Spy School
|
00:02:25 |
Nooo! |
00:02:39 |
And that, Mrs. Bleckner, is why |
00:02:41 |
I don't have the formula |
00:02:42 |
on your desk. |
00:02:43 |
So very, very sorry. |
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Let's try this one more time, |
00:02:46 |
shall we? |
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Your math homework, |
00:02:50 |
And please refrain from |
00:02:52 |
patronizing me with |
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"My dog ate it" or |
00:02:55 |
"My grandmother passed away. " |
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Actually, you see, it's more |
00:03:01 |
of a combination thing. |
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The truth is, |
00:03:03 |
my grandmother was helping me |
00:03:04 |
with my homework- |
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bless her soul- |
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when my dog pounced on |
00:03:09 |
the kitchen table and ate her. |
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Yup, that's why I don't |
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have my homework. |
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My dog ate my grandmother. |
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You're a story teller, |
00:03:23 |
Thomas. |
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Do you know what story tellers |
00:03:26 |
do? |
00:03:27 |
They tell stories. |
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No, they tell- |
00:03:30 |
yes, they tell stories. |
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Now, why don't you and your |
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overactive imagination |
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pay a little visit to |
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Principal Hampton after school? |
00:03:39 |
I believe you know the way. |
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I'd like to say something |
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in my defense. |
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Thomas, don't speak. |
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But she- |
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Shh! Say nothing. |
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PRINCIPAL OVER INTERCOM: |
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Attention, students. |
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This is Principal Hampton |
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with a big announcement. |
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Please rise. |
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A very special guest from |
00:03:55 |
the White House will be joining |
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us at our fall dance on Friday. |
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Oh, one more thing. |
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Thomas Miller, listen to me |
00:04:03 |
carefully. |
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I'll be watching you, |
00:04:05 |
so no shenanigans. |
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That is all. |
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Be seated. |
00:04:13 |
So teachers don't get me. |
00:04:14 |
Big deal. I mean, who cares? |
00:04:16 |
that's why they're teachers |
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and not rock stars. |
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See, this is why I suggest |
00:04:20 |
the less talking thing |
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as a very real option for you. |
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Hello, Drake. |
00:04:30 |
What's going on, Mildred? |
00:04:31 |
So what's it gonna be today? |
00:04:33 |
Stuff me in a locker, |
00:04:34 |
shake me down for loose change? |
00:04:37 |
Hey, you know what's always fun? |
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Hanging me from the flag pole |
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by my underwear. |
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Why do you give him ideas? |
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Because he's too dumb to |
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think of anything on his own. |
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Did you just call me dumb? |
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See? No comprehension skills |
00:04:50 |
whatsoever. |
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You are so finished. |
00:04:54 |
I think it's time to go. |
00:04:56 |
Yeah, let's go. |
00:05:20 |
That's gonna leave a mark. |
00:05:21 |
Who are you? |
00:05:22 |
I'm Cliff Randall, |
00:05:24 |
new substitute teacher. |
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Not making too good a first |
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impression, though, am I? |
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Uh, Thomas Miller. |
00:05:29 |
It kind of depends if you're |
00:05:30 |
one of my teachers or not. |
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I can kiss butt with the best |
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of them. |
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Thanks very much. |
00:05:37 |
Oh, no, no. |
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Thank you very much. |
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And have a great day. |
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He's not only cute for |
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a teacher, he'd be hot |
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for a rock star. |
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What are you doing, Jackie? |
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You're supposed to be into me. |
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How's that working out |
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for me? |
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That's the nature of |
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our relationship, Jackie. |
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We've talked about it before. |
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So let me understand. |
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I continue to be the only person |
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in the whole entire world |
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who actually listens to you |
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and your outrageous stories, |
00:06:09 |
And although I may or may not |
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have actual feelings for you, |
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I patiently wait by the side |
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until you decide what's best |
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for Thomas. |
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I need to explore all |
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my options. |
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I'm your only option. |
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Look around. |
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I don't see any line-up here. |
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Madison Kramer. |
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Madison Kramer? |
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It could happen. |
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Hold on, my phone's ringing. |
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Hello? |
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Oh, yeah, hold on. |
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He's right here. |
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It's for you. |
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It's planet earth. |
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They'd like to know |
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when you're coming back. |
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Everyone knows Drake |
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is taking Madison to the dance, |
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So please don't embarrass |
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yourself anymore. |
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Madison... |
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please explain you and Drake |
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to me. |
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Well, when I first came |
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to the school, Drake was |
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the first person I met. |
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And truth be told, |
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when he's not being so daft, |
00:07:08 |
there's actually something |
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quite charming about him. |
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In any event, Drake was assigned |
00:07:14 |
to be my lab partner. |
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and Madison was assigned |
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to be my girl. |
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Drake, you're being daft |
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again. |
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Anyway, Mr. Reese wants us |
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to dissect an animal and |
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I was telling the little guy, |
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I'm not so sure if I want |
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to be a part of it. |
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Alls I know is Reese is |
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one weird bird. |
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You guys know all that creepy |
00:07:31 |
stuff he keeps in jars. |
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Yup, Reese is definitely |
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a top-ten major psycho. |
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Obviously you guys |
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don't know. |
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Know what? |
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Nevermind. |
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I've said too much as it is. |
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Hoffman, let's go. |
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What don't we know, Miller? |
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See, Reese actually isn't |
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even a science teacher. |
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Here we go. |
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You all know that my dad |
00:07:56 |
has some major White House ties. |
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He told me the details, okay? |
00:08:01 |
See, the biology lab is |
00:08:03 |
actually a government-funded |
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work station where Reese is |
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an undercover operative |
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CIA, IBM, ATM type. |
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Do you want to hear more |
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or not? |
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No. |
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Wait, yes. |
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Tell me. |
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Don't-okay, go. |
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He's currently concocting |
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a chemical weapon so deadly |
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that if it comes into contact |
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with any part of your skin, |
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it burns until you're nothing |
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but bones. |
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Did you say nothing |
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but bones? |
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I did. |
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If you're fortunate enough |
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to live. |
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He's full of it. |
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We all know Miller never told |
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the truth before. |
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Why should we start believing |
00:08:47 |
his crud now? |
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You think I would joke about |
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this sort of thing? |
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I- I even know where he keeps |
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the stuff. |
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Take us to the lab. |
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Show us. |
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Unfortunately, that's kind of |
00:08:58 |
impossible as the lab is locked |
00:09:00 |
and without the right- |
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keys? |
00:09:10 |
Let's move, Mildred. |
00:09:23 |
Chapman, you joining me? |
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No. |
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I mean I would, but... |
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there's scared people out here |
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who need a real man |
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to keep them protected. |
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Madison, sorry you don't |
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have a real man. |
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Please accept Drake Chapman |
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as the next best thing. |
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Okay, I'm going in now. |
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If anything happens to me, |
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tell the school newspaper |
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I lived one-sixth |
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of a full life. |
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You're so disturbed. |
00:09:56 |
Boo! |
00:10:26 |
Whoa! |
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I hope he's okay. |
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What? |
00:10:32 |
You like him or something? |
00:10:34 |
Is that what I'm hearing? |
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Yeah, Drake. |
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"I hope he's okay" is really |
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code for "gosh, he's hot. |
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I'd love to smother him |
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with kisses. " |
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If he's not out in |
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30 seconds, he's so done. |
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You have some serious issues, |
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don't you? |
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I'm not gonna tell you. |
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Sweet. |
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This squid is so fried. |
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It's on me! |
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Help, it's burning my flesh! |
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Get in there, Drake! |
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He's my neighbor, help him! |
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I'm not going in there. |
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It's bones! |
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Thomas Miller's nothing |
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but bones! |
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To think he was your |
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neighbor. |
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Look what you've |
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done to me! |
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Help, help, help! |
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Save me! |
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Ahh! |
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Uh-oh. |
00:12:02 |
Boys and girls, |
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this is not a drill. |
00:12:04 |
We must evacuate the building |
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immediately. |
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No running, single-file, |
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and if you see flames, |
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walk a little faster |
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But don't run. |
00:12:15 |
All right, |
00:12:15 |
this is not a drill. |
00:12:18 |
I repeat, this is not a drill. |
00:12:20 |
Follow the hand! |
00:12:22 |
Respect the hand! |
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Buddy up, buddy up! |
00:12:25 |
Principal Hampton? |
00:12:29 |
This is not a scheduled drill. |
00:12:31 |
I suggest we get out |
00:12:32 |
of the building. |
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Better not be another |
00:12:33 |
student shenanigan. |
00:12:34 |
I am not in the mood. |
00:12:36 |
You make it sound like you |
00:12:37 |
wish it was a real fire |
00:12:38 |
with real flames. |
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Like I said, Mrs. Miller, |
00:12:41 |
I am not about to tolerate |
00:12:43 |
another prank... |
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especially from your son. |
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Let's go. |
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Ow! Get off my foot! |
00:12:50 |
Don't think I didn't see that! |
00:12:52 |
I saw that! |
00:12:56 |
What to do, what to do, |
00:12:59 |
What to do. |
00:13:02 |
We could forget the whole |
00:13:03 |
thing. |
00:13:04 |
Forget the whole thing? |
00:13:06 |
It was a suggestion. |
00:13:07 |
Uh, you seemed unsure |
00:13:09 |
so I offered something, |
00:13:10 |
admittedly not my best. |
00:13:12 |
Mrs. Miller... |
00:13:14 |
your child's infractions |
00:13:16 |
not only consumes much of |
00:13:18 |
my time and energy, but |
00:13:19 |
are now beginning to endanger |
00:13:20 |
the student body. |
00:13:22 |
Well, with all due respect, |
00:13:23 |
besides today, what has he done? |
00:13:26 |
I mean, maybe one or two small |
00:13:27 |
little incidents. |
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The Miller file. |
00:13:35 |
Wow. Are you sure that |
00:13:36 |
that's all his? |
00:13:44 |
Looks like they nailed you |
00:13:44 |
on this one, huh? |
00:13:46 |
I plan on admitting to |
00:13:47 |
nothing. |
00:13:49 |
Yeah. |
00:13:50 |
Listen, you're completely |
00:13:52 |
covered in grape goop, |
00:13:53 |
so that might kind of, uh, |
00:13:54 |
tie you to the scene there. |
00:13:55 |
Circumstantial. |
00:13:57 |
Know what, Thomas? |
00:13:59 |
You seem like an okay kid. |
00:14:00 |
I'll tell you what. |
00:14:03 |
You still wanna get away |
00:14:03 |
with it? |
00:14:05 |
I'll trade shirts with you. |
00:14:06 |
No, that's okay. |
00:14:06 |
No, I'm serious, |
00:14:07 |
I will do this for you. |
00:14:09 |
Thanks anyway. |
00:14:11 |
So, I know your mom |
00:14:12 |
works for Hampton, |
00:14:13 |
So she's obviously in there. |
00:14:16 |
That must stink. |
00:14:18 |
What must stink? |
00:14:19 |
Mmm, having your mom |
00:14:20 |
work for the man. |
00:14:22 |
Mmm, it causes a few annoying |
00:14:25 |
complications, that's for sure. |
00:14:28 |
Is your dad in there, too? |
00:14:33 |
Actually, he's touring with |
00:14:35 |
Ryan Sheckler. |
00:15:03 |
So, how was that? |
00:15:06 |
Dude! That was awesome! |
00:15:09 |
All right, cool, man. |
00:15:09 |
That's what I'm talkin' about. |
00:15:10 |
That was sweet. |
00:15:11 |
See, I don't tell a lot |
00:15:13 |
of people. |
00:15:15 |
That your dad is |
00:15:16 |
Ryan Sheckler's personal coach? |
00:15:18 |
Buddy, I would tell the world. |
00:15:20 |
So the boy tells exaggerated |
00:15:23 |
stories, big deal. |
00:15:25 |
Mrs. Miller, when is a story |
00:15:27 |
an exaggeration of the truth |
00:15:29 |
and when is that story |
00:15:30 |
a bald-faced lie? |
00:15:32 |
I don't know. |
00:15:34 |
I do. |
00:15:37 |
Last year your son Thomas told |
00:15:38 |
a group of students that |
00:15:39 |
an anaconda snake had escaped |
00:15:41 |
the reptile pavilion at the zoo |
00:15:43 |
and found a new home |
00:15:44 |
in the school's toilets. |
00:15:49 |
The children were |
00:15:50 |
so frightened they refrained |
00:15:51 |
from using the facilities |
00:15:52 |
for over a week. |
00:15:54 |
That's an exaggeration |
00:15:55 |
of the truth? |
00:15:56 |
No, a lie. |
00:15:58 |
The boy tells lies. |
00:16:00 |
He's a liar. |
00:16:01 |
A liar. |
00:16:03 |
Principal Hampton, |
00:16:04 |
if you want me to hand in my |
00:16:06 |
resignation, if that's what |
00:16:07 |
you're angling for, well then, |
00:16:08 |
I will leave and I will take |
00:16:09 |
Thomas with me, okay? |
00:16:11 |
Fine, you win. |
00:16:12 |
Principal Hampton, I could |
00:16:14 |
fill in in the interim. |
00:16:15 |
Principal Hampton, would you |
00:16:16 |
like some coffee, sir? |
00:16:20 |
No. |
00:16:23 |
Claire... |
00:16:25 |
you stay. |
00:16:27 |
Thomas stays. |
00:16:28 |
But if Thomas wants to attend |
00:16:30 |
Friday's dance and meet |
00:16:31 |
the President's daughter, |
00:16:33 |
let's see if we can find a way |
00:16:34 |
to start to have Thomas |
00:16:35 |
discover the truths in life. |
00:16:39 |
I'll accept that. |
00:16:40 |
It's fair. |
00:16:41 |
Right now he's on probation. |
00:16:43 |
The next occurrence will result |
00:16:44 |
in quick and final termination. |
00:16:48 |
We had an agreement! |
00:16:48 |
We agreed that you would stop |
00:16:50 |
lying and I would stop yelling. |
00:16:52 |
You're yelling. |
00:16:53 |
Yeah, well, uh, how am I |
00:16:54 |
supposed to keep up my end |
00:16:55 |
of the bargain when you don't |
00:16:56 |
keep up yours? |
00:16:58 |
Thomas! |
00:17:00 |
Thomas... |
00:17:01 |
don't, Honey. |
00:17:05 |
This is really hard. |
00:17:07 |
Harder than it needs to be. |
00:17:10 |
It's hard being mom |
00:17:11 |
and dad, huh? |
00:17:16 |
You know, honey, what we're |
00:17:17 |
going through as a family, |
00:17:19 |
this separation, |
00:17:21 |
no one said it would be easy, |
00:17:23 |
but... |
00:17:25 |
honey, we can't use it |
00:17:26 |
as an excuse for our behavior. |
00:17:28 |
Both of us, |
00:17:30 |
Your lying and my yelling. |
00:17:35 |
Think you could stop? |
00:17:37 |
I could try. |
00:17:39 |
You? |
00:17:41 |
I'll do my best. |
00:17:46 |
Deal. |
00:17:49 |
Hug on it. |
00:17:53 |
I love you. |
00:18:03 |
Where do you think you're going? |
00:18:04 |
I'm going over to Jackie's. |
00:18:06 |
Oh, no you don't, mister. |
00:18:07 |
You are grounded, and you are |
00:18:08 |
not to leave this house |
00:18:09 |
under any circumstances. |
00:18:18 |
Thomas? |
00:18:20 |
Thomas. |
00:18:21 |
What's up, Hoffman? |
00:18:23 |
I'm so bored. |
00:18:24 |
My dad and brothers are all |
00:18:26 |
wrapped up in some lame game |
00:18:28 |
on TV. |
00:18:30 |
My mom-oh, that's right, |
00:18:32 |
I don't have a mom. |
00:18:34 |
Hey, wanna hang? |
00:18:36 |
I've been sentenced. |
00:18:39 |
I believe the judge's exact |
00:18:40 |
words were... |
00:18:42 |
"you're not to leave this house |
00:18:43 |
under any circumstance. " |
00:18:45 |
See you in a few. |
00:18:46 |
But I can't leave the house! |
00:18:47 |
No worries. |
00:18:52 |
Do you ever |
00:18:53 |
feel alone? |
00:18:54 |
I'd say up until five years |
00:18:56 |
ago, yeah. |
00:18:57 |
What happened five years ago? |
00:18:59 |
I met you, doofus. |
00:19:01 |
Right. |
00:19:05 |
Thomas... |
00:19:06 |
do you ever feel like |
00:19:07 |
life's random |
00:19:09 |
or just predetermined? |
00:19:11 |
Jackie, I have no clue. |
00:19:15 |
Like no matter what effort |
00:19:18 |
we make to be accepted, |
00:19:19 |
we'll still just end up |
00:19:22 |
on the roof, feeling like |
00:19:23 |
a couple of losers? |
00:19:26 |
Yeah, you know, the whole |
00:19:28 |
popularity thing never made |
00:19:29 |
much sense to me. |
00:19:30 |
I mean, what makes a kid popular |
00:19:33 |
in the first place? |
00:19:34 |
Asking the wrong person. |
00:19:38 |
I'll tell you what I think |
00:19:39 |
makes a kid popular. |
00:19:41 |
It's as simple as hanging out |
00:19:42 |
with other popular kids. |
00:19:45 |
Yeah, except at the end of |
00:19:48 |
the day, there still has to be |
00:19:49 |
one kid that's popular |
00:19:51 |
all by himself... |
00:19:52 |
one kid that everyone else |
00:19:53 |
looks up to and wants to call |
00:19:55 |
their friend. |
00:19:57 |
I would do anything to be |
00:19:58 |
that kid. |
00:20:00 |
I know you would. |
00:20:06 |
Half the time, I don't really |
00:20:07 |
understand what I'm feeling |
00:20:09 |
inside, but... |
00:20:11 |
I don't know, just... |
00:20:13 |
being up here with you and... |
00:20:16 |
the dark sky lit up |
00:20:17 |
with the stars and the moon, |
00:20:19 |
it just seems... |
00:20:22 |
kinda nice, maybe a little |
00:20:25 |
romantic or something, |
00:20:25 |
I don't know. |
00:20:28 |
Yeah. |
00:20:29 |
If I had Madison Kramer up here, |
00:20:30 |
she'd be making out with me. |
00:20:35 |
You just-you just don't |
00:20:36 |
get it, do you? |
00:20:38 |
What? |
00:20:39 |
What'd I do? |
00:20:40 |
You're up here with me |
00:20:41 |
and you're talking about |
00:20:42 |
another girl. |
00:20:43 |
Another girl, who, by the way, |
00:20:44 |
doesn't have any interest |
00:20:46 |
in you whatsoever. |
00:20:47 |
Ouch. |
00:20:49 |
We have to do something. |
00:20:51 |
About what? |
00:20:52 |
Just close your eyes. |
00:20:54 |
No. |
00:20:55 |
Close your eyes or I'll |
00:20:56 |
throw you off this roof and |
00:20:58 |
I am talking on the driveway, |
00:20:59 |
not the grass. |
00:21:00 |
Now I'm spooked. |
00:21:04 |
For the first time, |
00:21:05 |
so am I. |
00:21:23 |
I should probably go now. |
00:21:24 |
No, it's your roof. |
00:21:26 |
I'll go. |
00:21:36 |
# too many nights |
00:21:37 |
I lie alone # |
00:21:38 |
# wishing that you were |
00:21:39 |
on the phone # |
00:21:41 |
# so I could tell you things |
00:21:43 |
I never shared with anyone # |
00:21:46 |
# I never felt like this |
00:21:47 |
before # |
00:21:48 |
# wishing, and hoping, |
00:21:49 |
wanting more # |
00:21:50 |
# and now my wits are lost # |
00:21:52 |
# and you have conquered |
00:21:53 |
all my thoughts # |
00:21:55 |
# so much for thinking that |
00:21:56 |
I'd never fall in love # |
00:21:59 |
# you're the only one |
00:22:01 |
I'm dreaming of # |
00:22:03 |
# with one look in your eyes # |
00:22:05 |
# nothing I can do # |
00:22:07 |
# I've fallen for you # |
00:22:10 |
# oh, baby # |
00:22:12 |
# I've fallen for you # |
00:22:17 |
# you know, together we'd be |
00:22:21 |
so amazing, you'll see # |
00:22:23 |
# just let me into your heart # |
00:22:26 |
# you and me # |
00:22:28 |
# with one look in your eyes |
00:22:31 |
and one taste of your kiss # |
00:22:33 |
# and suddenly I knew |
00:22:35 |
I'd fallen for you # |
00:22:38 |
# there's nothing I can say, |
00:22:40 |
nothing I can do # |
00:22:42 |
# I've fallen for you # |
00:23:01 |
My seat. |
00:23:03 |
Bickleman's in my seat. |
00:23:05 |
Sorry, Thomas. |
00:23:06 |
No, Bickleman, this is |
00:23:07 |
your seat. |
00:23:08 |
Sorry, Jackie. |
00:23:29 |
Mr. Miller, you have 45 |
00:23:32 |
minutes to write the following |
00:23:33 |
1,000 times. |
00:23:36 |
"I will tell no more lies. " |
00:23:39 |
Say it for me. |
00:23:41 |
It seems like a rather |
00:23:43 |
old-fashioned punishment. |
00:23:45 |
I'm an old-fashioned gal. |
00:23:46 |
Now say it for me. |
00:23:48 |
I will tell no more lies. |
00:23:50 |
Excellent. |
00:23:51 |
Now write it. |
00:23:53 |
I will return shortly. |
00:23:56 |
I have a hair appointment. |
00:23:59 |
With the beekeeper? |
00:24:24 |
# to be a macho, macho man # |
00:24:26 |
# to have the kind of body |
00:24:28 |
always in demand # |
00:24:29 |
# jogging in the mornings |
00:24:31 |
go, man, go # |
00:24:33 |
# workouts in the health spa, |
00:24:35 |
muscles glow # |
00:24:37 |
# you can best believe that |
00:24:39 |
he's a macho man # |
00:24:41 |
# ready to get down with |
00:24:42 |
anyone he can # |
00:24:44 |
# hey! Hey! |
00:24:46 |
hey, hey, hey! # |
00:24:48 |
# macho, macho man # |
00:24:49 |
# macho man # |
00:24:51 |
# I've got to be a macho man # |
00:24:54 |
# I've got to be a # |
00:24:55 |
# macho, macho man, yeah # |
00:24:58 |
# I've got to be a macho # |
00:25:01 |
# oh! # |
00:25:02 |
# macho, macho man, yeah # |
00:25:06 |
# I've got to be a macho man # |
00:25:09 |
# macho, macho man # |
00:25:12 |
# hey, hey # |
00:25:13 |
# I've got to be a macho # |
00:26:06 |
That's a lot of work |
00:26:07 |
for one man. |
00:26:08 |
Yeah, I suppose. |
00:26:10 |
But... |
00:26:11 |
I'm sure there are people who |
00:26:13 |
wish they had some work to do, |
00:26:14 |
Huh? |
00:26:17 |
Well, I'm sure whoever made |
00:26:19 |
this mess would, uh, come |
00:26:20 |
and apologize if he were here. |
00:26:23 |
Yeah, I'm sure. |
00:26:25 |
Uh, I'm Albert. |
00:26:27 |
Thomas Miller. |
00:26:28 |
Ah, well then I accept. |
00:26:30 |
Accept what? |
00:26:31 |
Your apology. |
00:26:34 |
You know, uh, Thomas Miller, |
00:26:36 |
he left his library card here. |
00:26:39 |
And isn't it funny that |
00:26:41 |
this Thomas Miller |
00:26:42 |
looks exactly like the one |
00:26:43 |
who's standing right here? |
00:26:46 |
Weird, huh? |
00:26:48 |
Busted. |
00:26:49 |
Yeah, busted. |
00:26:52 |
Oh, before I forget, |
00:26:53 |
Mrs. Bleckner, she asked me |
00:26:55 |
to check on you, |
00:26:56 |
see if you, uh, completed |
00:26:57 |
your punishment. |
00:27:04 |
1,000 times. |
00:27:07 |
1,000? |
00:27:09 |
Wow. |
00:27:11 |
Wow, this looks more like 2,000. |
00:27:13 |
Yeah, well, I wanted to show |
00:27:16 |
her how much I've changed. |
00:27:19 |
Thomas, I'm gonna give you |
00:27:20 |
one more chance. |
00:27:22 |
I'm sorry? |
00:27:24 |
Last chance to explain |
00:27:25 |
the stench of toner all over |
00:27:27 |
these papers. |
00:27:29 |
Guilty, sir. |
00:27:32 |
Now, how does it feel |
00:27:32 |
to tell the truth? |
00:27:34 |
Weird. |
00:27:35 |
Hey, you're not gonna tell |
00:27:37 |
On me, are you? |
00:27:38 |
'Cause I'm on a real short |
00:27:39 |
"one more strike and you're out" |
00:27:41 |
leash. |
00:27:42 |
Nah, man, this'll be our |
00:27:43 |
little secret. |
00:27:45 |
You've got some major cools |
00:27:46 |
for an adult. |
00:27:47 |
I hope for your sake your |
00:27:48 |
parents have some major cools, |
00:27:49 |
too. |
00:27:50 |
Well, actually, you might |
00:27:52 |
know my mom. |
00:27:53 |
Principal Hampton's assistant, |
00:27:54 |
Claire Miller. |
00:27:55 |
Yeah, yeah, |
00:27:56 |
She's a nice lady. |
00:27:57 |
And, uh, and what about |
00:27:59 |
your father? |
00:28:00 |
I don't really have to worry |
00:28:02 |
about my dad. |
00:28:03 |
He's actually away a lot. |
00:28:05 |
All right, listen up, |
00:28:06 |
gentlemen. We're playing in |
00:28:07 |
front of a hostile crowd today. |
00:28:08 |
If we're gonna win this thing, |
00:28:09 |
we're gonna have to play |
00:28:10 |
mistake-free football, and I |
00:28:11 |
think we all know what that is, |
00:28:12 |
all right? |
00:28:13 |
And I'm looking at you, |
00:28:13 |
John Vilma, to lead us to |
00:28:14 |
victory, all right? |
00:28:16 |
I'm counting on you, buddy. |
00:28:16 |
We're all counting on you. |
00:28:17 |
We're gonna fo- |
00:28:18 |
hold on, coach. |
00:28:20 |
Can I Blitz? |
00:28:21 |
Not today, no blitzing today. |
00:28:23 |
Thank you, though. |
00:28:24 |
Now listen, here's what we're |
00:28:26 |
gonna do. We're gonna go out |
00:28:26 |
there and we're gonna play |
00:28:27 |
the best game we've ever played, |
00:28:28 |
all right? Now, if they |
00:28:29 |
come back with that pass- |
00:28:30 |
coach? |
00:28:32 |
Why you're not gonna let me |
00:28:33 |
blitz? |
00:28:33 |
We're not gonna Blitz today, |
00:28:34 |
Okay? Today John won't be |
00:28:37 |
blitzing, all right? |
00:28:38 |
We're gonna go with my plan, |
00:28:39 |
All right? |
00:28:39 |
Here's what we're doing. |
00:28:40 |
John is gonna Blitz. |
00:28:43 |
Thanks, coach. |
00:28:44 |
Hey, look at that, |
00:28:45 |
there's a gift for ya. |
00:28:46 |
All right, let's get it in here |
00:28:47 |
right now, let's go, guys. |
00:28:47 |
Who are we? |
00:28:49 |
Jets! |
00:28:50 |
Who are we? |
00:28:50 |
Jets! |
00:28:52 |
Let's go! |
00:28:55 |
Wow. |
00:28:56 |
Your father is the coach |
00:28:57 |
of the New York Jets? |
00:29:00 |
Yeah. Sometimes he even |
00:29:01 |
lets me design some of |
00:29:02 |
the defense packages. |
00:29:03 |
And me, just a janitor. |
00:29:06 |
Well, like I said, it beats |
00:29:07 |
not having a job, huh? |
00:29:08 |
I'll try and remember that. |
00:29:14 |
Oh, Thomas Miller. |
00:29:20 |
Keep it real, huh? |
00:29:22 |
Yeah. |
00:29:31 |
Joe Namath? |
00:29:33 |
Mine, Chapman. |
00:29:35 |
A signed ball from Joe Namath |
00:29:36 |
must be worth a few dollars. |
00:29:38 |
Ever since I've been in this |
00:29:39 |
school, you've taken everything |
00:29:40 |
that belongs to me. |
00:29:42 |
I've taken nothing of yours. |
00:29:43 |
It hardly seems fair. |
00:29:46 |
So? |
00:29:47 |
So give me back my ball. |
00:29:50 |
This one? |
00:29:51 |
Come on, my dad gave that |
00:29:52 |
to me. |
00:29:52 |
Dad? |
00:29:53 |
Which dad? |
00:29:56 |
The skateboarding dad? |
00:29:57 |
Or dad the Jets coach? |
00:30:00 |
Or government dad? |
00:30:02 |
Which one, Miller? |
00:30:03 |
Which one of your fabulous dads |
00:30:05 |
gave this to you? |
00:30:17 |
You want this? |
00:30:18 |
You want this so bad? |
00:30:19 |
Well, go get it. |
00:31:05 |
Hey. |
00:31:07 |
Yeah, the cover here |
00:31:08 |
at the school is perfect. |
00:31:09 |
No one suspects a thing. |
00:31:13 |
I'll get her at the dance. |
00:31:15 |
Believe me, they'll pay all |
00:31:16 |
the money in the world to get |
00:31:18 |
her back in one piece. |
00:31:20 |
We'll talk later. |
00:31:46 |
Jackie, are you there? |
00:31:48 |
Jackie, come on, |
00:31:48 |
I need to talk to you! |
00:31:50 |
I was down in the gym basement |
00:31:52 |
and I overheard some guy |
00:31:52 |
talking about getting some girl |
00:31:54 |
and how they'd pay all the |
00:31:56 |
money in the world to get her |
00:31:57 |
back in one piece, and he's |
00:31:58 |
gonna do it at the dance! |
00:32:00 |
Please, Jackie, you gotta |
00:32:01 |
Answer me! |
00:32:03 |
Hoffman, this is serious! |
00:32:04 |
Are you there? |
00:32:10 |
Excuse me, |
00:32:10 |
Pardon me, excuse me. |
00:32:14 |
We need to talk. |
00:32:16 |
Which would be fine, |
00:32:17 |
except for the fact that |
00:32:18 |
we're not talking. |
00:32:19 |
Jackie, this is really, |
00:32:20 |
really important. |
00:32:21 |
Implying my feelings |
00:32:22 |
were not. |
00:32:23 |
Quiet, class. |
00:32:25 |
I have a very important |
00:32:26 |
announcement to share with you |
00:32:27 |
this morning. |
00:32:28 |
Jackie, this is really |
00:32:29 |
important. |
00:32:30 |
Mr. Miller, take your seat. |
00:32:35 |
As you know, our honor students |
00:32:37 |
entered a national essay |
00:32:38 |
competition. |
00:32:39 |
Well, with great pleasure, |
00:32:40 |
I can tell you our very own |
00:32:41 |
Madison Kramer placed first |
00:32:44 |
with her composition titled, |
00:32:45 |
"Saving the World One Minute |
00:32:47 |
At a Time. " |
00:32:51 |
Thank you. |
00:32:53 |
And I really believe |
00:32:54 |
it could be done! |
00:32:55 |
If we just break our lives down |
00:32:57 |
into little sixty-second |
00:32:58 |
intervals- |
00:32:59 |
Thank you, Madison. |
00:33:00 |
Now as a reward, our school |
00:33:04 |
has been selected for a visit |
00:33:05 |
by a very special guest. |
00:33:07 |
I've known about this for days, |
00:33:08 |
but couldn't tell anyone |
00:33:10 |
for security purposes. |
00:33:12 |
Tonight our fall dance will be |
00:33:14 |
graced with an appearance |
00:33:15 |
by the daughter of the President |
00:33:18 |
of the United States of America, |
00:33:21 |
Christina Adams. |
00:33:23 |
That's right- |
00:33:24 |
I'll get her at |
00:33:25 |
the dance. Believe me, |
00:33:27 |
they'll pay all the money |
00:33:29 |
in the world to get her back |
00:33:30 |
in one piece. |
00:33:35 |
Oh, my gosh. |
00:33:36 |
Mr. Miller, go directly |
00:33:39 |
to the- |
00:33:39 |
the Principal's office. |
00:33:41 |
Down the hall, to the left, |
00:33:43 |
past the library. |
00:33:44 |
That's where I'm heading. |
00:33:50 |
Congratulations. |
00:33:52 |
Thank you, Thomas. |
00:34:03 |
Sir, the President's |
00:34:04 |
daughter's in serious danger! |
00:34:05 |
Is this another little prank, |
00:34:06 |
Miller boy? |
00:34:07 |
No, sir. |
00:34:08 |
I overheard him talking |
00:34:09 |
on his phone. |
00:34:11 |
I'll type up my resignation. |
00:34:13 |
No, that won't be necessary, |
00:34:15 |
Mrs. Miller. |
00:34:17 |
Thomas, after all we've gone |
00:34:17 |
through, I trust you're wise |
00:34:19 |
enough to know the serious |
00:34:20 |
consequences you may face |
00:34:21 |
in the wake of such |
00:34:23 |
a heinous lie. |
00:34:24 |
And therefore, I'm inclined to |
00:34:27 |
believe you. |
00:34:28 |
Awesome! |
00:34:31 |
Mrs. Miller? |
00:34:32 |
Sir? |
00:34:33 |
Meet me by the bear, please. |
00:34:38 |
Call this man immediately. |
00:34:40 |
Dr. Nussbaum? |
00:34:42 |
A gifted child psychologist, |
00:34:43 |
specializes in delusional |
00:34:45 |
behavior. |
00:34:47 |
You think my son is |
00:34:48 |
delusional? |
00:34:49 |
A little, yes. |
00:34:52 |
After Dr. Nussbaum gives his |
00:34:54 |
diagnosis, he'll recommend |
00:34:56 |
an appropriate school. |
00:34:58 |
But you can stay. |
00:35:00 |
You're very good. |
00:35:03 |
First of all, Thomas is |
00:35:05 |
right here in the room. |
00:35:06 |
Thomas also has very good |
00:35:08 |
hearing, and the only thing |
00:35:09 |
delusional about Thomas |
00:35:11 |
is him thinking he could |
00:35:12 |
trust you with the truth, |
00:35:13 |
Principal Hampton. |
00:35:18 |
Ironic... |
00:35:19 |
you're a principal, |
00:35:20 |
but yet, you have no principles. |
00:35:29 |
Psst! |
00:35:33 |
Mr. Randall. |
00:35:35 |
Can we talk? |
00:35:39 |
Sure. |
00:35:42 |
What's going on? |
00:35:45 |
It's an old story, and I |
00:35:48 |
really should know what to do |
00:35:49 |
Because it's such an old story. |
00:35:51 |
Lemme guess. |
00:35:52 |
Is this the one where someone |
00:35:54 |
knows something that nobody else |
00:35:55 |
knows, and that someone |
00:35:57 |
isn't sure if they should tell |
00:35:58 |
someone or not? |
00:36:00 |
You're good. |
00:36:02 |
So? |
00:36:02 |
What's the person know? |
00:36:05 |
Well, let's just say it's- |
00:36:06 |
it's a matter of life |
00:36:07 |
and death! |
00:36:09 |
How'd you know? |
00:36:11 |
Well, like you said, |
00:36:11 |
it's such an old story. |
00:36:16 |
Look, someone's in danger. |
00:36:19 |
Real, real danger. |
00:36:28 |
Hold that thought, Thomas. |
00:36:30 |
Hello? |
00:36:31 |
Yeah. |
00:36:33 |
Great. |
00:36:34 |
Well, that's what I'm here for. |
00:36:39 |
Look, I'm gonna have to |
00:36:40 |
call you back. |
00:36:45 |
What were you saying about |
00:36:46 |
someone being in danger? |
00:36:47 |
What? I-I didn't say that. |
00:36:50 |
Why would I say that? |
00:36:51 |
I- I would never say that. |
00:36:54 |
Thomas? |
00:36:54 |
See ya! |
00:37:14 |
You supposed to be in here? |
00:37:16 |
Where's Albert? |
00:37:17 |
Albert? |
00:37:18 |
The other janitor. |
00:37:20 |
The cool one. |
00:37:21 |
Oh, Friday. |
00:37:23 |
Albert has Friday off. |
00:37:26 |
When will he be back? |
00:37:29 |
Monday. |
00:37:30 |
Oh, of course, Monday. |
00:37:35 |
Thank you. |
00:37:47 |
Albert, you are here. |
00:37:49 |
Great. |
00:37:50 |
of course I'm here. |
00:37:51 |
What's going on, little man? |
00:37:53 |
So, would you say what we |
00:37:55 |
have is a solid friendship? |
00:37:58 |
What we-we only met once. |
00:38:00 |
Well, after one meeting, |
00:38:01 |
can you see where this is |
00:38:02 |
gonna go? |
00:38:04 |
Like, BFF? |
00:38:05 |
BFF? Come again? |
00:38:06 |
Best Friends Forever. |
00:38:09 |
All right, that's cool. |
00:38:10 |
Gimme some love, little man. |
00:38:12 |
Yeah, yeah. |
00:38:14 |
So, uh, BFF. |
00:38:18 |
What do we do now? |
00:38:20 |
We talk. |
00:38:22 |
And I believe I can share |
00:38:23 |
anything and everything |
00:38:24 |
with you. |
00:38:25 |
You know what? |
00:38:25 |
I wouldn't have it any other |
00:38:26 |
way. |
00:38:27 |
Me too, so here it is. |
00:38:29 |
Somebody's planning to kidnap |
00:38:30 |
The President's daughter |
00:38:31 |
right here at our dance. |
00:38:36 |
Come on, Thomas. |
00:38:37 |
Do you realize what you're |
00:38:38 |
saying? |
00:38:38 |
Yeah, I do. |
00:38:42 |
All right, well, |
00:38:43 |
tell me what you know. |
00:38:45 |
Well, that's all I know. |
00:38:48 |
Bus is leaving. |
00:38:49 |
Gotta fly! |
00:38:50 |
Hey, wait! |
00:38:59 |
We all know |
00:39:00 |
the magnitude of tonight, |
00:39:01 |
an event unlike anything |
00:39:04 |
that has ever been held |
00:39:05 |
in our school. |
00:39:10 |
Your mission comes down to this. |
00:39:14 |
Keep order, keep your children |
00:39:16 |
safe, and I can't stress this |
00:39:18 |
enough... |
00:39:19 |
Keep the President's daughter |
00:39:21 |
even safer. |
00:39:25 |
No pressure. |
00:39:29 |
Enjoy your night. |
00:39:31 |
Thank you. |
00:39:35 |
Mrs. Miller? |
00:39:37 |
Could you stay behind, please? |
00:39:41 |
Sir? |
00:39:42 |
Mr. Bailey and I have spoken |
00:39:44 |
at length and feel perhaps |
00:39:46 |
it's best if Thomas stayed away |
00:39:48 |
from tonight's festivities. |
00:39:50 |
I'm afraid that's not |
00:39:51 |
an option. |
00:39:55 |
You know what the stakes are, |
00:39:57 |
Miller. |
00:39:58 |
Miller? |
00:39:59 |
Mrs. Miller, there's going |
00:40:00 |
to be a lot of news coverage. |
00:40:01 |
I just want everything to come |
00:40:02 |
off rosy and peachy. |
00:40:04 |
Let's face it, |
00:40:05 |
Principal Hampton. |
00:40:06 |
What you're really concerned |
00:40:07 |
about is that you come off |
00:40:09 |
rosy and peachy. |
00:40:13 |
Mrs. Miller, Thomas will not |
00:40:16 |
be attending tonight's dance, |
00:40:18 |
and there is no choice |
00:40:19 |
in the matter. |
00:40:21 |
You going to answer |
00:40:22 |
the phone? |
00:40:24 |
Sir, are you going to answer |
00:40:26 |
that? |
00:40:27 |
Sir? |
00:40:29 |
Mom, you've got to believe |
00:40:30 |
me. The President's daughter's |
00:40:32 |
really gonna be abducted. |
00:40:33 |
It's not a story. |
00:40:34 |
I'm telling the truth. |
00:40:36 |
These stories are a way |
00:40:37 |
for you to get attention |
00:40:39 |
and-and just so you don't have |
00:40:40 |
to feel all alone, right? |
00:40:42 |
But you need to know that |
00:40:44 |
you're not alone. |
00:40:45 |
I'm here, and your daddy's |
00:40:46 |
out there waiting for you |
00:40:47 |
to reach out to him, okay? |
00:40:49 |
Westpark |
00:40:50 |
Middle School and our tiny town |
00:40:51 |
will never be the same again as |
00:40:53 |
First Daughter Christina Adams |
00:40:55 |
will spend 33 minutes with us. |
00:40:57 |
Standing next to me is |
00:40:58 |
Madison Kramer, our honors |
00:40:59 |
student and essayist. |
00:41:01 |
So Madison, what inspired your |
00:41:02 |
award-winning essay? |
00:41:05 |
Well, I really believe that |
00:41:08 |
we can focus on everything but |
00:41:09 |
the here and now. |
00:41:11 |
See, if we just slow our lives |
00:41:14 |
down and live it one minute at |
00:41:16 |
a time- |
00:41:17 |
Thank you, Madison. |
00:41:18 |
We're out of time. |
00:41:19 |
You expecting someone? |
00:41:22 |
I'm not exactly the most |
00:41:24 |
popular person, so that'd be a |
00:41:25 |
big honking no. |
00:41:27 |
And it's not unusual for any |
00:41:28 |
member of the first family to |
00:41:30 |
travel with upwards of ten |
00:41:32 |
undercover security personnel. |
00:41:32 |
She's gonna need every single |
00:41:34 |
one of them. |
00:41:36 |
Thomas, come in here please. |
00:41:39 |
What'd I do now? |
00:41:43 |
You forgot your book bag at |
00:41:44 |
school. |
00:41:45 |
Sorry. |
00:41:46 |
Luckily, someone was nice |
00:41:46 |
enough to bring it for you. |
00:41:50 |
Hey, Thomas. |
00:41:52 |
Buddy. |
00:41:53 |
Mr. Randall, you don't-you |
00:41:56 |
don't have to be here. |
00:41:57 |
Really, you don't. |
00:41:59 |
After our little |
00:42:00 |
conversation, I knew you had |
00:42:01 |
something on your mind. |
00:42:02 |
No wonder you left this behind. |
00:42:04 |
Thank you, sir. |
00:42:06 |
You can turn yourself in now. |
00:42:08 |
Excuse me? |
00:42:09 |
I meant you can turn around |
00:42:11 |
and go now. |
00:42:12 |
Thank you. |
00:42:13 |
Thomas! |
00:42:15 |
I am so sorry for his rudeness. |
00:42:17 |
Would you like something cold to |
00:42:18 |
drink? |
00:42:19 |
Yeah, sure. |
00:42:25 |
You seem a little jumpy, |
00:42:26 |
Thomas. |
00:42:27 |
And you don't seem thirsty, |
00:42:28 |
so why are you still here? |
00:42:30 |
All right, you got me. |
00:42:31 |
I'm not really thirsty. |
00:42:33 |
Truth is, I wanted to be alone |
00:42:34 |
with you. |
00:42:36 |
You're the bad guy, aren't |
00:42:37 |
you? |
00:42:37 |
If wanting to ask you some |
00:42:39 |
questions makes me a bad guy, |
00:42:41 |
then yeah. |
00:42:43 |
Look, forget our talk. |
00:42:45 |
I know nothing. |
00:42:46 |
Up here, empty. |
00:42:48 |
Nothing but storage space. |
00:42:49 |
Have you been to Principal |
00:42:50 |
Hampton's office lately? |
00:42:51 |
Now that's an unfair |
00:42:53 |
question. |
00:42:54 |
I'm always in Principal |
00:42:55 |
Hampton's office. |
00:42:55 |
And have you noticed anything |
00:42:57 |
unusual, anything out of the |
00:42:58 |
ordinary? |
00:42:59 |
...Prepares for Christina's |
00:43:00 |
arrival, one thing is clear- |
00:43:02 |
security will be front and |
00:43:03 |
center. |
00:43:05 |
But in this day and age, what- |
00:43:06 |
here you go, cold drinks. |
00:43:08 |
Thank you. |
00:43:10 |
Thomas? |
00:43:10 |
No thanks. |
00:43:12 |
I'm not the type to pretend I'm |
00:43:13 |
thirsty. |
00:43:14 |
I'm all about the truth, and |
00:43:15 |
I'll find it. |
00:43:18 |
Thomas. |
00:43:21 |
Just remember, things aren't |
00:43:23 |
always as they appear. |
00:43:24 |
Mom, be careful. |
00:43:27 |
Very, very careful. |
00:43:29 |
Fido, come on. |
00:43:44 |
Yo, dog, how do I look? |
00:43:50 |
It was nice talking with you. |
00:43:52 |
Yeah, you too. |
00:43:53 |
I gotta head home and shower. |
00:43:55 |
Somehow, I got roped into |
00:43:56 |
chaperoning tonight. |
00:43:57 |
Whatever you do, don't bark, |
00:44:00 |
'cause everyone knows I don't |
00:44:01 |
bark, and if you bark and she |
00:44:03 |
comes in, she'll know. |
00:44:05 |
All right. |
00:44:10 |
You know, Thomas really isn't |
00:44:11 |
a bad boy. |
00:44:13 |
Yeah, I know. |
00:44:14 |
Just do me a favor and keep him |
00:44:17 |
in his room-for his own sake. |
00:44:20 |
Trust me, you won't be seeing |
00:44:22 |
Thomas anytime soon. |
00:44:23 |
Good. |
00:44:39 |
Hello. |
00:44:44 |
Do things ever go as planned? |
00:44:46 |
Yeah, because we're dealing with |
00:44:47 |
kids, and inevitably, when |
00:44:50 |
you're dealing with kids, things |
00:44:51 |
don't go as planned. |
00:46:16 |
Frank? Frank, are you there? |
00:46:19 |
Frank? |
00:46:21 |
We have a situation. |
00:46:22 |
Tom Miller, he knows something. |
00:46:31 |
What is it, boy? |
00:46:38 |
Sit. Stay. |
00:46:39 |
Don't eat me. |
00:46:41 |
Ahh! |
00:46:49 |
Thomas, honey... |
00:46:59 |
I just wanted to say I'm |
00:47:00 |
sorry for everything that's been |
00:47:01 |
going on lately. |
00:47:09 |
Oh! Ah! |
00:47:33 |
Kip. |
00:47:34 |
What's going on, Claire? |
00:47:36 |
I need your help. |
00:47:37 |
Yeah, I got your message. |
00:47:38 |
Is everything all right with |
00:47:39 |
Thomas? |
00:47:39 |
Well, Thomas is going through |
00:47:41 |
a hard time with us, and he's |
00:47:43 |
not dealing with it very well. |
00:47:44 |
He's exaggerating, and his |
00:47:45 |
school wants him at home, and I |
00:47:47 |
think he's somewhere around |
00:47:48 |
here and we have to find him. |
00:47:49 |
Look, you think he's ready to |
00:47:51 |
talk to me or not? |
00:47:52 |
He's 12! We're his parents! |
00:47:54 |
and whether or not we're |
00:47:55 |
together, we have to do whatever |
00:47:57 |
it takes to get him wherever he |
00:47:58 |
needs to go. |
00:48:01 |
That's home, okay? |
00:48:03 |
Okay, I got it. |
00:48:12 |
Whoa, Miller's dad's a |
00:48:15 |
trash man. |
00:48:16 |
No wonder he makes up stories. |
00:48:26 |
Hoffman. |
00:48:28 |
Jackie! |
00:48:30 |
Listen, someone's gonna try and |
00:48:32 |
hurt the President's daughter. |
00:48:34 |
I think I know who it is- |
00:48:35 |
Randall, the new guy. |
00:48:38 |
You've gotta believe me! |
00:48:41 |
Why should I? |
00:48:42 |
You're my best friend, Jackie. |
00:48:43 |
You always tell your best friend |
00:48:45 |
the truth. |
00:48:50 |
So why Madison Kramer, huh? |
00:48:53 |
Best friend? |
00:48:53 |
Why are you obsessed with this |
00:48:55 |
random girl who you know nothing |
00:48:56 |
about? |
00:48:59 |
I kinda like the way she- |
00:49:02 |
how she talks. |
00:49:03 |
Is that it, Thomas? |
00:49:05 |
Do you like the way I speak? |
00:49:07 |
Jackie! |
00:49:08 |
Do you find me charming, |
00:49:09 |
Thomas? |
00:49:10 |
Do you? |
00:49:11 |
Jackie, stop it! |
00:49:12 |
Look, I have no idea why Madison |
00:49:15 |
Kramer. |
00:49:17 |
The only thing I can think of |
00:49:19 |
is, maybe it is predetermined. |
00:49:23 |
Yeah. |
00:49:25 |
And one more thing- |
00:49:26 |
I just wanna say sorry for every |
00:49:28 |
time I've hurt you, and I wanna |
00:49:30 |
say sorry in advance for every |
00:49:33 |
time I might hurt you. |
00:49:34 |
You plan on hurting me again? |
00:49:36 |
I would never plan on it. |
00:49:40 |
Yeah. |
00:49:43 |
So say this whole President's |
00:49:48 |
daughter thing is true- |
00:49:50 |
what now? |
00:49:52 |
I go to the dance and I save |
00:49:54 |
a life. |
00:49:55 |
And what do you want from me? |
00:49:57 |
Jackie, you're the one person |
00:49:58 |
in the world that I know always |
00:50:00 |
has my back. |
00:50:02 |
The one person who knows |
00:50:04 |
you're telling the truth. |
00:50:05 |
Pretty much. |
00:50:08 |
Yeah. |
00:50:33 |
Nice look, Hoffman. |
00:50:35 |
Really? |
00:50:36 |
Yeah. |
00:50:39 |
Thanks. |
00:50:41 |
So how does one go about |
00:50:42 |
saving one's life when no one |
00:50:44 |
really believes you? |
00:50:45 |
I have no idea. |
00:50:47 |
No weapons, special gadgets, |
00:50:51 |
secret powers, no ideas- |
00:50:55 |
this could be quite a challenge. |
00:50:57 |
I like challenges. |
00:50:59 |
Next. |
00:51:03 |
Sorry Miller, you're not on |
00:51:05 |
the list. |
00:51:07 |
What list? |
00:51:08 |
There's no list. |
00:51:09 |
This is a school dance, not a |
00:51:11 |
night club. |
00:51:11 |
Miller, it's not gonna |
00:51:13 |
happen. |
00:51:15 |
Understand this, Mr. Miller- |
00:51:16 |
you are to leave the premises |
00:51:18 |
immediately. |
00:51:20 |
Both of you. |
00:51:21 |
Scram. |
00:51:39 |
What's going on, Miller? |
00:51:41 |
Who's your friend? |
00:51:42 |
Hey, maybe he'd like to play |
00:51:43 |
football for us this fall. |
00:51:44 |
Comedy never stops with you, |
00:51:46 |
Chapman. |
00:51:49 |
Hey, what you doing, Safchik? |
00:51:51 |
Tossing my wrapper, what's it |
00:51:53 |
Look like? |
00:51:54 |
Just toss it anywhere. |
00:51:56 |
Miller's dad will get to it. |
00:51:59 |
Right, Miller? |
00:52:00 |
Won't your dad, the trash man, |
00:52:01 |
just pick it up for us? |
00:52:03 |
Who said my dad's a trash |
00:52:04 |
man, jerk? |
00:52:05 |
What'd you call me? |
00:52:06 |
Jerk. That's what I called |
00:52:08 |
you, a jerk. |
00:52:09 |
And what're you gonna do about |
00:52:10 |
it? |
00:52:10 |
What am I gonna do? |
00:52:11 |
That was the question. |
00:52:12 |
What am I gonna do? |
00:52:14 |
I keep asking you because |
00:52:15 |
you'll never tell me. |
00:52:17 |
I- I'll do something! |
00:52:20 |
But I don't have to tell you. |
00:52:22 |
Is that what you're gonna do, |
00:52:24 |
huh, tough guy? |
00:52:24 |
You are so dead! |
00:52:40 |
Ahh! |
00:52:43 |
Just another piece of trash |
00:52:44 |
for his dad to pick up. |
00:52:47 |
What's going on out |
00:52:48 |
there? |
00:52:49 |
Thomas Miller, are you all |
00:52:51 |
right? |
00:52:53 |
I think his arm's broken or |
00:52:54 |
something. |
00:52:54 |
Okay, I'm only gonna take a |
00:52:55 |
look. |
00:52:55 |
Lemme take a look. |
00:52:57 |
Ahh! |
00:52:58 |
I don't think it's broken, |
00:53:00 |
but we're gonna get you to the |
00:53:01 |
nurse's office-get some ice on |
00:53:02 |
it, let her take a closer look. |
00:53:04 |
Come on. |
00:53:13 |
That should help. |
00:53:14 |
Albert, I'm gonna tell you |
00:53:17 |
one more time what's going on |
00:53:18 |
tonight. |
00:53:19 |
Maybe if it comes from you, |
00:53:21 |
people will believe. |
00:53:22 |
All right. |
00:53:23 |
What, Thomas? |
00:53:24 |
What's going on tonight? |
00:53:24 |
The President's daughter is |
00:53:25 |
in serious danger. |
00:53:27 |
You mentioned that earlier |
00:53:28 |
today. |
00:53:37 |
Yeah. |
00:53:41 |
Yeah, he's here in the |
00:53:42 |
nurse's office. |
00:53:44 |
Jackie, we need to get out of |
00:53:46 |
here. |
00:53:48 |
I know. |
00:53:49 |
Wait a minute. |
00:53:51 |
Please don't take this |
00:53:52 |
personally, but we need to get |
00:53:54 |
outta here. |
00:53:54 |
You're not going anywhere, |
00:53:55 |
Thomas. |
00:53:56 |
We can't have you running |
00:53:57 |
around, telling a bunch of |
00:53:59 |
foolish stories. |
00:54:01 |
But that's all they are, right? |
00:54:03 |
Right, stories. |
00:54:05 |
Just a bunch of stories. |
00:54:06 |
You know more. |
00:54:10 |
I know you know more. |
00:54:11 |
Maybe I do know more, Frank. |
00:54:17 |
Okay, now that some of the |
00:54:19 |
truth is starting to come out, |
00:54:21 |
it is extremely important that |
00:54:23 |
you tell me exactly what you |
00:54:24 |
know about our visitor tonight. |
00:54:26 |
All right, here's the truth |
00:54:27 |
as I see it. |
00:54:28 |
I know about your plan to |
00:54:29 |
kidnap the President's daughter, |
00:54:31 |
and I know that one thing's for |
00:54:33 |
sure-I'm gonna stop you. |
00:54:47 |
Whoa! |
00:54:48 |
Go, come on! |
00:54:52 |
Thomas! |
00:55:28 |
You hate it when that |
00:55:29 |
happens, don't you? |
00:55:31 |
Thomas, Jackie! |
00:55:40 |
Come on. |
00:55:44 |
Over there, Jackie. |
00:55:46 |
Come on, we gotta keep moving. |
00:55:55 |
Follow me. |
00:56:00 |
This is gonna make some |
00:56:02 |
fantastic story. |
00:56:06 |
Who would I tell? |
00:56:07 |
I mean, who's gonna actually |
00:56:09 |
believe Thomas Miller? |
00:56:11 |
It all depends on how it |
00:56:12 |
ends. |
00:56:14 |
Yeah. |
00:56:15 |
I wonder how it actually will |
00:56:17 |
end. |
00:56:17 |
Miller! |
00:56:18 |
Ahh! |
00:56:20 |
I'll tell you how it ends, |
00:56:21 |
Miller-it ends bad for you. |
00:56:28 |
Sorry, Miller. |
00:56:30 |
Wrong hand. |
00:56:34 |
Come on. |
00:56:37 |
Let go of us! |
00:56:39 |
Let go of me! |
00:56:40 |
Get in. |
00:56:43 |
Come on, Miller, come back here. |
00:56:45 |
Let go of me! |
00:56:46 |
We tried to tell you, and you |
00:56:48 |
wouldn't listen. |
00:56:51 |
Open that door, Miller. |
00:56:52 |
Get in there. |
00:56:55 |
That oughta hold you for a |
00:56:57 |
little while. |
00:56:58 |
I can't believe I didn't |
00:57:00 |
think you were in on it, Bailey. |
00:57:01 |
I mean, isn't it always the guy |
00:57:02 |
with a fake hand? |
00:57:04 |
You give me too much credit, |
00:57:06 |
Miller. |
00:57:07 |
I'm just following orders. |
00:57:19 |
Blame it on me, Miller boy. |
00:57:22 |
Hampton. |
00:57:23 |
The evil principal. |
00:57:25 |
Of course. |
00:57:26 |
I told your mother to keep |
00:57:28 |
you away tonight, but no- |
00:57:30 |
here you are. |
00:57:32 |
I, however, refuse to let you |
00:57:34 |
pull focus from what tonight is |
00:57:35 |
all about. |
00:57:37 |
And what is tonight all |
00:57:39 |
about? |
00:57:39 |
That remains to be seen, |
00:57:41 |
but one thing's for sure- |
00:57:42 |
it's not about Thomas Miller. |
00:57:48 |
Sir. |
00:57:50 |
Keep the Miller boy and his |
00:57:51 |
little lady friend locked up |
00:57:56 |
and away from me and the |
00:57:57 |
President's daughter. |
00:57:58 |
My pleasure, sir. |
00:58:04 |
You're all mine, Mildred. |
00:58:34 |
Settle-settle- |
00:58:35 |
people! |
00:58:36 |
Settle-people! |
00:58:39 |
Settle. |
00:58:42 |
Students, parents, faculty, |
00:58:45 |
thank you all for your hard work |
00:58:48 |
in putting together tonight's |
00:58:49 |
event. |
00:58:50 |
It sure beats your lackluster |
00:58:52 |
effort in last month's sad, sad |
00:58:56 |
cookie dough drive. |
00:58:58 |
And now, join me in welcoming |
00:59:01 |
America's favorite daughter, |
00:59:05 |
Christina Adams. |
00:59:43 |
Who are you? |
00:59:44 |
Principal Hampton. |
00:59:45 |
I run this school. |
00:59:46 |
It's all right. |
00:59:46 |
I'll need to see some I.D. |
00:59:55 |
Drake, you've gotta help us. |
00:59:57 |
You have no idea what's going |
00:59:58 |
down. |
00:59:59 |
Hampton, Bailey and Randall, |
01:00:01 |
The new teacher, they're all in |
01:00:03 |
on it. |
01:00:03 |
They're about to execute a |
01:00:05 |
kidnapping of Christina. |
01:00:06 |
Oh, okay. |
01:00:08 |
He's telling the truth, |
01:00:09 |
Drake. |
01:00:09 |
Listen to me, Bert and Ernie. |
01:00:12 |
My job is to keep you two from |
01:00:13 |
getting in the way of tonight, |
01:00:15 |
and ain't nothing gonna stop me |
01:00:16 |
from that. |
01:00:17 |
Fine, do what you have to do. |
01:00:19 |
Hopefully, he won't get too far |
01:00:21 |
with her. |
01:00:22 |
Won't get very far with who? |
01:00:23 |
Not important. |
01:00:25 |
Tell me, squid, tell me now. |
01:00:27 |
The whole school knows that |
01:00:29 |
Bickleman is hot for Madison. |
01:00:31 |
Apparently tonight, he makes his |
01:00:34 |
move. |
01:00:35 |
Oh, yeah. |
01:00:36 |
Bickleman? |
01:00:38 |
Tuba-playing Bickleman? |
01:00:40 |
He's a love machine. |
01:00:41 |
Everyone knows in the band |
01:00:43 |
world, chicks dig the tuba guy. |
01:00:45 |
Definitely. |
01:00:46 |
Bickleman! |
01:00:53 |
"Chicks dig the tuba guy"? |
01:00:55 |
Believe me, I don't know how |
01:00:58 |
I come up with half this stuff. |
01:01:00 |
We don't have much time. |
01:01:14 |
There's our out. |
01:01:16 |
Let's move. |
01:01:18 |
You gotta be kidding me. |
01:01:29 |
Got it. |
01:01:29 |
Come on, Jackie. |
01:01:42 |
Let's go. |
01:01:51 |
Hey, the Principal said |
01:01:53 |
you're watching the Miller boy. |
01:01:54 |
Where is he? |
01:01:54 |
I don't have to tell you. |
01:01:56 |
What? |
01:01:57 |
Storage room, gym basement. |
01:01:59 |
Where's Bickleman? |
01:02:00 |
Tuba player. |
01:02:01 |
Who cares? |
01:02:06 |
Sorry I dragged you into this |
01:02:08 |
mess, Jackie. |
01:02:10 |
Come on, Miller. |
01:02:11 |
Everyone knows you don't leave |
01:02:12 |
your best friend hanging. |
01:02:14 |
This way. |
01:02:21 |
Right down this way. |
01:02:23 |
I told you I'd get him. |
01:02:26 |
I got him. |
01:02:30 |
Oh, great, and I had to wear |
01:02:31 |
white. |
01:02:33 |
Since when did you start to |
01:02:34 |
care about that sort of thing? |
01:02:36 |
Hey, I'm still a girl. |
01:02:39 |
Right in here. |
01:02:40 |
I got 'em trapped like two |
01:02:41 |
little rats. |
01:02:44 |
The kid's gone. |
01:02:47 |
Oh, man! |
01:02:48 |
They were right here. |
01:02:50 |
How big of an idiot are you? |
01:02:55 |
We must find Thomas Miller. |
01:02:57 |
"We must find Thomas Miller"? |
01:03:00 |
Look who's popular now. |
01:03:04 |
Yeah, try upstairs. |
01:03:06 |
They're probably upstairs. |
01:03:09 |
I bet they're upstairs. |
01:03:20 |
Oops. |
01:03:21 |
Fire, fire! |
01:03:21 |
Fire? |
01:03:25 |
Fire! |
01:03:28 |
Move! |
01:03:31 |
What do we do now? |
01:03:34 |
Jump! |
01:03:43 |
What a rush. |
01:03:43 |
We need to get to Christina |
01:03:44 |
before- |
01:03:45 |
before I do? |
01:03:47 |
Is that the plan, kid? |
01:03:48 |
Why must there always be one? |
01:03:50 |
One who's never smart enough to |
01:03:52 |
stay out of the way. |
01:03:54 |
Why is that, I ask. |
01:03:56 |
I guess if you stay out of |
01:03:57 |
the way, you don't have much of |
01:03:58 |
a story to tell. |
01:04:03 |
Aren't you going to get that? |
01:04:05 |
No, it's not mine. |
01:04:11 |
You could never get away with |
01:04:13 |
this. |
01:04:14 |
This school is crawling with |
01:04:16 |
cops and Secret Service, |
01:04:17 |
and all we have to do is scream. |
01:04:19 |
Scream really loud. |
01:04:27 |
Okay, we're done screaming |
01:04:29 |
now, sir. |
01:04:30 |
That would be wise- |
01:04:31 |
wise because the next sound you |
01:04:33 |
make might be the last sound you |
01:04:36 |
make. |
01:04:40 |
Oh, that's mine. |
01:04:43 |
Grissom. |
01:04:45 |
Get the copter on the roof in |
01:04:47 |
ten minutes. |
01:04:49 |
No, we will get away with this. |
01:04:51 |
And I gotta say, I'm pretty |
01:04:54 |
impressed with me. |
01:04:56 |
Please don't hurt us, |
01:04:58 |
whatever you do! |
01:04:59 |
Get off me. |
01:05:00 |
Spare us! |
01:05:01 |
Sit down! |
01:05:02 |
Get on the ground. |
01:05:05 |
Here's what's gonna happen- |
01:05:06 |
you two are gonna sit here |
01:05:09 |
and you're gonna count to 7,430. |
01:05:12 |
Then when you're done, then you |
01:05:14 |
can move. |
01:05:14 |
It's gonna be fun. |
01:05:17 |
Now start counting. |
01:05:19 |
One, |
01:05:21 |
two, three... |
01:05:23 |
Thomas, is it okay to be scared? |
01:05:29 |
Yeah, Jackie. |
01:05:31 |
It's okay to be scared. |
01:05:34 |
Remember, following the |
01:05:36 |
dance, there'll be a photo |
01:05:37 |
opportunity with myself and the |
01:05:38 |
President's daughter. |
01:05:44 |
Swim, Bickleman, |
01:05:45 |
swim. |
01:05:46 |
On behalf of all the students |
01:05:47 |
here at Westpark Middle School, |
01:05:49 |
I'd like to welcome you and say |
01:05:50 |
thank you for visiting our |
01:05:51 |
little school where, until now, |
01:05:53 |
it seems like nothing exciting |
01:05:54 |
ever happens. |
01:05:56 |
And I'd like to thank you for |
01:05:57 |
writing such a wonderful essay. |
01:05:59 |
Thank you. |
01:06:01 |
And it is so true- |
01:06:03 |
if we just break our lives down |
01:06:04 |
into little bitty 60-second |
01:06:06 |
intervals, then- |
01:06:07 |
Thank you, Madison. |
01:06:09 |
I'd like to say what a |
01:06:11 |
pleasure it is to represent the |
01:06:13 |
White House in sharing your fall |
01:06:15 |
dance. |
01:06:16 |
Westpark Middle School rocks! |
01:06:21 |
Oww! Oww! |
01:06:36 |
Thomas! |
01:06:37 |
Who put you in here? |
01:06:39 |
I don't know what I should |
01:06:40 |
and shouldn't say, |
01:06:41 |
because I really don't know |
01:06:42 |
who's good and who's bad. |
01:06:43 |
Miller! |
01:06:45 |
Miller, you're coming with |
01:06:46 |
me, Miller. |
01:06:48 |
No, I don't think so. |
01:06:49 |
He stays. |
01:06:50 |
See? Exactly. |
01:06:52 |
I don't know who's good and |
01:06:52 |
who's bad. |
01:06:54 |
Frank Marquee, Secret |
01:06:55 |
Service. |
01:06:58 |
Whoa, Secret Service? |
01:07:00 |
You really are a good guy. |
01:07:02 |
Thomas, whenever the |
01:07:04 |
President or one of the first |
01:07:05 |
family make an appearance, we go |
01:07:06 |
undercover. |
01:07:08 |
Usually, nothing happens. |
01:07:08 |
I should've believed you, |
01:07:09 |
Thomas. |
01:07:11 |
I guess I don't have much |
01:07:12 |
credibility, huh. |
01:07:13 |
Yeah, you do have quite a |
01:07:14 |
reputation. |
01:07:17 |
You found 'em. |
01:07:18 |
Yeah. |
01:07:19 |
You're with Secret Service |
01:07:20 |
too? |
01:07:21 |
Uh huh. |
01:07:21 |
Sure beats mopping floors. |
01:07:23 |
Thomas, it's not what you do |
01:07:24 |
that defines you, it's who you |
01:07:25 |
are. |
01:07:26 |
You should remember that. |
01:07:28 |
Al, I woulda called you, but |
01:07:29 |
I can't find my cell phone. |
01:07:30 |
Thought I left it in here. |
01:07:32 |
Well, we gotta find this guy. |
01:07:33 |
Wait, the bad guy- |
01:07:34 |
I think I know how I can find |
01:07:37 |
him. |
01:07:37 |
Come on, follow me. |
01:07:38 |
We don't have much time. |
01:07:43 |
Thomas Miller. |
01:08:07 |
Hello, hello, |
01:08:09 |
I'm in here. |
01:08:26 |
All right, see him anywhere? |
01:08:27 |
No. |
01:08:30 |
Keep an eye out. |
01:08:31 |
If you see him, give me a |
01:08:33 |
signal. |
01:08:33 |
Got it. |
01:09:05 |
And that concludes our 33 |
01:09:07 |
minutes with Christina Adams. |
01:09:24 |
Yeah, what a great essay |
01:09:25 |
you wrote. |
01:09:28 |
This dance was awesome. |
01:09:36 |
Gotcha. |
01:09:42 |
Bleckner's got a gun! |
01:09:49 |
Move, move, move! |
01:09:50 |
We need everybody out of the |
01:09:52 |
gymnasium. |
01:09:52 |
Clear the building. |
01:09:54 |
Mom! |
01:09:54 |
Thomas, be careful! |
01:09:55 |
Move back! |
01:09:56 |
Everybody back, |
01:09:58 |
or I'll have no choice but to do |
01:10:00 |
something that wouldn't be very |
01:10:02 |
nice! |
01:10:03 |
Get off of me! |
01:10:06 |
Get up! |
01:10:07 |
Get back to the school right |
01:10:08 |
now! |
01:10:10 |
Thomas! |
01:10:17 |
You're not gonna get away |
01:10:18 |
with this. |
01:10:18 |
Grissom, the name is Malcolm |
01:10:20 |
J. Grissom. |
01:10:21 |
And yes, I most certainly will |
01:10:23 |
get away with this. |
01:10:26 |
Come on. |
01:10:29 |
Keep moving, keep moving! |
01:10:34 |
Grissom, |
01:10:35 |
Let her go. |
01:10:37 |
You're gonna be better off if |
01:10:38 |
you do. |
01:10:39 |
Not gonna happen. |
01:10:40 |
Help me. |
01:10:42 |
Why, huh? |
01:10:43 |
Why you doing this? |
01:10:44 |
My dream was always to be |
01:10:46 |
Secret Service, |
01:10:48 |
protecting the President |
01:10:49 |
and his family. |
01:10:51 |
I must have applied over 20 |
01:10:53 |
times for a job with you guys. |
01:10:54 |
I never made it past the |
01:10:56 |
psychological profiling. |
01:10:57 |
Big surprise. |
01:10:59 |
But if I can't work for you, |
01:11:02 |
I'll work just fine against you. |
01:11:06 |
What are your demands? |
01:11:07 |
'Scuse me? |
01:11:09 |
You must have a list of |
01:11:10 |
demands for Christina's safe |
01:11:11 |
release. |
01:11:11 |
What are they? |
01:11:12 |
Oh, yeah, demands. |
01:11:16 |
No, I've got 'em. |
01:11:19 |
But I don't really have to tell |
01:11:23 |
you. |
01:11:26 |
Let's go. |
01:11:27 |
Ahh! |
01:11:28 |
Christina! |
01:11:31 |
Whoa, whoa, whoa. |
01:11:32 |
Let go of me! |
01:11:33 |
Where do you think you're |
01:11:34 |
going? |
01:11:35 |
Where do you think? |
01:11:36 |
To save Christina. |
01:11:36 |
Look, Thomas, you've done |
01:11:39 |
more than enough, and we thank |
01:11:40 |
you, but let the professionals |
01:11:41 |
take it from here, okay? |
01:11:43 |
Let's go, kid. |
01:11:44 |
Come on. |
01:11:46 |
Ahh! Somebody help! |
01:11:49 |
Yes, somebody |
01:11:50 |
help, help! |
01:11:51 |
See, no one's coming. |
01:11:59 |
Are you all right? |
01:12:04 |
Why don't you start worrying |
01:12:05 |
about Christina instead of me? |
01:12:06 |
We got the kid out. |
01:12:09 |
I'm on my way to the roof. |
01:12:14 |
Where are you going? |
01:12:15 |
I need to get inside. |
01:12:16 |
Christina needs my help. |
01:12:17 |
Lockdown mode, no one in or |
01:12:18 |
out. |
01:12:20 |
Thanks. |
01:12:21 |
Hey! |
01:12:32 |
Ahh! |
01:12:35 |
You'll never get away with this! |
01:12:36 |
Somebody will save me. |
01:12:37 |
You'll see. |
01:12:39 |
You're an optimistic little |
01:12:40 |
girl, aren't you? |
01:12:48 |
Excuse me, |
01:12:49 |
oh, |
01:12:50 |
you- |
01:12:51 |
have you seen Thomas anywhere? |
01:12:59 |
Sir, we've got a new problem. |
01:13:01 |
The redhead's making his way up |
01:13:01 |
the roof. |
01:13:05 |
All right, Serrano, Malloy, |
01:13:07 |
you're with me. |
01:13:07 |
Let's go. |
01:13:12 |
Thomas! |
01:13:15 |
Thomas, stop. |
01:13:17 |
It's too dangerous. |
01:13:19 |
Not gonna happen. |
01:13:19 |
Christina needs me. |
01:13:21 |
Turk, we're almost out the |
01:13:22 |
roof. |
01:13:23 |
Land that chopper now. |
01:13:27 |
All right, I'm going up. |
01:13:39 |
What's going on? |
01:13:39 |
Some psycho tried to kidnap |
01:13:41 |
the President's daughter. |
01:13:42 |
Thomas! |
01:13:46 |
You gotta calm down. |
01:13:47 |
These guys know what they're |
01:13:48 |
doing. |
01:13:48 |
But does Thomas know? |
01:13:50 |
What are you talking about? |
01:13:52 |
Look, Kip! |
01:13:54 |
Are you kidding me? |
01:13:56 |
Thomas! |
01:13:57 |
Thomas! |
01:14:01 |
What's he doing? |
01:14:03 |
Thomas, stop. |
01:14:05 |
I can't, sir, I'm on a roll. |
01:14:14 |
I need to do this! |
01:14:17 |
Thomas, enough. |
01:14:18 |
You're gonna get yourself hurt. |
01:14:20 |
Must save Christina! |
01:14:23 |
Ahh! |
01:14:24 |
Oh! |
01:14:26 |
Oops, sorry. |
01:14:32 |
"Oops, sorry. " |
01:14:46 |
Your flight's ready for |
01:14:47 |
boarding. |
01:14:51 |
Here's your new friend, |
01:14:53 |
Mr. Gun. |
01:14:54 |
You be nice to him, |
01:14:55 |
and he'll be nice to you. |
01:14:57 |
Sound fair? |
01:14:58 |
Uh huh. |
01:14:59 |
Let's go. |
01:15:00 |
Who are you? |
01:15:01 |
Thomas Miller. |
01:15:02 |
I'm here to save you. |
01:15:04 |
Great. |
01:15:15 |
That's your kid, Miller. |
01:15:20 |
Come on. |
01:15:23 |
Hold your fire, hold your |
01:15:24 |
fire. |
01:15:25 |
We got kids up there. |
01:15:28 |
stay close. |
01:15:29 |
You don't wanna make your new |
01:15:30 |
best buddy angry, do you? |
01:15:31 |
You know, I have school |
01:15:33 |
tomorrow. |
01:15:34 |
Uh huh. Get in. |
01:15:37 |
You too, Presidential |
01:15:38 |
Princess. |
01:15:43 |
Come on, turk. |
01:15:43 |
Let's move now. |
01:15:44 |
Come on, let's go. |
01:15:48 |
It's gonna be okay. |
01:15:51 |
Come on, turk, let's get this |
01:15:52 |
thing in the air. |
01:15:54 |
Albert! |
01:15:56 |
Everyone wants to be a hero. |
01:16:05 |
Christina's in the |
01:16:06 |
helicopter. |
01:16:15 |
Oh, my gosh! |
01:16:16 |
Mildred?! |
01:16:22 |
Dad! |
01:16:24 |
Dad, up here! |
01:16:26 |
Dad! |
01:16:27 |
Thomas! |
01:16:29 |
Dad, save us! |
01:16:30 |
Hang on! |
01:16:36 |
Go, Thomas, go! |
01:16:48 |
Oh, yeah. |
01:17:00 |
Dad! |
01:17:03 |
Thomas! |
01:17:08 |
Hang on, buddy. |
01:17:09 |
I want you to jump, buddy. |
01:17:12 |
You can do this. |
01:17:13 |
You got it. |
01:17:17 |
What do we do? |
01:17:18 |
We jump. |
01:17:22 |
Thomas! |
01:17:28 |
Thomas! |
01:17:30 |
Come on, buddy. |
01:17:31 |
Come on, buddy, you got it. |
01:17:33 |
I promise you. |
01:17:34 |
Take my hand. |
01:17:35 |
I promise nothing bad will |
01:17:36 |
happen to you. |
01:17:38 |
I believe you. |
01:17:42 |
You can do this, Christina. |
01:17:44 |
Thomas! |
01:17:45 |
I got ya! |
01:17:49 |
On three. |
01:17:51 |
One, |
01:17:53 |
two, |
01:17:54 |
three! |
01:17:54 |
Jump! |
01:18:01 |
Yeah! |
01:18:03 |
You really did come to save |
01:18:05 |
my life. |
01:18:06 |
Apparently. |
01:18:22 |
This flight is grounded. |
01:18:24 |
I owe you a headache. |
01:18:47 |
Thomas Miller has always been |
01:18:48 |
one of my favorites. |
01:18:49 |
I've always enjoyed his |
01:18:50 |
patriotic and amusing |
01:18:52 |
shenanigans, wouldn't you say, |
01:18:54 |
Mr. Bailey? |
01:18:55 |
Love the Miller kid, |
01:18:56 |
love the Miller kid. |
01:19:07 |
Mom! |
01:19:17 |
I love you so much. |
01:19:19 |
I love you too, Mom. |
01:19:20 |
I'm sorry for doubting you, |
01:19:21 |
Thomas. |
01:19:23 |
I'm so sorry. |
01:19:28 |
You were a real hero out |
01:19:29 |
there, Thomas. |
01:19:30 |
Nicely done. |
01:19:31 |
Thank you very much. |
01:19:33 |
Oh, no, thank you very much. |
01:19:34 |
Hey, atta boy, Thomas. |
01:19:36 |
You were on fire. |
01:19:37 |
My little man. |
01:19:38 |
Gimme some love. |
01:19:42 |
I couldn't have done it |
01:19:44 |
without someone's help. |
01:19:46 |
Mr. Randall, Albert, I want you |
01:19:49 |
to meet one really amazing man, |
01:19:51 |
My dad. |
01:19:54 |
Dad! |
01:20:00 |
Hey, how you doing? |
01:20:00 |
Everybody, |
01:20:03 |
This is my dad. |
01:20:06 |
Hey, how are you? |
01:20:10 |
You were right, Albert. |
01:20:11 |
It's not what you do that |
01:20:13 |
Defines you, it's who you are. |
01:20:15 |
You got that right. |
01:20:19 |
Hey, Thomas. |
01:20:26 |
Good job. |
01:20:28 |
Hey. |
01:20:31 |
Awesome performance. |
01:20:32 |
Thanks. |
01:20:33 |
That's 'cause you had my back, |
01:20:34 |
Hoffman. |
01:20:35 |
Always. |
01:20:37 |
So, wanna go get some |
01:20:39 |
ice cream? |
01:20:41 |
Hi, Thomas. |
01:20:42 |
Hi. |
01:20:43 |
I was wondering if you could |
01:20:45 |
walk me home, Thomas. |
01:20:47 |
Umm, actually, I came with |
01:20:50 |
Jackie, and- |
01:20:52 |
he'd love to. |
01:20:53 |
Wait, what? |
01:20:54 |
What are you doing? |
01:20:57 |
Your night's far from over. |
01:21:00 |
You saved a life- |
01:21:02 |
what about the girl? |
01:21:04 |
You still have to get the girl. |
01:21:07 |
But I came with you. |
01:21:13 |
# somebody send me an Angel # |
01:21:15 |
Hi, again. |
01:21:18 |
# send me down someone |
01:21:20 |
I could love # |
01:21:22 |
# you're the one that I need to |
01:21:23 |
love # |
01:21:25 |
# I closed my eyes and you found |
01:21:27 |
me # |
01:21:28 |
# you're the one that I've been |
01:21:30 |
dreaming of # |
01:21:36 |
# I thank heaven up above # |
01:21:38 |
# somebody sent me an Angel # |
01:21:44 |
# never gonna fly away # |
01:21:46 |
# say you'll never fly away # |
01:21:50 |
# say you'll never go # |
01:21:53 |
# I was just waiting # |
01:21:59 |
# praying # |
01:22:02 |
# for a little bit of heaven # |
01:22:05 |
# I thank heaven above # |
01:22:08 |
# somebody sent me an Angel # |
01:22:12 |
Hey. |
01:22:20 |
So where's Madison? |
01:22:21 |
I dropped her off at home. |
01:22:23 |
Great. |
01:22:26 |
She told me that there was |
01:22:28 |
another dance tomorrow, and- |
01:22:29 |
You came to tell me that |
01:22:30 |
You're going to take her? |
01:22:35 |
No. Actually, if it's not too |
01:22:36 |
late, I was wondering if you'd |
01:22:38 |
like to go with me. |
01:22:41 |
I don't get it. |
01:22:43 |
What about the girl? |
01:22:49 |
She's right here. |
01:22:52 |
# Angel # |
01:22:59 |
Maybe I'll even wear a dress. |
01:23:04 |
# somebody sent me an Angel # |
01:23:07 |
And now, it gives me great |
01:23:10 |
pleasure to introduce our very |
01:23:11 |
special guests, |
01:23:12 |
honoring our great hero, |
01:23:14 |
Thomas Miller... |
01:23:18 |
Huckapoo. |
01:23:19 |
# baby, wanna be my baby # |
01:23:23 |
# baby, such a thrill my baby # |
01:23:26 |
# baby, wanna kiss my baby # |
01:23:29 |
# baby, what I wish my baby # |
01:23:32 |
# baby, check it out my baby # |
01:23:36 |
# baby, don't you tell me baby # |
01:23:39 |
# baby, talking 'bout my baby # |
01:23:42 |
# baby, checking out my baby # |
01:23:45 |
# every man wants to be a mach, |
01:23:47 |
macho man # |
01:23:49 |
# to be the kind of hot guy |
01:23:50 |
always in demand # |
01:23:52 |
# running, swimming, lifting # |
01:23:53 |
# go, man, go # |
01:23:55 |
# how does he ever do it # |
01:23:56 |
# I don't know # |
01:23:59 |
# you can best believe that |
01:24:00 |
he's a macho man # |
01:24:02 |
# ready to go dancing # |
01:24:03 |
# any time he can # |
01:24:06 |
# hey, hey, hey # |
01:24:09 |
# let's do it # |
01:24:10 |
# macho, macho man # |
01:24:13 |
# he's got to be a macho man # |
01:24:16 |
# macho, macho man # |
01:24:19 |
# he's got to be a macho man # |
01:24:23 |
# macho, macho man # |
01:24:25 |
# he's got to be a macho man # |
01:24:31 |
# macho, macho man # |
01:24:34 |
# he's got to be a macho man # |
01:24:36 |
# m-a-c-h-o, macho man # |
01:24:38 |
Come on! |
01:24:39 |
# m-a-c-h-o, macho man # |
01:24:42 |
Louder! |
01:24:43 |
# m-a-c-h-o, macho man # |
01:24:45 |
Last time! |
01:24:45 |
# m-a-c-h-o, macho man # |
01:24:48 |
# macho, macho man # |
01:24:52 |
# he's got to be a macho man # |
01:24:55 |
# macho, macho man # |
01:24:58 |
# he's got to be a macho man # |
01:25:01 |
# macho, macho man # |
01:25:05 |
# he's got to be a macho man # |
01:25:08 |
# macho, macho man # |
01:25:11 |
# he's got to be a macho man # |
01:25:15 |
# macho, macho man # |
01:25:18 |
# he's got to be a macho man # |
01:25:21 |
# macho, macho man # |
01:25:25 |
# he's got to be a macho man # |
01:25:27 |
He's so hot. |
01:25:30 |
# macho, macho man # |
01:25:31 |
# he's got to be a macho man # |