Step Up 2 The Streets

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00:00:42 I remember the first time
00:00:45 like they were from another planet.
00:00:48 I couldn't keep my eyes away.
00:00:51 When I was little my mom
00:00:54 in the neighborhood.
00:00:55 It started out small, but word spread.
00:00:58 Soon, some of the best dancers
00:01:01 to compete in something
00:01:06 It became the hub, and
00:01:10 I wanted to glide and spin
00:01:14 But it didn't come easy.
00:01:17 My mom would tell me,
00:01:21 'cause life's too short
00:01:26 She was right.
00:01:28 When I was 16 my mom got sick.
00:01:31 Within a couple of months,
00:01:33 And everything changed...
00:01:36 ...including The Streets.
00:02:09 Shh. Shh.
00:03:21 Suspects jammed it.
00:03:29 - They went up the stairs.
00:04:18 Yo, the Four-one-oh
00:04:21 That was sick, son.
00:04:22 Thank you very much.
00:04:25 lf you do say so yourself.
00:04:27 Get that mask off.
00:04:29 Yo, we gonna get some
00:04:31 Come on, let's go.
00:04:33 before everybody gets there.
00:04:35 Oh, man, we struck gold
00:04:38 This is off the chain.
00:04:40 Boards are gonna go crazy
00:04:42 - Yo, let's upload this stat. Not it.
00:04:45 Aye. Why it gotta be me?
00:04:47 - 'Cause you're the youngest.
00:04:52 Girl, stop slinging
00:04:56 - Aquí-quí-quí-quí-quí-quí-quí.
00:04:58 - Gotcha.
00:05:00 Oh, man, wish you could see
00:05:04 - Can the jokes, son.
00:05:06 On the real?
00:05:07 - We killed that!
00:05:10 Oh, yes!
00:05:12 Lucky, lucky!
00:05:13 Streets ain't gonna be ready
00:05:15 - Finally.
00:05:18 - Give us my camera back. Give me here.
00:05:28 So what's up?
00:05:31 l don't know. lt's just...
00:05:34 lt's been a crazy time,
00:05:37 - Yeah, l heard that before.
00:05:39 Come on, man, we bouncing.
00:05:41 - We gotta go. You're lagging.
00:05:43 - l'll see you at rehearsal.
00:05:45 This video, posted
00:05:48 was taken earlier today.
00:05:50 Depicts the most recent in
00:05:54 plaguing the streets of Baltimore.
00:05:57 The notoriously elusive Four-one-oh
00:05:59 has claimed responsibility
00:06:04 that both defaced public property
00:06:06 the Charles Center Station
00:06:10 Police have been tracking
00:06:14 and sources
00:06:16 - Not so fast, Andie. Get in here.
00:06:19 We've got to talk.
00:06:21 - Dinner was an hour ago.
00:06:26 l'm here, so just chill out.
00:06:27 Baby, you go on upstairs
00:06:29 OK.
00:06:32 l know where you been.
00:06:34 So don't stand here
00:06:37 You realize you could
00:06:39 lt wasn't a big deal.
00:06:41 You've got to take
00:06:44 You can't follow
00:06:46 Those people are criminals.
00:06:49 This has got to stop. Now.
00:06:50 No! No, the Four-one-oh
00:06:54 Who are you to tell me
00:06:56 Your mother was my best friend!
00:06:58 l told her that
00:07:00 l promised her that
00:07:02 so you wouldn't have
00:07:04 But you won't let me.
00:07:06 lnstead, you skip school.
00:07:09 God only knows what you're doing.
00:07:11 l can't do this.
00:07:12 Your Aunt Alice and l
00:07:15 - You can't live here anymore.
00:07:19 Like l haven't lost enough already?
00:07:22 You can't do this to me!
00:07:24 Your mother never would've let you
00:07:27 No, you have no idea
00:07:51 Felicia, where are you?
00:07:53 l don't know what to do.
00:07:55 l'm done with her.
00:07:57 l'm not staying there anymore.
00:08:03 What's poppin'?
00:08:05 Tonight it's all about
00:08:08 We taking it to The Streets for green.
00:08:10 You got money? No, you don't.
00:08:13 Brand new music. Listen to this one.
00:08:23 Yo, Meazy. What's going on?
00:08:26 - Yo, D. What it is.
00:08:29 - You out to do some damage tonight?
00:08:32 Yes, yes, got it, got it.
00:08:34 - l know. lt is.
00:08:36 - Oh, l will. You know.
00:08:51 Look who's all grown up now.
00:08:53 Ty, what are you doing?
00:08:55 - What's up, little one?
00:08:57 - in New York with Nora.
00:08:59 l came back to get
00:09:01 - Guess what.
00:09:02 - Me and Nora are going on tour.
00:09:05 Oh, that is unreal.
00:09:07 when you get all famous and stuff.
00:09:09 Are you kidding me?
00:09:11 running around in diapers.
00:09:14 That's really embarrassing.
00:09:16 Seriously, what's going on
00:09:18 - She called you.
00:09:20 l came by to see you,
00:09:23 She's flipping out.
00:09:25 Did she tell you
00:09:27 She don't know what else
00:09:29 She's trying to look out for you,
00:09:30 like your mom and everyone else
00:09:32 - So, you're siding with her.
00:09:35 l don't even need to explain this.
00:09:37 Whoa, whoa, come on. Chill out.
00:09:39 Maybe you'll realize there are
00:09:42 Really, like what?
00:09:44 - MSA.
00:09:46 - Maryland School of the Arts.
00:09:49 Are you crazy? Do l look like
00:09:53 Andie, what other options
00:09:58 Let me break it down for you.
00:10:00 Sarah will give you one more shot.
00:10:04 But MSA's no joke.
00:10:06 You gotta go to class, you can't
00:10:10 No chance, no way.
00:10:12 OK, fine, l'll battle you for it.
00:10:15 You win, l never saw you here tonight.
00:10:17 l win, you get your ass back home
00:10:20 first thing in the morning.
00:10:21 lf you're scared, say you're scared.
00:10:23 l wouldn't want to battle me
00:10:29 No smile?
00:10:31 What, you scared? You down?
00:10:34 Hold it, hold it.
00:10:36 We got royalty in the house.
00:10:40 - Oh, man.
00:10:42 You know we gotta
00:10:44 Clear the dance floor. Back up!
00:10:50 Brand new music.
00:10:52 Oh, man,
00:10:56 Use 'em or lose 'em.
00:11:01 Dre, you want to get this?
00:11:05 No, l got it.
00:11:06 ls she talking crazy?
00:11:08 You still dance like a little girl?
00:11:25 Let her know
00:11:56 Come on, l want to show you.
00:11:59 Oh, wow! He's killing you!
00:12:03 Whoo!
00:12:19 She punched it on you.
00:12:22 Did she stick you?
00:12:44 What you gonna do? He's not...
00:12:52 Oh, no!
00:12:56 lt's over. lt's over.
00:12:59 Come on, y'all. lt's all good, Andie.
00:13:08 lt's all right. You're good, ma.
00:13:13 Oh. Hey.
00:13:16 Don't sweat it. Everybody's
00:13:29 Are you running off again?
00:13:31 - No.
00:13:33 - l'm just trying to look out for you.
00:13:36 Yeah, whatever.
00:13:48 Let's get you out of here.
00:13:50 plus we've got to sell Sarah
00:13:52 - l thought she agreed.
00:13:56 No. l'm sending her
00:13:58 She's already on probation at school.
00:14:00 This is the one shot she needs
00:14:04 and be able to put it into a structure.
00:14:05 She's not going to school now.
00:14:07 What makes you think
00:14:16 - Piece of cake.
00:14:20 - That's the thanks for saving your ass?
00:14:22 Believe it or not, she thinks
00:14:25 - What?
00:14:27 My work here is done.
00:14:30 Now, all you have to do is get in.
00:14:34 l thought you said
00:14:37 l didn't say l'd get you in.
00:14:40 So, go show 'em what you got, all right?
00:14:42 Go hard, make me proud. Promise?
00:14:44 - Promise.
00:14:48 Stay out of trouble, all right?
00:15:01 Holy hell. l cannot believe
00:15:05 Well, it is this or Texas,
00:15:12 Don't blow it.
00:15:15 - Wait a minute.
00:15:17 lt can't be that bad, going here.
00:15:19 - She's hot.
00:15:21 - What?
00:15:24 - l guess.
00:15:27 We'll see you at rehearsal afterwards.
00:15:30 - Come on, Missy.
00:15:32 He was cute. You're mad
00:15:36 He wasn't looking at you
00:16:08 Boring. lt's a bunch of clones.
00:16:11 Just because they do turns
00:16:14 Very funny. Wake me up
00:16:18 l think we'd all agree that talent comes
00:16:22 l was brought here because
00:16:28 Nailed it.
00:16:32 Music, please.
00:16:35 - Thank you.
00:16:38 Yep.
00:16:42 - Hi.
00:17:34 Thank you, Miss, uh... West.
00:17:37 - Mm-hmm.
00:17:47 Well, she was different.
00:17:49 Kidding? That was the best dance
00:17:52 She's just a street dancer.
00:17:53 Blake, l thought you could
00:18:06 Hold that.
00:18:08 So what happened?
00:18:09 - You guys, l choked.
00:18:12 l tried to get it back
00:18:16 Sarah gonna have her
00:18:18 - Hello?
00:18:20 - Oh, here he comes.
00:18:24 Man, what y'all doing? Come on.
00:18:26 - How'd she mess up?
00:18:28 Yo, Rap.
00:18:34 - Looks like l'm staying.
00:18:36 - You are!
00:18:38 l knew you would.
00:18:41 Yo, we need a family meeting.
00:18:43 Yo, we got this gig
00:18:45 and we're not even close to being ready.
00:18:47 The Four-one-oh is a unit.
00:18:49 We're only as strong as
00:18:53 our new members are slacking,
00:18:55 Which means,
00:18:59 No excuses, no being late,
00:19:04 Are we clear?
00:19:05 - Crystal.
00:20:13 You're in my seat.
00:20:17 l'm kidding.
00:20:19 This is my seat, but l'll give you
00:20:23 Nice. Nice. Nice shirt,
00:20:27 You look fantastic today,
00:20:30 What's up?
00:20:31 l'm Robert Alexander, lll.
00:20:35 What's up. l'm Andie.
00:20:37 lt's like this. Give me your hand.
00:20:39 You got to blow it up.
00:20:44 Go by like that. Aye! Yeah?
00:20:46 lt's mine, so... Shh.
00:21:02 - You're not eating?
00:21:04 Tofu dogs are both
00:21:07 This is good.
00:21:11 Mmm.
00:21:14 Tastes like candy canes
00:21:19 - What?
00:21:27 Oh. l knew we could
00:21:30 Oh, what makes you think l need help?
00:21:32 What makes you think l need...
00:21:35 Trust me. l have what you need.
00:21:36 l have the inside on everything.
00:21:40 And who's hooking up.
00:21:43 - Who's that?
00:21:45 That's the music room.
00:21:48 where some of the greatest
00:21:55 l'm dead serious.
00:21:59 Sorry.
00:22:04 Oh!
00:22:06 You OK?
00:22:08 Hey.
00:22:11 Thank you.
00:22:13 We gotta stop meeting like this,
00:22:17 lt's Andie, right?
00:22:19 l'm Chase. Welcome to MSA.
00:22:22 Well, here l am.
00:22:24 You're an amazing little dancer.
00:22:26 - What?
00:22:28 Little? Really?
00:22:31 Well, you know, l wouldn't call
00:22:33 - l definitely was not trying to say...
00:22:36 Where have you been?
00:22:41 - Chase.
00:22:43 - How you doing?
00:22:46 - Yeah, we go way back.
00:22:49 We're actually late
00:22:53 We are?
00:22:54 - Yeah.
00:22:56 - That thing you told me?
00:22:59 Yes, you did. We're gonna go.
00:23:01 - Remember that thing?
00:23:05 - That thing you wanted to do?
00:23:08 l can't believe
00:23:11 That's extremely vital
00:23:13 - l don't know him.
00:23:16 Like a legacy. His parents,
00:23:19 And his brother is legendary.
00:23:21 - Dr. Collins is his brother?
00:23:24 He used to go here, then moved to
00:23:27 Oh, my God. That's him?
00:23:29 Yeah. lt's hard to believe,
00:23:32 So why'd he come back?
00:23:35 Good question.
00:23:36 Sources say he has some sweet deal
00:23:41 Which he's been trying to do.
00:23:43 One thing's for sure.
00:23:45 There's a lot of changes
00:23:48 Here.
00:23:50 Anyway, the Collins
00:23:53 Chase, he's a ladies' man.
00:23:56 - He's a player?
00:23:58 He's only recently taken the jersey
00:24:04 Oh, and that's Cyborg Sophie.
00:24:07 She's an MSA machine
00:24:09 She's a triple threat.
00:24:12 She won every competition out there.
00:24:15 But she just lost
00:24:17 the one for Chase's heart.
00:24:20 lt's like l've landed
00:24:22 He broke up with her a few weeks ago,
00:24:26 Just in time
00:24:30 See? l knew you'd come around.
00:24:33 Hello, everyone.
00:24:35 l hope you've all stretched
00:24:38 'cause we have
00:24:40 l'm sure that everyone
00:24:43 to move MSA into a new
00:24:47 Well, to encourage the donors,
00:24:51 where you will perform
00:24:52 to demonstrate what
00:24:55 lt should be a wonderful event.
00:24:57 You are all required to participate
00:25:01 So, let's begin with some improv,
00:25:04 Jimmy, you're up.
00:25:17 You're late. Not being on time
00:25:20 Already with that stuff, Blake?
00:25:22 - That's Director Collins.
00:25:27 Chase, show us what you got.
00:26:01 Not great. Could do better.
00:26:05 OK. Andie, you're up.
00:26:15 Are you serious?
00:26:17 Listen and interpret.
00:26:27 Andie. Andie!
00:26:31 Again, from the top,
00:26:52 Stop. Stop! Can l have
00:26:57 And bring your bags.
00:27:03 You understand you've been
00:27:05 You understand you've been
00:27:05 that others couldn't even dream of?
00:27:07 l put my name on the line for you,
00:27:09 and l'm beginning to wonder
00:27:12 You clearly have
00:27:14 Starting tomorrow l'm assigning you
00:27:18 Well, l can't. l gotta be somewhere.
00:27:20 Consider this an opportunity.
00:27:23 What?
00:27:25 Made a mistake
00:27:28 How many doctors did it take?
00:27:32 One, two, three, four
00:27:36 five, six, seven, eight, nine, ten
00:27:41 Just breathe.
00:27:44 - l was just...
00:27:46 l come out to the front steps
00:27:48 What? lt's not meditating.
00:27:50 lt's just, you know,
00:27:51 you had some pretty
00:27:53 - l was impressed.
00:27:56 - You're welcome.
00:27:58 Boy bands making a comeback?
00:28:00 Yeah. They have a course on it here.
00:28:03 l'm getting straight A's.
00:28:04 That wouldn't surprise me.
00:28:07 Look, it's been interesting
00:28:12 - Late for what?
00:28:15 - Rehearsal for what?
00:28:19 - Like a crew?
00:28:22 Knew it. Saw you at the Dragon.
00:28:24 - l don't know what...
00:28:27 l've just never had an in.
00:28:29 Hey, Chase, we're working
00:28:33 Are you coming?
00:28:34 Yeah, l'll be right there.
00:28:39 Sophie, l'll meet you in the rehearsal.
00:28:41 OK.
00:28:44 Look.
00:28:46 The Streets is about where you're from.
00:28:50 lt's not some school talent show.
00:28:52 There's no spring floors.
00:28:56 You use what you got and...
00:28:58 What makes you think you got it?
00:29:00 Weren't you late for something, Andie?
00:29:02 All dressed in yella
00:29:04 Went upstairs to kiss a fella
00:29:06 One, two, three, four
00:29:08 five, six, seven, eight,
00:29:11 - Bye, Andie West.
00:29:12 1 3, 1 4, 1 5, 1 6...
00:29:15 ...five, six, seven, eight.
00:29:17 One, two, three, four,
00:29:22 One, two, three, four.
00:29:26 You did that different.
00:29:29 Let me go figure this out.
00:29:31 Y'all just chill here for a second.
00:29:33 Where have you been?
00:29:35 l know, l'm sorry.
00:29:38 Will you cover for me with Tuck?
00:29:40 Don't l always cover for you? Yeah.
00:29:42 Yo, D, let me holler at you.
00:29:48 Yo, where you been?
00:29:49 l had to take care of some stuff.
00:29:51 - Yeah, with who?
00:29:54 Sarah asked me to take care of him
00:29:57 You still coming over tonight or what?
00:29:59 Yeah, yeah. Gonna take care
00:30:03 All right.
00:30:06 Yo! Start from the beginning.
00:30:08 OK, now, point your toe.
00:30:13 You see, you're sickling.
00:30:18 There should be no curve
00:30:20 all the way down to the tip of your toe.
00:30:24 - Ow! Ow!
00:30:26 - There. That's it.
00:30:28 Yeah, it's supposed to.
00:30:49 Pull in your stomach.
00:30:52 Now, tuck your butt.
00:30:54 Keep this leg turned out.
00:30:56 Turned out. Turned out!
00:30:58 Oh, my God.
00:31:11 Balancé, balancé,
00:31:15 turn, turn, down, finish.
00:31:25 Turn, turn, spot, spot!
00:31:27 Ready, and feet in front, feet back,
00:31:29 feet front, feet back. Come on.
00:31:31 And back and back
00:31:36 and back and back and back
00:31:38 Good! That's it.
00:31:47 Andie? There's dinner down here.
00:32:03 Yo, where D at?
00:32:08 She left me a message.
00:32:13 Guess she's missing out... again.
00:32:17 Guess so.
00:32:19 And then l was like,
00:32:22 Why would you say that?
00:32:24 - l thought it would be cool.
00:32:29 - lt's my mom.
00:32:33 - What?
00:32:36 Why? lt's the coolest thing ever.
00:32:39 OK, fine. Listen.
00:32:47 Here we go.
00:33:34 l don't even know him.
00:33:36 You were so sick.
00:33:39 - Whatever.
00:33:41 Why don't you dance here?
00:33:43 l can freestyle all right. Right?
00:33:45 But l didn't get in here for dance.
00:33:48 l didn't think l could do choreography.
00:33:50 But now l'm all about lighting design.
00:34:05 The end's not working.
00:34:09 Mixing those moves just feels wrong.
00:34:11 - Come on, man.
00:34:14 lf you put this here into a canon,
00:34:18 then bring it down. Step, step, stag.
00:34:21 Soutenu, double tour to the knee.
00:34:25 Nice, Jimmy.
00:34:32 Looks like someone's in a good mood.
00:34:35 Must be hard living in the shadow
00:34:38 Wow, that coming
00:34:42 l was kidding. You're right,
00:35:02 Look, l never called you an ass.
00:35:07 She just said that for dramatic effect.
00:35:18 lf you're trying to win her over,
00:35:19 you probably shouldn't
00:35:22 l'm not trying to win her over.
00:35:28 Then don't lead her on.
00:35:35 Andie.
00:35:37 - Hey.
00:35:39 l wanted to apologize
00:35:41 lt wasn't anything personal.
00:35:43 l had a really rough day
00:35:47 Oh, please.
00:35:50 and think about what
00:35:53 but thanks.
00:35:55 - l feel better now.
00:35:57 Make it up to you.
00:36:01 l can just take the bus.
00:36:03 No, come on. My car's
00:36:33 - There she is.
00:36:36 She missed
00:36:38 Hey, guys.
00:36:39 Miss thing girl. Where you been at?
00:36:43 Thank you for gracing us
00:36:45 - Rehearsal's done.
00:36:49 l got here as soon as l could.
00:36:52 No, l don't, but l'll tell you
00:36:55 Everybody's been asking,
00:36:58 l'm looking like an ass
00:37:01 so you can go dance around
00:37:04 - What is your problem?
00:37:06 - Ask her.
00:37:09 l said, ''Ask her.''
00:37:11 D, you gotta tell me something?
00:37:15 Yeah, the reason l've been late
00:37:19 is because...
00:37:23 ...l've been going to school at MSA.
00:37:25 So you've been lying to me
00:37:28 - Those ballet boys?
00:37:31 No, that's messed up, D. We're family.
00:37:34 l thought you said
00:37:37 The Four-one-oh
00:37:39 - You out.
00:37:43 lt's just been a crazy time.
00:37:45 lt's always been a crazy time with you.
00:37:48 Yo, let's go.
00:38:18 - Oh!
00:38:22 God...
00:38:27 Morning, sunshine.
00:38:29 The good times just keep on
00:38:32 Ouch.
00:38:34 - What got into you today?
00:38:36 As opposed to my winning charm
00:38:39 Fair enough. Two points to the new girl.
00:38:49 You want to talk about it?
00:38:54 - l got kicked out of my crew.
00:38:57 For being here.
00:39:00 l can't believe l messed this up.
00:39:03 They're the ones that messed up.
00:39:08 You should just start your own crew.
00:39:10 No, you can't just start your own crew.
00:39:12 - Why not?
00:39:17 - Besides, who would be in it? Me and...
00:39:21 - Us.
00:39:26 What else you gonna do?
00:39:28 Nobody here is gonna step out
00:39:31 Not the Sophie Donovans, but
00:39:34 Really?
00:39:36 There's this guy we call Hair.
00:39:38 He's this half hippy,
00:39:40 and he makes the sickest beats.
00:39:42 Teachers don't know
00:39:44 Can't put him in a class, gets bored,
00:39:50 There's Kido. She's this
00:39:52 obsessed with old-school
00:39:54 And, trust me, she doesn't need
00:40:02 Fly's the quiet one,
00:40:06 She's too tall to partner, but when
00:40:14 Which brings us to Monster,
00:40:17 He flips, he slides, he falls.
00:40:19 Whatever you need to make
00:40:23 But he never gets the spotlight.
00:40:31 Most know my boy, Cable,
00:40:34 But little do they know,
00:40:35 he's one of the best freestyle dancers
00:40:42 And, finally, Smiles.
00:40:45 Dopest dancer on the dance floor.
00:40:47 Unfortunately, MSA only sees
00:40:54 - Don't forget Moose.
00:40:57 - Yeah, trust me on this one.
00:41:00 But what makes you
00:41:03 They all have nothing to lose.
00:41:04 No!
00:41:06 You guys, listen up. Check it out.
00:41:09 Now, l know each and every one
00:41:12 to be forced to conform
00:41:16 Yeah, they wanted me to cut my hair.
00:41:18 Yeah, and fix my teeth.
00:41:20 - l like your teeth.
00:41:21 l like your accent.
00:41:23 What kind of accent?
00:41:25 The accent you have.
00:41:27 - l have no accent.
00:41:29 That's my point.
00:41:30 l know that each one of you guys
00:41:33 that this school doesn't know
00:41:35 l think it's time we do
00:41:38 - Like what?
00:41:39 and compete at The Streets.
00:41:41 - No, no!
00:41:43 Forget about what you heard.
00:41:46 The Streets is about the best dance crew
00:41:49 - We don't stand a chance.
00:41:52 l've seen you do stunts
00:41:54 There's a reason
00:41:56 Like this?
00:41:58 - That was hot.
00:42:00 Kido, you went crazy at the showcase
00:42:03 Oh, that was fun.
00:42:06 Hey, hey, hey, hey hey, hey.
00:42:08 - Get it, Kido.
00:42:11 She won't stop, she won't.
00:42:14 - So when is it?
00:42:16 Nobody knows when or where
00:42:19 So we have got to be ready.
00:42:21 Sounds good. Director Collins'd
00:42:25 - No way.
00:42:28 - Wow.
00:42:30 Borrowed and copied.
00:42:32 MSA after hours. l like it.
00:44:39 Yeah! Oh, man, we did good.
00:44:45 What do you say we go
00:44:49 All right,
00:44:52 Whoo! Oh, man! Put your hands up.
00:44:57 Put your hands up. l see you, baby!
00:44:59 Want your mama again?
00:45:01 Hey, yo, Leesh.
00:45:03 - Andie's here.
00:45:05 Right there.
00:45:08 She shouldn't be.
00:45:14 Yo, what you doing here, man?
00:45:16 Oh, please don't tell me
00:45:20 - No.
00:45:22 Getting ready to battle at The Streets.
00:45:24 What street, Sesame Street?
00:45:26 - What do you know about The Streets?
00:45:29 We're just here
00:45:31 This is how you've been wasting
00:45:35 Why don't you do your thing?
00:45:38 You got a thing that you do?
00:45:40 Why don't you show us now, homeboy?
00:45:44 - All right, let's go.
00:45:49 Hey, yo, DJ Sand!
00:45:52 Looks like we've got new fish in town.
00:45:55 Let's clear the dance floor.
00:45:58 Now, you come into my house,
00:46:01 Don't step in that circle
00:46:11 When do we start?
00:46:13 Five. Start on five when l start.
00:46:15 The music's playing already.
00:46:27 That's not how we do it here.
00:46:30 This ain't High School Musical.
00:46:34 That's how you dance?
00:46:36 We don't dance like that.
00:46:38 That's what you learned
00:46:40 Boo! Quit it!
00:46:42 That's atrocious.
00:46:44 That's it. No more.
00:46:47 No more.
00:46:51 That's how you dance?
00:46:53 We gonna show you
00:46:55 Y'all pick up a keychain
00:46:57 Tell your mama not to be late
00:47:00 You guys are garbage!
00:47:02 Lets get it. Four-one-oh,
00:47:06 Let's get it started. Here we go.
00:47:07 Four-one-oh, forget them.
00:47:26 That's what l'm talking about.
00:47:29 See how they entertaining?
00:48:00 - That's how we do it.
00:48:05 You can't learn that in school!
00:48:07 Let's just...
00:48:11 Come on.
00:48:15 Guys, come on.
00:48:15 Guys, come on.
00:48:18 You can't let it get you down.
00:48:19 We didn't work
00:48:22 Shouldn't have
00:48:24 We looked like idiots.
00:48:26 Chase, the choreography
00:48:29 No, it wasn't.
00:48:31 l'm telling you.
00:48:36 - Hey.
00:48:42 What are you doing here?
00:48:44 Things got out of hand last night.
00:48:45 Yeah. Thanks for your support.
00:48:47 Look, l'm sorry.
00:48:49 What they did to you was wrong.
00:48:51 - But you should know that l quit.
00:48:54 Yeah. They're on such
00:48:57 l thought we were supposed
00:48:59 And it just wasn't
00:49:03 But, look, l miss you.
00:49:07 My family's having
00:49:09 Why don't you come through?
00:49:10 - So that's why you came by?
00:49:17 You know, Felicia is going to
00:49:20 Felicia should be the last
00:49:24 l swear, we're really not that bad.
00:49:27 Really. Come on.
00:49:33 Hey, you guys,
00:49:36 She's here to, uh... help us out.
00:49:40 Help us out?
00:49:43 Our respect
00:49:45 Sure did.
00:49:53 Hold up, hold up, hold up.
00:49:55 What are y'all talking about,
00:49:58 Like respect is going?
00:50:01 What are you all thinking
00:50:03 What's The Prank?
00:50:05 Yo, D, you ain't tell them
00:50:09 The Prank is what the crews do to show
00:50:12 lt's a public declaration
00:50:16 The crazier it is, the better.
00:50:17 For proof you gotta record it
00:50:20 Then it spreads like wildfire.
00:50:22 And if you guys hit it like l know
00:50:28 l got an idea.
00:50:30 Watch this, watch this! Oh-ho!
00:50:33 Been runnin' that ball
00:50:36 That's what l'm talkin' about.
00:50:38 - Yo, man.
00:50:40 Why's my crib smell like Funyuns,
00:50:43 lt's your boy, Crumbs.
00:50:46 lt's the coffee, bro.
00:50:50 Yo, Tuck, come see this.
00:52:45 Oh, dang!
00:52:46 - Relax, relax.
00:52:58 Man, clean this fish up!
00:53:25 Moose, what are you doing?
00:53:26 Maybe we should put you back
00:53:29 Who's we?
00:53:43 Hey, what are you guys doing?
00:53:45 - Hi, Sophie. What's up?
00:53:49 Why are you here on a Saturday?
00:53:50 We were gonna do the same thing,
00:53:53 - We gotta roll, so we'll see y'all.
00:53:56 To my house. My family's
00:53:59 - Yeah, yeah, barbecue.
00:54:01 Let's be out.
00:54:07 Are you going with them?
00:54:09 Uh, yeah, yeah.
00:54:13 But l'm not really sure
00:54:16 l'd love to.
00:54:19 All right.
00:54:25 Watch your step. Welcome.
00:54:27 - Look at how nice it is.
00:54:30 Come down, hurry up.
00:00:05 How are you?
00:00:08 We missed you.
00:00:11 - Have some food.
00:00:13 You're coming with me.
00:00:15 - Where are we going?
00:00:28 l can't believe l'm doing this.
00:00:30 What's wrong with what l had before?
00:00:32 Latin men like their girls
00:00:35 A fact you'll appreciate
00:00:37 You are not setting me up.
00:00:39 Alejandro's nice. Plus he just got here.
00:00:41 You're pimping me out
00:00:44 can get a green card?
00:00:45 He's from Florida.
00:00:47 Trust me, if he was not my cousin,
00:00:50 - You're sick.
00:00:52 And l'm hungry,
00:00:54 l guess.
00:00:57 Ooh, Miss Thing, you got titties?
00:00:59 Why you trying to look
00:01:10 - Hey, cuz.
00:01:12 How you doing?
00:01:14 Andie, my cousin, Alejandro.
00:01:16 - Nice to meet you.
00:01:18 l'm just gonna sit down
00:01:20 - You want to dance a real dance?
00:01:23 Come on, mama.
00:01:47 - May l borrow your boyfriend?
00:01:51 lt doesn't matter. lt's just a dance.
00:01:54 lt's just a dance.
00:02:42 Andie, come here.
00:02:43 You should really wait your turn.
00:02:45 - Ooh.
00:02:48 l didn't know you could salsa.
00:02:50 There's a lot you don't know about me.
00:02:52 Which is surprising, considering
00:02:55 Ooh.
00:03:58 What's going on over here?
00:04:15 My goodness, Aunt Maria.
00:04:20 - l'll hit you up on MySpace sometime.
00:04:23 Thank you. You are charming.
00:04:25 - Thank you so much.
00:04:27 Me, too. Don't tell
00:04:29 - Bye.
00:04:36 - God?
00:04:39 You want to fly up here and give me
00:04:43 Sophie, what's up, girl?
00:04:45 You got a lot of stuff going.
00:04:49 Thank you.
00:04:51 Gracias, gracias.
00:04:55 Mom's gonna kill me. Hurry up.
00:04:57 - Hurry up!
00:05:02 Sophie, l'll do it, l'll do it.
00:05:03 l'll do it. You're welcome.
00:05:07 - There we go.
00:05:10 No, it's not that bad.
00:05:13 - Yes, it is.
00:05:17 - All right. Tree climber.
00:05:23 All right, this is gonna
00:05:29 ...for what it's worth,
00:05:35 l think you were doing
00:05:37 That's just the thing.
00:05:41 since l first learned to walk.
00:05:43 But it's always been about
00:05:48 But, ever since you came,
00:05:56 Oh, geez.
00:06:01 Well, l know what you mean.
00:06:04 My mom always used to tell me,
00:06:11 When l was little
00:06:12 'cause l was like,
00:06:16 - l bet you miss her.
00:06:25 When she got cancer, it was like
00:06:29 l've just been running ever since.
00:06:32 But now l can't find my way back.
00:06:38 Well, maybe it's not about going back.
00:06:42 Maybe it's about being
00:07:20 l heard you was
00:07:22 What, you not joking now?
00:07:25 Come on, guys,
00:07:28 You thought it was real funny,
00:07:31 - Tuck, it's a joke.
00:07:33 Just 'cause you hang out with D
00:07:37 She don't know where she came from.
00:07:39 You don't know anything about her.
00:07:42 So now you defending her?
00:07:45 Yes, l am.
00:07:47 At The Streets?
00:07:55 Unless you want some more of us,
00:07:57 l suggest you stay away
00:07:59 And stay farther away from Andie.
00:08:05 Come on, get up, fool.
00:08:08 Get up!
00:08:10 Yeah. Ha.
00:08:12 You're not so funny now,
00:08:13 are you, clown?
00:08:15 Hey, yo, Tuck.
00:08:38 Hey.
00:08:39 - Chase, what's going on?
00:08:43 - Hi.
00:08:44 How you doing? ls everything OK?
00:08:49 Yes, everything's OK.
00:08:55 - Oh, my God. What happened to you?
00:08:58 Don't worry. Listen,
00:09:00 That is not nothing.
00:09:03 Just forget about it. Let it go.
00:09:28 Who did this?
00:10:04 Does anybody know
00:10:12 This school will not be associated
00:10:15 Any future involvement
00:10:17 by our students in The Streets
00:10:21 And anyone with any information
00:10:27 Get this place cleaned up.
00:10:36 Man, l can't believe
00:10:38 Now we have Director Collins
00:10:40 - Glass is all over the floor.
00:10:43 l don't understand.
00:10:44 These guys are no joke.
00:10:46 Collins was pissed.
00:10:47 - Graffiti was everywhere.
00:10:50 - We could get expelled.
00:10:53 if l got expelled.
00:10:54 l'd have to go to a regular school
00:10:57 Hey, guys.
00:11:01 This has gotten way out of hand.
00:11:05 l'm really sorry
00:11:07 Andie, don't say that.
00:11:09 l put everything you guys
00:11:11 And it's not fair.
00:11:13 - We're all in on this together.
00:11:17 No, it's over.
00:11:21 The crew's done. l don't know
00:11:25 Andie West, Director Collins
00:11:51 By being involved in this
00:11:54 behavior into my school
00:11:57 And now the studio
00:12:01 lt wasn't exactly like that.
00:12:04 l thought l could train you,
00:12:06 turn you into the dancer
00:12:10 But l was wrong.
00:12:12 There's nothing
00:12:14 who doesn't appreciate
00:12:18 l understand.
00:12:23 You know, l really did try.
00:12:32 l'm not done.
00:12:36 Was there anyone else involved
00:12:41 No.
00:12:44 No one else. Just me.
00:12:46 Then l have no choice
00:12:49 - But l didn't...
00:12:51 That's it. l'm finished. Please leave.
00:13:05 Andie.
00:13:07 There you are.
00:13:09 - What are we gonna do?
00:13:12 Everything's done.
00:13:15 l think it's pretty clear that
00:13:19 Whoa, Andie.
00:13:21 Don't do this.
00:13:26 Please just... Just let it go.
00:13:38 - You got that?
00:13:41 You're my big strong boy, huh?
00:13:43 l am your big strong boy.
00:13:57 Your school called.
00:13:59 l know l said things
00:14:01 l know what happened.
00:14:02 No more excuses, Andie.
00:14:05 You're going to your aunt's
00:14:15 lt was my idea.
00:14:17 - Your idea for what?
00:14:19 lf you're gonna throw someone out
00:14:23 Don't be ridiculous.
00:14:25 How would that make me look?
00:14:27 l'm not gonna let her
00:14:29 l should never have let her in.
00:14:30 lt didn't benefit us in any way.
00:14:33 Not everything we do has to benefit us.
00:14:36 Some people, Andie in particular,
00:14:40 lsn't that why we started dancing
00:14:42 Look, l have a lot to do
00:14:46 And so do you.
00:14:47 My decision about Andie is final.
00:17:15 Oh, Peggy Beckham.
00:18:08 See, this is our new building.
00:18:10 Made of glass
00:19:11 Hey. ls Andie here?
00:19:13 Andie?
00:19:15 lt's for you.
00:19:22 - What are you guys doing here?
00:19:25 Eighth and Main, The Streets.
00:19:28 No, but what about the fundraiser?
00:19:30 - You could all be expelled.
00:19:32 - We don't want the school to move.
00:19:35 - Like you did.
00:19:37 - Then we don't want you.
00:19:40 We do want Andie.
00:19:44 - Yes.
00:19:47 and took the fall for us
00:19:50 Andie, that's why we're here.
00:19:52 We've all made a lot of mistakes,
00:19:55 We can go all the way.
00:19:57 Come on, are you in?
00:20:00 l can't.
00:20:02 l promised Sarah
00:20:04 Andie?
00:20:07 Can we talk a minute?
00:20:09 Yeah. l'll be right back.
00:20:20 l made a promise to your mom
00:20:22 l want to keep it.
00:20:24 l know.
00:20:26 l understand that
00:20:31 You know, you remind me
00:20:34 You have her passion.
00:20:37 She was a really good friend
00:20:40 Just like you are to them.
00:20:43 l just feel like l finally found
00:20:49 l found people who believe in me.
00:20:51 l believe in you, too.
00:20:54 l've seen a change in you.
00:21:00 You should go tonight.
00:21:04 Really?
00:21:08 She'd want you to.
00:21:14 Let's do this.
00:21:22 Baltimore, y'all ready?
00:21:27 We gonna get down to it,
00:21:30 The dopest squad.
00:21:33 lt's The Streets, baby.
00:21:39 - Take a left.
00:21:41 Faster, faster! l love America!
00:21:48 Whoo!
00:22:07 lt's your man, DJ Sand,
00:22:10 We're getting ready to get
00:22:12 Can y'all handle that?
00:22:15 Come on, let's get wild, man.
00:22:18 Yo, man, you see this?
00:22:23 - Are you coming?
00:22:37 What part of ''You don't belong here''
00:22:40 Why don't you chill?
00:22:42 We're just trying to perform here
00:22:44 Yo, homey, this is how it is.
00:22:46 You're not invited.
00:22:49 For locals only.
00:22:51 Besides, that jazz funk
00:22:54 ain't gonna cut it here.
00:22:55 Neither will those moves
00:22:58 And by the way,
00:23:00 but l think that fish
00:23:03 Watch your face.
00:23:06 - Don't disrespect me in my place.
00:23:09 You're think you're funny?
00:23:10 You want to tell me
00:23:13 They're at The Streets.
00:23:16 The Streets?
00:23:19 - l have to stop this.
00:23:23 You always tell us that dance
00:23:26 l never meant for anyone...
00:23:27 l think that a lot of people
00:23:31 Can't allow my students
00:23:34 Well, there's a reason
00:23:38 You should take a look.
00:23:41 - And you are...?
00:23:44 But you can call me Moose.
00:23:46 You dance?
00:23:49 Damn right, l dance.
00:23:52 OK, Goose, let's go.
00:23:54 - No, it's Moose.
00:23:56 Wait. l'm coming with you.
00:23:58 lt's the moment
00:24:00 At this time, let me introduce
00:24:04 Give it up, make some noise,
00:24:23 Get it, Four-one-oh, let's go!
00:25:54 Let's go!
00:26:47 Check it out, baby!
00:26:48 Check it out, baby!
00:26:50 Give it up to the Four-one-oh!
00:26:53 All right, you've seen 'em all.
00:26:55 Tell me who the hottest crew
00:26:57 That's what you think? l don't know,
00:27:00 - All right, y'all, let's hit it.
00:27:03 No, B, we're from the hood.
00:27:06 Yo, this is a neighborhood battle.
00:27:09 You're out of luck.
00:27:13 That's mad wack, B.
00:27:14 We're gonna get to it,
00:27:21 Andie!
00:27:27 Hey, yo, it's not done yet.
00:27:30 - My crew's back there. We want a shot.
00:27:33 Not from around here,
00:27:35 Hey!
00:27:36 - Yo!
00:27:39 Look.
00:27:41 We're all here because...
00:27:44 All right, all right.
00:27:48 Some of you guys think
00:27:51 - What is she doing?
00:27:53 You are not the valedictorian.
00:27:56 All right, all right.
00:27:58 Let me just say something.
00:28:00 The Streets are supposed to be about
00:28:06 We call this a battle,
00:28:09 We're all here because we have
00:28:12 Right?
00:28:14 Being a part of The Street
00:28:17 lt was about bringing
00:28:22 And it shouldn't matter what we wear,
00:28:24 what school
00:28:27 Because the best part of The Streets
00:28:31 lt's what you make of what you've got.
00:28:37 So, if the Four-one-oh is too scared
00:28:41 then, hell, we'll be outside doing
00:28:48 We'll accept that.
00:29:10 l'm sure we've got something
00:29:12 - La-da!
00:29:15 Hit it, hit it, hit it.
00:32:58 Go, go, go!
00:34:07 Yeah, we did it, baby.
00:34:09 Whoo-hoo!
00:34:14 All right! Whoo!
00:34:28 Well. That was different.
00:34:32 Yes, sorry about
00:34:35 Yeah. l guess that
00:34:38 l'll keep working on that.
00:34:39 Yeah, you will, in my class.
00:34:42 Oh, my God!
00:34:44 Whoa. Hey, Moose!
00:34:47 Yeah, you.
00:34:48 l think you might be
00:34:53 Now, if you'll excuse me,
00:34:55 l have a little explaining to do
00:34:58 Oh, yeah.
00:35:02 So, see, l told you
00:35:04 Yeah, yeah. Whatever.
00:35:06 Whatever.
00:35:12 Blow it up.
00:35:13 - Moose, hey.
00:35:17 - How you doing?
00:35:19 - Did you see us?
00:35:21 Sliding and flipping.
00:35:23 l was just doing it,
00:35:32 That's what l thought.
00:35:41 Andie! Andie!
00:35:43 Hey!
00:35:44 Happy birthday.
00:35:46 Blow out your candles.
00:35:47 You did so good.
00:35:49 - Andie, l love you.
00:35:53 l gotta go.
00:36:11 l thought you said we couldn't
00:36:14 l thought you said
00:36:18 Look around. You brought