Suspicion
|
00:01:05 |
I beg your pardon. Was that your leg? |
00:01:09 |
I thought the compartment was empty. |
00:01:15 |
I'm so sorry. I hope I didn't hurt you. |
00:01:18 |
Awful man in the next compartment |
00:01:22 |
I had to come in here. |
00:01:25 |
- No, I don't. |
00:01:28 |
After last night, my head couldn't stand it. |
00:01:42 |
May I see your tickets, please? |
00:01:51 |
Thank you, miss. |
00:01:54 |
I'm afraid |
00:01:56 |
- It's a first-class compartment, isn't it? |
00:01:58 |
- Then I'm all right. |
00:02:03 |
What sort of line is this, selling |
00:02:07 |
I am very sorry, sir. |
00:02:09 |
That will be £5.04 extra. |
00:02:12 |
- You haven't change for a fiver, have you? |
00:02:14 |
Don't bother, because I haven't got one. |
00:02:21 |
This is the best I can do. |
00:02:23 |
Do you suppose the line would settle for |
00:02:29 |
No, I don't suppose they would. |
00:02:36 |
I hate to presume on our short |
00:02:40 |
I'm afraid that I... |
00:02:44 |
There you are. That'll do. That stamp. |
00:02:48 |
Thank you very much. |
00:02:50 |
There you are, £5 and tuppence ha'penny |
00:02:55 |
It's legal tender, old boy. |
00:03:01 |
Write to your mother. |
00:03:06 |
That man. |
00:03:40 |
Mr. Aysgarth, may I? |
00:03:42 |
Would you mind stepping forward |
00:03:46 |
Now, Mr. Aysgarth, please. |
00:03:49 |
I wonder if I could have |
00:03:53 |
Not at this hour of the morning. |
00:03:56 |
- There he is. Good morning, Johnnie. |
00:03:58 |
- We've been looking for you everywhere. |
00:04:01 |
Excuse me. |
00:04:04 |
Of course. I'm so sorry. |
00:04:07 |
- Come, Alice. Come, Jessie. |
00:04:10 |
Arert they bright this morning? Now. |
00:04:13 |
That's very good. |
00:04:16 |
Now could I have a little bit of a smile? |
00:04:30 |
I can hardly believe it. |
00:04:34 |
What's her name? Do you know her? |
00:04:36 |
Yes, but lay off, Johnnie. |
00:04:40 |
Besides, she's not up your alley. |
00:04:42 |
To tell you the truth, |
00:04:46 |
- Introduce me to her, will you? |
00:04:48 |
She's a very carefully brought up |
00:04:50 |
If you won't do it, I'll have to do it myself. |
00:04:52 |
Come on, they're going. |
00:05:19 |
- Lina, may we come in? |
00:05:22 |
- How are you? |
00:05:25 |
May I introduce Mr. Aysgarth? |
00:05:31 |
- How do you do? |
00:05:33 |
We were just passing by |
00:05:35 |
- Johnnie insisted on meeting you. |
00:05:38 |
I'm told the sight of a really eligible male |
00:05:43 |
- Isn't Johnnie terrible? |
00:05:46 |
Arert you, Johnnie? |
00:05:48 |
- Hadrt you better hurry? |
00:05:51 |
You don't want to be late for church. |
00:05:53 |
- Did you all come to take me to church? |
00:05:57 |
- lf you want to come... |
00:06:01 |
That's very kind of you. I think I will come. |
00:06:04 |
Good. And put on that saucy little hat |
00:06:08 |
I will. Excuse me. |
00:06:12 |
We'd better sit down, girls. |
00:06:32 |
- Where are you rushing to? |
00:06:34 |
- But I thought... |
00:06:35 |
- Shall I go with you? |
00:06:38 |
- I thought you didn't like them. |
00:06:44 |
Really, it's most extraordinary. |
00:07:13 |
- You're not really going to church? |
00:07:16 |
- No, you're coming for a walk with me. |
00:07:19 |
Tell you what I'll do, I'll toss you for it. |
00:07:27 |
Mother. |
00:07:40 |
Now what did you think |
00:07:43 |
Nothing less than murder could justify |
00:07:47 |
- Look at you. |
00:07:50 |
I'm just beginning to understand. |
00:07:54 |
- Werert you? |
00:07:56 |
I was merely reaching around you, |
00:07:59 |
- What's wrong with my hair? |
00:08:03 |
It would have been very discourteous |
00:08:06 |
- Are you serious? |
00:08:10 |
I may seem provincial, but frankly, |
00:08:13 |
You always give me the feeling |
00:08:17 |
No, I give you my word. |
00:08:19 |
But your hair's all wrong. |
00:08:21 |
It has such wonderful possibilities |
00:08:25 |
For the moment, |
00:08:28 |
- What's wrong with it? |
00:08:33 |
Let me see... |
00:08:36 |
- Don't do that. |
00:08:39 |
Because your ucipital mapilary |
00:08:42 |
What's an ucipital mapilary? |
00:08:46 |
- That. |
00:08:50 |
Let's see. |
00:08:53 |
That's good. |
00:09:00 |
I must be quite a novelty |
00:09:03 |
that you're photographed with. |
00:09:07 |
What do you think of me |
00:09:10 |
If I ever got the bit between your teeth, |
00:09:16 |
Suppose just as you thought |
00:09:18 |
I turned around, neighed, and kissed you? |
00:09:20 |
I think you've done enough fooling |
00:09:27 |
You don't look very good like that. |
00:09:29 |
You look more like a monkey |
00:09:32 |
What does your family call you? |
00:09:36 |
I still think my way was best. |
00:09:44 |
I must go now or I'll be late to luncheon. |
00:09:47 |
If my father saw me come in both late |
00:10:02 |
- Please don't bother to come any further. |
00:10:05 |
- No, really, I can't come out this afternoon. |
00:10:09 |
No, really, |
00:10:12 |
- Liar. |
00:10:14 |
Don't forget, 3:00. |
00:10:17 |
Lina will never marry. |
00:10:20 |
She has no need to worry. |
00:10:21 |
There's enough to care for her |
00:10:23 |
I suppose you're right, dear. |
00:10:27 |
What's wrong with that? |
00:10:30 |
All women are not alike. Lina has intellect |
00:10:34 |
Come on, I'm hungry. |
00:11:02 |
Sorry I'm late. |
00:11:06 |
Could I have some well-done, |
00:11:09 |
Yes, miss. |
00:11:10 |
What kept you so long at church, dear? |
00:11:13 |
I didn't go to church. |
00:11:18 |
- With a man. |
00:11:20 |
Yes. His name's John Aysgarth. |
00:11:23 |
- John Aysgarth? |
00:11:26 |
How'd you meet him? |
00:11:28 |
Pity he's turned out so wild. |
00:11:31 |
What's this, horseradish? |
00:11:34 |
- It's not out of a bottle, is it? |
00:11:37 |
That's real. |
00:11:40 |
I can't stand things out of bottles. |
00:11:43 |
Never, dear. |
00:11:45 |
Why did you say |
00:11:47 |
He was turned out of some club |
00:11:53 |
I don't know. I didn't ask him. |
00:11:55 |
Or ought to have been. |
00:11:58 |
- What's he doing down here? |
00:12:01 |
Lord Middleham |
00:12:03 |
if he had been turned out of a club |
00:12:05 |
Maybe it wasrt cards. Maybe a woman. |
00:12:08 |
He was corespondent or something, |
00:12:11 |
or ought to have been corespondent. |
00:12:12 |
You can't expect me to remember |
00:12:15 |
Anyway, I'm going to see him again. |
00:12:24 |
You're wanted on the telephone, miss. |
00:12:35 |
Hello? |
00:12:36 |
Hello, Johnnie. |
00:12:39 |
You can't? |
00:12:44 |
Of course, I understand. |
00:12:46 |
Thank you for calling. |
00:12:50 |
I'd love to, |
00:13:28 |
Hello? |
00:13:29 |
Is Mr. John Aysgarth there, please? |
00:13:33 |
He isn't? |
00:13:35 |
I thought perhaps... |
00:13:37 |
Are you expecting him for the Hunt Ball? |
00:13:40 |
This is... It doesn't matter. I'll ring again. |
00:13:46 |
- Nothing, Miss McLaidlaw. |
00:13:50 |
- Positive. |
00:13:53 |
but couldn't it accidentally have been |
00:13:57 |
I'm sorry, I'm sure it would have been |
00:14:01 |
Thank you. |
00:14:12 |
Regent 0021, please. |
00:14:20 |
No reply? |
00:14:22 |
Thank you. |
00:14:53 |
- Lina. |
00:14:58 |
It's 7:00. |
00:15:01 |
Arert you going to wear your new dress? |
00:15:03 |
No, Mother. I'm not in the mood. |
00:15:06 |
- What's the matter, dear? |
00:15:11 |
I'm not going to the ball. |
00:15:13 |
Not going? You mean... |
00:15:17 |
Perhaps some aspirin... |
00:15:20 |
- You haven't a temperature, have you? |
00:15:23 |
Yes, come in. |
00:15:25 |
- Where's your aspirin? I'll get it. |
00:15:28 |
- A telegram for you, miss. |
00:15:59 |
- Here's the aspirin, dear. |
00:16:02 |
- Your headache. |
00:16:04 |
- Tell Father I'll be down in a second. |
00:16:54 |
I say, Lina. |
00:16:56 |
- Yes, Reggie? |
00:16:58 |
- Why, of course. Poor Reggie. |
00:17:08 |
I say, General, that's not Lina |
00:17:11 |
- Yes, it is. |
00:17:14 |
I hardly knew her myself. |
00:17:16 |
There's somebody at the door |
00:17:18 |
There's somebody to see you at the door. |
00:17:23 |
I beg your pardon, sir. |
00:17:24 |
There's a gentleman at the door |
00:17:27 |
He has no card, sir. The name is Aysgarth. |
00:17:30 |
Aysgarth? Must be a mistake. |
00:17:35 |
General McLaidlaw? I'm John Aysgarth. |
00:17:39 |
I don't recall having invited you |
00:17:43 |
How awkward. I thought you had. |
00:17:45 |
Otherwise I should never have come |
00:17:48 |
I don't know what to say. |
00:17:50 |
I suggest you say something before |
00:17:59 |
- Hello, Johnnie. |
00:18:00 |
- Hello, Johnnie. |
00:18:03 |
I'm sorry I'm late. |
00:18:15 |
- Hello, Monkeyface. |
00:18:41 |
But we can't do this. Where are we going? |
00:18:43 |
- Which is your car? |
00:18:47 |
- Over there. |
00:18:52 |
Roll up the window before you catch cold. |
00:19:05 |
Have you ever been kissed in a car before? |
00:19:08 |
- Johnnie. |
00:19:11 |
You mustrt joke with me. |
00:19:14 |
- I don't know how to flirt. |
00:19:17 |
- Have you ever been kissed in a car? |
00:19:26 |
Would you like to be? |
00:19:28 |
Yes. |
00:19:41 |
You're the first woman I've ever met |
00:19:45 |
- What do the others say? |
00:19:48 |
- But they kiss you? |
00:19:52 |
- Have there... |
00:19:56 |
- Have there been many? |
00:20:00 |
One night, when I couldn't fall asleep, |
00:20:03 |
The way you count sheep |
00:20:06 |
I think I passed out on number 73. |
00:20:09 |
- Are you always frank with them like this? |
00:20:14 |
Why are you frank with me, |
00:20:17 |
No, it isn't that. |
00:20:18 |
I'm honest because with you |
00:20:25 |
I hope I'm not saying the wrong thing, |
00:20:33 |
No, you haven't said |
00:20:37 |
- Where are we going? |
00:20:41 |
I think I'm falling in love with you |
00:20:44 |
That's why I stayed away from you |
00:20:47 |
I was afraid of you. |
00:20:50 |
I didn't think it would happen like this. |
00:20:52 |
Neither did I. |
00:20:55 |
- So did I. |
00:20:58 |
We'd meet at a garden party, |
00:21:01 |
and we'd go for rides together, |
00:21:04 |
We're coming to my house. |
00:21:07 |
No. |
00:21:09 |
I'm going to get you back to that ball |
00:21:21 |
Get out. |
00:21:26 |
Why have you stopped? |
00:21:28 |
I'm sure I don't know. |
00:21:32 |
Come on. |
00:21:40 |
- Good evening, Burton. |
00:21:43 |
We won't be needing you. |
00:21:45 |
- Very good. |
00:21:50 |
You sit down. I'll mix you a drink. |
00:21:55 |
You must be made of iron. |
00:21:57 |
- Why? |
00:21:59 |
Look at me. I'm shaking. |
00:22:01 |
- The least you could do is swoon away. |
00:22:06 |
I think it's because |
00:22:09 |
I know what I want. |
00:22:27 |
Are you courting me? |
00:22:31 |
I'm afraid I am. |
00:22:34 |
This is a wonderful moment. |
00:22:37 |
Here we are in my home, |
00:22:41 |
alone and together in my favorite room. |
00:22:45 |
Do you like this room? |
00:22:47 |
Very much. |
00:22:54 |
Well, what are you doing here? |
00:23:00 |
I say, old boy, |
00:23:05 |
- He doesn't like me. |
00:23:10 |
He doesn't trust me from here to there. |
00:23:14 |
You're right. Stop it before it's too late. |
00:23:19 |
That I'm no good to her, |
00:23:22 |
Warn her. Speak up, man. |
00:23:26 |
Hear him? |
00:23:28 |
Very distinctly. |
00:23:30 |
He's not exaggerating a thing, dear. |
00:23:36 |
I love him, Father. |
00:23:39 |
- Did you see him jump? |
00:23:46 |
Watch this one. |
00:23:49 |
Sir, I have the honor of asking |
00:23:55 |
What do you say to that? |
00:24:02 |
You heard him that time, didn't you? |
00:24:06 |
It doesn't matter. |
00:24:09 |
Poor Monkeyface. |
00:24:18 |
Do you hear the music? |
00:24:20 |
Very clearly. |
00:24:23 |
Let's dance, before I... Before we... |
00:24:28 |
Let's dance. |
00:25:16 |
I was just going down to the post. |
00:25:20 |
Could you stop at Marshall's |
00:25:23 |
Where'd I put it? |
00:25:29 |
Here it is. |
00:25:30 |
Be sure it's the same green. |
00:25:34 |
Yes, Mother. |
00:25:42 |
- Is there anything I can do for you? |
00:26:08 |
Don't be late for tea, dear. |
00:27:02 |
That trunk goes up on the landing. |
00:27:06 |
How do you like it, Mrs. Aysgarth? |
00:27:08 |
If you don't like it, |
00:27:10 |
He rented it during our honeymoon. |
00:27:13 |
- But if you do like it... |
00:27:17 |
In that case, |
00:27:19 |
- Because I engaged Mr. Bailey, didn't I? |
00:27:24 |
Johnnie, you're a genius. |
00:27:25 |
Mr. Aysgarth, |
00:27:29 |
What shall we do about the bill? |
00:27:31 |
Will you drop it on that pretty little table |
00:27:35 |
Yes. Thank you. |
00:27:45 |
And may I wish you both |
00:27:49 |
- Thank you. |
00:27:53 |
I never dreamt I would have |
00:27:56 |
Are you sure you can afford it? |
00:27:59 |
- I've forgotten your name. |
00:28:02 |
- Well, Ethel, what about some tea? |
00:28:06 |
- What do you think of Ethel? |
00:28:09 |
- Are you sure... |
00:28:24 |
- Where are we? |
00:28:26 |
- Where else? |
00:28:29 |
And? |
00:28:30 |
And Naples, and Capri, |
00:28:33 |
- And? |
00:28:35 |
Paris. |
00:28:38 |
- I beg your pardon. A telegram for you, sir. |
00:28:49 |
It isn't bad news, is it, dear? |
00:28:51 |
An old friend of mine. |
00:28:54 |
- You couldn't spare £1,000, could you? |
00:28:59 |
Hanged if I know. |
00:29:02 |
You borrowed it? Why? |
00:29:04 |
I was going on a honeymoon |
00:29:07 |
and I wanted her to be happy. |
00:29:11 |
- Didrt you have any money of your own? |
00:29:16 |
But I thought... I had the impression... |
00:29:19 |
Don't worry your darling little head |
00:29:22 |
I'll take care of old Henry somehow. |
00:29:25 |
I still don't understand. |
00:29:28 |
Are you broke? |
00:29:30 |
Monkeyface, I've been broke all my life. |
00:29:34 |
Why didn't you tell me? |
00:29:38 |
Whatever made you |
00:29:41 |
I didn't think you'd want to live in a shack. |
00:29:43 |
A girl like you is going to come into |
00:29:47 |
Wait a minute, |
00:29:50 |
Were you thinking |
00:29:54 |
I don't know what to say. |
00:29:56 |
Now, darling, really. |
00:29:58 |
Isn't it silly to spend |
00:30:01 |
Why not be comfortable now? |
00:30:04 |
Johnnie... |
00:30:06 |
I'm just beginning to understand you. |
00:30:09 |
You're a baby. |
00:30:11 |
I know you didn't marry me for my money. |
00:30:16 |
But my income |
00:30:21 |
What about your father? |
00:30:25 |
I couldn't possibly ask my father. |
00:30:29 |
You saw how restrained she was |
00:30:33 |
Anyway, you wouldn't actually |
00:30:38 |
- Of course not, darling. |
00:30:42 |
Answer me, Johnnie. |
00:30:47 |
I suppose if the worst comes to the worst |
00:30:51 |
- I suppose I'll have to... |
00:30:53 |
Borrow some more. |
00:30:56 |
He ought to be good |
00:31:01 |
I think you must be mad. |
00:31:05 |
Marrying you is the sanest thing |
00:31:13 |
Come on, give it to me. |
00:31:14 |
- That's too heavy for a little girl like you. |
00:31:17 |
Clear off the table. |
00:31:23 |
Here, take that. Is there any cake? |
00:31:27 |
- Yes, sir. |
00:31:29 |
Here, dear. Come on. |
00:31:37 |
Thank you. |
00:31:43 |
There's going to be no more borrowing. |
00:31:45 |
- What else is there to do? |
00:31:49 |
- Work? |
00:31:52 |
You mean put on old clothes, |
00:31:54 |
Don't be flippant. |
00:31:56 |
Then what do you mean? |
00:31:58 |
I'm afraid you're a bit of a dreamer. |
00:32:02 |
Do you know the statistics |
00:32:05 |
Do you realize in order to be a plumber, |
00:32:09 |
Darling, you haven't been around. |
00:32:11 |
They have to be apprentices first. |
00:32:14 |
- Darling. |
00:32:17 |
I'm broad-minded. |
00:32:20 |
I could make out a list of jobs. |
00:32:24 |
I'll get a pencil and paper. |
00:32:31 |
It's right there behind you. |
00:32:33 |
Hello? |
00:32:35 |
Hello, Mother. |
00:32:37 |
Yes, it's wonderful. |
00:32:41 |
Would you tell Father how badly I felt? |
00:32:45 |
He is? Wait a minute till I tell Johnnie. |
00:32:49 |
Father's sending us a wedding present. |
00:32:53 |
I can't tell you how much |
00:32:56 |
- Me, too. |
00:33:01 |
- Come on, ask him when he's sending it. |
00:33:05 |
Invite them over for dinner. |
00:33:08 |
Tell him that we were in the throes |
00:33:12 |
- It doesn't hurt to impress the old boy. |
00:33:16 |
How can you be so gay about something... |
00:33:19 |
that you should be ashamed of? |
00:33:21 |
What, Father? |
00:33:23 |
Yes, Johnnie and I were just having... |
00:33:26 |
a sober and comprehensive discussion |
00:33:30 |
He has several ideas of the kind of job |
00:33:34 |
and several good opportunities. |
00:33:38 |
There's a messenger |
00:33:41 |
- Bring it in. |
00:33:47 |
I think I know what it is, |
00:33:51 |
Johnnie, you'll be thrilled. |
00:33:53 |
It is! How wonderful. |
00:33:56 |
We've had them in the family |
00:33:59 |
Father's had lots of offers to sell them, |
00:34:03 |
- How many more, for heavers sake? |
00:34:07 |
He sent us both of them. |
00:34:09 |
These are Father's |
00:34:12 |
You don't say. |
00:34:13 |
These will be our first heirlooms |
00:34:16 |
- and then to their children. |
00:34:23 |
Father, you're so good to me |
00:34:32 |
What was that? |
00:34:34 |
Yes, you've made me very happy. |
00:34:39 |
You've made Johnnie very happy, too. |
00:34:44 |
Just a minute, he wants to say something. |
00:34:48 |
Say something very nice. |
00:34:52 |
Hello, General. |
00:34:53 |
Yes, but really, shouldn't you |
00:34:57 |
Naturally we're thrilled. Who wouldn't be? |
00:35:01 |
What, a job? |
00:35:02 |
Yes, Lina and I were just going into that. |
00:35:07 |
What are they? |
00:35:11 |
I've just received a letter |
00:35:14 |
Yes, he is a splendid chap. |
00:35:17 |
He wants someone to manage his estate. |
00:35:21 |
I'm glad you approve. |
00:35:23 |
Yes, we must. We'll get together soon. |
00:35:26 |
All right. Goodbye, sir. |
00:35:31 |
That was a fib about Captain Melbeck, |
00:35:34 |
Was it? |
00:35:46 |
- Did you have this letter all the time? |
00:35:50 |
Why didn't you tell me? |
00:35:52 |
Because, dear, |
00:35:55 |
any more than I ever dreamed we'd be |
00:36:18 |
Hello. It's a nice place |
00:36:21 |
It's an old Georgian house, isn't it? |
00:36:25 |
- Who are you? |
00:36:29 |
- You must be old Johnnie's wife. |
00:36:32 |
Didrt he ever tell you about me? |
00:36:34 |
You're Beaky. |
00:36:36 |
That's what they used to call me at school. |
00:36:38 |
I happened to be driving by. |
00:36:42 |
I've heard so much about you, |
00:36:44 |
Johnnie told me about you, too. |
00:36:45 |
I ran into him at Newbury Races last week. |
00:36:49 |
The races? |
00:36:50 |
Put my foot in it as usual, have I? |
00:36:54 |
Johnnie has a job. |
00:36:57 |
Besides, he's given up betting. |
00:36:58 |
He has, has he? |
00:37:01 |
He's a great lad, he is. |
00:37:04 |
That's what makes him Johnnie. |
00:37:06 |
Besides, he thinks you're a topper, |
00:37:09 |
- I think so, too. |
00:37:13 |
I don't see why not. Something wrong? |
00:37:15 |
Yes. There were two chairs here |
00:37:19 |
Chairs? Disappeared, have they? |
00:37:22 |
Yes, apparently. |
00:37:25 |
- Were they expensive? |
00:37:31 |
That Johnnie, he'll be the death of me. |
00:37:36 |
- No, I don't. |
00:37:39 |
Sold them? What for? |
00:37:41 |
For money, of course. A fellow's got to pay |
00:37:44 |
Johnnie dropped a packet of money |
00:37:48 |
These bookies don't trust a chap for long. |
00:37:51 |
I don't believe you. |
00:37:55 |
Put my foot in it again, have I? |
00:37:57 |
My dear, you mustrt take it so seriously. |
00:38:02 |
Wonderful chap, there's nobody like him. |
00:38:06 |
He couldn't have sold them. |
00:38:11 |
Here he comes. |
00:38:14 |
If you want to see Johnnie |
00:38:16 |
just say something about chairs. |
00:38:19 |
to invent the most howling lie |
00:38:22 |
I wouldn't have missed this |
00:38:25 |
- Beaky. |
00:38:27 |
- What are you doing here? |
00:38:30 |
I'm so glad to see you. |
00:38:32 |
How's my little Monkeyface? |
00:38:35 |
- What's the matter, darling? |
00:38:38 |
You sure? |
00:38:40 |
Your wife seems to be missing |
00:38:44 |
Your pipe's not lit. |
00:38:46 |
Thanks, old bean. |
00:38:54 |
- Here you are, catch. |
00:38:56 |
About those chairs, old bean? |
00:39:00 |
Yes, the chairs. |
00:39:02 |
I imagine the American came |
00:39:04 |
What American? |
00:39:06 |
Didrt I tell you about him, darling? |
00:39:09 |
He dropped by about a week ago. |
00:39:13 |
I think you were out riding. |
00:39:15 |
Go on, old man. |
00:39:17 |
Anyway, he admired the chairs. |
00:39:20 |
Offered £100 apiece for them. |
00:39:25 |
I wouldn't. |
00:39:28 |
Wouldrt you really, dear? |
00:39:31 |
That never occurred to me. |
00:39:34 |
As a matter of fact, I told him you would. |
00:39:37 |
Why didn't you mention it? |
00:39:39 |
I'm sorry, darling, but I thought I did. |
00:39:42 |
That's all right. |
00:39:45 |
They're gone, all right. |
00:39:47 |
Shall we change for dinner? |
00:39:50 |
You are an angel. |
00:39:53 |
Hold on a minute. |
00:39:57 |
- That's right. |
00:39:59 |
- He'll send it along. |
00:40:02 |
you wouldn't dare let your wife pick up |
00:40:05 |
if he ever saw this American. |
00:40:08 |
Are you implying |
00:40:11 |
Don't mind Beaky, he's only joking. |
00:40:14 |
I prefer jokes on other subjects. |
00:40:17 |
Are you staying for dinner? |
00:40:19 |
I'm spending the weekend |
00:40:22 |
Johnnie's friends are always welcome, |
00:40:43 |
Hello, Isobel. Good afternoon. |
00:40:45 |
- I'll see you tomorrow. |
00:40:47 |
It's nice. |
00:40:49 |
You are our only local celebrity. |
00:40:51 |
- Are you going my way? |
00:40:53 |
- How's Johnnie? |
00:40:55 |
I just bought your latest for him. |
00:40:58 |
I don't believe there's one of your stories |
00:41:01 |
- What's the matter? |
00:41:05 |
Will you excuse me? |
00:41:07 |
- Certainly. |
00:41:09 |
- Delighted. |
00:41:18 |
Hello, old girl. |
00:41:20 |
Mr. Thwaite, I owe you an apology. |
00:41:24 |
Good. I mean, what for? |
00:41:25 |
I'll explain to you later, |
00:41:29 |
An injustice? Thanks very much. |
00:41:35 |
You seem a bit hot under the collar. |
00:41:36 |
Not angry, are you? Don't answer. You are. |
00:41:39 |
- Must be about old Johnnie. |
00:41:42 |
You mustrt be angry with Johnnie. |
00:41:45 |
If you want to get sore with me, |
00:41:48 |
I annoy everybody, always did. |
00:41:54 |
Would you mind, I want to speak |
00:41:57 |
- You mean out in the garden? |
00:42:00 |
Hello. Don't move. Just stay like that. |
00:42:03 |
I must watch the expressions |
00:42:05 |
What've you got there, old bean? |
00:42:06 |
You'll find out soon enough. |
00:42:09 |
- Yes, sir? |
00:42:12 |
Gin, brandy, champagne and Pimm's No.1. |
00:42:14 |
- Bring them all, and get a move on. |
00:42:17 |
Stand aside. |
00:42:19 |
Remember that necklace you admired |
00:42:22 |
It's yours. |
00:42:23 |
And here... No, that's for Ethel. |
00:42:27 |
- What is it? |
00:42:29 |
- Stick. |
00:42:32 |
- Thanks, old bean. |
00:42:35 |
Darling, do you remember this? |
00:42:37 |
I saw the hungry eye you gave it |
00:42:41 |
Thank you, Beaky. |
00:42:43 |
Here are some hats for you. |
00:42:44 |
Never did like your hats |
00:42:47 |
- Like the funny hat you wore on the train. |
00:42:50 |
- What made you do all this? |
00:42:53 |
If you don't like the hats, |
00:42:56 |
I got a present for myself. Do you mind? |
00:43:00 |
I say, old girl, this is a nice stick. Strong. |
00:43:07 |
- Dog? |
00:43:09 |
- All dogs are fond of me. |
00:43:11 |
But, Johnnie, you haven't told us |
00:43:14 |
- Yes, what's it mean? |
00:43:17 |
the Goodwood Cup was run today |
00:43:19 |
A 10-to-1 shot, and I had £200 on it. |
00:43:22 |
£200 at 10-to-1, that's £2,000. |
00:43:24 |
- That's amazing. |
00:43:26 |
- The way you worked that out so quickly. |
00:43:28 |
- You know, the little sum. |
00:43:32 |
Darling, what's happened to your tongue? |
00:43:35 |
- I suppose you disapprove of my betting. |
00:43:39 |
Come on, smile. I know I've been naughty, |
00:43:42 |
- See that? That's Johnnie. |
00:43:45 |
Where did you get the £200? |
00:43:47 |
- That's not a very tactful question. |
00:43:50 |
You know very well there was no |
00:43:54 |
You sold the chairs |
00:43:57 |
Not exactly. |
00:43:59 |
It's an ancient story, |
00:44:02 |
I got the £200 to pay them off. |
00:44:07 |
Darling, come on, give us a smile. |
00:44:09 |
Come on, old girl. I know. |
00:44:10 |
- You tickle her chin, and I'll make faces. |
00:44:13 |
Come on, smile. Come on, dear. |
00:44:17 |
- Do you see the glimmer of a smile? |
00:44:19 |
- Know any other tricks? |
00:44:20 |
I got something that never fails. |
00:44:26 |
No, that's not doing it. |
00:44:27 |
- Shall I do this at the same time? |
00:44:30 |
Come on, dear. |
00:44:33 |
I forgot something. Darling, look. |
00:44:36 |
It's a receipt from a certain shop |
00:44:39 |
Paid in full, |
00:44:44 |
- Look, she's smiling. |
00:44:47 |
My darling. |
00:44:51 |
Well done, old bean. |
00:44:54 |
I say, look. Ethel's done her stuff. |
00:44:58 |
You can always trust Beaky to say |
00:45:01 |
Come on, old bean. |
00:45:10 |
I could do with a pull at the beaker. |
00:45:12 |
Ethel, a present for you. Turn around. |
00:45:19 |
Mr. Aysgarth. |
00:45:21 |
It's much too good for me. |
00:45:26 |
- Thank you, sir. |
00:45:28 |
What will my young man think? |
00:45:31 |
- Don't forget the box. |
00:45:34 |
- Don't forget my hat. |
00:45:38 |
- This is yours, old girl. |
00:45:40 |
- This is yours, old bean. |
00:45:42 |
Now for a toast. |
00:45:44 |
- What have you got there, brandy? |
00:45:47 |
- You know that's not good for you. |
00:45:51 |
- Maybe just this once. |
00:45:54 |
I drink to the last bet |
00:45:58 |
Last bet, old bean. |
00:46:21 |
- Get some water, quick. |
00:46:25 |
There's nothing much you can do about it. |
00:46:29 |
It will either kill him |
00:46:45 |
Sorry, old bean. |
00:46:50 |
One of these days, it will kill him. |
00:47:00 |
- Hello, Mrs. Aysgarth. |
00:47:03 |
- What a lot of books. |
00:47:06 |
- I'm afraid not. They're for Johnnie. |
00:47:12 |
- Detective stories. |
00:47:15 |
So Johnnie's settled down |
00:47:18 |
- And it seems to agree with him. |
00:47:22 |
Vices? What vices, Mrs. Newsham? |
00:47:25 |
Such as betting at the races, for instance. |
00:47:28 |
He has no time for that. |
00:47:31 |
Is he? Then he must have taken |
00:47:35 |
He was at the Merchester Races. |
00:47:38 |
Was he? How interesting. Good afternoon. |
00:47:42 |
Goodbye. |
00:48:00 |
- Good afternoon, Mrs. Aysgarth. |
00:48:03 |
Why, no. |
00:48:07 |
- When do you expect him? |
00:48:09 |
Perhaps you'd like to talk |
00:48:12 |
Yes, I would very much, please. |
00:48:16 |
Mrs. Aysgarth to see you. |
00:48:19 |
Come in. |
00:48:22 |
- What a pleasure to see you. |
00:48:25 |
- Do sit down. |
00:48:30 |
I don't want to impose upon you... |
00:48:33 |
but you're Johnnie's cousin |
00:48:37 |
I wanted to talk to you about him. |
00:48:41 |
Yes, I can understand that. |
00:48:44 |
On the other hand, I told him |
00:48:48 |
- I don't understand. |
00:48:54 |
What on earth are you talking about? |
00:48:56 |
How does he get away with it? |
00:48:59 |
What reason did he give you |
00:49:01 |
- When did you discharge him? |
00:49:07 |
I haven't a very keen sense of humor. |
00:49:10 |
If this is a joke, I wish you would tell me. |
00:49:14 |
It's not funny to me. |
00:49:16 |
We had an unexpected audit |
00:49:19 |
The accounts showed a deficit of £2,000. |
00:49:23 |
And when I looked into |
00:49:26 |
I'm terribly sorry. |
00:49:28 |
He should have told you. |
00:49:30 |
It's perfectly all right. |
00:49:32 |
And you say |
00:49:36 |
Not for the time being. |
00:49:38 |
I'll give him every possible opportunity |
00:49:43 |
after all... |
00:49:47 |
Yes, of course. Thank you very much. |
00:49:56 |
Goodbye. |
00:50:01 |
- Good afternoon, madam. |
00:50:04 |
No, madam. |
00:51:31 |
- Then you've heard. |
00:51:38 |
I'm so sorry, darling. I'm terribly sorry. |
00:51:42 |
This telegram just came from the doctor. |
00:52:08 |
And to my dear sister, Emily Scudamore... |
00:52:10 |
I bequeath an annuity of £1,000 |
00:52:16 |
To my niece, Miss Elsie Chilling, |
00:52:21 |
To my two dear cousins, |
00:52:26 |
The residue of my estate, my house, |
00:52:31 |
I leave to my beloved wife, Martha... |
00:52:34 |
with the wish that she continue |
00:52:38 |
to my daughter, Lina. |
00:52:42 |
Also, to my daughter Lina |
00:52:46 |
I bequeath the portrait of myself... |
00:52:49 |
painted by the distinguished |
00:53:01 |
- I could do with a drink. |
00:53:03 |
Don't bother, I'll get it myself. |
00:53:30 |
You win, old boy. |
00:53:46 |
Yes, dear? |
00:53:49 |
Do you ever have any regrets |
00:53:52 |
Why do you ask that? |
00:53:55 |
It seems pretty obvious... |
00:53:56 |
that your father would've left you |
00:53:59 |
if you'd been anybody else |
00:54:01 |
So that's what you meant. |
00:54:04 |
You haven't answered my question. |
00:54:06 |
What about you? Have you any regrets? |
00:54:11 |
Monkeyface, marrying you is the one thing |
00:54:16 |
- Do you really mean that? |
00:54:20 |
I want nothing |
00:54:23 |
And if you were to die first, I... |
00:54:26 |
If I were to die first? |
00:54:30 |
Listen, what about you? |
00:54:33 |
I couldn't stop loving you if I tried. |
00:54:38 |
Have you tried? |
00:54:41 |
Yes. Once. |
00:54:45 |
When? |
00:54:48 |
When I found out you'd lost your job |
00:54:55 |
- How long have you known? |
00:54:59 |
- Who told you? |
00:55:04 |
- Did he tell you why? |
00:55:10 |
Suppose you tell me why. |
00:55:12 |
We just didn't get along. |
00:55:15 |
Quite nice here. |
00:55:27 |
Why didn't you get along with him? |
00:55:29 |
I don't know. He's a bit of an old fogy. |
00:55:32 |
I suppose my ideas |
00:55:35 |
I've always had the notion that |
00:55:42 |
You think I'm talking through my hat, |
00:55:45 |
The way to make money |
00:55:50 |
Look at this all land, for instance. |
00:55:53 |
Why isn't something done about it? |
00:55:56 |
If I had £10,000, or better still, £20,000... |
00:56:00 |
I could start a development here. |
00:56:07 |
All you need is £20,000? |
00:56:11 |
Or £30,000. |
00:56:14 |
An extra £10,000 wouldn't hurt a bit. |
00:56:17 |
Beaky, this is the ground plan. |
00:56:20 |
Wonderful. We could put |
00:56:23 |
That's the idea. And down here, |
00:56:26 |
- Beechnuts, old bean? |
00:56:28 |
- Hello. What goes on here, anyway? |
00:56:33 |
We're about to buy |
00:56:36 |
What a view, what sun, what air. |
00:56:39 |
Then we're going to sell part of it |
00:56:41 |
- Yes, but it will need financing, won't it? |
00:56:44 |
You found somebody |
00:56:46 |
Of course. |
00:56:47 |
- Who? |
00:56:52 |
I see. |
00:56:54 |
The idea is mine, |
00:56:57 |
And the corporation, Beaky borrows |
00:57:01 |
Then we issue stock, and... |
00:57:06 |
The company's going to be in my name. |
00:57:09 |
- Yes, but... |
00:57:12 |
let me show you how simple it is. |
00:57:16 |
- Does Beaky understand it? |
00:57:20 |
I think. |
00:57:22 |
I beg your pardon, sir. Captain Melbeck |
00:57:29 |
Thank you. I'll take it in the study. |
00:57:31 |
- Excuse me, Beaky. |
00:57:36 |
Please explain it to me, will you? |
00:57:38 |
You see, my dear girl... |
00:57:40 |
I say, I rather like this feeling |
00:57:44 |
George, I keep telling you |
00:57:47 |
I've got something on now. |
00:57:51 |
We buy up this land |
00:57:54 |
That gives us a 100% profit in no time. |
00:57:57 |
On the other part, |
00:58:00 |
But from whom do you buy the land? |
00:58:03 |
- To whom do you sell it? |
00:58:07 |
Isn't it about time you grew up? |
00:58:10 |
- You're scolding me. |
00:58:13 |
- Do I? |
00:58:14 |
Shall I go and stand in the corner? |
00:58:20 |
- You're not being fair to Johnnie. |
00:58:24 |
Why, he's president |
00:58:26 |
- Gets a salary, writes his own checks. |
00:58:29 |
What's wrong with that? |
00:58:32 |
Old bean, Lina's been telling me |
00:58:36 |
- It sounded like that. |
00:58:40 |
Hadrt you better change for dinner? |
00:58:43 |
Darling, Beaky's staying with us |
00:58:46 |
- You know your room. |
00:58:54 |
Look here. What right have you |
00:58:58 |
I wasrt really. I was only... |
00:59:02 |
You were only what? |
00:59:04 |
I was only trying to tell Beaky |
00:59:08 |
because if something went wrong, |
00:59:12 |
It's not as if you're both |
00:59:16 |
- What do you know about business? |
00:59:20 |
Suppose Beaky had taken you seriously? |
00:59:21 |
You'd have ruined the whole scheme, |
00:59:24 |
- But if it werert any good... |
00:59:29 |
If I say it's good, it's good. |
00:59:32 |
I'm going through with this deal. |
00:59:33 |
I don't want any interference |
00:59:36 |
- Is that clear? |
01:25:49 |
Hello, Monkeyface. |
01:25:51 |
You frightened me. |
01:25:57 |
I thought you might like to know |
01:26:00 |
Why? What happened? |
01:26:02 |
- Nothing. |
01:26:05 |
- No, not yet. |
01:26:08 |
I don't know. Perhaps the land |
01:26:12 |
Or perhaps I don't like the idea |
01:26:15 |
Or perhaps it's a stiff job and I'm too lazy. |
01:26:19 |
- Are you still angry about last night? |
01:26:24 |
Are you sure? |
01:26:27 |
You'd never spoken so sharply |
01:26:30 |
Afraid of what? |
01:26:32 |
I was afraid you'd stopped loving me. |
01:26:35 |
No, Monkeyface, I'm not angry. |
01:26:38 |
And I love you very much. |
01:26:53 |
Every time I play anagrams, |
01:26:57 |
D-O-U-B. There's no such word. |
01:26:59 |
D-O-U-B-T. "Doubt." F-U-L. "Doubtful." |
01:27:03 |
Take that, old girl. |
01:27:05 |
Personally, I don't see |
01:27:07 |
But if you say there's no good |
01:27:10 |
Do I get another turn? |
01:27:12 |
I still don't understand why we have to go |
01:27:17 |
I won't be responsible |
01:27:20 |
- without first proving to you it's no good. |
01:27:25 |
After all, you discovered the land. |
01:27:28 |
If a fellow has an idea, |
01:27:31 |
You have to go up there |
01:27:35 |
Why are you so insistent? |
01:27:37 |
Because, as I told you, |
01:27:40 |
That's a long one. "Mudder." |
01:27:44 |
Try the "R." |
01:27:45 |
I don't want to go up there in the morning. |
01:27:50 |
- Now, Beaky. |
01:27:53 |
If I had an "e" and an "r" |
01:27:57 |
The earlier the better. |
01:27:59 |
I'd say about 7:00. |
01:28:02 |
- 7:00? That's a bit pig's tail. |
01:28:06 |
Too early. |
01:29:09 |
Is Mr. Aysgarth having breakfast? |
01:29:11 |
No, ma'am, he wouldn't wait. |
01:29:14 |
He left two hours ago with Mr. Thwaite. |
01:29:15 |
- What car did they use? |
01:31:58 |
This ought to do it. Put in the plug now. |
01:32:03 |
How's that, old bean? |
01:32:10 |
- Hello, old girl. |
01:32:27 |
What's all this? |
01:32:30 |
- It seemed like a thousand years. |
01:32:33 |
Shut up, Beaky. It was nothing. |
01:32:35 |
Nothing? I came very close |
01:32:39 |
- You nearly lost your life? |
01:32:44 |
- Let's drop the subject. |
01:32:48 |
There we were at the top of the cliff. |
01:32:52 |
There was too much chalk in the soil. |
01:32:54 |
I was trying to turn my car near the edge |
01:32:59 |
- Was Johnnie in the car? |
01:33:00 |
He was a few feet away |
01:33:02 |
It's hardly won'th talking about. |
01:33:05 |
I didn't realize I was backing the car |
01:33:08 |
But I was, by Jove. Right up to it. |
01:33:10 |
If Johnnie hadrt taken a flying leap |
01:33:13 |
I should be in kingdom come by now. |
01:33:16 |
- Johnnie saved your life? |
01:33:19 |
Came jolly close to losing his own, too. |
01:33:22 |
I can never tell you |
01:33:25 |
- To you, darling? |
01:33:28 |
The old fellow deserves a reward. |
01:33:32 |
A spot of celebrating on me. |
01:33:34 |
That's kind of you, |
01:33:36 |
- Paris? |
01:33:39 |
I've got to go over there |
01:33:43 |
Why don't you come over with me? |
01:33:45 |
The cad seems to forget |
01:33:48 |
I'll tell you what I might do. |
01:33:49 |
I might drive up as far as London with you |
01:33:52 |
- How about that, Monkeyface? |
01:33:55 |
It seems to me that... |
01:33:57 |
Yes, I know. It seems to you |
01:34:00 |
It seems to me I'd have much more chance |
01:34:03 |
Yes, of course he would. |
01:34:06 |
I don't see very well how I can stop him. |
01:34:08 |
Great. |
01:34:10 |
Pity that he won't come to Paris with me. |
01:34:12 |
Did I ever tell you what happened to me |
01:34:15 |
A very curious instance. |
01:34:19 |
and I met the most charming girl. |
01:34:21 |
Took her out and gave her a spot |
01:34:26 |
Sorry, old bean. Sorry, old girl. |
01:34:31 |
Nearly put the foot in it again, have I? |
01:34:52 |
There's an Inspector Hodgson |
01:34:55 |
He wanted to see Mr. Aysgarth. |
01:34:56 |
But when I said he was away, |
01:35:03 |
Show him to the study, |
01:35:05 |
Very good, madam. |
01:35:15 |
- Will you come this way, please, sir? |
01:35:27 |
- Mrs. Aysgarth? |
01:35:29 |
My name's Hodgson. Inspector Hodgson. |
01:35:34 |
This is my colleague. Mr. Benson. |
01:35:36 |
- How do you do, Mr. Benson? |
01:35:38 |
- Wort you sit down? |
01:35:40 |
I understand your husband's not in. |
01:35:43 |
No. He's been up in London for two days. |
01:35:45 |
As he's not here, |
01:35:48 |
Yes, of course. |
01:35:51 |
No, thank you. We've had ours. |
01:35:54 |
I believe you know a Mr. Thwaite. |
01:35:57 |
Yes, he's a close friend of my husband. |
01:35:59 |
I don't know how to put it, quite. |
01:36:02 |
Perhaps it would be easier |
01:36:05 |
This afternoors paper. |
01:36:09 |
Excuse me. |
01:36:48 |
I'm sorry. This is a shock. |
01:36:54 |
We knew him so very well. |
01:36:56 |
Sorry to have to do this, ma'am... |
01:36:59 |
but we're making inquiries |
01:37:02 |
They found papers |
01:37:05 |
which indicated he'd just formed |
01:37:13 |
What do the French police believe |
01:37:16 |
This is the copy of a telegram |
01:37:28 |
"Thwaite visited the place |
01:37:32 |
"Both men had evidently been drinking. |
01:37:35 |
"On arrival, Thwaite ordered |
01:37:38 |
"According to the statement |
01:37:42 |
"Thwaite's companion asked for |
01:37:47 |
"Apparently, as a result of a bet |
01:37:50 |
"Thwaite filled one of these beakers |
01:37:55 |
"The other man was not present |
01:37:58 |
"having left the place |
01:38:01 |
"French police have not yet succeeded |
01:38:05 |
"According to the waiter, who has |
01:38:09 |
"his name would appear to be |
01:38:17 |
I'm sorry to upset you, ma'am. |
01:38:20 |
But do you or your husband |
01:38:23 |
who would answer to such a name? |
01:38:26 |
Perhaps Mrs. Aysgarth could enlighten us |
01:38:31 |
Yes, I believe I can. |
01:38:34 |
My husband had planned |
01:38:38 |
Mr. Thwaite had gone to Paris |
01:38:42 |
He apparently died before he could do this. |
01:38:45 |
Thank you, ma'am. |
01:38:48 |
None that I can think of. |
01:38:50 |
- Thank you very much, Mrs. Aysgarth. |
01:39:02 |
I'm sorry. |
01:39:12 |
When does Mr. Aysgarth |
01:39:14 |
I expect him this evening. |
01:39:16 |
Would you ask him |
01:39:18 |
Yes, of course. |
01:39:20 |
Goodbye. |
01:39:22 |
- Benson. |
01:40:05 |
He didn't go to Paris. |
01:40:07 |
He didn't go to Paris, I tell you. |
01:40:19 |
Hogarth Club. |
01:40:20 |
May I speak to Mr. Aysgarth, please? |
01:40:23 |
When do you expect him? |
01:40:27 |
He left yesterday morning? |
01:40:30 |
No. It doesn't matter. Thank you. |
01:40:57 |
Hello, Monkeyface. |
01:41:11 |
You've read about Beaky, have you? |
01:41:15 |
I was terribly fond of Beaky. |
01:41:18 |
- Were you? |
01:41:22 |
I loved that silly, generous, |
01:41:25 |
- Did you? |
01:41:29 |
Next to you, I loved him |
01:41:32 |
Next to me? |
01:41:36 |
Poor Monkeyface. |
01:41:39 |
Here I am thinking only of myself |
01:41:43 |
You liked him, too, didn't you? |
01:41:46 |
I liked him very much. |
01:41:51 |
The police were here. |
01:41:56 |
What did they want? |
01:41:58 |
They wanted you to help them. |
01:42:00 |
They had a telegram from Paris... |
01:42:02 |
and it seems there was |
01:42:06 |
Yes, I know. |
01:42:10 |
What else? |
01:42:12 |
The inspector wants you to phone him. |
01:42:15 |
He thought perhaps you could |
01:42:26 |
What did you tell them? |
01:42:30 |
Naturally. |
01:42:31 |
I told them that Beaky |
01:42:35 |
I wish you'd left all that to me. |
01:42:40 |
That's about all. |
01:42:41 |
I said I was expecting you |
01:42:56 |
Hello. Wickstead police station, please. |
01:43:03 |
Hello, Inspector. |
01:43:05 |
This is John Aysgarth. I've just got home. |
01:43:09 |
Yes. |
01:43:10 |
I drove up to London with him |
01:43:13 |
We dined at the Savoy. |
01:43:14 |
No. |
01:43:15 |
Yes. |
01:43:17 |
Then I saw him off at Croyden Airport. |
01:43:19 |
Yes. |
01:43:21 |
No. I stayed in London until this afternoon. |
01:43:24 |
At my club. |
01:43:27 |
Yes. |
01:43:29 |
Yes. |
01:43:33 |
Not at all, Inspector. |
01:43:34 |
If I can help you in any other way, |
01:43:58 |
Isobel, may I come in? |
01:44:00 |
Lina, how nice. |
01:44:03 |
that I don't see half as much of you |
01:44:05 |
How sweet of you. |
01:44:07 |
I couldn't put my light out |
01:44:09 |
I was so interested in your last book that I |
01:44:14 |
That's the most thrilling compliment |
01:44:18 |
- Had your tea? |
01:44:20 |
I never knew you were |
01:44:23 |
Neither did I until recently. |
01:44:25 |
- Did you really like it? |
01:44:27 |
I was completely fascinated |
01:44:30 |
My villain? My hero, you mean. |
01:44:32 |
I always think of my murderers |
01:44:35 |
I didn't mean to interrupt. You were |
01:44:38 |
When he enticed his victim |
01:44:42 |
knowing that the bridge |
01:44:44 |
He also knew that his victim |
01:44:48 |
What I want to know is this. |
01:44:52 |
From a moral standpoint, |
01:44:56 |
It is murder. |
01:44:57 |
I suppose it is. |
01:44:59 |
What does Johnnie think? |
01:45:00 |
Johnnie? |
01:45:03 |
I should think he'd be interested. |
01:45:05 |
The same situation |
01:45:09 |
The same? |
01:45:10 |
That brandy business |
01:45:12 |
If they get his companion, |
01:45:14 |
Was it murder or an accident? |
01:45:16 |
The brandy thing isn't new at all, |
01:45:19 |
- It's been done before? |
01:45:22 |
I have it here. |
01:45:24 |
Richard Palmer got rid of |
01:45:27 |
A man called Abbey. |
01:45:29 |
Was he hanged? |
01:45:30 |
Trial of Richard Palmer. Where can it be? |
01:45:35 |
They got him eventually, |
01:45:38 |
The fool got bored with the brandy |
01:45:41 |
- He was a fool, wasrt he? |
01:45:44 |
If he'd stuck to brandy, he might have... |
01:45:48 |
Suppose I ask my brother about it. |
01:45:50 |
He's the Home Office Analyst. Conducts |
01:45:54 |
I get some of my neatest ideas from him. |
01:45:56 |
It really doesn't matter, Isobel. |
01:46:01 |
I'll run along. I don't want to trouble you. |
01:46:03 |
- Now I remember. It's in your own house. |
01:46:07 |
The Trial of Richard Palmer. |
01:46:10 |
Johnnie borrowed it |
01:46:15 |
- Goodbye, Isobel. |
01:47:29 |
Hello? |
01:47:31 |
No, he isn't in. |
01:47:34 |
This is |
01:47:36 |
Would you tell Mr. Aysgarth that there's |
01:47:40 |
We have written him fully on the matter. |
01:47:44 |
Yes, I will. Thank you. |
01:48:10 |
- Good morning, madam. |
01:48:13 |
Just three for Mr. Aysgarth |
01:48:33 |
Hello, Ethel. You here again? |
01:48:35 |
Yes, sir. I've brought |
01:48:38 |
- Hello, darling. Any letters for me? |
01:48:48 |
Thank you, dear. |
01:49:35 |
- Well, well, well. |
01:49:38 |
Got a letter from old Spotty. |
01:49:43 |
What a life. |
01:49:45 |
Says he wishes he had time |
01:49:49 |
That'd be a dream. Poor old Spotty. |
01:49:55 |
- Do you mind if I take my bath before you? |
01:50:12 |
May I have some more soap, |
01:50:17 |
Yes, there's some in the cupboard |
01:50:43 |
- Darling, you're not shivering, are you? |
01:50:48 |
Cold in all this sunshine? |
01:50:51 |
My poor little shivering baby. |
01:50:54 |
- Much. |
01:51:02 |
- Darling, what are we doing tonight? |
01:51:07 |
What a bore. |
01:51:21 |
Issie, let's get back |
01:51:23 |
The fellow comes into the room, locks it, |
01:51:28 |
then somebody shoots him |
01:51:32 |
That doesn't make sense. Why would he |
01:51:36 |
Was he ashamed of his playing? |
01:51:37 |
I arranged it this way. |
01:51:39 |
A certain note on the piano was wired to |
01:51:43 |
When the victim struck this note... |
01:51:47 |
I don't care much for that. |
01:51:50 |
- What's wrong with it, my dear chap? |
01:51:53 |
If you're going to kill somebody, |
01:51:56 |
Am I right, Dr. Sedbusk? |
01:51:58 |
You're right. |
01:52:01 |
- Do the wine, will you? |
01:52:04 |
How would you do it simply? |
01:52:06 |
I don't know, dear. |
01:52:09 |
The most important thing |
01:52:12 |
- For instance? |
01:52:16 |
Just use the first one |
01:52:20 |
Arsenic. |
01:52:22 |
I remember... |
01:52:24 |
in Gloucester, where |
01:52:28 |
there was still enough poison, |
01:52:33 |
Yes, but did you get the murderer? |
01:52:36 |
Let me see. |
01:52:38 |
No, I don't think we did. |
01:52:40 |
There you are. |
01:52:41 |
Think of it. This very minute, |
01:52:44 |
who have committed murder |
01:52:47 |
Thousands. |
01:52:49 |
Do you suppose |
01:52:51 |
I don't know, dear. |
01:52:54 |
Fear of discovery, my lad. |
01:52:56 |
So long as arsenic leaves traces and |
01:53:00 |
and the tiniest hair of your head |
01:53:02 |
It seems to me by now someone would've |
01:53:10 |
What about it, Doctor? |
01:53:13 |
A very interesting corpse |
01:53:16 |
- Do let's hear about it. |
01:53:20 |
I saw that look that passed between you. |
01:53:24 |
Nonsense. No such thing. |
01:53:26 |
I'll bet you know, Doctor. What is it? |
01:53:29 |
Not in a million years. |
01:53:31 |
Now, come. |
01:53:34 |
That's an interesting question. |
01:53:37 |
Issie can tell by looking at a persors face |
01:53:42 |
Can't you, Issie? |
01:53:43 |
I don't want to sound conceited, |
01:53:46 |
What about me, dear? |
01:53:48 |
You couldn't hurt a fly, Bertram. |
01:53:51 |
What about Mrs. Aysgarth? |
01:53:55 |
I'm afraid not. Lina hasn't the nerve |
01:53:59 |
As for you, you silly thing. |
01:54:02 |
Trying to look mysterious, are you? |
01:54:06 |
You couldn't commit a murder |
01:54:13 |
No, I don't believe I could. |
01:54:19 |
Johnnie, you're locking up. |
01:54:23 |
It's Ethel's day off. |
01:54:26 |
What about Cook? |
01:54:28 |
What's the matter, dear? |
01:54:30 |
Cook's away on a holiday. |
01:55:07 |
Darling, you're shivering again. |
01:55:11 |
Yes. I think that's what it must be. |
01:55:13 |
We have to tuck you into bed. |
01:55:16 |
- Take off your coat. |
01:55:20 |
This reminds me of the day we first met |
01:55:23 |
when you wouldn't let me unbutton |
01:55:26 |
Do you remember? |
01:55:31 |
I shall never forget it. |
01:55:36 |
Get undressed, old girl. |
01:55:39 |
Johnnie, I'm in a state tonight. |
01:55:44 |
Would you mind sleeping |
01:55:49 |
Of course I'd mind. |
01:55:54 |
Please, Johnnie. |
01:55:57 |
I understand. |
01:55:59 |
You used to sleep badly |
01:56:04 |
All right, if that's how you feel about it. |
01:56:35 |
Feeling better? |
01:56:37 |
Yes, thank you. |
01:56:40 |
- Hello, Isobel. |
01:56:42 |
All right. |
01:56:45 |
I've been asleep all day, haven't I? |
01:56:48 |
Isobel's brother gave you |
01:56:51 |
Your nerves seemed to be all upset. |
01:56:54 |
We were quite worried about you. |
01:56:56 |
Cheer up. Bertram had a good look at you. |
01:56:58 |
Although he doesn't usually attend |
01:57:02 |
He says all you needed was a little sleep. |
01:57:05 |
I'll run down and tell Ethel |
01:57:13 |
He's one in a million, |
01:57:15 |
Isn't he? |
01:57:16 |
Do you mind if I smoke? |
01:57:18 |
Have you been here all afternoon? |
01:57:20 |
Naturally. Ever since Johnnie phoned. |
01:57:22 |
I warn you. You'd better get well. |
01:57:24 |
If you leave me alone much longer |
01:57:27 |
my career will soon be over. |
01:57:29 |
- He flirted with you, I suppose. |
01:57:32 |
He's worming all my secrets out of me. |
01:57:35 |
I suspect him of writing |
01:57:40 |
What secrets? |
01:57:41 |
He's always pestering me. |
01:57:43 |
I always swear I won't tell him |
01:57:47 |
Did you tell him anything today? |
01:57:49 |
Did I? Bertram was furious. |
01:57:53 |
But honestly, have you ever been able |
01:57:59 |
Never. |
01:58:01 |
It was about that poison, wasrt it? |
01:58:03 |
Don't remind me of it. I'm ashamed, |
01:58:06 |
I'm just a fool, that's all. If he writes |
01:58:11 |
I suppose I'll deserve it. |
01:58:13 |
Imagine. A substance |
01:58:16 |
Anyone can lay his hands on it. |
01:58:18 |
And within a minute after taking, |
01:58:23 |
Mind you, it's undetectable after death. |
01:58:27 |
Is whatever it is painful? |
01:58:30 |
Not in the least. |
01:58:32 |
In fact, I should think |
01:59:49 |
Good night, Lina. |
02:00:29 |
You're still annoyed with me, aren't you? |
02:00:32 |
No, Johnnie, really. I still don't feel well. |
02:00:35 |
A few days at your mother's house |
02:00:38 |
It's not exactly that. Don't you |
02:00:42 |
She got on that telephone |
02:00:44 |
Mother gets up early, |
02:00:48 |
I happened to mention I was a bit nervy... |
02:00:50 |
and before I knew it I'd agreed |
02:00:54 |
All right. |
02:00:56 |
- No. I'll drive myself. |
02:02:02 |
I think I'll take the short cut. |
02:02:10 |
Johnnie! |
02:02:13 |
Johnnie! |
02:02:20 |
Lina, what's got into you? |
02:02:22 |
Lina! Stop it, you little fool! |
02:02:26 |
I've had enough! How much do you think |
02:02:29 |
You throw me out of your room, |
02:02:32 |
now you shrink away from me |
02:02:35 |
You almost killed us both back there. |
02:02:37 |
You pulled away when I was reaching over |
02:02:43 |
You don't have to |
02:02:46 |
Johnnie, where are you going? |
02:02:49 |
- First, I'm taking you to your mother's. |
02:02:52 |
Don't worry. I won't bother you again. |
02:02:56 |
Johnnie, you mean you're going to... |
02:02:58 |
Why were you asking Isobel |
02:03:02 |
What were you planning to do with it? |
02:03:03 |
Johnnie, you were going to kill yourself. |
02:03:06 |
My darling. |
02:03:08 |
Yes, but I saw that was a cheap way out. |
02:03:11 |
I'm going to see it through, |
02:03:13 |
Prison? You mean Melbeck, |
02:03:16 |
I can't pay it back. |
02:03:17 |
I made the last attempt to raise the money |
02:03:21 |
- Paris? |
02:03:23 |
I tried to borrow on your insurance, |
02:03:27 |
You were in Liverpool when Beaky... |
02:03:29 |
Then you didn't go to Paris. |
02:03:31 |
Of course not. |
02:03:32 |
You think I'd have let some idiot |
02:03:37 |
Johnnie, if I'd only known. |
02:03:42 |
I was only thinking of myself, |
02:03:46 |
If I'd been really close to you, |
02:03:49 |
but you were afraid to. |
02:03:52 |
If I'd only understood. |
02:03:57 |
But it will be different now. |
02:04:01 |
People don't change overnight, Lina. |
02:04:04 |
Let's turn back. Let's go home |
02:04:08 |
No. It won't work. |
02:04:11 |
It will work. I know it will, Johnnie, please. |
02:04:14 |
This isn't your problem, Lina. |
02:04:17 |
But it is. You can't shut me out. |
02:04:19 |
Turn the car around and let's go home. |
02:04:24 |
No, Lina. |
02:04:27 |
My darling. |
02:05:28 |
English |