|
Subida Al Cielo Ascent To Heaven
|
| 00:00:27 |
Ascent to Heaven |
| 00:01:40 |
The only agricultural |
| 00:01:43 |
which we will call San Jeronimito, |
| 00:01:45 |
located on the coast |
| 00:01:47 |
are coconut trees. |
| 00:01:49 |
Oil is extracted from |
| 00:01:52 |
which is then used by |
| 00:01:57 |
The occupants of these |
| 00:01:59 |
are almost all wealthy |
| 00:02:01 |
owners of several |
| 00:02:04 |
The people of the coast maintain, |
| 00:02:05 |
with their exaggerated charm, |
| 00:02:07 |
that a coconut tree yields |
| 00:02:13 |
There is no church in the village. |
| 00:02:15 |
Thus, the inhabitants |
| 00:02:19 |
of celebrating weddings |
| 00:02:21 |
to a heavenly island |
| 00:02:23 |
situated one mile off the coast. |
| 00:02:27 |
Spending the night |
| 00:02:30 |
... consecrates the newlywed's union... |
| 00:02:32 |
... who must then be forgiven |
| 00:02:35 |
... before embarking on the trip. |
| 00:02:38 |
Let's see the daily |
| 00:02:41 |
... that brings news from the world... |
| 00:02:43 |
... to this isolated corner. |
| 00:03:16 |
Careful, don't touch that garment. |
| 00:03:18 |
It has to be white. |
| 00:03:21 |
Don't worry, Silvestre. |
| 00:03:37 |
Look, such lovely |
| 00:03:39 |
It looks just like the dress... |
| 00:03:41 |
...worn by Gen. Mendez's daughter. |
| 00:03:43 |
Yes, but you'd rather your |
| 00:03:46 |
...rough cotton dress instead... |
| 00:03:48 |
...of eloping. |
| 00:03:49 |
Go ahead, Mrs. Linda. |
| 00:03:50 |
Albina must be dressed by now. |
| 00:03:53 |
If you're in such a hurry, go ahead. |
| 00:03:55 |
I'll pick up the train. |
| 00:03:57 |
- Hurrah for the newlyweds. |
| 00:04:00 |
Hurrah! |
| 00:04:04 |
- Hurrah for the newlyweds. |
| 00:04:07 |
Hurrah for the newlyweds. |
| 00:04:09 |
- Hurrah for the newlyweds. |
| 00:04:19 |
Hurrah for the newlyweds. |
| 00:04:26 |
Hurrah. |
| 00:04:42 |
I have a mind to keep |
| 00:04:46 |
If you think we're happy, |
| 00:04:49 |
I doubt you can support yourself, |
| 00:04:53 |
You're both so young. |
| 00:04:57 |
Come on, Mrs. Clara, |
| 00:05:00 |
- Yes, yes. |
| 00:05:03 |
Forgive them. |
| 00:05:04 |
The food's getting cold, |
| 00:05:08 |
Let them get up, woman. |
| 00:05:09 |
Oliverio's mother is ill. |
| 00:05:11 |
I could keep them here |
| 00:05:14 |
But... |
| 00:05:16 |
You should thank God. |
| 00:05:18 |
Mother, I'm so happy. |
| 00:05:20 |
I know Albina is your whole life. |
| 00:05:22 |
I'll try to be |
| 00:05:24 |
I know you'll be happy, |
| 00:05:27 |
Go on, go. Go let the people in. |
| 00:05:33 |
Come in, she forgave me. |
| 00:05:53 |
Hurrah for the newlyweds! |
| 00:06:05 |
Hurrah for the newlyweds. |
| 00:06:30 |
Are you happy? |
| 00:06:31 |
I am, Oliverio. I wouldn't |
| 00:06:35 |
But a wedding in Mexico City |
| 00:06:38 |
And spending our honeymoon |
| 00:06:40 |
...in Portales. |
| 00:06:42 |
Will it ever be ours? |
| 00:06:43 |
- Who knows. |
| 00:06:46 |
And spend our wedding night |
| 00:06:50 |
That's the custom. |
| 00:06:51 |
- I'm anxious to go. |
| 00:06:54 |
With you, the island |
| 00:07:09 |
Get ready for the worst. |
| 00:07:11 |
It's Felipe, my brother. |
| 00:07:20 |
Mother got worse. |
| 00:07:21 |
I said you shouldn't |
| 00:07:25 |
It was mother, |
| 00:07:27 |
Thanks to that you |
| 00:07:30 |
Tie the boat and come. |
| 00:07:36 |
If something terrible happens... |
| 00:07:38 |
...we'll have to decide |
| 00:07:40 |
Don't say that now. |
| 00:07:42 |
It's got to be said sometime. |
| 00:07:43 |
I won't give up my share. |
| 00:07:45 |
Your soul is poisoned. |
| 00:07:47 |
...while mother is ill. |
| 00:07:50 |
Don't insult me. |
| 00:07:51 |
I'm the eldest, I'll decide. |
| 00:07:53 |
She's still here to decide. |
| 00:07:54 |
What if she gives |
| 00:07:57 |
We'll do what she decides. |
| 00:07:59 |
It's her call, isn't it? |
| 00:08:18 |
All right, Chuchito, all right. |
| 00:08:20 |
Go play, go on. Go play. |
| 00:08:28 |
Are you feeling better, mother? |
| 00:08:30 |
I won't make it this time. |
| 00:08:32 |
You have many years ahead. |
| 00:08:34 |
But if something should happen... |
| 00:08:36 |
...God forbid, God forbid... |
| 00:08:38 |
...trust me to settle the property. |
| 00:08:41 |
Did you think I'd fall that easy? |
| 00:08:43 |
I didn't think anything, mother. |
| 00:08:45 |
It's just in case. |
| 00:08:46 |
You know I'm the son |
| 00:08:48 |
Yes, I know. I know you. |
| 00:08:51 |
You're closing in. |
| 00:08:53 |
I just want to fix things. |
| 00:08:55 |
To solve this. |
| 00:08:57 |
The big coconut tree field |
| 00:09:00 |
It's fair to give Oliverio... |
| 00:09:01 |
...the boats and the refrigerator... |
| 00:09:03 |
...since he just got married. |
| 00:09:05 |
The other field is for Chuchito. |
| 00:09:08 |
I'll settle for the |
| 00:09:11 |
Not because of what it's worth. |
| 00:09:15 |
I have aspirations |
| 00:09:19 |
Mother. |
| 00:09:21 |
Mother, are you feeling worse? |
| 00:09:23 |
No, but leave me alone. |
| 00:09:34 |
Give that to me, how dare you. |
| 00:09:39 |
Look. Such a straight face. |
| 00:09:41 |
Get out, you'll wake mother up. |
| 00:09:45 |
And don't come here anymore. |
| 00:09:53 |
Oliverio, my son. |
| 00:09:56 |
He's getting married, forget him. |
| 00:09:59 |
Not quite, here I am. |
| 00:10:00 |
Thank God you're here, son. |
| 00:10:04 |
Juan, go do your chores. |
| 00:10:07 |
You too, Felipe. |
| 00:10:09 |
Albina... go look |
| 00:10:13 |
Leave me alone with Oliverio. |
| 00:10:15 |
Yes, Mrs. Ester. |
| 00:10:16 |
I'm sorry, son. I interrupted... |
| 00:10:18 |
...your wedding night. |
| 00:10:22 |
Don't say that, |
| 00:10:25 |
You know I won't make it. |
| 00:10:28 |
Come closer. |
| 00:10:30 |
I know only you are fond of Chuchito... |
| 00:10:33 |
...and you won't let |
| 00:10:37 |
I want the house in Portales... |
| 00:10:39 |
...to be his. |
| 00:10:40 |
He must go to school in the city. |
| 00:10:42 |
- Be somebody. |
| 00:10:45 |
Do it in memory of your sister... |
| 00:10:47 |
...who died giving birth to him. |
| 00:10:49 |
I'll do it for you and for Chucho. |
| 00:10:51 |
I love him as if he were my son. |
| 00:10:53 |
But you should put it in writing. |
| 00:10:56 |
My siblings won't respect words. |
| 00:10:58 |
Go fetch the delegate |
| 00:11:02 |
I'm on it, mother. |
| 00:11:07 |
Chuchito. |
| 00:11:12 |
- Where are you going? |
| 00:11:27 |
What will it be, Mr. Esteban? |
| 00:11:30 |
I don't mean to snub you, but... |
| 00:11:32 |
...a delegate shouldn't |
| 00:11:35 |
One for the road. Come on. |
| 00:11:37 |
To drown our woes. |
| 00:11:38 |
A mother cannot be replaced. |
| 00:11:40 |
Don't be a vulture, brother. |
| 00:11:42 |
God willing, mother will survive. |
| 00:11:45 |
I've always been strong. |
| 00:11:47 |
Darling mother. |
| 00:11:49 |
I can still see her |
| 00:11:52 |
In such good health. |
| 00:12:01 |
Hey, have you seen Eladio? |
| 00:12:04 |
He was in my pocket a minute ago. |
| 00:12:06 |
Not anymore. Look, he's gone. |
| 00:12:08 |
You're hilarious. |
| 00:12:10 |
He's had me waiting for an hour. |
| 00:12:12 |
A girl like you shouldn't wait. |
| 00:12:14 |
- Shall I help? |
| 00:12:18 |
Look who's here. Where's the bride? |
| 00:12:20 |
- Hello, Raquel. |
| 00:12:22 |
- Oliverio. |
| 00:12:24 |
- It's no time to party. |
| 00:12:28 |
My mother wants a word with |
| 00:12:31 |
What are you up to, evil son? |
| 00:12:32 |
Disturbing her for your greed? |
| 00:12:33 |
No brotherly quarrels. |
| 00:12:35 |
You shouldn't disturb her now. |
| 00:12:39 |
I never evaded a lady's call. |
| 00:12:41 |
It's my duty. |
| 00:12:43 |
You're not going. |
| 00:12:44 |
Go away, take your wife with you. |
| 00:12:46 |
You didn't hesitate |
| 00:12:48 |
- Are you going or not? |
| 00:12:50 |
- No. |
| 00:12:52 |
I'm the authority, I'll decide. |
| 00:12:55 |
You're the eldest, right? |
| 00:12:57 |
- You don't want me to go. |
| 00:13:00 |
Then, I won't. I'm staying. |
| 00:13:02 |
You'll be responsible |
| 00:13:04 |
Sure, I'll be responsible. |
| 00:13:10 |
Hey, Oliverio. |
| 00:13:11 |
- What do you want? |
| 00:13:23 |
Oliverio. |
| 00:13:25 |
You took so long. |
| 00:13:27 |
Isn't Mr. Esteban coming? |
| 00:13:31 |
I couldn't find him. |
| 00:13:35 |
I feel terrible. |
| 00:13:37 |
Now you look yellow. |
| 00:13:39 |
Please Albina, the spoon. |
| 00:13:43 |
Look, Oliverio. |
| 00:13:45 |
Why wait for delegate Esteban? |
| 00:13:48 |
Go to Petatlan... |
| 00:13:50 |
...and bring Counselor Figueroa |
| 00:13:53 |
Why go so far, mother? |
| 00:13:55 |
Counselor Ocaña is in Acapulco. |
| 00:13:58 |
It's not the same. |
| 00:13:59 |
Counselor Figueroa... |
| 00:14:01 |
...took charge since your father. |
| 00:14:03 |
And in the meantime? |
| 00:14:05 |
Don't worry. |
| 00:14:07 |
I'll be strong enough to wait. |
| 00:14:10 |
Go, and don't tell your siblings. |
| 00:14:13 |
All right, mother. |
| 00:14:15 |
The bus leaves at six. |
| 00:14:17 |
Take a nap, son. |
| 00:14:19 |
I also want to get some rest. |
| 00:14:21 |
Yes, Oliverio. |
| 00:14:22 |
Go to sleep. I'll wake you up. |
| 00:14:25 |
Let's go to Petatlan together. |
| 00:14:27 |
Stay and take care of mother. |
| 00:14:29 |
What if something happens? |
| 00:14:30 |
Nothing will happen, |
| 00:14:33 |
Oliverio. |
| 00:14:34 |
What? |
| 00:15:05 |
Take my mirror. |
| 00:15:07 |
...it's bad luck. |
| 00:15:08 |
- It's safe here. |
| 00:15:16 |
A cigarette, doll. |
| 00:15:17 |
Yes, Congressman. Thank you. |
| 00:15:20 |
Come here. |
| 00:15:21 |
Oh, boy. |
| 00:15:24 |
Now me, Silvestre, now me. |
| 00:15:26 |
You're acting like a child. |
| 00:15:28 |
I can't play with you |
| 00:15:31 |
Careful, don't hurt the lady. |
| 00:15:33 |
- Hey, Silvestre. |
| 00:15:34 |
It's about time. |
| 00:15:36 |
When is the baby due? |
| 00:15:37 |
I'm going to Petatlan... |
| 00:15:38 |
...to see Dr. Martinez. |
| 00:15:40 |
He's one of the best. |
| 00:15:42 |
- Are you traveling, too? |
| 00:15:44 |
You shouldn't, should you, Feliza? |
| 00:15:46 |
After what happened |
| 00:15:49 |
I'm here if you need anything. |
| 00:15:51 |
- Thanks. |
| 00:15:55 |
I'm going with your mother. |
| 00:15:56 |
Wait until the bus leaves. |
| 00:15:58 |
It won't until it fills up. |
| 00:16:00 |
When one's in a hurry, things stall. |
| 00:16:02 |
Don't worry, I'll look after her. |
| 00:16:04 |
Good-bye, my dear. |
| 00:16:09 |
You're so corny, Oli. |
| 00:16:10 |
Is that envy or a compliment? |
| 00:16:12 |
Envy? I have them by the dozen. |
| 00:16:14 |
Influential, like me. |
| 00:16:16 |
Ha. |
| 00:16:17 |
I like ripe fruit, not rotten. |
| 00:16:19 |
Your influence just wilted. |
| 00:16:21 |
You'll see. |
| 00:16:23 |
I want to see my granddaughter. |
| 00:16:26 |
Can I pay when I get back? |
| 00:16:28 |
You know I always say yes, Mr. Nemesio. |
| 00:16:30 |
Everything's on paper. |
| 00:16:31 |
When justice is finally done in Mexico... |
| 00:16:34 |
...and I get my land back... |
| 00:16:36 |
...you'll get every penny. |
| 00:16:37 |
- Much obliged, Mr. Nemesio. |
| 00:16:42 |
Does it have to be full to leave? |
| 00:16:44 |
Well, I have to make a profit. |
| 00:16:46 |
We're all in a hurry. |
| 00:16:49 |
- Fine, Congressman. |
| 00:16:50 |
How much? |
| 00:16:51 |
Four tickets will be enough. |
| 00:16:53 |
Give me the change. |
| 00:16:54 |
- Fine, Mr. Eladio. |
| 00:16:56 |
You first. Go ahead. |
| 00:17:01 |
That's okay. |
| 00:17:01 |
- Hurrah for Mr. Eladio. |
| 00:17:06 |
Your change, Congressman. |
| 00:17:08 |
Thanks, Silvestre. |
| 00:17:09 |
- Sit over there. |
| 00:17:12 |
- Ready? |
| 00:17:13 |
- Step on it, man. |
| 00:17:26 |
Well, I'll be darned. |
| 00:17:29 |
We have a flat. |
| 00:17:30 |
You said it loud enough. |
| 00:17:33 |
- Where's the spare? |
| 00:17:34 |
Come on. |
| 00:18:04 |
Things can't go on |
| 00:18:07 |
...when my situation changes... |
| 00:18:08 |
...if there's anything |
| 00:18:10 |
I heard you'll be appointed judge. |
| 00:18:12 |
In a matter of days. |
| 00:18:14 |
Despite my forlorn appearance... |
| 00:18:16 |
...the governor is a friend of mine... |
| 00:18:18 |
...and the president studied |
| 00:18:21 |
Oh, that's good. |
| 00:18:23 |
Here, let me light it for you. |
| 00:18:27 |
Why let a cigarette go out? |
| 00:18:28 |
To get some courtesy back, doll. |
| 00:18:31 |
Do you want to put it out? |
| 00:18:34 |
Patience, you'll be back in time. |
| 00:18:38 |
Perhaps, but it's so slow. |
| 00:18:39 |
A slow stride is |
| 00:18:42 |
- If I were the driver... |
| 00:18:45 |
Look at those curves, you |
| 00:19:01 |
Since when? |
| 00:19:03 |
It's all I can hold on to. |
| 00:19:05 |
You're used to being supported. |
| 00:19:07 |
Slopes frighten me, you see. |
| 00:19:09 |
Back off, back off. |
| 00:19:11 |
Buy yourself a scapular. |
| 00:19:34 |
The fog looks like cotton. |
| 00:19:36 |
Look. |
| 00:19:37 |
The Congressman feels |
| 00:19:40 |
You don't feel well, do you? |
| 00:19:42 |
I'm already sick. |
| 00:19:44 |
Look out for that pothole. |
| 00:19:46 |
You think I'm not looking. |
| 00:19:51 |
That rock! |
| 00:19:53 |
I told you, you fool. |
| 00:19:54 |
Don't bother me, it's distracting. |
| 00:19:56 |
Too many people in the kitchen |
| 00:20:03 |
If it weren't for this wooden leg... |
| 00:20:05 |
...I would be walking by now. |
| 00:20:07 |
And the little angels |
| 00:20:09 |
Such innocence. |
| 00:20:21 |
Move your arm, I can't drive. |
| 00:20:23 |
Careful, please be careful. |
| 00:20:26 |
You'd better stop |
| 00:20:28 |
We'd lose more time. |
| 00:20:29 |
Others are in a hurry, too. |
| 00:20:31 |
He keeps bothering me! |
| 00:20:33 |
We all need to get there fast. |
| 00:20:36 |
It hurts a lot, doesn't it? |
| 00:20:38 |
I feel terrible. |
| 00:20:40 |
You should have come sooner. |
| 00:20:42 |
I think it's close. |
| 00:20:44 |
Calm down, calm down. |
| 00:20:48 |
Now we're in for it, |
| 00:20:56 |
Almonds, sugar coated peanuts, |
| 00:20:59 |
- Like this, mother? |
| 00:21:01 |
- Watch out. |
| 00:21:15 |
Please, back up. |
| 00:21:17 |
Hey buddy, back up. |
| 00:21:18 |
Let's go. |
| 00:21:19 |
I'd like to sir, but I can't. |
| 00:21:21 |
- My reverse doesn't work. |
| 00:21:23 |
Back up or I'll make you. |
| 00:21:24 |
This junk couldn't even be towed. |
| 00:21:27 |
Let's see. |
| 00:21:28 |
All right, let's go. |
| 00:21:30 |
Pull. |
| 00:21:33 |
Harder on reverse. |
| 00:21:35 |
Harder, man. |
| 00:21:36 |
We need a pulley. |
| 00:21:38 |
Yes, Congressman. |
| 00:21:39 |
I'm familiar with this. |
| 00:21:41 |
Back up, and it'll be solved. |
| 00:21:42 |
Look, Mr. Eladio. |
| 00:21:49 |
Fidencio, wait. Let's get off. |
| 00:21:51 |
No, I don't want to. Stop it. |
| 00:21:53 |
You pig. You're always sniffling... |
| 00:21:55 |
...but never blow your nose. Creep. |
| 00:21:56 |
Gross, snot. |
| 00:22:01 |
Oh, my, what happened? |
| 00:22:02 |
Silvestre, get off and take the kids. |
| 00:22:04 |
Call some women to help with Feliza. |
| 00:22:06 |
Go on, hurry. |
| 00:22:08 |
Turn around, don't look. |
| 00:22:18 |
Women! I need two. |
| 00:22:19 |
Hurry, quickly. |
| 00:22:21 |
- They're coming. |
| 00:22:24 |
Come on, I'll take you. |
| 00:22:27 |
What do you need? |
| 00:22:29 |
Get in, no questions. |
| 00:22:33 |
Come on. |
| 00:22:35 |
This happened to |
| 00:22:37 |
...on a boat, and I'm fine. |
| 00:22:39 |
Hurry. Don't just stand there. |
| 00:22:41 |
And don't let any men in here. |
| 00:22:48 |
- Move, I'm going in. |
| 00:22:51 |
It's the honey, |
| 00:22:53 |
I need my bottle. |
| 00:22:57 |
No, you son of a... |
| 00:22:59 |
- Oh, Oliverio, Oliverio. |
| 00:23:02 |
Look... |
| 00:23:05 |
- Really? |
| 00:23:06 |
I'm sorry. I'll see what I can do. |
| 00:23:09 |
Do you know what's going on? |
| 00:23:11 |
We don't have a place for the show. |
| 00:23:13 |
Too bad, find a way. |
| 00:23:14 |
We made the trip, it's too late. |
| 00:23:16 |
Ma'am, everything is fine. |
| 00:23:19 |
- Do you want to come? |
| 00:23:20 |
Mother, let me see it. |
| 00:23:22 |
Stay right here, girl. |
| 00:23:24 |
- Stay here. |
| 00:23:26 |
What are you up to, |
| 00:23:28 |
I'm taking this to Feliza. |
| 00:23:30 |
Don't let her mistreat you. |
| 00:23:31 |
Don't get burnt. |
| 00:23:33 |
- What if I do? |
| 00:23:36 |
You've got experience, child. |
| 00:23:38 |
Experience? |
| 00:23:39 |
You bet. Do you want to try? |
| 00:23:43 |
I'm burning for you, |
| 00:23:46 |
Put some time aside for me. |
| 00:23:47 |
Those squeaking doors. |
| 00:23:49 |
Get someone to oil them. |
| 00:23:51 |
- I think it was a boy. |
| 00:23:54 |
It's a boy, it's a boy. |
| 00:23:56 |
It's about time, so many girls. |
| 00:23:59 |
I'm going to cry my eyes out. |
| 00:24:02 |
Hospitals with all their staff... |
| 00:24:04 |
...can't pick flowers like this. |
| 00:24:06 |
- How's the mother? |
| 00:24:08 |
She just wants to go home. |
| 00:24:10 |
Tell the men to climb on board... |
| 00:24:12 |
...to help her get off. |
| 00:24:14 |
He sure is cute, look at that... |
| 00:24:16 |
He's so cute. |
| 00:24:17 |
He's cute, isn't he? |
| 00:24:20 |
Silvestre, I'm helping too. |
| 00:24:22 |
- She's heavy. |
| 00:24:24 |
- Help me, Silvestre. |
| 00:24:27 |
Be careful. Get a good |
| 00:24:29 |
- Slowly. |
| 00:24:31 |
- Come on. |
| 00:24:33 |
We'll take her. |
| 00:24:34 |
We'll try to make her |
| 00:24:37 |
Marta, Marta, get out |
| 00:24:40 |
The baby's father will be thrilled... |
| 00:24:43 |
...when he gets back from the mine. |
| 00:24:45 |
Imagine when Albina |
| 00:24:48 |
Bring me my son. |
| 00:24:50 |
- Mrs. Linda, bring me the boy. |
| 00:24:52 |
Cover him up, he'll get sick. |
| 00:24:55 |
Give him to his mother. |
| 00:24:57 |
Congratulations. |
| 00:24:59 |
Give me those boxes, girl. |
| 00:25:01 |
Where's the blanket? |
| 00:25:02 |
Let's see that smile. |
| 00:25:04 |
Congratulations. |
| 00:25:06 |
I'd love to be his godfather. |
| 00:25:08 |
I have lots of godchildren. |
| 00:25:10 |
But he will be my favorite. |
| 00:25:12 |
I want to see the cutie. |
| 00:25:13 |
Move. Don't pester the lady. |
| 00:25:15 |
- He has hair, look. |
| 00:25:17 |
Isn't he just like his father? |
| 00:25:19 |
Tough luck. You're |
| 00:25:21 |
Let's go, it's getting late. |
| 00:25:23 |
Take care of him, he's lovely. |
| 00:25:26 |
- Shut the door. |
| 00:25:27 |
Yes. |
| 00:25:28 |
Get in, it's getting late. |
| 00:25:58 |
What did I say? |
| 00:25:59 |
See how fluid it is now? |
| 00:26:01 |
Yes, but you can't deny |
| 00:26:03 |
Sure, but in exchange |
| 00:26:07 |
Huh, boy. |
| 00:26:08 |
Cheer up, everything will be fine. |
| 00:26:11 |
The rain didn't fill the river. |
| 00:26:26 |
We'll never get ahead like this. |
| 00:26:28 |
Animals and people together. |
| 00:26:30 |
- How nice. |
| 00:26:32 |
Civilization. I don't understand. |
| 00:26:34 |
We have a right to use |
| 00:26:37 |
It's mine. |
| 00:26:38 |
- Hit him, get him. |
| 00:26:40 |
Enough, stop fighting. |
| 00:26:43 |
Get out of here. |
| 00:26:44 |
Damn it. |
| 00:26:46 |
Stay still, you're acting |
| 00:26:48 |
Now you're really going to get it. |
| 00:26:51 |
What if you had broken my leg? |
| 00:26:53 |
- So what? |
| 00:26:55 |
Well, you could buy another one. |
| 00:26:57 |
Settle down, settle down. |
| 00:27:23 |
Let's see what your |
| 00:27:25 |
Godfather. |
| 00:27:46 |
Again, compadre. |
| 00:27:48 |
That's what we're here for. |
| 00:27:51 |
What happened? |
| 00:27:53 |
It's like with the slippers. |
| 00:27:55 |
They get their feet wet |
| 00:27:57 |
Why won't it start? |
| 00:27:59 |
I'll take a look, must be the rocks. |
| 00:28:07 |
Come on, Mr. Pedro. |
| 00:28:09 |
Help that man who fell. |
| 00:28:30 |
You're filthy, |
| 00:28:32 |
Let's take a dip in that pond. |
| 00:28:35 |
I think I could use it, I'm coming. |
| 00:28:37 |
Don't worry. |
| 00:28:38 |
We'll get the bus out |
| 00:28:42 |
This darn bus is like a pig |
| 00:28:46 |
Don't get mad. |
| 00:28:47 |
Let's take a dip, you'll relax. |
| 00:28:50 |
I understand that you're sad. |
| 00:28:52 |
Poor thing. |
| 00:28:53 |
Married and single. |
| 00:28:55 |
I don't need your pity. |
| 00:28:56 |
Sure. Albina is very pretty... |
| 00:28:58 |
...but she isn't with you. |
| 00:29:00 |
That's why I want to go back. |
| 00:29:02 |
Come on, don't play hard to get. |
| 00:29:04 |
Come on. |
| 00:29:07 |
... has skinny legs... |
| 00:29:13 |
Lorenza |
| 00:29:14 |
... but pull the bus out first. |
| 00:29:20 |
Lorenza |
| 00:29:21 |
... but pull the bus out first. |
| 00:29:30 |
Animal traction is obsolete. |
| 00:29:33 |
We're an industrialized country. |
| 00:29:35 |
Look over there. |
| 00:29:38 |
My train of oxen can |
| 00:29:41 |
Why go so far? |
| 00:29:42 |
You're all so close-minded. |
| 00:29:43 |
- Enemies of progress. |
| 00:29:45 |
- The oxen are too slow. |
| 00:29:48 |
- I'll get the tractor. |
| 00:30:16 |
Tell me, do you dislike me? |
| 00:30:18 |
No, why? |
| 00:30:19 |
Because you act |
| 00:30:22 |
I'm treating you as always. |
| 00:30:23 |
Yeah, but now we're not as always. |
| 00:30:27 |
Oh, you're so faithful. |
| 00:30:28 |
Poor Albina, she has no |
| 00:30:31 |
It seems you don't either. |
| 00:30:33 |
What's wrong with her? |
| 00:30:34 |
It's not about her. |
| 00:30:36 |
It's about you. |
| 00:30:39 |
Pull that. |
| 00:30:41 |
Up. |
| 00:30:42 |
- Pull. |
| 00:30:43 |
Pull that. |
| 00:30:56 |
Come on, you bum, push. |
| 00:30:58 |
You do it, if you're so savvy. |
| 00:31:08 |
Stop loafing around. |
| 00:31:13 |
I'll be dog-gone. |
| 00:31:15 |
Now Mr. Eladio's really done it. |
| 00:31:21 |
Second gear, to your left. |
| 00:31:23 |
Leave me alone, |
| 00:31:25 |
Not by the edge. |
| 00:31:28 |
Not by the edge, you dunce. |
| 00:31:30 |
I told you to move |
| 00:31:33 |
All right, to the left it is. |
| 00:31:38 |
This politician is a show-off. |
| 00:31:40 |
Always fussing about. |
| 00:31:42 |
Back up. |
| 00:31:44 |
I'll be damned, man. |
| 00:31:46 |
If those are his speeches, |
| 00:31:49 |
Thought it was easy to |
| 00:31:53 |
We're stuck. |
| 00:31:55 |
Look at the bus. |
| 00:32:12 |
She manipulates others |
| 00:32:14 |
Give me those cheeks. |
| 00:32:15 |
That's why I'm your godfather. |
| 00:32:17 |
Close-minded nitwits. |
| 00:32:19 |
The animal traction |
| 00:32:22 |
Let's go, Silvestre. |
| 00:32:25 |
Let's all go. |
| 00:32:30 |
Hey. |
| 00:32:32 |
Hey. |
| 00:32:33 |
Don't forget about me. |
| 00:32:34 |
It had to be you. |
| 00:32:37 |
Did you want to leave me here? |
| 00:32:39 |
Oh, you're such a nuisance, |
| 00:32:42 |
Not a pest. |
| 00:32:43 |
- More like a plant. |
| 00:36:32 |
Were you thinking of me? |
| 00:36:59 |
Pay up, Rosalio. |
| 00:37:03 |
I may have dough, but |
| 00:37:05 |
What? |
| 00:37:06 |
I'll ask you when |
| 00:37:09 |
You think everyone's like you. |
| 00:37:15 |
The guy at the wheel. |
| 00:37:16 |
To the crossroads. |
| 00:37:17 |
Are you selling chickens? |
| 00:37:19 |
Not ordinary livestock. |
| 00:37:21 |
I only deal Legore... |
| 00:37:22 |
...Rhode Island... |
| 00:37:23 |
...and others from my catalogue. |
| 00:37:25 |
Tell me when you have |
| 00:37:28 |
Silvestre, it's late, let's go. |
| 00:37:30 |
Come on, let's. |
| 00:37:31 |
Let's all climb on the bus. |
| 00:37:46 |
Mother, at least give me some bread. |
| 00:37:48 |
- I knew you had some. |
| 00:37:51 |
- Do you want a bite? |
| 00:37:54 |
Well. |
| 00:37:55 |
- You sound like a... |
| 00:37:58 |
Nemesio Alvarez y Villalbazo, |
| 00:38:01 |
- Miguel Suarez, at your service. |
| 00:38:03 |
- What do you do? |
| 00:38:05 |
- Where are they? |
| 00:38:07 |
Right here? |
| 00:38:08 |
It's cheaper than cages. |
| 00:38:11 |
Those are some nice looking hens. |
| 00:38:13 |
Are they expensive? |
| 00:38:14 |
Well, they yield a lot. |
| 00:38:16 |
There's no better business |
| 00:38:19 |
If you're interested. |
| 00:38:20 |
As long as I'm not done |
| 00:38:25 |
...I can't think of it. |
| 00:39:04 |
Oh, man. |
| 00:39:06 |
They may think I'm lazy. |
| 00:39:08 |
If I don't get some sleep, |
| 00:39:11 |
Don't worry, |
| 00:39:13 |
Stop loafing around. |
| 00:39:14 |
I have to be in Petatlan early. |
| 00:39:16 |
You said we'd make it on time... |
| 00:39:18 |
...to catch the bus |
| 00:39:20 |
I can't stand it anymore. |
| 00:39:22 |
Let me drive, I'm not sleepy. |
| 00:39:24 |
Whatever. |
| 00:39:25 |
I'm going to sleep. |
| 00:39:32 |
If it weren't for you... |
| 00:39:34 |
...what a country this would be. |
| 00:39:35 |
Everybody doing their own will. |
| 00:39:37 |
No wonder we don't get ahead. |
| 00:39:39 |
I'm going to file a complaint. |
| 00:39:41 |
This man here is the |
| 00:39:44 |
And he hasn't confronted |
| 00:39:46 |
Always among hens, all he |
| 00:39:49 |
Yes, but like a rooster. |
| 00:39:50 |
People like you are our doom. |
| 00:39:52 |
Mom, look at him snore. |
| 00:39:54 |
He even whistles. |
| 00:39:56 |
Like a train, huh? |
| 00:39:58 |
Yes, son. Come here. |
| 00:40:40 |
Good morning. |
| 00:40:41 |
Good morning. |
| 00:40:43 |
Look at her twisting |
| 00:40:46 |
Move. Give me that. |
| 00:40:48 |
If you broke my mirror... |
| 00:40:49 |
...with all that bouncing around... |
| 00:40:51 |
...you won't live to tell about it. |
| 00:40:53 |
Heavenly Jesus. |
| 00:40:55 |
They pay you for sleeping. |
| 00:40:57 |
Would you like your chocolate, sir? |
| 00:40:59 |
I can see Petatlan. |
| 00:41:01 |
Who said we're going to Petatlan? |
| 00:41:03 |
Aren't we going to Petatlan? |
| 00:41:04 |
Yes, we are. |
| 00:41:06 |
But first, we'll drop by my... |
| 00:41:08 |
...mother's ranch in time |
| 00:41:10 |
Today's her birthday. |
| 00:41:12 |
Everyone's invited. |
| 00:41:13 |
- Thank you. |
| 00:41:16 |
Happy birthday to you... |
| 00:41:20 |
... happy birthday to you... |
| 00:41:25 |
... we've come to sing... |
| 00:41:29 |
... to beautiful girls like you. |
| 00:41:33 |
Wake up, dear, wake up |
| 00:41:37 |
- The sun has risen. |
| 00:41:40 |
But what would you do if... |
| 00:41:41 |
...it were your mother's birthday? |
| 00:41:43 |
I don't know, my mother is dying. |
| 00:41:46 |
Don't get depressed. |
| 00:41:47 |
Even if you arrive early, you... |
| 00:41:49 |
...can't return to San Jeronimito today. |
| 00:41:52 |
Besides, the lawyer |
| 00:41:54 |
There's a motorcycle waiting for me. |
| 00:41:57 |
Just a few yards |
| 00:42:00 |
I hope nobody leaves |
| 00:42:03 |
We'll be delighted. |
| 00:42:05 |
What's your mother like? |
| 00:42:06 |
She's a true beauty. |
| 00:42:12 |
Happy birthday to you... |
| 00:42:16 |
... happy birthday to you... |
| 00:42:21 |
You know I wish for |
| 00:42:24 |
Thank you, dear. |
| 00:42:25 |
Did you hear, mother? |
| 00:42:26 |
Get up, today's a great day. |
| 00:42:29 |
The only day I can't get up early. |
| 00:42:31 |
... wake up, dear... |
| 00:42:32 |
There's Silvestre. |
| 00:42:34 |
I have to pretend I'm asleep. |
| 00:42:37 |
... the birds are chirping... |
| 00:42:41 |
... and the moon has risen. |
| 00:42:45 |
What a beautiful morning... |
| 00:42:49 |
Open up, here is my |
| 00:42:52 |
- Come on. |
| 00:42:54 |
Heavens. Oh. |
| 00:42:56 |
You're tearing me apart, boy. |
| 00:43:00 |
I'm starving. |
| 00:43:03 |
As idle and glutton as always. |
| 00:43:05 |
Mother. |
| 00:43:06 |
My passengers are |
| 00:43:08 |
Come here. Come in. |
| 00:43:12 |
Ma'am, accept my most |
| 00:43:15 |
Pleased to meet you... |
| 00:43:17 |
...and honored by the invitation. |
| 00:43:18 |
Mother, Mr. Eladio... |
| 00:43:20 |
...is our candidate for Congress. |
| 00:43:22 |
Thank you so much. |
| 00:43:23 |
The table is served. Come in. |
| 00:43:25 |
- Sit down. |
| 00:43:30 |
You better behave. |
| 00:43:33 |
- Grandfather. |
| 00:43:36 |
You must be dying to be together... |
| 00:43:38 |
...after so many days apart. |
| 00:43:40 |
- How have you been, Mr. Nemesio? |
| 00:43:43 |
Many happy returns. |
| 00:43:46 |
- Thank you. |
| 00:43:48 |
Don't trouble yourselves, Justina. |
| 00:43:50 |
Don't be shy, don't be shy. |
| 00:43:53 |
Tend to them, Justina. |
| 00:43:54 |
A table for you and your girl. |
| 00:43:56 |
Come, this way. |
| 00:44:03 |
Have a nice day, Mrs. Sixta. |
| 00:44:05 |
Thank you, sonny. |
| 00:44:06 |
- How's your mother? |
| 00:44:08 |
I may not see her alive again. |
| 00:44:10 |
God willing, you will... |
| 00:44:12 |
...and she will soon get well, son. |
| 00:44:14 |
The chocolate is getting cold. |
| 00:44:15 |
- Please sit down. |
| 00:44:18 |
Please sit down. |
| 00:44:20 |
- Will you come here? |
| 00:44:23 |
Move that hat. |
| 00:44:29 |
Thank you, but this chair |
| 00:44:32 |
I'd rather sit between two thorns. |
| 00:44:35 |
Don't compare me. |
| 00:44:36 |
I'm thorn enough to poke |
| 00:44:39 |
- You took the biggest one. |
| 00:44:41 |
Did I teach you those manners? |
| 00:44:43 |
Calm down, there's more. |
| 00:44:45 |
I'll be. |
| 00:44:47 |
Carmelita... |
| 00:44:49 |
...I asked you to behave. |
| 00:44:51 |
Don't dip it. |
| 00:44:52 |
We're among family, granddaddy. |
| 00:44:54 |
That's precisely why. |
| 00:44:56 |
Out of respect to this house |
| 00:44:59 |
...I want you to behave. |
| 00:45:03 |
Don't take this. |
| 00:45:06 |
Where are you. |
| 00:45:07 |
Quiet. We want to hear |
| 00:45:10 |
- Speak. |
| 00:45:15 |
In the history of all peoples... |
| 00:45:17 |
...mothers have always |
| 00:45:20 |
Nobody knows who came first. |
| 00:45:22 |
The chicken or the egg. |
| 00:45:24 |
The agent can tell us that. |
| 00:45:25 |
Young man... |
| 00:45:27 |
...just because I sell them... |
| 00:45:29 |
...it doesn't mean I'm a chicken. |
| 00:45:31 |
I'm serious. |
| 00:45:32 |
Excuse the interruption. |
| 00:45:34 |
Continue, madam. |
| 00:45:35 |
It's moving to see this example... |
| 00:45:37 |
...which should be the reflection |
| 00:45:40 |
So, in memory of my beloved mother... |
| 00:45:43 |
...and of yours, if you'll allow me... |
| 00:45:45 |
...as well as in honor |
| 00:45:47 |
...Id like to pick the |
| 00:45:50 |
...threaded by the lucid |
| 00:45:53 |
...of this great bard, |
| 00:45:56 |
...tireless glory of |
| 00:45:59 |
...and radiant sun of our state. |
| 00:46:01 |
This is getting sour. |
| 00:46:03 |
If I weren't decent and didn't |
| 00:46:06 |
...and the date we're celebrating, |
| 00:46:09 |
...Id be stirring your |
| 00:46:47 |
San Marcos is famous |
| 00:46:50 |
For its beautiful women |
| 00:46:52 |
San Marcos is famous |
| 00:46:56 |
For its beautiful women |
| 00:46:59 |
Acapulco also has its share |
| 00:47:01 |
of different little faces |
| 00:47:04 |
Beloved woman of San Marcos |
| 00:47:07 |
Come on, come on, come on |
| 00:47:12 |
Bravo. |
| 00:47:22 |
Come on, come on. Everybody |
| 00:47:24 |
Hurry up, hurry up. Come on. |
| 00:47:31 |
The whole crowd. Come |
| 00:47:35 |
Now, ladies and gentlemen. |
| 00:47:37 |
We have a sight. |
| 00:47:38 |
This beautiful Mexican ranch, |
| 00:47:41 |
as you see. |
| 00:47:42 |
Won't you speak to us in Spanish? |
| 00:47:44 |
Alright Mr. Canvas, |
| 00:47:47 |
Look, gentlemen. |
| 00:47:48 |
There you can see... |
| 00:47:50 |
...a typical little Mexican ranch. |
| 00:47:53 |
Poor, but clean. |
| 00:47:55 |
And very joyful. |
| 00:47:57 |
We got here just in time. |
| 00:47:58 |
You can use your half-hour rest... |
| 00:48:01 |
...to witness a typical fiesta. |
| 00:48:04 |
A typical fiesta. |
| 00:48:06 |
Magnificent, magnificent. |
| 00:48:08 |
Wonderful. |
| 00:48:08 |
Don't get into trouble, |
| 00:48:11 |
Ok, let's go. Come |
| 00:48:13 |
Come on. |
| 00:48:17 |
Beloved woman of San Marcos, |
| 00:48:24 |
What's up, Raquel? |
| 00:48:25 |
Aren't you happy with Jeronimito? |
| 00:48:27 |
I'll bet my name on it. |
| 00:48:29 |
All right, people. |
| 00:48:37 |
Tough luck. |
| 00:48:38 |
- Make yourselves at home. |
| 00:48:40 |
Excuse me. |
| 00:48:41 |
Make yourselves at home. |
| 00:48:43 |
Mr. Johns, come on. |
| 00:49:01 |
I'm not from San Marcos |
| 00:49:04 |
I'm from San Jeronimito |
| 00:49:07 |
I'm not from San Marcos |
| 00:49:10 |
I'm from San Jeronimito |
| 00:49:13 |
Tell me, any one of you |
| 00:49:16 |
If you've seen prettier eyes |
| 00:49:18 |
Beloved woman of San Marcos, |
| 00:49:40 |
Mr. Eladio... |
| 00:49:41 |
Keep an eye on your little chick. |
| 00:49:43 |
Somebody may steal her away. |
| 00:49:44 |
They would if they could. |
| 00:49:46 |
Here comes my trine. |
| 00:49:52 |
Not only the women of San Marcos |
| 00:49:55 |
Are pretty and lovely |
| 00:49:58 |
Not only the women of San Marcos |
| 00:50:00 |
Are pretty and lovely |
| 00:50:03 |
Carmelita, take your |
| 00:50:06 |
And eat slowly. |
| 00:50:07 |
Don't stuff your face, |
| 00:50:10 |
Were you well tended, Mr. Nemesio? |
| 00:50:12 |
Service was great, Mrs. Sixta. |
| 00:50:14 |
Just like every time I come. |
| 00:50:16 |
Do you know when Silvestre |
| 00:50:19 |
Tomorrow, I suppose. Today... |
| 00:50:21 |
That's too bad. |
| 00:50:22 |
Today is the last day |
| 00:50:27 |
Look, amigo. |
| 00:50:29 |
Would you like to sell my hat? |
| 00:50:31 |
How could I? Sell it yourself. |
| 00:50:34 |
You don't have a nice hat. |
| 00:50:37 |
Here, buy mine. |
| 00:50:38 |
Ten pesos. |
| 00:50:40 |
I don't want your hat. |
| 00:50:41 |
I want this. |
| 00:50:43 |
You wear a bonnet, I wear a hat. |
| 00:50:45 |
Don't pester me, mister. |
| 00:50:47 |
Excuse me? |
| 00:50:49 |
I don't deserve to have |
| 00:50:54 |
She suffered so much |
| 00:50:58 |
To handle a lost soul like me. |
| 00:51:01 |
Come, come now. |
| 00:51:02 |
Who is your mother's pride? |
| 00:51:04 |
No, no, no. |
| 00:51:06 |
She would say that out of kindness. |
| 00:51:10 |
She will go straight to Heaven... |
| 00:51:12 |
...fully dressed to her shoes. |
| 00:51:27 |
Where are you going in |
| 00:51:30 |
I'm a man, mom. |
| 00:51:32 |
To keep my promise. |
| 00:51:35 |
I have a debt. |
| 00:51:36 |
A debt? Who do you owe? |
| 00:51:40 |
My friend. |
| 00:51:42 |
I have to take him to Petatlan. |
| 00:51:43 |
You will stay right here. |
| 00:51:45 |
Look, Silvestre. |
| 00:51:46 |
You know my hurry. |
| 00:51:49 |
If you ask for my life... |
| 00:51:51 |
...my life I would give to you. |
| 00:51:53 |
Take it. |
| 00:51:55 |
It's all yours. |
| 00:51:58 |
Will you look at that. |
| 00:52:06 |
Candidate. It's ten o'clock. |
| 00:52:09 |
Ten? |
| 00:52:10 |
Damn, the motorcycle isn't here yet. |
| 00:52:13 |
Who told me to act like a priest... |
| 00:52:15 |
...snooping in none of my business? |
| 00:52:17 |
I thought this would |
| 00:52:20 |
That's what you think. |
| 00:52:22 |
Except the rally won't |
| 00:52:38 |
Hey. |
| 00:52:39 |
Raquel, where are you going? |
| 00:52:42 |
I'm spending the night |
| 00:52:49 |
You've been warned. |
| 00:52:51 |
They stole her from you, Congressman. |
| 00:53:14 |
Ascent to Heaven port |
| 00:53:32 |
Leave me alone. |
| 00:53:34 |
Come on. |
| 00:53:41 |
I've always liked you, Oliverio. |
| 00:53:43 |
But now you're electrifying me. |
| 00:53:44 |
Simmer down. |
| 00:53:46 |
Oh. I like them better gruff. |
| 00:53:48 |
Stop horsing around, |
| 00:53:50 |
That's what I want, to lose control. |
| 00:53:52 |
I'm in no mood for jokes. |
| 00:53:54 |
Hey, don't get so jumpy. |
| 00:54:01 |
Can't you see you're not alone? |
| 00:54:03 |
You're reckless. |
| 00:54:04 |
Sure. |
| 00:54:05 |
I'm worth nothing to you, |
| 00:54:08 |
After humiliating me for so long. |
| 00:54:10 |
What woman would risk so much? |
| 00:54:13 |
Say something, you sissy. |
| 00:54:14 |
All because of this rain. |
| 00:54:16 |
Yeah, blame the rain. |
| 00:54:17 |
Stop playing the fool. |
| 00:54:40 |
Let go. |
| 00:54:41 |
What a brute. |
| 00:54:50 |
It's all your fault, you tramp. |
| 00:54:52 |
When the baker is no good, |
| 00:54:54 |
Don't give me that nonsense. |
| 00:54:56 |
You're right to be mad, darling. |
| 00:54:58 |
Do with me whatever you want. |
| 00:55:00 |
When we get to the top |
| 00:55:02 |
If you were a man... |
| 00:55:03 |
...you would have done that already. |
| 00:55:05 |
You'll see soon enough. |
| 00:55:25 |
We're at the top. Now what? |
| 00:55:27 |
Weren't you going to teach me, |
| 00:55:31 |
I'm going to teach you |
| 00:55:33 |
Shameless tramp. |
| 00:55:35 |
Come on. |
| 00:55:36 |
It was fate. |
| 00:55:37 |
I was so wrong in |
| 00:55:40 |
Hit me. |
| 00:56:17 |
Is Mr. Eladio Gonzalez here? |
| 00:56:19 |
- Who? The candidate? |
| 00:56:22 |
- I need to see him. |
| 00:56:24 |
Thank you very much. |
| 00:56:27 |
Your junk won't make it back. |
| 00:56:29 |
Oliverio is one of the |
| 00:56:32 |
Perhaps, but with all the thunder |
| 00:56:36 |
You'll have to collect |
| 00:56:39 |
Don't be so gloomy, Mr. Gonzalez. |
| 00:56:41 |
Why, Mr. Nemesio? |
| 00:56:42 |
Poor Silvestre. |
| 00:56:43 |
Is it allowed to take |
| 00:56:46 |
We travel with children, and... |
| 00:56:50 |
It's a manner of speech. |
| 00:56:54 |
I see. |
| 00:57:02 |
Hi, Pedro. |
| 00:57:04 |
Just a minute, please. |
| 00:57:11 |
Who would know that Eladio... |
| 00:57:13 |
...the son of a simple water carrier... |
| 00:57:15 |
...would consider being |
| 00:57:18 |
Buckets are like... |
| 00:57:20 |
...like... |
| 00:57:21 |
Life is like the buckets |
| 00:57:24 |
...my dear Mr. Nemesio. |
| 00:57:27 |
My committee wants me to go to |
| 00:57:30 |
I'm a fortunate man, aren't I? |
| 00:57:32 |
Say good-bye to the family for me. |
| 00:57:34 |
Good-bye, doll. |
| 00:58:05 |
- Raquel. |
| 00:58:07 |
Where are you going? I'll take you. |
| 00:58:08 |
Wherever you're staying. |
| 00:58:09 |
I can take you anywhere. |
| 00:58:11 |
In that case, take me to the |
| 00:58:17 |
A. Figueroa y Lezama |
| 00:58:25 |
No, son, no. |
| 00:58:27 |
At my age, I wouldn't |
| 00:58:30 |
...for all the gold in the world. |
| 00:58:32 |
Risk crossing that |
| 00:58:35 |
Don't even think of it. |
| 00:58:37 |
But, Mr. Counselor... |
| 00:58:38 |
Don't worry, man, don't fret. |
| 00:58:41 |
I know how to fix this |
| 00:58:45 |
Just leave it to me, you'll see. |
| 00:58:47 |
Mother must dictate her will. |
| 00:58:49 |
Forget the will. |
| 00:58:52 |
Listen. |
| 00:58:53 |
Do you know somebody trustworthy |
| 00:58:57 |
...your mother owes |
| 00:59:00 |
Well... |
| 00:59:01 |
My father-in-law, Mr. Lucilo Peña. |
| 00:59:03 |
Excellent. |
| 00:59:05 |
I have a means to solve all this. |
| 00:59:08 |
See? |
| 00:59:09 |
I'm going to fill in these papers. |
| 00:59:11 |
Then, your mother over there... |
| 00:59:13 |
...needs to put her finger |
| 00:59:16 |
Under each bill of debt. |
| 00:59:18 |
I'll write them in |
| 00:59:22 |
Then, Mr. Lucilo must... |
| 00:59:23 |
...impound the house in Portales... |
| 00:59:25 |
...and write it off |
| 00:59:28 |
These documents are legally valid. |
| 00:59:30 |
Your siblings can't dispute them. |
| 00:59:33 |
I hope not. |
| 00:59:34 |
You don't know how greedy they are. |
| 00:59:36 |
Who knows what they're scheming now. |
| 00:59:41 |
In complete use of her |
| 00:59:45 |
...declares... |
| 00:59:46 |
...to be the owner of a property... |
| 00:59:48 |
...called The Large Coconut Grove. |
| 00:59:50 |
The boats and the fishing gear. |
| 00:59:51 |
We said those are for Oliverio. |
| 00:59:53 |
It shall be clearly stated. |
| 00:59:55 |
So. |
| 00:59:57 |
In the presence of Mr. Juan |
| 01:00:00 |
The house in Portales, Mexico City. |
| 01:00:01 |
We said it was mine. |
| 01:00:03 |
Put it in writing. |
| 01:00:04 |
Words are like feathers in the wind. |
| 01:00:05 |
That's why we're making this document. |
| 01:00:07 |
You have to decide. |
| 01:00:08 |
Let's do it. |
| 01:00:09 |
By right, the house is mine. |
| 01:00:11 |
In that case, it's rightfully |
| 01:00:15 |
Are you giving in? |
| 01:00:17 |
Me, give in? Never. |
| 01:00:19 |
Then, you have to play. |
| 01:00:20 |
One match. |
| 01:00:21 |
Play it. |
| 01:00:22 |
- Come on. |
| 01:00:26 |
You first. |
| 01:00:27 |
See? I'm even giving |
| 01:00:30 |
Anyway, the house in |
| 01:00:32 |
Luck will settle it. |
| 01:00:37 |
Two fives. |
| 01:00:38 |
Black is your fate. |
| 01:00:44 |
Two sixes. |
| 01:00:46 |
See? |
| 01:00:47 |
It's God's will. |
| 01:00:48 |
What did I tell you? |
| 01:00:50 |
The house in Portales will |
| 01:00:53 |
...the individual |
| 01:00:58 |
Quiet, your grandmother's asleep. |
| 01:01:16 |
Mother. |
| 01:01:17 |
How are you, mother? |
| 01:01:19 |
Slightly better. |
| 01:01:20 |
We made out your will with |
| 01:01:23 |
Yes, mother. |
| 01:01:24 |
To spare you the trouble. |
| 01:01:26 |
Why don't you let her rest? |
| 01:01:28 |
- Come later. |
| 01:01:31 |
You have no say in this. |
| 01:01:32 |
Why not? |
| 01:01:34 |
- She's my daughter-in-law. |
| 01:01:36 |
I think she's right. |
| 01:01:38 |
If you don't mind, Albina. |
| 01:01:39 |
Will you bring the pen |
| 01:01:43 |
You know I can't write. |
| 01:01:45 |
You don't have to write, mother. |
| 01:01:47 |
Look, here. |
| 01:01:48 |
You just need to make an "x"... |
| 01:01:50 |
...under the written part. |
| 01:01:52 |
I can't move this hand. |
| 01:01:54 |
It's heavy. |
| 01:01:55 |
That doesn't matter. |
| 01:01:56 |
Let's try with your left. |
| 01:01:59 |
I'll guide your hand. |
| 01:02:01 |
Why with the left hand... |
| 01:02:03 |
...if she just said she's better? |
| 01:02:04 |
Give me that. |
| 01:02:06 |
You won't refuse, will you? |
| 01:02:08 |
Make an "x". |
| 01:02:10 |
I won't do anything |
| 01:02:13 |
Where is he? |
| 01:02:15 |
Yeah, where is he? |
| 01:02:24 |
Golden Palm |
| 01:02:29 |
Good-bye, Raquel. |
| 01:02:31 |
- Are you going back? |
| 01:02:34 |
Not me. |
| 01:02:35 |
In case you wanted something. |
| 01:02:37 |
I got what I wanted. |
| 01:02:40 |
Well then, good-bye. |
| 01:02:42 |
Good-bye, and good luck, baby. |
| 01:02:54 |
Here so soon, Congressman? |
| 01:02:56 |
What a surprise. |
| 01:02:58 |
Keep your distance, girl. |
| 01:03:00 |
Try your tricks on someone else. |
| 01:03:01 |
Heavens, you can't take a joke. |
| 01:03:03 |
Of course. |
| 01:03:04 |
I was convincing in my |
| 01:03:07 |
I said, behave yourself. |
| 01:03:09 |
Stay around, we'll talk later. |
| 01:03:11 |
Don't try so hard to be a man. |
| 01:03:13 |
So handsome and such a good catch. |
| 01:03:19 |
Here come my people. |
| 01:03:21 |
Go away, this is a serious matter. |
| 01:03:24 |
They've come for the shepherd |
| 01:03:33 |
Leave me alone. |
| 01:03:36 |
Friends. |
| 01:03:37 |
Here is the cowardly Eladio. |
| 01:03:39 |
Hurrah for the people's candidate! |
| 01:03:41 |
- Hurrah! |
| 01:03:43 |
He's here to steal from us. |
| 01:03:49 |
Death to him |
| 01:03:51 |
- Death. |
| 01:03:55 |
Death to him. |
| 01:03:57 |
- Death. |
| 01:04:00 |
Calm down. |
| 01:04:01 |
This nation is free and democratic. |
| 01:04:04 |
We fight for principles... |
| 01:04:05 |
...not for men. |
| 01:04:07 |
Every Mexican has a right |
| 01:04:10 |
Suffrage is free. |
| 01:04:14 |
Mr. Eladio Gonzalez... |
| 01:04:16 |
...a political adversary |
| 01:04:19 |
Let me shake that hand. |
| 01:04:21 |
With pleasure. |
| 01:04:22 |
I am deeply pleased to |
| 01:04:25 |
There are still |
| 01:04:27 |
That's what I say. |
| 01:04:29 |
Your words honor me. |
| 01:04:31 |
Ballot boxes... |
| 01:04:32 |
...not insults... |
| 01:04:33 |
...will give us the victory. |
| 01:04:34 |
That's what I expect, my friend. |
| 01:04:37 |
Good-bye, my friend. |
| 01:04:40 |
Let the march continue. |
| 01:04:41 |
Actions Not Words |
| 01:04:59 |
Hurrah for the People's Candidate |
| 01:05:05 |
My poor Congressman. |
| 01:05:06 |
Look at what they did. |
| 01:05:09 |
Go back to your chores. |
| 01:05:12 |
Please go away. |
| 01:05:14 |
Forget the past. |
| 01:05:18 |
Leave me alone, madam. |
| 01:06:00 |
Compadre Chema, |
| 01:06:02 |
Just life, compadre. |
| 01:06:04 |
Eusebita, your goddaughter. |
| 01:06:06 |
She's left us. |
| 01:06:08 |
No, what do you mean? |
| 01:06:10 |
We just saw her yesterday. |
| 01:06:12 |
It was very quick, compadre. |
| 01:06:15 |
A snake bit her, and... |
| 01:06:16 |
You know. |
| 01:06:18 |
Mr. Chema. |
| 01:06:19 |
- I share your pain. |
| 01:06:21 |
Chema... |
| 01:06:22 |
I can't find the words, you know... |
| 01:06:24 |
My goddaughter. |
| 01:06:27 |
Be strong, compadre. |
| 01:06:29 |
I share your pain. |
| 01:06:31 |
Thank you. |
| 01:06:32 |
Let's go. |
| 01:06:43 |
- I feel your loss. |
| 01:07:34 |
Who would have known? |
| 01:07:35 |
Some go and others arrive. |
| 01:07:37 |
The day before yesterday |
| 01:07:40 |
Today another one took flight. |
| 01:07:42 |
Poor thing. |
| 01:07:43 |
Poor us... |
| 01:07:45 |
...who have endure such |
| 01:07:50 |
May I see her face, Mr. Chema? |
| 01:07:52 |
Yes, dear. |
| 01:07:53 |
Look at her. |
| 01:07:56 |
Wasn't my little girl pretty? |
| 01:07:58 |
Yes, Mr. Chema. |
| 01:07:59 |
She looks like she's asleep. |
| 01:08:01 |
Too bad the earth |
| 01:08:36 |
Silvestre... |
| 01:08:37 |
...I feel so bad for Mr. Chema. |
| 01:08:38 |
But you know I have to go. |
| 01:08:40 |
Since you have to be with him... |
| 01:08:42 |
...I'll walk. |
| 01:08:42 |
Man, there's always a solution. |
| 01:08:44 |
I'll stay for the burial. |
| 01:08:46 |
You take the car. That easy. |
| 01:08:49 |
Thank you, Silvestre. |
| 01:09:25 |
Look after your luggage. |
| 01:09:26 |
I'll be right back. |
| 01:09:28 |
I can't believe this guy. |
| 01:09:30 |
He runs and leaves us here. |
| 01:09:32 |
Who will be responsible |
| 01:09:35 |
I'll unload the top. |
| 01:09:50 |
Albina. |
| 01:09:54 |
- Your mother. |
| 01:09:56 |
You barely missed her. |
| 01:10:40 |
I got what I wanted. |
| 01:10:53 |
Where are my brothers? |
| 01:10:55 |
They left this morning. |
| 01:10:57 |
Where is Chucho? |
| 01:10:58 |
I left him asleep at the patch. |
| 01:11:00 |
Go to the door... |
| 01:11:01 |
...and tell me if anyone comes. |
| 01:11:40 |
Here come your brothers. |
| 01:12:16 |
Thy will be done on Earth |
| 01:12:26 |
Come with me. |
| 01:12:27 |
This is the moment. |
| 01:12:33 |
Blessed Mary, mother of God, |
| 01:12:39 |
We couldn't tell you before... |
| 01:12:41 |
Mother dictated her final will... |
| 01:12:43 |
...which is on this paper. |
| 01:12:44 |
Yes, Oliverio. |
| 01:12:45 |
It's all there, poor mother. |
| 01:12:48 |
Her final moments were harder |
| 01:12:51 |
This isn't valid. It isn't signed. |
| 01:12:53 |
What proof do you want? |
| 01:12:54 |
Isn't our word enough? |
| 01:12:56 |
We'll talk some other day. |
| 01:12:58 |
When we're calmer. |
| 01:12:59 |
This isn't the right time. |
| 01:13:01 |
Oliverio is right. |
| 01:13:02 |
Let's not rush. |
| 01:13:04 |
Besides... |
| 01:13:05 |
...we have to respect |
| 01:13:08 |
Albina... |
| 01:13:09 |
...come. |
| 01:13:13 |
Hail Mary! |
| 01:13:22 |
Did you hear? |
| 01:13:24 |
You won't get your way. |
| 01:13:26 |
Bottomless ditch... |
| 01:13:27 |
...scoundrels. |
| 01:13:31 |
Save the bills of credit. |
| 01:13:34 |
My mother's will shall prevail... |
| 01:13:36 |
The house in Portales |
| 01:13:38 |
He'll go to school... |
| 01:13:40 |
...and have everything he needs. |
| 01:14:06 |
THE END |
