|
Swimming with Sharks
|
| 00:00:03 |
Captioning made possible by |
| 00:00:16 |
In Hollywood, |
| 00:00:17 |
one of the fastest ways |
| 00:00:19 |
is to work for someone |
| 00:00:23 |
The system dictates |
| 00:00:26 |
before you can become |
| 00:00:29 |
But this can be |
| 00:00:32 |
Only a few people |
| 00:00:34 |
to endure the thousands |
| 00:00:36 |
that make up the system. |
| 00:00:40 |
Now, this drive |
| 00:00:43 |
sometimes ambition, |
| 00:00:45 |
sometimes even love. |
| 00:00:49 |
There are stories of love |
| 00:00:52 |
over the most |
| 00:00:56 |
This is not |
| 00:00:59 |
Buddy's doin' great, |
| 00:01:00 |
and it's great to see you, |
| 00:01:02 |
I'll tell him |
| 00:01:03 |
Cool. Thanks. |
| 00:01:04 |
Thanks, Derrick. |
| 00:01:05 |
Shelley Winters. |
| 00:01:06 |
Shelley Winters. |
| 00:01:08 |
Buddy invites her |
| 00:01:09 |
to do a reading |
| 00:01:11 |
Now, Shelley Winters |
| 00:01:12 |
has not auditioned |
| 00:01:13 |
in 15, 20 years, |
| 00:01:15 |
but Buddy can convince |
| 00:01:17 |
That's why |
| 00:01:19 |
Who's Shelley Winters? |
| 00:01:20 |
You know, |
| 00:01:22 |
Older, right? |
| 00:01:23 |
Shelley comes rolling |
| 00:01:24 |
plops down in a chair. |
| 00:01:26 |
Buddy was working her, |
| 00:01:28 |
"Got a project, new project. |
| 00:01:30 |
Shelley's not buyin' it. |
| 00:01:32 |
Finally, she reaches |
| 00:01:35 |
pulls out an Oscar. |
| 00:01:37 |
No way. |
| 00:01:38 |
An honest-to-god |
| 00:01:40 |
You're kiddin' me. |
| 00:01:42 |
Buddy still doesn't |
| 00:01:43 |
He's goin' on and on |
| 00:01:45 |
Buddy's sweet-talkin' |
| 00:01:47 |
Shelley, not phased, |
| 00:01:50 |
again reaches down |
| 00:01:52 |
Pulls out another Oscar. |
| 00:01:53 |
2 Oscars. |
| 00:01:55 |
And another one. |
| 00:01:56 |
She's got |
| 00:01:58 |
Buddy shut up. |
| 00:02:00 |
The woman is surrounded |
| 00:02:02 |
Dead silence. |
| 00:02:04 |
Finally, she looks him |
| 00:02:06 |
and she says... |
| 00:02:09 |
"You know... |
| 00:02:11 |
some people |
| 00:02:18 |
This coming from the future |
| 00:02:23 |
You know, I can't |
| 00:02:25 |
Who's Shelley Winters? |
| 00:02:26 |
Wait. I got it. |
| 00:02:28 |
that does the poly-denture |
| 00:02:30 |
Right, right. |
| 00:02:31 |
And she's married |
| 00:02:33 |
what, 20 years |
| 00:02:35 |
Yeah. Right, right. |
| 00:02:37 |
Stop it. Stop it. |
| 00:02:39 |
That's Martha Raye, |
| 00:02:41 |
Shelley Winters. |
| 00:02:44 |
Winchester '73. |
| 00:02:47 |
A place in the sun. |
| 00:02:49 |
Patch of blue. |
| 00:02:50 |
Lolita. |
| 00:02:55 |
The Poseidon adventure. |
| 00:02:57 |
Oh! |
| 00:02:58 |
Sure. |
| 00:02:59 |
I've seen that movie. |
| 00:03:01 |
Yeah, I mean, that was |
| 00:03:06 |
Sorry I asked. |
| 00:03:08 |
I apologize. |
| 00:03:10 |
Never apologize, Moe. |
| 00:03:13 |
Holy shit. Guy, |
| 00:03:14 |
Introduce us! |
| 00:03:17 |
Guy. They let you |
| 00:03:19 |
To keep an eye on you, Foster. |
| 00:03:22 |
Say hello to the boys. |
| 00:03:24 |
Hey. |
| 00:03:25 |
Good to meet you. |
| 00:03:27 |
You're the best. |
| 00:03:28 |
How's-- how's Buddy? |
| 00:03:30 |
Well, he's great. |
| 00:03:31 |
I called the other day. |
| 00:03:32 |
I haven't heard back, |
| 00:03:34 |
Well, I'll tell him |
| 00:03:35 |
Ok. I appreciate that. |
| 00:03:38 |
Foster. |
| 00:03:39 |
Uh, very nice... |
| 00:03:41 |
Bye-bye. |
| 00:03:42 |
I love that guy. |
| 00:03:46 |
Hey. Hey. Hey. |
| 00:03:48 |
That's only the most |
| 00:03:50 |
director in town. |
| 00:03:51 |
What, Buddy's paging you now? |
| 00:03:53 |
excuse me, gentlemen. |
| 00:03:58 |
What are you doin' here? |
| 00:03:59 |
What, are you trying |
| 00:04:01 |
No. |
| 00:04:02 |
He is the prodigal son |
| 00:04:04 |
He is Buddy Ackerman's boy. |
| 00:04:06 |
He is our ticket in. |
| 00:04:07 |
So don't blow it |
| 00:04:11 |
Moe. Moe. |
| 00:04:12 |
You're not comin' anymore. |
| 00:04:13 |
Don't bring him anymore. |
| 00:04:14 |
You can't come anymore. |
| 00:04:22 |
Ok. |
| 00:04:24 |
Yeah, what? |
| 00:04:25 |
Dawn? |
| 00:04:27 |
It's Guy. |
| 00:04:28 |
Oh, h--hey. |
| 00:04:30 |
Hi. |
| 00:04:33 |
Listen, um... |
| 00:04:36 |
about the other day. |
| 00:04:37 |
Sounds like you're |
| 00:04:40 |
He's been trying |
| 00:04:41 |
Forget about Buddy. |
| 00:04:44 |
Can I come over? |
| 00:04:46 |
I think we |
| 00:04:48 |
Not right now, ok? |
| 00:04:50 |
Um, I--I have |
| 00:04:51 |
and I'm really busy. |
| 00:04:53 |
Oh. |
| 00:04:54 |
Uh... can--can we |
| 00:04:59 |
Tomorrow. |
| 00:05:01 |
Yeah, all right. |
| 00:05:02 |
Talk to me. |
| 00:05:04 |
What is it? |
| 00:05:05 |
Nothing. I--I... |
| 00:05:06 |
there's just something |
| 00:05:09 |
and... uh, i--it can wait |
| 00:05:14 |
Call me in the morning, ok? |
| 00:05:16 |
I will. |
| 00:05:17 |
Dawn? |
| 00:05:19 |
What? |
| 00:05:23 |
I really am sorry. |
| 00:05:28 |
Ok. |
| 00:05:46 |
Yeah, what? |
| 00:05:47 |
Uh, it's Guy. |
| 00:05:49 |
10 minutes ago. |
| 00:05:50 |
Ahem, well, I--I had |
| 00:05:53 |
Whatever. |
| 00:05:55 |
Yes. I returned every call, |
| 00:05:57 |
Well, that's good, |
| 00:05:58 |
because some asshole |
| 00:06:00 |
that I'm not returnin' |
| 00:06:01 |
I can't afford to have that. |
| 00:06:03 |
and certainly not when |
| 00:06:05 |
Yes. |
| 00:06:07 |
Ok. You're right. |
| 00:06:08 |
And, uh, |
| 00:06:10 |
Christ, you're not |
| 00:06:13 |
I'll tell you, Guy, |
| 00:06:14 |
I don't think |
| 00:06:15 |
Maybe it's time we reconsider |
| 00:06:18 |
Reconsider? |
| 00:06:20 |
We'll talk about it |
| 00:06:22 |
No, wait a minute. |
| 00:06:24 |
What are you gonna do? |
| 00:06:26 |
Hold on. I got another call. |
| 00:06:29 |
It's still me. |
| 00:06:30 |
we couldn't return |
| 00:06:31 |
'cause you've been away. |
| 00:06:34 |
Hold on. Shut up. |
| 00:07:15 |
Guy, listen, |
| 00:07:16 |
tomorrow morning, |
| 00:07:18 |
because all my phones |
| 00:07:21 |
Cancel the call-waiting crap |
| 00:07:23 |
and put in 2-- |
| 00:07:24 |
No, 4 extra lines |
| 00:07:26 |
After you've fixed |
| 00:07:29 |
research who directed |
| 00:07:30 |
the new slam-a-jam |
| 00:07:32 |
It's got this blonde. |
| 00:07:34 |
Find out who his agent is |
| 00:07:35 |
And then track down |
| 00:07:37 |
She's wearing this, |
| 00:07:39 |
It's like an American flag |
| 00:07:41 |
It's draped all over her, |
| 00:07:44 |
I don't know what. |
| 00:07:46 |
Set up a meeting. |
| 00:07:47 |
She's... |
| 00:07:48 |
she's really... |
| 00:07:50 |
she's patriotic. |
| 00:07:54 |
The video was directed |
| 00:07:56 |
What the hell? |
| 00:07:57 |
...Tracy Janowitz. |
| 00:07:59 |
She signed a 3-picture deal |
| 00:08:01 |
What the hell? |
| 00:08:05 |
And as far as the blonde... |
| 00:08:07 |
What are you doing? |
| 00:08:11 |
Don't you think |
| 00:08:14 |
even for you? |
| 00:08:15 |
What are you doing? |
| 00:08:16 |
What are you doing here? |
| 00:08:18 |
You scared the living shit |
| 00:08:19 |
You're lucky |
| 00:08:21 |
With what? This? |
| 00:08:25 |
Oh, great. |
| 00:08:26 |
My gun. Hand it over. |
| 00:08:28 |
Sit. |
| 00:08:30 |
Have you gone |
| 00:08:31 |
Give me the gun now! |
| 00:08:34 |
Sit the fuck down |
| 00:08:44 |
Ok, look, I know things |
| 00:08:47 |
at the office lately, |
| 00:08:49 |
but there's |
| 00:08:50 |
Now, why don't you |
| 00:08:52 |
and let's talk? |
| 00:08:53 |
We're both |
| 00:08:56 |
Bullshit. |
| 00:08:57 |
You are a fucking child. |
| 00:08:59 |
All right, fine. I gave you |
| 00:09:02 |
But it's late, and |
| 00:09:03 |
I'm calling the cops, |
| 00:09:05 |
End of story. |
| 00:09:15 |
What do you want? |
| 00:09:24 |
I want you... |
| 00:09:27 |
to think... |
| 00:09:30 |
and remember... |
| 00:09:32 |
every insult... |
| 00:09:34 |
every offense... |
| 00:09:38 |
everything that you have |
| 00:09:42 |
from me. |
| 00:09:45 |
Think to yourself. |
| 00:09:50 |
It's payback time. |
| 00:09:56 |
It's currently |
| 00:09:59 |
and it's shapin' up to be |
| 00:10:02 |
'Course, you gotta make it |
| 00:10:03 |
but if you do, |
| 00:10:06 |
to the third annual |
| 00:10:08 |
at the Pomona fairgrounds |
| 00:10:10 |
Tickets are-- |
| 00:10:32 |
Hi. How are you? |
| 00:10:33 |
Fuck you. You're in my spot. |
| 00:10:41 |
Ok. |
| 00:10:45 |
Sorry about that. |
| 00:10:47 |
I didn't realize |
| 00:10:49 |
I slaved 3 miserable years |
| 00:10:51 |
It's mine. I earned it. |
| 00:10:53 |
It's a great spot. |
| 00:10:55 |
I thought, "wow, |
| 00:10:57 |
I'm Guy, by the way. |
| 00:10:58 |
What is this, your first day |
| 00:11:01 |
Yes. Yes. As a matter |
| 00:11:02 |
Yeah, well, |
| 00:11:04 |
Lose the smile. |
| 00:11:05 |
Makes you look |
| 00:11:21 |
Hello. |
| 00:11:23 |
Oh, uh, |
| 00:11:25 |
Here. |
| 00:11:26 |
Ready to go to work, |
| 00:11:29 |
Oh. |
| 00:11:31 |
Buddy Ackerman's office. |
| 00:11:33 |
No, Derrick, |
| 00:11:36 |
No, that's not what I said. |
| 00:11:38 |
I said he's not here right now |
| 00:11:41 |
Mm-hmm. |
| 00:11:43 |
Gonna miss you, too, Derrick. |
| 00:11:46 |
Buddy Ackerman's office. |
| 00:11:47 |
Yes, I know the meeting |
| 00:11:49 |
I'll send him down |
| 00:11:51 |
Thank you. |
| 00:11:53 |
Buddy Ackerman's-- |
| 00:11:56 |
How are you, |
| 00:11:59 |
Of course you and Buddy |
| 00:12:01 |
Just get your cute little butt |
| 00:12:05 |
Bye. |
| 00:12:06 |
So I don't know what |
| 00:12:09 |
but it's gonna be a lot of work |
| 00:12:12 |
A lot of shit work |
| 00:12:16 |
Picking up dry-cleaning, |
| 00:12:17 |
gassing up his car, |
| 00:12:19 |
getting him coffee, |
| 00:12:21 |
and getting him laid. |
| 00:12:24 |
And he can be, well... |
| 00:12:27 |
difficult. |
| 00:12:28 |
In there. |
| 00:12:30 |
After all, Buddy |
| 00:12:32 |
vice president of production |
| 00:12:34 |
for Keystone. |
| 00:12:35 |
Only 2 people |
| 00:12:37 |
Stella Smiley, |
| 00:12:38 |
President at |
| 00:12:40 |
for now. |
| 00:12:42 |
She doesn't like us. |
| 00:12:43 |
Let me write this down. |
| 00:12:45 |
But that's ok-- |
| 00:12:46 |
Oh, I'm sorry. |
| 00:12:48 |
Because above her |
| 00:12:51 |
studio chairman |
| 00:12:54 |
We call him god. |
| 00:12:56 |
And he does like us. |
| 00:12:57 |
That thing is gonna be |
| 00:12:58 |
the second most important |
| 00:13:01 |
I pity the day |
| 00:13:04 |
Ah. |
| 00:13:07 |
Oh. |
| 00:13:11 |
Whew. |
| 00:13:12 |
Guy, if you do this job well, |
| 00:13:15 |
wealth and opportunity |
| 00:13:18 |
All of Buddy's assistants |
| 00:13:19 |
have gone on to bigger |
| 00:13:21 |
One is running the Sony Channel. |
| 00:13:23 |
Another one has produced |
| 00:13:24 |
all the Macaulay Culkin |
| 00:13:25 |
Wow. |
| 00:13:26 |
It's a good lineage. |
| 00:13:28 |
Fantastic. |
| 00:13:29 |
If you don't mind me asking, |
| 00:13:32 |
Vice President of production |
| 00:13:34 |
Like I said, |
| 00:13:37 |
This is the most important |
| 00:13:40 |
It works very simple. |
| 00:13:41 |
Steady green light-- |
| 00:13:43 |
If it's off, it's dead. |
| 00:13:45 |
Flashing red-- |
| 00:13:47 |
Flashing green-- |
| 00:13:49 |
Flashing green. |
| 00:13:50 |
Ok. |
| 00:13:51 |
Don't worry, |
| 00:13:53 |
You'll do all right, farm boy. |
| 00:13:54 |
Actually...uh... |
| 00:13:56 |
I'm from upstate New York. |
| 00:14:00 |
There are farms around... |
| 00:14:03 |
in the area. |
| 00:14:04 |
Good morning, Mr. Ackerman. |
| 00:14:05 |
Hello. |
| 00:14:08 |
I'm from |
| 00:14:10 |
Guy? |
| 00:14:11 |
So glad to see you here. |
| 00:14:13 |
I cannot tell you |
| 00:14:15 |
that you could start |
| 00:14:17 |
It'll be nice to finally get |
| 00:14:19 |
and get rid |
| 00:14:20 |
so he'll stop |
| 00:14:21 |
and fuck the competition |
| 00:14:23 |
Our gain is their loss. |
| 00:14:25 |
What? |
| 00:14:26 |
Stella's on line 1, Nom's on 2, |
| 00:14:27 |
and they called |
| 00:14:29 |
They want to raise the |
| 00:14:30 |
You get me Rob |
| 00:14:31 |
He's on 3. |
| 00:14:32 |
Well, I'll take him. |
| 00:14:34 |
Take my Mom, and when |
| 00:14:35 |
west lobby, tube dress, |
| 00:14:39 |
Fetch. |
| 00:14:40 |
Come on, Guy. |
| 00:14:42 |
Hi, Stella. Yeah, |
| 00:14:45 |
Yo, Rob, listen, I ran |
| 00:14:47 |
and the mix is still |
| 00:14:50 |
I told you you gotta |
| 00:14:52 |
They gotta be |
| 00:14:54 |
The audience should feel |
| 00:14:56 |
Their ears should bleed! |
| 00:14:57 |
So I don't care if God |
| 00:14:59 |
much less Stella. |
| 00:15:01 |
What do you mean, |
| 00:15:02 |
Que pasa |
| 00:15:08 |
All right, Rob, |
| 00:15:11 |
Just listen. |
| 00:15:13 |
All right, let's try |
| 00:15:16 |
Repeat this: |
| 00:15:17 |
"Would you like that |
| 00:15:21 |
No, Rob, |
| 00:15:23 |
Come on, just humor me. |
| 00:15:25 |
Just... |
| 00:15:26 |
"Would you like that... |
| 00:15:28 |
"in a pump... |
| 00:15:30 |
or a loafer?" |
| 00:15:34 |
Good. Now memorize it, |
| 00:15:37 |
the only job you're going |
| 00:15:39 |
is selling shoes! |
| 00:15:51 |
Well, I--I, uh--ahem. |
| 00:15:54 |
Shh, shh, shh. |
| 00:15:57 |
Rob's calling again |
| 00:16:04 |
Yo, Rob, look, |
| 00:16:06 |
I can't really-- |
| 00:16:09 |
well, I'm glad |
| 00:16:12 |
Now. |
| 00:16:13 |
Hey, look, we all have |
| 00:16:16 |
Just get it done. |
| 00:16:17 |
Where's Stella, |
| 00:16:19 |
She hung up, |
| 00:16:20 |
down in the staff meeting |
| 00:16:21 |
They start yet? |
| 00:16:23 |
No. They've been waiting for you |
| 00:16:24 |
Good. |
| 00:16:25 |
Let me tell you something, |
| 00:16:28 |
if they can't start |
| 00:16:30 |
well, that's a meeting |
| 00:16:33 |
And that's the only kind |
| 00:16:35 |
you should ever |
| 00:16:37 |
File this! |
| 00:16:38 |
What's next? |
| 00:16:40 |
Her name is Mitzy. |
| 00:16:41 |
Mitzy. |
| 00:16:42 |
I like that. |
| 00:16:46 |
Ok, let's do it. |
| 00:16:49 |
Mitzy. Hi. |
| 00:16:53 |
Buddy Ackerman, |
| 00:16:54 |
vice president |
| 00:16:55 |
I couldn't help it. |
| 00:16:57 |
in the lobby |
| 00:16:58 |
I'm on my way |
| 00:16:59 |
and...I can just tell |
| 00:17:02 |
that there are |
| 00:17:04 |
for the both of us, |
| 00:17:05 |
and I will pull myself |
| 00:17:07 |
if you can bear |
| 00:17:09 |
Because I would love it |
| 00:17:12 |
sit and chat. |
| 00:17:15 |
Would that be possible? |
| 00:17:16 |
Oh, that's great. |
| 00:17:17 |
Now, if you need |
| 00:17:19 |
you just ask |
| 00:17:20 |
Keep her happy. |
| 00:17:21 |
Why don't you |
| 00:17:22 |
and I'll be right back. |
| 00:17:23 |
Where's |
| 00:17:25 |
Oh, coffee. Coffee, |
| 00:17:32 |
Buddy Ackerman's office. |
| 00:17:33 |
Can you please hold? |
| 00:17:34 |
Cream, sugar. |
| 00:17:36 |
Swee... |
| 00:17:39 |
guy: sweet'n low, |
| 00:17:42 |
Come on, people! |
| 00:17:43 |
I'm late |
| 00:17:44 |
Let's go, go, go, |
| 00:17:52 |
Excuse me. |
| 00:17:54 |
Sweet'n low? |
| 00:18:00 |
No. |
| 00:18:01 |
This is not sweet'n low. |
| 00:18:03 |
This is equal. |
| 00:18:05 |
Sweet'n low is pink. |
| 00:18:07 |
See? |
| 00:18:08 |
Equal--blue. |
| 00:18:10 |
It's not the same thing, |
| 00:18:13 |
Uh, well, I... |
| 00:18:14 |
I think they both |
| 00:18:16 |
What equal contains |
| 00:18:20 |
I don't care if it has |
| 00:18:27 |
What I am concerned with |
| 00:18:30 |
I asked you to go get me |
| 00:18:33 |
that isn't what I asked for, |
| 00:18:35 |
that isn't what I needed, |
| 00:18:36 |
isn't gonna |
| 00:18:38 |
I--I just thought... |
| 00:18:39 |
You thought. |
| 00:18:41 |
Do me a fucking favor. |
| 00:18:43 |
Shut up, listen, |
| 00:18:46 |
Look, I know that |
| 00:18:49 |
and you don't really know |
| 00:18:51 |
so I will tell you. |
| 00:18:55 |
You... |
| 00:18:56 |
have... |
| 00:18:58 |
no... |
| 00:18:59 |
brain. |
| 00:19:01 |
No judgment calls |
| 00:19:05 |
What you think |
| 00:19:07 |
What you feel |
| 00:19:09 |
You are here for me. |
| 00:19:11 |
You are here |
| 00:19:14 |
and to serve my needs. |
| 00:19:15 |
So while it may look like |
| 00:19:19 |
when I ask for a packet |
| 00:19:24 |
that's what I want. |
| 00:19:27 |
And it is |
| 00:19:30 |
to see that I get |
| 00:19:33 |
Am I clear? |
| 00:19:37 |
Y-yes, sir. |
| 00:19:40 |
I'm not trying to be cruel. |
| 00:19:41 |
Because if you |
| 00:19:42 |
if you listen and learn, |
| 00:19:44 |
then you're gonna |
| 00:19:45 |
anything you want |
| 00:19:46 |
You can have |
| 00:19:48 |
I mean, look at Rex here. |
| 00:19:51 |
"Rex." What a name. |
| 00:19:53 |
I mean, if I can get |
| 00:19:55 |
you're gonna do |
| 00:20:02 |
I fucked up. |
| 00:20:03 |
I fuck--fuck! |
| 00:20:05 |
It's over. |
| 00:20:06 |
Relax. |
| 00:20:07 |
He does that a lot. |
| 00:20:09 |
Tomorrow, he'll ask you |
| 00:20:11 |
You can't win. |
| 00:20:12 |
It's a lose-lose |
| 00:20:14 |
Well, does it still |
| 00:20:18 |
Daily. |
| 00:20:19 |
Actually, hourly. |
| 00:20:21 |
Look...every day |
| 00:20:22 |
is something |
| 00:20:24 |
Nothing is ever the same. |
| 00:20:25 |
What he wants, |
| 00:20:26 |
can change in a second. |
| 00:20:28 |
The trick is to have |
| 00:20:31 |
Anticipate. |
| 00:20:32 |
Next time, bring back |
| 00:20:34 |
Remember, |
| 00:20:37 |
and serve his needs. |
| 00:20:40 |
Come on. |
| 00:20:42 |
Protect his interests |
| 00:20:44 |
Ok, but that's crazy. |
| 00:20:46 |
That's no way |
| 00:20:48 |
Uh-uh. |
| 00:20:49 |
First mistake. |
| 00:20:50 |
This is not a business. |
| 00:20:52 |
No rules here. |
| 00:20:54 |
This ain't |
| 00:20:56 |
for the Wall Street |
| 00:20:58 |
This is... |
| 00:20:59 |
show business. |
| 00:21:03 |
Punching below the belt |
| 00:21:08 |
it is rewarded. |
| 00:21:10 |
So in this, |
| 00:21:13 |
you gotta |
| 00:21:15 |
What is it |
| 00:21:17 |
that is gonna |
| 00:21:19 |
and take notice of you? |
| 00:21:23 |
Work really, really hard. |
| 00:21:27 |
Don't worry, farm boy. |
| 00:21:28 |
You'll learn. |
| 00:21:30 |
Have a cigarette. |
| 00:21:32 |
I--I don't smoke. |
| 00:21:34 |
It won't last. |
| 00:21:35 |
This and that pot |
| 00:21:37 |
your best friends |
| 00:21:39 |
Get to know them. |
| 00:21:41 |
Come on. |
| 00:21:43 |
We got work to do. |
| 00:21:44 |
Ok. |
| 00:21:56 |
What do you want? |
| 00:22:01 |
You are in big trouble. |
| 00:22:03 |
Start making |
| 00:22:04 |
because you are dead |
| 00:22:06 |
I am not kidding you. |
| 00:22:07 |
Apologize. |
| 00:22:08 |
Excuse me? What? |
| 00:22:09 |
Ow! Ow! |
| 00:22:11 |
Ow! My hair! |
| 00:22:12 |
I want you |
| 00:22:14 |
For what! |
| 00:22:16 |
Oh! Ohhh... |
| 00:22:19 |
Apologize. |
| 00:22:21 |
Fuck you. |
| 00:22:25 |
Oh! You... |
| 00:22:27 |
Fu-- |
| 00:22:29 |
Ooh! |
| 00:22:32 |
Buddy Ackerman's office. |
| 00:22:35 |
Um...I d--I don't have |
| 00:22:38 |
but, I--look... |
| 00:22:40 |
and I'll have him call you-- |
| 00:22:43 |
Bye. |
| 00:22:44 |
Buddy Ackerman's office. |
| 00:22:45 |
Hank. |
| 00:22:46 |
Wh--ok, listen. |
| 00:22:48 |
Is there any way |
| 00:22:50 |
by the end of the day? |
| 00:22:53 |
Oh, great, great. |
| 00:22:54 |
Great. |
| 00:22:55 |
Thank you. Bye. |
| 00:22:56 |
Buddy Ackerman's office. |
| 00:22:57 |
Pick up the phone, |
| 00:22:59 |
Pick up, pick up, |
| 00:23:01 |
It is in your job description. |
| 00:23:02 |
Sorry. The phone's |
| 00:23:04 |
I don't care. |
| 00:23:05 |
If I get that answering machine |
| 00:23:07 |
All right. |
| 00:23:09 |
Ok. You have |
| 00:23:11 |
No, no, no, no! |
| 00:23:12 |
How many times |
| 00:23:13 |
No pitches before 11:00! |
| 00:23:16 |
We've got too much to do. |
| 00:23:17 |
I got calls to return. |
| 00:23:19 |
It's with Dawn Lockard. |
| 00:23:22 |
Oh. |
| 00:23:24 |
Well, ok. |
| 00:23:26 |
Um, tell her |
| 00:23:28 |
and, uh, get me Stella. |
| 00:23:30 |
Patch her through to me |
| 00:23:32 |
All right. |
| 00:23:34 |
Buddy Ackerman calling. |
| 00:23:35 |
Yes, I'd-- |
| 00:23:36 |
Hi. I'm here |
| 00:23:37 |
I'm Dawn Lockard. |
| 00:23:39 |
the lot. |
| 00:23:40 |
Hi. |
| 00:23:42 |
Hi. |
| 00:23:45 |
Well, Buddy's |
| 00:23:46 |
so, uh... |
| 00:23:47 |
just have a seat. |
| 00:23:51 |
Uh, y-yes. Fine. |
| 00:23:53 |
Yes. I'll tell him. |
| 00:23:56 |
Buddy Ackerman's office. |
| 00:23:57 |
Yeah. What happened? |
| 00:23:58 |
Uh, Stella's office |
| 00:24:01 |
Uh, she's gonna be |
| 00:24:03 |
What do you mean, |
| 00:24:05 |
Well, evidently, |
| 00:24:07 |
in Colorado |
| 00:24:09 |
Yeah? So? |
| 00:24:12 |
Find out |
| 00:24:14 |
Uh, well, |
| 00:24:15 |
Well, she's unreachable. |
| 00:24:17 |
Uh-huh. |
| 00:24:19 |
I don't see the problem. |
| 00:24:21 |
She's...rafting... |
| 00:24:23 |
I--I... |
| 00:24:25 |
I don't imagine |
| 00:24:27 |
They have helicopters, |
| 00:24:30 |
Y-yes. I... |
| 00:24:33 |
I--I suppose they do. |
| 00:24:35 |
You suppose? Listen, |
| 00:24:36 |
I can't spend my day |
| 00:24:38 |
telling you |
| 00:24:39 |
Is he in one of his moods? |
| 00:24:41 |
Yeah. |
| 00:24:43 |
It's not brain surgery, |
| 00:24:45 |
And you come back |
| 00:24:46 |
I don't ever wanna hear |
| 00:24:48 |
Get outta my way! |
| 00:24:49 |
Shut up, listen, learn! |
| 00:24:50 |
There is no such word as |
| 00:24:52 |
Find her. get her. |
| 00:24:54 |
I wanna talk to her |
| 00:24:55 |
- If she's not on the phone- |
| 00:24:57 |
Who do you work for?! |
| 00:24:58 |
If she's not on the phone |
| 00:25:00 |
Listen, about that |
| 00:25:03 |
Had I known that |
| 00:25:05 |
I certainly |
| 00:25:06 |
No. Don't worry about it. |
| 00:25:07 |
No. I'm just saying you get |
| 00:25:10 |
You don't need it from me. |
| 00:25:11 |
Believe me, |
| 00:25:12 |
"Unreachable" may work |
| 00:25:15 |
but not here! |
| 00:25:17 |
Dawn, excuse me. |
| 00:25:20 |
I just need to, um, |
| 00:25:22 |
brain-dead assistant |
| 00:25:24 |
Get in here! |
| 00:25:35 |
If you ever use |
| 00:25:36 |
"unreachable" |
| 00:25:37 |
I swear to god |
| 00:25:39 |
I will send you goddamn |
| 00:25:40 |
in a mail chute. |
| 00:25:41 |
Don't ever do it again. |
| 00:25:43 |
Now, give me my phone. |
| 00:25:45 |
If my car phone isn't |
| 00:25:46 |
you are a dead person. |
| 00:25:47 |
I already did it. |
| 00:25:52 |
Dawn, gorgeous. |
| 00:25:54 |
It's been too long. |
| 00:25:55 |
Get your cute |
| 00:26:00 |
Guy, hold all my calls. |
| 00:26:16 |
Ok, ok. |
| 00:26:22 |
Dawn, I just don't |
| 00:26:24 |
is gonna win, |
| 00:26:25 |
I mean-- |
| 00:26:26 |
real life-- |
| 00:26:29 |
You need this film, Buddy. |
| 00:26:30 |
It's an important film |
| 00:26:32 |
It's a redeeming film. |
| 00:26:34 |
Uou cannot keep dissing |
| 00:26:37 |
Oh, really? |
| 00:26:38 |
You're of that age. |
| 00:26:41 |
Well, uh, yeah. |
| 00:26:44 |
Uh...disillusioned, |
| 00:26:47 |
dismayed... |
| 00:26:51 |
disposable. |
| 00:26:53 |
Yeah, thanks, and this |
| 00:26:55 |
and dull. It's not |
| 00:26:58 |
And I suppose |
| 00:26:59 |
overadrenalized, |
| 00:27:00 |
male macho |
| 00:27:01 |
Excuse me. My male macho |
| 00:27:05 |
The last important film this |
| 00:27:08 |
The one before that didn't |
| 00:27:10 |
Dawn, forget about this |
| 00:27:15 |
You've been away |
| 00:27:17 |
Come back tomyteam, |
| 00:27:20 |
and we can make |
| 00:27:22 |
Or I could just go to Stella |
| 00:27:24 |
She is, after all, |
| 00:27:25 |
Am I right? |
| 00:27:27 |
Mm-hmm, for now. |
| 00:27:29 |
Oh, um... |
| 00:27:31 |
ahem, ok... |
| 00:27:32 |
uh... |
| 00:27:34 |
Mitch and Cyrus. |
| 00:27:36 |
Cyrus, and you didn't |
| 00:27:38 |
You--you said hold |
| 00:27:40 |
Fine. Who else? |
| 00:27:42 |
Uh...uh, Derek, Mitzi, |
| 00:27:49 |
Stella? |
| 00:27:50 |
Stella?! |
| 00:27:52 |
You--you said to hold |
| 00:27:53 |
I didn't know. |
| 00:27:55 |
You didn't know? |
| 00:27:57 |
when I said "very |
| 00:27:58 |
What good are you? |
| 00:28:00 |
Do you want |
| 00:28:02 |
Shut up, listen, learn! |
| 00:28:03 |
Fuck your |
| 00:28:05 |
Fuck your |
| 00:28:06 |
And fuck you! |
| 00:28:08 |
You are a worthless, |
| 00:28:09 |
well, isn't this turning into |
| 00:28:12 |
Loud and nasty. |
| 00:28:14 |
That's the only way it sticks, Dawn. |
| 00:28:17 |
You did say "hold |
| 00:28:20 |
And I certainly hope |
| 00:28:22 |
to intrude |
| 00:28:31 |
Mm-hmm. |
| 00:28:33 |
Find Cyrus, find Stella. |
| 00:28:35 |
Get them on the phone. |
| 00:28:37 |
by the time I get back, |
| 00:28:40 |
I'll get back to you |
| 00:28:42 |
Let me think about it, |
| 00:28:43 |
and, um... |
| 00:28:47 |
Buddy Ackerman's office calling. |
| 00:28:51 |
As I was saying-- |
| 00:28:53 |
about that little |
| 00:28:54 |
why don't you let |
| 00:28:56 |
How about lunch? |
| 00:28:57 |
Thank you, but |
| 00:29:01 |
Look, I'm gonna be |
| 00:29:03 |
As much as I hate it, |
| 00:29:05 |
I need my calls |
| 00:29:07 |
onto his phone sheet. |
| 00:29:08 |
to go home with him |
| 00:29:10 |
In short, |
| 00:29:12 |
See what I'm saying? |
| 00:29:14 |
I don't want |
| 00:29:16 |
over a parking spot, |
| 00:29:19 |
so why don't we |
| 00:29:22 |
Hey, how about lunch? |
| 00:29:24 |
Well... |
| 00:29:27 |
I'm not allowed |
| 00:29:29 |
Um...Buddy...doesn't |
| 00:29:33 |
Fine. Drinks it is. |
| 00:29:36 |
Call me when you're done tonight. |
| 00:29:39 |
Tonight? |
| 00:29:40 |
That's all right with you, |
| 00:29:44 |
Oh, yeah. |
| 00:29:45 |
It just seems that a woman |
| 00:29:50 |
and as pleasant-natured |
| 00:29:54 |
would be booked up |
| 00:29:57 |
Well, guess what. |
| 00:30:01 |
You know what? |
| 00:30:04 |
You should talk to him |
| 00:30:05 |
'Cause it really |
| 00:30:06 |
like a schmuck. |
| 00:30:20 |
Yeah, some tip. |
| 00:30:22 |
for scaring me |
| 00:30:23 |
The change Stella wants-- |
| 00:30:26 |
although I'm sure |
| 00:30:28 |
Yeah, well, |
| 00:30:29 |
Anyway, it turns out |
| 00:30:31 |
that Cyrus' teenage |
| 00:30:34 |
about how all of today's films |
| 00:30:36 |
how there's nothing |
| 00:30:39 |
So the old man bitched |
| 00:30:41 |
and now we gotta go out |
| 00:30:42 |
and find the next |
| 00:30:45 |
you know, something for the kids. |
| 00:30:47 |
You got anything? |
| 00:30:50 |
Great. Send it to me. |
| 00:30:55 |
Yeah, what? |
| 00:30:56 |
Well, I wanted to talk to you |
| 00:30:59 |
No apology necessary. |
| 00:31:00 |
Everyone's allowed |
| 00:31:02 |
You've used up yours. |
| 00:31:04 |
Well, that's just it. |
| 00:31:06 |
I don't feel |
| 00:31:09 |
and... |
| 00:31:11 |
Well, I would appreciate it |
| 00:31:15 |
in front |
| 00:31:18 |
Excuse me. What? |
| 00:31:20 |
Uh...the--the yelling. |
| 00:31:23 |
Uh... |
| 00:31:29 |
Oh. |
| 00:31:31 |
You...disapprove. |
| 00:31:38 |
I'm sorry. |
| 00:31:41 |
Did I... |
| 00:31:44 |
did I hurt your feelings? |
| 00:31:46 |
No. No, no. |
| 00:31:49 |
Uh...I... |
| 00:31:52 |
I just don't feel |
| 00:31:55 |
It certainly doesn't help me, |
| 00:31:57 |
well, I'm glad |
| 00:31:59 |
Great. Great. |
| 00:32:01 |
'Cause I've found that |
| 00:32:06 |
properly if the lines |
| 00:32:10 |
Right, right, yes. |
| 00:32:12 |
So, in that case... |
| 00:32:17 |
let's make |
| 00:32:19 |
Ok, great, great. |
| 00:32:22 |
I mean... |
| 00:32:23 |
let's review. |
| 00:32:25 |
What did I tell you |
| 00:32:29 |
Your thoughts are nothing. |
| 00:32:32 |
You are nothing. |
| 00:32:34 |
And yet you have the nerve |
| 00:32:36 |
to walk into my office |
| 00:32:37 |
and tell me-- |
| 00:32:39 |
Please shut up. |
| 00:32:40 |
At least allow me |
| 00:32:42 |
of finishing |
| 00:32:43 |
That's the very least |
| 00:32:45 |
after I've had to endure |
| 00:32:47 |
This is a bad time. |
| 00:32:48 |
Who do you think you are, |
| 00:32:51 |
Let me make this clear |
| 00:32:52 |
And now try to follow me, |
| 00:32:54 |
because I'm gonna be moving |
| 00:32:55 |
in a kind of circular motion, |
| 00:32:57 |
so if you pay attention, |
| 00:33:00 |
You are nothing! |
| 00:33:03 |
If you were |
| 00:33:04 |
I wouldn't bother |
| 00:33:05 |
My bath mat means |
| 00:33:08 |
You see this? |
| 00:33:10 |
This means more |
| 00:33:13 |
And yet do you hear |
| 00:33:15 |
when I do this? |
| 00:33:16 |
These pencils, |
| 00:33:18 |
These pens, |
| 00:33:19 |
These paper clips, |
| 00:33:21 |
You miserable |
| 00:33:23 |
You don't like it here, leave! |
| 00:33:24 |
There are thousands of people |
| 00:33:25 |
who would kill for your spot! |
| 00:33:26 |
Who would kill for |
| 00:33:28 |
I could spit |
| 00:33:30 |
who could do this job |
| 00:33:31 |
This is the fast track |
| 00:33:33 |
I don't see you breaking |
| 00:33:34 |
Why can't you show |
| 00:33:38 |
"I don't think the yelling |
| 00:33:41 |
You gotta be a little more |
| 00:33:43 |
You gotta be a man |
| 00:33:53 |
"Talk to him about the yelling." |
| 00:33:54 |
Thanks. |
| 00:33:56 |
You gotta give |
| 00:33:58 |
So, Guy, |
| 00:34:00 |
Is your uncle Bob |
| 00:34:02 |
Or are you just another |
| 00:34:05 |
quick cars, |
| 00:34:06 |
You hate me. |
| 00:34:09 |
Y-you really hate me. |
| 00:34:10 |
No, I'm just feeling |
| 00:34:15 |
So, talk. Amuse me. |
| 00:34:18 |
I'm a recent |
| 00:34:21 |
with fairly disappointed |
| 00:34:25 |
uh...who had hoped |
| 00:34:28 |
would have been |
| 00:34:29 |
Oh, you're a writer? |
| 00:34:31 |
Yeah. |
| 00:34:32 |
Why, then, pray tell, |
| 00:34:33 |
are you fetching coffee |
| 00:34:35 |
Fetching? I'm... |
| 00:34:38 |
I'm not fetching. |
| 00:34:40 |
He--he's one of the top studio |
| 00:34:44 |
I'm his--his assistant. |
| 00:34:45 |
So, basically, you're |
| 00:34:47 |
with liberal amounts |
| 00:34:49 |
Ok. |
| 00:34:51 |
Well... |
| 00:34:52 |
I've taken |
| 00:34:54 |
character assassination |
| 00:34:56 |
Would you please sit down? |
| 00:34:58 |
Sit. |
| 00:35:02 |
Look, if this time can be spent |
| 00:35:05 |
to do anything else |
| 00:35:07 |
to getting out while you |
| 00:35:09 |
it is time well spent. |
| 00:35:11 |
Let me ask you |
| 00:35:13 |
Why do you want this? |
| 00:35:16 |
I don't know. |
| 00:35:19 |
that I have always |
| 00:35:20 |
Oh, bullshit. |
| 00:35:22 |
There are easier ways |
| 00:35:25 |
Hey, I'll float you a bill |
| 00:35:27 |
and give you a number |
| 00:35:28 |
Why the movies? |
| 00:35:29 |
Do you really want to know? |
| 00:35:31 |
I really want to know. |
| 00:35:32 |
Are you gonna form |
| 00:35:34 |
No, I really want to know. |
| 00:35:35 |
Do you really want to know? |
| 00:35:36 |
I want to know. |
| 00:35:38 |
Well, fine. Memories. |
| 00:35:40 |
Memories? |
| 00:35:42 |
Yes. All my favorite memories |
| 00:35:46 |
For instance, |
| 00:35:49 |
Summer of '88, Indiana Jones |
| 00:35:51 |
My first car, the summer |
| 00:35:55 |
A fine Buddy Ackerman film, |
| 00:35:57 |
What about your first kiss? |
| 00:36:03 |
Uh... |
| 00:36:05 |
Summer of 1979. |
| 00:36:06 |
The fish |
| 00:36:08 |
What was her name? |
| 00:36:11 |
I don't remember. |
| 00:36:13 |
But Gabe Kaplan's hair |
| 00:36:16 |
The only white man |
| 00:36:21 |
Wow. A smile. |
| 00:36:24 |
Maybe you don't hate me. |
| 00:36:26 |
Wow. |
| 00:36:27 |
Get over yourself. |
| 00:36:29 |
Let me give you |
| 00:36:32 |
If you want to make it |
| 00:36:35 |
you don't have room |
| 00:36:38 |
much less |
| 00:36:39 |
Absolutely |
| 00:36:41 |
Absolutely |
| 00:36:47 |
Hi. This is Guy. |
| 00:36:48 |
Leave me a message. |
| 00:36:51 |
Michelle, stop it. |
| 00:36:53 |
All right? |
| 00:36:55 |
Guy, hey, |
| 00:36:57 |
and say I think today's talk |
| 00:37:00 |
at least for me, |
| 00:37:02 |
Especially at this critical |
| 00:37:05 |
Good thinking. |
| 00:37:07 |
Anyway, tomorrow morning |
| 00:37:09 |
I need you to stop off |
| 00:37:10 |
and pick up |
| 00:37:12 |
It's some pretty sensitive stuff, |
| 00:37:16 |
Try not to screw up. |
| 00:37:19 |
Don't fail me. |
| 00:37:24 |
Sorry, Dawn. |
| 00:37:27 |
So, dinner tonight. |
| 00:37:30 |
Ok. |
| 00:37:32 |
Your place? |
| 00:37:36 |
You're happy! |
| 00:37:37 |
I hate that. |
| 00:37:38 |
Get me packed up now. |
| 00:37:41 |
I gotta go. |
| 00:37:44 |
What services? |
| 00:37:49 |
No one...yet. |
| 00:37:50 |
It's Yom Kippur, |
| 00:37:53 |
Oh. I--I didn't realize |
| 00:37:56 |
It's jewish enough, |
| 00:37:58 |
especially when the big |
| 00:38:00 |
Besides, I feel a sudden |
| 00:38:06 |
Marie call? |
| 00:38:07 |
Marie? |
| 00:38:09 |
She'll be at your place |
| 00:38:11 |
Great, great. |
| 00:38:16 |
Buddy. |
| 00:38:18 |
Yeah. |
| 00:38:19 |
I wanted to talk to you |
| 00:38:23 |
Oh, yeah, she's got a great one, |
| 00:38:24 |
doesn't she? |
| 00:38:25 |
Yeah. Yeah. |
| 00:38:28 |
No, a-actually I w-- |
| 00:38:30 |
about Dawn's project |
| 00:38:33 |
Now...I think it has a lot |
| 00:38:38 |
It's young, it's--it's hot. |
| 00:38:40 |
And it could be exactly |
| 00:38:42 |
and I was thinking we get |
| 00:38:44 |
maybe...Penny Marshall. |
| 00:38:47 |
What?! Shut up, |
| 00:38:49 |
Avoid women directors. |
| 00:38:52 |
Do you have any idea |
| 00:38:53 |
to a 3-month shoot? |
| 00:38:54 |
I mean, do I need |
| 00:38:57 |
Ok, uh, well, what about Altman? |
| 00:39:01 |
Altman? that hack |
| 00:39:02 |
out of a paper bag. |
| 00:39:03 |
You want to talk |
| 00:39:05 |
think Attenborough, |
| 00:39:06 |
think Lean. |
| 00:39:12 |
Lean's dead. |
| 00:39:13 |
No, he's not. |
| 00:39:14 |
Don't you ever say that. |
| 00:39:16 |
He's just...unavailable. |
| 00:39:18 |
Did you get the stuff? |
| 00:39:21 |
Oh, yes, the stuff. |
| 00:39:22 |
I put it in the cabinet |
| 00:39:24 |
It's in a brown paper bag. |
| 00:39:25 |
No, no, no, no, no, |
| 00:39:28 |
No, no, no. |
| 00:39:31 |
Great. Great. File this. |
| 00:39:35 |
Rogaine. |
| 00:39:36 |
But you're not |
| 00:39:38 |
Exactly. Anticipate. |
| 00:39:41 |
All right, listen, |
| 00:39:44 |
it's not a movie, |
| 00:39:45 |
Even the title, |
| 00:39:47 |
All those speeches |
| 00:39:49 |
That is not what |
| 00:39:51 |
much less pay to see. |
| 00:39:53 |
we are in the business |
| 00:39:55 |
people's dreams, |
| 00:39:57 |
Besides, Cyrus has already |
| 00:40:00 |
this young hot director, |
| 00:40:03 |
Picture did very well at |
| 00:40:04 |
and Stella's |
| 00:40:06 |
She's got him, not us. |
| 00:40:08 |
Well, uh, y-you still got |
| 00:40:11 |
What article? |
| 00:40:16 |
It's that article on--on-- |
| 00:40:20 |
It calls you "the king |
| 00:40:25 |
Yeah, right here. |
| 00:40:27 |
Why does nobody |
| 00:40:29 |
I put it on your desk |
| 00:40:31 |
Who gave them |
| 00:40:33 |
Oh, Jesus Christ. |
| 00:40:35 |
Where do they get these lies? |
| 00:40:36 |
Listen to this crap. |
| 00:40:38 |
I'm "a blight on society"? |
| 00:40:40 |
This has got Stella |
| 00:40:41 |
These are |
| 00:40:42 |
Fine. That bitch wants a war, |
| 00:40:45 |
Tomorrow morning, |
| 00:40:46 |
fire the fuckin' |
| 00:40:47 |
You got plans tonight? |
| 00:40:49 |
Cancel 'em. |
| 00:40:50 |
I'm sorry, Buddy, |
| 00:40:53 |
not for nothin', Guy. |
| 00:40:54 |
You want to make |
| 00:40:57 |
Go ahead, |
| 00:40:59 |
Let's see |
| 00:41:00 |
Really? |
| 00:41:01 |
Yeah. But first we need |
| 00:41:03 |
This kid reads I'm |
| 00:41:05 |
Forget it, forget you, |
| 00:41:06 |
forget the expense |
| 00:41:08 |
We're out, out, out! |
| 00:41:09 |
You need to find |
| 00:41:12 |
and destroy it. |
| 00:41:15 |
Every copy? |
| 00:41:16 |
Yeah. Every copy. |
| 00:41:20 |
But it...it's |
| 00:41:23 |
It'd be probably hard |
| 00:41:25 |
Yeah? So? |
| 00:41:26 |
Find a way. Do it. |
| 00:41:31 |
My briefcase, you idiot! |
| 00:41:33 |
I'm sorry. |
| 00:41:34 |
It's all in there. |
| 00:41:35 |
Jesus Christ. |
| 00:41:39 |
Dawn, I'm--I'm sorry, but I-- |
| 00:41:43 |
of course I want |
| 00:41:44 |
I have to work. |
| 00:41:46 |
Please...try to understand. |
| 00:41:49 |
I have to go. |
| 00:41:50 |
Buddy Ackerman's office. |
| 00:41:52 |
Oh, good. You're still there. |
| 00:41:54 |
You gotta stick around |
| 00:41:56 |
with Foster Kane |
| 00:41:57 |
It's on CNN, 11:00. |
| 00:41:59 |
It's very, |
| 00:42:00 |
We have gotta find |
| 00:42:02 |
You got it? |
| 00:42:09 |
Hello. |
| 00:42:10 |
I got it. |
| 00:42:12 |
Great. Now, did you get |
| 00:42:15 |
I'm just throwin' out |
| 00:42:17 |
No, no, no. You can't |
| 00:42:19 |
You have to destroy them. |
| 00:42:20 |
Rip them up, |
| 00:42:22 |
Well... |
| 00:42:25 |
It's just that |
| 00:42:28 |
I know, I know. |
| 00:42:31 |
But they'll get better. |
| 00:42:33 |
If you prove you can |
| 00:42:36 |
if you work hard now, |
| 00:42:39 |
You get to have some fun, |
| 00:42:41 |
because |
| 00:42:42 |
this job is |
| 00:42:54 |
God, what do you want? |
| 00:42:58 |
You sick, twisted fuck, |
| 00:43:02 |
why are you doing this? |
| 00:43:04 |
This is so cool. |
| 00:43:07 |
I saw this in a movie once. |
| 00:43:09 |
Matter of fact, |
| 00:43:37 |
This isn't |
| 00:43:40 |
This isn't gonna help |
| 00:43:43 |
You're right. |
| 00:43:46 |
But it makes me feel |
| 00:44:06 |
Is this good? |
| 00:44:07 |
This ought to loosen up |
| 00:44:11 |
Let me ask your opinion. |
| 00:44:13 |
What is the best |
| 00:44:14 |
I mean...I mean, |
| 00:44:17 |
and that kind of stuff, |
| 00:44:19 |
it just puts 'em |
| 00:44:22 |
Well, let's--let's-- |
| 00:44:24 |
Let's suppose somebody were |
| 00:44:28 |
Just suppose. |
| 00:44:31 |
Am I boring you? |
| 00:44:33 |
I'm sorry. |
| 00:44:35 |
What was it you... |
| 00:44:39 |
"The personality |
| 00:44:41 |
Ha ha ha! |
| 00:44:44 |
That was funny. |
| 00:44:45 |
Everybody laughed. |
| 00:44:47 |
Ohh...well... |
| 00:44:50 |
I don't want to bore you, |
| 00:44:53 |
so let's get back to work. |
| 00:44:58 |
Ahh, gotta be one |
| 00:45:01 |
Every kitchen drawer |
| 00:45:07 |
You know, it's funny. |
| 00:45:09 |
I only dreamt |
| 00:45:12 |
all those lonely nights |
| 00:45:15 |
all those weekends, |
| 00:45:17 |
playing out all these torture |
| 00:45:22 |
Thinking about it |
| 00:45:32 |
You can't imagine |
| 00:45:38 |
Whatever you're |
| 00:45:42 |
please don't. |
| 00:45:44 |
Shh. |
| 00:45:53 |
Paper cuts. |
| 00:45:55 |
Now, they can be a bitch. |
| 00:45:58 |
Occupational hazard, |
| 00:46:01 |
But I'll bet it's been a while |
| 00:46:05 |
Me? |
| 00:46:07 |
I'm startin' |
| 00:46:19 |
Ohh! |
| 00:46:21 |
God. |
| 00:46:26 |
Stings, doesn't it? |
| 00:46:28 |
Well... |
| 00:46:30 |
like I said, |
| 00:46:33 |
Now, the ones that |
| 00:46:38 |
Say "ahh." |
| 00:46:39 |
Come on, don't! |
| 00:46:40 |
You're only gonna make it |
| 00:46:43 |
Forget about the shitty |
| 00:46:48 |
The real pain in the ass |
| 00:46:53 |
on your tongue. |
| 00:46:55 |
No. |
| 00:46:58 |
Aah! |
| 00:47:05 |
Buddy Ackerman's office. |
| 00:47:07 |
Hello, Mishka. |
| 00:47:09 |
No, he's not in. |
| 00:47:11 |
Mishka, Buddy is |
| 00:47:17 |
Well, I'll tell you |
| 00:47:18 |
Get your cute little butt |
| 00:47:21 |
Ok. |
| 00:47:22 |
Bye-bye. |
| 00:47:30 |
This could be the biggest |
| 00:47:33 |
real life, |
| 00:47:36 |
I like it. |
| 00:47:39 |
It was a great idea, bringing |
| 00:47:41 |
I would have never thought of that. |
| 00:47:43 |
you may not be a complete |
| 00:47:46 |
Your ideas here |
| 00:47:47 |
but I hate the title, |
| 00:47:49 |
It's too depressing. |
| 00:47:52 |
You think we're gonna be ready |
| 00:47:55 |
Cyrus? Uh, well... |
| 00:47:59 |
don't you think |
| 00:48:00 |
for Stella |
| 00:48:01 |
Stella? Fuck her! |
| 00:48:03 |
We take this to Stella, |
| 00:48:04 |
she's just gonna take |
| 00:48:06 |
for all of our work. |
| 00:48:08 |
It's kill or have your contract |
| 00:48:11 |
We need to go |
| 00:48:13 |
We need to go to Cyrus. |
| 00:48:15 |
But hold on a second. |
| 00:48:17 |
Dawn's bringing |
| 00:48:20 |
Remember, you passed. |
| 00:48:22 |
You like Dawn, |
| 00:48:25 |
You consummate the relationship? |
| 00:48:27 |
Dawn? Well...I mean, |
| 00:48:29 |
I don't give a fuck. |
| 00:48:31 |
Shut up and listen. |
| 00:48:33 |
Women... |
| 00:48:35 |
they respond to one thing |
| 00:48:37 |
Success. Now, this |
| 00:48:40 |
This is scien-- |
| 00:48:42 |
This is scientific fact. |
| 00:48:43 |
It is primitive instinct |
| 00:48:45 |
for a woman like Dawn |
| 00:48:47 |
who can best provide |
| 00:48:49 |
for her wants. Now, |
| 00:48:52 |
but...you are |
| 00:48:57 |
Sure, I mean, |
| 00:48:59 |
but, you know, |
| 00:49:01 |
an assistant. |
| 00:49:03 |
Dawn, on the other hand, |
| 00:49:06 |
is a producer. |
| 00:49:12 |
Her car phone bills |
| 00:49:14 |
So just how long do you think |
| 00:49:17 |
D-Dawn and I, |
| 00:49:19 |
All right, |
| 00:49:21 |
Because if you put |
| 00:49:24 |
you're not going to be just |
| 00:49:30 |
So... |
| 00:49:32 |
I'm gonna give you |
| 00:49:37 |
You...get to be |
| 00:49:39 |
Dawn's white knight |
| 00:49:41 |
in shining armor. |
| 00:49:47 |
You. |
| 00:49:50 |
You have to convince Dawn |
| 00:49:52 |
to bring the project |
| 00:49:56 |
Not to Stella. |
| 00:49:58 |
To me. |
| 00:49:59 |
Now, I could do it, |
| 00:50:01 |
but there'd be |
| 00:50:03 |
I just don't know |
| 00:50:09 |
You do this thing... |
| 00:50:12 |
you convince Dawn |
| 00:50:18 |
and then you and I... |
| 00:50:22 |
are going to run this place. |
| 00:50:27 |
The both of us. |
| 00:50:32 |
All right. |
| 00:50:35 |
I--I'll do it. |
| 00:50:38 |
He said |
| 00:50:40 |
Look. |
| 00:50:42 |
He gave me a beeper. |
| 00:50:43 |
I think he--he's |
| 00:50:45 |
I think he's really |
| 00:50:48 |
Oh, God. |
| 00:50:49 |
He's just got you |
| 00:50:50 |
that's all. |
| 00:50:52 |
Oh, you're doing it all wrong. |
| 00:50:56 |
So... |
| 00:50:58 |
Let me guess. |
| 00:51:00 |
He gave you |
| 00:51:03 |
"Win one for us, |
| 00:51:06 |
Exactly what is it |
| 00:51:09 |
Not much. |
| 00:51:11 |
To find a new title, |
| 00:51:14 |
you have to cancel your |
| 00:51:16 |
Unbelievable. |
| 00:51:19 |
Listen, all |
| 00:51:20 |
is take credit |
| 00:51:23 |
Now, I already |
| 00:51:24 |
to go directly |
| 00:51:25 |
Now, he can't do that |
| 00:51:26 |
if you pitch it |
| 00:51:28 |
I don't want to jeopardize |
| 00:51:29 |
your relationship with Stella. |
| 00:51:30 |
I'm sorry, but this is |
| 00:51:32 |
Stop. |
| 00:51:34 |
It's a sign of weakness. |
| 00:51:37 |
Move. |
| 00:51:41 |
Don't tell me what |
| 00:51:44 |
I know the drill... |
| 00:51:46 |
the politicking, |
| 00:51:50 |
the spilling of coffee |
| 00:51:52 |
in the race to kiss ass. |
| 00:51:54 |
Oh. Actually, |
| 00:51:57 |
I let--I let his coffee get cold, |
| 00:52:01 |
But I learned |
| 00:52:02 |
Never let Buddy's coffee |
| 00:52:05 |
And...this? |
| 00:52:08 |
It's a bagel stain. |
| 00:52:09 |
Bagel stain? |
| 00:52:10 |
Yeah. Well, I put too much |
| 00:52:13 |
so he threw it at me. |
| 00:52:15 |
But, again, I learned |
| 00:52:18 |
Never put too much |
| 00:52:21 |
Yeah. He really |
| 00:52:24 |
I think |
| 00:52:26 |
I will wait, |
| 00:52:27 |
and I want |
| 00:52:28 |
No. Bu--Buddy wants |
| 00:52:31 |
Look, if this picture |
| 00:52:34 |
we'll--we'll go make |
| 00:52:36 |
we just have to deal |
| 00:52:41 |
Do you hate me? |
| 00:52:42 |
Is that it? |
| 00:52:44 |
You do. You do. |
| 00:52:47 |
Oh, God. |
| 00:52:53 |
I just... |
| 00:52:54 |
want you to make |
| 00:52:59 |
I say we go |
| 00:53:05 |
Ok... |
| 00:53:07 |
but know this... |
| 00:53:09 |
I have seen |
| 00:53:11 |
You cannot get into bed with him |
| 00:53:13 |
without getting fucked. |
| 00:53:14 |
He plays |
| 00:53:15 |
That's his drill. |
| 00:53:17 |
Nobody wins unless |
| 00:53:21 |
Yeah, well... |
| 00:53:23 |
As long as |
| 00:53:31 |
Loss. |
| 00:53:33 |
They say that |
| 00:53:36 |
real suffering... |
| 00:53:38 |
is caused from loss. |
| 00:53:41 |
Loss of family... |
| 00:53:45 |
and loss of love. |
| 00:53:48 |
Loss of the things |
| 00:53:56 |
I like it. |
| 00:53:59 |
It's a little different |
| 00:54:02 |
Ok. |
| 00:54:04 |
Now... |
| 00:54:06 |
let's forget |
| 00:54:07 |
we've been doing here |
| 00:54:09 |
Let's--let's |
| 00:54:11 |
uh, grand... |
| 00:54:13 |
abbondante, if you will. |
| 00:54:17 |
I'll be right back. |
| 00:54:19 |
Don't go anywhere. |
| 00:54:35 |
?? Ta-da ?? |
| 00:54:40 |
So? |
| 00:54:42 |
What do you think? |
| 00:54:47 |
That's it? |
| 00:54:49 |
That's all? |
| 00:54:52 |
Look at yourself. |
| 00:54:55 |
Look at your face. |
| 00:54:57 |
Look at your |
| 00:54:59 |
I mean... |
| 00:55:01 |
There's no way |
| 00:55:02 |
gonna help you |
| 00:55:03 |
I'm tellin' you. |
| 00:55:05 |
You are fucked up. |
| 00:55:14 |
Fine. |
| 00:55:15 |
You want to go back |
| 00:55:17 |
that's fine by me. |
| 00:55:23 |
7 years. |
| 00:55:27 |
What? |
| 00:55:31 |
The mirror. |
| 00:55:34 |
7 years of bad luck. |
| 00:55:36 |
Ha ha ha ha ha! |
| 00:55:41 |
Shut up. |
| 00:55:45 |
Shut up! |
| 00:55:51 |
I said, shut up! |
| 00:55:56 |
Oh...that's brilliant. |
| 00:55:59 |
That's fuckin' brilliant. |
| 00:56:01 |
Ha ha ha! |
| 00:56:03 |
This is genius, |
| 00:56:05 |
This is great work, Guy. |
| 00:56:07 |
Thanks. Well, you said |
| 00:56:09 |
And to set it |
| 00:56:11 |
It's perfect. It's real. |
| 00:56:13 |
Right, right, right. And-- |
| 00:56:16 |
than a woman scrubbing |
| 00:56:19 |
Oh, that's great. |
| 00:56:21 |
Oh, really, good work. |
| 00:56:23 |
Really? Well--no, |
| 00:56:25 |
We have a go movie. |
| 00:56:26 |
Cyrus is gonna |
| 00:56:28 |
I'm gonna show him |
| 00:56:29 |
He is gonna love it. |
| 00:56:30 |
It's "Say good-bye, Stella" |
| 00:56:32 |
and "hello, Buddy and Guy." |
| 00:56:36 |
To hell with that. |
| 00:56:37 |
It's minor details. |
| 00:56:38 |
He's gonna be too excited |
| 00:56:40 |
to worry about spelling. |
| 00:56:42 |
You did it. |
| 00:56:44 |
I am not gonna forget this. |
| 00:56:45 |
Get ready to meet |
| 00:56:47 |
I'm gonna tell Cyrus |
| 00:56:49 |
You earned it. |
| 00:56:52 |
Oh, shit. |
| 00:56:54 |
I left my belt |
| 00:56:56 |
I can't see Cyrus |
| 00:57:02 |
Oh. |
| 00:57:14 |
Buddy Ackerman's office. |
| 00:57:16 |
Dawn. |
| 00:57:17 |
Buddy loved the notes. |
| 00:57:20 |
Yeah. He's in a meeting |
| 00:57:22 |
Yeah, Cyrus. |
| 00:57:24 |
Cyrus. |
| 00:57:26 |
They're coming |
| 00:57:27 |
Let me call you back. |
| 00:57:28 |
I'll call you back. |
| 00:57:30 |
Let's face it, guys. |
| 00:57:32 |
than a girl scrubbing |
| 00:57:34 |
You know what I mean? |
| 00:57:36 |
You think the kids |
| 00:57:38 |
Oh, absolutely. |
| 00:57:39 |
Cyrus, it speaks |
| 00:57:41 |
a generation |
| 00:57:43 |
disillusioned, |
| 00:57:46 |
Right, Foster? |
| 00:57:47 |
That sums it up |
| 00:57:48 |
Well, good. |
| 00:57:49 |
You can never tell |
| 00:57:52 |
Let me just grab this, |
| 00:57:54 |
Uh-huh. |
| 00:57:56 |
Now, look, you just gotta |
| 00:58:00 |
Oh, I'm sorry. I should have |
| 00:58:02 |
I just had Guy |
| 00:58:04 |
But you know what? I was |
| 00:58:05 |
Can you blame me? |
| 00:58:07 |
Oh, no. I admire |
| 00:58:09 |
This is a great project. |
| 00:58:11 |
Buddy, I'm not gonna forget |
| 00:58:13 |
You keep this up... |
| 00:58:15 |
I'm gonna have to make you |
| 00:58:17 |
Me? Naw, I just want to |
| 00:58:20 |
You all right, man. |
| 00:58:22 |
Yeah. I'm hungry. |
| 00:58:24 |
Oh, yeah. |
| 00:58:44 |
Buddy Ackerman's |
| 00:58:46 |
No, man, listen to me. |
| 00:58:47 |
I'm tellin' you, I'm not |
| 00:58:49 |
be a fuckin' deal-breaker |
| 00:58:51 |
It's im-- |
| 00:58:53 |
No way. |
| 00:58:55 |
Well, you go back, and |
| 00:59:00 |
Where the fuck |
| 00:59:02 |
I was goin' |
| 00:59:04 |
I--I need to go. |
| 00:59:06 |
Well, forget |
| 00:59:07 |
and concentrate |
| 00:59:08 |
I need you here. |
| 00:59:09 |
Get me |
| 00:59:11 |
Shut up for a second. |
| 00:59:12 |
I'm tellin' you, I don't care |
| 00:59:15 |
You...close the deal. |
| 00:59:17 |
We're gonna lose the kid. |
| 00:59:22 |
This is Buddy Ackerman's |
| 00:59:25 |
Fine. I'll have him |
| 00:59:34 |
Buddy Ackerman's office |
| 00:59:39 |
Uh, fine. Yes. |
| 00:59:41 |
But please get him. |
| 00:59:45 |
Water? |
| 00:59:52 |
Uh, this is Buddy Ackerman's |
| 00:59:54 |
I don't want any water. |
| 00:59:58 |
Buddy Ackerman's office |
| 01:00:02 |
Thank you. |
| 01:00:04 |
Leave word. |
| 01:00:10 |
Buddy Ackerman's office |
| 01:00:13 |
Fine. Please. |
| 01:00:16 |
Yes. We'll call back. |
| 01:00:19 |
Arrrghh. |
| 01:00:28 |
Wyoming. |
| 01:00:31 |
What? Oh, you |
| 01:00:34 |
Forget about Montana. |
| 01:00:36 |
Wyoming is--is... |
| 01:00:38 |
it's clean. |
| 01:00:42 |
We'll--we'll never leave |
| 01:00:44 |
We'll only go into town |
| 01:00:46 |
We? Aw. |
| 01:00:48 |
Yeah. You're gonna |
| 01:00:50 |
Mm-hmm. |
| 01:00:52 |
I could write. |
| 01:00:55 |
No more sucking up |
| 01:00:58 |
egotistical idiots. |
| 01:01:01 |
No more politicking. |
| 01:01:04 |
No more bad scripts. |
| 01:01:09 |
Most of all... |
| 01:01:11 |
no more Buddy Ackerman. |
| 01:01:20 |
Hi. This is Guy. |
| 01:01:25 |
Guy, pick up the phone. |
| 01:01:28 |
I know you're there. |
| 01:01:30 |
Pick up. Pick up. |
| 01:01:32 |
Hello. |
| 01:01:33 |
Hey. How ya doin'? |
| 01:01:35 |
Uh, I'm fine. |
| 01:01:37 |
Great. That's great. |
| 01:01:38 |
All right, |
| 01:01:39 |
Script status. |
| 01:01:40 |
The new draft's in. |
| 01:01:41 |
That's great. |
| 01:01:44 |
Signed and delivered |
| 01:01:46 |
Ha ha! |
| 01:01:48 |
Any new, uh-- |
| 01:01:49 |
No. No new hair products |
| 01:01:51 |
All right. Ok. |
| 01:01:53 |
No, that's great. |
| 01:01:55 |
Um... |
| 01:01:56 |
?? give me Mindy's number ?? |
| 01:01:58 |
Weekend's almost over, everyone, |
| 01:02:00 |
so enjoy it while you can. |
| 01:02:03 |
We're gonna continue on |
| 01:02:05 |
nonstop, commercial-free... |
| 01:02:11 |
I don't have it with me. |
| 01:02:13 |
Jesus Christ. |
| 01:02:16 |
You know I was |
| 01:02:18 |
How many times |
| 01:02:19 |
"Your head has |
| 01:02:20 |
or your ass is gonna |
| 01:02:22 |
I know, I know, |
| 01:02:24 |
Now, get down to the office |
| 01:02:26 |
Sss... |
| 01:02:31 |
Come on. |
| 01:02:32 |
I have to go to the office. |
| 01:02:33 |
You were just there. |
| 01:02:35 |
I know. It'll just |
| 01:02:36 |
I gotta get |
| 01:02:37 |
For what? |
| 01:02:39 |
Just try |
| 01:02:41 |
I--I have to do this. |
| 01:02:42 |
No, you don't! |
| 01:02:43 |
You have played the doddering |
| 01:02:46 |
I know, I know, |
| 01:02:48 |
Oh, and you think that |
| 01:02:50 |
You don't have to leave. |
| 01:02:52 |
Look, do me a favor. |
| 01:02:54 |
The next time Buddy calls, |
| 01:02:55 |
just say to him, |
| 01:02:56 |
No, really. Try it. |
| 01:02:58 |
"I don't care, Buddy." |
| 01:03:00 |
Come on. |
| 01:03:04 |
You really can't do it, |
| 01:03:08 |
Wyoming, my ass. |
| 01:03:11 |
You know, when you figure out |
| 01:03:13 |
why don't you |
| 01:03:15 |
You. |
| 01:03:16 |
What? |
| 01:03:17 |
You are |
| 01:03:19 |
in my miserable, |
| 01:03:22 |
that I have |
| 01:03:23 |
You're the only real thing |
| 01:03:26 |
Then say it. |
| 01:03:28 |
Say you don't care. |
| 01:03:40 |
Fine. Leave. |
| 01:03:42 |
You don't need me |
| 01:03:43 |
You got what you wanted, |
| 01:03:47 |
"Gotta give action |
| 01:03:53 |
Yeah, that's it. |
| 01:03:56 |
That's it exactly. |
| 01:03:58 |
Congratulations, Guy. |
| 01:04:02 |
You're gonna make a killing |
| 01:04:13 |
Protect my interests, |
| 01:04:15 |
serve my needs. |
| 01:04:17 |
Christ, you're dense. |
| 01:04:18 |
No wonder |
| 01:04:19 |
That's another thing. |
| 01:04:22 |
All--all this time |
| 01:04:23 |
I still don't know a thing |
| 01:04:26 |
Jesus, not a trace. |
| 01:04:27 |
Not even a picture |
| 01:04:29 |
What... |
| 01:04:32 |
Yes. |
| 01:04:34 |
Did you love her? |
| 01:04:36 |
Yes. |
| 01:04:37 |
Oh. |
| 01:04:39 |
Well, how nice. |
| 01:04:44 |
When's she comin' home? |
| 01:04:46 |
Mmm. I forgot. |
| 01:04:50 |
She left ya. |
| 01:04:55 |
What do you want? |
| 01:04:57 |
What do I want? |
| 01:04:58 |
What do I want? |
| 01:05:01 |
Tell me a story. |
| 01:05:03 |
Tell me about |
| 01:05:05 |
with a woman who |
| 01:05:09 |
Was it a painful separation? |
| 01:05:14 |
Did you-- |
| 01:05:15 |
in the passionate throes |
| 01:05:20 |
Did she take you |
| 01:05:21 |
or did the lousy bitch |
| 01:05:22 |
She died. |
| 01:05:26 |
Oh. Is that all? |
| 01:05:29 |
Well, boo hoo. |
| 01:05:31 |
What a line. |
| 01:05:34 |
"My wife died. |
| 01:05:36 |
"Can you come home with me? |
| 01:05:38 |
Hold me. Love me. |
| 01:05:42 |
God. You are such an asshole. |
| 01:05:45 |
Christmas Eve, |
| 01:05:48 |
She was on her way |
| 01:05:50 |
I was supposed to |
| 01:05:52 |
We hadn't started our |
| 01:05:55 |
But it was |
| 01:05:57 |
Just some stuff |
| 01:05:59 |
Money was tight, |
| 01:06:00 |
shopping was |
| 01:06:02 |
We even promised |
| 01:06:03 |
not to give |
| 01:06:05 |
On the way, |
| 01:06:07 |
car that had |
| 01:06:09 |
so mallory |
| 01:06:12 |
I always told her |
| 01:06:14 |
but she just called it |
| 01:06:16 |
She got out and... |
| 01:06:19 |
asked if everything |
| 01:06:20 |
or something stupid. |
| 01:06:22 |
Anyway, it was a scam-- |
| 01:06:24 |
bunch of punk kids |
| 01:06:27 |
They shot her. |
| 01:06:29 |
I was stuck |
| 01:06:31 |
wrapping christmas gifts |
| 01:06:32 |
Lot of gifts. We had |
| 01:06:34 |
I was there until 3 A.M. |
| 01:06:36 |
And the whole time, |
| 01:06:38 |
"oh, boy... |
| 01:06:39 |
"she is gonna be pissed. |
| 01:06:41 |
When I get home, |
| 01:06:45 |
Anyway, I got home, |
| 01:06:47 |
got the message, |
| 01:06:48 |
went down to the hospital |
| 01:06:52 |
It was a whole week |
| 01:06:53 |
before I found them, |
| 01:06:54 |
these stupid wind-up |
| 01:06:58 |
"In the constant |
| 01:07:00 |
don't ever forget |
| 01:07:03 |
She was never really |
| 01:07:06 |
I didn't know. |
| 01:07:08 |
Oh, "I didn't know." |
| 01:07:10 |
Boy genius here |
| 01:07:12 |
Hey, look... |
| 01:07:13 |
that is no excuse |
| 01:07:16 |
You think you know |
| 01:07:17 |
You're 25 years old. |
| 01:07:19 |
You don't know shit. |
| 01:07:20 |
Look, I know what's fair, ok? |
| 01:07:22 |
I know what's right. |
| 01:07:23 |
Look, I can appreciate this. |
| 01:07:24 |
I was young, too. |
| 01:07:26 |
Hated authority, |
| 01:07:28 |
thought they |
| 01:07:30 |
Look, |
| 01:07:31 |
if you're not a rebel |
| 01:07:33 |
but if you haven't |
| 01:07:35 |
you got no brains... |
| 01:07:37 |
because there are |
| 01:07:39 |
no fairy tale endings. |
| 01:07:43 |
So before you run out |
| 01:07:45 |
ask yourself... |
| 01:07:47 |
What do you really want? |
| 01:07:58 |
?? When the plane lands ?? |
| 01:08:04 |
?? And the cracks ?? |
| 01:08:06 |
?? Give in the land ?? |
| 01:08:09 |
?? And the rocks turn ?? |
| 01:08:12 |
?? Into sand ?? |
| 01:08:22 |
Hank... |
| 01:08:24 |
What happened to that delivery? |
| 01:08:27 |
Uh-huh. |
| 01:08:29 |
Uh-huh. |
| 01:08:32 |
Ooh. |
| 01:08:35 |
Stop it, Hank. |
| 01:08:37 |
That's not what I asked for. |
| 01:08:39 |
Mm-hmm. |
| 01:08:41 |
Look, I don't care |
| 01:08:43 |
came down and destroyed |
| 01:08:45 |
What I care about is detail. |
| 01:08:46 |
8:30 is not the same |
| 01:08:49 |
Hank, shut up, |
| 01:08:52 |
listen, and learn. |
| 01:08:55 |
When I ask for something |
| 01:08:59 |
I expect it at 8:00. |
| 01:09:01 |
I want it at 8:00, |
| 01:09:03 |
not 8:30. |
| 01:09:05 |
So the next time I ask |
| 01:09:06 |
for something |
| 01:09:08 |
get it there. |
| 01:09:12 |
Good morning. |
| 01:09:13 |
What's going on? |
| 01:09:14 |
There was just a little |
| 01:09:16 |
Cyrus' birthday gift |
| 01:09:22 |
The phone is ringing. |
| 01:09:25 |
Buddy Ackerman's office. |
| 01:09:26 |
Yes, Julie, |
| 01:09:27 |
Hold on one moment, |
| 01:09:29 |
Cyrus. |
| 01:09:32 |
Uh, uh, uh, uh. |
| 01:09:39 |
Cyrus. |
| 01:09:41 |
Hey. |
| 01:09:42 |
?? Happy birthday to... ?? |
| 01:09:47 |
What, are you kidding? |
| 01:09:50 |
The project? |
| 01:09:52 |
Looks great. |
| 01:09:54 |
How great? |
| 01:09:55 |
Like a hundred million |
| 01:09:57 |
How's that sound? |
| 01:09:59 |
Yeah? Ha ha. |
| 01:10:01 |
Really. |
| 01:10:02 |
Well, tell me about it. |
| 01:10:05 |
Buddy Ackerman's office. |
| 01:10:07 |
No, Foster. |
| 01:10:09 |
Well, you asked for it, |
| 01:10:12 |
I'll have him call you |
| 01:10:13 |
As soon as he's off. Bye. |
| 01:10:17 |
Aw, that's great. |
| 01:10:18 |
Me? Oh, are you kidding? |
| 01:10:20 |
I got no time. |
| 01:10:22 |
Yeah, well, ok. |
| 01:10:25 |
All right. |
| 01:10:26 |
Well, anything you say. |
| 01:10:28 |
I'll take care of it. |
| 01:10:29 |
Uh, foster-- |
| 01:10:30 |
The notes? Yeah, you'll |
| 01:10:33 |
Guy's working on 'em |
| 01:10:35 |
Guy? Oh, he is |
| 01:10:39 |
He's the best. |
| 01:10:42 |
I'm gonna have to start |
| 01:10:44 |
He's comin' up. |
| 01:10:47 |
The one movin' up. |
| 01:10:49 |
Uh-huh. |
| 01:10:50 |
Ok. Yeah. Bye-bye. |
| 01:10:55 |
You see? |
| 01:10:58 |
I'm lookin' out for you. |
| 01:11:01 |
Listen to me, nobody else, |
| 01:11:05 |
because I have your |
| 01:11:11 |
Do I look that... stupid? |
| 01:11:14 |
Un-un-unbelievable! |
| 01:11:17 |
Did you really think that |
| 01:11:19 |
Hey, I told Cyrus |
| 01:11:21 |
Bullshit! |
| 01:11:22 |
I never lied about that. |
| 01:11:24 |
That's bullshit. I told him. |
| 01:11:26 |
You lied! |
| 01:11:29 |
I told you what |
| 01:11:30 |
I told you what |
| 01:11:31 |
Bullshit. |
| 01:11:33 |
You were getting |
| 01:11:35 |
complete and total |
| 01:11:37 |
and don't think |
| 01:11:39 |
You just didn't |
| 01:11:41 |
draggin' your feet everywhere, |
| 01:11:43 |
telling everybody |
| 01:11:45 |
that you were |
| 01:11:47 |
that without you, |
| 01:11:49 |
Yeah. |
| 01:11:50 |
People tell me things. |
| 01:11:52 |
So don't come preaching to me |
| 01:11:54 |
about your ideas |
| 01:11:56 |
You're no martyr here. |
| 01:11:58 |
You're just |
| 01:12:00 |
You're just like any |
| 01:12:02 |
lookin' for a way in, |
| 01:12:03 |
any way in, |
| 01:12:04 |
and you need me! |
| 01:12:06 |
Does that give you the right |
| 01:12:09 |
To abuse people? |
| 01:12:10 |
What gives you the right |
| 01:12:12 |
to treat people like-- |
| 01:12:13 |
Because I earned it! |
| 01:12:15 |
What, you think someone |
| 01:12:17 |
I've handled the phones, |
| 01:12:19 |
I've--I've put up |
| 01:12:21 |
the yellers, the screamers. |
| 01:12:22 |
I've done more than |
| 01:12:24 |
in that small mind of yours. |
| 01:12:27 |
I paid my dues. |
| 01:12:29 |
I didn't spend one year-- |
| 01:12:32 |
And I spent 10! |
| 01:12:34 |
Damn it, it's my turn |
| 01:12:36 |
It's my turn. |
| 01:12:38 |
See, that's the trouble |
| 01:12:39 |
with your fucking MTV |
| 01:12:42 |
You all want it now. |
| 01:12:45 |
You think you deserve it |
| 01:12:47 |
It doesn't work like that. |
| 01:12:49 |
You have to earn it. |
| 01:12:50 |
You have to take it. |
| 01:12:51 |
You have to make it yours. |
| 01:12:54 |
But first, Guy, |
| 01:12:56 |
you need to decide |
| 01:12:58 |
what it is |
| 01:13:07 |
I want you... |
| 01:13:10 |
to stop calling me |
| 01:13:14 |
I want you to stop sending me |
| 01:13:18 |
for your goddamned |
| 01:13:20 |
for your fucking sunglasses! |
| 01:13:21 |
I want my life back! |
| 01:13:27 |
What life? |
| 01:13:29 |
What life? |
| 01:13:30 |
Before me, |
| 01:13:32 |
Before me, |
| 01:13:34 |
and now you're playing |
| 01:13:37 |
I made you. |
| 01:13:39 |
You will always be Guy |
| 01:13:41 |
from Buddy Ackerman's office. |
| 01:13:42 |
You want to go back to your |
| 01:13:44 |
go ahead. Leave. |
| 01:13:46 |
No one's stopping you. |
| 01:13:48 |
You could have left any day, |
| 01:13:52 |
So let's forget the dudley |
| 01:13:55 |
because out here, |
| 01:13:57 |
fuck your friends, |
| 01:14:02 |
And that makes it all right? |
| 01:14:04 |
That's a load of shit. |
| 01:14:05 |
I don't make the rules. |
| 01:14:08 |
What, your job |
| 01:14:10 |
Grow up. Way it goes. |
| 01:14:12 |
People use you? |
| 01:14:14 |
Grow up. Way it goes. |
| 01:14:16 |
Your girlfriend |
| 01:14:17 |
Tough shit. Way it goes. |
| 01:14:19 |
Your wife gets raped and shot, |
| 01:14:21 |
and they leave their |
| 01:14:36 |
their... |
| 01:14:42 |
their stinking longnecks... |
| 01:14:47 |
just lying there |
| 01:14:58 |
so be it. |
| 01:15:01 |
Way it goes. |
| 01:15:10 |
So, now you want to tell me |
| 01:15:16 |
What this is really |
| 01:15:21 |
What happened to you |
| 01:15:46 |
Hello? |
| 01:15:47 |
Hi, Dawn. |
| 01:15:49 |
I'm lookin' for Guy. |
| 01:15:50 |
No. I haven't seen him |
| 01:15:52 |
Aw, that's too bad. |
| 01:15:54 |
You want to come on over |
| 01:15:58 |
You're not really |
| 01:16:01 |
Oops. You caught me. |
| 01:16:03 |
So, what do you say? |
| 01:16:05 |
I'd say I'm really busy. Sorry. |
| 01:16:08 |
You forgetting what I taught you? |
| 01:16:10 |
It's a sign of weakness. |
| 01:16:15 |
You know, I can |
| 01:16:17 |
when you would have |
| 01:16:18 |
like an eager beaver. |
| 01:16:19 |
Yeah, well, those days |
| 01:16:22 |
That's why your career has |
| 01:16:25 |
Remember, you got to give |
| 01:16:26 |
Never forgot that. |
| 01:16:29 |
It's Guy, isn't it? |
| 01:16:31 |
'cause you're |
| 01:16:34 |
Yeah, that's it. |
| 01:16:36 |
Fine. He's no longer the assistant. |
| 01:16:38 |
Excuse me? |
| 01:16:40 |
You heard me. |
| 01:16:42 |
There. Any problems |
| 01:16:44 |
I am warning you. |
| 01:16:47 |
He is not the problem, Buddy. |
| 01:16:49 |
Well, maybe he is, |
| 01:16:51 |
but there's really only |
| 01:16:57 |
Fuck. |
| 01:16:59 |
Fuckin' men. |
| 01:17:04 |
What?! |
| 01:17:05 |
Dawn? It's Guy. |
| 01:17:08 |
Oh, h--hey. |
| 01:17:10 |
Can I come over? I-- |
| 01:17:14 |
Um... |
| 01:17:17 |
Um, look, n-not-- |
| 01:17:18 |
I--I've got, uh... |
| 01:17:21 |
a lot of scripts to read |
| 01:17:24 |
Can we do this tomorrow? |
| 01:17:25 |
Oh. uh... |
| 01:17:28 |
Tomorrow. |
| 01:17:31 |
Talk to me. |
| 01:17:32 |
Oh, nothing. I--I... |
| 01:17:35 |
I just-- I...I wanted |
| 01:17:38 |
but I guess it can |
| 01:17:42 |
Ok. Call--call me |
| 01:17:43 |
I will. |
| 01:17:46 |
Dawn... |
| 01:17:51 |
What? |
| 01:17:52 |
I'm really... |
| 01:17:56 |
I'm really sorry. |
| 01:17:59 |
Ok. |
| 01:18:06 |
I love you. |
| 01:18:08 |
I love you. |
| 01:18:29 |
No, wait a minute. |
| 01:18:33 |
Uh...what are you gonna do? |
| 01:18:36 |
I have another call. |
| 01:18:37 |
It's still me. Listen. |
| 01:18:39 |
A lot of calls today |
| 01:18:40 |
Now, what do you mean, |
| 01:18:42 |
Hold on! Fucking phones. |
| 01:18:44 |
Call conferencing. |
| 01:18:46 |
Gotta be a rocket scientist |
| 01:18:48 |
Hello? Hello? |
| 01:18:50 |
Buddy. |
| 01:18:52 |
Well, hi. |
| 01:18:54 |
Dawn. You win. |
| 01:18:57 |
Really? |
| 01:18:58 |
Midnight, right? |
| 01:19:00 |
Yeah. Just like old times. |
| 01:19:01 |
Yeah, not even close. |
| 01:19:05 |
No, not a thing. |
| 01:19:06 |
Just get your cute |
| 01:19:07 |
I'll leave the key out. |
| 01:19:19 |
Buddy, Dawn. |
| 01:19:21 |
Well, hi. |
| 01:19:22 |
Shall I bring anything? |
| 01:19:24 |
I'll leave the key out. |
| 01:19:25 |
Midnight, right? |
| 01:19:26 |
Yeah. Just like old times. |
| 01:19:28 |
Midnight, right? |
| 01:19:29 |
Just get your cute |
| 01:19:30 |
I'll leave the key out. |
| 01:19:47 |
So we're left |
| 01:19:49 |
the only thing I know |
| 01:19:51 |
that drives men |
| 01:19:55 |
This is about a girl, |
| 01:19:59 |
This is about Dawn. |
| 01:20:01 |
All this over a chick? |
| 01:20:03 |
You fool! |
| 01:20:04 |
Please, |
| 01:20:07 |
Aw, Guy, |
| 01:20:08 |
You're gonna have |
| 01:20:09 |
with your head |
| 01:20:11 |
I gave you everything. |
| 01:20:15 |
But you weren't satisfied. |
| 01:20:18 |
You had to have her, too. |
| 01:20:20 |
Oh, some gift. |
| 01:20:22 |
Come on, grow up! |
| 01:20:25 |
that a bed |
| 01:20:26 |
a girl like Dawn can have. |
| 01:20:28 |
If you're gonna lose it |
| 01:20:30 |
decides to climb |
| 01:20:32 |
you're never |
| 01:20:34 |
Isn't that right, Dawn? |
| 01:20:38 |
Dawn, honey, so glad you |
| 01:20:41 |
"because you got |
| 01:20:45 |
Buddy, what happened to you? |
| 01:20:47 |
Guy, what are you |
| 01:20:50 |
Oh, don't you think |
| 01:20:51 |
that you should be answering? |
| 01:20:53 |
What? |
| 01:20:55 |
Oh, Christ. |
| 01:20:57 |
this is not |
| 01:20:59 |
Oh, really? |
| 01:21:00 |
What are we supposed |
| 01:21:01 |
A young, eager producer |
| 01:21:02 |
comes up to the house |
| 01:21:04 |
for a midnight rendezvous? |
| 01:21:05 |
She's right, Guy. |
| 01:21:08 |
She's definitely not |
| 01:21:11 |
What has happened here? |
| 01:21:12 |
Oh, stop. Stop with the |
| 01:21:14 |
What do you think |
| 01:21:15 |
He's taken me hostage! |
| 01:21:16 |
He's beaten me, |
| 01:21:18 |
and I think |
| 01:21:21 |
Guy, this--this is |
| 01:21:23 |
Just put the gun down, |
| 01:21:25 |
and why don't we |
| 01:21:28 |
What the fuck do you think |
| 01:21:30 |
Dear, I don't think |
| 01:21:31 |
you fully appreciate |
| 01:21:33 |
After you get past the |
| 01:21:35 |
and realize we are both |
| 01:21:37 |
Shut up! I've got |
| 01:21:40 |
Aw, I'm hurt. |
| 01:21:41 |
What happened to standing |
| 01:21:43 |
n. |
| 01:21:45 |
you stand on them |
| 01:21:46 |
to get to |
| 01:21:48 |
yeah, let me tell you |
| 01:21:50 |
she used to be quite |
| 01:21:52 |
fresh film school grad |
| 01:21:53 |
who fucked her way |
| 01:21:55 |
fucked her way |
| 01:21:56 |
and then fucked |
| 01:21:59 |
It was quite a rise. |
| 01:22:00 |
Of course, |
| 01:22:01 |
the day she got |
| 01:22:03 |
Been 3 years now. Trying |
| 01:22:06 |
Redeeming films. |
| 01:22:08 |
See, she started to |
| 01:22:09 |
honor, dignity, |
| 01:22:12 |
words that a one-time |
| 01:22:13 |
could never afford. |
| 01:22:15 |
How dare you judge me? |
| 01:22:16 |
Who the hell |
| 01:22:18 |
Ok, fine. |
| 01:22:20 |
What are you doing here? |
| 01:22:23 |
Why don't you tell him?! |
| 01:22:24 |
No, I think it's better |
| 01:22:25 |
he hears about |
| 01:22:27 |
Shut up! |
| 01:22:34 |
Both of you... |
| 01:22:35 |
Shut up. |
| 01:22:37 |
Guy, you are acting |
| 01:22:39 |
You are no better |
| 01:22:41 |
Me? What about you? |
| 01:22:43 |
Tell me something. |
| 01:22:46 |
H-h-how long have you |
| 01:22:48 |
A couple of years now, actually. |
| 01:22:50 |
Good years, if you-- |
| 01:22:54 |
Guy, I know what |
| 01:22:56 |
It is not what you think. |
| 01:23:00 |
I came here for us. |
| 01:23:04 |
You came here for us? |
| 01:23:09 |
I told him to promote you. |
| 01:23:12 |
It's everything you wanted, |
| 01:23:16 |
No. |
| 01:23:19 |
No, it isn't. |
| 01:23:21 |
It--it's not |
| 01:23:22 |
It's not the way |
| 01:23:25 |
I wanted this for us. |
| 01:23:35 |
Excuse me. |
| 01:23:37 |
You two think |
| 01:23:39 |
and that's the only reason |
| 01:23:41 |
Jesus, that's pathetic. |
| 01:23:43 |
the most pathetic thing |
| 01:23:44 |
I told you to shut up! |
| 01:23:47 |
Guy, this is |
| 01:23:49 |
Put the gun down. |
| 01:23:52 |
He has got to pay. |
| 01:23:54 |
He is not worth it! |
| 01:23:55 |
Let him do it. |
| 01:23:56 |
You know what |
| 01:23:58 |
Don't you dare give up |
| 01:23:59 |
Come on, boy. |
| 01:24:00 |
We can fix this now |
| 01:24:02 |
You know what |
| 01:24:04 |
It's yours, and |
| 01:24:05 |
If you don't take it, |
| 01:24:08 |
Don't you dare |
| 01:24:09 |
You have to do it. |
| 01:24:10 |
Do it! |
| 01:24:11 |
Will you stay |
| 01:24:14 |
I--I am trying to save |
| 01:24:17 |
And I am trying |
| 01:24:19 |
Listen, baby, |
| 01:24:20 |
through the ranks |
| 01:24:21 |
nearly as well as you can. |
| 01:24:22 |
He's gotta kick and fight |
| 01:24:25 |
He doesn't have a choice. |
| 01:24:27 |
You have nothing |
| 01:24:28 |
so stay the fuck out! |
| 01:24:38 |
Go ahead. Shoot. |
| 01:24:40 |
I don't care. |
| 01:24:41 |
Yabba-dabba-doo. |
| 01:24:43 |
All right, Guy. Come on. |
| 01:24:45 |
Give it to me. Show me |
| 01:24:47 |
Show me what you've learned. |
| 01:24:50 |
Everything I've taught you |
| 01:24:52 |
This is the only way that |
| 01:24:58 |
Because life... |
| 01:25:04 |
Everyone lies. |
| 01:25:06 |
Good guys lose. |
| 01:25:09 |
And love... |
| 01:25:14 |
does not conquer all. |
| 01:25:18 |
So let's do this thing. |
| 01:25:20 |
Let's finish it. |
| 01:25:25 |
I'm sorry. |
| 01:25:28 |
Do it! Come on! |
| 01:25:45 |
Currently 78 degrees |
| 01:25:46 |
and it's beginning to look |
| 01:26:18 |
Hey, hey. Look who's |
| 01:26:21 |
Come on in |
| 01:26:26 |
What? This is unbelievable. |
| 01:26:28 |
Unbelievable. |
| 01:26:30 |
the youngest executive |
| 01:26:32 |
Yeah, well... |
| 01:26:35 |
"Well," nothin'. |
| 01:26:36 |
You deserve it. |
| 01:26:38 |
from that crazy chick? |
| 01:26:39 |
That's not quite |
| 01:26:42 |
That's not quite |
| 01:26:44 |
Shit! This jilted lover |
| 01:26:47 |
beats him, tortures him, |
| 01:26:49 |
and you ride in |
| 01:26:51 |
Oh, above and beyond |
| 01:26:53 |
I was delivering |
| 01:26:55 |
and I happened |
| 01:26:56 |
You pulled the trigger |
| 01:26:58 |
You are a hero! |
| 01:27:00 |
You deserve this. |
| 01:27:03 |
So, you know, |
| 01:27:05 |
just, you know, pop a good word |
| 01:27:09 |
I mean, my year's |
| 01:27:19 |
Let me tell you |
| 01:27:22 |
Everyone is gonna want to |
| 01:27:26 |
tell you that you |
| 01:27:30 |
ask you to do them a favor. |
| 01:27:32 |
"Do this for us." |
| 01:27:34 |
They all want you to play |
| 01:27:38 |
Their rules. |
| 01:27:40 |
Well, save that |
| 01:27:42 |
for the Wall Street |
| 01:27:45 |
because |
| 01:27:49 |
This is your inner city. |
| 01:27:51 |
These are your mean streets. |
| 01:27:54 |
And the only interests |
| 01:27:59 |
are yours. |
| 01:28:01 |
And the only needs... |
| 01:28:04 |
that you have to serve... |
| 01:28:06 |
are yours. |
| 01:28:10 |
So the only question |
| 01:28:12 |
that you need to answer |
| 01:28:15 |
And think about this, Jack-- |
| 01:28:21 |
What do you really want? |
| 01:28:41 |
Well... |
| 01:28:44 |
I have to go to |
| 01:28:46 |
Ok. |
| 01:28:48 |
You are my God. |
| 01:28:54 |
Hey, Guy, what do you say |
| 01:28:57 |
I'd like to, Jack... |
| 01:29:00 |
but I have to wrap |
