|
Synecdoche New York
|
| 00:00:40 |
- 7:45 on this beautiful, almost |
| 00:00:45 |
And it's the |
| 00:00:47 |
So in honor of that fact, |
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...professor of literature |
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...to talk about autumn |
| 00:00:55 |
- Good morning, professor. |
| 00:00:57 |
So, what about it? Why do so |
| 00:01:00 |
Well, I think it's seen as the |
| 00:01:04 |
If the year is a life, then |
| 00:01:08 |
...is when the bloom is off the |
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It's a melancholy month and maybe |
| 00:01:16 |
Is there something |
| 00:01:18 |
Oh, I'd love to. |
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Whoever has no house |
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Whoever is alone |
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Will sit, read, write long |
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And wander the boulevards |
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While the dry |
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Goodness, that |
| 00:01:41 |
Well, perhaps. But truthful. |
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Mommy, done. |
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Okay. |
| 00:01:53 |
- Good morning. |
| 00:01:55 |
- I tried not to wake you. |
| 00:01:57 |
You didn't. I just... You |
| 00:02:06 |
- Caden, can you get that? |
| 00:02:09 |
- Caden... Oh, that's weird. |
| 00:02:12 |
Mommy, is something |
| 00:02:15 |
No, honey, it's just green. You |
| 00:02:18 |
I didn't. What's |
| 00:02:22 |
I have to get that, Olive. |
| 00:02:25 |
- But, Mommy... |
| 00:02:28 |
Oh, nothing. Just |
| 00:02:32 |
- An earthquake in Kashmir... |
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...has killed an estimated 73,000... |
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Oh, my goodness. |
| 00:03:02 |
- March in Washington, |
| 00:03:06 |
- Harold Pinter died. |
| 00:03:10 |
- No, wait. He won the Nobel Prize. |
| 00:03:12 |
- What, honey? |
| 00:03:14 |
- You sure it's all right? |
| 00:03:19 |
What if it's alive? |
| 00:03:22 |
- It's green like plants. |
| 00:03:24 |
Remember the production of The |
| 00:03:31 |
Have your oatmeal, honey. |
| 00:03:33 |
- I want peanut butter and jelly. |
| 00:03:36 |
- This isn't a restaurant. |
| 00:03:39 |
- Okay. Fine. |
| 00:03:42 |
They found avian flu in Turkey. |
| 00:03:47 |
- Can I watch TV till school? |
| 00:03:54 |
There is a secret something |
| 00:03:57 |
...growing like an |
| 00:04:00 |
But you're being |
| 00:04:02 |
- Milk's expired. |
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Jesus. |
| 00:04:07 |
- You better eat this. |
| 00:04:10 |
Yeah. |
| 00:04:12 |
How did I guess you'd |
| 00:04:14 |
Happy Halloween, Schenectady. |
| 00:04:17 |
And how long have you |
| 00:04:20 |
The first black graduate of |
| 00:04:24 |
Vivian Malone Jones. |
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Stroke, 63. |
| 00:04:47 |
Fuck! |
| 00:04:49 |
God! Somebody! Adele, help! |
| 00:04:54 |
- Jesus, Caden, what the fuck? |
| 00:04:58 |
Oh, my God! Jesus, |
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Oh, shit. |
| 00:05:03 |
Oh, God, I can't turn it. |
| 00:05:05 |
Oh, wait. |
| 00:05:12 |
- Mommy, Daddy has blood. |
| 00:05:16 |
- Will there be a scar? |
| 00:05:19 |
- I prefer there not to be a scar. |
| 00:05:24 |
That fellow is annoying. |
| 00:05:25 |
He's in here every |
| 00:05:28 |
There. I think that |
| 00:05:33 |
- What? |
| 00:05:36 |
It's a little more |
| 00:05:41 |
Yeah, I'd like you to |
| 00:05:44 |
- A neurologist? |
| 00:05:47 |
An ophthalmologist. I |
| 00:05:50 |
Do you hear that? |
| 00:05:52 |
Yeah. |
| 00:05:54 |
And today is Tuesday. |
| 00:05:58 |
No, honey, today is Friday. |
| 00:06:06 |
That my pupils weren't |
| 00:06:11 |
Dilating. |
| 00:06:13 |
- No. |
| 00:06:15 |
- I don't think that's what he said. |
| 00:06:18 |
- That's not what he said. |
| 00:06:21 |
He doesn't know. Maybe. |
| 00:06:23 |
He said he doesn't think so, |
| 00:06:26 |
- But maybe. Who knows? |
| 00:06:30 |
- He doesn't know... |
| 00:06:33 |
- Did you have to get a shot, Daddy? |
| 00:06:35 |
- It's the start of something awful. |
| 00:06:38 |
- Course not. |
| 00:06:41 |
- It's fucked timing. |
| 00:06:44 |
Sorry. I have rehearsal. Fuck. |
| 00:06:46 |
- Hey, come on. |
| 00:06:50 |
How many years until I |
| 00:06:52 |
- Not for a really long time, babe. |
| 00:06:59 |
- Remember what Dr. Woodman said... |
| 00:07:03 |
- He's a man... |
| 00:07:05 |
Right. He's a man or a woman who |
| 00:07:12 |
- Do you know what pipes are? |
| 00:07:14 |
- Hey, Jim. I had an accident. |
| 00:07:17 |
A different kind of pipe, |
| 00:07:23 |
Houses have pipes, |
| 00:07:27 |
They're like tubes, and |
| 00:07:30 |
...and they're under the |
| 00:07:33 |
- And... |
| 00:07:35 |
- Every single where? |
| 00:07:37 |
They just carry water to |
| 00:07:40 |
- It's like in your body. You have veins. |
| 00:07:43 |
Capillaries filled with blood. |
| 00:07:45 |
I have blood? I don't want |
| 00:07:49 |
- What are you doing? |
| 00:07:51 |
- Stop. |
| 00:07:53 |
- Don't worry, you don't have blood. |
| 00:07:57 |
- Caden, stop it. |
| 00:08:07 |
Thanks for getting |
| 00:08:12 |
- Was it the bump to the head? |
| 00:08:21 |
Could be, but I think we need |
| 00:08:25 |
- Neurologist? |
| 00:08:27 |
I know what a neurologist is. |
| 00:08:29 |
- I thought from the way you asked... |
| 00:08:37 |
- Why do I need to see a |
| 00:08:42 |
The eyes are part of |
| 00:08:47 |
No, that's not true, is it? |
| 00:08:51 |
- Why would I say it if it weren't true? |
| 00:08:57 |
Like morally correct, or |
| 00:09:04 |
I don't know. |
| 00:09:11 |
Interesting. |
| 00:09:13 |
Now, when you kick off, |
| 00:09:16 |
And get right down the |
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And when you hit, hit low and hit |
| 00:09:22 |
There's all kinds of |
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And the first thing |
| 00:09:29 |
Ben, where do I? |
| 00:09:32 |
- Ben, how do I? |
| 00:09:37 |
Willy? |
| 00:09:39 |
Willy, answer me. |
| 00:09:42 |
Willy! No! |
| 00:09:47 |
- Oh, Jesus, come on. |
| 00:09:48 |
Claire, are you okay? |
| 00:09:51 |
It's too late in the game |
| 00:09:53 |
- I know, Caden. I'm sorry. We'll get it. |
| 00:09:56 |
- You okay? |
| 00:10:00 |
- Yeah. |
| 00:10:03 |
That was good, Tom. |
| 00:10:05 |
- Yeah? |
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I was trying something different. |
| 00:10:09 |
- Ambivalently. |
| 00:10:20 |
Try to keep in mind that a young |
| 00:10:23 |
...thinks he's only pretending to be |
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But the tragedy is that we know |
| 00:10:30 |
...will end up in this |
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Okay. |
| 00:10:39 |
That's great. |
| 00:10:41 |
- Let's try it again. How long, David? |
| 00:10:48 |
Anything? |
| 00:10:51 |
So now what? |
| 00:10:57 |
- Hey. |
| 00:10:59 |
- In search of the elusive signal. |
| 00:11:04 |
- That is odd. |
| 00:11:07 |
- See you in a few. |
| 00:11:12 |
Yeah, Dr. Heshborg said I |
| 00:11:18 |
My pupils don't work. |
| 00:11:27 |
I think I have |
| 00:11:33 |
That stool in your office? |
| 00:11:37 |
- When I was pregnant with Olive. |
| 00:11:41 |
I don't know. Hopeful or something. |
| 00:11:45 |
- Yeah, something did. No? |
| 00:11:47 |
- Yeah, of course. |
| 00:11:49 |
I mean, maybe not |
| 00:11:52 |
I'm sorry. That's a |
| 00:11:54 |
There are no terrible things to |
| 00:11:58 |
- Can I say something awful? |
| 00:12:05 |
I've fantasized |
| 00:12:12 |
Being able to start |
| 00:12:15 |
I know that's... That's bad. |
| 00:12:20 |
- Caden, does that feel terrible? |
| 00:12:23 |
Okay, good. |
| 00:12:42 |
It's a nightmare in there. |
| 00:12:46 |
I'm sorry. |
| 00:12:58 |
So, I'm reading The Trial. |
| 00:13:01 |
- Yeah? |
| 00:13:04 |
- You like? |
| 00:13:07 |
I'm such an idiot for not |
| 00:13:10 |
- It's famous, as it turns out. |
| 00:13:14 |
You're not an idiot. |
| 00:13:19 |
Then you say: |
| 00:13:21 |
"In fact, Hazel, you're very |
| 00:13:31 |
- In fact, Hazel, you're very bright. |
| 00:13:35 |
- And I love your eyes. |
| 00:13:46 |
Then what do I say? |
| 00:13:48 |
- I can't say what then you say. |
| 00:13:52 |
Because it's dirty. |
| 00:13:58 |
Could you step |
| 00:14:01 |
Go ahead. I've seen boy parts. |
| 00:14:12 |
- Can I take a piss in your sink? |
| 00:14:27 |
We're sold out. |
| 00:14:29 |
Great. |
| 00:14:39 |
Gorgeous. |
| 00:14:42 |
Thanks. |
| 00:14:44 |
- How was rehearsal? |
| 00:14:48 |
We have 560 lighting cues. |
| 00:14:52 |
- I don't why I make it so complicated. |
| 00:14:56 |
Yeah. |
| 00:15:00 |
We got through it though. |
| 00:15:06 |
Caden, I'm sorry, I... |
| 00:15:12 |
I can't come |
| 00:15:14 |
I have two canvasses I have to |
| 00:15:17 |
- I know it sucks... |
| 00:15:19 |
I know. I wish I could |
| 00:15:23 |
- I've gotta get ready. |
| 00:15:25 |
I have to get ready. I don't |
| 00:15:28 |
I have to figure out |
| 00:15:50 |
Hey. |
| 00:16:06 |
- Oh, boy, oh boy. |
| 00:16:10 |
It's all right, I came back. |
| 00:16:15 |
I hated myself tonight. |
| 00:16:18 |
- Plus, I'm so... Excuse me. |
| 00:16:21 |
I'm so bloated and enormous. |
| 00:16:23 |
No, you look good. You were |
| 00:16:25 |
- You okay? |
| 00:16:28 |
Willy Loman. |
| 00:16:33 |
I just wanted to say |
| 00:16:36 |
You've been |
| 00:16:38 |
It's gonna be miserable |
| 00:16:41 |
- I'll be around. I'll check in. |
| 00:16:46 |
Okay. I'm gonna go |
| 00:16:48 |
Okay. Claire. Sweetheart. |
| 00:16:56 |
- Good. Good job. |
| 00:16:59 |
- Good work. |
| 00:17:04 |
Hey. I figured I'd |
| 00:17:08 |
- Hey, you wanna sit? |
| 00:17:18 |
- Where's el wife-o? |
| 00:17:23 |
Her show in Berlin |
| 00:17:26 |
We're gonna go there |
| 00:17:28 |
- Why do I like you so much? |
| 00:17:32 |
Me neither. |
| 00:17:35 |
Do you get high, my friend? |
| 00:17:39 |
You know, sometimes. |
| 00:17:43 |
Do you want to now? |
| 00:17:46 |
I get kind of... |
| 00:17:50 |
...something when I'm stoned. |
| 00:17:53 |
What does "something" mean? |
| 00:17:56 |
You know... |
| 00:18:00 |
...bothered. |
| 00:18:02 |
- What does "bothered" mean? |
| 00:18:05 |
Bothered. Horny. |
| 00:18:12 |
And me with a station wagon |
| 00:18:15 |
- Yeah, could be. |
| 00:18:33 |
When are the reviews |
| 00:18:39 |
Don't know. |
| 00:18:46 |
His best friends |
| 00:18:50 |
One this big, one this big. |
| 00:18:52 |
- Hey. |
| 00:18:58 |
- Hi. |
| 00:19:00 |
It's late. |
| 00:19:03 |
Maria came over to keep |
| 00:19:05 |
And we just lost track. |
| 00:19:08 |
But I'm sorry I missed your |
| 00:19:13 |
Great. We're a hit. |
| 00:19:16 |
Reviews are great. |
| 00:19:18 |
Times said it was brilliant casting |
| 00:19:23 |
- That's great, Caden. Good for you. |
| 00:19:27 |
I can't wait to see it |
| 00:19:32 |
That's great. |
| 00:19:34 |
Wow, it's really |
| 00:19:38 |
Early. |
| 00:19:40 |
It's late. Hey, I would |
| 00:19:43 |
- Can we get Maria a ticket? |
| 00:19:48 |
I mean, a little. It's, |
| 00:19:51 |
But are you happy with it? |
| 00:19:54 |
Yeah. Yeah, I'd love for you to |
| 00:19:59 |
It doesn't matter |
| 00:20:01 |
Absolutely. It's all about your |
| 00:20:16 |
- Congratulations. |
| 00:20:30 |
- I've always loved this house. |
| 00:20:35 |
The truth is, I never really |
| 00:20:39 |
Well, the sellers are |
| 00:20:45 |
It's a scary decision. I never |
| 00:20:51 |
But, you know, I'm 36, and I |
| 00:20:55 |
- Home buying is always scary. |
| 00:20:59 |
Well, it's a good size |
| 00:21:01 |
...not including the |
| 00:21:04 |
Oh, I don't know. |
| 00:21:07 |
- I'm thinking I should go. |
| 00:21:11 |
I like it, I do. I'm just really |
| 00:21:18 |
It's a big decision |
| 00:21:22 |
Would you like to |
| 00:21:26 |
Derek's living in the basement |
| 00:21:30 |
Hey, Mom. |
| 00:21:37 |
- Let's go, Ma. |
| 00:21:48 |
I never... |
| 00:21:52 |
Forgive me, dear. I can't cry. |
| 00:21:58 |
I don't know what it |
| 00:22:03 |
It seems to me that you're |
| 00:22:08 |
I keep expecting you. |
| 00:22:12 |
I search and I search |
| 00:22:16 |
I made the last payment |
| 00:22:21 |
We're free and clear. |
| 00:22:31 |
- Well done. |
| 00:22:34 |
- Well done. It was very successful. |
| 00:22:40 |
Why did the older |
| 00:22:42 |
It was a choice, Dad. |
| 00:22:45 |
I can't get excited about your restaging |
| 00:22:50 |
There's nothing |
| 00:22:52 |
People are coming out |
| 00:22:54 |
Great. Be a fucking tool |
| 00:22:57 |
...regional-theater |
| 00:22:59 |
- You didn't you think it was long? |
| 00:23:01 |
But what are you |
| 00:23:02 |
You act as if you have |
| 00:23:05 |
When you're dead, there's |
| 00:23:08 |
I don't know. I slept |
| 00:23:11 |
So we're both tired. |
| 00:23:15 |
No, I cuddled with Olive |
| 00:23:23 |
Morning. Morning. |
| 00:23:27 |
- Morning, Caden. |
| 00:23:32 |
Friends on fire. |
| 00:23:36 |
I'm going to. |
| 00:23:40 |
No, I know exactly. Okay, |
| 00:23:45 |
I know. You're right. Bye. |
| 00:23:49 |
My joints are stiff. |
| 00:23:54 |
Who was that? |
| 00:23:58 |
- Maria. |
| 00:24:01 |
Three hours since you spoke. |
| 00:24:04 |
Caden, I think I wanna go |
| 00:24:10 |
- I think it would be good for us. |
| 00:24:14 |
Morning, kiddos. |
| 00:24:18 |
Why don't you want me to go? |
| 00:24:20 |
You know, I think it would be a good |
| 00:24:26 |
How do you think I'm supposed to |
| 00:24:32 |
- Want me to zip your coat up? |
| 00:24:40 |
What's wrong with |
| 00:24:44 |
It's pustules. |
| 00:24:47 |
It's called sycosis. |
| 00:24:50 |
Spelled differently than |
| 00:24:54 |
I don't know what that means. |
| 00:24:56 |
Of course not. |
| 00:24:58 |
Well, there are two kinds of |
| 00:25:02 |
P-S-Y is like if |
| 00:25:07 |
S-Y is like these |
| 00:25:11 |
- You could have both, though. |
| 00:25:23 |
Can I ask you something, Ad? |
| 00:25:29 |
Have I disappointed |
| 00:25:33 |
I don't know what I'm doing. We're |
| 00:25:42 |
We'll talk when |
| 00:25:48 |
Everyone is disappointing. The |
| 00:25:53 |
This whole romantic-love thing, |
| 00:25:57 |
I mean, I don't know. |
| 00:26:03 |
I'm sorry. I'm sorry. |
| 00:26:08 |
I love you. |
| 00:26:16 |
I don't know what I'm |
| 00:26:28 |
We'll talk when I get back. |
| 00:26:33 |
Okay? |
| 00:26:47 |
Flurostatin TR allows |
| 00:26:50 |
...when it's your turn to face |
| 00:27:09 |
Ask your doctor if Flurostatin |
| 00:27:29 |
- And I'm on the first |
| 00:27:32 |
- The Miracle Brush can scour |
| 00:27:35 |
- Rise and shine... |
| 00:27:58 |
- I'm lonely. |
| 00:28:03 |
- I'm hurt. |
| 00:28:12 |
I think Adele's right. I'm |
| 00:28:14 |
What would be real? |
| 00:28:16 |
I'm afraid I'm gonna die. |
| 00:28:20 |
I don't know what's |
| 00:28:22 |
I wanna do something |
| 00:28:25 |
That would be the time to do it. I have |
| 00:28:29 |
- Better? |
| 00:28:34 |
- Who wrote it? |
| 00:28:38 |
- Wow, I never knew that. |
| 00:28:43 |
In conclusion... |
| 00:28:45 |
Within his own plumbing... |
| 00:28:49 |
Synthetic vaginal juices... |
| 00:28:51 |
That's $45. |
| 00:29:06 |
Five. Five. |
| 00:29:11 |
Five. |
| 00:29:14 |
Some fives. That's not good. |
| 00:29:17 |
Keep with the flossing. |
| 00:29:20 |
Six. Six. Six. |
| 00:29:24 |
I'm gonna recommend |
| 00:29:27 |
He'll probably |
| 00:29:36 |
- Hello? |
| 00:29:39 |
- Hello, who is this? |
| 00:29:42 |
Ellen? |
| 00:29:45 |
It's Caden. I can't wait to |
| 00:29:49 |
No, I have to go. I'm sorry, |
| 00:29:54 |
Have fun... |
| 00:30:11 |
911, state your emergency. |
| 00:30:13 |
- I'm sick! I'm sick! |
| 00:30:39 |
Mr. Cotard? |
| 00:30:57 |
Mr. Cotard. |
| 00:31:10 |
You've had a seizure of sorts. |
| 00:31:14 |
What does that mean? |
| 00:31:16 |
Seems to be some synaptic |
| 00:31:20 |
Autonomic functions |
| 00:31:22 |
You'll lose your ability |
| 00:31:25 |
- Is it serious? |
| 00:31:30 |
We'll get you enrolled in |
| 00:31:33 |
Maybe you can learn some |
| 00:31:48 |
We should get a |
| 00:31:51 |
- It would be weird. |
| 00:31:58 |
Anyway, I don't wanna make |
| 00:32:03 |
Okay, so I do wanna |
| 00:32:18 |
And what do we |
| 00:32:23 |
You wanna come over |
| 00:32:30 |
I won't let you off the hook this |
| 00:32:34 |
Adele is only on vacation. |
| 00:32:37 |
She hasn't called since |
| 00:32:42 |
It's been a week. |
| 00:32:46 |
I'm gonna buy you a calendar. |
| 00:32:57 |
Okay. |
| 00:33:02 |
Just for one drink. |
| 00:33:08 |
Come on. Scraps |
| 00:33:15 |
I can't... I really can't drink |
| 00:33:29 |
Did you put something in it? |
| 00:33:31 |
If that's what it |
| 00:33:37 |
Love potion number 69. |
| 00:33:43 |
- It's good. |
| 00:33:47 |
- Kind of. |
| 00:33:51 |
Because I feel |
| 00:33:54 |
Beg a girl, why don't you? |
| 00:33:57 |
- Please, Hazel. |
| 00:34:01 |
What? |
| 00:34:02 |
I want you to beg me on |
| 00:34:06 |
Just for fun. |
| 00:34:11 |
Why am I doing this? |
| 00:34:15 |
For fun, baby. |
| 00:34:20 |
Will you help me |
| 00:34:24 |
Oh, kiddo. |
| 00:34:27 |
You don't even know. |
| 00:34:33 |
- What? |
| 00:34:36 |
- What is it? |
| 00:34:41 |
I'm sorry. |
| 00:34:45 |
- What? |
| 00:34:50 |
I'm just really confused. |
| 00:34:53 |
I'm sorry. |
| 00:34:56 |
I... |
| 00:35:02 |
I'm really sick. |
| 00:35:06 |
And I think I'm dying. |
| 00:35:11 |
I have a kid, and I'm married. |
| 00:35:20 |
I just thought this might |
| 00:35:25 |
I had a good time, and I think |
| 00:35:31 |
That is just the wrong thing |
| 00:35:47 |
You should go. |
| 00:35:55 |
Hazel. Leave a message |
| 00:35:59 |
Hi. You know, I haven't |
| 00:36:01 |
...and I just thought |
| 00:36:04 |
Hi, Hazel. |
| 00:36:12 |
Now. Now. Be here now. |
| 00:36:16 |
Olive wanted me to ask |
| 00:36:18 |
She left it under |
| 00:36:39 |
Dear Mr. Cotard, it is my |
| 00:36:42 |
...that you have been named |
| 00:36:45 |
It is our hope that you will use |
| 00:36:49 |
...to create something unflinchingly |
| 00:36:52 |
...and of unremitting value to |
| 00:36:55 |
- I got this MacArthur grant. |
| 00:36:57 |
- Yeah, a lot of money. |
| 00:37:00 |
Theater piece. Something |
| 00:37:04 |
I'm gonna finally put my |
| 00:37:07 |
What is your real |
| 00:37:12 |
I don't know yet. |
| 00:37:15 |
The MacArthur is called |
| 00:37:18 |
...and I wanna earn it. |
| 00:37:20 |
That's wonderful. God bless. |
| 00:37:23 |
I guess you'll have to |
| 00:37:26 |
Yeah. |
| 00:37:29 |
I wanted to ask you, how old are |
| 00:37:32 |
There's an absolutely brilliant |
| 00:37:35 |
- Really? |
| 00:37:39 |
- That's cute. |
| 00:37:41 |
Little Winky is a |
| 00:37:44 |
The story follows his |
| 00:37:47 |
...his immersion in the |
| 00:37:50 |
...and his ultimate degradation at |
| 00:37:53 |
...named Eric Washington |
| 00:37:57 |
- Written by a |
| 00:38:01 |
Written by |
| 00:38:03 |
Well, Azpiazu killed |
| 00:38:05 |
- Why did he kill himself? |
| 00:38:08 |
What? |
| 00:38:10 |
I said, why would you? |
| 00:38:13 |
Oh, I don't know. |
| 00:38:18 |
Yeah, I wanna bring my |
| 00:38:22 |
...to get it seen by |
| 00:38:27 |
- The sooner the better. |
| 00:38:30 |
Heart of the theater district, |
| 00:38:33 |
- Yeah? |
| 00:38:39 |
- What was this used for? |
| 00:38:43 |
- Like, theater plays? |
| 00:38:49 |
King Lear. |
| 00:38:51 |
The storm. |
| 00:38:54 |
You see, the idea is to |
| 00:38:58 |
You know, |
| 00:39:03 |
Here's what I think theater is. |
| 00:39:09 |
It's the truth not yet spoken. |
| 00:39:11 |
It's what a man feels like after |
| 00:39:16 |
It's love in all |
| 00:39:21 |
You know, and I want all of |
| 00:39:25 |
...to soak in the |
| 00:39:29 |
...the mikvah, as |
| 00:39:33 |
Because we're all in the |
| 00:39:39 |
You know, soaking in our |
| 00:39:45 |
...and nocturnal emissions. |
| 00:39:48 |
This is what I wanna |
| 00:39:51 |
Okay, here you go. |
| 00:39:56 |
- Here's your soup. |
| 00:40:01 |
- Thank you. |
| 00:40:09 |
- What are you doing? |
| 00:40:14 |
The biofeedback training. |
| 00:40:19 |
- So I was wondering if you'd help. |
| 00:40:22 |
No, as my assistant. |
| 00:40:26 |
I'm not sure I can |
| 00:40:30 |
I'm kind of angry. |
| 00:40:33 |
I just wanna normalize it. |
| 00:40:37 |
I think we'd have a |
| 00:40:54 |
I miss you. |
| 00:40:57 |
- Really disturbing. |
| 00:41:02 |
Dear diary, thank you for |
| 00:41:06 |
My name is Olive Cotard, |
| 00:41:10 |
I like chocolate, and my |
| 00:41:15 |
This is pink. |
| 00:41:20 |
Yeah, that's good. |
| 00:41:22 |
- Next. |
| 00:41:32 |
We'll start by |
| 00:41:34 |
...and out of that, a piece |
| 00:41:39 |
I'll begin. |
| 00:41:43 |
I've been thinking a |
| 00:41:46 |
- You're gonna be fine, sweetie. |
| 00:41:50 |
You are, you poor thing. |
| 00:41:51 |
Yeah, well, regardless of how this |
| 00:41:56 |
...I will be dying. |
| 00:42:00 |
And so will you. |
| 00:42:04 |
And so will everyone here. |
| 00:42:10 |
And that's what |
| 00:42:13 |
We're all hurtling |
| 00:42:19 |
Yet here we are, for |
| 00:42:23 |
...each of us knowing |
| 00:42:27 |
...each of us secretly |
| 00:42:31 |
It's brilliant. |
| 00:42:35 |
It's everything. |
| 00:42:39 |
It's Karamazov. |
| 00:42:46 |
- Stop. |
| 00:42:48 |
- You're so obnoxious. |
| 00:42:52 |
- You do not wanna cross me. |
| 00:43:00 |
Hi, Claire. |
| 00:43:02 |
- Hi. |
| 00:43:06 |
Yeah. No, no. I know, I know. |
| 00:43:09 |
- Yeah, I'm the box office. |
| 00:43:11 |
Wonderful. You? |
| 00:43:14 |
Yeah, yeah. I'm good. |
| 00:43:16 |
Actually, I'm meeting Caden |
| 00:43:20 |
Yes, I recall Mr. Cotard. |
| 00:43:24 |
Yeah. I'm waiting... |
| 00:43:31 |
- Hey. |
| 00:43:34 |
- Hi, Caden. |
| 00:43:37 |
Hi. |
| 00:43:39 |
- This is Derek. |
| 00:43:41 |
- Hi, Derek. |
| 00:43:44 |
Hi. |
| 00:43:49 |
Well, we'll leave you be. |
| 00:43:53 |
- Take care. |
| 00:44:00 |
- That was awkward. |
| 00:44:06 |
Do you like beaver...? |
| 00:44:07 |
So could you tell me maybe what |
| 00:44:12 |
You know, like, |
| 00:44:16 |
Well, we'll build it |
| 00:44:19 |
You know, try to find a real |
| 00:44:23 |
That Hazel girl's kind |
| 00:44:25 |
- You know, like, why...? |
| 00:44:27 |
Why is she still working |
| 00:44:30 |
I don't know. Probably |
| 00:44:32 |
Maybe she wanted to be an actress, |
| 00:44:35 |
- Yeah, we'll talk about it. |
| 00:44:37 |
Really? Why? |
| 00:44:41 |
Because I think |
| 00:44:44 |
And I just feel like I'm |
| 00:44:49 |
I keep thinking about |
| 00:44:52 |
...you know, and |
| 00:44:56 |
I don't know what I'm doing. |
| 00:44:59 |
But that's what so refreshing. |
| 00:45:01 |
Knowing that you don't know... |
| 00:45:03 |
...is the first and the most |
| 00:45:08 |
I don't know. |
| 00:45:15 |
- Well, I'm proud of you. |
| 00:45:18 |
- Don't say that, not to me. |
| 00:45:22 |
My mother died last night. |
| 00:45:26 |
Oh, my God. I'm so sorry. |
| 00:45:35 |
- This is me. |
| 00:45:39 |
Well, it was nice meeting you. |
| 00:45:42 |
- I'm sorry. I'm so stupid. |
| 00:45:48 |
Yeah, it's a |
| 00:45:51 |
I don't know how |
| 00:45:54 |
To meet, you know? |
| 00:46:02 |
There she met Ralph Keene. |
| 00:46:07 |
...and soon their first |
| 00:46:10 |
I used to be a baby. |
| 00:46:12 |
Claire Elizabeth Keene |
| 00:46:15 |
- I'm sorry. ... the |
| 00:46:17 |
She made her parents proud with |
| 00:46:22 |
God, you're beautiful. |
| 00:46:25 |
When she was 7, little Claire |
| 00:46:29 |
She starred in almost |
| 00:46:32 |
...playing Ado |
| 00:46:34 |
...Adelaide in Guys And Dolls, |
| 00:46:39 |
I have to fuck you. I have to. |
| 00:46:47 |
There will be no |
| 00:46:55 |
I'd like to buy |
| 00:46:58 |
- Okay. Hold it. |
| 00:47:03 |
We're not really... |
| 00:47:08 |
You know, to really discover |
| 00:47:13 |
You know, I think I need to |
| 00:47:16 |
Davis, I'll start with you. |
| 00:47:20 |
I liked the beginning. I |
| 00:47:24 |
"Davis, I'll start with you"? |
| 00:47:26 |
There's a difference between favoring |
| 00:47:30 |
I mean, we've had Ariel. I think |
| 00:47:34 |
We'll talk about your character |
| 00:47:38 |
Okay. |
| 00:47:47 |
I think I made a breakthrough. |
| 00:47:50 |
- This character is so beautiful... |
| 00:47:54 |
- Your daughter's right here. |
| 00:47:56 |
- Excuse me? |
| 00:47:59 |
- I have to go find her. |
| 00:48:02 |
She's tattooed. |
| 00:48:05 |
Oh, everyone is tattooed. |
| 00:48:08 |
Oh, I've never |
| 00:48:11 |
- You have responsibilities. |
| 00:48:15 |
Redundancy is fluid. |
| 00:48:19 |
There is only the now, |
| 00:48:23 |
For example, |
| 00:48:26 |
Hi. |
| 00:48:29 |
When you canceled, it freed |
| 00:48:38 |
You know, I'm not sure |
| 00:48:50 |
Oh, but it's getting you. You're |
| 00:49:02 |
Thank you. |
| 00:49:08 |
I show you my leg. I stand |
| 00:49:14 |
I offer my ripe flower |
| 00:49:18 |
This book is over. |
| 00:49:35 |
Hi. |
| 00:49:37 |
I don't speak German. |
| 00:49:38 |
Yeah, yeah. I may |
| 00:49:41 |
I'm looking for Adele |
| 00:49:44 |
We must not give addresses or |
| 00:49:48 |
- I'm her husband. |
| 00:49:51 |
...which is named |
| 00:49:53 |
I'm the father of |
| 00:49:56 |
I see. I'm sorry, |
| 00:50:01 |
Dear diary, Germany is |
| 00:50:06 |
My new dads are |
| 00:50:08 |
...and brilliant |
| 00:50:10 |
Hello. |
| 00:50:17 |
You're here? |
| 00:50:18 |
Yeah. I live with Adele and |
| 00:50:22 |
...and Uschi and Britt. |
| 00:50:27 |
I wanna see my daughter. |
| 00:50:30 |
- Yeah, they sent me. |
| 00:50:34 |
Who are they? Who the |
| 00:50:37 |
Yeah, they decided it's |
| 00:50:40 |
They decided? Who decided? |
| 00:50:43 |
Oh, I did that. |
| 00:50:45 |
She's a |
| 00:50:48 |
She's a fucking |
| 00:50:55 |
She's almost over 11 now. |
| 00:51:01 |
She's my muse. |
| 00:51:03 |
I love her. |
| 00:51:09 |
You don't love her! |
| 00:51:13 |
Where is she? |
| 00:51:16 |
What did you do |
| 00:52:17 |
Death comes faster |
| 00:52:23 |
- That was your last patient for the day. |
| 00:52:27 |
I don't know what you're |
| 00:52:29 |
You're actually having |
| 00:52:32 |
- Palpable, huh? |
| 00:52:33 |
- Who told you? |
| 00:52:36 |
- Not good, oh, okay. |
| 00:52:39 |
You're in this scene, you're not |
| 00:52:42 |
Just like that... |
| 00:52:44 |
As you're telling him this, you |
| 00:52:47 |
How are you gonna |
| 00:52:48 |
And the guilt you feel about telling |
| 00:52:52 |
Daddy, Daddy is mine. |
| 00:52:54 |
Daddy can't play now, honey. |
| 00:52:56 |
Daddy doesn't live with us anymore, |
| 00:53:01 |
They still feel a |
| 00:53:03 |
Have an argument. You're |
| 00:53:07 |
- I don't buy it. |
| 00:53:10 |
What? Just get the fucking shoe. |
| 00:53:14 |
Tom, don't turn into another person |
| 00:53:18 |
And this started just today? |
| 00:53:24 |
Okay. Good. |
| 00:53:26 |
You can get dressed. |
| 00:53:31 |
I mean, you're a doctor, right? |
| 00:53:35 |
- No. |
| 00:53:38 |
- I can't tell you. |
| 00:53:41 |
- No. |
| 00:53:43 |
...because you're not allowed to? |
| 00:54:11 |
- Caden. |
| 00:54:16 |
I was wondering if I |
| 00:54:19 |
- You look great. |
| 00:54:21 |
- Is that a new haircut? |
| 00:54:26 |
What are you |
| 00:54:28 |
I'm here with Derek and |
| 00:54:32 |
- The boys? |
| 00:54:36 |
- How old? |
| 00:54:39 |
Twins. Robert and |
| 00:54:44 |
Yes. |
| 00:54:47 |
They're nice names. |
| 00:54:50 |
Derek took them to the Natural |
| 00:54:57 |
It's so good to see you, |
| 00:55:01 |
You know, I was with Claire. |
| 00:55:05 |
And we have a daughter. |
| 00:55:10 |
How about with you? |
| 00:55:13 |
Good. I have a great |
| 00:55:17 |
Shapers. Great. |
| 00:55:23 |
- It's so good to see you. |
| 00:55:57 |
Hey! What are you doing? |
| 00:56:02 |
- I got you. |
| 00:56:03 |
How I love Maria. |
| 00:56:05 |
She is so much more of a |
| 00:56:08 |
...with his drinking and unfortunate |
| 00:56:13 |
I could only loathe him, |
| 00:56:17 |
But Maria. |
| 00:56:22 |
I wanna come back. |
| 00:56:24 |
I wanna take care of you and |
| 00:56:32 |
Ariel. |
| 00:56:44 |
No, no, no, it's |
| 00:56:46 |
No, no, no. Please. |
| 00:56:50 |
Hello? |
| 00:56:56 |
Okay. |
| 00:57:07 |
My father died. |
| 00:57:13 |
Oh, baby. |
| 00:57:19 |
They said his body was riddled |
| 00:57:24 |
That he went in |
| 00:57:27 |
They said he |
| 00:57:33 |
And that he... |
| 00:57:37 |
That he called out |
| 00:57:42 |
They said that he said |
| 00:57:49 |
And they said he |
| 00:57:53 |
Too many to recount. |
| 00:57:56 |
They said it was |
| 00:57:58 |
...and saddest deathbed speech |
| 00:58:03 |
There was so little |
| 00:58:06 |
...they had to fill the |
| 00:58:10 |
...to keep him from |
| 00:58:18 |
I'm really sorry |
| 00:58:21 |
Thank you. Can you |
| 00:58:23 |
- Of course. |
| 00:58:27 |
- All right. |
| 00:58:30 |
God bless you and your family. |
| 00:58:32 |
God bless you. |
| 00:58:37 |
It's Hazel. Leave a message |
| 00:58:47 |
It's left five people dead. |
| 00:58:49 |
Sorry. |
| 00:58:52 |
- Caden? |
| 00:58:54 |
Officials suspect arson. |
| 00:58:57 |
In other news, German |
| 00:58:59 |
...has won its libel |
| 00:59:02 |
...claiming chromosomal damage from |
| 00:59:05 |
Will you just |
| 00:59:13 |
In Pakistan today, |
| 00:59:25 |
Caden, everyone has to figure |
| 00:59:29 |
I just want you to look |
| 00:59:32 |
Oh, honey, I can't anymore. |
| 00:59:36 |
You know I'm sorry. |
| 00:59:39 |
I screwed everything up, |
| 00:59:44 |
- And I'm sorry. |
| 00:59:48 |
- I'm okay. |
| 00:59:53 |
I mean, I do, but it just... |
| 00:59:58 |
It rips my guts out. |
| 01:00:00 |
I'll help you |
| 01:00:03 |
And I'll help you through too. |
| 01:00:07 |
I'm fine. |
| 01:00:11 |
I have Derek. |
| 01:00:19 |
Okay, I'm going. |
| 01:00:29 |
Honey, I'm coming. |
| 01:00:31 |
Dear diary, today I felt |
| 01:00:35 |
Maria explained to |
| 01:00:38 |
And being a woman is wonderful |
| 01:01:35 |
Olive? |
| 01:01:42 |
Olive. |
| 01:01:46 |
Olive, it's Daddy. |
| 01:01:55 |
Olive, it's Daddy! |
| 01:01:59 |
Don't fucking |
| 01:02:03 |
Get off! It's my daughter! |
| 01:02:08 |
Get off! Get off! |
| 01:02:16 |
I won't settle for anything |
| 01:02:21 |
Brutal. Brutal. |
| 01:02:26 |
Each day I'll hand you a paper. It'll |
| 01:02:30 |
You felt a lump |
| 01:02:31 |
You looked at your wife and |
| 01:02:34 |
- Caden? |
| 01:02:37 |
When are we gonna get |
| 01:02:41 |
It's been 17 years. |
| 01:02:46 |
All right, I'm not excusing |
| 01:02:49 |
I will have someone play me... |
| 01:02:52 |
...to delve into the |
| 01:02:55 |
...of my lonely, |
| 01:03:00 |
And he'll get notes too, and |
| 01:03:03 |
...to the notes I truly |
| 01:03:15 |
Get to work! |
| 01:03:40 |
They fired me. |
| 01:03:44 |
- I caused an outbreak of conjunctivitis. |
| 01:03:48 |
I didn't wash my hands. |
| 01:03:51 |
- Oh, God. |
| 01:03:53 |
Fucking private Christian school is |
| 01:03:57 |
It's Derek's thing. I don't |
| 01:04:01 |
You try to be a good person. |
| 01:04:06 |
Do you have anything |
| 01:04:11 |
I mean, I already |
| 01:04:15 |
- I don't have a box office yet, but... |
| 01:04:19 |
Please, Caden. I... |
| 01:04:22 |
Please, Caden. |
| 01:04:28 |
Sammy Barnathan? |
| 01:04:41 |
Sit. Sammy Barnathan. |
| 01:04:54 |
I don't have a |
| 01:04:59 |
- I've never worked as an actor. |
| 01:05:04 |
Well, I've been... |
| 01:05:07 |
I've been following |
| 01:05:10 |
So I knew about this |
| 01:05:14 |
And I've learned everything |
| 01:05:17 |
So hire me, and you'll |
| 01:05:24 |
Peekaboo. |
| 01:05:29 |
Okay. |
| 01:05:34 |
Hazel, I don't think we need to talk |
| 01:05:39 |
I'm gonna cast him right now. Then |
| 01:05:42 |
And we can try to figure |
| 01:05:44 |
...why I cried. |
| 01:05:47 |
Because I've never felt about |
| 01:05:54 |
And I wanna fuck you until |
| 01:05:59 |
...a mythical beast with penis |
| 01:06:04 |
...two pairs of eyes that |
| 01:06:07 |
...and lips ever touching. |
| 01:06:12 |
And one voice that |
| 01:06:29 |
Okay. |
| 01:06:32 |
Yeah. You've got the part. |
| 01:06:55 |
I've never seen |
| 01:06:59 |
It's new. |
| 01:07:05 |
That's a good boy. |
| 01:07:13 |
- When is it opening? |
| 01:07:17 |
- We need to get in. It's bad out here. |
| 01:07:25 |
You know, I was thinking |
| 01:07:29 |
I don't even know |
| 01:07:32 |
Can I have a nickel if I doesn't |
| 01:07:37 |
Yeah. |
| 01:07:41 |
How about The Flawed |
| 01:07:44 |
I'm not sure. |
| 01:07:47 |
Claire, I want you |
| 01:07:51 |
Sammy's gonna move into |
| 01:07:58 |
It would be my honor to |
| 01:08:00 |
You're an amazing actress. |
| 01:08:02 |
No, I saw you do Bernarda Alba |
| 01:08:07 |
Yeah? |
| 01:08:09 |
That was a fun play. |
| 01:08:11 |
Emotionally, it was tough, |
| 01:08:16 |
Plus, I loved working with so |
| 01:08:23 |
I'm gonna start |
| 01:08:29 |
Start, huh? |
| 01:08:33 |
Who is Claire Keen? |
| 01:08:37 |
- Why did we leave Adele, Caden? |
| 01:08:43 |
She left us. |
| 01:08:47 |
You know that |
| 01:08:50 |
Except me. |
| 01:08:53 |
An amazing artist though. |
| 01:08:57 |
I mean, there's no one who stares |
| 01:09:01 |
Sweet pussy too. |
| 01:09:06 |
How do you know that? |
| 01:09:12 |
I read it. |
| 01:09:20 |
Anyway... |
| 01:09:24 |
I mean, I don't |
| 01:09:28 |
Well, maybe she's got |
| 01:09:31 |
Maybe she's got a retrospective |
| 01:09:43 |
Why are you giving me this? |
| 01:09:45 |
I wanna follow you there and see |
| 01:09:52 |
Research. |
| 01:09:56 |
You know, for the part. |
| 01:09:58 |
Partner. |
| 01:10:49 |
Hold it. Hold it, please. |
| 01:10:52 |
Hold it, please. |
| 01:10:56 |
I asked you to hold the door. |
| 01:11:00 |
I'm sorry. I pressed the button, |
| 01:11:03 |
You didn't press it. |
| 01:11:07 |
- Have a good night. |
| 01:11:12 |
- Are you Ellen? Ellen? |
| 01:11:14 |
- Are you Ellen Bascomb? |
| 01:11:16 |
I'm to give the key to |
| 01:11:21 |
Yes, I'm Ellen. |
| 01:11:22 |
She said you should just |
| 01:11:24 |
- And don't forget to change the sheets. |
| 01:11:29 |
Oh, sweetheart. |
| 01:11:43 |
Adele? |
| 01:12:00 |
Hi, Ellen. Be a doll and do the |
| 01:12:05 |
Your money's under the |
| 01:12:08 |
P.S. Bag of stuff in bedroom closet |
| 01:12:36 |
Went for a walk. |
| 01:12:49 |
All night? |
| 01:12:52 |
You smell weird. Are |
| 01:12:57 |
No. |
| 01:13:00 |
What do I smell like? |
| 01:13:04 |
Like bad? Like an old person? |
| 01:13:06 |
I don't know. Like mold |
| 01:13:09 |
Like you're menstruating. |
| 01:13:11 |
Menstruating? |
| 01:13:13 |
You tell me. |
| 01:13:15 |
I don't menstruate. I don't know how |
| 01:13:18 |
I wouldn't know. |
| 01:13:31 |
I don't like the guy |
| 01:13:33 |
You don't like Sammy? |
| 01:13:37 |
Fuck you. I'm 45 years old. I |
| 01:13:41 |
He's the best thing |
| 01:13:43 |
He's coming on to me. He's |
| 01:13:46 |
- He's your husband. |
| 01:13:48 |
He's not my goddamn |
| 01:13:50 |
What the fuck is |
| 01:13:54 |
- I'm going to rehearsal. |
| 01:13:56 |
- We're getting at something real here. |
| 01:14:00 |
Beautiful, Sammy. |
| 01:14:04 |
- Caden? |
| 01:14:08 |
What's up? |
| 01:14:10 |
Well, I feel we |
| 01:14:14 |
I mean, there's a whole side of |
| 01:14:20 |
- I guess, yeah. |
| 01:14:22 |
Yeah. |
| 01:14:29 |
Hi, Ellen. Crackerjack |
| 01:14:34 |
Would you do sheets again? |
| 01:14:36 |
We had quite a fuck, and it's |
| 01:14:41 |
Hi, Adele. Relined |
| 01:14:44 |
I just wanted to let you |
| 01:14:47 |
And I'm mounting a play which I |
| 01:14:51 |
Best, Ellen. |
| 01:15:00 |
I went for a walk. |
| 01:15:05 |
Caden, what are |
| 01:15:10 |
I have a right |
| 01:15:13 |
I've been going |
| 01:15:17 |
And cleaning it. |
| 01:15:22 |
Do you have any idea what I've |
| 01:15:26 |
For you? For you? Could |
| 01:15:37 |
- This looks serious. Am I interrupting? |
| 01:15:42 |
I just wanted you to know |
| 01:15:45 |
...is ready to start today. |
| 01:15:46 |
That's great. That's all we |
| 01:15:50 |
Okay, I'll take |
| 01:15:54 |
- Maybe you could clean her toilet. |
| 01:15:59 |
This is over. |
| 01:16:01 |
- No, Claire... |
| 01:16:04 |
I didn't say I was gonna |
| 01:16:07 |
- But you thought it! |
| 01:16:10 |
I got an offer to do |
| 01:16:15 |
And I'm gonna take it. I |
| 01:16:18 |
The real one. You |
| 01:16:21 |
Claire. |
| 01:16:23 |
Jesus. Claire. |
| 01:16:27 |
Hi, yeah, we're gonna |
| 01:16:29 |
Claire, I didn't say it. |
| 01:16:38 |
I already put out a call |
| 01:16:43 |
But I'm afraid I'm |
| 01:16:45 |
Just like that? You don't |
| 01:16:49 |
I'm not a chance-giving girl. |
| 01:16:53 |
I try and be fun-loving, see? |
| 01:16:57 |
Sorry. |
| 01:16:58 |
My analyst says |
| 01:17:00 |
Once you enjoyed |
| 01:17:03 |
- That's before my analyst taught me... |
| 01:17:06 |
- Bye. |
| 01:17:08 |
Oh, Needleman, you |
| 01:17:11 |
But I'm afraid I'm |
| 01:17:24 |
I'm sorry. Okay. |
| 01:17:39 |
Oh, Needleman, you |
| 01:17:41 |
But I'm afraid I'm |
| 01:17:44 |
Just like that? You |
| 01:17:47 |
I'm not a chance-giving |
| 01:17:50 |
Once you enjoyed |
| 01:17:53 |
That's before my |
| 01:17:55 |
This is a lie. |
| 01:17:56 |
Come here. I try to |
| 01:18:00 |
- She told me your hatred of... |
| 01:18:02 |
Wall it up. All of it. |
| 01:18:14 |
Claire. |
| 01:18:21 |
Oh, Needleman. |
| 01:18:24 |
All right. |
| 01:18:29 |
Good for you with your grant. |
| 01:18:31 |
Listen, I fixed up the walk-in |
| 01:18:35 |
We'd love to have you... |
| 01:18:36 |
...and you wouldn't have to |
| 01:18:39 |
It's just a |
| 01:18:52 |
Dear diary, I'm |
| 01:18:57 |
It is perhaps times like these |
| 01:19:01 |
An article of clothing |
| 01:19:04 |
A green jacket. A |
| 01:19:06 |
A game we once played. |
| 01:19:09 |
I'm a girl fairy, and |
| 01:19:12 |
...and you're a boy fairy, |
| 01:19:15 |
Pretend when we're fairies, |
| 01:19:18 |
And I say, "Stop hitting me or I'll |
| 01:19:22 |
"Now I have to die. " And |
| 01:19:26 |
And I say, "But I have to. |
| 01:19:29 |
And you'll have to wait a |
| 01:19:33 |
And I'll be put in a box... |
| 01:19:34 |
...and all I'll need is |
| 01:19:37 |
...and lots of tiny |
| 01:19:39 |
And the box will have |
| 01:19:42 |
And you ask, "Where |
| 01:19:45 |
"Home," I say. |
| 01:20:04 |
This is to hear. |
| 01:20:07 |
- So words... English here, yeah? |
| 01:20:19 |
I'm dying... |
| 01:20:21 |
...as I'm sure Maria told you. |
| 01:20:27 |
The flower tattoos have become |
| 01:20:32 |
So I am as well. This is life. |
| 01:20:36 |
It's Maria. She did this. |
| 01:20:40 |
Maria gave me a reason |
| 01:20:44 |
The flowers defined me. |
| 01:20:45 |
Your mother and |
| 01:20:48 |
I've tried for years to |
| 01:20:52 |
I want to talk to you |
| 01:20:55 |
- I'm not a homosexual. |
| 01:20:58 |
Well, she's a liar. |
| 01:21:02 |
I had the same struggle when I |
| 01:21:07 |
...and we began to |
| 01:21:09 |
Maria is your lover? |
| 01:21:12 |
Of course. She |
| 01:21:16 |
...to my vagina and to hers. |
| 01:21:18 |
You have no idea |
| 01:21:21 |
I need to forgive |
| 01:21:24 |
...but I can't forgive someone |
| 01:21:28 |
- I just want... |
| 01:21:32 |
I need you to ask |
| 01:21:37 |
Can you ever forgive me? |
| 01:21:41 |
- For what? |
| 01:21:43 |
For abandoning you |
| 01:21:48 |
...with my homosexual |
| 01:21:54 |
I will, I'll say it. |
| 01:21:58 |
For abandoning you... |
| 01:22:02 |
...to have anal sex with |
| 01:22:10 |
No. |
| 01:22:17 |
No, I'm sorry. |
| 01:22:26 |
I cannot. |
| 01:22:45 |
I hope you are happy, faggot. |
| 01:22:48 |
I'm not happy. I'm not happy. |
| 01:23:41 |
I've talked to you before. This is not |
| 01:23:44 |
Make it personal. Move along. |
| 01:23:48 |
He doesn't need |
| 01:23:54 |
It is a play about dating. It's |
| 01:23:58 |
It's about everything. |
| 01:24:01 |
Dating, birth, |
| 01:24:05 |
...all that. |
| 01:24:07 |
- This doesn't look real. |
| 01:24:09 |
- It's not real. |
| 01:24:43 |
- Morning, Haze. |
| 01:24:48 |
It was okay. Yours? |
| 01:24:51 |
Phillip was colicky. |
| 01:24:54 |
- Oh, sorry. |
| 01:24:56 |
- Everybody here? |
| 01:24:59 |
Jimmy called and said |
| 01:25:03 |
Sorry. Sorry. |
| 01:25:06 |
- Hi, Hazel. |
| 01:25:13 |
Sammy likes you. |
| 01:25:26 |
I need you to build this. |
| 01:25:29 |
It's Adele's place. |
| 01:25:31 |
I can give you the |
| 01:25:36 |
A few days? |
| 01:25:42 |
- Can I look again? |
| 01:25:49 |
Millicent Weems? |
| 01:25:59 |
- Caden, this is... |
| 01:26:04 |
Unknown, Unkissed and Lost? |
| 01:26:13 |
Anyway, this is |
| 01:26:16 |
Have a seat. |
| 01:26:20 |
How are you at cleaning? |
| 01:26:24 |
- Very, very good at it. |
| 01:26:26 |
You'd be playing |
| 01:26:30 |
I played Egga, the cleaning lady, |
| 01:26:34 |
Great. Okay. |
| 01:26:38 |
And Mrs. Dobson in |
| 01:26:43 |
You're weirdly close to what |
| 01:26:50 |
Glad to be weirdly close. |
| 01:26:58 |
Sorry, everybody. |
| 01:27:02 |
- Maurice, what's going on? |
| 01:27:05 |
We have a couple of new guys |
| 01:27:08 |
- We good to go? |
| 01:27:13 |
I'm sorry. |
| 01:27:16 |
Fuck. |
| 01:27:18 |
Are you Ellen? Are |
| 01:27:23 |
Shit. |
| 01:27:25 |
Line, please? |
| 01:27:28 |
Ellen... "What?" |
| 01:27:30 |
Right, right. What? |
| 01:27:33 |
I'm to give the key to |
| 01:27:37 |
Yes, I'm Ellen. |
| 01:27:43 |
Oh, dear. It's the wrong key. |
| 01:27:46 |
I'll be in, in a second. |
| 01:27:47 |
- Did you hear that? |
| 01:27:51 |
- You're breaking the fourth wall. |
| 01:27:54 |
- I'm supposed to open the door. |
| 01:27:58 |
- Are you in there? |
| 01:28:01 |
- Adele? |
| 01:28:03 |
I don't think it's... |
| 01:28:06 |
I'm jumping in the shower. |
| 01:28:11 |
Do you want some coffee? |
| 01:28:14 |
Did you look at the new painting |
| 01:28:19 |
Hey, thanks for the |
| 01:28:22 |
- People don't walk like that. |
| 01:28:25 |
No, just walk like yourself. |
| 01:28:28 |
Watch. Watch this. |
| 01:28:32 |
I gotta go. |
| 01:28:35 |
Watch this. |
| 01:28:54 |
Where's Hazel and Sammy? |
| 01:29:05 |
Sammy. |
| 01:29:07 |
Sammy. Sammy. |
| 01:29:11 |
- Hi, Caden. |
| 01:29:14 |
I was being you. |
| 01:29:17 |
You know, you like |
| 01:29:19 |
This Hazel doesn't exist for you. If |
| 01:29:23 |
That's what I |
| 01:29:25 |
No harm, no foul, Caden. |
| 01:29:28 |
Ten minutes, everybody! |
| 01:29:31 |
- Hazel. |
| 01:29:33 |
- You don't like him, do you? |
| 01:29:39 |
I'm me. You don't need |
| 01:29:42 |
Oh, don't worry, |
| 01:29:45 |
I do. It's just, Sammy's fun. |
| 01:29:49 |
- I'm fun. |
| 01:29:53 |
Hold on a sec. Yes? |
| 01:29:55 |
- Is this Caden cotard? |
| 01:29:57 |
This is Officer Melnin |
| 01:30:00 |
I'm sorry to inform you your mother's |
| 01:30:03 |
- What does that mean? |
| 01:30:14 |
Was my father |
| 01:30:18 |
I don't know what |
| 01:30:21 |
He's dead. |
| 01:30:23 |
- So he looks dead, I guess. |
| 01:30:28 |
He was a big guy. |
| 01:30:34 |
Anyway... |
| 01:30:40 |
Thanks for coming with me. |
| 01:30:44 |
That's okay. |
| 01:30:47 |
I asked Hazel... |
| 01:30:49 |
...but she was busy tonight, |
| 01:30:53 |
I mean, it's not that |
| 01:30:58 |
...but because you play |
| 01:31:03 |
Does that make sense? |
| 01:31:08 |
Although the thing is, off-stage |
| 01:31:12 |
But you play her |
| 01:31:25 |
Did Hazel mention what |
| 01:31:28 |
Because I called her |
| 01:31:30 |
...and her husband told me she |
| 01:31:34 |
And I just thought that was weird |
| 01:31:39 |
She's having |
| 01:31:41 |
- That's interesting. |
| 01:31:44 |
I'll have another |
| 01:31:51 |
Will you excuse me? I |
| 01:31:58 |
Don't forget your phone. |
| 01:32:02 |
Thanks, Yammy. |
| 01:32:10 |
It's Hazel. Leave a message |
| 01:32:22 |
You can stay in |
| 01:32:32 |
I thought someone would |
| 01:32:36 |
Who? |
| 01:32:38 |
I don't know. Someone. |
| 01:32:44 |
This is my room. |
| 01:32:48 |
Where are you going to sleep? |
| 01:32:51 |
- The living-room couch. - |
| 01:32:58 |
- It's just sex. |
| 01:33:01 |
If you think it's okay. |
| 01:33:07 |
- How can you be like that? |
| 01:33:11 |
In front of someone |
| 01:33:14 |
I don't see why. |
| 01:33:16 |
Maybe because you |
| 01:33:19 |
- Maybe that makes it easier. |
| 01:33:23 |
Do you want to fuck? |
| 01:33:26 |
I do. Do you? |
| 01:33:30 |
- Take your clothes off. |
| 01:33:33 |
I'm very, very lonely. |
| 01:33:38 |
I don't... |
| 01:33:42 |
...know what's |
| 01:33:47 |
I'm sorry. |
| 01:33:51 |
Do you understand? |
| 01:33:54 |
I mean, can you |
| 01:33:59 |
Yeah. I mean... |
| 01:34:03 |
I don't know, I |
| 01:34:08 |
Fucking might help. |
| 01:34:13 |
I'm sorry. |
| 01:34:15 |
It's okay, I don't mind. |
| 01:34:21 |
- You're very pretty. |
| 01:34:24 |
Sometimes I wish I could |
| 01:34:30 |
What, you wish |
| 01:34:32 |
Sometimes I think I might |
| 01:34:34 |
Interesting. It's kind of |
| 01:34:40 |
- Do you like guys? |
| 01:34:44 |
Well, I'm getting cold. |
| 01:34:59 |
You're pretty, Caden. |
| 01:35:04 |
Thanks for saying that. |
| 01:35:09 |
Come to bed, pretty Caden. |
| 01:35:16 |
I shouldn't have drunk so |
| 01:35:23 |
- What are you gonna do about it? |
| 01:35:27 |
- For chrissake. |
| 01:35:28 |
Thanks, Caden. |
| 01:35:30 |
We need to fire him. |
| 01:35:34 |
We don't need to fire him. |
| 01:35:37 |
Jeremy's playing to us. |
| 01:35:39 |
Tell him to talk to Donna |
| 01:35:42 |
Sammy's explaining too |
| 01:35:45 |
It needs to be shorthand, |
| 01:35:49 |
Caden, can we stop a second? |
| 01:35:52 |
Sure. |
| 01:35:54 |
If Hazel's in love with Sammy, |
| 01:35:58 |
...there would be a big confrontation |
| 01:36:01 |
"It's obvious he's a |
| 01:36:04 |
Then I think Hazel would have |
| 01:36:07 |
...or gets angry, I'm not sure which yet, |
| 01:36:12 |
- That didn't happen. |
| 01:36:14 |
- But Hazel hasn't done that, Tammy. |
| 01:36:25 |
I feel like we could try it. |
| 01:36:29 |
- Great. |
| 01:36:36 |
Let's try it. Maybe it could |
| 01:36:46 |
Fuck. |
| 01:36:50 |
You know, Tammy's right. |
| 01:36:51 |
I don't understand |
| 01:36:55 |
He's nice, he's available, |
| 01:36:59 |
Since when are you available? |
| 01:37:02 |
Derek left because of you. |
| 01:37:08 |
When? How come |
| 01:37:11 |
I don't know, Caden. How |
| 01:37:15 |
Fuck. I gotta let go of the actor |
| 01:37:19 |
What? That is such |
| 01:37:23 |
- I am touched. |
| 01:37:25 |
Derek is played by... |
| 01:37:26 |
We have enormous |
| 01:37:32 |
...Joe. |
| 01:37:35 |
I do not like Tammy, and |
| 01:37:40 |
- How can you like her, anyway? |
| 01:37:42 |
- Joe Abernathy. No, she does not. |
| 01:37:46 |
- Abernathy? |
| 01:37:49 |
- Was it good? |
| 01:37:51 |
I'm just being honest. It was |
| 01:37:57 |
- Did you cry? |
| 01:37:59 |
You're making progress. |
| 01:38:03 |
Okay, I cried a little before. |
| 01:38:13 |
Hazel, you've been a part of |
| 01:38:21 |
I breathe your name |
| 01:38:28 |
- What are we doing? |
| 01:38:51 |
Oh, this is the place I |
| 01:38:56 |
- Yeah, we're almost... |
| 01:39:00 |
Caden. |
| 01:39:02 |
- Caden. Caden, look at me. |
| 01:39:06 |
Sammy, stay right where |
| 01:39:08 |
There's nothing to talk about, |
| 01:39:11 |
- What are you doing? |
| 01:39:14 |
But you've never really looked |
| 01:39:18 |
So watch me. |
| 01:39:20 |
Watch my heart |
| 01:39:25 |
Watch me learn that after |
| 01:39:27 |
No more watching, no |
| 01:39:30 |
Say goodbye to Hazel for me. |
| 01:39:35 |
- None of us has much time. |
| 01:39:39 |
Hazel, I love you! |
| 01:39:43 |
Sammy! |
| 01:39:45 |
I didn't jump, Sammy. |
| 01:39:48 |
A man stopped me |
| 01:39:53 |
I didn't jump. |
| 01:40:01 |
I know how to do it now. |
| 01:40:04 |
There are nearly 13 |
| 01:40:08 |
I mean, can you imagine |
| 01:40:10 |
And none of those |
| 01:40:14 |
They're all leads in their own stories. |
| 01:40:20 |
I know how to do it now. |
| 01:40:22 |
There are 13 million |
| 01:40:24 |
Can you imagine how |
| 01:40:27 |
None of those people are an extra. |
| 01:40:31 |
They have got to |
| 01:40:34 |
Do you see what I'm saying? |
| 01:40:37 |
Come over tonight. |
| 01:40:42 |
Please. |
| 01:40:45 |
You know, we could |
| 01:40:47 |
- We could get a loft. |
| 01:40:52 |
I miss my daughter. Maybe |
| 01:40:55 |
I miss Olive. |
| 01:40:58 |
And the other one. |
| 01:41:00 |
- I'm a bad person. |
| 01:41:03 |
I am. I should never |
| 01:41:07 |
I was just trying |
| 01:41:09 |
You can't cause |
| 01:41:13 |
He was very troubled. |
| 01:41:15 |
God, Caden. |
| 01:41:20 |
I wish we had this |
| 01:41:26 |
And all those |
| 01:41:29 |
My heart aches |
| 01:41:31 |
We're here, Caden. |
| 01:41:35 |
- I'm here. |
| 01:41:41 |
Yeah. The end is built |
| 01:41:46 |
What can you do? |
| 01:41:48 |
- God, you're just perfect. |
| 01:41:53 |
- But we fit, don't we? |
| 01:42:07 |
It doesn't always |
| 01:42:09 |
...because of the |
| 01:42:12 |
- I take a lot of pills. |
| 01:42:17 |
I'm embarrassed. I don't want |
| 01:42:22 |
It's okay. |
| 01:43:08 |
I have a title. |
| 01:43:12 |
The Obscure Moon |
| 01:43:21 |
I think it might be too much. |
| 01:43:26 |
Yeah, probably. |
| 01:43:40 |
Sir, could you come |
| 01:44:01 |
Might be smoke inhalation. |
| 01:44:09 |
It's Hazel. Leave a message |
| 01:44:12 |
I know how to do the play now. |
| 01:44:18 |
It'll all take place over |
| 01:44:23 |
...and that day will be |
| 01:44:27 |
It was the happiest |
| 01:44:33 |
And I'll be able to |
| 01:44:37 |
See you soon. |
| 01:44:43 |
So have you got any thoughts |
| 01:44:50 |
I have a new title, maybe. |
| 01:44:52 |
Infectious Diseases in Cattle. |
| 01:44:59 |
The title means a lot of things. |
| 01:45:15 |
I need a Caden for my Hazel. |
| 01:45:18 |
I'd very much |
| 01:45:22 |
I know that... |
| 01:45:25 |
I know that it would be |
| 01:45:29 |
...but I think I could do |
| 01:45:33 |
I don't understand him. |
| 01:45:35 |
Well, Caden Cotard |
| 01:45:42 |
He lives in a half world |
| 01:45:49 |
...and time is concentrated, |
| 01:45:52 |
Yet up until recently, |
| 01:46:00 |
...to make sense |
| 01:46:04 |
But now he's turned to stone. |
| 01:46:08 |
- Okay. Sounds good. |
| 01:46:13 |
- Thanks. |
| 01:46:15 |
I didn't see that at all. I |
| 01:46:21 |
None of those |
| 01:46:24 |
They're all leads |
| 01:46:30 |
No, this is tedious. |
| 01:46:38 |
Hi, your scene's over. |
| 01:46:41 |
- What is she doing? |
| 01:46:44 |
Can I get you down |
| 01:46:47 |
She not getting the |
| 01:46:50 |
You don't move around like |
| 01:46:57 |
Sit on the ground there. |
| 01:47:03 |
Everything is more |
| 01:47:06 |
You only see a tenth |
| 01:47:09 |
There are a million little strings |
| 01:47:14 |
You can destroy your life |
| 01:47:17 |
But maybe you won't |
| 01:47:21 |
...and you may never, ever |
| 01:47:24 |
And you only get one |
| 01:47:26 |
Just try and figure |
| 01:47:30 |
And they say there is no fate, |
| 01:47:36 |
And even though the world |
| 01:47:39 |
...you are only here for a |
| 01:47:43 |
Most of your time is spent |
| 01:47:47 |
But while alive, |
| 01:47:50 |
...wasting years for a phone |
| 01:47:55 |
...from someone or something |
| 01:47:57 |
And it never comes, or it |
| 01:48:02 |
So you spend your |
| 01:48:05 |
...or vaguer hope that |
| 01:48:09 |
Something to make |
| 01:48:10 |
Something to make |
| 01:48:13 |
Something to make |
| 01:48:17 |
And the truth is... |
| 01:48:20 |
...I feel so angry. |
| 01:48:24 |
And the truth is... |
| 01:48:26 |
...I feel so fucking sad. |
| 01:48:31 |
And the truth is, I've felt so |
| 01:48:37 |
And for just as long, I've |
| 01:48:40 |
...just to get |
| 01:48:44 |
I don't know why. |
| 01:48:46 |
Maybe because no one wants |
| 01:48:51 |
...because they |
| 01:48:57 |
Well, fuck everybody. |
| 01:49:02 |
- Amen. |
| 01:49:20 |
- Delightful. |
| 01:49:22 |
I'm out of ideas. |
| 01:49:27 |
I'm dead. |
| 01:49:31 |
Well, I could take over as you |
| 01:49:37 |
I think you're tired, Caden. |
| 01:49:41 |
I think you just need |
| 01:49:48 |
- I need to keep my hand in. |
| 01:49:52 |
- What do you mean? |
| 01:49:55 |
It's a choice role. |
| 01:49:59 |
I do like to clean. |
| 01:50:16 |
Ellen? |
| 01:50:22 |
- Yes? |
| 01:50:26 |
You're to keep it |
| 01:50:34 |
So touched by the sadness of |
| 01:50:41 |
Say, "Thank you," |
| 01:50:43 |
Thank you. |
| 01:50:45 |
You're very |
| 01:50:48 |
- Now say, "Have a very good day. " |
| 01:50:51 |
I will indeed. |
| 01:50:57 |
Reach for the toilet paper. |
| 01:51:01 |
Wrap some around your hand. |
| 01:51:04 |
Wipe yourself. |
| 01:51:11 |
There was supposed |
| 01:51:15 |
You were supposed to |
| 01:51:19 |
Love. |
| 01:51:21 |
Children. |
| 01:51:24 |
A child, at least. |
| 01:51:27 |
Children. |
| 01:51:30 |
Meaning. |
| 01:51:39 |
Everything okay, Eric? |
| 01:51:44 |
- Everything is everything. |
| 01:51:49 |
I disappointed him, |
| 01:51:54 |
Everyone is disappointing |
| 01:52:03 |
I remember having that picnic |
| 01:52:09 |
Ellen, what is it? |
| 01:52:11 |
I was so young. |
| 01:52:13 |
I'm going to remember this moment |
| 01:52:17 |
...and in exactly 20 years, |
| 01:52:21 |
...and have exactly |
| 01:52:23 |
There was so much hope. |
| 01:52:24 |
Baby, that the loveliest |
| 01:52:29 |
Oh, God. Sorry, |
| 01:52:54 |
Where is my little girl? |
| 01:52:57 |
Where is my little girl? |
| 01:53:11 |
Look at the night table |
| 01:53:23 |
Stare out the window. |
| 01:53:27 |
Remember the time she got you |
| 01:53:31 |
How she told you how |
| 01:53:33 |
How she made you feel pretty |
| 01:53:37 |
Think how you'll miss her. |
| 01:53:40 |
Stand up. |
| 01:53:51 |
Now it is waiting, |
| 01:53:55 |
And when your wait is over, |
| 01:53:59 |
...and it will continue to hold |
| 01:54:04 |
...and maybe someday |
| 01:54:07 |
And maybe not. |
| 01:54:09 |
The room doesn't care either. |
| 01:54:28 |
Hello? |
| 01:54:50 |
There's nobody running |
| 01:55:29 |
What was once before you, an |
| 01:55:34 |
...is now behind you, lived, |
| 01:55:39 |
You realize you |
| 01:55:42 |
You have struggled into existence and |
| 01:55:47 |
This is everyone's |
| 01:55:52 |
The specifics hardly |
| 01:55:57 |
So you are Adele... |
| 01:55:59 |
...Hazel, claire, Olive. |
| 01:56:04 |
You are Ellen. All her |
| 01:56:09 |
All her loneliness. The |
| 01:56:14 |
Her red, raw |
| 01:56:18 |
It is time for you |
| 01:56:32 |
Walk. |
| 01:56:40 |
As the people who adore |
| 01:56:43 |
...as they die, |
| 01:56:47 |
...as you shed them, as you |
| 01:56:51 |
...as the world forgets you, as |
| 01:56:55 |
...as you begin to lose your |
| 01:56:59 |
...as you learn there |
| 01:57:02 |
...and there never was, you |
| 01:57:06 |
Not coming from anyplace, |
| 01:57:10 |
...just driving, |
| 01:57:14 |
Now you are here. It's 7:43. |
| 01:57:18 |
Now you are here. It's 7:44. |
| 01:57:21 |
Now you are gone. |
| 01:57:31 |
Where is everybody? |
| 01:57:35 |
Mostly dead. Some have left. |
| 01:57:46 |
Would you sit with me for a moment? |
| 01:58:12 |
I feel like I know you. |
| 01:58:15 |
Well, I was the mother |
| 01:58:20 |
Yes. |
| 01:58:24 |
You seem a bit older |
| 01:58:27 |
That dream was |
| 01:58:30 |
Apologize. |
| 01:58:33 |
I didn't mean to |
| 01:58:45 |
There's everyone's dreams |
| 01:58:51 |
All those thoughts I'll never |
| 01:59:02 |
I wanted to do that |
| 01:59:09 |
I feel like I've |
| 01:59:12 |
Oh, no. I am so proud of you. |
| 01:59:17 |
Ask her if you can put |
| 01:59:20 |
Can I lay my head |
| 01:59:23 |
Yes. |
| 01:59:34 |
I love you. |
| 01:59:39 |
I love you too. |
| 02:00:04 |
I know how to |
| 02:00:09 |
I have an idea. |
| 02:00:11 |
I think if everyone... |
| 02:00:14 |
Die. |