Species The Awakening

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00:01:22 For the gods keep the secrets of life
00:01:27 Men did, however, figure out one secret.
00:01:31 How to use fire.
00:01:34 And Zeus punished them
00:01:39 Something so terrible,
00:01:41 the writer Hesiod called it the source
00:01:47 Any guess what punishment
00:01:50 Some kind of disease?
00:01:53 No.
00:01:54 - War?
00:01:57 Fire? Floods? Drought?
00:02:00 None of those.
00:02:02 For their punishment, Zeus gave them...
00:02:07 Women.
00:02:23 - Hello? Uncle Tom?
00:02:39 Hey.
00:02:41 - So, what's today's experiment?
00:02:45 There are extinct
00:02:50 Crinoids, a type of echinoderm.
00:02:53 The mature crinoids artificially
00:02:57 Hence the name.
00:02:59 Sea Lily.
00:03:01 Very good.
00:03:03 You know, theoretically,
00:03:05 I could use the molecular genetic material
00:03:13 Isn't that a little unnatural?
00:03:15 Yeah.
00:03:19 But interesting, right?
00:03:24 You seem distracted.
00:03:29 It's Oxford,
00:03:32 But I can't go to England
00:03:35 You're the only family I've got.
00:03:39 I'll see you later. I have another class.
00:04:08 Hey, Uncle Tom.
00:04:11 What are you cooking?
00:04:12 A fabulous red wine sauce.
00:04:16 Tempting, but I have a date.
00:04:19 He should already be here.
00:04:22 As far as going to England is concerned,
00:04:25 you're too talented for this little town.
00:04:27 - Oh, but I thought we already
00:04:32 But what if I came with you?
00:04:34 Really?
00:04:37 You're bright. You deserve it.
00:04:41 And anyway, I'm getting a little homesick.
00:04:46 I don't know what to say.
00:04:51 In cases like that,
00:04:55 A toast.
00:05:00 To your future.
00:05:02 And to Oxford.
00:05:04 Oh, that must be him.
00:05:07 Don't wait up.
00:05:10 - And thank you.
00:05:53 Miss?
00:05:57 Jesus Christ.
00:06:14 Miranda?
00:06:22 Hey, Miranda, come on,
00:06:32 Miranda, come on, you...
00:06:38 What have we got?
00:06:39 Female. No ID or any clothing.
00:06:42 Some jogger found her
00:06:49 Uncle Tom?
00:06:50 I hope you're hungry.
00:06:52 Tempting, but I have a date.
00:06:56 You're bright.
00:06:59 To your future.
00:07:09 Miss. I need you
00:07:13 What's your name?
00:07:16 Miranda. Hollander.
00:07:22 Hollander.
00:07:56 These blood levels can't be right.
00:08:07 These aren't human.
00:08:09 We shot them. That's how they came out.
00:08:12 Yeah, right. Nice try.
00:08:15 Stop screwing with me.
00:08:19 Okay. You're the boss. Whatever you say.
00:08:34 Just stay still and relax, ma'am.
00:09:42 Edward? What kind of joke is this?
00:10:07 Get out!
00:11:54 - What's going on?
00:12:42 I don't understand.
00:12:46 When are you going to tell me
00:12:49 We're going to Mexico.
00:12:52 Mexico? Why?
00:12:57 Well, it's beautiful down there.
00:13:01 Haven't you always wanted to see it?
00:13:03 Is it the police you're afraid of?
00:13:10 Yeah.
00:13:11 Whatever happened at the hospital,
00:13:17 Right?
00:13:26 Are you saying I killed those people?
00:13:32 Yes.
00:13:34 And no.
00:13:39 "Yes and no"?
00:13:42 What are you not telling me?
00:13:45 You're sick.
00:13:49 - And I can't help you.
00:13:52 With what?
00:13:56 I wish I knew.
00:14:00 But, Uncle Tom...
00:14:02 If I'm sick, shouldn't I go see a doctor
00:14:07 No.
00:14:09 They can't help you either.
00:14:12 Why not?
00:14:24 We're going to Mexico
00:14:30 He's an old colleague of mine
00:14:34 I was his professor.
00:14:36 Although sometimes I wondered
00:14:42 He was brilliant. Crazy but brilliant.
00:14:47 But I haven't seen him in years because I...
00:14:50 I didn't wanna have anything
00:14:55 But he's the only one that can...
00:14:59 That might be able to help you, Miranda.
00:15:04 I tried.
00:15:12 But I...
00:15:15 I guess I failed.
00:15:52 Tell me.
00:15:58 I didn't always work with fossils, Miranda.
00:16:04 I always wanted to tell you the truth.
00:16:08 The truth about what?
00:16:15 Forbes and I made you.
00:16:18 In our lab.
00:16:21 As part of a project we were working on.
00:16:27 I tried to keep it from you.
00:16:35 No.
00:16:40 There were these DNA strands...
00:16:44 From somewhere else.
00:16:47 Sent to us.
00:16:50 I mean...
00:16:54 To Earth.
00:16:59 We mixed those DNA strands
00:17:03 Experimented with a new kind of life.
00:17:09 You were one of the results.
00:17:12 But it was wrong.
00:17:14 So I walked away from it.
00:17:21 But I didn't want anything
00:17:25 So I took you with me.
00:17:29 And raised you as best I could
00:17:34 You were all that mattered
00:17:38 You're lying.
00:17:41 Not this time, Miranda.
00:17:45 What about your parents?
00:17:52 My mother was your sister.
00:17:55 No.
00:17:57 I'm an only child. They never existed.
00:18:00 All your childhood memories
00:18:03 were one big story I told you
00:18:05 Again and again, till you believed it.
00:18:09 You only think you remember.
00:18:20 I lied until you stopped asking me
00:18:27 Until you believed we were just
00:18:32 happy human beings.
00:18:46 I'm sorry.
00:18:49 I am so...
00:18:53 Terribly sorry.
00:19:00 Lts okay, it's okay.
00:19:38 So, why would Forbes live in Mexico?
00:19:43 I guess some people
00:19:46 And what did you two
00:19:49 Let's just say
00:19:53 I thought what we were doing
00:19:59 He was abusing the project.
00:20:02 Uncle Tom?
00:20:16 - What's that?
00:20:20 I've been administering them to you
00:20:23 Just...
00:20:25 Two or three times a year
00:20:27 to keep the alien side
00:20:33 But ever since you got sick...
00:20:42 They don't seem to work as well.
00:20:46 So, what exactly is wrong with me?
00:20:51 I wish I knew.
00:20:55 It could be an infection,
00:21:00 Whatever it is, I don't know enough
00:21:06 Forbes is the one who designed you, so...
00:21:10 He's the only one
00:21:22 It's going down.
00:21:25 Yeah, for now.
00:21:35 You're a mixture of human and alien DNA.
00:21:39 A highly functional hybrid.
00:21:43 You can soak up a body of knowledge
00:21:48 I didn't teach you anything, Miranda.
00:22:00 This look familiar?
00:22:02 Of course.
00:22:08 I read this a hundred times.
00:22:12 You've never opened that book in your life.
00:22:16 That's not possible.
00:22:21 Okay.
00:22:23 You know nothing about cars, right?
00:22:25 Right. So what?
00:22:31 Take this.
00:22:33 Close your eyes.
00:22:46 You know that clicking noise you have?
00:22:49 You should switch to a higher octane gas.
00:22:55 That's why you get
00:23:34 If you sign here, sir.
00:23:39 Your keys, senorita. Enjoy.
00:23:43 I'm looking for an American who lives
00:23:49 I'm not familiar with this gentleman.
00:23:54 Thank you, I'd appreciate it.
00:24:23 Hey. Where are you going?
00:24:29 I'm going to find Forbes.
00:24:35 Why don't you stay in and rest?
00:24:39 I filled the syringe with the hormones.
00:24:43 If the rash gets worse while I'm gone,
00:24:50 I'll see you later.
00:25:30 Hey, nino.
00:25:42 Okay, gracias.
00:26:59 Let me in!
00:27:51 - Hold on there, fellow. Where's the fire?
00:27:54 Hey, I know you.
00:27:57 Leland Fisk. San Antonio, Texas.
00:28:02 Same hotel.
00:28:04 Hey, how'd you like to go for a drink?
00:28:07 - No. No, thank you.
00:28:09 Come on! I'm buying. Yeah.
00:28:13 Look, I heard you back at the hotel,
00:28:17 asking that Calderon fellow
00:28:21 Well, I'll tell you something,
00:28:24 unless you give him a bribe,
00:28:28 No, that's the way
00:28:30 They play dumb until you play ball.
00:28:35 Now, you seem like a right, nice fellow,
00:28:40 I'm gonna cut through all that bull,
00:28:49 What are you getting at?
00:28:51 You want to know how
00:28:57 Now, at midnight,
00:29:00 you go down
00:29:05 There'll be a taxicab there.
00:29:07 You wait till he flashes his lights.
00:29:13 Then you go over
00:29:19 Any business you have with Forbes,
00:29:22 you put it in an envelope
00:29:25 I'm looking for Forbes McGuire.
00:29:59 Hey, where are we? Is this where he lives?
00:30:05 I'm a friend of Forbes.
00:30:09 Hey, buddy, are you listening to me?
00:33:02 Come and sit
00:33:06 Do not hasten to bid me adieu
00:33:10 Just remember that Red River Valley
00:33:15 And the fellow who loved you so true
00:33:20 Oh, the Red River Valley
00:33:29 Hold on, I'm coming.
00:33:35 Hold your goll-darned horses,
00:33:51 - Oh, you don't look so good.
00:33:53 You set me up, you son of a bitch!
00:33:55 - Now, you just hold on there.
00:33:57 Now, I don't care who put you up to it,
00:33:58 but, God help me, I'm not leaving here
00:34:00 until you tell me where I find Forbes!
00:34:03 Yeah, well, I don't think you're tough
00:34:06 what to do in my own hotel room.
00:34:11 Put the gun down.
00:34:13 Oh, lookee here.
00:34:16 Oh, is that your new bodyguard, huh?
00:34:18 Put it down, now.
00:34:20 Oh, I'm so scared, I'm scared. I'm...
00:34:48 That cowboy
00:34:54 What is this place?
00:35:00 He can't be here.
00:35:03 Listen.
00:35:13 Whoever's here, they're behind this door.
00:35:18 Yeah, but how do we get in?
00:35:45 Yeah! Giddyup, girl.
00:36:12 That's it! Giddyup! That's the way.
00:36:18 Fantastic.
00:36:21 Go on. Go on, what'd I say? What'd I say?
00:36:26 Oh, that's a girl. Come on, sweetheart.
00:36:34 Oh, baby.
00:36:36 McGuire.
00:36:38 What the...
00:36:41 Holy shit!
00:36:49 I don't believe it!
00:36:51 As I live and breathe, Tom Hollander.
00:36:54 Why did you try to have me killed?
00:36:57 What are you talking about?
00:36:58 I'm talking about the nun.
00:37:02 And your friend, the cab driver.
00:37:03 Okay, I do not know
00:37:09 You haven't changed, have you?
00:37:13 Hello, sweetheart.
00:37:17 Forbes McGuire.
00:37:20 Have we met somewhere before?
00:37:23 And by the bys,
00:37:27 You left out a keypad for us.
00:37:33 Oh, my God. We have met before.
00:37:38 You're G-178.
00:37:40 - Her name's Miranda.
00:37:48 Oh, right.
00:37:54 Azura's my director
00:37:58 We've already met.
00:38:00 This was your nun.
00:38:03 What?
00:38:05 Oh, for God sakes, Azura.
00:38:08 Listen, Tom, I'm really sorry, mate,
00:38:12 That's because no one
00:38:14 That's the trouble with these
00:38:17 No complex thinking, love.
00:38:19 Absolutely no higher
00:38:23 But this one?
00:38:25 Come on, sweetheart,
00:38:29 I hold advanced degrees in Biochemistry,
00:38:34 Well, well, well,
00:38:38 You sly, old fox.
00:38:41 I mean, come on.
00:38:43 Frankenstein built some stumbling drunk
00:38:45 with a couple of bolts
00:38:47 Another bloke at Caltech wins tenure
00:38:51 And you, you come up with this.
00:38:55 The Holy Grail of every man's dream.
00:39:09 What the...
00:39:14 What's happening to her?
00:39:16 She's sick.
00:39:24 Put her up there.
00:39:26 We need an IV line
00:39:29 Oh, no shit?
00:39:32 And keep an eye on her blood pressure.
00:39:34 We need to stabilize
00:39:38 Come on, sweetheart.
00:39:59 You're playing with fire, you know that?
00:40:03 Look, I dabble, okay?
00:40:05 You know, once in a while
00:40:08 And for Christ sakes,
00:40:09 if I can really make
00:40:11 by giving them back
00:40:15 Because it's not their dead relative
00:40:17 if they look like them,
00:40:20 Do your clients even know that?
00:40:22 They don't need to.
00:40:26 The alien side almost never comes out.
00:40:30 What about your cab driver?
00:40:32 Look, who knows? You know?
00:40:36 So, okay, there's been
00:40:38 you know,
00:40:40 And admittedly, you know,
00:40:43 might have escaped into town,
00:40:46 They die off in a month or two.
00:40:54 What's wrong with Miranda? Any ideas?
00:40:58 Yeah.
00:41:04 So, what is it? What does she have?
00:41:10 Old age.
00:41:14 Come again?
00:41:16 Mortality, mate. You know,
00:41:19 She's just reached the end of her lifespan.
00:41:24 Her? Are you crazy? Look at her.
00:41:28 Yeah, I know. It's hard to believe, isn't it?
00:41:31 She's young, she's beautiful,
00:41:43 How long?
00:41:45 I mean, you know, until...
00:41:50 Soon. You know, today, maybe tomorrow.
00:42:05 I could try making you another one.
00:42:11 Whatever you might think,
00:42:14 Well then, tell her the truth.
00:42:17 Tell her she's gonna die.
00:42:18 I mean, isn't that what being
00:42:22 What about Azura?
00:42:26 Don't you care about her?
00:42:28 Hell, no.
00:42:32 Blonde, probably, green eyes and a tan.
00:42:35 I mean, come on, mate.
00:42:39 No.
00:42:42 Look, all right then,
00:42:45 After all, you lied to her in the
00:42:48 Was that because
00:42:51 Or was it just a convenient way
00:42:57 Oh, shit, mate.
00:43:01 Don't listen to me. What do I know?
00:43:04 I mean, look at me.
00:43:09 I'm the one who should have died off
00:43:13 I'll tell you, between me, you
00:43:16 I kind of hope one of these buggers
00:43:39 Miranda...
00:43:42 I raised you as my niece,
00:43:47 but I love you like my daughter.
00:43:50 Unfortunately,
00:43:54 there's nothing he can do.
00:43:58 And I
00:44:02 just want you to know
00:44:06 I'm truly sorry.
00:44:23 There's something I want to see.
00:44:29 You name it.
00:44:37 I don't know
00:44:41 Or if I have a soul or not.
00:44:44 But, whatever I've done, I have to settle it.
00:44:57 Look, Miranda,
00:45:00 Wherever you wanna go, we'll go.
00:45:03 I would like to be back home.
00:45:07 Of course. But...
00:45:09 And go to the police there.
00:45:12 The police?
00:45:16 I killed people in that hospital.
00:45:21 I need to take responsibility for that.
00:45:25 Miranda...
00:45:27 Even if...
00:45:29 Even if I don't make it home,
00:45:32 I have to try.
00:45:46 Aw!
00:45:50 Group hug?
00:45:52 Come on, you two. Come with me.
00:46:06 Okay, so there is one way
00:46:12 Why didn't you tell us this before?
00:46:15 Because it requires
00:46:25 No way.
00:46:28 I won't be a party to a murder.
00:46:30 You won't get caught, all right?
00:46:32 People disappear around here all the time,
00:46:36 You gotta try and think of it
00:46:39 You know, a complete infusion
00:46:43 Miranda, it's the only way
00:46:47 It's immoral.
00:46:50 Immoral? Give me a break.
00:46:54 Cheats, liars, murderers, rapists,
00:46:57 We take one of those guys off the street,
00:47:02 Well, that's... That's not the point.
00:47:05 I'm not a killer.
00:47:28 There must be another way.
00:47:36 You have to let me accept this.
00:47:40 I've had a good life,
00:47:43 and mostly because of you.
00:47:51 So, have you thought about what you'll do
00:47:54 afterwards?
00:47:58 Forbes is a lost soul.
00:48:01 Living in a pit of misery.
00:48:04 Maybe you should help him.
00:48:08 Is there nothing good
00:48:11 I told you, I want nothing more to do
00:48:16 So you'd leave him here
00:48:22 Can you honestly tell me
00:48:25 working with things that have been dead
00:48:30 Uncle, don't you miss
00:48:38 You were my true scientific work.
00:00:42 Hey, hey! Right here, mate.
00:00:47 Get her on the table.
00:00:52 We need to get a sedative inside her
00:00:56 - Turns?
00:00:57 She's fighting for her life,
00:01:00 but very, very strong side comes out.
00:01:10 Come on.
00:01:14 Okay.
00:01:16 Okay, that'll stabilize
00:01:19 But we need to do a human graft soon,
00:01:23 Now, go out and get me a donor.
00:01:28 Me? You want me to...
00:01:31 Yeah, it's time to get your hands dirty.
00:01:37 Do you want to save her, or not?
00:01:41 Go!
00:04:27 Looking for me?
00:04:33 Maybe.
00:04:36 Do you want to dance?
00:04:40 Sure.
00:04:41 Let's go.
00:05:26 Should we go somewhere else?
00:05:31 Do me here.
00:05:47 - Turn around!
00:05:49 Turn around.
00:05:54 - You're kidding.
00:05:57 I don't believe this, you're robbing me?
00:05:59 Now, where do you want it?
00:06:16 Stop wasting time. Let's take her and go.
00:06:26 Come on, let's get you home.
00:06:36 Who are you pricks?
00:06:39 Where am I?
00:06:43 Let me go, let me go!
00:06:46 Shut up! You're about to be harvested.
00:07:17 Please!
00:07:22 Please let me go, please, please!
00:07:25 Why?
00:07:28 Let me go! No!
00:07:33 No, no!
00:08:10 First off, we're going
00:08:17 Time to go fishing.
00:08:18 Oh, God.
00:08:20 Hey, no worries, mate,
00:08:22 This is monstrous.
00:08:24 Fertilization achieved.
00:08:28 Now, the trick here
00:08:32 at just the right point in their evolution.
00:08:37 In other words... Now.
00:08:52 I'd forgotten how fast this thing went.
00:09:07 Hey, hey, what's happening?
00:09:09 The cells are infusing all over her body.
00:09:12 That can't be good.
00:09:23 Come on, you're killing her!
00:09:24 Vital signs critical.
00:09:26 Stop this! Stop it now!
00:09:28 Hey, hey, hey, it's done, dude.
00:10:31 Oh, crap.
00:10:34 Miranda, easy. Easy.
00:10:38 Easy. It's me.
00:10:41 Come on, Miranda. Miranda, come on.
00:10:44 It's me, it's okay.
00:10:49 You're all right now. Come on.
00:11:15 Hi.
00:11:19 Where am I?
00:11:21 In the presence of two bloody geniuses,
00:11:27 Guess what? You're all better now.
00:11:33 - But how did you...
00:11:36 Here, drink some water.
00:11:39 Temperature's normal,
00:11:43 All systems are go.
00:11:46 I don't know how to thank you.
00:11:49 Hey, look what I found for you.
00:11:54 Ovid's Metamorphoses.
00:12:00 Intellectual functions appear present.
00:12:04 The Metamorphoses is about people
00:12:10 Your idea of a joke?
00:12:25 Yeah, well...
00:12:27 Then again, we haven't heard her
00:12:31 Try me.
00:12:33 I'll give you all the tenses.
00:12:35 Past, present, future, subjunctive...
00:12:39 What have we done, mate?
00:12:42 Okay, I'll stop. Just let me do one thing.
00:12:47 What's that?
00:12:50 Fuck this girl here.
00:13:00 Miranda, what are you talking about?
00:13:07 Your director of community relations.
00:13:16 Let me fuck her.
00:13:18 Okay, Azura, love, there's something
00:13:21 Just come with me, babe.
00:13:30 Miranda, are you feeling okay?
00:13:33 Never better.
00:13:36 So, where to?
00:13:39 We can't go home, right?
00:13:49 I thought you wanted to talk to them.
00:13:56 Why? So I can rot in jail?
00:14:00 What's the point of extending my life
00:14:07 Regardless, I think it might be
00:14:11 You need some rest.
00:14:13 Rest? I'm not tired.
00:14:19 I'm going to go live. Experience things.
00:14:25 So, what do you say
00:14:29 we grab one of Forbes' bottles
00:14:36 and get naked?
00:14:39 Hey, hey. Come on,
00:14:44 Come on. I know the truth, now.
00:14:49 You're not my real uncle.
00:14:57 No. No, Miranda, no. No.
00:15:02 Fine. Fuck you, then.
00:15:30 What's up?
00:15:34 Is this some perverted stunt of yours?
00:15:39 I extended her life.
00:15:42 - There might be one or two glitches...
00:15:46 It's chaos. She's not stabilizing.
00:15:49 We've got to do something.
00:15:51 - Another transfusion, more stem cells.
00:15:53 That woman's here to pick up the dog.
00:15:59 Look, hang on a sec, mate.
00:16:01 For God's sake. Azura!
00:16:28 You got the money?
00:16:31 - Lady?
00:16:34 Here's the money. There it is.
00:16:36 Release form.
00:16:45 My sweet, sweet Pamela. It's you.
00:16:49 Actually, it's a fucking alien facsimile.
00:16:55 Good girl.
00:16:58 It's you!
00:17:03 Hey, man, I'm sorry about that.
00:17:05 Miranda?
00:17:12 Miranda!
00:17:16 She's gone. You hear? She's gone.
00:17:22 I gotta find her. She's sick.
00:17:25 - She's not just sick, she's dangerous.
00:17:28 Listen, mate, if you're gonna go,
00:17:31 - What the hell is that?
00:17:33 Now, it won't kill her,
00:17:36 - This dosage, on the other hand...
00:17:39 I'm gonna find her, bring her back here,
00:17:43 and get her back to what she was!
00:17:45 - Dude, do not underestimate these things.
00:17:49 This is your fault, McGuire.
00:17:52 Listen, Tom, I'm telling you.
00:17:54 She's got no human imperative anymore.
00:17:57 She'll most likely
00:17:59 In two weeks,
00:18:02 She's sterile!
00:18:04 I wouldn't count on it.
00:18:06 there's no telling what she might do.
00:18:08 We've got to kill her.
00:18:10 Face it, Tom, she's not human.
00:18:14 If you weren't so obsessed, you'd see that.
00:18:21 Look, mate, if you won't kill her,
00:18:25 - Wait, Tom! Let me help you.
00:18:28 I'm telling you, you can't stop her
00:18:32 Miranda?
00:18:36 Miranda!
00:19:12 Senorita, may I do something for you?
00:19:21 I think so.
00:19:29 I must ask you to cover yourself, senorita.
00:19:40 It's okay.
00:19:43 I know. You're like me.
00:19:48 I knew from the beginning.
00:20:40 Miranda?
00:20:46 Miranda.
00:21:19 Senor.
00:21:21 Wow, wow, wow, you scared...
00:22:27 Where's Miranda?
00:22:40 Everything was fine
00:22:46 I should have killed you in the alley!
00:23:07 Not so good, you humans.
00:23:29 You don't have to do this.
00:23:30 Genesis 20.
00:23:33 "Behold, thou art but a dead man... "
00:24:46 Your dress, I want it.
00:24:49 - You want my dress?
00:24:53 You know what, I got a better idea.
00:24:56 Why don't you better get out of here
00:25:04 Oh! You mean my dress?
00:25:58 Lick my ear.
00:26:00 Yeah, me so like it.
00:26:25 A monster, it killed mi compadre.
00:26:27 Oh, crap. Where'd she go? The monster.
00:26:31 - Over there!
00:26:48 Bingo.
00:27:00 Here goes.
00:27:13 Miranda?
00:27:16 Miranda?
00:27:54 The innkeeper was one of mine.
00:27:57 Otherwise you'd be pregnant by now.
00:28:00 Turn around.
00:28:20 You have wanted to fuck me since
00:32:56 Miranda?
00:33:40 Oh, my God.
00:34:28 Where am I?
00:34:31 It's okay. It's okay.
00:34:41 Relax. Relax, Miranda.
00:34:45 Tom...
00:34:48 Lay down.
00:34:52 Tom, I need your help.
00:34:54 Of course. Anything.
00:34:59 You have to end this.
00:35:13 Hang in there. Hang in there.
00:35:19 The human side of me is dying.
00:35:25 And I don't want what's left.
00:35:31 It's over.
00:35:36 You know what you've got to do.
00:42:51 Thanks
00:42:54 for giving me life.
00:43:16 You were right, Miranda.
00:43:19 You were always right.