State Of Play
|
00:02:29 |
STATE OF PLAY |
00:02:32 |
# Oh, the night |
00:02:35 |
# Is a night |
00:02:37 |
# Some of the boys |
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# And they ain't got sober yet # |
00:02:41 |
# As long as a bottle |
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# Every man was feeling gay # |
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# O'Leary came |
00:02:48 |
# Some music for to play # |
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# That's how they showed their |
00:02:53 |
# That's how they showed |
00:02:57 |
# They said it was |
00:02:58 |
# And they winked |
00:03:00 |
# And every drink in |
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# The night Pat Murphy died # |
00:03:09 |
# As Mrs. Murphy sat |
00:03:11 |
# Pouring out her grief # |
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# Kelly and his gang came |
00:03:16 |
# They went into an empty room # |
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# And a bottle of whiskey stole # |
00:03:20 |
# They put the bottle |
00:03:22 |
# To keep that whiskey cold # |
00:03:23 |
# That's how they showed |
00:03:27 |
They took the white |
00:03:28 |
He's in a coma. |
00:03:31 |
Officer, you should |
00:03:37 |
Whatever you're selling, |
00:03:41 |
Okay, guys, take off. |
00:03:42 |
Yes, sir. |
00:03:44 |
Coffee's free for |
00:03:50 |
I heard Metro ballistics |
00:03:52 |
Who told you that? |
00:03:54 |
You just did. |
00:03:56 |
You got the names of |
00:03:58 |
You gotta be kidding me. |
00:03:59 |
You know I'm gonna |
00:04:01 |
Not from me. |
00:04:03 |
Okay. You want to play |
00:04:07 |
I'm not playing this |
00:04:10 |
Look, Don, |
00:04:12 |
I got mouths to feed, |
00:04:16 |
No names, no quotes, |
00:04:20 |
Okay. |
00:04:21 |
Two victims, one shooter? |
00:04:23 |
Confirm. |
00:04:24 |
One dead, |
00:04:26 |
Confirm. |
00:04:28 |
Drug related? |
00:04:30 |
Confirm, but deny later if I have to. |
00:05:44 |
- Good morning. |
00:05:46 |
Okay, I'm late. I know. |
00:05:48 |
I don't need to |
00:05:49 |
I've been over the |
00:05:51 |
- Stephen. |
00:05:53 |
Metro Police just called. |
00:05:55 |
What? |
00:05:57 |
Sonia Baker was killed in an |
00:06:03 |
They identified her |
00:06:07 |
Horrible news |
00:06:11 |
But, Stephen, |
00:06:13 |
What do you want to do? |
00:06:35 |
Morning, Pittsburgh. |
00:06:36 |
Yinzer. |
00:06:40 |
Cal. |
00:06:41 |
Talk to me |
00:06:43 |
You know, |
00:06:44 |
Deshaun Stagg? |
00:06:46 |
No, he's dead. |
00:06:47 |
The other guy on the bike, |
00:06:49 |
Hey, Gene, did you read the |
00:06:51 |
Yeah, I'll get to it, Ferris. |
00:06:52 |
- Because it's a great human interest story. |
00:06:54 |
So what's the deal? |
00:06:55 |
Stagg's drug deal goes wrong, |
00:06:58 |
Yeah, something like that, |
00:07:00 |
That's a remarkable |
00:07:01 |
Well, at least it's got a |
00:07:04 |
Georgetown's the angle, right? |
00:07:05 |
No, no, the angle is |
00:07:08 |
has got an MBA from Duke. |
00:07:09 |
What's he doing on a bike? |
00:07:11 |
He's buying |
00:07:12 |
You know, |
00:07:13 |
for the first six months, |
00:07:15 |
He's got a wife, |
00:07:17 |
What's his condition? |
00:07:19 |
Critical, non-reactive. |
00:07:21 |
Okay, let me know. |
00:07:24 |
I will. |
00:07:29 |
Good morning. |
00:07:30 |
Good morning. |
00:07:32 |
Welcome to our hearings with private |
00:07:36 |
part of the inquiry into |
00:07:38 |
privatization and |
00:07:41 |
Before we begin, |
00:07:47 |
Sonia Baker, |
00:07:50 |
who was the lead researcher |
00:07:54 |
and a valued member of my staff, |
00:08:02 |
The circumstances of her |
00:08:13 |
Well, I'd like to send my |
00:08:29 |
Oh, my God, |
00:08:31 |
50 bucks says |
00:08:33 |
50 bucks? |
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Bad Congressman! |
00:08:38 |
What a scumball! |
00:08:39 |
Somebody get me |
00:08:42 |
Let's hope she's not |
00:08:44 |
Gene, Gene, what is your |
00:08:47 |
If you want to have sex with Pete, |
00:08:49 |
Not tonight, |
00:08:50 |
Say it. |
00:08:52 |
Picture! Picture! |
00:08:53 |
Reaction to the |
00:08:56 |
and understandably, |
00:08:58 |
yet questions immediately |
00:09:01 |
as soon as Ms. Baker's death |
00:09:13 |
Hey, Joe, |
00:09:16 |
Just calling about that shooting |
00:09:19 |
I heard the dead kid had a couple |
00:09:23 |
Got any more details for me? |
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Call me back? |
00:09:34 |
Hey, I got |
00:09:36 |
Stephen Collins. |
00:09:38 |
He's an old friend of yours, |
00:09:40 |
Yeah. |
00:09:42 |
I'm Della. Della Frye. |
00:09:44 |
I write |
00:09:46 |
- All right. |
00:09:48 |
I'm a big fan of your work. |
00:09:52 |
So, I'm writing this piece |
00:09:56 |
in the political sphere, |
00:09:58 |
"single girl in the corridors |
00:10:01 |
and as you probably know, |
00:10:03 |
there was this incident |
00:10:04 |
at your friend's hearing. |
00:10:06 |
Is there a question |
00:10:10 |
Yeah. |
00:10:14 |
Are you trying to make me |
00:10:16 |
No. I'm trying to get |
00:10:19 |
Context, re: dirt? |
00:10:23 |
Well, do you think he was |
00:10:27 |
Gee, Della. |
00:10:29 |
Yeah. |
00:10:30 |
I don't know. |
00:10:34 |
before I could |
00:10:37 |
Okay. |
00:10:39 |
Anytime! |
00:10:44 |
Capitol Hill may be rocked |
00:10:47 |
Speculation is rife |
00:10:50 |
may have been |
00:10:51 |
with the young aide |
00:10:54 |
His spokesmen call this |
00:10:56 |
The timing couldn't |
00:10:59 |
He needs all the political |
00:11:01 |
as he begins looking into |
00:11:05 |
outsourcing practices. |
00:11:06 |
Called mercenaries |
00:11:09 |
PointCorp, the controversial |
00:11:13 |
is said to be |
00:11:15 |
in the Defense Department's |
00:11:19 |
Collins, who'd been married for 10 |
00:11:22 |
is thought to have refused to |
00:11:38 |
Brass tacks. |
00:11:40 |
Were you having a |
00:11:46 |
Yes, |
00:11:48 |
and I can't tell you how |
00:11:52 |
Okay. |
00:11:54 |
I've asked Andrew |
00:11:57 |
handle things from |
00:11:59 |
If anyone can steer us |
00:12:02 |
Well, the next 72 hours |
00:12:05 |
You ought to brace |
00:12:07 |
For a while, you're gonna be |
00:12:10 |
You're still a star, Steve. |
00:12:13 |
The party takes |
00:12:15 |
You just have to |
00:12:18 |
How low? |
00:12:19 |
Low. |
00:12:22 |
Nothing that would bring any |
00:12:26 |
At the hearings, |
00:12:30 |
We're not finished |
00:12:32 |
No, but you are. |
00:12:36 |
If you open up fire on |
00:12:38 |
that's not gonna look |
00:12:40 |
just a calculated |
00:12:45 |
Is your wife |
00:12:48 |
No, not right now. |
00:12:52 |
Then that's job one, |
00:12:59 |
Yinzer! |
00:13:03 |
and she knows |
00:13:07 |
Yes. |
00:13:18 |
Morning. |
00:13:19 |
So, where are we? |
00:13:23 |
Morning, Cam. |
00:13:24 |
It's funny about you. Every time |
00:13:27 |
or conducts a hearing, |
00:13:28 |
you drop his name to me until |
00:13:31 |
But he finally does something |
00:13:33 |
that actually might |
00:13:34 |
you're rendered mute. |
00:13:36 |
It's incongruous. |
00:13:37 |
No, it is not. |
00:13:39 |
It's inconsistent. |
00:13:41 |
Don't be an ass. |
00:13:46 |
What do you think? |
00:13:48 |
Those are the ideas |
00:13:52 |
I know. I know. |
00:13:55 |
Our new owners |
00:13:57 |
that we ought to |
00:13:59 |
Yeah, well, |
00:14:02 |
I mean, |
00:14:03 |
who would notice |
00:14:05 |
but I've been here, |
00:14:08 |
I use a 16-year-old computer. |
00:14:10 |
She's been here 15 minutes, |
00:14:11 |
and she could launch a Russian |
00:14:14 |
Yeah, she told me |
00:14:16 |
That's too strong. |
00:14:18 |
Well, piggish. |
00:14:20 |
I showed her |
00:14:24 |
Well, I happen to like |
00:14:27 |
And, yes, |
00:14:29 |
to winkle |
00:14:32 |
She's hungry, she's cheap, |
00:14:35 |
Yeah, I know. I'm overfed, I'm too |
00:14:39 |
Yes, you do. |
00:14:40 |
I was Stephen Collins' |
00:14:43 |
I don't live with him now. |
00:14:45 |
Well, that's a shame, |
00:14:47 |
Yeah, 'cause that could |
00:14:51 |
Miss Baker died this |
00:14:54 |
on the D.C. Metro. |
00:14:55 |
Suicide has not |
00:14:59 |
It appears to be a suicide. |
00:15:04 |
People close to the case say |
00:15:07 |
quote, "took advantage" of this young |
00:15:11 |
- Suicide. |
00:15:41 |
So, I know you're thinking, |
00:15:43 |
"This guy's gotta be pretty |
00:15:47 |
No, I was thinking I can |
00:15:50 |
that Roxy Music CD |
00:15:53 |
Is that where that one went? |
00:15:57 |
I got three dozen reporters |
00:16:02 |
I'd go somewhere else, |
00:16:07 |
but I don't have |
00:16:11 |
- Come in. |
00:16:21 |
I see you redecorated. |
00:16:23 |
Yeah. I moved that |
00:16:26 |
Looks good. |
00:16:30 |
Aren't you gonna ask me |
00:16:33 |
- In a minute. |
00:16:39 |
You know, I co-sponsored two |
00:16:44 |
I'm in the middle of |
00:16:46 |
and this is what I'm |
00:16:49 |
I'm gonna get |
00:16:51 |
than anything else I do |
00:16:54 |
The nature of the beast, |
00:17:04 |
Okay. |
00:17:10 |
Look, Cal, |
00:17:14 |
I know the last time I saw you, |
00:17:16 |
Hey. |
00:17:18 |
I deserved it, |
00:17:24 |
Annie and I were having problems |
00:17:33 |
You're the only |
00:17:37 |
I'm in trouble, man. |
00:17:40 |
You know? |
00:17:42 |
This whole thing with Sonia, |
00:17:49 |
She was an amazing woman, |
00:17:51 |
beautiful and |
00:17:56 |
and she, you know, |
00:18:00 |
That was nice, |
00:18:10 |
Have you called the parents? |
00:18:12 |
No, I haven't |
00:18:16 |
You should. |
00:18:17 |
Tomorrow, you're gonna |
00:18:19 |
The first thing the attack |
00:18:22 |
"He never so much as called |
00:18:29 |
She didn't kill herself. |
00:18:33 |
How do you know that? |
00:18:42 |
Hey, baby, I just want to |
00:18:45 |
I want you to give them hell, |
00:18:49 |
and I can't wait |
00:18:51 |
I love you. Bye. |
00:18:54 |
That's this morning. |
00:18:56 |
Look like someone who's about |
00:18:59 |
No. |
00:19:03 |
You show this to anybody? |
00:19:04 |
Well, I thought about |
00:19:06 |
Hey, you know what? |
00:19:08 |
This is the moment where I ask |
00:19:11 |
This changes everything. |
00:19:13 |
It'll bring it |
00:19:15 |
How are you gonna do that? |
00:19:16 |
Because we're gonna fight |
00:19:20 |
All we have to do is, |
00:19:21 |
a plausible alternative story, |
00:19:26 |
Now, look. |
00:19:29 |
"Unfortunately, |
00:19:33 |
"has met with a tragic |
00:19:38 |
"So questions have to be |
00:19:43 |
- Okay? |
00:19:44 |
Now, Stephen, |
00:19:46 |
you gotta be |
00:19:49 |
If you're not, then you're |
00:19:51 |
and the bloggers have |
00:19:53 |
The bloodsuckers |
00:19:56 |
Have you seen the |
00:19:59 |
No. |
00:20:17 |
Hello? |
00:20:18 |
Miss Capitol Hill Blog? |
00:20:21 |
Do you have a pen? |
00:20:22 |
What? |
00:20:23 |
Sonia Baker, right? |
00:20:25 |
I have a source, |
00:20:27 |
Well, why? |
00:20:29 |
Do you have a pen? |
00:20:30 |
Yeah. |
00:20:33 |
- Lieutenant Leon Comey. |
00:20:36 |
Write that down. |
00:20:39 |
C-O-M-E-Y. |
00:20:40 |
202-555-0167. |
00:20:44 |
He's gonna show you an |
00:20:47 |
of the security camera tapes |
00:20:50 |
What, you mean... |
00:20:52 |
Yeah, like now. |
00:20:54 |
I was trying to get |
00:20:57 |
Gee, I'm sorry. |
00:21:00 |
who wouldn't give me the |
00:21:01 |
Look, I am just trying to help you |
00:21:06 |
next time you decide |
00:21:09 |
What? |
00:21:15 |
I'm not doing it. |
00:21:26 |
Wake up. |
00:21:41 |
Does anybody know |
00:21:46 |
514A or 514B? |
00:21:51 |
It doesn't say. |
00:21:53 |
Big enough. You looking for |
00:21:58 |
I don't know. |
00:22:02 |
Why didn't you say so? |
00:22:04 |
You Cal's new assistant? |
00:22:06 |
No, I'm not. |
00:22:08 |
Hey, can I see that? |
00:22:11 |
Yeah, it's right |
00:22:14 |
Thank you. |
00:22:15 |
Like a police escort? |
00:22:17 |
No, I'm okay. |
00:22:18 |
Hey, no trouble. I'm just grabbing |
00:22:22 |
So, how long have |
00:22:24 |
Too long. |
00:22:31 |
What's your title? |
00:22:33 |
I can file |
00:22:34 |
and get |
00:22:44 |
You got nothing? |
00:22:45 |
No. |
00:22:48 |
They've got 56 cameras |
00:22:50 |
There are three blind spots |
00:22:53 |
and Sonia Baker went |
00:22:55 |
You got copy for me, Cal? |
00:22:57 |
The shooting delivery guy, |
00:22:59 |
I'm on it. |
00:23:00 |
Well, I got Marty lined up to |
00:23:02 |
If you'd like, |
00:23:04 |
He can do the crying, |
00:23:06 |
No. No need. I'm on it. |
00:23:09 |
You're on it. |
00:23:11 |
Okay. |
00:23:13 |
Call Leon, all right? |
00:23:15 |
Just sort of push |
00:23:17 |
Ask him a few more questions. |
00:23:19 |
Nine suicides in 20 years. |
00:23:23 |
three from people |
00:23:25 |
off the tracks |
00:23:26 |
and two of the psycho-on-stranger |
00:23:29 |
Did Collins sleep at |
00:23:31 |
- What? |
00:23:34 |
I was just trying to |
00:23:38 |
Excuse me. Della here. |
00:23:45 |
Yeah, just a sec. |
00:23:47 |
Hang on, hang on, hang on. |
00:23:50 |
It's Anne Collins. |
00:23:55 |
Hey, I'm not at my desk at the moment. |
00:23:59 |
Yeah. |
00:24:01 |
You know, look into the two |
00:24:04 |
see if anything correlates |
00:24:07 |
Mmm-hmm. |
00:24:16 |
- Hello? |
00:24:19 |
- You okay? |
00:24:22 |
There are |
00:24:23 |
so I guess that entitles me |
00:24:29 |
I've been trying |
00:24:31 |
I had my phone off. |
00:24:34 |
You talk to Stephen yet? |
00:24:35 |
No. |
00:24:39 |
They want me to come down |
00:24:42 |
Well, you know if you don't, |
00:24:47 |
You know, |
00:24:49 |
I'm not even that surprised. |
00:24:53 |
It's just so humiliating, |
00:24:58 |
Tell me you |
00:24:59 |
I didn't. |
00:25:00 |
I did not know |
00:25:04 |
I'll take the train down. |
00:25:06 |
Will you buy me |
00:25:09 |
Of course. |
00:25:13 |
Just call Stephen. |
00:25:15 |
Thanks. |
00:25:28 |
Deshaun Stagg. |
00:25:30 |
Be nice if they could |
00:25:32 |
No one's even come |
00:25:34 |
It's appalling. |
00:25:35 |
Never happen |
00:25:37 |
Skip it. |
00:25:39 |
What, no love, |
00:25:41 |
What are we gonna talk about? |
00:25:43 |
We're not. |
00:25:45 |
before we both |
00:25:48 |
They're saying it was only one shooter. |
00:25:50 |
No idea. |
00:25:54 |
What about drugs? |
00:25:55 |
It's a good bet. |
00:25:58 |
Come on, Cal, |
00:26:00 |
Close your eyes. |
00:26:04 |
Watch, this will be |
00:26:06 |
to come and pick |
00:26:08 |
Then what are you gonna do? |
00:26:10 |
Write some articles, |
00:26:12 |
You know I will. |
00:26:14 |
Cal? |
00:26:17 |
Cal, for Christ's sakes, |
00:26:20 |
Nothing, 'cause I'm done. |
00:26:25 |
I'll give you a hug |
00:26:30 |
Bye. |
00:26:37 |
Buy me a soda? |
00:26:42 |
Not diet. |
00:26:54 |
Thanks. |
00:27:02 |
Yo, yo, if you want to leave |
00:27:04 |
make sure you leave |
00:27:06 |
That way I can call you back. |
00:27:10 |
We're sorry. |
00:27:17 |
Yo, who this? |
00:27:18 |
It's me, man. Who that? |
00:27:20 |
Me who? Bitch, you the one |
00:27:23 |
Don't be fronting me, man. |
00:27:26 |
- No. |
00:27:28 |
Who the hell gave |
00:27:30 |
I was just talking to Kippy. |
00:27:31 |
- Skippy? |
00:27:33 |
This shit ain't funny, trick. |
00:27:45 |
Hi. You've reached |
00:27:46 |
I can't take |
00:27:48 |
but if you leave |
00:27:49 |
and the time you called, |
00:27:52 |
Thanks. |
00:28:04 |
Hi. You've reached |
00:28:06 |
I can't take |
00:28:07 |
but if you leave |
00:28:09 |
and the time you called, |
00:28:11 |
Thanks. |
00:28:19 |
Excuse me. |
00:28:23 |
Sonia Baker. |
00:28:25 |
We got any kind of |
00:28:27 |
She ever arrested or rehabbed |
00:28:30 |
- Who's asking? |
00:28:32 |
You're not on the story. |
00:28:34 |
I gave you |
00:28:37 |
Yeah. |
00:28:39 |
So are you trying to ruin |
00:28:44 |
Are you doing |
00:28:46 |
A little context on Sonia? |
00:28:50 |
You gotta be kidding. |
00:29:03 |
Hey, Maurice. |
00:29:04 |
Hey, Cal, |
00:29:07 |
Yeah. |
00:29:08 |
Sure. Hey, Jay! |
00:29:10 |
I need a chili cheeseburger, a chili |
00:29:15 |
I got the burger on! |
00:29:18 |
Anybody get you yet? |
00:29:29 |
All right. |
00:29:30 |
Yeah. |
00:29:32 |
How's it going, Happy? |
00:29:55 |
That's a long way to |
00:30:00 |
You want to buy something from |
00:30:05 |
I need 500 bucks. |
00:30:24 |
Did you get the train okay? |
00:30:26 |
What? |
00:30:27 |
Did you get on |
00:30:29 |
Get through. |
00:30:33 |
You're gonna |
00:30:40 |
I will go check |
00:31:01 |
I'm sorry. |
00:31:10 |
It doesn't have to be |
00:31:12 |
Short and dignified, |
00:31:15 |
Dignified. |
00:31:26 |
Ladies and gentlemen, |
00:31:28 |
Mr. And Mrs. Collins would like |
00:31:49 |
Deshaun boosted |
00:31:52 |
from some guy |
00:31:56 |
That's what we did, |
00:31:59 |
Grab a guy's bag and |
00:32:08 |
Usually we just got, like, |
00:32:13 |
This one? |
00:32:46 |
There was a gun |
00:32:49 |
and a little bag of these |
00:32:54 |
Did you see the guy |
00:32:56 |
No. |
00:33:00 |
I told Deshaun we shouldn't |
00:33:04 |
I mean, you know, |
00:33:06 |
But he needed |
00:33:09 |
and he and this guy figured |
00:33:14 |
And that was it. |
00:33:19 |
My boy never came back. |
00:33:22 |
You took these out of |
00:33:25 |
and then you called her |
00:33:27 |
Her number was there, too. |
00:33:30 |
I figured someone |
00:33:32 |
that this psycho was |
00:33:35 |
She just didn't pick up. |
00:33:38 |
Mr. Collins moved to |
00:33:41 |
of hostility towards him |
00:33:43 |
when he appeared |
00:33:45 |
... the long line of |
00:33:46 |
We've had triumphs |
00:33:49 |
and we've both made mistakes |
00:33:52 |
apologize for his affair and |
00:33:56 |
Can you believe this? |
00:33:58 |
We're on six channels |
00:34:00 |
Who might have |
00:34:04 |
- What? |
00:34:05 |
you know, something you |
00:34:07 |
Some connections that might |
00:34:10 |
No. No, no. Wait, who... |
00:34:13 |
Am I talking to |
00:34:15 |
or am I talking |
00:34:18 |
I gotta be both. |
00:34:20 |
You ever heard of a guy |
00:34:22 |
No. |
00:34:24 |
Was a kid. |
00:34:25 |
Drug addict. Got shot and killed |
00:34:29 |
Cal, Sonia didn't have |
00:34:32 |
Look, Stephen, |
00:34:34 |
that I haven't even |
00:34:36 |
Okay, you gotta |
00:34:38 |
Who might have |
00:34:57 |
Who is this man here in all |
00:35:01 |
We don't know that yet. |
00:35:04 |
And what was her background before |
00:35:09 |
Well, she has some very |
00:35:11 |
She was... |
00:35:13 |
She had a string of bad debts. |
00:35:15 |
Shoplifting conviction |
00:35:18 |
Don't they do background |
00:35:20 |
She wrote position |
00:35:22 |
about bank regulations |
00:35:24 |
I mean, |
00:35:26 |
She was also the lead researcher |
00:35:31 |
So? |
00:35:34 |
Stephen represents the loss of |
00:35:39 |
Look, what if all of |
00:35:43 |
to marginalize |
00:35:46 |
You've gotta love him |
00:35:48 |
I mean, you give him 24 hours, |
00:35:51 |
and this geezer |
00:35:53 |
a full-blown |
00:35:55 |
You don't see any connection? |
00:35:56 |
No. |
00:35:58 |
All right. |
00:36:00 |
The guy that was |
00:36:03 |
he shot Deshaun Stagg |
00:36:07 |
Deshaun Stagg, of no fixed abode, |
00:36:11 |
Now, in that briefcase |
00:36:14 |
and according to our source, |
00:36:19 |
Metro PD ballistics tell me |
00:36:20 |
the casings at the crime scene |
00:36:25 |
The slugs were hand cast at twice |
00:36:30 |
X'ed for expansion. |
00:36:32 |
So that means that the |
00:36:36 |
Stagg and Sando were |
00:36:38 |
one bullet in the spine, one in the |
00:36:41 |
or at the very least, |
00:36:44 |
perhaps even Special Forces. |
00:36:47 |
PointCorp founded by, |
00:36:55 |
I think that's a connection |
00:37:02 |
Chris, how long before |
00:37:06 |
Time to verify, |
00:37:09 |
outside counsel, |
00:37:13 |
But if this is evidence, |
00:37:27 |
How's he doing? |
00:37:47 |
Hey, you gonna let me know |
00:37:49 |
I'll let you know. |
00:37:56 |
Walter Schroyer, |
00:37:59 |
gives his moving tribute |
00:38:02 |
in that asswipe excuse of |
00:38:05 |
Platitudes, |
00:38:09 |
I'm a journalist. |
00:38:11 |
I want to bring |
00:38:12 |
to work with you on this, Cal, |
00:38:14 |
on the political side, |
00:38:17 |
I'm thinking Ted Moody. |
00:38:18 |
I mean, |
00:38:20 |
Are you taking me off the story? |
00:38:22 |
No, no. |
00:38:25 |
If this is as big as he |
00:38:28 |
then it's gonna |
00:38:30 |
How? How is that good? |
00:38:32 |
Well, watching seasoned reporters |
00:38:34 |
that work on a big story, you know, |
00:38:36 |
being a part of it all, |
00:38:37 |
So, Ted Moody, |
00:38:39 |
Don't let her do it. |
00:38:40 |
And, Cal, if you're on this, I want |
00:38:44 |
Tell her to forget it. |
00:38:46 |
You got it. |
00:38:49 |
Excuse me. |
00:38:50 |
She's fine. |
00:38:53 |
But, Cal, |
00:38:55 |
Inexperience isn't fatal. |
00:38:56 |
I'm not giving up the story! |
00:39:00 |
I just... Sorry. |
00:39:03 |
If I could just have |
00:39:06 |
I promise you I'm not |
00:39:11 |
For Christ's sake. |
00:39:15 |
Don't throw those dewy |
00:39:17 |
It's nauseating. |
00:39:22 |
And fuck you very much. |
00:39:23 |
Pleasure. |
00:39:26 |
This is Nurse Leif and myself... |
00:39:28 |
It's the panel 13 you ordered? |
00:39:30 |
Yeah, well, we called for a |
00:39:33 |
You can't use |
00:39:35 |
Hey. What's up, Carnes? |
00:39:38 |
Yeah. Yeah. |
00:39:39 |
Looks like that |
00:39:41 |
You sending anyone over? |
00:39:49 |
You ever been |
00:39:50 |
No. |
00:39:51 |
Don't worry about it. |
00:39:53 |
All right, there's a uniformed |
00:39:56 |
Okay. Write it down. |
00:39:58 |
- Yes. |
00:39:59 |
- I have a pen. |
00:40:01 |
The uniformed officer's |
00:40:03 |
- Okay. |
00:40:05 |
Third floor ICU. |
00:40:08 |
B-Y-N-E-S, Joe Bynes... |
00:40:09 |
Okay. |
00:40:10 |
All right, |
00:40:12 |
Access for what? |
00:40:15 |
Vernon Sando, the pizza guy, |
00:40:18 |
That's your side |
00:40:20 |
Excuse me? |
00:40:21 |
You heard me. |
00:40:23 |
You want me to go and sit |
00:40:26 |
waiting for a guy who looks like |
00:40:30 |
while you clean up |
00:40:33 |
I mean, is that what that |
00:40:36 |
Look, this is a real story. |
00:40:40 |
It's not open |
00:40:42 |
It does not require opinion. |
00:40:44 |
We got two dead bodies, |
00:40:48 |
and we got us with a lead |
00:40:50 |
So you gotta make |
00:40:51 |
because I have to follow |
00:40:52 |
and I cannot be in |
00:40:56 |
So, are you gonna |
00:40:58 |
to find out if Vernon Sando's |
00:41:03 |
Good. |
00:41:05 |
If we're gonna work together, |
00:41:10 |
Yeah? Deal? |
00:41:18 |
All right, |
00:42:07 |
Excuse me. |
00:42:23 |
Don't tell me |
00:42:26 |
Hey, what are you |
00:42:27 |
Working. |
00:42:30 |
You're Officer Brown? |
00:42:33 |
You're who I'm looking for. |
00:42:35 |
I knew |
00:42:37 |
How about Sando? |
00:42:40 |
Yeah, yeah, |
00:42:42 |
They're sending a |
00:42:44 |
Maybe get an ID. |
00:42:46 |
Really? |
00:42:48 |
I gotta take this. |
00:42:49 |
Yeah, go ahead. |
00:42:51 |
Yeah, Officer Brown. |
00:42:54 |
No, sir. |
00:42:56 |
You okay? |
00:43:00 |
My dad did warn me |
00:43:03 |
The only people he hated |
00:43:10 |
Smart man. |
00:43:15 |
I'm making you nervous. |
00:43:16 |
You always did. |
00:43:20 |
Well, they say sex is the |
00:43:23 |
They do, do they? |
00:43:25 |
What, Cosmopolitan magazine? |
00:43:29 |
Come on. |
00:43:31 |
Tell me, please, |
00:43:34 |
It hasn't ruined anything. |
00:44:00 |
Pulse is 82. |
00:44:01 |
BP is 105 over 79, |
00:44:05 |
He seems stable. |
00:44:07 |
Okay, let's do another |
00:44:10 |
Miss, you cannot be in here. |
00:44:11 |
I'd just like to |
00:44:13 |
Miss, please! |
00:44:13 |
No, I'm sorry. |
00:44:15 |
You know you're not |
00:44:16 |
I know. I just... |
00:44:21 |
Get on the ground! |
00:44:26 |
Stand back! Stay down. |
00:44:46 |
That's a colleague of mine. |
00:44:49 |
I'm really sorry. |
00:44:51 |
Okay. |
00:44:59 |
Let him through. |
00:45:02 |
Hey, Ricky! |
00:45:03 |
Let him through. |
00:45:09 |
Della! |
00:45:15 |
You okay? |
00:45:21 |
- Della, tell me that's not yours, right? |
00:45:23 |
It's just a little bit of blood. |
00:45:25 |
It's all right. |
00:45:27 |
It's okay. |
00:45:30 |
It's okay. |
00:45:33 |
It's all right. |
00:45:39 |
Oh, my God, Cal, |
00:45:41 |
What, by being psychic? |
00:45:43 |
No. We should have given |
00:45:46 |
What if there were fingerprints |
00:45:51 |
God, Cal, we can't just let |
00:45:54 |
Look, it's over. |
00:45:56 |
We can't just keep |
00:45:57 |
No, it's not okay. |
00:45:59 |
It's okay. |
00:46:01 |
It's over. |
00:46:04 |
All right? It's okay. |
00:46:13 |
You're sitting on evidence |
00:46:16 |
How do you think that's gonna |
00:46:18 |
that just got |
00:46:19 |
Chris, let's be productive. |
00:46:20 |
Hold on, |
00:46:22 |
Our reporter made |
00:46:24 |
What, |
00:46:25 |
Cam, don't answer that! |
00:46:26 |
When did you have these? |
00:46:28 |
I'll get on |
00:46:30 |
We called you! We called you |
00:46:32 |
A little late. |
00:46:34 |
Give me a break. |
00:46:39 |
How you doing, Don? |
00:46:41 |
I'm hanging in, Cal. You? |
00:46:43 |
Good. Good. |
00:46:46 |
This source have anything else |
00:46:49 |
Wait a minute. |
00:46:50 |
Nothing, all right? |
00:46:52 |
and we've kept it |
00:46:56 |
Detective, until last night, we |
00:46:59 |
Bullshit. |
00:47:02 |
Who do you think I am, |
00:47:04 |
No, sir. |
00:47:05 |
You knew exactly |
00:47:07 |
You just decided that your |
00:47:11 |
and now you have |
00:47:13 |
Hold on. |
00:47:14 |
Detective, look. |
00:47:16 |
The thesis that |
00:47:17 |
involves a certain company that |
00:47:22 |
What, this is |
00:47:24 |
that threaten |
00:47:26 |
All my years on the job, |
00:47:30 |
All the years I've known you, |
00:47:33 |
So, Detective, |
00:47:37 |
can we be assured that you |
00:47:40 |
Quid pro quo? |
00:47:46 |
If we decide to go public with this, |
00:47:48 |
but that's the end of it. |
00:47:50 |
This is an open |
00:47:51 |
You slow us down, |
00:47:53 |
any more than |
00:47:55 |
it won't be pretty. |
00:47:56 |
For the record, |
00:47:58 |
the way you presented |
00:47:59 |
I'm just gonna |
00:48:05 |
Police gossip |
00:48:07 |
I'm guessing that even |
00:48:09 |
will know as much as we do |
00:48:12 |
So we've gotta have |
00:48:14 |
That means no assumptions, |
00:48:17 |
Not fast and loose. |
00:48:21 |
Damned if we can't do a better |
00:48:26 |
Della, how are you? |
00:48:28 |
I'm good. |
00:48:30 |
- Yeah? |
00:48:32 |
Good, okay. |
00:48:33 |
Well, you take |
00:48:34 |
I want to know everything |
00:48:36 |
who she knew, who she blew, |
00:48:39 |
- Got it. |
00:48:41 |
Okay. Hank and Pete, |
00:48:43 |
Cool. |
00:48:44 |
The rule on this |
00:48:46 |
This is not a good subject for |
00:48:50 |
or spliffs in the |
00:48:54 |
I'm offended, truly. |
00:48:55 |
Well, be offended. |
00:48:56 |
Go downstairs, get your stuff, |
00:48:58 |
because this is |
00:49:00 |
Go on! |
00:49:02 |
Okay! Yes, yes, yes. |
00:49:12 |
Cal? Any conflict |
00:49:17 |
No. |
00:49:21 |
Perhaps this is |
00:49:22 |
to address another issue |
00:49:24 |
during these hearings, |
00:49:28 |
Surely, |
00:49:30 |
an opportunity |
00:49:33 |
Our price structure follows |
00:49:36 |
as established in |
00:49:38 |
adjusted, of course, |
00:49:41 |
Happily, what's costing us |
00:49:44 |
are some incredible advances |
00:49:49 |
But, simply, |
00:49:50 |
Sir, I'm sorry. Just... |
00:49:53 |
When you were in the military, |
00:49:55 |
No, sir, I did not. |
00:49:56 |
Do you think if you had, |
00:49:59 |
We're all aware of your |
00:50:00 |
I'm not talking |
00:50:02 |
I'm talking about the numerous |
00:50:05 |
committed by PointCorp and |
00:50:09 |
against the civilian population |
00:50:11 |
Those are |
00:50:14 |
Okay. |
00:50:17 |
Since a war on terror |
00:50:21 |
has your personal net worth gone up |
00:50:30 |
Straightforward question. |
00:50:32 |
Excuse me, I was told |
00:50:36 |
would not be addressed |
00:50:39 |
Adapt. |
00:50:42 |
Isn't that your slogan? |
00:50:44 |
"Adapt and Achieve?" |
00:50:47 |
It's on the brochure here. |
00:50:50 |
"Commoda et Confice." |
00:50:54 |
Your point being? |
00:50:55 |
Putting war |
00:50:57 |
and those who consider it |
00:51:00 |
is a contradiction in |
00:51:02 |
May I remind you, |
00:51:04 |
this country fought, |
00:51:07 |
were fought despite what they cost, |
00:51:10 |
I didn't come here for a lesson |
00:51:13 |
No, I expect you didn't. |
00:51:15 |
Well, especially from you. |
00:51:18 |
The men who work |
00:51:19 |
the men you dishonor by |
00:51:22 |
are, by and large, |
00:51:29 |
It's a great system, |
00:51:31 |
We pay to train these men, |
00:51:45 |
PointCorp, well, |
00:51:47 |
They just bought 60,000 acres |
00:51:50 |
- 60,000 acres. |
00:51:52 |
Where? |
00:51:53 |
In Conway, North Carolina. |
00:51:55 |
The locals call it |
00:51:58 |
Not so little. |
00:52:00 |
They've also got some |
00:52:04 |
Offices at the |
00:52:07 |
Check that out. |
00:52:08 |
"Medal of Freedom Initiative." |
00:52:11 |
It's a lobbying interest. |
00:52:13 |
Yeah, |
00:52:14 |
MOFI, |
00:52:16 |
is an umbrella |
00:52:18 |
of these private |
00:52:20 |
You know, they lobby a little, |
00:52:23 |
MOFI! |
00:52:26 |
Hello? |
00:52:27 |
We went down there. |
00:52:30 |
Like they're just waiting |
00:52:33 |
Did they outsource to Mumbai |
00:52:35 |
Or are they just getting |
00:52:39 |
Hello? |
00:52:42 |
This is Della Frye. |
00:52:45 |
You were Sonia |
00:52:47 |
on her shoplifting case, correct? |
00:52:50 |
Did Dominic |
00:52:54 |
Yes, how do you know Dominic? |
00:52:57 |
Well, I'm sorry. |
00:53:00 |
I... |
00:53:01 |
Hey, Michael, |
00:53:05 |
a little deeper |
00:53:07 |
I need somebody |
00:53:09 |
somebody who knows |
00:53:14 |
She owed |
00:53:17 |
Oh, God, |
00:53:19 |
in her underwear. |
00:53:22 |
Yeah! You moved. |
00:53:24 |
Hi! Hi, yes, yes. |
00:53:25 |
Who is this? |
00:53:28 |
Dominic Foy. |
00:53:30 |
Dominic. |
00:53:32 |
Hey, Michael, it's Cal. |
00:53:38 |
- Hi. Mr. Statler? |
00:53:40 |
Yes, I'm from the Globe. |
00:53:41 |
I'm writing an article on |
00:53:43 |
and I just wanted to... |
00:53:46 |
And he was, like, |
00:53:48 |
Hi. Della Frye from |
00:53:51 |
I... Could I speak to you? |
00:53:53 |
Yes, I'm still holding 'cause that's |
00:53:58 |
Sonia Baker's ex-roommate, |
00:54:01 |
Nobody's got her yet. |
00:54:03 |
She changed her name |
00:54:06 |
How'd you get it? |
00:54:07 |
I had to agree |
00:54:10 |
but two dates with |
00:54:14 |
Don't even ask me. |
00:54:17 |
Hey, Bob, it's Cal. |
00:54:18 |
Want to run a Social |
00:54:28 |
Rhonda Silver's number. |
00:54:30 |
Did we just break the law? |
00:54:32 |
Nope, that's what you call |
00:54:34 |
- Your pen. |
00:54:37 |
- You're welcome! |
00:54:41 |
Hi. |
00:54:44 |
I'm actually an old friend |
00:54:47 |
I'm in town for the day, and I |
00:54:51 |
Do you think I could |
00:54:53 |
Would that be all right? |
00:55:09 |
Actually, sir, |
00:55:13 |
That page and the next page. |
00:55:16 |
This guy, Jerry Symes, |
00:55:18 |
he campaigns |
00:55:20 |
and then he dies in |
00:55:22 |
All right, |
00:55:24 |
- Middle of the day... |
00:55:26 |
- No witnesses. |
00:55:27 |
- Perfect weather, no skid marks. |
00:55:29 |
And the police think |
00:55:32 |
Cal. Sorry, |
00:55:37 |
What do you got? |
00:55:38 |
So, I was looking |
00:55:40 |
in the Metro |
00:55:42 |
And 20 seconds after she went into |
00:55:48 |
Okay? |
00:55:52 |
I think that I saw him |
00:56:02 |
Are you sure? |
00:56:17 |
Michael, it's Cal. |
00:56:19 |
Your PointCorp insider, |
00:56:53 |
I want you to know something. |
00:56:55 |
I love my country. |
00:56:57 |
I love the military. |
00:56:58 |
My aim here is to save them. |
00:56:59 |
You understand my terms? |
00:57:00 |
I will not give you my name. |
00:57:02 |
I will not give you my rank |
00:57:04 |
or the in and out dates |
00:57:06 |
Understand. |
00:57:09 |
I'm looking for |
00:57:11 |
are using on |
00:57:12 |
Total deniability. |
00:57:14 |
Our mutual friend |
00:57:16 |
you might be able |
00:57:20 |
I don't know. |
00:57:25 |
So, what's your understanding |
00:57:28 |
Their MO? |
00:57:30 |
They do whatever |
00:57:32 |
These soldiers are |
00:57:34 |
They're loyal to nothing |
00:57:36 |
It's the Muslim |
00:57:39 |
- You've been watching these hearings? |
00:57:41 |
So, the head of the committee there, |
00:57:44 |
He's finished. |
00:57:45 |
They'll just keep knocking |
00:57:48 |
Do you have any idea |
00:57:49 |
This is $30 or $40 billion annually. |
00:57:53 |
That's wrath of God money. |
00:57:54 |
The hearings are saying 3 or 4. |
00:57:57 |
Overseas. |
00:57:59 |
stands to make in its |
00:58:02 |
I wasn't aware |
00:58:04 |
Who was sent in for crowd control |
00:58:09 |
Private security |
00:58:11 |
to shoot at |
00:58:14 |
Who's training Chicago police |
00:58:17 |
Soon, PointCorp will |
00:58:20 |
on phone taps, |
00:58:24 |
It's a fundamental |
00:58:26 |
of domestic |
00:58:29 |
It is the privatization |
00:58:32 |
Billions and |
00:58:34 |
Now you really think they're |
00:58:37 |
because some hero |
00:58:39 |
of Pennsylvania thinks |
00:58:41 |
Hey. |
00:58:44 |
I just got told by a |
00:58:47 |
that they have a plan to |
00:58:49 |
that's worth about |
00:58:51 |
Is that true? |
00:58:53 |
- Yes. |
00:58:55 |
You cannot connect anything |
00:58:57 |
- You understand? |
00:58:59 |
Okay. |
00:59:01 |
Last year, 47 companies bid on |
00:59:04 |
Of those, |
00:59:07 |
Of those, I could make |
00:59:11 |
and I'm not just talking about |
00:59:13 |
and go work for another. |
00:59:14 |
I'm talking about |
00:59:16 |
I'm talking about |
00:59:18 |
Now, my belief is, |
00:59:20 |
and when the veil is pulled away, |
00:59:23 |
you will not see 14 |
00:59:27 |
You will see one company. |
00:59:32 |
And you've been |
00:59:33 |
trying to make |
00:59:34 |
Yeah. That's right. |
00:59:37 |
And Sonia was |
00:59:40 |
She was my lead researcher. |
00:59:42 |
She was involved in |
00:59:44 |
They're gonna get you, Stephen, |
00:59:46 |
They got 40 billion good reasons |
00:59:50 |
You gotta go on the record. |
00:59:51 |
Swing the spotlight |
00:59:53 |
You gotta protect yourself, man. |
00:59:57 |
You go out there |
01:00:01 |
linking Sonia's death to PointCorp. |
01:00:05 |
I will go on the record. |
01:00:08 |
I will shout this thing |
01:00:11 |
I can do that. |
01:00:17 |
All right. I gotta get back. |
01:00:20 |
- Stephen. |
01:00:23 |
Just watch your back. |
01:00:25 |
You, too. |
01:00:36 |
Hi. Is Rhonda here? |
01:00:38 |
Yeah, she's just |
01:00:40 |
Whoa |
01:00:42 |
I'm walking on sunshine |
01:00:44 |
Whoa |
01:00:46 |
I'm walking on sunshine |
01:00:49 |
Whoa |
01:00:50 |
And don't it feel good |
01:00:52 |
Yeah! |
01:00:54 |
Cal, you're not gonna believe |
01:00:58 |
You're right. |
01:01:00 |
You got no corroboration, |
01:01:03 |
and she obviously has |
01:01:05 |
We've got Sonia Baker's |
01:01:07 |
she had a threesome |
01:01:09 |
and you want to ignore that? |
01:01:10 |
I am not saying ignore it. |
01:01:13 |
Consider how it impacts |
01:01:15 |
and consider that |
01:01:17 |
Yeah, but, Cal, |
01:01:19 |
that Stephen paid off Sonia's |
01:01:23 |
That is a story. |
01:01:24 |
Somebody's gonna put that |
01:01:26 |
Okay, is that |
01:01:29 |
Look, it's your half of the story. |
01:01:32 |
Your decision. |
01:01:44 |
But I do know |
01:01:47 |
have been through |
01:01:50 |
to make this one moment the |
01:01:54 |
The political future... |
01:02:11 |
I tried to call. |
01:02:13 |
I mean, I actually did call about |
01:02:18 |
Well, you know, |
01:02:22 |
'cause I've been |
01:02:28 |
Remember you brought |
01:02:31 |
Soleil, |
01:02:32 |
Luna. |
01:02:33 |
Luna. That's right. |
01:02:36 |
And you two were |
01:02:39 |
Yep. |
01:02:41 |
You managed to flip the boat, |
01:02:42 |
We had to walk |
01:02:44 |
We flipped the boat? |
01:02:45 |
You did. |
01:02:47 |
It was an adventure. |
01:02:49 |
That's what you kept saying. |
01:02:51 |
Irish wine. |
01:02:52 |
Whiskey? |
01:02:55 |
- Cheers. |
01:03:02 |
- So... |
01:03:06 |
- I've been... |
01:03:07 |
- Sorry. |
01:03:11 |
I was wondering, |
01:03:16 |
do you think Stephen could have pulled |
01:03:20 |
What? |
01:03:22 |
Well, it's a story |
01:03:23 |
that basically accuses |
01:03:25 |
that would require his having |
01:03:30 |
I was just wondering, |
01:03:33 |
A story that might break? |
01:03:34 |
You mean something that |
01:03:36 |
- Indirectly. |
01:03:38 |
I'm trying to help Stephen. |
01:03:41 |
Bullshit! |
01:03:45 |
You always do this. |
01:03:49 |
Sometimes I feel like |
01:03:52 |
and it works out great for you |
01:03:56 |
And instead of us |
01:03:58 |
you guys are just fine walking |
01:04:07 |
Okay. |
01:04:12 |
Okay, let's start over. |
01:04:14 |
I come here to tell you |
01:04:16 |
about walking away |
01:04:17 |
and you say what? |
01:04:20 |
I say it's too late. |
01:04:24 |
You made your choice. |
01:04:26 |
Because you |
01:04:28 |
What do you mean? |
01:04:31 |
Not then, not now, |
01:04:35 |
I'm saying that |
01:04:37 |
for something |
01:04:40 |
That's what I'm saying. |
01:04:44 |
Annie... |
01:04:58 |
We have two mortgages. |
01:05:00 |
We have the place |
01:05:03 |
We've got |
01:05:05 |
Basically, we spend |
01:05:06 |
so there's no way Stephen |
01:05:10 |
without me |
01:05:15 |
- Annie... |
01:05:20 |
Now I'm just a source, |
01:05:23 |
so the pressure's off. |
01:05:57 |
Hello? |
01:05:57 |
Who's the |
01:06:01 |
Who's this? |
01:06:02 |
Across the street. |
01:06:18 |
I like your style, man. |
01:06:22 |
I got something for you. |
01:06:23 |
And you couldn't |
01:06:26 |
Precautions. |
01:06:27 |
The guy in the photo, I asked around. |
01:06:32 |
Buddy of mine used to see |
01:06:35 |
Never knew his name, |
01:06:37 |
but he worked for an |
01:06:40 |
Does alarm installations, |
01:06:43 |
Here's Fred's address. |
01:06:46 |
Crystal City. |
01:06:52 |
Thanks. |
01:08:22 |
Mr. Summers? |
01:08:33 |
Hey. |
01:08:35 |
Who you looking for? |
01:08:38 |
Fred. Fred Summers. |
01:08:40 |
Fred's not here. |
01:08:41 |
Oh, yeah? Uh-huh. |
01:08:43 |
You live here. |
01:08:45 |
Sorry. Okay. |
01:08:47 |
Do you know |
01:08:48 |
He's overseas. |
01:08:50 |
Overseas like... |
01:08:51 |
Look, I don't really know |
01:08:53 |
He ships out, |
01:08:55 |
Okay. |
01:08:58 |
Take it easy. |
01:09:01 |
All right. Okay. |
01:09:18 |
Hey, Joey? |
01:09:20 |
Yeah, yeah, shut up. |
01:09:21 |
Tell Bill he's gotta |
01:13:22 |
- So? |
01:13:24 |
Did you get a name? |
01:13:26 |
How about the apartment? |
01:13:29 |
Nothing? |
01:13:31 |
Place belongs to a guy |
01:13:33 |
except Fred passed away |
01:13:36 |
Neighbors say that his nephew |
01:13:39 |
while the probate |
01:13:41 |
Except he doesn't |
01:13:43 |
You're catching on fast. |
01:13:46 |
Cal, I thought we had |
01:13:49 |
You were supposed to share |
01:13:51 |
Do you remember that? |
01:13:52 |
Don, I went there to talk to a |
01:13:56 |
who I now find |
01:13:58 |
Do you think |
01:14:00 |
if I knew what I was |
01:14:02 |
Just happened to |
01:14:03 |
Yeah. |
01:14:05 |
Now, do you mind if I get |
01:14:06 |
It's not a story. |
01:14:09 |
And... And just so you know, |
01:14:13 |
16, junkie, |
01:14:17 |
Probable homicide. |
01:14:20 |
She look familiar? |
01:14:22 |
We got her fingerprints |
01:14:23 |
surveillance photos |
01:14:31 |
Hello, I'm Rhonda Silver. |
01:14:35 |
Like I said, that's what he |
01:14:41 |
I know you got shot |
01:14:43 |
and I know I should be making |
01:14:45 |
but I'm just so bloody angry! |
01:14:48 |
I mean, the decision, I'm assuming, |
01:14:52 |
We... Look, we didn't... |
01:14:54 |
It was my call, Cam. |
01:14:57 |
I didn't, |
01:14:59 |
She's not credible. |
01:15:02 |
She was just trying |
01:15:03 |
scrapbook photos of |
01:15:06 |
Her dead friend. |
01:15:07 |
Yeah, well, why the hell |
01:15:09 |
A waitress comes forward with |
01:15:12 |
Great, that's an A-1 story. |
01:15:14 |
Then he denies it. |
01:15:15 |
And then... And then one of them cracks, |
01:15:18 |
Meantime, people are |
01:15:20 |
and they're reading us about it, |
01:15:23 |
Except we didn't, did we? |
01:15:24 |
No, no, no, 'cause some wanker |
01:15:27 |
Look at her, come on! |
01:15:29 |
She's a sideshow! |
01:15:32 |
It's exactly what |
01:15:34 |
to destroy people |
01:15:35 |
The true story here, |
01:15:40 |
The real story is the sinking |
01:15:46 |
Christ! |
01:15:52 |
We have new management |
01:15:54 |
and they are interested in sales, |
01:15:58 |
And how am... How am I gonna tell |
01:16:00 |
we were once in front of? |
01:16:04 |
Well, we're running with |
01:16:07 |
No! No. |
01:16:11 |
- You can't do that. |
01:16:13 |
We've got more than |
01:16:14 |
You run with it, and you're |
01:16:17 |
And we haven't got |
01:16:19 |
I do not give a shit |
01:16:23 |
We are going to press... |
01:16:27 |
You've got eight hours. |
01:16:32 |
You look tired. |
01:16:33 |
Yeah, that's nice. |
01:16:38 |
Can you hold on |
01:16:40 |
George, a word with you |
01:16:43 |
- Sure, Steve. |
01:16:45 |
Listen, I just wanted |
01:16:47 |
my speaking up in the |
01:16:49 |
was not meant in any way as a |
01:16:54 |
or a lack of gratitude for the |
01:16:58 |
No, no. |
01:16:59 |
It was a very |
01:17:01 |
You have your passions, |
01:17:03 |
All right, good. |
01:17:06 |
You have your show horses, |
01:17:09 |
I'm sure we can all |
01:17:20 |
There's no way. |
01:17:22 |
There is no way we |
01:17:24 |
Yes, we can. |
01:17:24 |
All right, guys, we're |
01:17:27 |
What do you got? |
01:17:27 |
All right, the guy |
01:17:29 |
Dominic Foy, |
01:17:31 |
- Dominic? |
01:17:32 |
Right. |
01:17:35 |
A friend of Sonia's in all the |
01:17:38 |
- And he's in Rhonda's cell phone shots. |
01:17:42 |
Okay, so, |
01:17:43 |
- or is he some kind of freak? |
01:17:45 |
He runs a legitimate |
01:17:46 |
Handful of corporate clients. |
01:17:47 |
Just likes to party |
01:17:49 |
Special parties. |
01:17:51 |
- Tell him the good part. |
01:17:53 |
mostly works out |
01:17:54 |
but guess where his |
01:17:56 |
- Where? |
01:17:57 |
Where? |
01:17:58 |
The Watergate. |
01:18:00 |
- Oh. |
01:18:03 |
Same suite as the Medal of |
01:18:06 |
The lobbying subsidiary of PointCorp. |
01:18:16 |
Let's get him on tape. |
01:18:18 |
You want me to call |
01:18:19 |
Yeah, same place. |
01:18:21 |
What... I'm sorry. |
01:18:23 |
You want to |
01:18:24 |
Yeah. |
01:18:27 |
What are we, cops now? |
01:18:29 |
That's totally illegal. |
01:18:31 |
If Dominic Foy can connect |
01:18:35 |
he's gonna be |
01:18:36 |
to recant anything he might tell us, |
01:18:38 |
So we put him on tape. |
01:18:40 |
And why do you think |
01:18:42 |
Because he's scared. |
01:18:44 |
How do you know? |
01:18:46 |
Because I'm gonna scare him. |
01:19:20 |
Hey, is that your |
01:19:25 |
Yeah. |
01:19:27 |
V-8 XLR, 320 horsepower, adaptive |
01:19:31 |
That's the one. |
01:19:34 |
Yes, I know. |
01:19:36 |
What do you got |
01:19:41 |
- Excuse me? |
01:19:44 |
- Right. |
01:19:46 |
- No, I don't. I have a 1990 Saab. |
01:19:50 |
Yeah. I got velour seats. |
01:19:54 |
but it gets me from A to B, |
01:19:56 |
Sorry to hear that. |
01:19:58 |
If only I could get |
01:20:04 |
Who the hell are you? |
01:20:06 |
Do you read the newspapers, Dominic? |
01:20:08 |
- Sometimes. |
01:20:10 |
I got something I want |
01:20:12 |
It ain't finished. |
01:20:14 |
Let's see how |
01:20:17 |
"Dominic Foy, a D.C. |
01:20:20 |
"with known ties to defense |
01:20:23 |
"was yesterday |
01:20:25 |
"of Capitol Hill |
01:20:26 |
Come on. |
01:20:29 |
This is not cool. |
01:20:32 |
Very unprofessional. |
01:20:33 |
Cal McAffrey from the Globe. |
01:20:35 |
Congratulations. |
01:20:36 |
That's gonna run |
01:20:38 |
you can tell me what |
01:20:40 |
- I don't think so. |
01:20:42 |
I got a nice, safe place |
01:20:44 |
Hey, hey, Saab. I don't know |
01:20:47 |
I'm a PR guy. |
01:20:50 |
Be that as it may, |
01:20:51 |
this article can run, Dominic. |
01:20:54 |
Without your name |
01:20:57 |
and maybe even |
01:20:59 |
Now, who knows who that's |
01:21:03 |
I'm trying to be your friend, |
01:21:05 |
I'd hate to see you end up |
01:21:10 |
And you promised never |
01:21:13 |
Yes, I did. |
01:21:14 |
This place is nice? |
01:21:16 |
- I'm gonna be comfortable? |
01:21:37 |
What kind |
01:21:39 |
Where have you brought me? |
01:21:41 |
No booze in the mini-bar. |
01:21:43 |
There's no |
01:21:45 |
What kind of hotel is this? |
01:21:46 |
Little bit more of a motel, |
01:21:48 |
Nobody's gonna find |
01:21:50 |
How are your |
01:21:52 |
You want to go get |
01:21:55 |
I'll time you. |
01:21:56 |
So, let's start |
01:21:58 |
Where did you |
01:22:02 |
Why don't we start |
01:22:03 |
This guy's stoned off his face, |
01:22:07 |
- Can I have one? |
01:22:09 |
What's he |
01:22:11 |
Dude, downers. |
01:22:14 |
For what? For what? |
01:22:18 |
Me losing my business. |
01:22:20 |
This bed's disgusting. |
01:22:22 |
Compensate me, okay? |
01:22:24 |
Okay, so you want to be paid |
01:22:28 |
Save it, all right? |
01:22:30 |
I know a little bit |
01:22:32 |
Why don't you try |
01:22:33 |
Would I like to be paid for |
01:22:36 |
Nobody's here |
01:22:38 |
Really? |
01:22:39 |
And I'd like my cut, okay? |
01:22:42 |
When did you meet Sonia? |
01:22:43 |
Compensation, |
01:22:45 |
You came here |
01:22:47 |
You know, mouse, I'm the talent |
01:22:50 |
So why don't you |
01:22:52 |
It's a non-smoking room. |
01:22:53 |
It's under your name. |
01:22:56 |
- He's a douche. |
01:22:57 |
I want to call my lawyer. |
01:22:59 |
I think you should |
01:23:01 |
Can we get a signal |
01:23:03 |
Why don't you |
01:23:06 |
Dominic, let me just lay this |
01:23:09 |
because I don't |
01:23:10 |
- So I'll lay it out for you! Okay? |
01:23:12 |
I'll lay it out for |
01:23:14 |
The newspaper can slant this |
01:23:17 |
and they can make you the one |
01:23:21 |
How do you think |
01:23:22 |
- with your friends at PointCorp? |
01:23:24 |
And anybody else |
01:23:25 |
Don't do that. |
01:23:33 |
The more you talk, |
01:23:39 |
the more protected you are. |
01:23:40 |
That's the way we work. |
01:23:44 |
And your compensation |
01:23:48 |
and that is all you're |
01:23:57 |
- Okay? |
01:24:00 |
Great. |
01:24:01 |
Okay, how's |
01:24:03 |
Sounds frigging great. |
01:24:05 |
- Let's do it. |
01:24:07 |
Come on. |
01:24:08 |
I'm not gonna do it. |
01:24:09 |
and I'm gonna |
01:24:11 |
You have to talk to her. |
01:24:12 |
Cal is asking us to |
01:24:13 |
We really can't |
01:24:15 |
- this type of thing. |
01:24:16 |
You saying |
01:24:18 |
Yeah, well, you just |
01:24:19 |
Yeah, well, |
01:24:21 |
$20,000 an hour. |
01:24:22 |
Yeah... |
01:24:24 |
Bugger off! |
01:24:31 |
Shit. |
01:24:36 |
It was just this guy, okay, |
01:24:40 |
And he worked for a PR firm, |
01:24:43 |
Name? |
01:24:43 |
And... No, I'm not |
01:24:45 |
He's a friend, okay? |
01:24:47 |
He had this... |
01:24:49 |
Well, the company that he |
01:24:50 |
- a very special client. |
01:24:53 |
I'll give you that one. |
01:24:55 |
And they wanted |
01:24:59 |
They needed a girl. |
01:25:02 |
I thought of Sonia. |
01:25:08 |
You got that? |
01:25:12 |
I'm sorry, are you saying that |
01:25:15 |
Like a steel trap, |
01:25:17 |
Don't lose her |
01:25:19 |
Yeah, that's |
01:25:20 |
Turn it up, turn it up. |
01:25:23 |
She was a perfect fit. |
01:25:24 |
- She was smart. |
01:25:26 |
And she was in debt, exactly. |
01:25:28 |
They paid her |
01:25:31 |
Whole hell of a lot |
01:25:32 |
- They paid me a flat 20. |
01:25:33 |
Did they tell you |
01:25:35 |
No, they did not. |
01:25:37 |
She told me about Collins. |
01:25:38 |
She told me |
01:25:40 |
And did they want Sonia |
01:25:42 |
No. She got on her back |
01:25:45 |
and screwed everything up, |
01:25:48 |
How did they get her |
01:25:50 |
That I'm not gonna tell you. |
01:25:52 |
You can kidnap and torture |
01:25:55 |
- We have a deal. |
01:25:56 |
- I've done my work. |
01:25:58 |
but we need to know who was |
01:26:02 |
Mmm-hmm. |
01:26:04 |
From the Hill, huh? Well, from the Hill, |
01:26:08 |
- Name? |
01:26:09 |
- Who? |
01:26:11 |
Who? |
01:26:12 |
What, are you |
01:26:13 |
Forget it. |
01:26:16 |
sweet ass Caddy every morning. |
01:26:20 |
I mean, keep in mind |
01:26:21 |
that wheelbarrow Saab of yours, |
01:26:23 |
I'd probably blow it up |
01:26:26 |
You seen that thing? |
01:26:30 |
I'm gonna get you |
01:26:33 |
Hey. |
01:26:35 |
Oi. |
01:26:36 |
Are you sleeping |
01:26:40 |
I mean, what are |
01:26:42 |
Are you sleeping |
01:26:44 |
Or you got a guy. |
01:26:47 |
Donna? |
01:26:49 |
- Della. |
01:26:52 |
I got a guy. |
01:26:55 |
Right? I don't want |
01:26:57 |
Hey, Stephen. |
01:27:00 |
What? |
01:27:01 |
How did she come to |
01:27:03 |
Was somebody... |
01:27:04 |
What are you talking about? |
01:27:06 |
I think you've been played. |
01:27:07 |
Really? |
01:27:08 |
Who gave you her name? |
01:27:10 |
- What is this about? |
01:27:12 |
Stephen, all right? |
01:27:14 |
How the hell did she come |
01:27:15 |
and the name of the individual |
01:27:21 |
Fergus. George Fergus. |
01:27:26 |
Said she was the daughter |
01:27:32 |
Doug Sponder's |
01:27:33 |
You remember that hotel, |
01:27:36 |
Yes. |
01:27:37 |
Get here now, alone. |
01:27:45 |
I'll meet you |
01:27:47 |
Stephen, we're |
01:27:48 |
I'll call in. |
01:27:49 |
Stephen, we are |
01:27:51 |
- I'll call in. |
01:28:02 |
Don't check |
01:28:03 |
Cameron's going on a |
01:28:07 |
So, did you cue it |
01:28:08 |
Close enough. |
01:28:10 |
Okay. So, guys, |
01:28:13 |
- That means you, too. |
01:28:18 |
I got Stephen Collins |
01:28:20 |
It's gonna be a lot |
01:28:21 |
if you're not here, |
01:28:24 |
Tell me you're kidding. |
01:28:27 |
Since when does the |
01:28:30 |
get his own private preview of |
01:28:33 |
That's crazy! |
01:28:34 |
You're polluting the story! |
01:28:36 |
Special circumstance. |
01:28:38 |
What? What? |
01:28:40 |
Is it that he's a congressman, |
01:28:43 |
or that you have |
01:28:45 |
Could you |
01:28:48 |
All of the above. |
01:28:49 |
Oh, my God, |
01:28:51 |
This is my story, too, |
01:28:54 |
by letting him |
01:28:58 |
I'm gonna |
01:29:01 |
I'm gonna sit him down, |
01:29:03 |
I'm gonna get him |
01:29:05 |
then we've got both |
01:29:12 |
Hey. |
01:29:14 |
Stephen Collins, |
01:29:16 |
Congressman. |
01:29:19 |
You know this guy? |
01:29:21 |
No. |
01:29:22 |
You don't |
01:29:25 |
I don't know. Maybe. |
01:29:27 |
No, no, it's next door. |
01:29:31 |
Sit down. |
01:29:34 |
Okay. |
01:29:38 |
PointCorp wanted to |
01:29:43 |
This guy, Dominic Foy, |
01:29:46 |
He takes a fee. |
01:29:50 |
No. That's not possible. |
01:29:51 |
They paid off her debt, |
01:29:55 |
every single thing |
01:29:57 |
And when she went dry, |
01:30:02 |
How do you know this? |
01:30:07 |
And so I get a call, |
01:30:10 |
I gotta buy a magazine. |
01:30:12 |
This guy, you know, |
01:30:14 |
he's some hardcore, |
01:30:16 |
Navy-SEAL-looking guy, |
01:30:18 |
And he's all up in my face, |
01:30:20 |
because he's |
01:30:22 |
- When was this? |
01:30:24 |
You know, |
01:30:26 |
Sonia's not giving |
01:30:28 |
And what did he want |
01:30:29 |
He wants me to fix it. He wants me to |
01:30:32 |
And did you? |
01:30:34 |
I tried. |
01:30:36 |
I tried. I called. |
01:30:38 |
I go over there. |
01:30:40 |
She's crying. |
01:30:42 |
Why is she crying? |
01:30:44 |
No, she's crying because of |
01:30:49 |
and she was pregnant, |
01:30:55 |
and she didn't tell him. |
01:31:00 |
She didn't tell him, |
01:31:02 |
she was petrified that he's |
01:31:05 |
and then he's |
01:31:06 |
and he's not |
01:31:08 |
She got so wrecked |
01:31:11 |
thousands of dollars |
01:31:12 |
Who does that? |
01:31:14 |
And I tried |
01:31:17 |
and to think |
01:31:19 |
or think about an abortion, |
01:31:24 |
"Just keep your word. |
01:31:26 |
"your decisions |
01:31:27 |
And then she's dead, you know? |
01:31:32 |
and so I don't |
01:31:33 |
to do with this thing, |
01:31:36 |
I'm just terrified, |
01:31:39 |
and I want to come |
01:31:40 |
And you guys write your article |
01:31:44 |
I'm nothing. |
01:31:51 |
So you were right, man. Okay? |
01:31:52 |
And now we can prove it. |
01:31:54 |
I get you on the record. |
01:31:57 |
Sliberty? We can nail them to the wall, |
01:31:59 |
- Yeah. Just... |
01:32:03 |
Just... Will you just |
01:32:07 |
Okay. |
01:32:09 |
He just needs a minute. |
01:32:14 |
Shit! |
01:32:16 |
Get off... |
01:32:18 |
You fucking... |
01:32:21 |
Help! |
01:32:23 |
Stephen! |
01:32:27 |
Get up! |
01:32:30 |
- Hey, stop! |
01:32:34 |
Come on, man! |
01:32:37 |
Get off! |
01:32:38 |
What the hell are |
01:32:49 |
Stephen! |
01:32:53 |
Stephen! |
01:32:58 |
Hey, I'm trying to help you, man. |
01:33:01 |
Did I need |
01:33:02 |
Yeah. Huh? |
01:33:05 |
You had to do it like that? |
01:33:07 |
I thought you'd want |
01:33:08 |
That's right. |
01:33:10 |
You were just seeking |
01:33:12 |
You're just... |
01:33:13 |
That's all. |
01:33:14 |
It's who you are. |
01:33:17 |
You're not |
01:33:18 |
Me coming here was all about |
01:33:22 |
I trusted you. |
01:33:27 |
You were supposed |
01:33:29 |
when you were |
01:33:31 |
You're my friend, Cal. |
01:33:33 |
I never would've |
01:33:37 |
I'm sorry, Stephen, okay? |
01:33:40 |
I'm sorry |
01:33:41 |
Please, look, |
01:33:44 |
and I can understand |
01:33:47 |
You've just gotta put aside |
01:33:51 |
and stay with this. |
01:33:58 |
Every single part of this, |
01:34:05 |
Stephen. |
01:34:11 |
Stephen! |
01:35:09 |
I need a minute with |
01:35:11 |
Tell him it's Cal McAffrey from |
01:35:28 |
Fuck him. |
01:35:29 |
Asshole. |
01:35:34 |
It's all right. I saw that. |
01:35:38 |
and tell him it's an issue |
01:35:48 |
Sir? He asked me |
01:35:56 |
Excuse me. |
01:36:03 |
Congressman. |
01:36:04 |
That Cal McAffrey. |
01:36:11 |
What's up? |
01:36:12 |
I followed the trail |
01:36:15 |
I need a confirmation from you |
01:36:16 |
for an article that |
01:36:19 |
I have been told |
01:36:21 |
to Greer Thornton |
01:36:23 |
is that correct? |
01:36:24 |
So? |
01:36:28 |
So if it turns out |
01:36:29 |
in fact, |
01:36:31 |
on Stephen Collins' |
01:36:33 |
and passing that |
01:36:34 |
to the very company |
01:36:36 |
and that company is |
01:36:41 |
well, Jesus Christ, |
01:36:43 |
is it, Congressman? |
01:36:45 |
One, never use the Lord's |
01:36:50 |
Two, how could you |
01:36:53 |
that a bright, naive, |
01:36:56 |
was what, |
01:36:59 |
Mr. McAffrey, I went |
01:37:02 |
whose family I met |
01:37:04 |
a family that seemed like |
01:37:07 |
the wholesome ideal upon which |
01:37:11 |
And Sonia Baker's |
01:37:17 |
- Pardon me? |
01:37:27 |
Do you really think |
01:37:29 |
these responsible |
01:37:31 |
are going to allow |
01:37:36 |
speculative drivel? |
01:37:40 |
You are gonna be |
01:37:41 |
the devil can even |
01:37:50 |
Janine. |
01:37:54 |
Sonia's mother's |
01:38:16 |
You're missing the point. |
01:38:18 |
You didn't see his face. |
01:38:19 |
I saw his face. Fergus is |
01:38:22 |
This story is dead, Cal. |
01:38:24 |
One way or another, |
01:38:27 |
Sonia Baker in |
01:38:29 |
Really? The trouble is, |
01:38:31 |
our new corporate owners |
01:38:34 |
unless I have one of the |
01:38:36 |
On the record, Cal! |
01:38:39 |
And the only person |
01:38:41 |
Would you like |
01:38:43 |
Or is it just that |
01:38:53 |
Maybe you'd like to |
01:38:55 |
and why MediaCorp |
01:38:59 |
This is as big and as |
01:39:01 |
You follow any fissure of this, |
01:39:04 |
You got Fergus, |
01:39:06 |
and now you got MediaCorp, |
01:39:09 |
all in collusion, |
01:39:12 |
I didn't realize you'd |
01:39:14 |
Oh. Oh, Cal, if there's any corruption |
01:39:18 |
You have injected yourself in this |
01:39:22 |
and we all know why. |
01:39:25 |
It's over, Cal, |
01:39:27 |
I can't protect you anymore. |
01:39:30 |
And right now, |
01:40:01 |
You want the story? |
01:40:05 |
Yeah. Come on. |
01:40:23 |
I was first introduced |
01:40:29 |
in April of 2007. |
01:40:35 |
She was hired as a research |
01:40:39 |
She was recommended |
01:40:44 |
Congressman from West Virginia, |
01:40:51 |
Three months into her time there, |
01:40:59 |
a romantic relationship. |
01:41:03 |
I have e-mailed |
01:41:07 |
which show beyond doubt |
01:41:08 |
the corruption between |
01:41:11 |
I now know that she had been |
01:41:17 |
PointCorp's tentacles |
01:41:19 |
of the ever-growing |
01:41:21 |
both at home and abroad. |
01:41:22 |
Not only does |
01:41:24 |
But it is |
01:41:25 |
A monopolistic business... |
01:41:27 |
...obstruct and otherwise destroy |
01:41:29 |
my investigation into PointCorp. |
01:41:32 |
Sonia was paid to make regular |
01:41:35 |
Left unchecked, I believe |
01:41:38 |
PointCorp will have its own |
01:41:41 |
... Into their |
01:41:42 |
It will control our |
01:41:45 |
What happened in committee... She had |
01:41:47 |
and effectively crippled |
01:41:49 |
It is a frightening vision |
01:41:55 |
However, when my |
01:41:59 |
she ceased her spying |
01:42:02 |
and I believe |
01:42:08 |
For people like this, |
01:42:10 |
the last year and a half |
01:42:13 |
Innocent civilians are really |
01:42:17 |
thought of as |
01:42:22 |
And I believe it was simply the |
01:42:28 |
saved me |
01:42:33 |
So, as political suicides go, |
01:42:39 |
how was that? |
01:42:50 |
Thank you, Congressman. |
01:43:06 |
- You okay? |
01:43:08 |
He was set up. |
01:43:11 |
She was sleeping with him for |
01:43:19 |
Sliberty. |
01:43:20 |
Cal. |
01:43:24 |
You all set? |
01:43:27 |
Let's go. |
01:43:50 |
- You still here? |
01:43:53 |
I thought you would've been down |
01:43:57 |
Well, you know, |
01:43:59 |
people should |
01:44:00 |
on their hands |
01:44:02 |
don't you think? |
01:44:05 |
I'll do Collins, |
01:44:08 |
and corporate and |
01:44:10 |
Okay. |
01:44:12 |
The murder, Mandi, |
01:44:15 |
And the Dominic Foy connection, |
01:44:17 |
Yeah. |
01:44:18 |
- Retire to the neutral corner. |
01:44:20 |
Gentle. |
01:44:31 |
Sir, it's Robert Bingham. |
01:44:33 |
I'm sorry to |
01:44:36 |
I want to assure you that I'm |
01:44:40 |
Goodbye. |
01:45:54 |
I won't be |
01:46:03 |
- Hey, guys. |
01:46:18 |
- Hello. |
01:46:21 |
Yeah, yeah, |
01:46:33 |
So, how old are you? |
01:46:36 |
It would just |
01:46:38 |
You never ask |
01:46:40 |
Well, see, I look at you, and I don't |
01:46:43 |
- At last. |
01:46:46 |
Yes. |
01:46:47 |
So I had this, uh, |
01:46:49 |
Mmm-hmm. |
01:46:50 |
He was a kind of a |
01:46:53 |
Mmm-hmm. |
01:46:55 |
- He had a pen problem. Yeah. |
01:46:58 |
He solved it by |
01:47:00 |
of leather string |
01:47:02 |
and that's where |
01:47:04 |
Smart. |
01:47:05 |
So I started thinking, |
01:47:07 |
"My friend Della's |
01:47:10 |
"How do I solve it?" |
01:47:12 |
- And I came up with this. |
01:47:14 |
I call it the |
01:47:17 |
"'I'm never without a pen"' |
01:47:21 |
Oh, it's beautiful! |
01:47:29 |
- Cheers. |
01:47:35 |
You know, I wanted to tell you |
01:47:40 |
Okay. |
01:47:58 |
I was just talking to her. |
01:48:05 |
How does Anne Collins know that |
01:48:06 |
Sonia Baker was earning |
01:48:11 |
What? |
01:48:15 |
How does she know how much |
01:48:17 |
- We know that. |
01:48:18 |
How does Anne Collins know that? |
01:48:20 |
Well, I mean, Stephen must have |
01:48:26 |
We played him a specific |
01:48:28 |
and that figure |
01:48:49 |
Cal. Wait, |
01:49:03 |
What are you doing? Cal? |
01:49:12 |
You gonna fill me in? |
01:49:14 |
Just tell Cameron, |
01:49:17 |
What? Cal? |
01:49:25 |
Shit. |
01:49:52 |
Who's Robert Bingham, Stephen? |
01:50:06 |
Who is Robert Bingham? |
01:50:27 |
Are the police outside? |
01:50:30 |
No. |
01:50:34 |
I saved Robert Bingham's |
01:50:38 |
He was a 17-year-old kid. |
01:50:40 |
He was a good soldier. |
01:50:43 |
He was proud |
01:50:46 |
The Army was his life, and he had |
01:50:51 |
So you had a guy that |
01:50:55 |
do what, exactly? |
01:50:58 |
Maybe beat her up a little? |
01:51:00 |
No, Cal. |
01:51:03 |
Why? |
01:51:04 |
Because I knew she was |
01:51:08 |
Because when I'd... |
01:51:09 |
and a fax would come in, |
01:51:11 |
Because there were |
01:51:14 |
I was suspicious. |
01:51:16 |
I asked Bingham to observe |
01:51:19 |
That's all. |
01:51:23 |
You're a liar, Stephen. |
01:51:24 |
He was more upset about what |
01:51:27 |
You have to understand what |
01:51:29 |
He hates PointCorp for what |
01:51:32 |
In his mind, |
01:51:33 |
But she did stop, right? |
01:51:35 |
She tore up her paychecks, |
01:51:37 |
Yes, but I didn't know that. |
01:51:40 |
I didn't know that |
01:51:43 |
I didn't know |
01:51:45 |
When I found out, |
01:51:47 |
I thought PointCorp had done it. |
01:51:49 |
And when you did find out? |
01:51:50 |
What was I supposed to do? |
01:51:51 |
- Tell someone. |
01:51:53 |
- When? |
01:51:54 |
and I wanted to |
01:51:55 |
and all you cared |
01:51:56 |
No, Stephen, |
01:51:59 |
Bullshit. Bullshit. |
01:52:01 |
All you cared about was clearing your |
01:52:04 |
- you have with Annie. |
01:52:05 |
- No, Cal. |
01:52:07 |
I was suspicious of her. |
01:52:09 |
That's all it was! |
01:52:11 |
It's my responsibility. |
01:52:12 |
I should never |
01:52:13 |
But I never asked |
01:52:16 |
He owed you his life! |
01:52:20 |
That's why |
01:52:23 |
You called him, |
01:52:26 |
like you've been |
01:52:29 |
One to kill, |
01:52:32 |
If PointCorp and |
01:52:34 |
- none of this would've happened! |
01:52:36 |
and PointCorp |
01:52:38 |
It's about you and the |
01:52:42 |
that have led to four |
01:52:45 |
One of them was delivering |
01:52:50 |
Cal. |
01:52:55 |
You know |
01:53:00 |
You know, it's laughable, |
01:53:06 |
Why is that? |
01:53:08 |
Is that it? |
01:53:10 |
It's just another story, |
01:53:13 |
and it's wrapping paper? |
01:53:15 |
You know, in the middle of all |
01:53:17 |
that permeates people's lives, |
01:53:18 |
I still think |
01:53:20 |
between real news and bullshit. |
01:53:22 |
And they're glad that |
01:53:25 |
to get things on the record |
01:53:27 |
Cal. Please, Cal, |
01:53:30 |
I'm asking you |
01:53:35 |
You got about three minutes |
01:53:41 |
I thought you said |
01:53:45 |
I lied. |
01:54:35 |
A good soldier fights for |
01:54:41 |
But these guys, they want to |
01:54:47 |
You want to live |
01:54:48 |
Drop the weapon! |
01:54:51 |
The story about Stephen comes out, |
01:54:53 |
Drop your weapon! |
01:54:55 |
Drop it! |
01:54:57 |
I'd rather be nothing. |
01:54:58 |
I repeat, |
01:57:05 |
Well, aren't you gonna send it? |
01:57:08 |
I've only been holding the front |
01:57:12 |
You send it. |
01:57:19 |
Good night, everybody. |
01:57:26 |
Yinzer. |
01:57:28 |
Yinzer. |
01:58:14 |
[ Creedence Clearwater Revival ] |
01:58:18 |
# Put a candle in the window # |
01:58:26 |
# 'Cause I feel I've got to move # |
01:58:33 |
# Though I'm going, going # |
01:58:37 |
# I'll be coming home soon # |
01:58:40 |
# Long as I can see the light # |
01:58:48 |
# Pack my bag |
01:58:56 |
# 'Cause I'm bound |
01:59:03 |
# When I'm gone, gone # |
01:59:07 |
# You don't have to worry long # |
01:59:10 |
# Long as I can see the light # |
01:59:18 |
# Guess I've got |
01:59:26 |
# 'Cause this feelin' |
01:59:33 |
# But I won't, won't # |
01:59:37 |
# Be losing my way, no, no # |
01:59:41 |
# Long as I can see the light # |
01:59:48 |
# Yeah # |
01:59:52 |
# Yeah # |
01:59:56 |
# Yeah # |
01:59:59 |
# Oh, yeah # |
02:00:03 |
# Put a candle in the window # |
02:00:11 |
# 'Cause I feel |
02:00:18 |
# Though I'm going, going # |
02:00:22 |
# I'll be coming home soon # |
02:00:26 |
# Long as I can see the light # |
02:00:33 |
# Long as I can see the light # |
02:00:41 |
# Long as I can see the light # |
02:00:48 |
# Long as I can see the light # |
02:00:53 |
STATE OF PLAY |
02:00:57 |
@hamIL |
02:01:01 |
Subtitle extracted from DVD SubPack, |