|
Avanti
|
| 00:00:31 |
Attention, please. |
| 00:00:33 |
Alitalia announces |
| 00:00:35 |
of flight AZ-611 |
| 00:06:22 |
Ladies and gentlemen, |
| 00:06:25 |
Leonardo Da Vinci Airport |
| 00:06:27 |
Please fasten your cigarettes |
| 00:06:31 |
We thank you |
| 00:06:33 |
and sincerely hope that you |
| 00:06:36 |
Thank you. |
| 00:06:57 |
Your name, please. |
| 00:06:59 |
Armbruster. |
| 00:07:02 |
- You are from where? |
| 00:07:04 |
It says all that right on the... |
| 00:07:06 |
- Your profession? |
| 00:07:08 |
If you must know, |
| 00:07:10 |
of Armbruster Industries. |
| 00:07:12 |
What is purpose |
| 00:07:15 |
To pick up a body. |
| 00:07:16 |
A body? |
| 00:07:18 |
A corpse. |
| 00:07:20 |
Whose corpse? |
| 00:07:22 |
Dr. Fleischmann? |
| 00:07:24 |
The man whose passport |
| 00:07:27 |
Wait a minute. |
| 00:07:29 |
He and I exchanged clothes. |
| 00:07:32 |
He must be around here |
| 00:07:43 |
I was on the golf course... |
| 00:07:45 |
when I got the bad news |
| 00:07:47 |
He was killed in an automobile |
| 00:07:49 |
I only had 30 minutes... |
| 00:07:50 |
to make the funeral |
| 00:07:52 |
if I was to catch the plane. |
| 00:07:54 |
And how would it look |
| 00:07:56 |
in plaid pants |
| 00:08:05 |
This way, Dr. Fleischmann. |
| 00:08:06 |
I am not Dr. Fleischmann. |
| 00:08:10 |
I'm not Mr. Armbruster. |
| 00:08:14 |
I just did this guy a favor. |
| 00:08:16 |
Tells me his father is dead. |
| 00:08:19 |
There he is. |
| 00:08:23 |
That's him! |
| 00:08:25 |
What the hell |
| 00:08:28 |
I'm sorry. |
| 00:08:30 |
This is his passport. |
| 00:08:32 |
Here. |
| 00:08:34 |
That is mine. |
| 00:08:39 |
- OK? All clear? |
| 00:08:41 |
- May I go now? |
| 00:08:43 |
Why not? |
| 00:08:44 |
Because passport |
| 00:08:45 |
Then stamp it. |
| 00:08:46 |
You have to go back |
| 00:08:50 |
Look, I know you foreigners. |
| 00:08:52 |
I know how you love |
| 00:08:54 |
but my father's lying |
| 00:08:57 |
I've got to get |
| 00:08:59 |
and a boat to Ischia... |
| 00:09:00 |
and if you guys |
| 00:09:02 |
if there is |
| 00:09:04 |
if I don't get him |
| 00:09:05 |
in time for that funeral |
| 00:09:06 |
there's going to be |
| 00:09:25 |
God almighty. |
| 00:09:38 |
Eulogy, first draft. |
| 00:09:42 |
We have gathered here |
| 00:09:47 |
a rare man, |
| 00:09:50 |
Wendell Armbruster Sr... |
| 00:09:53 |
was an old-fashioned man. |
| 00:09:54 |
I mean that in the noblest |
| 00:09:57 |
In these days of defeatism |
| 00:10:00 |
he was one who believed |
| 00:10:03 |
devotion to his family, |
| 00:10:08 |
Not bad. |
| 00:10:10 |
He died suddenly |
| 00:10:16 |
far away from his loved ones... |
| 00:10:18 |
alone in a distant land |
| 00:10:21 |
to rest his mind |
| 00:10:34 |
He was a philanthropist, |
| 00:10:38 |
a tireless crusader |
| 00:10:41 |
and an ensign in the Coast Guard |
| 00:10:44 |
Friends, if I may borrow... |
| 00:10:47 |
Yes? |
| 00:10:48 |
I was wondering, |
| 00:10:51 |
I'm certainly not |
| 00:10:53 |
so don't you start now. |
| 00:10:55 |
Why are you shouting at me? |
| 00:10:56 |
Yes, my name is Armbruster, |
| 00:10:59 |
I thought that's what |
| 00:11:00 |
but I didn't expect you |
| 00:11:07 |
What the... |
| 00:11:10 |
Friends, if I may borrow |
| 00:11:14 |
"Lives of great men |
| 00:11:53 |
Excuse me, |
| 00:11:57 |
No, not really. |
| 00:11:58 |
Yes, and how come |
| 00:12:01 |
I know a lot |
| 00:12:03 |
You're 42, |
| 00:12:06 |
you have a wife |
| 00:12:07 |
and you're a former president... |
| 00:12:09 |
of the Junior Chamber |
| 00:12:11 |
You read the Newsweek |
| 00:12:14 |
Business and Finance. |
| 00:12:18 |
Incredible, isn't it? |
| 00:12:20 |
The weather, I mean. |
| 00:12:22 |
Especially to someone |
| 00:12:24 |
Last year, summer |
| 00:12:26 |
and three days in August. |
| 00:12:29 |
Have you ever been |
| 00:12:30 |
- No. |
| 00:12:33 |
As a matter of fact, |
| 00:12:37 |
It's a little frightening... |
| 00:12:38 |
first time |
| 00:12:41 |
In Italian, everything sounds |
| 00:12:48 |
Do you know what that means? |
| 00:12:50 |
What? |
| 00:12:51 |
There's no soap |
| 00:12:54 |
How about that? |
| 00:12:55 |
And when you're |
| 00:12:57 |
that's a restaurant... |
| 00:12:59 |
do you know there are sixteen |
| 00:13:02 |
Spaghetti, spagatini, |
| 00:13:05 |
cannelloni, rigatoni, |
| 00:13:08 |
manicotti, gnocchi, |
| 00:13:13 |
Of course, |
| 00:13:16 |
I don't know if you noticed... |
| 00:13:18 |
but I have |
| 00:13:20 |
I noticed that. |
| 00:13:26 |
And in the hotel, before |
| 00:13:29 |
she asks,"Permesso?" |
| 00:13:32 |
And if you want her |
| 00:13:34 |
you say, "Avanti." |
| 00:13:36 |
Forward. |
| 00:13:39 |
You should really get |
| 00:13:42 |
I know |
| 00:14:41 |
My name is Carlucci. |
| 00:14:44 |
I am the director of the hotel. |
| 00:14:45 |
How do you do? |
| 00:14:47 |
I sorrow for you |
| 00:14:49 |
Thank you. |
| 00:14:50 |
My deepest condolences... |
| 00:14:53 |
What are you apologizing for? |
| 00:14:55 |
That it should happen |
| 00:14:58 |
on an Italian road |
| 00:15:00 |
- He was a bad driver. |
| 00:15:04 |
As Verdi said... |
| 00:15:08 |
An act of God. |
| 00:15:10 |
Where did they put him? |
| 00:15:12 |
A very nice place. |
| 00:15:16 |
- What are we waiting for? |
| 00:15:19 |
This is it. |
| 00:15:55 |
How far is the morgue? |
| 00:15:56 |
It is in the other direction. |
| 00:15:58 |
Hold it. |
| 00:16:00 |
The morgue, |
| 00:16:01 |
It is the lunch hour. |
| 00:16:03 |
It's 2:30. |
| 00:16:05 |
In Italy, the lunch hour |
| 00:16:08 |
Three hours for lunch? |
| 00:16:12 |
Here we do not rush |
| 00:16:14 |
for chicken sandwich |
| 00:16:17 |
Here we take our time. |
| 00:16:19 |
We cook our pasta. |
| 00:16:23 |
We drink our wine. |
| 00:16:26 |
What do you do in the evening? |
| 00:16:28 |
In the evening, |
| 00:16:42 |
Crazy. |
| 00:16:45 |
Exactly how did |
| 00:16:48 |
I don't know exactly. |
| 00:16:50 |
It was a dark night, |
| 00:16:53 |
Maybe he did not see it. |
| 00:16:55 |
The car plunged straight down |
| 00:16:59 |
They must have been |
| 00:17:01 |
They? |
| 00:17:02 |
The police came, |
| 00:17:03 |
were at the wreck. |
| 00:17:05 |
It took them hours |
| 00:17:06 |
What do you mean, corpses? |
| 00:17:11 |
- Just two. |
| 00:17:14 |
You see, your father... |
| 00:17:17 |
he was not alone in the car |
| 00:17:19 |
Who was with him? |
| 00:17:21 |
Nobody, really. |
| 00:17:23 |
Another guest at the hotel. |
| 00:17:26 |
It's beautiful out there. |
| 00:17:27 |
You can see |
| 00:17:29 |
and Mount Vesuvius and Pompeii. |
| 00:17:34 |
Here we are. |
| 00:17:53 |
It sure doesn't look |
| 00:17:56 |
I accept the compliment. |
| 00:18:02 |
This place |
| 00:18:04 |
now that your father |
| 00:18:07 |
I am Bruno, the valet. |
| 00:18:08 |
I hope you have |
| 00:18:13 |
Thank you. |
| 00:18:25 |
I will take you |
| 00:18:27 |
It is on the main floor |
| 00:18:30 |
Sometimes he would get |
| 00:18:32 |
and we had to carry him down |
| 00:18:34 |
Poor bastard. |
| 00:18:37 |
It is the price |
| 00:18:41 |
decisions, pressures, anxieties. |
| 00:18:44 |
Naturally, the batteries |
| 00:18:47 |
The transistors break down. |
| 00:18:52 |
121-122. |
| 00:18:56 |
If you please. |
| 00:19:25 |
Nothing has been touched. |
| 00:19:27 |
He always had this suite |
| 00:19:30 |
July 15th to August 15th. |
| 00:19:56 |
You must be tired. |
| 00:19:59 |
I'm OK. |
| 00:20:00 |
While you are here... |
| 00:20:01 |
maybe you should take |
| 00:20:03 |
No, thanks. |
| 00:20:05 |
On the train? |
| 00:20:06 |
I drank it. |
| 00:20:11 |
Your father, |
| 00:20:15 |
And the day he would leave... |
| 00:20:17 |
he would put his arm around me |
| 00:20:19 |
He always called me Carlo... |
| 00:20:22 |
"What an idiot I am |
| 00:20:24 |
"I wish I could |
| 00:20:26 |
To tell you the truth, when he |
| 00:20:28 |
I thought the place |
| 00:20:30 |
A phony? |
| 00:20:31 |
All this nonsense about mud |
| 00:20:34 |
and radioactive springs. |
| 00:20:38 |
You may not know it... |
| 00:20:39 |
but Ischia has been |
| 00:20:42 |
The emperor Tiberius |
| 00:20:45 |
And De' Medici and Caruso |
| 00:20:49 |
Sophia Loren has the gout? |
| 00:20:51 |
No. Here we cure everything. |
| 00:20:54 |
Take Michelangelo. |
| 00:20:58 |
He took the waters here |
| 00:21:00 |
They're in the local museum. |
| 00:21:11 |
Shall I unpack for you? |
| 00:21:13 |
Just put it anywhere. |
| 00:21:21 |
Operator, I'd like to make... |
| 00:21:23 |
You're not out to lunch, |
| 00:21:25 |
Good. I'd like to make |
| 00:21:27 |
to the United States... |
| 00:21:29 |
Maryland. |
| 00:21:32 |
"M" as in Michelangelo. |
| 00:21:36 |
You got it? |
| 00:21:38 |
Operator? Hello, operator? |
| 00:21:40 |
You still there? |
| 00:21:44 |
The number is 426-9956, |
| 00:21:50 |
All right, I'll give it |
| 00:21:57 |
How you doing so far? |
| 00:21:59 |
Good. Area code 301. |
| 00:22:02 |
I want to speak to |
| 00:22:08 |
Yes, it was a great loss. |
| 00:22:12 |
Would you call me back, please? |
| 00:22:22 |
They must have liked |
| 00:22:25 |
Yes. When the news came, |
| 00:22:29 |
The orchestra |
| 00:22:31 |
they stood around |
| 00:22:32 |
and played all |
| 00:22:34 |
Is that so? |
| 00:22:38 |
we'll go over |
| 00:22:39 |
and next, we'll make |
| 00:22:41 |
First... |
| 00:22:42 |
there are certain formalities |
| 00:22:44 |
What formalities? |
| 00:22:45 |
You cannot walk into |
| 00:22:48 |
point to a body, and say, |
| 00:22:50 |
and walk out with him. |
| 00:22:51 |
Why not? Do they think I go |
| 00:22:55 |
You have to fill out |
| 00:22:57 |
Regulations about exporting |
| 00:23:00 |
Everything must be |
| 00:23:01 |
A lot of crap. You fill |
| 00:23:03 |
Certainly. And then there is... |
| 00:23:05 |
some additional crap |
| 00:23:08 |
Such as? |
| 00:23:09 |
We will need a certificate |
| 00:23:11 |
from an infection |
| 00:23:14 |
Like what, mumps or measles? |
| 00:23:15 |
He died from driving |
| 00:23:18 |
Then we will need |
| 00:23:19 |
that the body has been |
| 00:23:22 |
We also need |
| 00:23:24 |
but this has to be issued |
| 00:23:26 |
Don't bother me |
| 00:23:29 |
You're exactly |
| 00:23:32 |
Then you will have |
| 00:23:34 |
he knocked over... |
| 00:23:36 |
Pay it. |
| 00:23:37 |
Also, you will have to settle |
| 00:23:40 |
Who are they? |
| 00:23:41 |
They own the vineyard |
| 00:23:43 |
They want damages. |
| 00:23:45 |
Settle with them. |
| 00:23:47 |
They're asking 2 million lira. |
| 00:23:49 |
How much is that? |
| 00:23:51 |
$3,500. |
| 00:23:52 |
$3,500 for a bunch |
| 00:23:55 |
No. Let them sue. |
| 00:23:56 |
I agree. They are crooks. |
| 00:23:58 |
Then there is the problem |
| 00:24:01 |
What's the problem? |
| 00:24:03 |
For export, a special |
| 00:24:06 |
It must be lined with zinc. |
| 00:24:08 |
It must be absolutely airtight. |
| 00:24:10 |
Get one. |
| 00:24:12 |
There are none in Ischia, |
| 00:24:15 |
I have located one in Amalfi. |
| 00:24:18 |
Then there's |
| 00:24:21 |
Another thing... I want |
| 00:24:23 |
to take me and the casket |
| 00:24:24 |
any delay in catching |
| 00:24:26 |
The funeral's Tuesday. |
| 00:24:27 |
Tuesday? |
| 00:24:29 |
In the morning, 11:00, |
| 00:24:32 |
Impossible. |
| 00:24:34 |
I what? What do you |
| 00:24:39 |
So many things to do. |
| 00:24:42 |
Tomorrow is Sunday. |
| 00:24:44 |
Somebody will work. |
| 00:24:46 |
This is a Catholic country. |
| 00:24:49 |
Then we'll get a dispensation |
| 00:24:52 |
For a Presbyterian? |
| 00:24:54 |
Get this... come hell |
| 00:24:57 |
I'm getting out of here |
| 00:24:58 |
because at precisely |
| 00:25:00 |
work at every Armbruster |
| 00:25:02 |
will come to a stop |
| 00:25:05 |
can watch the services... |
| 00:25:07 |
on closed-circuit television... |
| 00:25:09 |
except for Puerto Rico. |
| 00:25:11 |
And there'll be governors there |
| 00:25:14 |
and supreme court judges, |
| 00:25:16 |
the glee club from |
| 00:25:19 |
The White House |
| 00:25:21 |
and you want me to postpone it? |
| 00:25:32 |
Excuse me. I'm looking |
| 00:25:34 |
- They told me at the desk... |
| 00:25:37 |
How do you do? |
| 00:25:42 |
You are not supposed to be here. |
| 00:25:44 |
I know, but I need some help. |
| 00:25:46 |
All these questions, |
| 00:25:48 |
I will be glad to help, |
| 00:25:50 |
I will see you later. |
| 00:25:52 |
Damn it! |
| 00:25:55 |
The faucet says cold, |
| 00:25:58 |
So did I. |
| 00:26:01 |
Then I looked it up in my book. |
| 00:26:04 |
"C" stands for caldo... |
| 00:26:06 |
but that doesn't mean cold; |
| 00:26:08 |
Freddo means cold. |
| 00:26:10 |
- It's you again. |
| 00:26:12 |
- You know each other? |
| 00:26:15 |
Yes, we do. We've been |
| 00:26:17 |
On a train or a boat, there's |
| 00:26:20 |
but when you come |
| 00:26:22 |
I assure you, |
| 00:26:25 |
I'm here to pick up my mother. |
| 00:26:28 |
They tell me I can't see her |
| 00:26:31 |
That's right. |
| 00:26:35 |
I hate going there. |
| 00:26:38 |
I'd much rather remember her |
| 00:26:41 |
but I suppose it has to be done. |
| 00:26:46 |
Wait a minute. |
| 00:26:52 |
Your mother... where is she? |
| 00:26:55 |
In the morgue. |
| 00:26:57 |
What's she doing in the morgue? |
| 00:27:00 |
What do people usually |
| 00:27:01 |
She's lying there... |
| 00:27:03 |
side by side |
| 00:27:06 |
Side by side with my father? |
| 00:27:10 |
Because that's the way |
| 00:27:12 |
when the accident happened. |
| 00:27:14 |
I told you he was not alone. |
| 00:27:16 |
My father and your mother? |
| 00:27:18 |
Why not? You know how it is |
| 00:27:21 |
People meet in the dining room |
| 00:27:23 |
I'm terribly sorry. |
| 00:27:27 |
Of course you didn't. |
| 00:27:28 |
I must have seemed like |
| 00:27:30 |
Please forgive me, Miss... |
| 00:27:34 |
If there's anything at all |
| 00:27:37 |
There is. |
| 00:27:40 |
I will get it. |
| 00:27:42 |
Would you like some brandy? |
| 00:27:44 |
Please, don't worry about me. |
| 00:27:46 |
I don't know what to say. |
| 00:27:48 |
because if my father |
| 00:27:51 |
You mustn't feel that way. |
| 00:27:54 |
If it had to happen, |
| 00:27:58 |
Warm night, full moon, |
| 00:28:02 |
At the height of the season. |
| 00:28:06 |
Of course, I'm completely |
| 00:28:09 |
Any difficulties, |
| 00:28:11 |
Thank you. |
| 00:28:12 |
Wait until you hear |
| 00:28:14 |
I heard. |
| 00:28:15 |
For instance, you need a coffin |
| 00:28:18 |
Zinc. You better get |
| 00:28:20 |
I had trouble finding one. |
| 00:28:22 |
Come on. You can dig up |
| 00:28:25 |
You want secondhand coffins? |
| 00:28:30 |
Is that Mrs. Armbruster Sr.? |
| 00:28:32 |
Yes. They would've been married |
| 00:28:36 |
How sad. |
| 00:28:39 |
That's my wife Emily |
| 00:28:43 |
That's one thing |
| 00:28:45 |
You're all so thin. |
| 00:28:49 |
Swimming, |
| 00:28:51 |
I've tried jogging |
| 00:28:53 |
at seven o'clock in the morning |
| 00:28:55 |
but I never worked up a sweat. |
| 00:29:02 |
Worked up an appetite. |
| 00:29:06 |
What's that? |
| 00:29:09 |
It's a nightgown. |
| 00:29:12 |
What's the meaning of that? |
| 00:29:14 |
- Of what? |
| 00:29:15 |
That. It's a mistake. |
| 00:29:22 |
Here's another mistake. |
| 00:29:24 |
I want to know what |
| 00:29:26 |
If I am to get |
| 00:29:28 |
I had better call Amalfi. |
| 00:29:29 |
Hold it. |
| 00:29:31 |
An explanation? |
| 00:29:34 |
I'll help you. |
| 00:29:36 |
The valet forgot |
| 00:29:37 |
when he moved my mother's |
| 00:29:41 |
Right? |
| 00:29:43 |
You just cannot get |
| 00:29:45 |
Time! |
| 00:29:48 |
You mean her mother |
| 00:29:50 |
were shacked up together? |
| 00:29:51 |
I don't particularly care |
| 00:29:54 |
All right, they were making it. |
| 00:29:57 |
Just because two people |
| 00:29:59 |
or the same... |
| 00:30:01 |
that does not mean there was |
| 00:30:03 |
Now you're being |
| 00:30:06 |
She was a very beautiful woman. |
| 00:30:09 |
She was. |
| 00:30:10 |
And a lady. |
| 00:30:12 |
And your father was a gentleman. |
| 00:30:13 |
No matter how bad things look, |
| 00:30:17 |
I have an uncle who is |
| 00:30:19 |
Would I lie to you? |
| 00:30:20 |
You're goddamned right. |
| 00:30:25 |
They were making it. |
| 00:30:27 |
Son of a bitch! |
| 00:30:31 |
Do you know how old he was? |
| 00:30:33 |
67. A grandfather... |
| 00:30:36 |
I would be proud |
| 00:30:38 |
Shut up. |
| 00:30:40 |
As for your mother, she ought to |
| 00:30:43 |
My mother had nothing |
| 00:30:44 |
She was the perfect lady. |
| 00:30:46 |
Meets a rich elderly |
| 00:30:48 |
One hour later, she's having |
| 00:30:50 |
Two hours later, she moves |
| 00:30:52 |
and then... |
| 00:30:53 |
They didn't meet in the lobby. |
| 00:30:56 |
What the hell difference |
| 00:31:00 |
That was ten years ago. |
| 00:31:06 |
Ten years? |
| 00:31:09 |
This has been going on |
| 00:31:12 |
Every summer, |
| 00:31:16 |
You mean all the time |
| 00:31:18 |
he was over here getting cured, |
| 00:31:21 |
This is neither the time |
| 00:31:24 |
Goddamn fool! |
| 00:31:26 |
Didn't he care |
| 00:31:29 |
Not to worry. It was all |
| 00:31:31 |
They were registered |
| 00:31:33 |
Mr. And... Oh, my God. |
| 00:31:35 |
Yes? |
| 00:31:36 |
What? Am I ready |
| 00:31:38 |
No, I'm not ready |
| 00:31:40 |
Who's calling? |
| 00:31:43 |
Put her on. |
| 00:31:46 |
Hello, Emily. I'm fine. |
| 00:31:49 |
The trip? It's fine. |
| 00:31:53 |
It was just one of those |
| 00:31:56 |
For whatever it's worth, |
| 00:31:58 |
he didn't suffer |
| 00:32:01 |
I'm working on it. |
| 00:32:02 |
There's no problems, |
| 00:32:04 |
Questionnaires, permits. |
| 00:32:07 |
Where do you suddenly find |
| 00:32:12 |
Two? I didn't say two! |
| 00:32:14 |
What would I do |
| 00:32:18 |
No! I'm sorry. |
| 00:32:19 |
No, I didn't call |
| 00:32:21 |
They're in Rome, |
| 00:32:22 |
What are they going |
| 00:32:24 |
How's mother holding up? |
| 00:32:28 |
And how are the kids? |
| 00:32:30 |
- Good-bye. |
| 00:32:32 |
Just a minute. |
| 00:32:37 |
See you at the morgue. |
| 00:32:43 |
How are the funeral |
| 00:32:47 |
What? Who's Miss who? |
| 00:32:49 |
Piggott? |
| 00:32:53 |
She's... in the hotel. |
| 00:32:56 |
Works here. |
| 00:32:58 |
As an interpreter. |
| 00:33:01 |
Of course you need |
| 00:33:02 |
even when you |
| 00:33:04 |
In this country, |
| 00:33:19 |
This is the morgue? |
| 00:33:21 |
Yes, sir. Seventeenth century. |
| 00:33:23 |
The walls are that thick. |
| 00:33:57 |
Good afternoon. |
| 00:34:00 |
So nice to see you again. |
| 00:34:04 |
How do you feel? |
| 00:34:06 |
That's a silly question. |
| 00:34:15 |
We will have to wait. |
| 00:34:17 |
- Who? |
| 00:34:22 |
How do you say it? |
| 00:34:23 |
- The coroner? |
| 00:34:25 |
Don't tell me |
| 00:34:26 |
Very likely. |
| 00:34:27 |
A coroner, he eats very well. |
| 00:34:33 |
Pretty flowers. |
| 00:34:36 |
In Italian, they're |
| 00:34:38 |
You don't say. What are |
| 00:34:41 |
Daffodils. |
| 00:34:48 |
Now... |
| 00:34:50 |
when it comes to dealing |
| 00:34:53 |
whatever happened between |
| 00:34:56 |
we're going to have to be |
| 00:34:58 |
Don't worry about |
| 00:35:00 |
We fixed it. |
| 00:35:02 |
Let me ask you... |
| 00:35:05 |
What do you do for a living? |
| 00:35:07 |
I work in a boutique |
| 00:35:11 |
I'm sure you could use |
| 00:35:13 |
I mean, anything |
| 00:35:15 |
You'll find |
| 00:35:16 |
You will keep in mind, |
| 00:35:18 |
what's been happening |
| 00:35:19 |
Since January, |
| 00:35:21 |
has dropped 141/2 points. |
| 00:36:09 |
Like music. |
| 00:36:21 |
OK. |
| 00:37:18 |
Do you, |
| 00:37:20 |
swear that you are |
| 00:37:22 |
and this is the body |
| 00:37:24 |
Wendell Armbruster Sr.? |
| 00:37:34 |
I do. |
| 00:37:36 |
OK. |
| 00:37:42 |
Do you, Pamela Piggott... |
| 00:37:44 |
swear that you are |
| 00:37:46 |
and this is the body of your |
| 00:38:02 |
It is necessary |
| 00:38:13 |
I do. |
| 00:38:17 |
OK. |
| 00:39:29 |
- Thank you. |
| 00:39:52 |
I'm sorry. Go right ahead. |
| 00:39:55 |
OK. |
| 00:40:08 |
Any luck with the coffins? |
| 00:40:09 |
Yes, sir. My brother-in-law |
| 00:40:13 |
who happens to be |
| 00:40:14 |
he has two of those caskets... |
| 00:40:16 |
and he is sending them out |
| 00:40:20 |
You can sign now. |
| 00:40:37 |
Come on. Just sign, please. |
| 00:41:23 |
Not if I can help it. |
| 00:41:44 |
All right, what happens next? |
| 00:41:45 |
The red papers go to Naples |
| 00:41:48 |
The white papers |
| 00:41:50 |
to certify there are no |
| 00:41:53 |
And the green papers, |
| 00:41:55 |
until we get the coffins |
| 00:41:57 |
That's all. But we have |
| 00:42:00 |
Like what? |
| 00:42:02 |
They are closed on Sunday. |
| 00:42:03 |
But fortunately, |
| 00:42:05 |
who knows an official |
| 00:42:07 |
and if he can get him to open |
| 00:42:11 |
If you ask me, any foreigner |
| 00:42:14 |
is out of his friggin' skull. |
| 00:42:17 |
- May I make a suggestion? |
| 00:42:20 |
- I have a super idea, I think. |
| 00:42:22 |
With all this nasty business... |
| 00:42:24 |
zinc coffins |
| 00:42:26 |
and export licenses... |
| 00:42:29 |
Why don't we bury them here? |
| 00:42:31 |
Why don't we what? |
| 00:42:33 |
There's a lovely old cemetery |
| 00:42:36 |
They could be there together. |
| 00:42:38 |
- They'd like that. |
| 00:42:40 |
It would solve |
| 00:42:41 |
Absolutely. |
| 00:42:44 |
we have a large plot up there. |
| 00:42:48 |
Better yet, |
| 00:42:50 |
in the blue grotto |
| 00:42:53 |
or in Venice, |
| 00:42:54 |
Verona. |
| 00:42:55 |
Or we could build |
| 00:42:57 |
with an eternal flame. |
| 00:42:58 |
It was just an idea. |
| 00:42:59 |
They were not |
| 00:43:01 |
They were |
| 00:43:03 |
Let's just keep it |
| 00:43:09 |
Let's go. |
| 00:43:18 |
Ask fat-ass if she wants a ride. |
| 00:43:21 |
Tell him no, thank you. |
| 00:44:40 |
He died suddenly |
| 00:44:45 |
far from his loved ones... |
| 00:44:47 |
alone in a distant land |
| 00:44:51 |
to rest his mind |
| 00:44:54 |
Bullshit. |
| 00:44:55 |
He was a philanthropist, |
| 00:44:59 |
a tireless crusader |
| 00:45:02 |
and an ensign |
| 00:45:05 |
Dirty old man. |
| 00:45:07 |
Eulogy, second draft. |
| 00:45:12 |
Friends, coworkers, |
| 00:45:15 |
we come to bury |
| 00:45:18 |
not to praise him. |
| 00:45:20 |
The evil men do... |
| 00:45:26 |
Wendell Armbruster Sr. |
| 00:45:33 |
I mean, avanti. |
| 00:45:40 |
The suit, I pressed it. |
| 00:45:43 |
The shirt, it's like new. |
| 00:45:45 |
Drip and dry... great invention. |
| 00:45:48 |
Like electric toothbrush, |
| 00:45:53 |
I love America. |
| 00:45:55 |
That's a switch. |
| 00:45:57 |
I lived in America. |
| 00:46:01 |
So friendly, so kind. |
| 00:46:03 |
When I left New York... |
| 00:46:06 |
they took me to airport |
| 00:46:08 |
They put me on plane. |
| 00:46:12 |
- Who's they? |
| 00:46:15 |
- You were deported? |
| 00:46:19 |
In America when they deport you, |
| 00:46:23 |
Big 747. |
| 00:46:26 |
Window seat. |
| 00:46:27 |
Beautiful blond stewardess... |
| 00:46:30 |
feeding me with a spoon |
| 00:46:34 |
Handcuffs, you know? |
| 00:46:36 |
Who'd you work for over there... |
| 00:46:39 |
Only part-time. |
| 00:46:41 |
By profession, |
| 00:46:44 |
That's very interesting. |
| 00:46:48 |
You are exactly like |
| 00:46:52 |
Not exactly! |
| 00:46:54 |
I mean the size. |
| 00:46:56 |
So I thought if you |
| 00:46:59 |
here are all |
| 00:47:02 |
This is what he wore? |
| 00:47:04 |
Plaids, bellbottoms, |
| 00:47:07 |
He had one |
| 00:47:09 |
but he's wearing it now. |
| 00:47:12 |
He was a real sport. |
| 00:47:14 |
See this watch? |
| 00:47:16 |
He left it for me last year. |
| 00:47:20 |
And he gave me this lighter. |
| 00:47:25 |
- And a camera. |
| 00:47:27 |
A Polaroid. |
| 00:47:33 |
And as for the lady, |
| 00:47:36 |
Natural blonde. |
| 00:47:40 |
Here they are all |
| 00:47:43 |
I prefer vanilla ice cream. |
| 00:47:48 |
Here. Get yourself |
| 00:47:52 |
They were such a swell couple. |
| 00:47:57 |
and always the sign outside |
| 00:48:01 |
They never get up |
| 00:48:03 |
What's there to get up for? |
| 00:48:07 |
And every night, the orchestra |
| 00:48:11 |
because they would dance |
| 00:48:14 |
And then you know |
| 00:48:16 |
No, and I don't care. |
| 00:48:18 |
When the sun came up |
| 00:48:21 |
they would go swimming... |
| 00:48:25 |
No nothing? |
| 00:48:26 |
Like the man says on TV... |
| 00:48:28 |
"In life you only |
| 00:48:31 |
"so grab all |
| 00:48:35 |
They were swimming naked |
| 00:48:39 |
Why not? |
| 00:48:44 |
Everybody asleep. |
| 00:48:50 |
Except you, I imagine. |
| 00:48:52 |
I always get up very early |
| 00:48:55 |
And that's where the Polaroid |
| 00:48:58 |
I couldn't help it. |
| 00:49:01 |
the sun coming up |
| 00:49:04 |
I know, yes, |
| 00:49:07 |
I am not a landscape man. |
| 00:49:10 |
Only portraits and figures. |
| 00:49:12 |
How is your focus? |
| 00:49:13 |
Perfect. Color perfect. |
| 00:49:15 |
And the water here, |
| 00:49:20 |
So are you, buddy. |
| 00:49:22 |
Maybe you want |
| 00:49:24 |
- Maybe. |
| 00:49:27 |
I'll bet you |
| 00:49:29 |
It's not a question of money. |
| 00:49:31 |
I just think that |
| 00:49:33 |
can help another American... |
| 00:49:38 |
I'm sorry to intrude... |
| 00:49:40 |
but there are |
| 00:49:45 |
What is it now? |
| 00:49:46 |
I have good news, |
| 00:49:48 |
About the coffins, there is |
| 00:49:51 |
so they put the coffins |
| 00:49:53 |
and now the airport |
| 00:49:55 |
- Naturally. |
| 00:49:57 |
About the health certificate, |
| 00:49:59 |
on the phone |
| 00:50:01 |
He cannot come. |
| 00:50:02 |
Why not? How long |
| 00:50:05 |
You do not understand. |
| 00:50:07 |
Double hernia. |
| 00:50:08 |
So now we are trying to get |
| 00:50:11 |
- About the export license... |
| 00:50:14 |
You know my nephew in Naples. |
| 00:50:16 |
He is not in Naples. |
| 00:50:18 |
But he is going to help us. |
| 00:50:19 |
So he will take a plane |
| 00:50:22 |
that is, unless the fog moves |
| 00:50:25 |
All right, let's have |
| 00:50:27 |
That was the good news. |
| 00:50:32 |
Something mysterious |
| 00:50:34 |
What? |
| 00:50:35 |
You remember the bodies |
| 00:50:37 |
Of course I remember them. |
| 00:50:41 |
They're not there anymore. |
| 00:50:45 |
What do you mean, |
| 00:50:50 |
They are missing. |
| 00:50:52 |
Signore Cipriani informs me that |
| 00:50:55 |
the bodies were gone. |
| 00:50:56 |
Gone? Gone where? |
| 00:50:59 |
That is the mystery. |
| 00:51:01 |
When he looked in at 5:00, |
| 00:51:03 |
and so was Miss Piggott. |
| 00:51:17 |
He saw her pull up the shade |
| 00:51:21 |
That kook. |
| 00:51:27 |
Please. You don't really think |
| 00:51:30 |
That's preposterous. |
| 00:51:32 |
Preposterous to you, |
| 00:51:33 |
but not to her, because |
| 00:51:35 |
Hello. Get me |
| 00:51:37 |
- I don't know the number. |
| 00:51:40 |
Just get her. |
| 00:51:41 |
Let us be logical. |
| 00:51:44 |
A little girl like that? |
| 00:51:46 |
Little girl? She's built |
| 00:51:48 |
What? Try the lobby. |
| 00:51:51 |
How the hell should |
| 00:51:53 |
Signore Cipriani tells me... |
| 00:51:54 |
he will have to report this |
| 00:51:56 |
No police. |
| 00:51:57 |
We don't want any reports. |
| 00:51:58 |
We're gonna handle |
| 00:52:00 |
Here. Get yourself |
| 00:52:02 |
You'd better start checking... |
| 00:52:03 |
on that family plot |
| 00:52:05 |
I don't believe it. |
| 00:52:06 |
There must be |
| 00:52:08 |
What other explanation? |
| 00:52:09 |
Who the hell else is gonna |
| 00:52:11 |
Dr. Christian Bernard? |
| 00:52:14 |
Goddamn you, Miss Piggott. |
| 00:52:16 |
Hello, Emily. How are you? |
| 00:52:18 |
It's Baltimore. |
| 00:52:20 |
I'm sorry. I thought |
| 00:52:24 |
the interpreter. |
| 00:52:27 |
She keeps fouling everything up. |
| 00:52:29 |
I can't fire her. I need her. |
| 00:52:32 |
No problems. Just a few |
| 00:52:35 |
but I am on top |
| 00:52:37 |
Yes, I'm positive. |
| 00:52:41 |
The State Department? |
| 00:52:43 |
I don't need any help |
| 00:52:46 |
Yes. I saw him this afternoon |
| 00:52:50 |
I haven't seen him lately. |
| 00:52:52 |
How's mother? |
| 00:52:54 |
I hope she's all right |
| 00:52:56 |
We certainly don't want |
| 00:52:58 |
with television and everything. |
| 00:53:00 |
Thank God it'll be |
| 00:53:01 |
Have you heard |
| 00:53:03 |
That's good. Listen. |
| 00:53:05 |
What do you think |
| 00:53:08 |
Because I'm so |
| 00:53:10 |
Ask him. What's all the noise |
| 00:53:13 |
Kids are watching |
| 00:53:15 |
What's the score? |
| 00:53:19 |
Give them my love... |
| 00:53:21 |
And kiss-kiss. |
| 00:53:24 |
Where the hell is that Piggott? |
| 00:53:29 |
I checked with the cemetery. |
| 00:53:31 |
No bodies. |
| 00:53:32 |
- What about her? |
| 00:53:34 |
She will not answer |
| 00:53:36 |
She will not open the door. |
| 00:53:37 |
She won't? |
| 00:53:44 |
Please, no violence. |
| 00:53:48 |
Sure. |
| 00:53:49 |
And if she really is a kook, |
| 00:53:52 |
and she will fall |
| 00:53:54 |
God knows what she will do. |
| 00:53:56 |
I better play it cool. |
| 00:53:59 |
I mean, freddo. |
| 00:54:09 |
Go away. |
| 00:54:12 |
Would you please open the door? |
| 00:54:15 |
Go away. |
| 00:54:16 |
I have this problem... |
| 00:54:18 |
because there's |
| 00:54:21 |
There's no soap in my bathroom. |
| 00:54:23 |
Please. |
| 00:54:24 |
No. |
| 00:54:25 |
No? |
| 00:54:39 |
Cool. |
| 00:54:40 |
You promised. |
| 00:54:48 |
Where are you? |
| 00:54:53 |
Did I wake you up? |
| 00:54:55 |
If you don't leave immediately, |
| 00:54:59 |
I've been giving a great deal |
| 00:55:04 |
Operator. |
| 00:55:05 |
And I have |
| 00:55:06 |
there's something wrong with it. |
| 00:55:07 |
Operator, get me |
| 00:55:09 |
The trouble is, we got off |
| 00:55:11 |
I've been called plump, |
| 00:55:14 |
I've been called chubby... |
| 00:55:15 |
but I've never |
| 00:55:21 |
- Did I say that? |
| 00:55:24 |
Shame on me. |
| 00:55:26 |
The truth of the matter is... |
| 00:55:28 |
I kind of like girls |
| 00:55:31 |
here and there. |
| 00:55:33 |
I know we have this |
| 00:55:36 |
And you know what |
| 00:55:39 |
Silicone for injections. |
| 00:55:45 |
Take those models in "Vogue," |
| 00:55:50 |
nothing but skin and bones. |
| 00:55:51 |
A man gets lucky, |
| 00:55:55 |
You could even cut yourself. |
| 00:55:56 |
Like making it |
| 00:56:01 |
Are you looking for something? |
| 00:56:03 |
When you first |
| 00:56:07 |
in the morgue |
| 00:56:09 |
What notion? |
| 00:56:10 |
About having the two |
| 00:56:12 |
I didn't think |
| 00:56:15 |
I'm as sentimental |
| 00:56:17 |
but we're grownup people... |
| 00:56:19 |
and if you look at |
| 00:56:30 |
What I'm trying to say |
| 00:56:33 |
A joke? Lovers resting |
| 00:56:35 |
Is that your idea of a joke? |
| 00:56:37 |
All right, damn it! |
| 00:56:39 |
What the hell |
| 00:56:40 |
I don't know what you mean. |
| 00:56:42 |
Yes, you do! Come on! |
| 00:56:44 |
I am not to be shouted at. |
| 00:56:45 |
I am under orders |
| 00:56:47 |
You got a psychiatrist. |
| 00:56:49 |
It's because |
| 00:56:51 |
He's got me |
| 00:56:53 |
and self-hypnosis |
| 00:56:54 |
He wants me to sleep a lot... |
| 00:56:56 |
because you can't eat |
| 00:56:57 |
Sometimes I sleep |
| 00:56:59 |
Good for you. Right now |
| 00:57:01 |
Right now, I'm going to |
| 00:57:04 |
I'm going to |
| 00:57:05 |
and if you want to have |
| 00:57:07 |
come back tomorrow afternoon. |
| 00:57:09 |
Tomorrow afternoon? |
| 00:57:11 |
Don't you understand? |
| 00:57:13 |
You're shouting again. |
| 00:57:15 |
And in my weakened condition... |
| 00:57:18 |
and a teaspoonful of honey. |
| 00:57:28 |
Get me the dining room. |
| 00:57:30 |
Please call |
| 00:57:34 |
I'd like to make |
| 00:57:37 |
The name is Armbruster... |
| 00:57:40 |
Really? |
| 00:57:43 |
Shall we say |
| 00:57:48 |
Guess what table we got. |
| 00:57:49 |
Just turn off |
| 00:57:51 |
Where they had dinner |
| 00:57:53 |
I thought that would be |
| 00:57:55 |
if we had the same table, |
| 00:57:58 |
You should have heard |
| 00:58:00 |
when I made the reservation. |
| 00:58:02 |
He had tears in his voice. |
| 00:58:06 |
This is no time to be |
| 00:58:09 |
This has nothing to do |
| 00:58:11 |
It's more like |
| 00:58:15 |
They would like that! |
| 00:58:24 |
Shall we say |
| 00:58:49 |
The fog in Bologna, |
| 00:58:51 |
and the coffins are on the way. |
| 00:58:53 |
Great. First we had |
| 00:58:55 |
Now we have coffins |
| 00:58:56 |
I have searched the hotel |
| 00:58:59 |
even the mud baths. |
| 00:59:16 |
Of course, you must be. |
| 00:59:19 |
Same face, same suit. |
| 00:59:21 |
Good evening. |
| 00:59:22 |
The table is ready. |
| 00:59:23 |
Not yet. I'm waiting |
| 00:59:25 |
Of course. |
| 00:59:27 |
Everything has been anticipated. |
| 00:59:31 |
- Here you are. |
| 00:59:33 |
A whisky sour |
| 00:59:35 |
and for the lady, |
| 00:59:38 |
- That's what they used to have? |
| 00:59:41 |
Always. |
| 01:00:16 |
That's Baron Forshmetelli. |
| 01:00:19 |
He's ninety years old. |
| 01:00:21 |
Been coming here since |
| 01:00:24 |
Remarkable. This place |
| 01:00:27 |
It certainly does. |
| 01:00:28 |
Every year his nurses, they keep |
| 01:01:04 |
I'm sorry to be late. |
| 01:01:06 |
I had trouble |
| 01:01:09 |
Actually, |
| 01:01:11 |
That's only fair. Actually, |
| 01:01:14 |
Here's your drink. |
| 01:01:16 |
What's this? |
| 01:01:17 |
It's a Bacardi for you |
| 01:01:20 |
That's what they always had. |
| 01:01:22 |
I don't drink. |
| 01:01:23 |
Look, Miss Piggott... Pamela... |
| 01:01:26 |
if this evening is to be |
| 01:01:30 |
then please don't louse it up. |
| 01:01:31 |
Of course not. |
| 01:01:37 |
To mother and father. |
| 01:01:39 |
Wherever they may be. |
| 01:01:56 |
I think the captain |
| 01:02:00 |
Yes. Thank you. |
| 01:02:08 |
Welcome. I welcome you. |
| 01:02:10 |
The orchestra welcomes you. |
| 01:02:12 |
That was their favorite tune. |
| 01:02:14 |
How very thoughtful. |
| 01:02:30 |
Madam always sat |
| 01:02:33 |
Of course. |
| 01:02:41 |
Shall we start |
| 01:02:44 |
We have spaghetti, spaghettini, |
| 01:02:47 |
cannelloni, rigatoni, |
| 01:02:49 |
tagliarini, buccatini, |
| 01:02:52 |
cappelotti, crosetti, |
| 01:02:54 |
pappadelli, tagliatelli... |
| 01:02:56 |
Tell me, what would |
| 01:02:58 |
A few gnocchi, a few ravioli... |
| 01:03:01 |
and some green noodles |
| 01:03:04 |
Perfect. |
| 01:03:05 |
As for the wine... |
| 01:03:06 |
they would always have a Bianco |
| 01:03:10 |
and the Carba De Salaparucta |
| 01:03:14 |
Any special entree |
| 01:03:16 |
Indeed. I have |
| 01:03:19 |
of ordering |
| 01:03:21 |
Super. |
| 01:03:23 |
Not for me. |
| 01:03:32 |
In that case, I'll have |
| 01:03:34 |
for two for one. |
| 01:03:36 |
Would madam like |
| 01:03:39 |
No, thank you. |
| 01:03:41 |
Shall I take it out to |
| 01:03:44 |
I'll manage. |
| 01:03:45 |
Very good. |
| 01:03:55 |
I admire your willpower. |
| 01:03:57 |
Do you know how much I weigh? |
| 01:04:01 |
91/2 stone. |
| 01:04:05 |
I'm determined to lose |
| 01:04:07 |
You came to the right place. |
| 01:04:19 |
Bertram and I, we used to go... |
| 01:04:21 |
to an Italian |
| 01:04:23 |
but it was nothing like this. |
| 01:04:26 |
The waiters were all Greek, |
| 01:04:31 |
Who's Bertram? |
| 01:04:33 |
My boyfriend. |
| 01:04:35 |
We've been together now |
| 01:04:37 |
What you would call shacked up. |
| 01:04:40 |
Would you like to see |
| 01:04:42 |
Sure. |
| 01:04:43 |
That's Bertram, |
| 01:04:46 |
- Plays lead guitar. |
| 01:04:48 |
They're a terrific group. |
| 01:04:50 |
They call themselves |
| 01:04:52 |
Matthew, Mark, Luke... |
| 01:04:54 |
And Bertram. |
| 01:04:56 |
He's also a terrific composer. |
| 01:04:58 |
Right now, he's writing |
| 01:05:03 |
Splash? |
| 01:05:05 |
Yes. It's about the sinking |
| 01:05:27 |
You know, I must admit, |
| 01:05:32 |
Why? |
| 01:05:33 |
You're not eating. |
| 01:05:35 |
I mean about mother and father. |
| 01:05:37 |
Really? Why? What about them? |
| 01:05:39 |
Here we are at their table... |
| 01:05:41 |
enjoying ourselves |
| 01:05:45 |
Yeah, lying where? |
| 01:05:47 |
On the other hand... |
| 01:05:49 |
they would have hated |
| 01:05:52 |
They weren't exactly |
| 01:05:54 |
were they? |
| 01:05:55 |
Maybe I'll just have |
| 01:05:59 |
Certainly. |
| 01:06:06 |
You know what they would do |
| 01:06:08 |
Go swimming in the bay. |
| 01:06:10 |
Yes, I heard. |
| 01:06:13 |
Then they'd lie on a rock... |
| 01:06:15 |
basking in the sun |
| 01:06:18 |
Baby seal... |
| 01:06:19 |
That gray-haired, self-righteous |
| 01:06:22 |
You keep calling him that. |
| 01:06:24 |
I have nothing against sex... |
| 01:06:28 |
You name it, and I'm for it. |
| 01:06:30 |
Just because a man's |
| 01:06:33 |
mean that he can't have a... |
| 01:06:35 |
thing, you know, |
| 01:06:36 |
or with an airline stewardess. |
| 01:06:38 |
Let's say that you're |
| 01:06:40 |
and you meet some chick. |
| 01:06:41 |
OK, swell. You swing |
| 01:06:43 |
but then aloha. |
| 01:06:45 |
I see. You can swing with |
| 01:06:50 |
But if you're in love with |
| 01:06:52 |
that makes you |
| 01:06:53 |
Love is for filing clerks... |
| 01:06:56 |
but not for the head |
| 01:06:57 |
Thirty-seven companies |
| 01:06:59 |
Can I have a couple |
| 01:07:01 |
For color? |
| 01:07:49 |
That's Italian |
| 01:07:52 |
Figures. |
| 01:07:54 |
Your father |
| 01:07:57 |
and she called him Willie. |
| 01:08:03 |
What do you know? |
| 01:08:06 |
Sorry you never met her. |
| 01:08:07 |
She was a bloody |
| 01:08:10 |
Yes, I'm sure she was. |
| 01:08:12 |
I appreciate how you |
| 01:08:15 |
If you want to bury her |
| 01:08:17 |
But when it comes to Willie... |
| 01:08:20 |
Basically, it's |
| 01:08:22 |
In England, people |
| 01:08:25 |
How's the weather in Baltimore? |
| 01:08:28 |
Not very good, really. |
| 01:08:30 |
There you are. |
| 01:08:31 |
Here you have the sun |
| 01:08:33 |
There's no need to lie |
| 01:08:37 |
It gets so cold and... |
| 01:09:34 |
Do you mind |
| 01:09:37 |
Why English? |
| 01:09:39 |
I do not want anybody |
| 01:09:42 |
It is confidential. |
| 01:09:44 |
Who are you? |
| 01:09:46 |
Let us say I am... |
| 01:09:47 |
from the lost-and-found |
| 01:09:49 |
From where? |
| 01:09:52 |
Tell me, Mr. Armbruster... |
| 01:09:58 |
missing something? |
| 01:10:00 |
Or should I say two somethings |
| 01:10:15 |
I hate to break the spell... |
| 01:10:18 |
but before you've lost |
| 01:10:20 |
could I ask you just for |
| 01:10:23 |
I'll try. |
| 01:10:25 |
Just think. |
| 01:10:27 |
Come Tuesday, |
| 01:10:30 |
watching that funeral |
| 01:10:32 |
What will it look like |
| 01:10:35 |
That would look bad. |
| 01:10:37 |
It would be a catastrophe. |
| 01:10:43 |
Hello. |
| 01:10:45 |
Mr. Carlucci's trying |
| 01:10:50 |
You don't know |
| 01:10:52 |
What was |
| 01:10:54 |
they'd twist into something |
| 01:10:57 |
We can't let that happen. |
| 01:10:58 |
I'm glad you're beginning |
| 01:11:03 |
But why should there |
| 01:11:05 |
No reason, if you'll |
| 01:11:08 |
But what can I do? |
| 01:11:15 |
Excuse me. |
| 01:11:19 |
What's so important? |
| 01:11:21 |
I was finally getting somewhere. |
| 01:11:23 |
You're wasting your time. |
| 01:11:25 |
What? |
| 01:11:26 |
I kept telling you. |
| 01:11:28 |
But there is a man in the lobby. |
| 01:11:30 |
He assured me they are |
| 01:11:33 |
and he wants to know |
| 01:11:35 |
in getting them back. |
| 01:11:36 |
- Who is he? |
| 01:11:38 |
He won't? He won't? |
| 01:11:54 |
You must not antagonize him, |
| 01:11:56 |
What price? |
| 01:11:57 |
I don't know yet, |
| 01:12:00 |
All right, you creep, |
| 01:12:02 |
It's going to be more expensive. |
| 01:12:04 |
If you'd care to come with me... |
| 01:12:37 |
This is where |
| 01:12:46 |
We were all asleep |
| 01:12:49 |
when there was |
| 01:12:52 |
So we ran to bottom |
| 01:12:54 |
and the car, it was smashed. |
| 01:12:56 |
And the two, they are dead. |
| 01:12:59 |
And she is holding him |
| 01:13:02 |
And the radio, |
| 01:13:09 |
I think that's very touching. |
| 01:13:11 |
It sure is. |
| 01:13:13 |
This way, please. |
| 01:13:39 |
This is Alberto Trotta. |
| 01:13:49 |
This is Papa Trotta. |
| 01:13:51 |
And Uncle Trotta. |
| 01:13:53 |
This is Grandpapa Trotta. |
| 01:13:56 |
And I am Armando Trotta. |
| 01:13:58 |
That's a lot of Trottas. |
| 01:14:00 |
You bet your sweet patootie. |
| 01:14:03 |
Arnoldo and I... |
| 01:14:06 |
we used to work with |
| 01:14:10 |
Black market. |
| 01:14:12 |
What's your racket now? |
| 01:14:16 |
We sit down and write you |
| 01:14:20 |
asking for damages, |
| 01:14:23 |
he calls on telephone |
| 01:14:27 |
I did not say screw. |
| 01:14:33 |
Sue? You take bodies |
| 01:14:38 |
we take case to court. |
| 01:14:40 |
It takes many years, |
| 01:14:43 |
all the money, |
| 01:14:45 |
So you just stole them? |
| 01:14:46 |
Stole? That is such |
| 01:14:50 |
Let us say we are keeping them |
| 01:14:54 |
Where? |
| 01:14:55 |
They are very comfortable... |
| 01:14:58 |
with candles all around |
| 01:15:01 |
And you will get them |
| 01:15:04 |
for 2 million lira. |
| 01:15:06 |
2 mil... They think |
| 01:15:09 |
2 million lira |
| 01:15:11 |
and some crushed grapes? |
| 01:15:12 |
That's nothing. |
| 01:15:14 |
But when there has been |
| 01:15:17 |
the wine turns sour. |
| 01:15:20 |
- Who says so? |
| 01:15:23 |
I never heard of it. |
| 01:15:25 |
All right, all right. |
| 01:15:26 |
Let us ask some old Italians. |
| 01:15:35 |
Don't believe a word they say. |
| 01:15:37 |
Neapolitans, you know. |
| 01:15:40 |
Neapolitans? |
| 01:15:41 |
I've bargained with |
| 01:15:43 |
Watch me handle this. |
| 01:15:45 |
Hey, you. Big Trotta. |
| 01:15:49 |
There you are. |
| 01:15:51 |
They know the proverb. |
| 01:15:52 |
The hell with that. |
| 01:15:54 |
I don't want any haggling |
| 01:15:56 |
Here's my offer, |
| 01:15:59 |
A million lira. |
| 01:16:03 |
Our family, it is big. |
| 01:16:05 |
Our vineyard, it is small. |
| 01:16:10 |
Three of our brothers, |
| 01:16:13 |
digging for marble... |
| 01:16:16 |
With all the dust in the lungs. |
| 01:16:20 |
All right, |
| 01:16:23 |
Two of our sisters |
| 01:16:27 |
Other prostitutes... |
| 01:16:29 |
they use Ferraris |
| 01:16:31 |
but our sisters, |
| 01:16:35 |
OK, 2 million lira, |
| 01:16:44 |
I could not have |
| 01:16:51 |
And now we'll have some wine |
| 01:16:55 |
and play bocce, yes? |
| 01:17:00 |
All right, here you are. |
| 01:17:03 |
$3,500? |
| 01:17:05 |
That's 2 million lira, isn't it? |
| 01:17:07 |
We cannot take this from you. |
| 01:17:09 |
Why not? |
| 01:17:11 |
You are such a good man, |
| 01:17:17 |
We do not want this. |
| 01:17:19 |
What do you mean, |
| 01:17:21 |
We want it, |
| 01:17:24 |
We take Swiss francs, |
| 01:17:27 |
we take Japanese yens... |
| 01:17:28 |
but with your economy |
| 01:17:49 |
To repeat... at noon, |
| 01:17:54 |
You will bring |
| 01:17:56 |
We will bring bodies. |
| 01:17:58 |
We will also bring |
| 01:18:10 |
Do you realize I've gone |
| 01:18:13 |
I'm gonna hit the sack |
| 01:18:16 |
- I envy you. |
| 01:18:17 |
In the winter. |
| 01:18:59 |
Your crepes suzette. |
| 01:19:09 |
Good morning. |
| 01:19:18 |
I hope you're not angry with me. |
| 01:19:20 |
Angry with you? |
| 01:19:22 |
I ordered some champagne |
| 01:19:25 |
Why not? |
| 01:19:26 |
I'm sorry I suddenly |
| 01:19:28 |
It was a minor crisis. |
| 01:19:29 |
As long as you're not too late. |
| 01:19:31 |
Yes, I had to straighten |
| 01:19:33 |
The curve in the road |
| 01:19:36 |
You don't happen to have |
| 01:19:37 |
- What? |
| 01:19:40 |
I've been thinking about |
| 01:19:44 |
Where's it going to be? |
| 01:19:46 |
First Presbyterian Church. Why? |
| 01:19:47 |
Because I want to send a wreath. |
| 01:19:49 |
A wreath? |
| 01:19:51 |
With some ribbons and something |
| 01:19:54 |
Like what? |
| 01:19:56 |
I thought you might |
| 01:19:57 |
- No. |
| 01:19:59 |
No wreath. |
| 01:20:01 |
How about a simple, |
| 01:20:04 |
Nobody would ever know. |
| 01:20:05 |
The family has |
| 01:20:08 |
Why don't you just give |
| 01:20:10 |
to your favorite charity? |
| 01:20:12 |
Shall I serve |
| 01:20:14 |
Not now. |
| 01:20:15 |
If we don't hurry, |
| 01:20:17 |
- What? Miss what? |
| 01:20:20 |
I don't know why I'm |
| 01:20:22 |
I'll just have to |
| 01:20:23 |
What was that with the sunrise? |
| 01:20:25 |
Over Mount Vesuvius |
| 01:20:28 |
You mean, you and me... |
| 01:20:30 |
Wasn't that the whole idea? |
| 01:20:32 |
Fat chance! |
| 01:20:33 |
I'm sorry. |
| 01:20:35 |
It's nothing personal, |
| 01:20:43 |
Could you help me |
| 01:20:46 |
Certainly. |
| 00:00:03 |
I'm sure I could find us |
| 00:00:05 |
But why bother? |
| 00:00:08 |
I don't want you to think |
| 00:00:11 |
I'm considered |
| 00:00:13 |
You know, tuned in. |
| 00:00:15 |
Like when I'm on business |
| 00:00:17 |
I always have lunch |
| 00:00:22 |
Just because I don't have |
| 00:00:24 |
that doesn't mean that... |
| 00:00:26 |
Did you ever hear |
| 00:00:28 |
I've seen it twice, |
| 00:00:33 |
Yeah, the permissive society... |
| 00:00:34 |
age of Aquarius, |
| 00:00:36 |
I'm into all of that. |
| 00:00:38 |
Take the secretaries |
| 00:00:40 |
always wearing |
| 00:00:42 |
There's nothing |
| 00:00:44 |
just as long as they're worn |
| 00:00:48 |
Please keep in mind |
| 00:00:51 |
and this is |
| 00:00:52 |
and they may think |
| 00:01:02 |
Can you hear me? |
| 00:01:20 |
Oh, my God. |
| 00:03:01 |
Are you all right? |
| 00:03:03 |
I'm fantastic. |
| 00:03:05 |
I'll give you one minute |
| 00:03:07 |
Then we're gonna swim back. |
| 00:03:09 |
What's the rush? |
| 00:03:11 |
No rush. Just a little cold |
| 00:03:14 |
Nice and warm here, |
| 00:03:17 |
with your eyes closed. |
| 00:03:19 |
Yeah? Are your eyes closed? |
| 00:03:21 |
Why? |
| 00:03:22 |
Nothing. Just asking. |
| 00:03:43 |
Here we are... |
| 00:03:45 |
basking like two baby seals. |
| 00:03:55 |
Wonder what they talked |
| 00:03:58 |
I'm sure they didn't |
| 00:04:01 |
They would just listen. |
| 00:04:03 |
To the wind and the waves... |
| 00:04:05 |
and the beat, beat, beat |
| 00:04:08 |
Why not? |
| 00:04:10 |
When you're in love, |
| 00:04:13 |
A look, a touch, a sigh... |
| 00:04:19 |
That's not bad. |
| 00:04:23 |
Every time I come home |
| 00:04:25 |
she always wants to know |
| 00:04:30 |
Do you and Bertram... |
| 00:04:35 |
Do you communicate much? |
| 00:04:36 |
We haven't talked |
| 00:04:38 |
Beautiful. |
| 00:04:42 |
The fact of the matter is... |
| 00:04:43 |
we haven't seen each other |
| 00:04:46 |
The bastard walked out on me... |
| 00:04:48 |
stole my telly, |
| 00:04:50 |
and my hairdryer. |
| 00:04:52 |
There's an apostle for you. |
| 00:04:54 |
Moved in with some |
| 00:04:58 |
When I found out, |
| 00:05:00 |
I tried to commit suicide? |
| 00:05:02 |
- No. |
| 00:05:04 |
I took my week's salary... |
| 00:05:06 |
bought myself a suitcase |
| 00:05:08 |
and a dozen bottles |
| 00:05:10 |
and tried to |
| 00:05:12 |
Took them hours |
| 00:05:14 |
Was it worth it |
| 00:05:16 |
It was stupid, |
| 00:05:20 |
Good. |
| 00:05:21 |
No more fish and chips. |
| 00:05:27 |
I guess there is something... |
| 00:05:29 |
to what it says |
| 00:05:31 |
What does it say? |
| 00:05:33 |
It says, |
| 00:05:36 |
"It's an emotion." |
| 00:05:38 |
It's certainly been |
| 00:05:49 |
I'm afraid we have |
| 00:06:12 |
Please. Where's |
| 00:06:26 |
Here. |
| 00:06:27 |
Maybe you can use these. |
| 00:07:13 |
That was quite |
| 00:07:16 |
Thank you. |
| 00:07:18 |
You're entirely welcome. |
| 00:07:57 |
What's up? |
| 00:07:58 |
It's an emergency. |
| 00:08:00 |
I hope it's not a heart attack. |
| 00:08:02 |
That old crock, |
| 00:08:03 |
No, it's not the baron. |
| 00:08:32 |
Good night, Willie. |
| 00:08:36 |
Good night, Kate. |
| 00:09:20 |
Good morning, sir. |
| 00:09:22 |
What? |
| 00:09:23 |
Because they told me, |
| 00:09:24 |
you asked for |
| 00:09:26 |
Oh, that. |
| 00:09:28 |
Damn bells. You talk |
| 00:09:30 |
There are 68 churches in Ischia. |
| 00:09:34 |
How's that nurse? |
| 00:09:35 |
Yes. Just a slipped disk. |
| 00:09:37 |
The three of them, |
| 00:09:39 |
The word is leapfrog. |
| 00:09:41 |
I would rather not know. |
| 00:09:43 |
I have come to give |
| 00:09:45 |
- How we doing? |
| 00:09:47 |
I have met with |
| 00:09:49 |
I gave them German marks. |
| 00:09:50 |
The bodies are back |
| 00:09:52 |
Good. |
| 00:09:53 |
The doctor from Capri |
| 00:09:54 |
I have the health |
| 00:09:56 |
What about the coffins? |
| 00:09:57 |
They arrived this morning, |
| 00:09:59 |
Three? |
| 00:10:01 |
The two from Bologna |
| 00:10:03 |
that I ordered |
| 00:10:06 |
There is no refund, |
| 00:10:08 |
No big deal. |
| 00:10:11 |
About my nephew. |
| 00:10:12 |
He got to Naples, |
| 00:10:13 |
let him into |
| 00:10:15 |
even though |
| 00:10:16 |
and he got |
| 00:10:18 |
Then we're all set. |
| 00:10:19 |
Yes and no, |
| 00:10:22 |
he gets tickets |
| 00:10:24 |
and while he was |
| 00:10:26 |
he got to the file... |
| 00:10:27 |
and he removed ten |
| 00:10:30 |
and now he's in jail. |
| 00:10:31 |
What about the export license? |
| 00:10:32 |
They're holding that |
| 00:10:34 |
But not to worry. |
| 00:10:35 |
When the court opens |
| 00:10:37 |
I have a cousin |
| 00:10:39 |
I will get to him straightaway. |
| 00:10:41 |
He is the worst lawyer |
| 00:10:43 |
but fortunately, |
| 00:10:44 |
they have the same mistress. |
| 00:10:46 |
Is that what you call |
| 00:10:50 |
What about Sacco and Vanzetti? |
| 00:12:11 |
When are you people |
| 00:12:13 |
how to make |
| 00:12:14 |
You know what I had |
| 00:12:16 |
Hot Pepsi-Cola. |
| 00:12:18 |
- What's that? |
| 00:12:20 |
They washed up on the beach. |
| 00:12:22 |
My shorts? What makes you think |
| 00:12:24 |
Maybe I am wrong. |
| 00:12:26 |
Maybe they belong |
| 00:12:28 |
Just put them down, will you? |
| 00:12:31 |
About those photographs |
| 00:12:33 |
your father and his friend. |
| 00:12:35 |
I have searched and searched |
| 00:12:38 |
- And? |
| 00:12:41 |
Of all places, |
| 00:12:48 |
Is this the complete set? |
| 00:12:50 |
Absolutely. |
| 00:12:53 |
no negatives and just one print. |
| 00:12:55 |
Fair enough. What was our deal? |
| 00:12:58 |
No, please... |
| 00:12:59 |
You want Swiss francs |
| 00:13:00 |
I told you, it's not |
| 00:13:03 |
I don't need money. |
| 00:13:08 |
A visa. |
| 00:13:10 |
A visa? |
| 00:13:12 |
Yes. I want to go |
| 00:13:14 |
and you can help me. |
| 00:13:15 |
How? |
| 00:13:17 |
You know all the big shots... |
| 00:13:19 |
senators, |
| 00:13:20 |
Dr. Kissinger. |
| 00:13:23 |
Not a chance. |
| 00:13:24 |
Not once you've been |
| 00:13:26 |
A criminal? |
| 00:13:28 |
I'm a patriot. |
| 00:13:29 |
You know why they deported me? |
| 00:13:32 |
There were |
| 00:13:34 |
demonstrating |
| 00:13:36 |
calling our President |
| 00:13:39 |
and burning the American flag... |
| 00:13:42 |
on July 4th, with police |
| 00:13:46 |
So I got pissed off... |
| 00:13:49 |
and pulled my gun |
| 00:13:52 |
and what do you think happened? |
| 00:13:55 |
The cops arrested me. |
| 00:14:00 |
Give me all the details, |
| 00:14:03 |
This can't wait. |
| 00:14:05 |
You know that maid Anna... |
| 00:14:09 |
- What about her? |
| 00:14:12 |
Congratulations. |
| 00:14:13 |
God forbid. |
| 00:14:15 |
If there is one thing worse |
| 00:14:17 |
it's a Sicilian woman |
| 00:14:21 |
I must get out of here fast. |
| 00:14:24 |
I sympathize with you, |
| 00:14:27 |
but I can't make you |
| 00:14:30 |
I am counting on you. |
| 00:14:35 |
Because, you see... |
| 00:14:37 |
I have other photographs... |
| 00:14:40 |
taken this morning. |
| 00:14:43 |
Same rock, same sunrise... |
| 00:14:47 |
different bodies. |
| 00:14:49 |
So you better try very hard. |
| 00:14:57 |
Wait a minute. |
| 00:15:01 |
Where are those pictures? |
| 00:15:03 |
They are not in my mattress. |
| 00:15:04 |
You miserable little crook, I'll |
| 00:15:10 |
What a day. |
| 00:15:11 |
And how about all those bells? |
| 00:15:14 |
Smashing is right. |
| 00:15:16 |
If you need me, just ring. |
| 00:15:20 |
Is it all right |
| 00:15:22 |
Yeah, by all means. |
| 00:15:26 |
Don't let me interrupt. Go ahead |
| 00:15:28 |
Isn't the coffee here fabulous? |
| 00:15:36 |
What happened? |
| 00:15:39 |
What's the matter? |
| 00:15:42 |
Guess what. |
| 00:15:43 |
I weighed myself |
| 00:15:44 |
but I didn't believe it, |
| 00:15:46 |
- I've lost three pounds. |
| 00:15:48 |
After that enormous meal |
| 00:15:50 |
and strawberries |
| 00:15:52 |
and bacon and eggs |
| 00:15:55 |
Wait till I see Dr. Shaftsbury. |
| 00:15:56 |
They should defrock him |
| 00:15:58 |
or whatever they do. |
| 00:15:59 |
- Who's Dr. Shaftsbury? |
| 00:16:01 |
Him, yeah. |
| 00:16:02 |
He kept telling me I was unhappy |
| 00:16:05 |
Rubbish! Obviously |
| 00:16:07 |
because I was unhappy. |
| 00:16:08 |
Yes, I do. |
| 00:16:10 |
How long will it take you? |
| 00:16:11 |
Because I can be ready |
| 00:16:12 |
Why? |
| 00:16:13 |
You know those carts |
| 00:16:15 |
with the feathers |
| 00:16:17 |
I thought maybe we could |
| 00:16:18 |
and stop for |
| 00:16:22 |
I'm starved again. |
| 00:16:23 |
I'd like to, |
| 00:16:25 |
I have to take care of |
| 00:16:27 |
- It's our last day. |
| 00:16:30 |
Same program? |
| 00:16:32 |
Dinner downstairs |
| 00:16:35 |
Last night, |
| 00:16:37 |
I thought maybe tonight |
| 00:16:39 |
an our thing. |
| 00:16:41 |
Surprise me. |
| 00:18:35 |
You can do my room now. |
| 00:25:03 |
Here you are. |
| 00:25:04 |
You call this |
| 00:25:06 |
If it is about the bed |
| 00:25:08 |
Who cares about the bed? |
| 00:25:10 |
It's about the valet |
| 00:25:11 |
You know about it? |
| 00:25:13 |
I know he's |
| 00:25:14 |
I ought to kill |
| 00:25:16 |
- It has all been taken care of. |
| 00:25:18 |
- The dirty little fink is dead. |
| 00:25:21 |
Murdered. |
| 00:25:22 |
with three bullets |
| 00:25:24 |
Miss Piggott's room? |
| 00:25:26 |
She had nothing to do with it. |
| 00:25:28 |
She killed him, |
| 00:25:30 |
That is why your bed |
| 00:25:32 |
Terrible. |
| 00:25:33 |
It's a tragedy. |
| 00:25:34 |
If you lose a guest, |
| 00:25:36 |
But to lose a valet and a maid |
| 00:25:39 |
Listen, that character Bruno, |
| 00:25:42 |
Perfectly innocent, mind you... |
| 00:25:44 |
but if they fell |
| 00:25:46 |
Don't worry. They fell |
| 00:25:49 |
I'm sorry. I had to look |
| 00:25:52 |
but I had to make sure |
| 00:25:56 |
Thanks. |
| 00:25:57 |
There is just one thing |
| 00:26:00 |
The black socks... |
| 00:26:03 |
Is it because |
| 00:26:20 |
- What's this? |
| 00:26:23 |
We are moving them in here |
| 00:26:25 |
- What precaution? |
| 00:26:28 |
and we do not |
| 00:26:29 |
They will start asking |
| 00:26:32 |
And who knows |
| 00:26:34 |
What would I do without you? |
| 00:26:36 |
I have often wondered |
| 00:28:14 |
I'm sorry, |
| 00:28:17 |
Moved? Why? |
| 00:28:19 |
I just follow orders. |
| 00:28:23 |
But I was perfectly happy... |
| 00:28:26 |
121-122? |
| 00:28:27 |
Mr. Armbruster's suite. |
| 00:28:36 |
I'm sorry |
| 00:28:39 |
Don't be. |
| 00:29:28 |
It's me... Pamela. |
| 00:29:29 |
Hi! |
| 00:29:34 |
I'm in the tub. |
| 00:29:39 |
I must say, |
| 00:29:43 |
I do? |
| 00:29:45 |
Aren't you taking |
| 00:29:48 |
Just what made you think |
| 00:29:50 |
the slightest interest |
| 00:29:53 |
Did you say something? |
| 00:29:56 |
Not that I expected |
| 00:29:58 |
After all, you're American. |
| 00:29:59 |
You're accustomed to having |
| 00:30:02 |
You see something you want, |
| 00:30:06 |
Come again? |
| 00:30:07 |
London Bridge, for instance. |
| 00:30:09 |
You simply took it apart |
| 00:30:12 |
and shipped it off |
| 00:30:15 |
Or the Queen Mary, |
| 00:30:18 |
sitting there off |
| 00:30:20 |
reduced to |
| 00:30:23 |
What the hell |
| 00:30:24 |
Such conceit, such arrogance. |
| 00:30:28 |
You act as though |
| 00:30:30 |
Playing golf on the moon. |
| 00:30:34 |
Me, I play golf |
| 00:30:36 |
Twelve handicap. |
| 00:30:37 |
And then you wonder |
| 00:30:40 |
Because you're like |
| 00:30:42 |
no manners, |
| 00:30:46 |
You don't just pick up |
| 00:30:49 |
"Move that bird |
| 00:30:52 |
If I'm to have |
| 00:30:54 |
I'd like to know it first... |
| 00:30:55 |
and not hear about it |
| 00:31:01 |
Oh, my god. The bags. |
| 00:31:03 |
Wait a minute! |
| 00:31:04 |
A girl likes to be asked. |
| 00:31:05 |
She should be given |
| 00:31:07 |
Miss Piggott... |
| 00:31:08 |
She wants to be talked into it. |
| 00:31:10 |
What we have here is |
| 00:31:19 |
It's not that I'm |
| 00:31:22 |
I don't mind being treated |
| 00:31:25 |
but it's like any other game. |
| 00:31:27 |
You have to play |
| 00:31:29 |
or it takes |
| 00:31:31 |
Hang on a minute |
| 00:31:45 |
Hello? Hello? |
| 00:31:48 |
Baltimore? |
| 00:31:49 |
Yes, this is |
| 00:31:52 |
Could you speak up |
| 00:31:55 |
I'm sorry. Wendell can't |
| 00:31:57 |
He's in the bathroom. |
| 00:31:59 |
Can I help you? |
| 00:32:01 |
This is Miss Piggott. |
| 00:32:03 |
Am I the what? |
| 00:32:05 |
The interpreter? |
| 00:32:08 |
Whatever gave you that idea? |
| 00:32:11 |
Hello? Hello? |
| 00:32:44 |
- This... |
| 00:32:49 |
Whatever you may think |
| 00:32:52 |
I do not consider you |
| 00:32:54 |
- I do not take you for granted... |
| 00:32:56 |
About your things being here... |
| 00:32:57 |
there was no time |
| 00:32:59 |
You were out of the hotel, |
| 00:33:01 |
it seemed the most |
| 00:33:02 |
- I understand. |
| 00:33:05 |
You were moved |
| 00:33:06 |
for your own protection, |
| 00:33:09 |
We do have to be very careful. |
| 00:33:10 |
I said surprise me, |
| 00:33:14 |
You're taller than I thought. |
| 00:33:21 |
What... The bed. |
| 00:33:24 |
Have you noticed |
| 00:33:26 |
I'll do it later. |
| 00:33:27 |
That's because |
| 00:33:28 |
It seems that she was pregnant |
| 00:33:31 |
The things that go on |
| 00:33:35 |
She wanted to get married, |
| 00:33:36 |
He wanted to go back |
| 00:33:38 |
but there was a problem |
| 00:33:40 |
So he wanted me to help him, |
| 00:33:43 |
Is this going to be |
| 00:33:45 |
Anyway, the maid... |
| 00:33:48 |
she got a gun, and she |
| 00:33:51 |
Three bullets right |
| 00:33:53 |
And that's why your bags... |
| 00:33:59 |
All clear. The body |
| 00:34:01 |
The police have left the hotel. |
| 00:34:03 |
So we can now take |
| 00:34:05 |
back to her room. |
| 00:34:08 |
I'll take care of that. |
| 00:34:18 |
As I was trying to tell you... |
| 00:34:21 |
The murder... She shot him |
| 00:34:23 |
We had to move you |
| 00:34:25 |
before the police got there. |
| 00:34:27 |
Then this was not |
| 00:34:32 |
Not really. |
| 00:34:33 |
As a matter of fact, |
| 00:34:36 |
How stupid. |
| 00:34:38 |
No, it wasn't. |
| 00:34:40 |
once they start |
| 00:34:42 |
Stupid! Stupid! Stupid! |
| 00:34:44 |
It's just one of those things. |
| 00:34:47 |
Fortunately, |
| 00:34:52 |
These things happen. |
| 00:34:55 |
I remember I was invited... |
| 00:34:57 |
to a New Year's Eve party |
| 00:35:00 |
3 East 72nd Street. |
| 00:35:03 |
It wasn't until |
| 00:35:04 |
I found out I was |
| 00:35:06 |
It was 3 West 72nd Street. |
| 00:35:09 |
Don't you think that's funny? |
| 00:35:20 |
Put it through. Baltimore. |
| 00:35:22 |
They called you before. |
| 00:35:27 |
Hello. |
| 00:35:28 |
Hello, Emily. How are you? |
| 00:35:32 |
Is something wrong? |
| 00:35:34 |
What was that? |
| 00:35:36 |
Wait a minute. |
| 00:35:38 |
I told you before, |
| 00:35:40 |
Who says she isn't? |
| 00:35:43 |
She did? |
| 00:35:45 |
I can explain that. |
| 00:35:51 |
She's English, |
| 00:35:54 |
She can't get a labor permit... |
| 00:35:56 |
and naturally, |
| 00:35:58 |
What do you mean, |
| 00:36:01 |
I don't mind you getting |
| 00:36:04 |
but isn't this ridiculous? |
| 00:36:05 |
Do you think that I, |
| 00:36:07 |
What music? |
| 00:36:09 |
OK, all right! |
| 00:36:11 |
Go ahead! Have it your way! |
| 00:36:12 |
I've got a gypsy band |
| 00:36:14 |
incense is burning, |
| 00:36:16 |
Miss Piggott and I |
| 00:36:20 |
Is that any better? |
| 00:36:26 |
Just to put |
| 00:36:29 |
you needn't be worried |
| 00:36:31 |
because if you saw me, |
| 00:36:33 |
and I'm not |
| 00:36:39 |
All right, Emily, |
| 00:36:42 |
Let's just forget |
| 00:36:45 |
Yes, I should be out |
| 00:36:47 |
Everything's all wrapped up. |
| 00:36:49 |
One small snag in Naples... |
| 00:36:52 |
Blodgett? Jo Jo Blodgett? |
| 00:36:55 |
Yes, I know he's with |
| 00:36:58 |
A friggin' bore. |
| 00:36:59 |
He's stationed in Paris? |
| 00:37:02 |
There is no reason to contact... |
| 00:37:04 |
all right, if worse |
| 00:37:07 |
Yeah, I'll tell her. |
| 00:37:09 |
Kiss-kiss. |
| 00:37:14 |
Mrs. Armbruster said |
| 00:37:16 |
No need. |
| 00:37:18 |
Personally, I thought |
| 00:37:19 |
I was just telling the truth. |
| 00:37:21 |
Come on. Stop |
| 00:37:23 |
I'm sure there's |
| 00:37:24 |
who'd find you very attractive. |
| 00:37:26 |
Oh, yes. |
| 00:37:29 |
and some sex-starved |
| 00:37:32 |
and the local coroner, who took |
| 00:37:34 |
and then pinched my behind. |
| 00:37:38 |
If it's of |
| 00:37:40 |
you know who finds you |
| 00:37:44 |
I find you attractive. |
| 00:37:46 |
Don't bother. I'll survive. |
| 00:37:47 |
This isn't the first time |
| 00:37:59 |
Excuse me. |
| 00:38:00 |
Would you consider it |
| 00:38:02 |
if I asked you |
| 00:38:05 |
- Yes, I would. |
| 00:38:08 |
I really don't care anymore. |
| 00:38:09 |
It's not the weight, |
| 00:38:22 |
Why don't you |
| 00:38:24 |
to your favorite charity? |
| 00:39:07 |
Are you guys sure |
| 00:39:10 |
Reasonably sure, sir. |
| 00:39:11 |
Because I don't want |
| 00:39:14 |
That would be bigger, sir. |
| 00:39:16 |
Maybe it's one |
| 00:39:19 |
No, sir. Greece is |
| 00:39:22 |
Not as long as I'm |
| 00:40:03 |
Go away! Go away! |
| 00:40:06 |
What the hell is |
| 00:40:08 |
Ischia, but you cannot land. |
| 00:40:12 |
What do you mean, we can't land? |
| 00:40:14 |
It is lunchtime. |
| 00:40:17 |
My good man, do you know |
| 00:40:20 |
I do not talk to anybody. |
| 00:40:22 |
Lunchtime! |
| 00:40:24 |
Let me make one thing |
| 00:40:26 |
I am Joseph J. Blodgett... |
| 00:40:29 |
United States Government, |
| 00:40:31 |
and I'm here |
| 00:40:33 |
concerning an American citizen. |
| 00:40:36 |
OK, boys, stand by. |
| 00:40:39 |
And you better start clearing |
| 00:40:41 |
so we have room |
| 00:40:43 |
Roger. |
| 00:40:45 |
Tell me, how far |
| 00:40:50 |
Grand Hotel Excelsior, |
| 00:40:52 |
OK, OK. What do we do |
| 00:40:56 |
No transportation. |
| 00:41:00 |
What the hell is going on |
| 00:41:04 |
This wouldn't have happened |
| 00:41:07 |
You remember Mussolini? |
| 00:41:17 |
Christ. |
| 00:41:19 |
What's the matter? |
| 00:41:21 |
Just thinking about |
| 00:41:22 |
I hate the whole idea. |
| 00:41:24 |
- Thank you. |
| 00:41:26 |
there's going to be |
| 00:41:28 |
and probably a proxy fight... |
| 00:41:30 |
and I'll have to spend |
| 00:41:32 |
because they're investigating |
| 00:41:35 |
And there's that strike... |
| 00:41:36 |
at our electronics plant |
| 00:41:38 |
And we'll probably |
| 00:41:40 |
250,000 square feet |
| 00:41:43 |
because they said... |
| 00:41:45 |
there's too much lead |
| 00:41:47 |
Goddamn Ralph Nader. |
| 00:41:49 |
Who asked him? |
| 00:41:53 |
Guess we all have our problems. |
| 00:41:55 |
I have to pick up my cat |
| 00:41:58 |
Hope the garage will have |
| 00:42:02 |
And I really should |
| 00:42:06 |
Can I have your croissant? |
| 00:42:08 |
Of course. You can have |
| 00:42:14 |
About your flat in London... |
| 00:42:16 |
Won't you need a new |
| 00:42:18 |
all that stuff that |
| 00:42:22 |
Don't bother. |
| 00:42:24 |
and I really |
| 00:42:26 |
It's always the same... |
| 00:42:27 |
northern Ireland |
| 00:42:29 |
and the Common Market. |
| 00:42:36 |
Pamela... my father |
| 00:42:39 |
Now, during all those years, |
| 00:42:46 |
He must have helped her out |
| 00:42:50 |
Financially. |
| 00:42:53 |
You want to know whether |
| 00:42:57 |
After all, a man likes |
| 00:43:00 |
Maybe an occasional present? |
| 00:43:02 |
Every Christmas, |
| 00:43:04 |
a dozen long-stemmed roses |
| 00:43:07 |
Your mother was well-to-do? |
| 00:43:09 |
No. She was making |
| 00:43:14 |
On £15 a week, |
| 00:43:17 |
She wasn't living there. |
| 00:43:19 |
as a manicurist. |
| 00:43:26 |
Did my father know that? |
| 00:43:27 |
She didn't want him to know. |
| 00:43:30 |
Why not? |
| 00:43:32 |
I told you the first day. |
| 00:43:34 |
She loved him. |
| 00:43:47 |
That'll be Carlucci. |
| 00:43:49 |
"I have good news. |
| 00:43:50 |
"The arrangements, |
| 00:43:58 |
I guess it's checking-out time. |
| 00:44:04 |
Yes. |
| 00:44:05 |
Did Miss Piggott |
| 00:44:09 |
No, that's not why I called. |
| 00:44:10 |
I called to tell you |
| 00:44:13 |
she has been arrested |
| 00:44:15 |
in a rowboat trying |
| 00:44:18 |
And the bodies, |
| 00:44:20 |
and all ready for shipment. |
| 00:44:22 |
Let me see... |
| 00:44:24 |
The judge in Naples, |
| 00:44:27 |
Wait a minute. What judge? |
| 00:44:29 |
I don't know |
| 00:44:31 |
Yes, you do. |
| 00:44:34 |
The one with the same mistress |
| 00:44:37 |
who was going to get |
| 00:44:39 |
She was going to help him, |
| 00:44:42 |
and the judge, he always had |
| 00:44:44 |
What are you trying to tell me? |
| 00:44:48 |
We have no export license, |
| 00:44:52 |
More or less. |
| 00:44:54 |
Now they will have to |
| 00:44:56 |
That may take a day or two. |
| 00:44:58 |
We sure are running |
| 00:45:01 |
It's not your fault. |
| 00:45:05 |
Don't worry about it. |
| 00:45:08 |
Problems? |
| 00:45:10 |
We may be stuck here |
| 00:45:13 |
That's terrible. |
| 00:45:14 |
Yeah. |
| 00:45:16 |
What about the funeral? |
| 00:45:17 |
Oh, boy! |
| 00:45:20 |
the closed-circuit TV, |
| 00:45:23 |
I'll just have to call |
| 00:45:25 |
If it has to be postponed, |
| 00:45:28 |
- I'm so sorry. |
| 00:45:30 |
You've certainly done |
| 00:45:32 |
How about you and your plans? |
| 00:45:36 |
We're not that busy |
| 00:45:39 |
I'm sure mother won't mind. |
| 00:45:42 |
to get back to the rain |
| 00:45:47 |
I guess dad |
| 00:45:49 |
They deserve another |
| 00:45:52 |
don't you think? |
| 00:46:13 |
Thank you. |
| 00:46:14 |
My pleasure! |
| 00:46:32 |
What room is he in? |
| 00:46:33 |
Just a moment. |
| 00:46:37 |
Here. I'll talk to him. |
| 00:46:41 |
Wendell, boy? |
| 00:46:42 |
Jo Jo Blodgett, |
| 00:46:45 |
How are you, kid? |
| 00:46:48 |
told me about |
| 00:46:49 |
Damn it. I told her |
| 00:46:52 |
I'm sorry, Jo Jo. |
| 00:46:54 |
more important things |
| 00:46:56 |
Sure do. |
| 00:46:58 |
the first plane to Rome |
| 00:46:59 |
Borrowed a helicopter |
| 00:47:01 |
You're on Ischia? |
| 00:47:05 |
Better than that, kiddo. |
| 00:47:08 |
You're in the lobby! |
| 00:47:12 |
That's great. |
| 00:47:13 |
That's what I |
| 00:47:15 |
Why don't you |
| 00:47:17 |
and we'll have a drink |
| 00:47:19 |
What drink? What later? |
| 00:47:21 |
I got to get |
| 00:47:23 |
I'm taking Julie |
| 00:47:26 |
to dinner at Maxim's. |
| 00:47:29 |
We haven't got a minute to lose. |
| 00:47:31 |
What's that room number? |
| 00:48:13 |
What are we going |
| 00:48:16 |
What are we going |
| 00:48:23 |
I am Carlo Carlucci, |
| 00:48:26 |
Such a pleasure |
| 00:48:28 |
Thank you. |
| 00:48:29 |
It may interest you to know |
| 00:48:31 |
another famous American diplomat |
| 00:48:33 |
Mr. Benjamin Franklin. |
| 00:48:34 |
Franklin? Yes, Ben Franklin. |
| 00:48:37 |
A good man for his time. |
| 00:48:38 |
Of course, |
| 00:48:40 |
he could pass |
| 00:48:41 |
Would you like to see his room? |
| 00:48:43 |
It is in the old part |
| 00:48:45 |
Not now! |
| 00:48:46 |
Excuse me. I would like |
| 00:48:49 |
straight from the horse's mouth. |
| 00:48:51 |
Do you think there will be |
| 00:48:54 |
We don't give out |
| 00:48:57 |
I have been offered a job... |
| 00:48:59 |
with a chain of American |
| 00:49:02 |
There are a couple of openings, |
| 00:49:09 |
Don't quote me on this, |
| 00:49:11 |
escalating |
| 00:49:13 |
and the military posture |
| 00:49:15 |
and the first-strike capability |
| 00:49:18 |
the whole place is a powder keg. |
| 00:49:20 |
Could blow up |
| 00:49:22 |
My advice is forget Damascus. |
| 00:49:24 |
Thank you. In that case, |
| 00:49:28 |
- What's that? |
| 00:49:32 |
Take the one in Damascus. |
| 00:49:36 |
- One more question. |
| 00:49:43 |
Come in. |
| 00:49:46 |
Jo Jo Blodgett, |
| 00:49:49 |
Hi there. |
| 00:49:53 |
How are you? Been a long time. |
| 00:49:55 |
I haven't been back |
| 00:49:58 |
That's it. |
| 00:50:00 |
Party at the country club. |
| 00:50:03 |
I'm sorry about |
| 00:50:08 |
Look, it's 2:00 |
| 00:50:12 |
At 11:00 tomorrow morning... |
| 00:50:14 |
you have a funeral |
| 00:50:16 |
and you're sitting here |
| 00:50:21 |
This is Miss Tromboncino. |
| 00:50:30 |
Could you possibly |
| 00:50:35 |
She doesn't speak any English. |
| 00:50:41 |
I get that all over the world. |
| 00:50:43 |
Mind you, I don't object... |
| 00:50:44 |
to foreigners speaking |
| 00:50:46 |
I just wish they'd all speak |
| 00:50:53 |
- Odd. |
| 00:50:56 |
If I didn't know |
| 00:50:59 |
and if I didn't know |
| 00:51:02 |
and if that dame |
| 00:51:06 |
- I would sort of suspect... |
| 00:51:08 |
Mr. Blodgett, please. |
| 00:51:12 |
She was brought up |
| 00:51:20 |
I was only kidding. |
| 00:51:22 |
It is forgotten. |
| 00:51:40 |
How many more fingers |
| 00:51:41 |
Relax, will you? |
| 00:51:43 |
Relax nothing. |
| 00:51:46 |
I've got that helicopter |
| 00:51:48 |
- Can I use your can? |
| 00:51:50 |
To wash my hands. |
| 00:51:51 |
I mean, what's |
| 00:51:53 |
To pick up the old boy. |
| 00:51:55 |
Then I'm going to put you |
| 00:52:00 |
- Tonight? |
| 00:52:02 |
That's what you think. |
| 00:52:03 |
This is Italy. |
| 00:52:05 |
We're still hassling over |
| 00:52:07 |
Emily told me all about that. |
| 00:52:08 |
It looks like we can't get |
| 00:52:10 |
I was about to phone home, tell |
| 00:52:12 |
Postpone nothing. |
| 00:52:15 |
We don't need an export license. |
| 00:52:17 |
We're gonna bypass |
| 00:52:19 |
Bypass? |
| 00:52:21 |
No sweat. We're |
| 00:52:23 |
commercial attaché |
| 00:52:26 |
And that entitles him |
| 00:52:28 |
and immunities of a diplomat. |
| 00:52:30 |
Wait a minute. |
| 00:52:32 |
- Why not? |
| 00:52:34 |
Just proves that we don't |
| 00:52:37 |
for reasons of race, creed, |
| 00:52:41 |
You mean we handle him |
| 00:52:45 |
You bet. He goes |
| 00:52:48 |
sealed coffin, no inspection, |
| 00:52:52 |
- That's kind of cute. |
| 00:52:54 |
Someday I'll tell you |
| 00:52:59 |
First on the agenda... |
| 00:53:02 |
First, you wanted to go |
| 00:53:03 |
Can. That's right. |
| 00:53:12 |
I'm sorry. |
| 00:53:17 |
Look at the wretched job |
| 00:53:35 |
Tell me something. |
| 00:53:36 |
Bruno's body. |
| 00:53:38 |
It is lying in the morgue, |
| 00:53:40 |
- Interesting. |
| 00:53:42 |
We may have a use |
| 00:53:44 |
That is very generous of you. |
| 00:53:46 |
Your family plot, |
| 00:53:49 |
You're not suggesting |
| 00:53:51 |
The Carluccis, they would |
| 00:53:53 |
I wasn't thinking of Bruno. |
| 00:53:56 |
No? |
| 00:53:57 |
You were thinking |
| 00:54:00 |
Maybe... two somebody elses? |
| 00:54:09 |
My ancestors, |
| 00:54:12 |
We're not there yet. |
| 00:54:14 |
And we'll need |
| 00:54:16 |
Transportation? |
| 00:54:18 |
I will call the Trotta brothers. |
| 00:54:22 |
You know you got... |
| 00:54:23 |
a plate of scrambled eggs |
| 00:54:25 |
- I do? |
| 00:54:28 |
Now you understand why |
| 00:54:31 |
OK, kid, here is the game plan. |
| 00:54:37 |
You get dressed and packed. |
| 00:54:40 |
Sure thing. As soon |
| 00:54:43 |
And I want some officials |
| 00:54:45 |
I want the mayor |
| 00:54:48 |
Of course. |
| 00:54:49 |
- That will be 4:00. |
| 00:54:51 |
That's when they open |
| 00:54:54 |
That goddamn lunchtime again. |
| 00:54:56 |
We pour in millions |
| 00:55:00 |
just so they can sit |
| 00:55:09 |
What the hell is there to do |
| 00:55:12 |
Tell him about the mud baths. |
| 00:55:14 |
Mud baths? |
| 00:55:16 |
World-famous. |
| 00:55:18 |
For rheumatism, arthritis, |
| 00:55:20 |
urinary complaints, |
| 00:55:25 |
Is that so? |
| 00:55:28 |
Come to think of it, I do have |
| 00:55:31 |
Maybe I'll give that |
| 00:55:32 |
By all means. |
| 00:55:34 |
It is downstairs. |
| 00:55:36 |
Be right back. |
| 00:55:39 |
Where do we meet? |
| 00:55:41 |
Let me put it all together, |
| 00:55:45 |
Right-o. |
| 00:55:49 |
That mud business... |
| 00:55:53 |
I assure you, after one bath... |
| 00:55:55 |
you will have the acidity |
| 00:56:08 |
Thank you. |
| 00:56:13 |
It was your idea. |
| 00:56:19 |
What's the name |
| 00:56:21 |
Sergio... something. Why? |
| 00:56:23 |
We might as well go all the way. |
| 00:56:25 |
I'm sure he'd enjoy it more... |
| 00:56:27 |
than that glee club |
| 00:56:29 |
the son of a bitch. |
| 00:57:15 |
The marble, do you |
| 00:57:19 |
Pink. |
| 00:57:22 |
Very good. And the inscription? |
| 00:57:26 |
I guess..."Willie and Kate." |
| 00:57:30 |
"Willie and Kate." |
| 00:57:34 |
We don't want any weeping angels |
| 00:57:38 |
Or do we? |
| 00:57:40 |
How about |
| 00:57:43 |
I'll go for that. |
| 00:57:47 |
You make me very happy. |
| 00:57:50 |
And there will be |
| 00:57:54 |
After all, we are now |
| 00:58:01 |
Hold it, boys. |
| 00:58:02 |
My father goes |
| 00:58:05 |
Very important. |
| 00:58:25 |
Damn! |
| 00:58:38 |
What the hell took you so long? |
| 00:58:40 |
Signore, in Italy, |
| 00:58:43 |
people cross themselves. |
| 00:58:45 |
They kneel down sometimes |
| 00:58:47 |
You just cannot... |
| 00:58:48 |
All right, all right. |
| 00:58:50 |
Over here, boys! |
| 00:59:04 |
Poor Bruno. |
| 00:59:06 |
If he knew what was |
| 00:59:07 |
What do you mean, "poor Bruno"? |
| 00:59:09 |
This is what he always wanted... |
| 00:59:15 |
Come on, boys. |
| 00:59:18 |
Come on. It's getting late. |
| 00:59:21 |
Will the witnesses |
| 00:59:31 |
Raise your right hand |
| 00:59:35 |
I, Wendell Armbruster Sr., |
| 00:59:40 |
that I will uphold |
| 00:59:43 |
the Constitution |
| 00:59:45 |
against all enemies |
| 00:59:48 |
and that I will perform |
| 00:59:53 |
to the best of my ability, |
| 01:00:00 |
Congratulations, sir. |
| 01:00:26 |
And salute! |
| 01:00:32 |
Ready, hup! |
| 01:00:36 |
Thank you, gentlemen. |
| 01:00:39 |
All right, load her up. |
| 01:00:42 |
Here. You'll need this. |
| 01:00:43 |
It's your father's |
| 01:00:46 |
You don't miss a trick, do you? |
| 01:00:47 |
The C.I.A. Ran it off |
| 01:00:49 |
The C.I.A.? |
| 01:00:50 |
Never heard of them. |
| 01:01:05 |
Good-bye, Pamela Piggott. |
| 01:01:09 |
Have a good flight. |
| 01:01:11 |
Suppose I do? |
| 01:01:13 |
is I'll wind up |
| 01:01:16 |
The suite, it will be ready. |
| 01:01:19 |
July 15th to August 15th. |
| 01:01:31 |
If we should run into |
| 01:01:34 |
in the lobby |
| 01:01:36 |
I promise you I'll be so thin. |
| 01:01:38 |
You lose one pound, |
| 01:01:43 |
and it's all over between us. |
