|
Surveillance
|
| 00:01:10 |
It's easy now - |
| 00:01:15 |
You could pick up on a target |
| 00:01:18 |
Glasgow, and track him all the way |
| 00:01:30 |
Give us a day or so and we could |
| 00:01:45 |
London. |
| 00:01:47 |
It's the best city in the world. |
| 00:01:49 |
I love it. |
| 00:01:51 |
I love the clubs. |
| 00:01:55 |
I love the whole vibe, man. |
| 00:01:57 |
That's how I met Jake. |
| 00:02:32 |
- Hi. |
| 00:02:34 |
I'm Adam. |
| 00:02:36 |
Jake. |
| 00:02:37 |
Smile, Jake. |
| 00:02:39 |
Fucking phones will be |
| 00:02:40 |
I'm just messing, man. |
| 00:02:42 |
I should go. |
| 00:02:43 |
No, no, no. |
| 00:02:45 |
I'm sorry. |
| 00:02:48 |
Shall we go again? |
| 00:02:50 |
My playtime is precious to me. |
| 00:02:52 |
Mine too. |
| 00:02:54 |
Let's not waste another minute. |
| 00:03:03 |
- Amy. |
| 00:03:04 |
The very same. |
| 00:03:07 |
It's been a while. |
| 00:03:08 |
You got there, huh? |
| 00:03:11 |
Something like that. |
| 00:03:12 |
What did I tell you? |
| 00:03:14 |
Look, Adam, it's getting late. |
| 00:03:16 |
Can we cut to the chase? |
| 00:03:18 |
What's this all about? |
| 00:03:20 |
OK, listen. |
| 00:03:21 |
It's about a guy |
| 00:04:09 |
Ned. |
| 00:04:10 |
You little work slave. |
| 00:04:13 |
They still wasting your brilliance |
| 00:04:16 |
No rest for the wicked, aye? |
| 00:04:18 |
Tell me about it. |
| 00:04:19 |
I need a favor. |
| 00:04:20 |
Oh, you little horror. |
| 00:04:22 |
for a late night heart-to-heart. |
| 00:04:24 |
No, your security clearance, actually. |
| 00:04:26 |
Go on then...use me. |
| 00:04:29 |
I need everything you can give me |
| 00:04:32 |
And why can't you look up |
| 00:04:35 |
He's come to me |
| 00:04:37 |
I just want to see |
| 00:04:40 |
He's an ex. |
| 00:04:42 |
You kept that |
| 00:04:45 |
It wouldn't look good. |
| 00:04:47 |
No, no. |
| 00:04:48 |
They'd sack you. |
| 00:04:50 |
It's a nice pic. |
| 00:04:53 |
I'm assuming you know |
| 00:04:56 |
Ah, the boys. |
| 00:05:37 |
Look, uh...Adam-- |
| 00:05:40 |
Not a problem. |
| 00:05:45 |
Fine. |
| 00:05:49 |
Fuck. |
| 00:05:50 |
I'm really sorry l-- |
| 00:05:52 |
Honestly, it's not a problem. |
| 00:05:54 |
If I can just jump in |
| 00:05:56 |
I'll be out your way. |
| 00:06:32 |
You take this job, |
| 00:06:34 |
a tiny little piece of you thinks |
| 00:06:39 |
But you don't think-- |
| 00:06:41 |
What they definitely don't |
| 00:06:43 |
is much, much worse than any story. |
| 00:06:47 |
In the real world |
| 00:06:49 |
They do have to be...terminated. |
| 00:06:53 |
I didn't sign up |
| 00:07:13 |
Where is it, Jake? |
| 00:07:15 |
Where's the fucking film? |
| 00:07:37 |
Snap. |
| 00:07:38 |
The same phone. |
| 00:07:41 |
I had to take it straight back. |
| 00:08:07 |
If it's a thriller you go diving in there, |
| 00:08:10 |
guns blazing and you never get hit. |
| 00:08:14 |
But when it happens |
| 00:08:17 |
right in front of your very eyes... |
| 00:08:20 |
I can't tell you - |
| 00:08:23 |
You just get out of there fast... |
| 00:08:27 |
just in case you're next. |
| 00:09:17 |
the photographer son of media |
| 00:09:20 |
has been drowned. |
| 00:09:22 |
In a statement, Jake Raven's |
| 00:09:25 |
been seen since yesterday |
| 00:09:28 |
Crew members report |
| 00:09:30 |
and had clearly taken drugs. |
| 00:09:32 |
It is believed that |
| 00:09:34 |
and was unable |
| 00:10:02 |
Good night? |
| 00:10:03 |
Sorry? |
| 00:10:05 |
You look like you haven't slept. |
| 00:10:07 |
I haven't, really. |
| 00:10:09 |
Good for you. |
| 00:10:11 |
Quite fond of clubbing myself. |
| 00:10:14 |
Really? |
| 00:10:19 |
My stop. |
| 00:10:24 |
You okay? |
| 00:10:25 |
Yeah. |
| 00:10:27 |
Can't be helped. |
| 00:10:59 |
It's easy now - |
| 00:11:02 |
You could pick up on a target |
| 00:11:05 |
Glasgow, and track him all the way |
| 00:11:11 |
Give us a day or so and we could |
| 00:11:21 |
Can you get me evidence? |
| 00:11:23 |
We're talking hard evidence - |
| 00:11:26 |
tapes, photographs, transcriptions. |
| 00:11:29 |
Sure, yeah, |
| 00:11:31 |
But it's got to be |
| 00:11:33 |
I do this for you and this is it. |
| 00:11:35 |
Do you understand? |
| 00:11:36 |
I get you. |
| 00:11:39 |
I'll post it. |
| 00:11:41 |
Snail mail - |
| 00:11:43 |
Its the one thing we can't monitor. |
| 00:11:56 |
What goes on is, well, |
| 00:11:59 |
what the right hand's |
| 00:12:03 |
One unit might have been |
| 00:12:05 |
while another knew nothing about it. |
| 00:12:12 |
Except no one knew who |
| 00:12:14 |
or what was going on. |
| 00:12:18 |
This guy, Adam, were we meant |
| 00:12:21 |
scaring him off, |
| 00:12:24 |
No one really knew. |
| 00:12:27 |
That's what made him dangerous. |
| 00:13:42 |
OK, well, I'm Adam - |
| 00:13:45 |
I'm a teacher these days. |
| 00:13:47 |
Have been for a while, |
| 00:13:56 |
I teach l.T. at a private school. |
| 00:13:59 |
It's a good school. |
| 00:14:05 |
I got a great life. |
| 00:14:20 |
So the way I see it is this. |
| 00:14:22 |
I work really hard. |
| 00:14:24 |
So when I have my free time, |
| 00:14:27 |
I have to be able |
| 00:14:55 |
Hello, class. |
| 00:15:06 |
It's not very funny, is it? |
| 00:15:16 |
What does Sir do at weekends? |
| 00:15:25 |
Where does he go? |
| 00:15:31 |
Who does he see? |
| 00:15:34 |
Are you safe with Sir? |
| 00:15:40 |
Who did this? |
| 00:15:41 |
Nice tie, Sir! |
| 00:15:51 |
Well, of course, I told him |
| 00:15:53 |
Just some juvenile nonsense. |
| 00:15:55 |
If you react to it - |
| 00:15:59 |
that's it, you've lost everything - |
| 00:16:01 |
your stature, your discipline, |
| 00:16:05 |
Do you understand? |
| 00:16:06 |
I must say I was surprised that |
| 00:16:09 |
get to him - unless there was |
| 00:16:14 |
Yeah. |
| 00:16:16 |
I said to him, excuse me, sir. |
| 00:16:18 |
What I want to say to you is that |
| 00:16:21 |
is a matter for myself |
| 00:16:25 |
What is more important here |
| 00:16:29 |
Who could do this? |
| 00:16:46 |
This is the Blast Channel. |
| 00:16:48 |
This is Exit Ten with us today. |
| 00:16:50 |
And so just want to ask you |
| 00:16:51 |
Can you leave it? |
| 00:16:55 |
...I just want to go way back |
| 00:16:57 |
and maybe ask about |
| 00:17:23 |
- Amy? |
| 00:17:24 |
The very same. |
| 00:17:26 |
It's been a while. |
| 00:17:29 |
I mean, uh... |
| 00:17:32 |
Ah, so-so. |
| 00:17:34 |
What about you though? |
| 00:17:35 |
You made it then? |
| 00:17:37 |
Made what? |
| 00:17:38 |
You got there, huh? |
| 00:17:42 |
Something like that. |
| 00:17:44 |
What did I tell you? |
| 00:17:46 |
Look, Adam, it's lovely to hear |
| 00:17:50 |
but it's getting late. |
| 00:17:52 |
Can we cut to the chase? |
| 00:17:55 |
What's this all about? |
| 00:17:56 |
Okay, listen. |
| 00:17:58 |
It's about a guy |
| 00:18:11 |
The sequence of events that led |
| 00:18:14 |
of society photographer Jake Raven, |
| 00:18:18 |
at around 2:1 5 on the |
| 00:18:22 |
Guests at the Palace confirm |
| 00:18:25 |
of media baron Lord Raven |
| 00:18:28 |
and had to be escorted |
| 00:18:32 |
Hours later he was dead. |
| 00:18:35 |
The story of Jake Raven's |
| 00:18:37 |
from the pages |
| 00:18:40 |
but it doesn't. |
| 00:18:41 |
It really happened. |
| 00:18:43 |
Our investigation, |
| 00:18:46 |
by eyewitness accounts |
| 00:18:50 |
shows exactly what happened |
| 00:18:52 |
Where did he go to after the party? |
| 00:18:54 |
Who did he meet? |
| 00:18:56 |
And what secrets did he |
| 00:19:00 |
One man is certain that Jake |
| 00:19:06 |
That man is his father - |
| 00:19:25 |
Raven was as bad as Ml5. |
| 00:19:28 |
Worse. |
| 00:19:29 |
He filmed everything - |
| 00:19:35 |
Classic standoff. |
| 00:19:38 |
He know everything |
| 00:19:40 |
we knew all about him - |
| 00:19:47 |
Ned. |
| 00:19:48 |
Thank you for dropping |
| 00:19:51 |
Your wish is my command, master. |
| 00:19:55 |
He's cute. |
| 00:19:57 |
This was the last person |
| 00:20:00 |
What do want me to do? |
| 00:20:02 |
I want you to find out who else |
| 00:20:06 |
Adam Blane. |
| 00:20:07 |
Precisely. |
| 00:20:09 |
An old friend of his, |
| 00:20:13 |
Who is? |
| 00:20:14 |
Who is Ms. Amy Conroy. |
| 00:20:17 |
She's a highly talented |
| 00:20:19 |
who we're fortunate enough |
| 00:20:21 |
Oh, really? |
| 00:20:22 |
Yes. |
| 00:20:23 |
Presenter/Director |
| 00:20:26 |
You leave our Amy alone. |
| 00:20:27 |
She's a sweetheart. |
| 00:20:29 |
Did her work experience |
| 00:20:31 |
Oh, good. |
| 00:20:32 |
That's what we like to see - |
| 00:20:34 |
And she knows this |
| 00:20:39 |
I can attend to your sordid |
| 00:20:42 |
on my own, |
| 00:20:44 |
I'd like to see her. |
| 00:21:03 |
Hello, you. |
| 00:21:05 |
Hello, stranger. |
| 00:21:09 |
You look fantastic. |
| 00:21:12 |
You're not even looking at me. |
| 00:21:15 |
I mean it. |
| 00:21:19 |
God...this is weird. |
| 00:21:26 |
So you're a teacher, huh? |
| 00:21:28 |
How'd you know that? |
| 00:21:32 |
How's your Dad? |
| 00:21:34 |
Yeah. |
| 00:21:39 |
You still seeing that |
| 00:21:42 |
Ben? |
| 00:21:44 |
I was never seeing Ben. |
| 00:21:49 |
How about you? |
| 00:21:50 |
Seeing anyone? |
| 00:21:54 |
No. |
| 00:21:59 |
So...Jake Raven. |
| 00:22:01 |
Right. |
| 00:22:03 |
I want this on the record. |
| 00:22:09 |
Okay. |
| 00:22:11 |
Okay. |
| 00:22:12 |
Look at me |
| 00:22:14 |
Well, I'm Adam. |
| 00:22:17 |
I'm a teacher these days... |
| 00:22:23 |
London. |
| 00:22:25 |
It's the best city in the world. |
| 00:22:27 |
I love the clubs. |
| 00:22:31 |
I love the whole vibe, man. |
| 00:22:33 |
That's how I met Jake. |
| 00:22:37 |
Why don't you tell us a bit |
| 00:23:02 |
Ms. Conroy, |
| 00:23:04 |
He did ask to see me? |
| 00:23:06 |
Yes. |
| 00:23:09 |
Thanks. |
| 00:23:17 |
Come in, come in. |
| 00:23:19 |
I'm sorry to keep you waiting. |
| 00:23:22 |
So please, Mrs. Conroy, sit. |
| 00:23:24 |
And don't have any of that |
| 00:23:26 |
I won't bite. |
| 00:23:28 |
It's Ms., sir. |
| 00:23:30 |
Oh, Ms., please. |
| 00:23:35 |
Have you been taking |
| 00:23:39 |
No, not especially, sir-- |
| 00:23:42 |
No. |
| 00:23:43 |
It could be hot. |
| 00:23:44 |
Could be a very hot story |
| 00:23:47 |
I'm not sure-- |
| 00:23:49 |
Obviously we're taking |
| 00:23:51 |
We believe that your |
| 00:23:54 |
the last person to see |
| 00:23:58 |
Sir? |
| 00:23:59 |
We don't think it was just |
| 00:24:01 |
I have information |
| 00:24:04 |
So perhaps your Mr Blane could |
| 00:24:14 |
Obviously we don't rush in |
| 00:24:17 |
more the...gentle touch. |
| 00:24:21 |
Yes? |
| 00:24:23 |
We'll give a complete crew, |
| 00:24:25 |
And it's over to you, young lady. |
| 00:24:31 |
Excellent. |
| 00:24:34 |
Ms. Conroy. |
| 00:24:37 |
Some information about our subject... |
| 00:24:42 |
Might be of some interest. |
| 00:25:31 |
By day, Adam Blane worked |
| 00:25:35 |
An l.T. teacher, he was both |
| 00:25:39 |
But by night, |
| 00:25:43 |
Adam Blane would cruise the clubs |
| 00:25:48 |
seeking out his next thrill. |
| 00:25:50 |
It was in one of these clubs |
| 00:25:54 |
the society photographer, Jake Raven. |
| 00:25:58 |
Raven had been drinking heavily. |
| 00:26:00 |
He took Adam Blane back to his studio |
| 00:26:35 |
Amy, can you talk? |
| 00:26:37 |
Cool. |
| 00:26:38 |
Guess who Jake Raven's |
| 00:26:44 |
Oh yeah, yeah. |
| 00:26:47 |
The estranged son |
| 00:26:51 |
was 'like that' with Prince Charming. |
| 00:26:58 |
Hang on a sec. |
| 00:27:01 |
Oh, right. |
| 00:27:09 |
Fuck! |
| 00:27:10 |
What? |
| 00:27:13 |
I'm fucked if I know, |
| 00:27:17 |
Uh...Amy. |
| 00:27:19 |
I could do with seeing you. |
| 00:27:22 |
Okay, cool. |
| 00:27:47 |
So he didn't say anything - |
| 00:27:48 |
anything at all - about the Prince? |
| 00:27:50 |
No. |
| 00:27:52 |
But it felt at the time like he |
| 00:27:56 |
Do you know what I mean? |
| 00:27:59 |
I mean, I'm not a romantic, |
| 00:28:03 |
I mean, I know we hardly |
| 00:28:09 |
What do you think |
| 00:28:11 |
Fuck knows. |
| 00:28:12 |
Why-- I mean... |
| 00:28:14 |
Why are they following you? |
| 00:28:16 |
Duh! |
| 00:28:17 |
Probably the last person to see |
| 00:28:20 |
Probably think he's told me |
| 00:28:23 |
Did he? |
| 00:28:25 |
He just said he'd had a bad day. |
| 00:28:27 |
That's it. |
| 00:28:32 |
And then you had sex with him? |
| 00:28:37 |
Yes. |
| 00:28:44 |
I just-- |
| 00:28:46 |
but you seemed to be |
| 00:28:54 |
Personal? |
| 00:28:57 |
You call me up out of the blue, |
| 00:29:03 |
And even though, by the way, |
| 00:29:05 |
shagging whoever you want, |
| 00:29:08 |
Hey! |
| 00:29:09 |
London, by the way-- |
| 00:29:11 |
- It's, uh, full of phonies-- |
| 00:29:13 |
And l...how fucking sad am l? |
| 00:29:18 |
I haven't heard |
| 00:29:21 |
And you know what, Adam? |
| 00:29:23 |
My heart was thumpin'. |
| 00:29:26 |
I was excited! |
| 00:29:29 |
Can you believe that?! |
| 00:29:31 |
And what do I get? |
| 00:29:33 |
What do I get for letting you back in? |
| 00:29:35 |
You know, it's just the same |
| 00:29:37 |
You hold back! |
| 00:29:39 |
You only tell me the bits |
| 00:29:41 |
I only get half a fucking story!! |
| 00:29:43 |
So, yeah, I would say it was |
| 00:29:47 |
Look. |
| 00:29:49 |
I should've... |
| 00:29:54 |
I might have been able to help you. |
| 00:29:57 |
That's all. |
| 00:29:59 |
How come? |
| 00:30:01 |
Well, I do work for a major |
| 00:30:04 |
Are you that naive? |
| 00:30:07 |
I've started doing bits and bobs |
| 00:30:10 |
This...this would've been-- |
| 00:30:12 |
Ah, now I get you! |
| 00:30:14 |
This would've been |
| 00:30:15 |
up the ladder, wouldn't it? |
| 00:30:17 |
The Jake Raven Mystery, |
| 00:30:19 |
Little Miss Ambitious gets an |
| 00:30:22 |
No wonder you're angry with me. |
| 00:30:25 |
It's getting late. |
| 00:30:27 |
Don't let me |
| 00:30:31 |
You have told me |
| 00:30:34 |
I might've done. |
| 00:30:36 |
I might not have done. |
| 00:30:40 |
Come on. |
| 00:30:41 |
I'm getting this, am l? |
| 00:30:43 |
Yes. |
| 00:30:51 |
Yeah. |
| 00:30:53 |
I haven't handed in a lecture... |
| 00:30:56 |
because it's something on-- |
| 00:30:58 |
Whoa! |
| 00:31:01 |
Jesus! |
| 00:31:02 |
Yeah. |
| 00:31:23 |
You sure you're gonna be okay? |
| 00:31:24 |
Yeah. |
| 00:31:30 |
So...you work on |
| 00:31:34 |
Only in my own time. |
| 00:31:40 |
Shoot the footage on your mobile, |
| 00:31:43 |
and stick it onto the net. |
| 00:31:45 |
Be careful with that! |
| 00:31:48 |
The future of |
| 00:31:51 |
I prefer to call it storytelling. |
| 00:31:54 |
Oh, yeah. |
| 00:31:55 |
"Don't let the truth |
| 00:31:58 |
Isn't there some homework |
| 00:32:03 |
Come on, Amy... |
| 00:32:06 |
Is all that way gone, hey? |
| 00:32:10 |
All what? |
| 00:32:14 |
Fair enough. |
| 00:32:19 |
Amy...we were kids. |
| 00:32:25 |
I'm borderline interested |
| 00:32:29 |
That's all. |
| 00:33:26 |
Is the Royal Family |
| 00:33:28 |
that could destroy the monarchy? |
| 00:33:32 |
A thousand years of tradition |
| 00:33:36 |
not to mention a global brand |
| 00:33:38 |
to tens of millions of pounds. |
| 00:33:42 |
The real scandal goes |
| 00:33:45 |
to those at the very heart |
| 00:33:48 |
to those who will stop at nothing |
| 00:34:28 |
Sorry, sir. |
| 00:34:30 |
What's going on, Bernie? |
| 00:34:32 |
Sorry, Mr. Blane. |
| 00:34:33 |
Hey! |
| 00:34:35 |
No. |
| 00:35:05 |
Who gave you the information? |
| 00:35:07 |
Did you attempt to verify it? |
| 00:35:09 |
Oh, absolutely. |
| 00:35:10 |
The school followed the correct |
| 00:35:13 |
So you were able |
| 00:35:15 |
had downloaded child pornography? |
| 00:35:17 |
Well, l-- |
| 00:35:19 |
It's a yes or no question. |
| 00:35:22 |
There is a perfectly |
| 00:35:25 |
if Mr. Blane is dissatisfied |
| 00:35:39 |
Dad? |
| 00:35:47 |
Good news travels fast |
| 00:35:50 |
You don't exactly |
| 00:35:53 |
Hang on a sec, Dad. |
| 00:35:55 |
You don't actually believe |
| 00:35:59 |
Can you not just... |
| 00:36:00 |
keep your nose clean for once? |
| 00:36:03 |
Adam! |
| 00:36:05 |
You know what? |
| 00:36:07 |
You're sick of it! |
| 00:36:09 |
Have you heard some of the things |
| 00:36:11 |
Believe me, Dad. |
| 00:36:16 |
Well, very nice to see you... |
| 00:36:21 |
Come on, Dad, you know how it is - |
| 00:36:22 |
school, sports, activities. |
| 00:36:25 |
Yeah. |
| 00:36:26 |
Maybe you'll have a bit |
| 00:36:30 |
Thanks, Dad. |
| 00:36:32 |
Once again, |
| 00:36:54 |
Once you've been accused |
| 00:36:58 |
you're on your own. |
| 00:37:02 |
And you're so busy running |
| 00:37:05 |
you don't see |
| 00:37:07 |
You don't ask |
| 00:37:10 |
They said I was up to my elbows |
| 00:37:12 |
How come they didn't |
| 00:37:17 |
Well, we know now. |
| 00:37:25 |
I had to do something. |
| 00:38:22 |
Sinjun. |
| 00:38:24 |
Who is this? |
| 00:38:26 |
You calling from a secure line? |
| 00:38:30 |
Very well. |
| 00:38:32 |
Hang up now. |
| 00:38:34 |
I shall call you. |
| 00:38:53 |
Continue. |
| 00:38:56 |
Why should l? |
| 00:38:57 |
My dear young man, |
| 00:39:02 |
Moreover I've just driven |
| 00:39:04 |
in my motor to meet you. |
| 00:39:06 |
Doesn't mean I should trust you. |
| 00:39:08 |
True, indeed. |
| 00:39:09 |
Who on earth can one |
| 00:39:11 |
Although a point comes when one |
| 00:39:15 |
and trust some bugger, yes? |
| 00:39:17 |
Well, I don't know you from-- |
| 00:39:18 |
Adam. |
| 00:39:19 |
No one does. |
| 00:39:21 |
That's a good thing. |
| 00:39:22 |
No one is quite sure |
| 00:39:27 |
Do you know? |
| 00:39:28 |
Equerry? |
| 00:39:29 |
Royal Butler? |
| 00:39:30 |
Personal Secretary? |
| 00:39:32 |
No one knows. |
| 00:39:34 |
No one knows what one actually does. |
| 00:39:38 |
It's a real quandary when it comes |
| 00:39:43 |
The Saint? |
| 00:39:44 |
Please. |
| 00:39:46 |
I mean that's-- |
| 00:39:48 |
Oh, God. |
| 00:39:51 |
Dear Jake. |
| 00:39:53 |
For the record, it's Sinjun. |
| 00:39:57 |
Sure you don't want |
| 00:39:59 |
I'm not hungry, thanks. |
| 00:40:01 |
As you will. |
| 00:40:05 |
So, let's get things |
| 00:40:08 |
as clear as it can be |
| 00:40:11 |
You meet the wondrous Jake. |
| 00:40:14 |
He gives you my telephone number |
| 00:40:18 |
He gets killed. |
| 00:40:20 |
You're morbidly curious. |
| 00:40:23 |
You want a last little look-- |
| 00:40:25 |
I didn't say that. |
| 00:40:26 |
You want to dig around a little bit. |
| 00:40:29 |
Then your computer |
| 00:40:32 |
You nearly get run over-- |
| 00:40:33 |
I certainly didn't tell you that. |
| 00:40:35 |
You didn't need to. |
| 00:40:37 |
And neither did I need |
| 00:40:41 |
Trust. |
| 00:40:43 |
Do you see? |
| 00:40:47 |
So...the running over you. |
| 00:40:52 |
That's almost certainly |
| 00:40:55 |
Oh, really? |
| 00:40:56 |
Really. |
| 00:40:57 |
Believe me. |
| 00:40:58 |
If these people |
| 00:41:00 |
Who are 'these people'. |
| 00:41:03 |
Ml5, Special Branch. |
| 00:41:05 |
- Raven's. |
| 00:41:07 |
All in good time, young man. |
| 00:41:11 |
The girl intrigues me. |
| 00:41:15 |
You know her how? |
| 00:41:17 |
We go back. |
| 00:41:18 |
Far? |
| 00:41:20 |
Very. |
| 00:41:21 |
How far? |
| 00:41:23 |
Far far. |
| 00:41:25 |
We were at University together. |
| 00:41:28 |
Interesting. |
| 00:41:30 |
Because? |
| 00:41:33 |
Because one asks oneself |
| 00:41:38 |
knew exactly where you were. |
| 00:41:41 |
See? |
| 00:41:42 |
Interesting, isn't it? |
| 00:41:46 |
Make good television. |
| 00:41:55 |
Is the Royal Family |
| 00:41:58 |
that could destroy the monarchy? |
| 00:42:00 |
A thousand years of tradition |
| 00:42:04 |
No, wait. |
| 00:42:05 |
Now 'hang' in the balance? |
| 00:42:10 |
A thousand years of tradition |
| 00:42:14 |
not to mention a global brand |
| 00:42:17 |
to tens of millions of pounds. |
| 00:42:21 |
Yeah. |
| 00:42:23 |
We want to kind of |
| 00:42:43 |
How long this time then? |
| 00:42:45 |
Seriously, mate. |
| 00:42:47 |
I'm sure of it. |
| 00:42:48 |
I just-- |
| 00:42:50 |
You ever get the feeling |
| 00:42:52 |
Do you get that? |
| 00:42:54 |
Oh, well thanks for that, kid. |
| 00:42:55 |
Why don't you just lead 'em |
| 00:42:58 |
and invite them all in? |
| 00:42:59 |
Just till the heat dies down. |
| 00:43:02 |
Does it have to die down? |
| 00:43:04 |
I could do with a bit of fucking |
| 00:43:06 |
Ben... |
| 00:43:09 |
I don't know what the fuck |
| 00:43:11 |
but I really think I'm in trouble. |
| 00:43:14 |
I suppose a shag's |
| 00:43:18 |
- There you go. |
| 00:43:21 |
What is this? |
| 00:43:26 |
Make yourself at home, darling. |
| 00:43:35 |
So why the face? |
| 00:43:37 |
Where do you want me to start? |
| 00:43:39 |
Out of my depth? |
| 00:43:43 |
Nothing adds up. |
| 00:43:46 |
Welcome to RNN, sweetheart. |
| 00:43:48 |
Adam Blane is not the guy |
| 00:43:52 |
Appearances can be |
| 00:43:55 |
Oh, but I know him. |
| 00:43:57 |
Not sure I should be |
| 00:44:00 |
The day he died, |
| 00:44:01 |
Jake Raven stormed |
| 00:44:05 |
There was a terrific row. |
| 00:44:07 |
What about? |
| 00:44:09 |
You do know he was |
| 00:44:11 |
Who doesn't? |
| 00:44:13 |
That's why he'd come |
| 00:44:17 |
There was some film - |
| 00:44:21 |
film he wanted broadcast. |
| 00:44:24 |
Lord Raven is anxious |
| 00:44:29 |
Really? |
| 00:44:32 |
I see. |
| 00:44:34 |
And they think |
| 00:44:39 |
So, Adam Blane. |
| 00:44:41 |
You think you're being pursued |
| 00:44:46 |
Who do you think is after you? |
| 00:44:48 |
The establishment. |
| 00:44:50 |
And what, pray tell, |
| 00:44:54 |
I don't know. |
| 00:44:56 |
They're the men In black. |
| 00:44:58 |
And what do these |
| 00:45:00 |
with your pretty young arse, Mr. Blane? |
| 00:45:03 |
They want to fuck me. |
| 00:45:05 |
- All of them? |
| 00:45:08 |
All at once. |
| 00:45:09 |
Especially the really old, |
| 00:45:13 |
And who else is in |
| 00:45:20 |
Amy. |
| 00:45:26 |
Amy Fantayzee? |
| 00:45:28 |
The very same. |
| 00:45:30 |
Oh, Jesus. |
| 00:45:32 |
How long's she been |
| 00:45:34 |
She's not back |
| 00:45:36 |
- Yeah? |
| 00:45:38 |
Well, don't trust her...ever. |
| 00:45:42 |
That's all I'm gonna say to you. |
| 00:46:03 |
Hello. |
| 00:46:06 |
Amy! |
| 00:46:08 |
My word. |
| 00:46:11 |
Nice to see you, too. |
| 00:46:13 |
Come on in. |
| 00:46:14 |
- How are you? |
| 00:46:21 |
Tell me to get lost |
| 00:46:24 |
but would you answer |
| 00:46:28 |
On camera? |
| 00:46:31 |
I don't know, Amy. |
| 00:46:39 |
I don't know |
| 00:46:41 |
Maybe you didn't do anything wrong. |
| 00:46:44 |
It's not as if-- |
| 00:46:45 |
Once his mother died, |
| 00:46:49 |
Went off the rails. |
| 00:46:51 |
I, of all people, can back you |
| 00:46:58 |
He's a good boy, Adam. |
| 00:47:01 |
He's one of the good ones. |
| 00:47:03 |
Surely you must see that? |
| 00:47:06 |
I'm being serious. |
| 00:47:09 |
Someone's got it in for Adam. |
| 00:47:12 |
I think he's been set up... |
| 00:47:16 |
but if anyone can |
| 00:47:19 |
He wouldn't have to fight |
| 00:47:20 |
if he'd just live a normal life. |
| 00:47:38 |
You okay? |
| 00:47:39 |
Don't know. |
| 00:47:42 |
What does that mean? |
| 00:47:46 |
Were you going to tell me |
| 00:47:52 |
Adam... |
| 00:47:54 |
I mean, you're the one that |
| 00:47:58 |
I haven't been here for ages. |
| 00:47:59 |
Of course I'm going to pop in |
| 00:48:04 |
Fuck's sake, Adam. |
| 00:48:06 |
He worships you. |
| 00:48:09 |
"Our Adam's a teacher. |
| 00:48:12 |
with that little wreck of a place. |
| 00:48:15 |
When was he last around? |
| 00:48:20 |
You just got to face up to it-- |
| 00:48:22 |
Your Dad, he's old school. |
| 00:48:27 |
He's never gonna |
| 00:48:30 |
Remind me about the bit |
| 00:48:34 |
Bit late for all that, isn't it? |
| 00:48:45 |
End of the day, |
| 00:48:51 |
Exciting, rewarding, |
| 00:48:55 |
All of which it can be |
| 00:48:58 |
but killing innocent people... |
| 00:49:24 |
Adam. |
| 00:49:25 |
I'm a bit weirded out, mate. |
| 00:49:27 |
I've had two guys |
| 00:49:29 |
blacked-out windows, |
| 00:49:31 |
One of them wanted to |
| 00:49:35 |
Anyway, I thought |
| 00:49:38 |
See ya. |
| 00:49:51 |
- Fuck. |
| 00:49:53 |
That's Jake and-- |
| 00:49:55 |
The Prince. |
| 00:49:56 |
They were an item. |
| 00:49:58 |
Actually, they were very much |
| 00:50:01 |
And...is this real? |
| 00:50:04 |
Could not be more solid |
| 00:50:06 |
It's an open secret. |
| 00:50:07 |
Every editor in Fleet Street |
| 00:50:09 |
but none of them dares to print it. |
| 00:50:11 |
Upset the equilibrium. |
| 00:50:17 |
The Equilibrium, yes? |
| 00:50:21 |
So it's down to you |
| 00:50:25 |
keep it sweet |
| 00:50:27 |
Crudely put, |
| 00:50:31 |
It is my job, as you say, |
| 00:50:34 |
to keep things sweet |
| 00:50:38 |
He whose life it is my |
| 00:50:43 |
That's what one does. |
| 00:50:44 |
Brief hasn't changed for centuries. |
| 00:50:46 |
My grandfather procured harlots |
| 00:50:51 |
It's much the same for me. |
| 00:50:54 |
Keeping it under the hat-- |
| 00:50:56 |
I still don't-- |
| 00:50:58 |
That's one's job. |
| 00:51:02 |
Let me tell you, |
| 00:51:04 |
of my caliber in his retinue, |
| 00:51:07 |
been immaculate by first light. |
| 00:51:10 |
This is the thing... |
| 00:51:13 |
My royal Prince |
| 00:51:17 |
So what? |
| 00:51:19 |
Every soap opera |
| 00:51:22 |
Why should the longest-running soap |
| 00:51:25 |
It's just a matter of finding |
| 00:51:29 |
My finding the right sort of chap. |
| 00:51:32 |
I was the one who vetted |
| 00:51:36 |
Beautiful boy. |
| 00:51:37 |
Lovely chap. |
| 00:51:39 |
Absolutely wild. |
| 00:51:41 |
Parties, weekenders, |
| 00:51:44 |
secret visits to country houses. |
| 00:51:47 |
HRH was totally taken by it all, |
| 00:51:52 |
Just loved it. |
| 00:51:54 |
Why you telling me all this, |
| 00:51:56 |
What do you want? |
| 00:51:58 |
You're learning. |
| 00:52:03 |
What does one want? |
| 00:52:05 |
I suppose one wants it |
| 00:52:08 |
which is somewhat ironic |
| 00:52:11 |
one's life covering the tracks. |
| 00:52:14 |
One starts to wonder |
| 00:52:21 |
like right and wrong. |
| 00:52:25 |
You see? |
| 00:52:31 |
See, from our-- |
| 00:52:33 |
it's like a virus. |
| 00:52:35 |
Moment it seeps out, |
| 00:52:39 |
stem its flow, |
| 00:52:42 |
They have to work on the assumption |
| 00:52:45 |
contact with the virus |
| 00:52:48 |
And you eliminate them? |
| 00:52:50 |
Just in case. |
| 00:53:13 |
Ben? |
| 00:53:22 |
In this job... |
| 00:53:24 |
there's people who want |
| 00:53:27 |
Couldn't care less |
| 00:53:30 |
Just want it to be like the movies-- |
| 00:53:33 |
Shoot first, ask questions later? |
| 00:53:35 |
Exactly. |
| 00:53:38 |
Is that what happened to Ben? |
| 00:54:24 |
Ben? |
| 00:54:45 |
And then I walk into Ben's place... |
| 00:54:47 |
and everything changes. |
| 00:54:51 |
If this was ever gonna |
| 00:54:54 |
it was gonna be down |
| 00:54:57 |
Me, and only me. |
| 00:54:59 |
Sinjun. |
| 00:55:00 |
Sir... |
| 00:55:02 |
I'm sorry to have |
| 00:55:04 |
A timely call. |
| 00:55:05 |
Meet me at precisely 1 0 AM. |
| 00:55:08 |
Dudley Aerodrome. |
| 00:55:10 |
Dear boy, |
| 00:55:13 |
Ten AM. |
| 00:55:37 |
Thirty-five seconds early. |
| 00:55:38 |
How worrying. |
| 00:55:39 |
I see you've got |
| 00:55:42 |
Snaps you took the other day |
| 00:55:44 |
No disrespect to you, sir, |
| 00:55:47 |
Okay. |
| 00:55:57 |
It's all gone |
| 00:56:00 |
Everything. |
| 00:56:03 |
It's gone way, way too far. |
| 00:56:05 |
I just want out. |
| 00:56:07 |
I want it to stop. |
| 00:56:09 |
No more running or hiding. |
| 00:56:11 |
Whatever it takes. |
| 00:56:12 |
This is just the tip of the iceberg. |
| 00:56:14 |
What? |
| 00:56:15 |
You're lucky you're alive. |
| 00:56:18 |
Man, that's berserk! |
| 00:56:19 |
That's off its head-- |
| 00:56:22 |
I do most seriously wish you would |
| 00:56:26 |
Sorry, old chap. |
| 00:56:29 |
You know the story. |
| 00:56:31 |
One believes staunchly |
| 00:56:35 |
One does the best one can. |
| 00:56:37 |
But equally one recognizes |
| 00:56:41 |
Do you want to know why? |
| 00:56:43 |
Because one of the princes is gay? |
| 00:56:45 |
No, no, no. |
| 00:56:46 |
The family's no stranger |
| 00:56:48 |
It's not because he was |
| 00:56:50 |
It's because he was on the verge |
| 00:56:54 |
Of going public. |
| 00:56:56 |
Where do I come into this? |
| 00:56:57 |
Oh, there is much, much more. |
| 00:56:59 |
Letters, photographs... |
| 00:57:01 |
And, of course, the video. |
| 00:57:03 |
Video? |
| 00:57:05 |
They filmed a message to the nation. |
| 00:57:08 |
Kind of a Queen's Speech, if you will. |
| 00:57:12 |
They were to cut and run, |
| 00:57:15 |
Start a new life together. |
| 00:57:18 |
Australia was mentioned, |
| 00:57:22 |
This was their plea for patience, |
| 00:57:27 |
for compassion. |
| 00:57:29 |
Wow. |
| 00:57:30 |
Edward and Mrs. Simpson, take two. |
| 00:57:32 |
Wow, indeed. |
| 00:57:35 |
You know...I've never |
| 00:57:40 |
so very, very happy. |
| 00:57:42 |
What happened? |
| 00:57:43 |
What always happens. |
| 00:57:45 |
They got to him. |
| 00:57:48 |
They quite literally |
| 00:57:50 |
They brainwashed the poor boy. |
| 00:57:52 |
They all but imprisoned him. |
| 00:57:54 |
They set him up with some |
| 00:57:56 |
parade him in front |
| 00:57:59 |
They stopped him talking to Jake, |
| 00:58:01 |
they stopped him |
| 00:58:04 |
I, who was his closest confidant, |
| 00:58:07 |
Poor Jake went absolutely berserk. |
| 00:58:10 |
He started railing |
| 00:58:12 |
telling them that he'd go |
| 00:58:15 |
So they shut him up for good |
| 00:58:19 |
Who? |
| 00:58:21 |
Maybe, Special Branch. |
| 00:58:22 |
I wouldn't even |
| 00:58:24 |
His own Dad? |
| 00:58:26 |
The moment he found out |
| 00:58:27 |
he all but disowned him. |
| 00:58:30 |
Eight centuries |
| 00:58:34 |
only to end up with |
| 00:58:37 |
and a twinky for a son? |
| 00:58:40 |
I don't think so. |
| 00:58:41 |
Fuck! |
| 00:58:42 |
And the video-- |
| 00:58:45 |
This is where you |
| 00:58:48 |
That is why you're still alive. |
| 00:58:49 |
What? |
| 00:58:52 |
If only one had it oneself, |
| 00:58:54 |
one would finish the job off. |
| 00:58:56 |
How come? |
| 00:58:59 |
How come? |
| 00:59:01 |
You really don't |
| 00:59:04 |
Can you blame me? |
| 00:59:05 |
Answer me one question. |
| 00:59:07 |
When you met Jake, |
| 00:59:09 |
about this at all? |
| 00:59:12 |
Smile, Jake. |
| 00:59:14 |
Those fucking phones |
| 00:59:19 |
No. |
| 00:59:21 |
Damn! |
| 00:59:22 |
Hey! |
| 00:59:28 |
Oh, Ben... |
| 00:59:32 |
Special Branch, standard M.O. |
| 00:59:35 |
Make it look as if he'd |
| 00:59:37 |
while he was still |
| 00:59:40 |
Why Ben? |
| 00:59:42 |
Because he made the mistake |
| 00:59:45 |
Who knows what you told him. |
| 00:59:47 |
Those fuckers. |
| 00:59:51 |
Not a thing? |
| 00:59:53 |
No, nothing. |
| 00:59:54 |
So the only reason I'm not |
| 00:59:56 |
I've got the video, is that right? |
| 00:59:58 |
Or you can lead them to it. |
| 01:00:00 |
This is what I call a scandal. |
| 01:00:02 |
This is what I call |
| 01:00:06 |
Gay royals? |
| 01:00:10 |
Big fucking deal! |
| 01:00:12 |
Which century |
| 01:00:14 |
They are eliminating people |
| 01:00:19 |
This is the country that I serve. |
| 01:00:21 |
The disgrace! |
| 01:00:23 |
That is how come |
| 01:01:32 |
Jake, if you will... |
| 01:01:34 |
We don't ask for your |
| 01:01:37 |
just your understanding. |
| 01:01:40 |
Call it a fairytale, |
| 01:01:43 |
but you, the people |
| 01:01:47 |
it's up to you to decide whether |
| 01:01:52 |
Have you ever had |
| 01:01:55 |
One about a handsome prince |
| 01:01:58 |
to keep him away |
| 01:02:00 |
Well, this is our story. |
| 01:02:03 |
This is our own very special love story. |
| 01:02:06 |
The Prince and l. |
| 01:02:14 |
Shit. |
| 01:02:19 |
Oh, my God. |
| 01:02:22 |
Come on, come on. |
| 01:02:28 |
Move it! |
| 01:03:42 |
Thank God. |
| 01:03:44 |
Start talking, Amy. |
| 01:03:45 |
This has all gotten |
| 01:03:47 |
Hasn't it? |
| 01:03:49 |
- What do you think-- |
| 01:03:51 |
What I think Amy, is you're |
| 01:03:54 |
What I think is that there's |
| 01:03:57 |
to keep this story under wraps. |
| 01:03:58 |
Do you really think a respected |
| 01:04:02 |
would kill his own son? |
| 01:04:03 |
I'm an expert on disappointed dads, |
| 01:04:06 |
I know Raven. |
| 01:04:08 |
You know? |
| 01:04:09 |
You know nothing! |
| 01:04:11 |
You really think Raven |
| 01:04:12 |
and recognized the journalistic |
| 01:04:14 |
Oh, God! |
| 01:04:16 |
Amy! |
| 01:04:18 |
The hairy-arsed biker |
| 01:04:21 |
Do you want to know why? |
| 01:04:24 |
Ben has been killed |
| 01:04:30 |
I took refuge. |
| 01:04:31 |
My people? |
| 01:04:34 |
Do you think... |
| 01:04:37 |
Amy, my friend has been killed |
| 01:04:42 |
You haven't got a chance against |
| 01:04:45 |
Not even you. |
| 01:06:30 |
We now knew Adam had the film. |
| 01:06:33 |
We could only guess |
| 01:06:35 |
to the broadcasters with it. |
| 01:06:37 |
We had to get it back. |
| 01:06:40 |
It's the only way |
| 01:06:59 |
You're probably wondering |
| 01:07:01 |
I've lost the capacity to wonder. |
| 01:07:04 |
Sandy Murray, Special Branch. |
| 01:07:06 |
Don't worry. |
| 01:07:08 |
Oh, there are good guys, are there? |
| 01:07:10 |
You been up all night? |
| 01:07:12 |
You should know. |
| 01:07:13 |
Touché. |
| 01:07:15 |
Actually, it's not yourself |
| 01:07:17 |
Someone has to regulate |
| 01:07:19 |
Law onto themselves, that lot. |
| 01:07:22 |
We really, truly do not know |
| 01:07:31 |
Tea? Coffee? Juice? |
| 01:07:33 |
Coffee would be good, thanks. |
| 01:07:35 |
Do you want something to eat? |
| 01:07:38 |
Actually, yeah. |
| 01:07:40 |
Tell you what- |
| 01:07:42 |
I could do with diving |
| 01:07:44 |
Sure. |
| 01:07:46 |
Thanks. |
| 01:07:47 |
Can I be cheeky |
| 01:07:49 |
Whatever you want. |
| 01:07:52 |
We aim to please. |
| 01:08:05 |
My stop. |
| 01:08:17 |
You okay? |
| 01:08:18 |
Yeah. |
| 01:10:07 |
This needs to get out |
| 01:10:10 |
And for that, Dad, |
| 01:10:12 |
What is it? |
| 01:10:14 |
It's the last testament |
| 01:10:16 |
This is big. |
| 01:10:18 |
Dad, this is serious stuff. |
| 01:10:20 |
People will kill |
| 01:10:22 |
Are you with me? |
| 01:10:24 |
I don't know what you've got |
| 01:10:26 |
Me neither, Dad. |
| 01:10:29 |
This is important though, yeah? |
| 01:10:32 |
I've explained it all |
| 01:10:34 |
So if I'm not back, |
| 01:10:37 |
and take this directly |
| 01:10:40 |
Okay, Dad? |
| 01:10:49 |
Gay Times. |
| 01:10:51 |
You will do that for me? |
| 01:10:53 |
I can rely on you, |
| 01:10:56 |
Because if I can't come to my |
| 01:11:10 |
Dad. |
| 01:11:12 |
Listen, can you meet me? |
| 01:11:15 |
Mum's memorial service, yeah? |
| 01:11:19 |
Can you get there |
| 01:11:23 |
Okay, bye. |
| 01:11:45 |
Well, if they're onto us here, |
| 01:11:52 |
It's weird being back, aye? |
| 01:11:57 |
So...tell me. |
| 01:12:02 |
Good job I've read |
| 01:12:04 |
Little tip I picked up. |
| 01:12:07 |
If you want something |
| 01:12:10 |
guaranteed... |
| 01:12:11 |
Mail it. |
| 01:12:13 |
Are you with me? |
| 01:12:15 |
Safest way of getting |
| 01:12:17 |
- So you've sent it? |
| 01:12:19 |
And did it just as I said? |
| 01:12:22 |
Good man. |
| 01:12:24 |
Good thinking, I guess. |
| 01:12:27 |
I should call and check |
| 01:12:31 |
Well, I didn't actually |
| 01:12:40 |
Who did you send it to? |
| 01:12:42 |
Amy. |
| 01:12:45 |
Amy? |
| 01:12:46 |
Did I do wrong? |
| 01:12:48 |
No, no. |
| 01:12:50 |
You weren't to know. |
| 01:12:51 |
Better to send it to someone |
| 01:12:54 |
She gave me her address |
| 01:12:57 |
She would do, wouldn't she? |
| 01:13:02 |
It's all right. |
| 01:13:18 |
Thank you very much |
| 01:13:20 |
Shall we? |
| 01:13:29 |
You okay? |
| 01:13:30 |
Yeah. |
| 01:13:31 |
I might as well use this. |
| 01:13:40 |
Hi. |
| 01:13:43 |
Anyone. |
| 01:13:44 |
Thank you. |
| 01:13:48 |
He may as well have stood |
| 01:13:50 |
and shouted, |
| 01:13:53 |
The moment he made that call |
| 01:13:57 |
Just a matter of who |
| 01:14:02 |
Here we go then, Dad. |
| 01:14:05 |
- Wish me luck. |
| 01:14:43 |
This has been |
| 01:14:45 |
Truly excellent-- |
| 01:14:46 |
Excuse me. |
| 01:14:50 |
Yes, we have it. |
| 01:14:53 |
Yes. |
| 01:14:55 |
Yes, indeed. |
| 01:14:57 |
Lunch? |
| 01:14:59 |
Good. |
| 01:15:01 |
I do so love a happy ending. |
| 01:15:13 |
I can give you the phone. |
| 01:15:14 |
I can give you whatever want. |
| 01:15:16 |
I don't know what I've done! |
| 01:15:17 |
What the fuck is going on?! |
| 01:15:32 |
The eagle has landed, |
| 01:15:33 |
Thanks be to you, too, |
| 01:15:35 |
We have both Blane |
| 01:15:38 |
We are not ungrateful. |
| 01:15:41 |
My assistant has made |
| 01:15:45 |
Absolutely everything's |
| 01:15:47 |
Your personal possessions, |
| 01:15:52 |
And, as you can imagine, |
| 01:15:54 |
there will be |
| 01:15:56 |
So if there's anything, |
| 01:16:01 |
Sir? |
| 01:16:02 |
My dear? |
| 01:16:08 |
So you bumped off your own son? |
| 01:16:12 |
For this? |
| 01:16:13 |
Now, now. |
| 01:16:14 |
Let's not spoil |
| 01:16:16 |
You've helped me find |
| 01:16:19 |
and I know I'm not alone |
| 01:16:23 |
Our country is now saved. |
| 01:16:25 |
Yes? |
| 01:16:29 |
Is there anything? |
| 01:16:33 |
Nothing. |
| 01:16:36 |
I'll go. |
| 01:16:56 |
In essence, the question |
| 01:16:59 |
Will you remain complicit in this? |
| 01:17:04 |
Are you happy for this |
| 01:17:14 |
Are you satisfied with your role |
| 01:17:17 |
and sinister cover-ups in recent times? |
| 01:17:31 |
As a gay man, |
| 01:17:33 |
and allow that to happen? |
| 01:17:35 |
Can you be at peace |
| 01:17:37 |
knowing what you know? |
| 01:17:40 |
I mean it, Ned. |
| 01:17:42 |
Who are you speaking to? |
| 01:17:45 |
Fucking...everybody! |
| 01:17:47 |
Believe me, I want to get this |
| 01:17:50 |
I've even got someone |
| 01:17:54 |
It's a big deal for me. |
| 01:17:57 |
I've worked for Raven for almost |
| 01:18:12 |
If you're in... |
| 01:18:19 |
Okay. |
| 01:18:22 |
You and me - |
| 01:18:25 |
We can just blow |
| 01:18:34 |
Well, here's the rest of |
| 01:18:37 |
Everything. |
| 01:18:40 |
Thanks. |
| 01:19:01 |
Mr. Blane, Adam. |
| 01:19:04 |
Why is it that I feel exactly like |
| 01:19:06 |
if he has any last requests? |
| 01:19:08 |
Oh, on the contrary. |
| 01:19:09 |
You're safer now |
| 01:19:11 |
Do you have the dark materials? |
| 01:19:14 |
Can we just |
| 01:19:16 |
As I said, we mean you no harm - |
| 01:19:18 |
just so long as you cooperate. |
| 01:19:20 |
You see, unbeknown to you, |
| 01:19:21 |
almost sparked a bloodbath. |
| 01:19:23 |
Almost? |
| 01:19:24 |
You fucking murdered my best friend! |
| 01:19:27 |
Oh, come on, Adam. |
| 01:19:29 |
You killed my mate, you bastard! |
| 01:19:31 |
We had nothing to do with that. |
| 01:19:36 |
Fuck. |
| 01:19:37 |
I know. |
| 01:19:39 |
I know, I'm dead. |
| 01:19:40 |
Fucking hell! |
| 01:19:46 |
I know, I'm dead. |
| 01:19:47 |
For God's sake, Jake! |
| 01:19:48 |
It's all right, Dad. |
| 01:19:50 |
It's all going to be all right, really. |
| 01:20:03 |
Go on, then. |
| 01:20:05 |
Fuck... |
| 01:20:07 |
I don't know-- |
| 01:20:09 |
I don't know where to start. |
| 01:20:10 |
Why don't you start |
| 01:20:14 |
I mean, that's what this |
| 01:20:17 |
That's why I'm here. |
| 01:20:19 |
You and your Prince |
| 01:20:23 |
with your precious love story. |
| 01:20:24 |
Wasn't that what you |
| 01:20:26 |
Didn't you beg him |
| 01:20:29 |
Of course I wanted him to show it. |
| 01:20:31 |
So? |
| 01:20:32 |
So what? |
| 01:20:34 |
So where is he now? |
| 01:20:36 |
Prince Charming? |
| 01:20:38 |
Or was it just |
| 01:20:44 |
I had him abducted to save him - |
| 01:20:46 |
to save his life. |
| 01:20:49 |
Save him from whom? |
| 01:20:51 |
Whoever makes these |
| 01:21:03 |
So, Adam, |
| 01:21:05 |
to its rightful owner, |
| 01:21:07 |
You're no longer |
| 01:21:10 |
just another lonely nut |
| 01:21:11 |
with a conspiracy theory. |
| 01:21:13 |
That's really funny. |
| 01:21:17 |
What about Amy? |
| 01:21:19 |
Amy Conroy is a very bright reporter |
| 01:21:25 |
You walked right into it. |
| 01:21:27 |
You gave her |
| 01:21:37 |
Right. |
| 01:21:40 |
Yeah, I was forgetting |
| 01:21:44 |
Your story, Jake... |
| 01:21:48 |
that you were so |
| 01:21:51 |
The story that cost |
| 01:21:56 |
That condemns your lover, |
| 01:22:00 |
to live a lie, |
| 01:22:06 |
So what now? |
| 01:22:07 |
Is the story all just buried |
| 01:22:11 |
All forgiven and forgotten? |
| 01:22:12 |
- We haven't really-- |
| 01:22:15 |
You fucking have. |
| 01:22:24 |
There is no story, is there? |
| 01:22:28 |
It's business as usual. |
| 01:22:49 |
Is it recording now? |
| 01:22:52 |
Jake, if you will... |
| 01:22:54 |
We don't ask for your |
| 01:22:58 |
just your understanding. |
| 01:23:00 |
Call it a fairytale, if you will. |
| 01:23:04 |
But you, the people |
| 01:23:08 |
it's up to you to decide whether |
| 01:23:40 |
Has anything positive come |
| 01:23:44 |
Has anything positive come |
| 01:23:49 |
It's a bit early to say... |
| 01:23:52 |
only time will tell. |
| 01:24:05 |
I can't wait for you any longer. |
| 01:24:07 |
I'm here. |
| 01:24:09 |
- Sorry I'm late. |
| 01:24:16 |
Okay. |
| 01:24:18 |
Okay. |
| 01:24:20 |
Look at me, |
