 |
Looking for me? |
00:04:33 |
Maybe. |
00:04:36 |
Do you want to dance? |
00:04:40 |
Sure. |
00:04:41 |
Let's go. |
00:05:26 |
Should we go somewhere else? |
00:05:31 |
Do me here. |
00:05:47 |
- Turn around! |
00:05:49 |
Turn around. |
00:05:54 |
- You're kidding. |
00:05:57 |
I don't believe this, you're robbing me? |
00:05:59 |
Now, where do you want it? |
00:06:16 |
Stop wasting time. Let's take her and go. |
00:06:26 |
Come on, let's get you home. |
00:06:36 |
Who are you pricks? |
00:06:39 |
Where am I? |
00:06:43 |
Let me go, let me go! |
00:06:46 |
Shut up! You're about to be harvested. |
00:07:17 |
Please! |
00:07:22 |
Please let me go, please, please! |
00:07:25 |
Why? |
00:07:28 |
Let me go! No! |
00:07:33 |
No, no! |
00:08:10 |
First off, we're going |
00:08:17 |
Time to go fishing. |
00:08:18 |
Oh, God. |
00:08:20 |
Hey, no worries, mate, |
00:08:22 |
This is monstrous. |
00:08:24 |
Fertilization achieved. |
00:08:28 |
Now, the trick here |
00:08:32 |
at just the right point in their evolution. |
00:08:37 |
In other words... Now. |
00:08:52 |
I'd forgotten how fast this thing went. |
00:09:07 |
Hey, hey, what's happening? |
00:09:09 |
The cells are infusing all over her body. |
00:09:12 |
That can't be good. |
00:09:23 |
Come on, you're killing her! |
00:09:24 |
Vital signs critical. |
00:09:26 |
Stop this! Stop it now! |
00:09:28 |
Hey, hey, hey, it's done, dude. |
00:10:31 |
Oh, crap. |
00:10:34 |
Miranda, easy. Easy. |
00:10:38 |
Easy. It's me. |
00:10:41 |
Come on, Miranda. Miranda, come on. |
00:10:44 |
It's me, it's okay. |
00:10:49 |
You're all right now. Come on. |
00:11:15 |
Hi. |
00:11:19 |
Where am I? |
00:11:21 |
In the presence of two bloody geniuses, |
00:11:27 |
Guess what? You're all better now. |
00:11:33 |
- But how did you... |
00:11:36 |
Here, drink some water. |
00:11:39 |
Temperature's normal, |
00:11:43 |
All systems are go. |
00:11:46 |
I don't know how to thank you. |
00:11:49 |
Hey, look what I found for you. |
00:11:54 |
Ovid's Metamorphoses. |
00:12:00 |
Intellectual functions appear present. |
00:12:04 |
The Metamorphoses is about people |
00:12:10 |
Your idea of a joke? |
00:12:25 |
Yeah, well... |
00:12:27 |
Then again, we haven't heard her |
00:12:31 |
Try me. |
00:12:33 |
I'll give you all the tenses. |
00:12:35 |
Past, present, future, subjunctive... |
00:12:39 |
What have we done, mate? |
00:12:42 |
Okay, I'll stop. Just let me do one thing. |
00:12:47 |
What's that? |
00:12:50 |
Fuck this girl here. |
00:13:00 |
Miranda, what are you talking about? |
00:13:07 |
Your director of community relations. |
00:13:16 |
Let me fuck her. |
00:13:18 |
Okay, Azura, love, there's something |
00:13:21 |
Just come with me, babe. |
00:13:30 |
Miranda, are you feeling okay? |
00:13:33 |
Never better. |
00:13:36 |
So, where to? |
00:13:39 |
We can't go home, right? |
00:13:49 |
I thought you wanted to talk to them. |
00:13:56 |
Why? So I can rot in jail? |
00:14:00 |
What's the point of extending my life |
00:14:07 |
Regardless, I think it might be |
00:14:11 |
You need some rest. |
00:14:13 |
Rest? I'm not tired. |
00:14:19 |
I'm going to go live. Experience things. |
00:14:25 |
So, what do you say |
00:14:29 |
we grab one of Forbes' bottles |
00:14:36 |
and get naked? |
00:14:39 |
Hey, hey. Come on, |
00:14:44 |
Come on. I know the truth, now. |
00:14:49 |
You're not my real uncle. |
00:14:57 |
No. No, Miranda, no. No. |
00:15:02 |
Fine. Fuck you, then. |
00:15:30 |
What's up? |
00:15:34 |
Is this some perverted stunt of yours? |
00:15:39 |
I extended her life. |
00:15:42 |
- There might be one or two glitches... |
00:15:46 |
It's chaos. She's not stabilizing. |
00:15:49 |
We've got to do something. |
00:15:51 |
- Another transfusion, more stem cells. |
00:15:53 |
That woman's here to pick up the dog. |
00:15:59 |
Look, hang on a sec, mate. |
00:16:01 |
For God's sake. Azura! |
00:16:28 |
You got the money? |
00:16:31 |
- Lady? |
00:16:34 |
Here's the money. There it is. |
00:16:36 |
Release form. |
00:16:45 |
My sweet, sweet Pamela. It's you. |
00:16:49 |
Actually, it's a fucking alien facsimile. |
00:16:55 |
Good girl. |
00:16:58 |
It's you! |
00:17:03 |
Hey, man, I'm sorry about that. |
00:17:05 |
Miranda? |
00:17:12 |
Miranda! |
00:17:16 |
She's gone. You hear? She's gone. |
00:17:22 |
I gotta find her. She's sick. |
00:17:25 |
- She's not just sick, she's dangerous. |
00:17:28 |
Listen, mate, if you're gonna go, |
00:17:31 |
- What the hell is that? |
00:17:33 |
Now, it won't kill her, |
00:17:36 |
- This dosage, on the other hand... |
00:17:39 |
I'm gonna find her, bring her back here, |
00:17:43 |
and get her back to what she was! |
00:17:45 |
- Dude, do not underestimate these things. |
00:17:49 |
This is your fault, McGuire. |
00:17:52 |
Listen, Tom, I'm telling you. |
00:17:54 |
She's got no human imperative anymore. |
00:17:57 |
She'll most likely |
00:17:59 |
In two weeks, |
00:18:02 |
She's sterile! |
00:18:04 |
I wouldn't count on it. |
00:18:06 |
there's no telling what she might do. |
00:18:08 |
We've got to kill her. |
00:18:10 |
Face it, Tom, she's not human. |
00:18:14 |
If you weren't so obsessed, you'd see that. |
00:18:21 |
Look, mate, if you won't kill her, |
00:18:25 |
- Wait, Tom! Let me help you. |
00:18:28 |
I'm telling you, you can't stop her |
00:18:32 |
Miranda? |
00:18:36 |
Miranda! |
00:19:12 |
Senorita, may I do something for you? |
00:19:21 |
I think so. |
00:19:29 |
I must ask you to cover yourself, senorita. |
00:19:40 |
It's okay. |
00:19:43 |
I know. You're like me. |
00:19:48 |
I knew from the beginning. |
00:20:40 |
Miranda? |
00:20:46 |
Miranda. |
00:21:19 |
Senor. |
00:21:21 |
Wow, wow, wow, you scared... |
00:22:27 |
Where's Miranda? |
00:22:40 |
Everything was fine |
00:22:46 |
I should have killed you in the alley! |
00:23:07 |
Not so good, you humans. |
00:23:29 |
You don't have to do this. |
00:23:30 |
Genesis 20. |
00:23:33 |
"Behold, thou art but a dead man... " |
00:24:46 |
Your dress, I want it. |
00:24:49 |
- You want my dress? |
00:24:53 |
You know what, I got a better idea. |
00:24:56 |
Why don't you better get out of here |
00:25:04 |
Oh! You mean my dress? |
00:25:58 |
Lick my ear. |
00:26:00 |
Yeah, me so like it. |
00:26:25 |
A monster, it killed mi compadre. |
00:26:27 |
Oh, crap. Where'd she go? The monster. |
00:26:31 |
- Over there! |
00:26:48 |
Bingo. |
00:27:00 |
Here goes. |
00:27:13 |
Miranda? |
00:27:16 |
Miranda? |
00:27:54 |
The innkeeper was one of mine. |
00:27:57 |
Otherwise you'd be pregnant by now. |
00:28:00 |
Turn around. |
00:28:20 |
You have wanted to fuck me since |
00:32:56 |
Miranda? |
00:33:40 |
Oh, my God. |
00:34:28 |
Where am I? |
00:34:31 |
It's okay. It's okay. |
00:34:41 |
Relax. Relax, Miranda. |
00:34:45 |
Tom... |
00:34:48 |
Lay down. |
00:34:52 |
Tom, I need your help. |
00:34:54 |
Of course. Anything. |
00:34:59 |
You have to end this. |
00:35:13 |
Hang in there. Hang in there. |
00:35:19 |
The human side of me is dying. |
00:35:25 |
And I don't want what's left. |
00:35:31 |
It's over. |
00:35:36 |
You know what you've got to do. |
00:42:51 |
Thanks |
00:42:54 |
for giving me life. |
00:43:16 |
You were right, Miranda. |
00:43:19 |
You were always right. |