Avenging Angelo

en
00:01:34 [My name's Frankie.]
00:01:35 [Frankie Delano.
00:01:38 [That's what l do. l try to stay
00:01:46 [The man who employs me is Angelo.]
00:01:48 [Angelo Allieghieri, who is
00:01:50 [..by some
00:01:57 [But good or bad, he is a father
00:02:00 [..for years, had me watch
00:02:03 [..doesn't even know
00:02:06 [..which really complicates things.]
00:02:13 [ln the last few months,
00:02:16 [..film messages to his daughter.
00:02:19 [..his life in order,
00:02:21 [..like he knows something
00:02:24 Hey, Frankie?
00:02:28 ..something for you? You know,
00:02:32 Please, Angelo, it's gonna
00:02:34 Come on!
00:02:38 Frankie, if she ever leaves
00:02:44 You can't keep doing what you
00:02:48 Now, Frankie, watch out.
00:02:51 For what?
00:02:52 Watch out for the one..
00:02:54 ..who feels pain..
00:02:58 ..and wants you to know it.
00:03:02 All right.
00:03:04 Turn it on.
00:03:06 You know,
00:03:10 ..it's become like
00:03:13 ..never knowing
00:03:17 ..or if they're simply
00:03:20 Because all l have left
00:03:33 [See, that's what Angelo
00:03:35 [..that she was all he had left.
00:03:37 [..because, even though l never
00:03:41 [..he also had me. See,
00:03:43 [..like you would your own father.]
00:03:45 Come on.
00:03:47 Before we lose 'em.
00:03:49 [So it was hard for me, too,
00:03:52 [..as her world fell apart,
00:03:55 [..to that husband
00:03:57 [..to some distant
00:04:01 l see him! ln the plane!
00:04:04 Rawley! Rawley!
00:04:07 l didn't mean to send you away,
00:04:10 Jennifer! Jesus! God, what
00:04:14 Look at him.
00:04:18 A willow in the wind.
00:04:20 - Get back in the car!
00:04:23 Jennifer, for goodness' sake,
00:04:26 Get back!
00:04:29 Bloody hell!
00:04:31 l feel her sadness.
00:04:36 ..her only child.
00:04:39 l don't understand that.
00:04:44 But then, l do.
00:04:48 Jennifer, for God's sake,
00:04:51 Our little soldier is going off to
00:04:54 - He's seven! - And you're
00:04:59 Have you ever considered,
00:05:02 - What?
00:05:04 Well, l thought maybe it'd,
00:05:09 You know, this can be
00:05:12 ..it would be my pleasure.
00:05:15 - l understand.
00:05:20 The distance.
00:05:37 We send our son off to military
00:05:39 ..by nothing but boys. You fire
00:05:42 The furniture is in storage,
00:05:44 ..because you invested
00:05:46 ..or something or other. We don't
00:05:50 - Where's my FedEx package, or did
00:05:54 How can you be so blasé?
00:05:57 You know, you really have
00:06:01 A grip on what?
00:06:02 Seriously.
00:06:05 - You keep asking me that.
00:06:07 - So go out and get a job.
00:06:10 But you said a mother's place
00:06:12 Besides,
00:06:23 Everything we funnel..
00:06:26 ..through
00:06:30 ..he manages to lose.
00:06:36 Look at her now.
00:06:40 Probably, nerves.
00:06:44 You know, when l'm gone,..
00:06:48 ..you're gonna have
00:06:52 ..and fatten her up.
00:06:57 l'm afraid you're
00:07:01 Everybody's goin'..
00:07:05 ..somewhere.
00:07:15 There's no need for the cannon.
00:07:18 Twenty-two should be all we need.
00:07:22 Let the old man finish his meal.
00:07:39 An ill wind
00:07:42 l am so messed up.
00:07:43 l just sent my baby boy
00:07:48 Oh God! l am so wired.
00:07:50 - ls that what's going on?
00:07:52 ..men get heart attacks. We don't.
00:07:55 Can you breathe?
00:07:58 - Oh, God!
00:08:00 Momma's little helper
00:08:02 l want you to take one of these.
00:08:04 Sweetie, take two. And leave
00:08:07 - What are these? - Her husband
00:08:09 Well, for me,
00:08:12 Jennifer, l said take two pills.
00:08:15 l don't know!
00:08:18 - Well, bon voyage, darlin'.
00:08:30 Scusi.
00:08:36 Officer!
00:08:39 - You're in a no parking zone.
00:08:42 What does Angelo see
00:08:44 l could run circles
00:08:47 - Does Malatesta know about....
00:08:51 Know about this? There's
00:08:53 As for you, don't sweat
00:08:58 This frickin' song.
00:09:00 lt makes my heart weep
00:09:03 Yeah.
00:09:06 A twinge? What kind of person
00:09:10 ..when you hear a song like this?
00:09:12 So, what do you get?
00:09:18 Let me get this straight.
00:09:20 ..distance here is not negotiable?
00:09:23 Okay. Well, how about
00:09:25 And how about
00:09:27 How about you not?
00:09:29 - lf you weren't so cute.
00:09:40 Nice shine.
00:09:53 Must be Bruno.
00:09:59 Any last words?
00:10:02 Yeah. Try the clams.
00:10:50 Hey! lt's a good thing l didn't
00:10:53 ..l would had
00:10:54 Sorry for the inconvenience.
00:11:02 Hello?
00:11:04 What?
00:11:06 l'm on my way.
00:11:10 My son has a temperature
00:11:13 Oh. He'll be all right.
00:11:16 l gotta go.
00:11:18 Later, lucky ones.
00:11:21 Good afternoon,
00:11:23 We have a very special treat
00:11:26 All due to the very hard work
00:11:31 Please join me
00:11:34 ..Marcello Della Rosa!
00:11:46 lt seems there are no men.
00:11:48 Pity.
00:11:50 lf you will indulge me,..
00:11:52 ..l would prefer to let
00:11:56 l've taken the liberty
00:12:00 ..the book l published last year.
00:12:03 Then, if you must,
00:12:06 But please be gentle.
00:12:12 ''He stood on the cliffs
00:12:15 ''..the cliffs of his Sicilia.''
00:12:18 ''All about him swirled sounds
00:12:23 ''The cry of the sailor''.
00:12:26 ''He was home''.
00:12:28 ''With ghosts of ships
00:12:32 ''Come, you Romans,
00:12:35 ''You dark-eyed,
00:12:41 ''l've waited
00:12:44 ''For time is a thief,
00:12:50 Never, Jennifer.
00:12:55 Oh!
00:14:35 Jesus Christ!
00:14:42 Now, Jennifer, this is not
00:14:45 ..of your scenes.
00:14:46 lt's not
00:14:48 You have no clue
00:14:51 You're doing her in the pool,
00:14:54 - Jen-Jen...
00:14:57 You were supposed
00:14:59 ..and now you're nothing
00:15:02 Now l know why you wanted me
00:15:05 Get out of here!
00:15:08 Oh!
00:15:13 Jennifer,..
00:15:14 ..you have to take your share
00:15:17 - My share?! - Yeah. do you have
00:15:20 ..while you've been off
00:15:23 You are just
00:15:36 Oh, man!
00:15:50 You creep.
00:16:38 You're not coming back here
00:16:41 There's nothing you can do
00:16:42 And you are not gonna
00:16:50 Jesus!
00:16:58 Ma'am, please.
00:17:01 lf you don't mind?
00:17:07 Hello.
00:17:10 - You're hurt?
00:17:12 You're bleeding.
00:17:14 - That's what happens
00:17:16 - Yes, ma'am. - You've been shot?
00:17:18 ..as bad as it looks. Really.
00:17:20 Well, you're at the wrong house.
00:17:23 - You want Queens. Maybe Brooklyn.
00:17:28 l'm at the right house, Jennifer.
00:17:35 - l know you, don't l?
00:17:39 l'm so sorry. l can't
00:17:42 Frankie.
00:17:44 Oh, right! Frankie.
00:17:46 You used to deliver groceries
00:17:48 Yes, ma'am.
00:17:52 The news
00:17:54 Come again?
00:17:56 l presume
00:17:59 - What news?
00:18:02 Sources close to the investigation
00:18:06 ..that it had the trademark signs
00:18:11 We've gotta
00:18:13 lt's,..
00:18:14 ..not necessary.
00:18:18 The police?
00:18:19 Definitely not necessary.
00:18:21 Well, so what do we do?
00:18:24 That's what you said, right?
00:18:27 Ma'am, do you happen
00:18:29 ..a DVD player?
00:18:31 Yes, ma'am, a DVD player.
00:18:35 - lt's been shot. - Shot?
00:18:38 DVD's been shot. A lot
00:18:44 There's another one
00:18:55 l'm a little drunk and goofy
00:18:58 ..so if l happen to say
00:19:01 ..l'd like to apologize
00:19:04 ..the towels over there.
00:19:07 Great breasts. Absolutely great.
00:19:11 - Apology accepted.
00:19:14 Could you please play this?
00:19:19 You're not gonna do what
00:19:22 lt's okay. lt's no big deal.
00:19:24 - l've done it before.
00:19:30 Ow! Ow!
00:19:32 Shh!
00:19:36 Oh, smart son of a....
00:19:41 lt's okay.
00:19:44 - Just two more.
00:19:48 My dear Jennifer.
00:19:54 Did he just say
00:19:57 Could you pass me
00:20:08 lf you're watchin' this,..
00:20:11 ..l am dead.
00:20:13 How does he know who l am?
00:20:14 - Why is he telling me this?
00:20:17 ..because you are not
00:20:20 Well, right now,
00:20:22 There was a war..
00:20:24 ..in New York.
00:20:25 He had a lot of enemies at the time.
00:20:28 There was Sammy Carboni
00:20:31 And the same with Lucio Malatesta,
00:20:35 ..to get Angelo, they wanted
00:20:41 So Malatesta gave Sammy
00:20:45 lt was his way of making sure
00:20:48 ..where to find Sammy.
00:20:52 And since this hit man was
00:20:55 ..it looked like Angelo
00:21:01 And when the hit man
00:21:04 ..who was there left to tell
00:21:06 ..with our guy laying dead there
00:21:10 Wow.
00:21:13 But what kind of hit man,
00:21:16 ..Bruno junior, waitin' in the car
00:21:20 ln the hospital,..
00:21:23 ..Sammy Carboni's first visitor..
00:21:26 ..was, of course, Lucio.
00:21:29 Lucio Malatesta,
00:21:33 l come to tell you
00:21:36 ..was one of Angelo's men.
00:21:40 Lucio. My son, little Gianni.
00:21:47 ..to watch him grow into man.
00:21:50 lf Angelo..
00:21:52 ..ever has a child,..
00:21:55 ..find it. Kill it.
00:22:00 My wife, Maria,..
00:22:03 ..was pregnant,
00:22:07 ..to the village of Castellammare.
00:22:11 What more could l want?
00:22:13 My beloved wife,..
00:22:16 ..her child on the way.
00:22:20 The opera house that l was..
00:22:22 ..renovating to hear the music
00:22:32 My wife died in childbirth.
00:22:48 l do not have the words..
00:22:53 ..for my grief to this very day.
00:22:57 This is just the saddest.
00:23:00 His young wife dies giving
00:23:07 - They had a daughter.
00:23:09 And when he came to America,
00:23:12 ..but he had enemies over here.
00:23:15 ..they woulda killed the baby.
00:23:18 So he found this childless couple
00:23:21 ..and he gave the husband a job,
00:23:28 ..in Glen Cove.
00:23:29 Well, that's where l lived.
00:23:34 And even though she had dark hair,
00:23:41 ..he still let them adopt her.
00:23:46 Ah, is it getting warm in here?
00:23:49 So he took care of all
00:23:56 That the girl never know
00:24:01 ..because if she were to know....
00:24:06 ....and his enemies
00:24:09 So her parents never told her.
00:24:12 But now..
00:24:15 ..it's time she knows.
00:24:17 - Now it's time for you to know.
00:24:23 - l....
00:24:27 ....am your father, Jennifer.
00:24:30 You..
00:24:32 ..are an Allieghieri and we..
00:24:35 ..do not bow down!
00:24:42 Night, Jennifer.
00:25:14 Who is it?
00:25:15 l've got a gun!
00:25:17 Somewhere.
00:25:19 - lt's only me, ma'am.
00:25:24 Good mornin'.
00:25:26 Please don't close the door.
00:25:30 Claustrophobic?
00:25:32 My phobias are none
00:25:37 l'm calling the police.
00:25:38 Please, please, please.
00:25:42 Are you gonna hurt me?
00:25:45 No.
00:25:48 Look what l got here.
00:25:51 ..a little polenta, a little
00:25:54 ..and a lot of espresso.
00:25:57 l know. You have black coffee,
00:26:01 - Jam once a week.
00:26:03 Please,
00:26:07 - Are you all right? - Yes.
00:26:11 Please.
00:26:21 Big house.
00:26:26 ls that your way of asking me
00:26:29 No, no.
00:26:30 Well, my son's off at military
00:26:33 At seven.
00:26:35 My husband's idea.
00:26:39 That's my idea.
00:26:43 - You really like cooking?
00:26:47 You ought to try the polenta.
00:26:50 See, your father always
00:26:52 - My father?
00:26:55 That's it.
00:26:56 Enough already, Frankie,
00:26:59 ..whatever your name is. He
00:27:02 l..
00:27:03 ..have a real-life father
00:27:08 Wait!
00:27:09 Stop!
00:27:10 - Could you just wait a minute?
00:27:13 l'm not gonna stop you,
00:27:16 l just wanna talk to you
00:27:22 Look, if you need
00:27:24 Last night did not happen.
00:27:26 So when l come back,
00:27:29 Thank you for breakfast.
00:27:35 Where are you going?
00:27:38 Where are you going?
00:27:41 Therapy!
00:27:42 Come on.
00:27:44 Oh, yeah.
00:27:47 Shopping.
00:27:55 Are you okay?
00:28:15 May l help you?
00:28:16 - And your name would be?
00:28:19 Allison, may l see everything
00:28:22 - Everything? - l wanna melt
00:28:30 Cassidy, we have a no-limit on our
00:28:43 Oh, thank you. Thank you.
00:29:19 My God!
00:29:20 lt's all right.
00:29:27 Oh, God! Oh, God! A hit?
00:29:31 - Yes, ma'am, it was. - Oh, God!
00:29:34 l'd say Lucio Malatesta
00:29:36 List? What list?
00:29:38 People are lining up
00:29:41 A Thanksgiving turkey
00:29:43 - Let me drive this car, ma'am.
00:29:46 l know it's yours,..
00:29:47 ..but l think l'm in a little
00:29:50 - l am perfectly capable of driving.
00:29:52 You're probably a very good driver,
00:29:54 ..who should be driving the car.
00:30:06 Maybe it's my fault, ma'am.
00:30:08 Maybe they followed me
00:30:10 Great! Just great. Until l met you,
00:30:13 ..of shopping for shoes
00:30:19 What is that cologne
00:30:22 ls it Brut?
00:30:25 You know, ma'am, could we be just
00:30:29 - Well, l am on edge, you know!
00:30:31 ..but l'm really gettin'
00:30:33 Oh, pardon me all over the place.
00:30:36 ..l almost didn't even have a head!
00:30:38 And what's with this?
00:30:42 Ma'am, what you're doing is you're
00:30:45 ..and that often happens
00:30:48 You know all about those things,
00:30:51 ls that what you are? No,
00:30:54 l'm a bodyguard,
00:30:57 So you were my father's
00:31:00 And so now you're my bodyguard?
00:31:04 Boy, am l getting
00:31:07 Do you have any idea
00:31:09 He is a very successful
00:31:12 ..who will make your life
00:31:14 lt's gettin' there.
00:31:16 Ma'am please, l'm sorry.
00:31:19 l want to see my father, now.
00:31:21 - Your father was Angelo.
00:31:32 Mother?
00:31:33 ln here, dear.
00:31:35 My God, did you hear
00:31:38 - There was a shootout! Just
00:31:41 l need to talk to you
00:31:44 l think l just heard
00:31:48 ..racquetball lesson. - When did
00:31:56 Your father's having an affair.
00:31:59 With the racquetball instructor.
00:32:05 How old is she?
00:32:06 Well, the she is a he.
00:32:09 Jen-Jen?
00:32:14 Daddy?
00:32:16 Jen-Jen!
00:32:19 Hello, loved one.
00:32:22 My, my.
00:32:25 Someone is looking fabulous!
00:32:28 Daddy,
00:32:30 ..but have you switched..
00:32:32 ..affiliations?
00:32:37 This doesn't change
00:32:40 After all,
00:32:42 l'm feeling better than ever,
00:32:45 He's gotten me into great shape,
00:33:00 There is something completely
00:33:03 No kiddin'.
00:33:07 So what'd they say?
00:33:09 Exactly what l expected, thank you.
00:33:12 ..my parents and that you,
00:33:16 So there. The emotional extortion
00:33:19 - Furthermore, when my attorn --
00:33:24 ls there a place where people go
00:33:27 Talking all the time in a manner
00:33:31 ..induce a migraine in a rock?
00:33:34 Don't you understand
00:33:36 - This is too, me.
00:33:39 Do you know what is you?
00:33:41 Don't kill my parents!
00:33:45 They're not your parents.
00:33:47 Please, promise me
00:33:51 For the record,
00:33:53 lt's whack.
00:34:02 How you doin', Whitney?
00:34:03 - Very well, Frankie. And you?
00:34:07 Yeah, l hear.
00:34:09 You look good, Whitney.
00:34:12 You always did notice
00:34:14 Wait.
00:34:16 You two weren't lovers.
00:34:21 Whitney,..
00:34:23 ..it's time. Come on.
00:34:29 Do it.
00:34:42 Come on. Come on.
00:34:52 Simply put,
00:34:56 ..you were
00:35:00 You took my finger
00:35:03 You kept saying
00:35:06 ''Pretty''.
00:35:11 Of course we took you.
00:35:14 We would've taken you without
00:35:17 ..has been endlessly spectacular.
00:35:21 l've really given you nothing,
00:35:27 ..ridiculous heart.
00:35:34 Daddy.
00:35:42 Mom, the food's better
00:35:45 Well, l guess it's better
00:35:48 l never really
00:35:51 No! No.
00:35:53 That's good.
00:35:57 Yeah, but, you know, sweetheart,
00:35:59 ..to you about is, genetics.
00:36:03 You know, the way things get passed
00:36:06 Like,
00:36:09 Well, at least, l still
00:36:14 Uh, no.
00:36:16 l guess what l'm tryin' to say,
00:36:19 ..how are things in the showers?
00:36:21 Okay, the Frankie cooking show
00:36:27 - Are you crazy?
00:36:32 Nothing. Nothing, darling,
00:36:35 Mom, l gotta go, okay?
00:36:38 Okay.
00:36:44 So how's your boy?
00:36:47 He couldn't be happier.
00:36:50 You wrecked my kitchen.
00:36:52 - Oh, l'm sorry about the bullet.
00:36:54 Oh, this. This is what happens
00:36:57 Really?
00:36:59 - You know, l'm sure your kid
00:37:03 He really doesn't.
00:37:05 He's got a father
00:37:09 ..a mother who's never had
00:37:14 So, tell me the truth.
00:37:16 Somebody else did all this,
00:37:19 No. No, no, no.
00:37:21 l love cooking,
00:37:23 Just promise me you'll eat it
00:37:26 Sure.
00:37:29 So Frankie,
00:37:32 You know, your nickname.
00:37:37 Like, Louie the Lump,
00:37:40 ..Frankie the Food Freak.
00:37:42 lt's just Frankie, ma'am.
00:37:44 - What's Frankie short for?
00:37:46 ..got to do with anything?
00:37:49 ls it Francis?
00:37:51 You know, you got more important
00:37:54 lt is Francis, isn't it?
00:37:55 You've got a girl's name.
00:37:58 See, you've probably been
00:38:01 You know, some anxiety
00:38:05 ..you know, the macho, non-verbal,
00:38:08 ..to cover the Francis that lives
00:38:13 That'll be your new nickname.
00:38:16 Don't take this the wrong way,
00:38:18 ..to give me a small hole
00:38:20 l will make you a deal.
00:38:22 lf you promise
00:38:24 ..l'll stop calling you Francis.
00:38:25 And you swear to God
00:38:29 Yes.
00:38:30 l didn't even know
00:38:32 You got a lot more
00:38:37 Thank you.
00:38:44 Now what?
00:38:45 Look. Your father's dead
00:38:48 ..and it's not gonna
00:38:50 And l see you got
00:38:53 lf you don't mind,
00:38:55 ..'cause l don't trust anybody.
00:38:57 There is danger everywhere.
00:39:01 The night has a thousand eyes.
00:39:04 Excuse me.
00:39:07 You stole that line.
00:39:08 l know. From Bobby Vee. Remember ''when
00:39:12 ''The night has a thousand eyes.''
00:39:16 That was playing when Peter Hackbart
00:39:22 l'm sorry.
00:39:24 No.
00:39:27 What?
00:39:29 Actually, it wasn't your blouse.
00:39:32 And what was playing was
00:39:35 ..''You Give Love a Bad Name''.
00:39:42 l'm goin' to bed.
00:39:49 You can stay
00:39:52 - Thank you.
00:40:37 Ah!
00:40:40 Frankie!
00:40:42 What's going on?
00:40:46 l know this sack o' shit.
00:40:48 This sack of shit is my husband!
00:40:50 Sh! Now, you want me to take care
00:40:53 - Seriously? - Seriously.
00:40:55 ..and let me do my job.
00:40:58 - A shovel? - Yes,
00:41:00 Ah! Ah!
00:41:02 What the hell is going on?
00:41:06 Who the hell is this?
00:41:10 This is Frankie.
00:41:12 Look. Who are you
00:41:15 - lt's Brut.
00:41:17 Ma'am, you don't have
00:41:19 Hey. You cannot talk to me
00:41:22 lt's her house.
00:41:27 Reconsider.
00:41:30 Darling?
00:41:31 Darling,
00:41:34 - Does he have to be here?
00:41:37 Whatjob?
00:41:40 Do you mind? Please?
00:41:41 Sorry, Kipster.
00:41:43 Look, um, about yesterday.
00:41:46 That was simply an aberration,
00:41:50 ..of too much single-malt scotch
00:41:53 An aberration of marital ethics
00:41:57 ..truly grievous.
00:42:02 Oh, absolutely!
00:42:06 August fourteenth,
00:42:09 Okay, okay.
00:42:10 Yeah, the Swedish flight attendant,
00:42:14 December fifth, Four Seasons.
00:42:17 Ah, right.
00:42:18 Yeah, the real estate lady,
00:42:22 My only nooner.
00:42:26 Ah! Oh, Jesus Christ!
00:42:27 The fucking sky is falling!
00:42:30 lt's been going on for years!
00:42:32 Get out!
00:42:37 You should go.
00:42:39 Then fine.
00:42:41 Great.
00:42:42 Terrific.
00:42:47 l'll see you in court.
00:42:56 - Well, there he goes.
00:43:00 The future.
00:43:02 - Manless.
00:43:06 l don't want other men.
00:43:10 l believe in two things.
00:43:13 The kindness of the saints
00:43:18 Do you have a someone, Frankie?
00:43:22 - Sort of.
00:43:27 - Everyone should have someone.
00:43:49 Why is everybody looking
00:43:51 They think
00:43:53 Oh, Jesus! l feel
00:43:57 Sh!
00:44:02 What's he saying?
00:44:04 Mostly that we're not worthy.
00:44:09 And his blood.
00:44:11 And more blood. Now the guilt.
00:44:16 More wounds.
00:44:20 Now he's back to the wounds.
00:44:26 That guy over there
00:44:28 - Where? - That guy over there with
00:44:32 And this Malatesta fellow,
00:44:34 Right in front of him. The guy that
00:44:38 Jesus!
00:44:43 Sorry.
00:44:48 Angelo Allieghieri
00:44:53 How Verdi, Rossini
00:44:58 He was a man of great sadness.
00:45:01 He lost his wife,..
00:45:02 ..his Maria, too soon.
00:45:06 He never had children
00:45:10 ..would lighten the burden of old age.
00:45:16 His emptiness.
00:45:20 And so, Angelo, we remember you
00:45:27 - Amen.
00:45:34 l'll remember you, Angelo.
00:45:36 ''Remembering''
00:45:53 (You keep the distance.)
00:45:56 (Always a distance.)
00:46:37 You gumbas never quit, do you?
00:46:59 Frankie?
00:47:03 Just taking out the trash, ma'am.
00:47:07 Frankie, did you say something?
00:47:10 Nothing, ma'am.
00:47:15 Malatesta,
00:47:18 Frankie?
00:47:23 Frankie?
00:47:29 - Frankie?
00:47:32 May l come in?
00:47:34 All right.
00:47:37 Frankie? lt's not exactly warm
00:47:45 - You okay?
00:47:48 Oh, God! Oh!
00:47:51 l feel like l'm in the Brut center
00:47:54 l'm sorry about that.
00:47:55 Frankie, l am so frightened.
00:47:58 - l'm here, ma'am.
00:48:02 - You know what's terrific about
00:48:05 At least now l'm frightened
00:48:07 ..like being whacked, as opposed
00:48:10 ..which is what l usually feel.
00:48:13 ..that free-floating
00:48:15 Oh.
00:48:17 l remember as a little girl
00:48:21 Little bogeymen under the bed
00:48:25 lsn't it amazing
00:48:28 ..turn into this Freudian whole --
00:48:34 Did you say something?
00:48:36 No. No.
00:48:38 Amazing Freudian nuances
00:48:43 When l was growing up,
00:48:45 Everyone was going
00:48:47 He said,
00:48:49 ..he said it's not so much that,
00:48:53 ..l lied to him all the time
00:48:55 ..tellin' my parents
00:49:07 Ma'am?
00:49:09 Frankie?
00:49:10 We got squirrels.
00:49:12 - Squirrels, Frankie?
00:49:14 Big squirrels.
00:49:17 ..preparing for a difficult winter,
00:49:20 And often
00:49:23 And to get out
00:49:25 ..they have to deflate.
00:49:27 And, thus, this is causing
00:49:32 Oh.
00:49:33 Oh. Poor things.
00:49:37 Yeah. Tough luck.
00:49:45 - Frankie?
00:49:47 Tell me the part again.
00:49:49 ..of dreaming about the saints.
00:49:55 Well, there's a dream that..
00:49:57 ..Sicilians that have never
00:50:01 That they're on the coast,..
00:50:04 ..on a cliff.
00:50:06 Above the water.
00:50:10 The sound of opera
00:50:13 ..but they don't know where.
00:50:15 And they believe it's
00:50:18 Arias of longing
00:50:21 And your father,
00:50:25 ..the greatest love stories
00:50:29 He loved her very much.
00:51:02 Dammi la mano..
00:51:06 ..in pegno!
00:51:10 Eccola! - Ohimé!
00:51:15 [ Skipped item nr. 719 ]
00:51:20 No, no, ch'io non mi pento,
00:51:26 Pentiti, scellerato!
00:51:30 No, vecchio infatuato!
00:51:35 Pentiti!
00:51:37 Si! - No!
00:51:44 No! No!
00:51:48 #Ah! Tempo piú non v'é!
00:51:55 l'll be right back.
00:52:00 Great. You made it.
00:52:05 Do me a favor and hang out here
00:52:08 ..and you'll hear some applause.
00:52:10 ..and l'll signal you to come on in.
00:52:12 - And we'll surprise her.
00:52:22 - Do you know what they're saying?
00:52:25 - He's dead, yes?
00:52:28 - What is he saying?
00:52:30 ..to avenge him. He's saying:
00:52:34 ''My little one''?
00:52:37 What else?
00:52:39 ''Give the man who gave you life
00:52:42 La vendetta é tutto!
00:52:46 - La vendetta é....
00:52:52 lnteresting.
00:53:04 Marcello!
00:53:15 Can you believe it?
00:53:18 - A white rose. - Yeah, it's nice,
00:53:21 ..were the special ones.
00:53:24 White is special.
00:53:26 Everybody gets red roses.
00:53:40 - So how'd you like the opera?
00:53:42 ..than l could have imagined.
00:53:46 My father, was he handsome
00:53:51 Yeah, very. And your mother, she'd
00:53:55 ..and everything would just stop.
00:53:58 ..at this wedding,
00:54:00 - Were you embarrassed?
00:54:02 l was just a kid, but, you know,
00:54:06 Actually, that means you were
00:54:09 Mm, l guess.
00:54:11 l like that thought.
00:54:15 Frankie, tell me something.
00:54:19 - l'm just waitin'. - Are you
00:54:22 Love is like this temporary form
00:54:24 And you've never been insane?
00:54:40 You're reading that.
00:54:42 This Marcello, he turns
00:54:45 l can't put it down.
00:54:47 - Have you ever read him?
00:54:50 - Why not?
00:54:53 - What's wrong with smooth?
00:54:56 l know guys like that,..
00:54:57 ..struttin' around like roosters,
00:55:00 Sometimes l just think smooth
00:55:03 So you don't think
00:55:06 l think there's a possible exception
00:55:09 ..but personally, l've never stood
00:55:12 ..yelled: ''Hey, guy,
00:55:16 ''Wanna go to Palm Springs
00:55:19 You see, women are totally
00:55:21 Women have been known, on occasion,
00:55:25 l know. Believe me.
00:55:27 - You know?
00:55:28 You know, the first time l saw it,
00:55:31 ..came back to Queens.
00:55:34 ..and Angelo wanted to know
00:55:36 ..follow him. And one day,
00:55:40 ..goin' absolutely cuckoo nuts over
00:55:43 ..was a golden boy that the sun
00:55:46 He's the kind of kid that every
00:55:50 l know.
00:56:01 Why were you watching him?
00:56:03 Well, it was Carboni.
00:56:06 - Son of Sammy Carboni?
00:56:09 The guy that Lucio Malatesta
00:56:11 - Frankie!
00:56:14 l think he's coming over here.
00:56:19 How do l look? l mean,
00:56:21 ..looking at me,
00:56:23 - You wouldn't want to know.
00:56:26 Frankie! l'm serious.
00:56:28 What would you
00:56:40 What are you doing?
00:56:41 No, no.
00:57:02 So, what do you think?
00:57:06 What do l think?
00:57:10 - Are you together?
00:57:15 Uh-uh-uh-uh-l-no.
00:57:18 - He's the....
00:57:20 You mean, the bodyguard.
00:57:23 l am not good at pretending.
00:57:26 So forgive me if l cause offense
00:57:29 ..the truth. You see, in my soul,
00:57:34 Maybe he ought to go back and get
00:57:37 No!
00:57:39 He's justjoking.
00:57:41 - You are Jennifer Barrett, yes?
00:57:44 l wanted to thank you for arranging
00:57:47 But you seemed,
00:57:50 l'm such a great admirer of yours.
00:57:53 ..over and over and....
00:57:57 What? Jennifer.
00:57:59 Jennifer. May l call you?
00:58:06 Thank you.
00:58:11 l apologize
00:58:15 Oh, my God!
00:58:18 Can you believe it?
00:58:29 Frankie?
00:58:31 Did Angelo....
00:58:35 Did my father
00:58:37 Protect you? Your father used
00:58:42 ..and watch you go
00:58:44 Then he'd see you
00:58:46 ..you know, combing your hair,
00:58:50 ..and that and comin' home
00:58:53 ..those leaves
00:58:56 ..and l saw these things, too,
00:59:00 And l was just living my life.
00:59:02 - And you were there.
00:59:07 - Spying on me.
00:59:11 No. l wouldn't say that.
00:59:15 ..and for your information,
00:59:18 Did you have anything
00:59:22 Excuse me?
00:59:23 Bobby Jordan.
00:59:25 Bobby Jordan.
00:59:29 No. Um,
00:59:33 l went with him in high school.
00:59:35 He was cheating on me
00:59:38 And l was so crazy about him.
00:59:41 And, then,
00:59:43 No! No! No, Frankie!
00:59:47 He stopped talking to me.
00:59:49 Young guys can go through
00:59:52 Well, it's notjust guys.
00:59:53 - Could l have some more anisette?
00:59:57 What about Polly Peters?
01:00:02 No. l've never heard of her.
01:00:05 - Polly Peters. No.
01:00:07 ..nasty witch who started
01:00:09 ..about me sleeping around.
01:00:13 We know the most fragile thing in
01:00:16 lt all stopped,..
01:00:18 ..right after this terrible thing
01:00:22 My car!
01:00:29 lt's like she just sort of upped
01:00:35 You know something, Francis?
01:00:38 We're becoming friends.
01:00:41 No, l didn't know that.
01:00:43 Well, like it or not, we are.
01:00:47 Do you realize that you never
01:00:51 You may, you know.
01:00:52 That being my name and all.
01:00:58 Good night, Francis.
01:01:04 Good night, Jennifer.
01:01:15 What?
01:01:16 Frankie!
01:01:20 Oh, my God!
01:01:22 The door's closed.
01:01:23 Okay. Okay. Okay.
01:01:27 - What are you gonna do?
01:01:28 No, l'm serious. You go somewhere.
01:01:32 - Stay here. - No! - No!
01:01:37 No!
01:01:57 l know this guy. He used
01:01:59 ..before the Stroons
01:02:01 We better move this Stroon because
01:02:04 God, l get so aggravated!
01:02:06 - Aggravated?
01:02:10 - Answer it.
01:02:11 - Yes!
01:02:13 Don't hit me.
01:02:15 Hold this.
01:02:19 Oh, Rawley, honey,
01:02:20 - Mom?
01:02:22 Make sure you call me tomorrow.
01:02:25 You know l will.
01:02:29 All right. Bye baby.
01:02:36 l can't effing believe it.
01:02:39 My son actually calls me 5 minutes
01:02:42 ..tries to wax me!
01:02:46 Where does that leave Rawley? l'll
01:02:49 lt leaves him
01:02:53 My son is not going
01:03:07 - l made a decision, Frankie.
01:03:10 l have to whack Malatesta.
01:03:14 You're gonna whack Malatesta?
01:03:16 Frankie, my ''willow
01:03:20 You're getting in your-way
01:03:23 An Allieghieri does not bow down.
01:03:31 l'm sorry,
01:03:40 You're gonna whack Malatesta.
01:03:59 - Nice moon.
01:04:05 Just beautiful.
01:04:23 So you think you got this vengeance
01:04:26 - You know how it's done?
01:04:29 - Oh, you mean the thing?
01:04:31 - Not really.
01:04:36 There's all kinds of courage,
01:04:39 l know.
01:04:41 A woman's courage should
01:04:45 Ever be underestimated.
01:04:47 Ever.
01:04:49 Let's go over it again.
01:04:50 - Go over what?
01:04:54 We go to the Valhalla lnn.
01:04:57 You wait in the parking lot.
01:05:00 Malatesta takes
01:05:01 He thinks he could have any woman
01:05:08 l bat my eyes.
01:05:10 And then l whack him.
01:05:11 And you think you can do this.
01:05:13 Oh, l think l can do this.
01:05:16 Okay. Show me.
01:05:19 - What?
01:05:21 'Cause you go in that place
01:05:23 ..your attitude, and your attitude
01:05:25 ..you're gonna be in a bag
01:05:28 Really?
01:05:30 Watch this.
01:05:35 That is nothing short of terrible.
01:05:37 Are you telling me
01:05:39 - Well, somebody's got to.
01:05:43 Maybe.
01:05:44 Are you gonna
01:05:49 What am l doin'?
01:05:51 - Come on, Jennifer, this is yourjob.
01:05:54 - Enlighten me a bit. - Come on.
01:05:58 That's it.
01:06:00 Nah, do you have an ankle damage?
01:06:02 Now you're really starting
01:06:04 Just follow me. Just follow me.
01:06:07 Let's go.
01:06:10 Like an antelope?
01:07:06 l don't think this is right.
01:07:09 - l'll be fine. - Well,
01:07:11 ..because l think it's better
01:07:13 ..and maybe hang out in the back
01:07:15 Frankie, no.
01:07:17 ..l've got to learn to handle
01:07:19 You can't keep bailing me out.
01:07:23 All right.
01:07:25 He'll be at the corner table,
01:07:29 ..whacking somebody long distance.
01:07:33 Thank you.
01:07:45 Jennifer?
01:07:56 The boss says you need a rope.
01:08:22 Get her over here!
01:08:31 There's someone at my table
01:08:34 Maybe that someone should've
01:08:37 ..and introduce himself.
01:08:40 Simple. Direct.
01:08:52 - So, do l know you?
01:08:56 Was.
01:08:57 So now you come over
01:09:00 You don't exactly look bereft
01:09:03 ..whatnot.
01:09:05 He was old.
01:09:06 What am l? Springtime?
01:09:09 - Maybe you're different.
01:09:18 Where the hell
01:09:21 You're fantastic.
01:09:27 What's the matter with him?
01:09:30 - Goddamn ticker.
01:09:32 Call the ambulance.
01:09:35 Don't help so much.
01:09:48 You're an angel.
01:09:50 Maybe you shouldn't talk.
01:09:52 Bruno, shut up.
01:10:08 l keep telling you
01:10:11 Just fine.
01:10:15 - You'll see.
01:10:18 Get me a priest.
01:10:20 Tell your guy to stop
01:10:22 - What do you need a priest for?
01:10:25 All right? Now, relax.
01:10:26 He'll be fine.
01:10:29 Hail, Mary, full of grace....
01:10:35 Could you please get these goons
01:10:45 This is for last rites,
01:10:48 Hey, Father, relax.
01:10:50 He likes pretendin'
01:10:54 Jennifer.
01:10:56 Jennifer!
01:10:58 My heart ain't no fine-tuned watch.
01:11:03 l wanna go out special.
01:11:06 Like, married to you.
01:11:08 But l am married.
01:11:09 - Don't go gettin' technical.
01:11:12 No. Questo no....
01:11:15 So, Father, you're gonna pull
01:11:17 The Church cannot allow
01:11:21 l'm an old man with a couple
01:11:23 Here's a young broad on the make,
01:11:26 Love, like all things fine and true,
01:11:31 Blow me with the blossoming
01:11:34 You are man and wife.
01:11:37 You heard him.
01:11:53 Everything's all right.
01:11:55 ..and the broad in the other.
01:11:57 Be careful with him!
01:12:07 And what the hell is this?
01:12:09 lt's your wedding trousseau.
01:12:17 Move!
01:12:20 Thank you!
01:12:24 Fucking dog.
01:12:26 Dog's been barkin'
01:12:34 Where's my bride?
01:12:38 Oh!
01:12:42 Would you shut up?
01:12:43 All you do is sit around
01:12:50 Too bad, huh? Keith, do me a favor.
01:12:54 ..will you go check
01:12:56 What do you call me a retard for?
01:13:00 Spell ''ecclesiastical''.
01:13:02 - Ex-scles.... l....
01:13:05 ''Ex-sclesiastical''.
01:13:14 Where are you, my beloved?
01:13:17 There's only me out here now.
01:13:27 Look at you.
01:13:32 And look at me, like some
01:13:37 Oh,..
01:13:38 ..mi amore.
01:13:47 But tonight
01:13:50 ..like some mighty oak
01:13:54 But, angel-face, we must go slow.
01:13:58 Very slow. You know?
01:14:01 Like molten lava.
01:14:08 There's a few more tunes
01:14:12 But you must be
01:14:16 Time
01:14:28 Ah! Ah!
01:14:31 Ah!
01:14:45 Thanks a lot for that last one.
01:14:48 No, we're playin'
01:14:49 l know how
01:14:51 ls your mother in this game?
01:14:53 - l got four hundred on this.
01:14:58 Hey! The broad!
01:15:01 Let's go!
01:15:02 Let's go!
01:15:11 Ah, shit!
01:15:30 Stupid mutt!
01:15:38 - Jennifer!
01:15:42 Oh, God!
01:15:50 - l did it!
01:15:52 - What'd you do?
01:15:54 - You did? No, you didn't.
01:15:56 - Oh, come on. You didn't.
01:15:58 - He looked pretty dead.
01:16:00 - You wanna know how?
01:16:02 - l'm askin' how.
01:16:07 - That'll do it.
01:16:12 Cheers.
01:16:20 lf l don't have
01:16:25 Does that mean
01:16:29 - Surely l must still be in....
01:16:32 Yeah, there's still
01:16:40 - l think it's Rawley.
01:16:42 He misses me.
01:16:52 Hello? Oh!
01:16:55 Oh, Marcello, l forgot.
01:16:59 lt's not.
01:17:05 Yes, tomorrow would be all right.
01:19:01 How you doin', Bruno?
01:19:02 Wanna know what the old man's
01:19:05 ''Try the clams''.
01:19:07 ''They're fabulous''.
01:19:13 - You ever read this book?
01:19:17 Not only does that insult
01:19:19 ..it insults my ignorance.
01:19:22 ..who happens to like himself,
01:19:25 ..a bit of boy-toy fluff like that?
01:19:32 You have a lot of anger
01:20:00 You've been working.
01:20:02 Yeah,
01:20:05 You got stuff here.
01:20:09 He got to you, didn't he?
01:20:31 You okay?
01:20:33 lt was just drinks.
01:20:36 lt's none of my business.
01:20:38 No, but l know you.
01:20:42 You know me.
01:20:45 Marcello asked me to go
01:20:49 So, l guess you're....
01:20:52 Going.
01:20:54 Course.
01:20:56 lt's no big deal or anything.
01:21:00 What are you afraid of?
01:21:04 Telling me something
01:21:06 Telling me that l'm more
01:21:09 Maybe l mean something to you?
01:21:54 l ran away and never returned.
01:21:56 From then on, l became a kind
01:22:01 ..fed on itself. Some people
01:22:06 ..suspected l became a killer. None
01:22:10 ..what happened. See, l'm talking
01:22:14 ..that eats away at you
01:22:18 l want you to know it.
01:22:21 l want you to feel it.
01:22:23 (Watch out for the one..)
01:22:26 (..who feels pain..)
01:22:30 (..and wants you to know it.)
01:22:33 Check!
01:23:59 This is my mother.
01:24:05 We're in the opera house.
01:24:09 Happy?
01:24:13 Marcello,..
01:24:16 ..l have to tell you something.
01:24:19 Uh, l'm not who l say l am.
01:24:22 ..Jennifer Barrett.
01:24:26 My father was a man named
01:24:31 l know.
01:24:35 You know?
01:24:38 And do you want
01:24:40 l know who you are, Marcello.
01:24:43 You have no fucking idea
01:24:47 What?
01:24:48 Your father,
01:24:51 - U-uh, Marcello....
01:24:54 Sammy's son.
01:24:55 - Sammy who?
01:24:58 Angelo murdered him,
01:25:00 ..with only a golf club
01:25:04 - No. You're making a mistake.
01:25:07 What your father did, it lives
01:25:11 - That pain hidden away.
01:25:15 Marcello!
01:25:17 - l like that name.
01:25:20 l couldn't believe my luck.
01:25:24 ..your little fantasies.
01:25:28 You killed my father
01:25:30 Jennifer, please, understand.
01:25:33 - La vendetta é tutto.
01:25:37 Oh, enough with all that!
01:25:44 - Hey, Jennifer!
01:25:46 Parli italiano?
01:25:47 l had a great teacher,
01:25:50 Of course. Frankie.
01:25:52 Such a pain he was.
01:25:53 lt hurt me to see you
01:25:56 Jennifer, please understand. l must
01:26:05 Brut?
01:26:08 Oh!
01:26:16 Frankie!
01:26:34 God!
01:26:38 - How bad is it?
01:26:42 This is the theater.
01:26:44 Angelo was right.
01:26:51 You know when l was a boy
01:26:55 l would. On summer nights,
01:26:58 ..your face in the moonlight.
01:27:05 And l guess l'm fallin' still.
01:27:08 Frankie, l love you,
01:27:11 ..like die on me right after
01:27:14 Because you shoulda made it
01:27:23 Fair enough.
01:28:01 [You know, Angelo used to say
01:28:04 [..only perfect moments.
01:28:06 [..because l'm living one of them.]
01:28:08 [Doin' something l love
01:28:11 [..with a new family that l love.]
01:28:14 Go and get Frankie for me,
01:28:19 Frankie! Frankie!
01:28:22 - We gotta go! Or else!
01:28:25 Su, Frankie. Andiamo.
01:28:28 [Needless to say,
01:28:30 [..and is becoming
01:28:33 [And l'm enjoyin'
01:28:37 [lsn't living
01:28:42 [So, Angelo, if you're listening,
01:28:46 [l just couldn't