|
Taking Lives
|
| 00:00:49 |
Where are you going? |
| 00:00:50 |
The 2: 1 5 to Mont Laurier |
| 00:01:01 |
One ticket, please. Mont Laurier. |
| 00:01:09 |
Do you mind? The guy in the back, |
| 00:01:15 |
No. Sure. |
| 00:01:19 |
l'm Matt. |
| 00:01:21 |
-l'm Martin. |
| 00:01:24 |
-Nice to meet you. |
| 00:01:27 |
Just as far away as l can get. |
| 00:01:30 |
Well, l'll drink to that, brother. |
| 00:01:39 |
Cheers. |
| 00:01:52 |
l think we got a little engine trouble |
| 00:01:55 |
Man! You know, the same thing |
| 00:01:59 |
We had to sit tight for nearly eight hours. |
| 00:02:01 |
Hell, this sucks. This totally sucks. |
| 00:02:08 |
Three hundred and eighty-five dollars. |
| 00:02:10 |
All l got is my dad's credit card. |
| 00:02:13 |
You can't read? |
| 00:02:16 |
Cash only. |
| 00:02:19 |
-You have a license? |
| 00:02:24 |
Looks like you're driving. |
| 00:02:46 |
See that? |
| 00:02:51 |
Fake. |
| 00:02:53 |
-What happened? |
| 00:02:55 |
Hit me so hard l flew across the kitchen, |
| 00:02:59 |
My mom watched the whole thing. |
| 00:03:01 |
-Why? |
| 00:03:03 |
Fucking psycho, |
| 00:03:07 |
But l got him back. |
| 00:03:09 |
What? You popped him? |
| 00:03:11 |
Got me a tour of hell, though. Had me |
| 00:03:15 |
But l don't believe in following |
| 00:03:18 |
Fuck people, fuck their rules. |
| 00:03:22 |
Now l'm going to Seattle to play music. |
| 00:03:42 |
Jesus Christ. |
| 00:03:48 |
l'm so sorry, man. l'm an idiot, |
| 00:03:51 |
No. Forget about it, man. |
| 00:03:53 |
We're lucky this piece of shit |
| 00:03:56 |
You ever changed a tire before, Martin? |
| 00:03:58 |
Didn't think so. Cool. |
| 00:04:02 |
Okay. What do we got here? |
| 00:04:05 |
Oh, yeah, l'll have us back on the road |
| 00:04:09 |
But this time, l'm driving. Cool? |
| 00:04:16 |
Fucker's on tight. |
| 00:04:37 |
First one's kind of always the hardest. After |
| 00:04:46 |
You and l are about the same height, man. |
| 00:04:49 |
What? |
| 00:06:14 |
Be quiet. |
| 00:10:05 |
Officer. Officer, l need your help. |
| 00:10:09 |
l just saw my son on the ferry. |
| 00:10:14 |
My son is dead. |
| 00:10:16 |
He died 1 9 years ago, |
| 00:10:20 |
He walked straight in front of me. |
| 00:10:24 |
He recognized me. |
| 00:10:25 |
A mother's not wrong |
| 00:10:29 |
How can l explain |
| 00:10:34 |
No, not ''was.'' |
| 00:10:38 |
ls. |
| 00:10:40 |
My son is a very dangerous man. |
| 00:10:52 |
-What are you doing? |
| 00:10:56 |
Agent Scott? |
| 00:10:58 |
l don't understand why he needs someone |
| 00:11:03 |
-We don't have anything, Joseph. |
| 00:11:06 |
-We need a couple more days, that's it. |
| 00:11:10 |
She was on the flight. They can't find her. |
| 00:11:14 |
-She's going to be advising, right? |
| 00:11:18 |
There hasn't been |
| 00:11:20 |
And the first thing you do is |
| 00:11:24 |
l have a strange feeling about this murder. |
| 00:11:27 |
We need help. We have nothing. |
| 00:11:30 |
You call me as soon as she gets here. |
| 00:12:23 |
You got to be fucking kidding me. |
| 00:12:26 |
-Special Agent Scott? |
| 00:12:30 |
We were waiting for you at the station. |
| 00:12:32 |
-That's a grave, you know. |
| 00:12:39 |
-Agent Scott. |
| 00:12:42 |
l see you are already making |
| 00:12:45 |
Joseph Paquette and Emile Duval. |
| 00:12:49 |
-Nice to meet you. |
| 00:12:52 |
We didn't. |
| 00:12:55 |
We're pretty sure the victim was killed |
| 00:13:00 |
l think it was premeditated. |
| 00:13:02 |
-What? |
| 00:13:04 |
l think the killer chose this site, |
| 00:13:10 |
l can show you-- You can tell because-- |
| 00:13:13 |
They're neat. They're symmetrical. |
| 00:13:16 |
The proportions are precise. |
| 00:13:18 |
They're exactly 5 foot, 1 1 inches. |
| 00:13:20 |
-Your victim 5-1 0? |
| 00:13:24 |
l think he's been watching him |
| 00:13:27 |
...studying his habits, his routine. |
| 00:13:29 |
And he knew he could rely |
| 00:13:33 |
And how did he know the victim |
| 00:13:37 |
That's a bicycle path, right? |
| 00:13:40 |
On the photos you sent... |
| 00:13:42 |
...the victim had these slight indentations |
| 00:13:46 |
l'm guessing that's from bicycle clips. |
| 00:13:50 |
Also, there's a sexual element to all this. |
| 00:13:52 |
Strangling from behind, cutting off |
| 00:13:56 |
lt's tactile. lt's immediate. |
| 00:14:00 |
And... |
| 00:14:03 |
...he wanted you to find the body. |
| 00:14:05 |
l mean... |
| 00:14:07 |
...why else bury it at a construction site, |
| 00:14:58 |
His eyes, we think they were removed, |
| 00:15:02 |
-We don't know. |
| 00:15:04 |
Skull reconstruction. Yes, of course. |
| 00:15:07 |
-lt's being done right now. |
| 00:15:10 |
Are we done here? |
| 00:15:11 |
-Yeah. |
| 00:15:13 |
Good night. |
| 00:15:15 |
Don't worry about Paquette. He's impulsive. |
| 00:15:20 |
l don't blame him. |
| 00:15:22 |
lt's good to see you again, llleana. |
| 00:15:24 |
Means a lot that you're up here. |
| 00:15:26 |
Lying in the grave. |
| 00:15:29 |
My investigators think |
| 00:15:32 |
Well, l've been called worse. |
| 00:15:34 |
-You know that. |
| 00:17:08 |
Hi. l'm sorry for disturbing you. |
| 00:17:11 |
lt happened in a parking lot outside |
| 00:17:15 |
-Same m.o.? |
| 00:17:17 |
We found the garrotte there. |
| 00:17:20 |
The face was bashed |
| 00:17:22 |
No time to get to the hands, though. |
| 00:17:25 |
-Why not? |
| 00:17:28 |
The victim's name was Clive Morin, |
| 00:17:32 |
He claims he saw what happened. |
| 00:17:34 |
He headed towards my car, and l hear-- |
| 00:17:36 |
When our guys got there, |
| 00:17:39 |
What about the blood on you? |
| 00:17:41 |
You try to help somebody |
| 00:17:44 |
-ls he checking out? |
| 00:17:47 |
James McKeen Costa. |
| 00:17:51 |
Everything looks pretty standard. |
| 00:17:54 |
We've got blood samples |
| 00:17:58 |
l turn, and l see... |
| 00:18:01 |
...a man standing over somebody else... |
| 00:18:05 |
...with... |
| 00:18:07 |
...a rock... |
| 00:18:09 |
...in his hand. |
| 00:18:13 |
And then... |
| 00:18:15 |
...he started beating |
| 00:18:20 |
-So l shouted-- |
| 00:18:25 |
''Stop,'' you know. Something dumb |
| 00:18:30 |
And then l ran towards them. |
| 00:18:35 |
And he looked up at me, |
| 00:18:39 |
And l.... |
| 00:18:44 |
l don't know. l thought-- |
| 00:18:46 |
l don't know what l thought. |
| 00:18:49 |
He's gone, and then l call the cops. |
| 00:18:52 |
And l tried to perform CPR on the |
| 00:18:58 |
Did you remove the garrotte? |
| 00:19:00 |
The--? Oh, the thing around his neck? |
| 00:19:06 |
-Did you see where the attacker went? |
| 00:19:10 |
What kind of gun did he have? |
| 00:19:14 |
He had the kind that puts |
| 00:19:20 |
l saw this guy. |
| 00:19:22 |
All right? And l can draw a little bit, |
| 00:19:25 |
...maybe if you would give me a piece |
| 00:19:37 |
l don't know about this guy. |
| 00:19:40 |
Something about his answers. |
| 00:19:43 |
You mind if l give it a try? |
| 00:19:45 |
No, please go ahead. |
| 00:19:52 |
Hi. |
| 00:20:03 |
You another cop? |
| 00:20:05 |
ln a way, yes. |
| 00:20:09 |
-Special agent? |
| 00:20:20 |
-Can l ask a few questions? |
| 00:20:23 |
-...the other guy did? |
| 00:20:26 |
-Do you mind if l have a cigarette? |
| 00:20:50 |
You nervous? |
| 00:20:53 |
Yes, l am. |
| 00:20:56 |
Extremely. |
| 00:20:59 |
Thanks for the pad of paper. |
| 00:21:12 |
So, what did he look like? |
| 00:21:16 |
He had extremely bright eyes. |
| 00:21:19 |
Burning, you know? |
| 00:21:21 |
Even in the dark. |
| 00:21:23 |
His hair... |
| 00:21:26 |
...could have been blond. |
| 00:21:33 |
He had a beard. |
| 00:21:36 |
He had, not five-o'clock shadow... |
| 00:21:39 |
...but something cultivated. |
| 00:21:46 |
Did he seem agitated or in control? |
| 00:21:51 |
Oh, Jesus. |
| 00:21:53 |
ls that what l think it is? |
| 00:21:55 |
ls that--? That's the-- |
| 00:21:56 |
That was around his neck, right? |
| 00:22:00 |
-Am l right? |
| 00:22:01 |
You did that on purpose? |
| 00:22:04 |
All right, l'm doing my best here, all right? |
| 00:22:08 |
l couldn't even-- |
| 00:22:10 |
l did everything l could |
| 00:22:15 |
He died, okay? He died. There was.... |
| 00:22:20 |
Look, there was too much blood there. |
| 00:22:25 |
And l kept trying, |
| 00:22:30 |
l saw the man who did this. Okay? |
| 00:22:33 |
l saw him, and l can show you |
| 00:22:38 |
And then... |
| 00:22:41 |
...you can go catch him. |
| 00:22:43 |
Okay. |
| 00:22:52 |
What do you think? |
| 00:22:54 |
Yeah, pattern marks on Morin's neck |
| 00:22:57 |
He sketches with his right, |
| 00:23:01 |
l think we need |
| 00:23:04 |
l know. There's also |
| 00:23:06 |
lt's your profile. |
| 00:23:09 |
lf he were the killer, chances are |
| 00:23:14 |
Psychopaths actually have |
| 00:23:17 |
You say words like ''tree,'' ''sofa,'' |
| 00:23:23 |
...a normal person's brain pattern changes, |
| 00:23:27 |
Psychopaths have no reaction. |
| 00:23:29 |
They feel the same about murder |
| 00:23:32 |
They have no emotional connection. |
| 00:23:35 |
Anyway, my point is that |
| 00:23:38 |
...he reacted... |
| 00:23:40 |
...with genuine shock and disgust. |
| 00:23:48 |
A psychopath's brain? |
| 00:23:52 |
You learn a lot of that stuff |
| 00:23:55 |
l mean, all those theories, |
| 00:23:58 |
Yeah, that's right. |
| 00:24:02 |
l'm not sure what l see in you yet, |
| 00:24:07 |
-l don't have any. |
| 00:24:09 |
You pulled a lot of them in that room. |
| 00:24:11 |
Agent Scott? |
| 00:24:14 |
-Could l talk to you for a second? |
| 00:24:20 |
l have sisters who get that look in their eye |
| 00:24:25 |
-l'm sorry if l'm wrong, but-- |
| 00:24:28 |
-Thank you. |
| 00:25:20 |
-Agent Scott. |
| 00:25:27 |
-You haven't slept yet. |
| 00:25:31 |
There's a guard |
| 00:25:34 |
And we're right by a road. |
| 00:25:37 |
Do you think it was staged? |
| 00:25:39 |
No. There's always |
| 00:25:42 |
A kind of arrogance. |
| 00:25:45 |
Maybe he wants us to find the bodies |
| 00:25:49 |
Yeah. But why? |
| 00:25:53 |
l mean, why? |
| 00:25:55 |
You know, |
| 00:26:16 |
Why do you do that? |
| 00:26:19 |
-What? |
| 00:26:24 |
l just think better when it's quiet. |
| 00:26:26 |
lt makes sense. |
| 00:26:36 |
With all this, |
| 00:26:39 |
-That happens, doesn't it? |
| 00:26:42 |
We're nowhere near him. |
| 00:26:58 |
Henri Bisonnette, |
| 00:27:01 |
-ls that our construction site body? |
| 00:27:04 |
His sister identified him. |
| 00:27:08 |
Bisonnette used to work for him |
| 00:27:11 |
Also, his sister said he disappeared |
| 00:27:15 |
But his credit cards have been |
| 00:27:25 |
What kind of a man was he? |
| 00:27:28 |
He lived in a small apartment... |
| 00:27:31 |
...picked up odd computer jobs... |
| 00:27:34 |
...didn't have a lot of friends. |
| 00:27:37 |
You ever do that? Go diving? |
| 00:27:39 |
My ex-wife made us take |
| 00:27:42 |
She wasn't down 20 feet |
| 00:27:56 |
That's a good one. |
| 00:28:01 |
Have you ever gone diving, |
| 00:28:07 |
No, l've never tried it. |
| 00:28:09 |
lt's very serene, right? |
| 00:28:11 |
The fish swim all around you. |
| 00:28:15 |
You'd like it, it's quiet. |
| 00:28:19 |
-l've got a hit on that sketch. |
| 00:28:21 |
Some residential hotel near the river. |
| 00:28:24 |
-What are you doing? |
| 00:28:28 |
We're still eating our breakfast. |
| 00:28:46 |
-Follow me. |
| 00:28:48 |
So he paid me cash three months |
| 00:28:52 |
Did you see him here? |
| 00:28:54 |
Yeah, that's him. |
| 00:28:56 |
But before you guys bust him, |
| 00:29:00 |
Maybe you guys can take care of that. |
| 00:29:04 |
You know what? |
| 00:29:09 |
-All right. You guys gonna pay it? |
| 00:32:08 |
Everything's clear. |
| 00:32:43 |
-Oh, shit. |
| 00:32:58 |
The ring from the finger was engraved |
| 00:33:03 |
lt's from Vancouver Secondary School. |
| 00:33:05 |
Thirty-four years old. |
| 00:33:09 |
His credit card was used yesterday |
| 00:33:12 |
-He had not been reported missing. |
| 00:33:15 |
-Let's keep it that way. |
| 00:33:17 |
Let's not reward the killer |
| 00:33:19 |
He likes attention. He'll be pissed. |
| 00:33:22 |
lf he's pissed off, he'll make a mistake. |
| 00:33:24 |
We should put a marker on Edwards' credit |
| 00:33:29 |
-So we're getting close. |
| 00:33:32 |
The lab results on Costa's DNA came in. |
| 00:33:35 |
-He's clean. |
| 00:34:38 |
Man.... |
| 00:34:40 |
You got those coffees and a sandwich? |
| 00:34:49 |
So this isn't a coincidence, right? |
| 00:34:51 |
No. |
| 00:34:53 |
The two cops outside the gallery? |
| 00:34:57 |
Does that bother you? |
| 00:35:00 |
l've been looking over my shoulder |
| 00:35:05 |
-l'm glad for the company. |
| 00:35:10 |
l can't sleep. |
| 00:35:12 |
But that's all right. |
| 00:35:14 |
l have a giant show on Friday, |
| 00:35:17 |
lf l don't sell them, |
| 00:35:20 |
So l'm throwing myself into my work. |
| 00:35:26 |
-Here you go. |
| 00:35:28 |
Did you get any responses to the sketch? |
| 00:35:33 |
Maybe. |
| 00:35:38 |
You're being vague. |
| 00:35:50 |
That night, do you remember |
| 00:35:59 |
l mean, you know... |
| 00:36:00 |
...it took me a couple seconds to see, |
| 00:36:06 |
l heard these sounds, |
| 00:36:08 |
By the time l saw Clive Morin... |
| 00:36:12 |
...you know, he wasn't doing anything. |
| 00:36:20 |
How do you know CPR? |
| 00:36:22 |
l don't. |
| 00:36:24 |
l mean, l-- |
| 00:36:26 |
l tried to do CPR on him... |
| 00:36:29 |
...but l just did what l could, you know? |
| 00:36:32 |
l imitated what l've seen on TV. |
| 00:36:37 |
You looking at my fingers? |
| 00:36:40 |
-Yes. |
| 00:36:42 |
No, this is-- This is-- l-- |
| 00:36:47 |
You know, and l.... |
| 00:36:49 |
The closer we get to the show, |
| 00:36:55 |
How long have you been doing that, |
| 00:36:59 |
l started right after school. |
| 00:37:04 |
l went to Thailand, you know? |
| 00:37:08 |
l met this very strange old man |
| 00:37:12 |
But he didn't have any money |
| 00:37:15 |
You know, he'd just paint everything. |
| 00:37:18 |
These incredible doors that he'd painted. |
| 00:37:21 |
And he gave me a couple of them. |
| 00:37:23 |
And so l brought them here |
| 00:37:26 |
...for, you know, not much money, |
| 00:37:30 |
You know? And it was a fortune to him. |
| 00:37:34 |
And that's how l started. |
| 00:37:39 |
That's very nice. |
| 00:37:43 |
l'd like to buy you a cup of coffee, |
| 00:37:49 |
Well, the first step is admitting to it. |
| 00:37:53 |
ls that a sense of humor? |
| 00:37:57 |
All that and-- What's this? |
| 00:38:05 |
My cell phone number, |
| 00:38:10 |
Anything that might be helpful. |
| 00:38:12 |
Okay. |
| 00:38:16 |
All right. Well, thanks. |
| 00:38:18 |
Okay, l'll-- |
| 00:38:21 |
Maybe you want to come |
| 00:38:24 |
You know, l think you'd like it. |
| 00:38:29 |
All right. |
| 00:38:39 |
Whoever was in that hotel room |
| 00:38:42 |
''Rebecca Asher.'' |
| 00:38:44 |
She claimed to have seen her dead son at |
| 00:38:49 |
-And what do we know about her? |
| 00:39:00 |
l'm gonna handle this one |
| 00:39:20 |
l know you've seen this picture |
| 00:39:23 |
...but if you could take |
| 00:39:28 |
Of course. |
| 00:39:34 |
Could that be your son? |
| 00:39:37 |
lt could be. |
| 00:39:47 |
l recognized him on the ferry. |
| 00:39:49 |
He had a full beard, |
| 00:39:53 |
But his eyes... |
| 00:39:56 |
...they were unmistakable. |
| 00:40:00 |
And he was pulling on his ear. |
| 00:40:04 |
lt's an old nervous tic from childhood. |
| 00:40:08 |
l could never get him to break it. |
| 00:40:11 |
Were you ever actually asked |
| 00:40:18 |
They showed me some remains... |
| 00:40:20 |
...that had been hit by a truck. |
| 00:40:25 |
l can't say that l was |
| 00:40:29 |
No, of course not. |
| 00:40:32 |
l'm sorry. |
| 00:40:39 |
-May l? |
| 00:40:50 |
Martin. |
| 00:40:51 |
No. No, that is Reese. |
| 00:40:55 |
That's Martin's older brother. |
| 00:40:58 |
By older, l mean three minutes. |
| 00:41:01 |
-Twins? |
| 00:41:04 |
Has Reese been receiving |
| 00:41:11 |
Of course you couldn't know. |
| 00:41:14 |
Reese passed away. |
| 00:41:17 |
l'm sorry. |
| 00:41:19 |
They were 1 4. |
| 00:41:21 |
They took a raft out on the Saint Michel. |
| 00:41:24 |
There had been a very big |
| 00:41:27 |
...and Martin fell overboard. |
| 00:41:30 |
Reese jumped in to save him. |
| 00:41:33 |
Only Martin reached the shore. |
| 00:41:37 |
-That must have been devastating for you. |
| 00:41:44 |
Well, it was for Martin too. |
| 00:41:47 |
You know, Reese.... |
| 00:41:52 |
He was just charismatic... |
| 00:41:54 |
...outgoing. |
| 00:41:56 |
After he died, |
| 00:42:00 |
He became violent. |
| 00:42:03 |
And when he was 1 6, he stole |
| 00:42:08 |
The police from St. Jovite |
| 00:42:12 |
...telling me about the accident. |
| 00:42:17 |
That's a great one. |
| 00:42:18 |
Oh, yes. |
| 00:42:20 |
Summer vacation, Fort Rupert. |
| 00:42:23 |
And this? |
| 00:42:25 |
Oh, that was our first symphony. |
| 00:42:28 |
-The Magic Flute. |
| 00:42:31 |
He's cute. |
| 00:42:32 |
He was. |
| 00:42:36 |
He was cute. |
| 00:42:43 |
Now, that's Martin. |
| 00:42:46 |
He always had to wear those big glasses. |
| 00:42:48 |
Half the time, l couldn't tell them apart |
| 00:42:54 |
Here, l'll just take... |
| 00:42:56 |
...that thing for you. |
| 00:43:00 |
-Oh, l forgot my purse. l'll just be-- |
| 00:43:22 |
Here you are. |
| 00:43:24 |
Thanks. l appreciate your time. |
| 00:43:28 |
You will call me |
| 00:43:31 |
Yes, of course. |
| 00:43:33 |
Good. |
| 00:43:43 |
So? |
| 00:43:44 |
How long does it take here |
| 00:44:02 |
According to his mother, Martin Asher |
| 00:44:07 |
The left radius, |
| 00:44:11 |
This kid broke a lot of bones. |
| 00:44:14 |
Mostly in his face, hands and torso. |
| 00:44:19 |
But as you can see, |
| 00:44:23 |
This isn't the body of Martin Asher. |
| 00:44:28 |
Okay. We better |
| 00:44:33 |
Here, Mrs. Asher, 601 . |
| 00:44:36 |
No, no. l'm afraid that room |
| 00:44:38 |
lt's too near the elevator. |
| 00:44:40 |
-How'd she talk you into putting her here? |
| 00:44:46 |
She's hiding something. |
| 00:44:48 |
There's a door in the house |
| 00:44:51 |
Her house is under |
| 00:44:53 |
...but we can't just go and search it. |
| 00:44:56 |
Well, what about a headstrong FBl agent |
| 00:45:01 |
Now, that's a different story. |
| 00:48:02 |
There you are. |
| 00:48:59 |
-Scott. |
| 00:49:01 |
The crime scene investigators think he came |
| 00:49:05 |
Mrs. Asher claims no one else has a key. |
| 00:49:08 |
And so far, the fingerprints |
| 00:49:11 |
-How are you feeling? You okay? |
| 00:49:16 |
-Are you sure? |
| 00:49:18 |
llleana, Leclair knows |
| 00:49:22 |
l don't think he connected you |
| 00:49:25 |
Could--? Would you come to the office |
| 00:49:29 |
Sure. |
| 00:49:30 |
-l'll see you there. |
| 00:49:37 |
Taking lives. |
| 00:49:39 |
That's what Martin Asher's |
| 00:49:42 |
His first victim, John Doe. |
| 00:49:44 |
He was clumsier then. |
| 00:49:47 |
...to fake his own death, |
| 00:49:50 |
There's a gap between |
| 00:49:54 |
...but that doesn't mean |
| 00:49:56 |
Yes, ViCLAS gave us 1 9 unsolved murders |
| 00:50:00 |
At least 1 1 match the m.o. |
| 00:50:02 |
All who either lived solitary lives |
| 00:50:07 |
Henri Bisonnette. Asher kills him, |
| 00:50:10 |
...uses his credit cards. |
| 00:50:13 |
Nothing extravagant. |
| 00:50:17 |
Then he drops him for Clark William |
| 00:50:22 |
All of these men have something in |
| 00:50:26 |
Simply, a life different from his own. |
| 00:50:29 |
l met his mother. |
| 00:50:31 |
Asher had a twin brother |
| 00:50:34 |
He died in a drowning accident. |
| 00:50:36 |
lt wouldn't take much |
| 00:50:38 |
...that she thinks Martin had something |
| 00:50:42 |
So this guy can't stand to be |
| 00:50:48 |
So... |
| 00:50:50 |
...he overlaps bodies. |
| 00:50:53 |
He's like a hermit crab. |
| 00:50:54 |
He outgrows one shell, |
| 00:50:58 |
Okay. |
| 00:51:00 |
Someone just broke |
| 00:51:03 |
All that's missing is my organizer |
| 00:51:07 |
The alarm system was cut. |
| 00:51:09 |
Yeah, right. So this doesn't feel |
| 00:51:13 |
What happened tonight, Mr. Costa? |
| 00:51:16 |
Right, listen, |
| 00:51:19 |
All my shipping stuff at night. |
| 00:51:21 |
l want a cup of coffee, |
| 00:51:24 |
l come back in, the door's busted open, |
| 00:51:29 |
You think it's him, right? |
| 00:51:30 |
We're going to assign more officers to your |
| 00:51:35 |
-That answers my question. |
| 00:51:41 |
You're meeting with someone named |
| 00:51:44 |
-ls that right? |
| 00:51:50 |
His rep called me up yesterday. |
| 00:51:54 |
Could be a really big client. |
| 00:51:59 |
You're kidding me. |
| 00:52:02 |
We'll have undercover officers |
| 00:52:04 |
The best surveillance team. |
| 00:52:06 |
We're still talking about the same guy |
| 00:52:10 |
...and cuts off their hands? |
| 00:52:13 |
He won't come within 50 yards |
| 00:52:16 |
lt would be a great service |
| 00:52:21 |
lt is a dangerous thing to do, but it is |
| 00:52:30 |
All right? |
| 00:52:33 |
All right. All right. |
| 00:52:36 |
But only in service |
| 00:52:46 |
ls he gonna drive me home? |
| 00:52:48 |
Could Agent Scott drive me home? |
| 00:52:55 |
l should have stayed |
| 00:52:58 |
l had a nice gallery, three paintings |
| 00:53:02 |
lf you stayed there, we wouldn't have had |
| 00:53:07 |
And that's made a big difference. |
| 00:53:12 |
-That's a generous way of looking at it. |
| 00:53:15 |
No, just keep going straight, |
| 00:53:28 |
Can l...? |
| 00:53:30 |
Can l ask you a question? |
| 00:53:33 |
Yes. |
| 00:53:35 |
How do you do it? |
| 00:53:37 |
How do you live your life |
| 00:53:40 |
...ugliness? You know, |
| 00:53:44 |
...and victims and these pictures, |
| 00:53:48 |
What l'm going through, just a little bit, |
| 00:53:52 |
-This is my job. |
| 00:53:55 |
-There are better jobs. |
| 00:54:00 |
21 9? Yeah, yeah, right up here. |
| 00:54:03 |
-You say that like it's a punishment. |
| 00:54:09 |
lt's more like a compulsion. |
| 00:54:24 |
Okay, we're here. |
| 00:54:27 |
What compels you? |
| 00:54:37 |
What compels you? |
| 00:54:43 |
Fine. When l was 1 2 years old... |
| 00:54:47 |
...l heard a noise downstairs |
| 00:54:50 |
So.... So l went down. |
| 00:54:55 |
And somebody had broken into |
| 00:54:58 |
He saw me and he came towards me. |
| 00:55:03 |
And l killed him. |
| 00:55:06 |
He was 1 6 years old. |
| 00:55:12 |
But l killed him. |
| 00:55:16 |
That's what compels me. |
| 00:55:23 |
-Walk you to the door, Mr. Costa? |
| 00:55:37 |
What does Mr. Agent Scott |
| 00:55:41 |
l'm not married. |
| 00:55:43 |
l just-- l just wear that. |
| 00:55:48 |
So listen, tomorrow.... |
| 00:55:51 |
lt's gonna be okay. |
| 00:55:53 |
Try to get some sleep. |
| 00:55:56 |
Then l'll look forward |
| 00:56:14 |
ls there some kind of signal |
| 00:56:17 |
-You know, like-- |
| 00:56:21 |
We've got five men on the inside |
| 00:56:24 |
So don't worry. When he shows up, |
| 00:56:29 |
Well, that's a comfort. |
| 00:57:12 |
Everything okay? |
| 00:57:13 |
-What? |
| 00:57:16 |
-Refill? |
| 00:57:19 |
-Scotch, right? |
| 00:57:36 |
He's late. |
| 00:57:38 |
Yes, he is. |
| 00:58:23 |
l just got a note. lt says, |
| 00:59:02 |
l'm going to the restroom. |
| 00:59:39 |
Meet me outside. |
| 00:59:44 |
What's going on? |
| 00:59:45 |
-We thought it best to cut it off. |
| 00:59:49 |
-He must've made us. |
| 00:59:52 |
He saw you? He knows what's happening? |
| 00:59:56 |
-Take it easy, okay? |
| 01:00:00 |
The bait always dies. |
| 01:00:07 |
Oh, boy. |
| 01:00:12 |
This ought to provide you |
| 01:00:17 |
Single art dealer... |
| 01:00:20 |
...living in constant state |
| 01:00:25 |
Purchases firearm, even though |
| 01:00:29 |
...for a false sense of security. |
| 01:00:35 |
-You-- You can come in, you know. |
| 01:00:40 |
You two, back door. |
| 01:00:44 |
You'll be safe. |
| 01:00:46 |
-...and two in the hallway. Okay? |
| 01:00:54 |
Just going to check the street |
| 01:00:57 |
lf you need anything, you know how |
| 01:01:00 |
-Yeah. Back there at the bar-- |
| 01:01:03 |
No, l really wish |
| 01:01:07 |
l wasn't helping anybody. |
| 01:01:10 |
You've been great. |
| 01:01:12 |
You're making me sound nicer than l am. |
| 01:01:14 |
-You are nice. |
| 01:01:18 |
That's the kiss of death. |
| 01:01:19 |
What do you mean? |
| 01:01:22 |
Us nice guys never get the girl. |
| 01:01:33 |
l should go. |
| 01:01:35 |
You know how to find us. |
| 01:01:49 |
So l'm leaving. |
| 01:01:52 |
What do you mean? |
| 01:01:53 |
My job is done here. |
| 01:01:55 |
You have a profile and a witness. |
| 01:01:58 |
llleana... |
| 01:02:00 |
...we need someone who can get |
| 01:02:03 |
-You have that, and you have a suspect. |
| 01:02:09 |
What's really going on here? |
| 01:02:11 |
Nothing. |
| 01:02:13 |
Please. What is it? |
| 01:02:17 |
l might be having a reaction |
| 01:02:21 |
A reaction? |
| 01:02:23 |
Favorable. |
| 01:02:26 |
One that could cloud my judgment. |
| 01:02:28 |
l see. |
| 01:02:33 |
llleana... |
| 01:02:35 |
...how long did we know each other |
| 01:02:38 |
-Six months. |
| 01:02:40 |
-...were you asked for a drink? |
| 01:02:43 |
How many times |
| 01:02:46 |
-Every time. |
| 01:02:47 |
...l think it takes a lot |
| 01:02:50 |
Listen, l have to catch this guy. |
| 01:02:55 |
l really need you. |
| 01:02:58 |
Please. |
| 01:03:25 |
At least the food is good. |
| 01:03:28 |
Yeah, because the art is shit. |
| 01:03:33 |
Try not to look so much like cops. |
| 01:03:48 |
l almost didn't recognize you |
| 01:03:51 |
-That's nice. |
| 01:03:54 |
-Have a drink. |
| 01:03:56 |
l mean, it's just water. |
| 01:03:59 |
-All right? |
| 01:04:02 |
-Excuse me. |
| 01:04:06 |
You know, it just.... |
| 01:04:09 |
The sky in it reminds me |
| 01:04:14 |
Where'd you grow up? |
| 01:04:16 |
-Just outside Harrisburg, Pennsylvania. |
| 01:04:21 |
-l'll let you get back to work. |
| 01:04:52 |
lt's him. |
| 01:04:54 |
Freeze! |
| 01:06:32 |
So now he's running loose again. |
| 01:06:34 |
We lost him in the crowd. |
| 01:06:37 |
''Fucking mob scene.'' And Costa? |
| 01:06:40 |
Shaken up, but he wasn't hurt. |
| 01:06:43 |
What do you think his next move is? |
| 01:06:45 |
l think he sees James Costa |
| 01:06:48 |
We've got Costa on a flight |
| 01:06:54 |
Then l want one of you to take him |
| 01:06:57 |
Okay, l'll go. |
| 01:06:58 |
Dismissed. |
| 01:07:08 |
Oh, hey. Would you mind taking these? |
| 01:07:11 |
-We are running a little late. |
| 01:08:05 |
Hi, James. |
| 01:08:07 |
Where you going? |
| 01:08:17 |
Not leaving, are you? |
| 01:08:21 |
Come on, after all these fun games |
| 01:08:24 |
All this time that l've put into it? |
| 01:08:29 |
Take a seat. |
| 01:08:34 |
There's a police officer |
| 01:08:38 |
l also couldn't help but notice |
| 01:08:46 |
And that... |
| 01:08:48 |
...is not... |
| 01:08:50 |
...okay! |
| 01:08:57 |
Now, l thought you and l |
| 01:09:01 |
The kind that demanded |
| 01:09:04 |
But obviously, you don't understand. |
| 01:09:06 |
So l'm gonna explain it to you again. |
| 01:09:09 |
You have something that l want. |
| 01:09:13 |
Therefore... |
| 01:09:14 |
...it's mine. |
| 01:09:17 |
So this idea of running away... |
| 01:09:20 |
...it's not gonna happen. |
| 01:09:23 |
l need you to answer something for me. |
| 01:09:26 |
What did you tell the police about me? |
| 01:09:29 |
What do the police know about--? |
| 01:09:53 |
Help! |
| 01:09:55 |
Help me! |
| 01:09:57 |
Help! |
| 01:10:07 |
Drop it. |
| 01:10:11 |
l said, drop it! |
| 01:10:50 |
This is Agent Scott. |
| 01:10:58 |
Shit. |
| 01:12:44 |
Help! |
| 01:13:03 |
ls he dead? |
| 01:13:09 |
Help! ls he dead? |
| 01:13:12 |
-He shot Duval. |
| 01:13:15 |
lt's him? |
| 01:13:16 |
-Drop your weapon! |
| 01:13:19 |
-Drop your weapon! |
| 01:13:22 |
Move, move! Go! |
| 01:13:56 |
He was lucky. |
| 01:13:58 |
An accident like this, only stitches. |
| 01:14:01 |
Do you know where he was taking you, |
| 01:14:04 |
l have no idea. |
| 01:14:08 |
l think he wanted to add Mr. Costa |
| 01:14:13 |
l'm so sorry about lnspector Duval. |
| 01:14:16 |
He was trying to save my life. |
| 01:14:19 |
-So, what now? |
| 01:14:22 |
Asher's DNA matches the hairs |
| 01:14:26 |
So it's over? |
| 01:14:29 |
l will need a statement from you, |
| 01:14:33 |
Other than that, yeah, it's over. |
| 01:14:37 |
You did a very brave thing |
| 01:14:44 |
You were great. |
| 01:14:49 |
Thank you. |
| 01:14:55 |
Bye. |
| 01:18:37 |
-May l help you? |
| 01:18:40 |
Of course. |
| 01:18:45 |
l'm so sorry, sir. |
| 01:18:48 |
Can l take a message for her? |
| 01:18:50 |
No. |
| 01:19:55 |
What? |
| 01:19:59 |
lt's the stitches. |
| 01:20:07 |
Looks like you opened up some last night. |
| 01:20:10 |
l'll have to redo some of them. |
| 01:20:21 |
-They got art down there, don't they? |
| 01:20:25 |
Down there in Washington, D.C. |
| 01:20:28 |
Those politician types, they like to hang |
| 01:20:32 |
l'm just saying, l could start a little.... |
| 01:20:35 |
You know, a gallery. |
| 01:20:39 |
l could find a space there. |
| 01:20:42 |
They have galleries there, right? |
| 01:20:47 |
Oh, God. |
| 01:20:53 |
Where is it? Oh, my God. |
| 01:20:57 |
Scott. |
| 01:21:00 |
She's here? |
| 01:21:01 |
No. l'm in the hospital already. |
| 01:21:05 |
-Be gentle. |
| 01:21:10 |
That was Leclair. |
| 01:21:12 |
-l have to meet him upstairs. |
| 01:21:17 |
Do you wanna come back here |
| 01:21:21 |
Lobby. |
| 01:21:24 |
All right. |
| 01:21:32 |
How's your friend? |
| 01:21:35 |
-He's fine. |
| 01:21:38 |
...but if you could just give us |
| 01:21:42 |
l understand. |
| 01:21:51 |
Can't touch the body. |
| 01:21:54 |
l'll touch anything l wish. |
| 01:22:18 |
Crazy old bat. |
| 01:22:27 |
Mrs. Asher? |
| 01:22:28 |
Mrs. Asher! |
| 01:22:30 |
Mrs. Asher? |
| 01:22:34 |
Hello, Mother. |
| 01:23:00 |
All l ever wanted... |
| 01:23:04 |
...was to love you. |
| 01:23:08 |
But you wouldn't let me. |
| 01:23:11 |
lt was always Reese. |
| 01:23:13 |
You could have had me forever, but you... |
| 01:23:18 |
...ruined it. You ruined... |
| 01:23:22 |
...everything. |
| 01:23:29 |
Step back, Martin. |
| 01:23:35 |
You don't frighten me. |
| 01:24:26 |
llleana! |
| 01:24:29 |
llleana! |
| 01:24:34 |
Costa did it. |
| 01:24:36 |
Costa did it. |
| 01:24:39 |
Costa is Asher. |
| 01:24:41 |
-What did you say? |
| 01:24:43 |
-Costa did it. |
| 01:24:45 |
-Where? |
| 01:24:47 |
-Down? Up? |
| 01:24:49 |
Which one? |
| 01:24:57 |
Fuck! |
| 01:25:28 |
Come on, for fuck's sakes. |
| 01:25:44 |
Hey, man. l found these in the machine. |
| 01:25:47 |
-Yeah. Thanks, man. |
| 01:25:59 |
You don't trust us, but you did trust her |
| 01:26:04 |
Case was closed. She's handled herself |
| 01:26:07 |
Bullshit! |
| 01:26:09 |
Tell that to Duval. You remember Duval? |
| 01:26:12 |
And the poor bastard lying in the morgue? |
| 01:26:17 |
l know how you feel. |
| 01:26:19 |
lf you have something to say, |
| 01:26:21 |
-What did you say? |
| 01:26:25 |
Paquette! |
| 01:26:42 |
For the past four years, |
| 01:26:45 |
Quebec, Alberta, Manitoba, BC last year. |
| 01:26:49 |
Whenever l hear about some star kid. |
| 01:26:51 |
-Always traveling? |
| 01:26:55 |
-Tough on the wife, though. |
| 01:26:57 |
No? So it's just you |
| 01:27:02 |
Susan and Debbie. |
| 01:27:03 |
And where are they? |
| 01:27:05 |
-They're back home in Tracadie. |
| 01:27:09 |
Hockey's big out there. |
| 01:27:10 |
Yeah, there's nothing else to do |
| 01:27:13 |
-You play as a kid? |
| 01:27:16 |
World Junior Team two years in a row. |
| 01:27:18 |
No shit. l could tell, l could tell. |
| 01:27:20 |
You got all that residual confidence |
| 01:27:25 |
The way you smoke... |
| 01:27:28 |
...your voice... |
| 01:27:30 |
...it's a little low. |
| 01:27:31 |
Trying to be cool, so kids at the rink |
| 01:27:36 |
What the fuck you saying, man? |
| 01:27:39 |
Don't get tense. |
| 01:27:46 |
That's Christopher Hart. |
| 01:27:48 |
-What do we know about him? |
| 01:27:53 |
Costa was selling stolen art for him. |
| 01:27:56 |
E-mails show Costa wasn't paying him. |
| 01:27:58 |
All Hart wanted was his money. |
| 01:28:01 |
He owed him over $80,000. |
| 01:28:05 |
Costa set him up. |
| 01:28:07 |
Yeah. |
| 01:28:30 |
Hi. Are you there? |
| 01:28:35 |
lt's me. |
| 01:28:38 |
-Who is this? |
| 01:28:43 |
Come on, llleana. |
| 01:28:45 |
You didn't fall for James Costa. |
| 01:28:47 |
Somebody as beautiful |
| 01:28:52 |
...doesn't fall for a faggy art dealer. |
| 01:28:54 |
Okay? |
| 01:28:56 |
That guy was nothing, all right? |
| 01:29:00 |
l was the best thing |
| 01:29:03 |
You looked at him... |
| 01:29:06 |
...and you saw me. |
| 01:29:09 |
And l looked at you, and l saw you. |
| 01:29:13 |
And we are the same. |
| 01:29:16 |
Fuck you. |
| 01:29:17 |
''Fuck you''? |
| 01:29:20 |
Fuck you. Yeah, l did fuck you. |
| 01:29:23 |
Remember making love with those pictures |
| 01:29:27 |
Let's face it, llleana... |
| 01:29:29 |
...an ordinary person does not love that |
| 01:29:34 |
l mean, coming inside of you |
| 01:29:37 |
And l feel so much better now. |
| 01:29:41 |
Everything just keeps going my way, |
| 01:29:46 |
Bye-bye. |
| 01:29:50 |
-What'd he say? |
| 01:29:51 |
A hit. Morin's credit card. |
| 01:29:54 |
-...to Moncton 3 hours ago. |
| 01:29:57 |
Get Commander Hache on the phone |
| 01:30:24 |
l'll be fine. |
| 01:30:26 |
Thank you. |
| 01:30:41 |
l want a cup of coffee, |
| 01:30:45 |
l come back in, the door's busted open, |
| 01:30:51 |
This isn't a coincidence, is it? |
| 01:31:02 |
Help! |
| 01:31:54 |
Police! |
| 01:32:11 |
Seal off all the exits. |
| 01:32:19 |
You. |
| 01:32:47 |
After carefully reviewing Special Agent |
| 01:32:51 |
...the Office of Professional Responsibility |
| 01:32:56 |
...citing egregious lack of judgment... |
| 01:32:59 |
...and conduct unbecoming |
| 01:33:02 |
Though the Bureau is saddened to lose |
| 01:33:06 |
...we're confident that this decision |
| 01:33:49 |
Last reported observation |
| 01:33:53 |
...showed wind gusts to 80 knots. |
| 01:33:55 |
Clouds to 8000 feet. |
| 01:34:00 |
Air temperature currently 1 0 degrees. |
| 01:34:05 |
Sweetheart, you should |
| 01:34:09 |
lt's miserable out there. |
| 01:34:14 |
-Thanks. See you, Liz. |
| 01:34:19 |
-You be careful, huh? |
| 01:36:45 |
l scared you. l'm sorry. |
| 01:36:47 |
Come on, have a seat. |
| 01:36:50 |
No, no. Come on, have a seat. |
| 01:36:56 |
You were making some tea? |
| 01:36:58 |
All right, let me make you a cup. |
| 01:37:06 |
Are you...? What are you looking for? |
| 01:37:12 |
You looking...? |
| 01:37:15 |
You looking for this? |
| 01:37:18 |
Now, you see, |
| 01:37:23 |
l mean, you got these planted |
| 01:37:29 |
Got this one behind the fridge. |
| 01:37:32 |
You got one under the bed... |
| 01:37:35 |
...the underside of the bathtub. |
| 01:37:38 |
You must be awfully scared |
| 01:37:41 |
ls that it? |
| 01:37:43 |
You feeling scared? |
| 01:37:49 |
l followed all that business |
| 01:37:55 |
...which, l thought... |
| 01:37:57 |
...was completely bogus, by the way. |
| 01:38:01 |
They were lucky to have you. |
| 01:38:05 |
But then you just disappeared. |
| 01:38:09 |
You dropped out. |
| 01:38:12 |
You left a few footprints, though, |
| 01:38:17 |
l thought you were pretty easy to find. |
| 01:38:21 |
Come out here, |
| 01:38:25 |
You don't make any phone calls. |
| 01:38:27 |
Here you go. |
| 01:38:33 |
Careful, it's still hot. |
| 01:38:40 |
And then l saw |
| 01:38:45 |
...and l knew |
| 01:38:51 |
They're boys, aren't they? |
| 01:38:53 |
Twins? |
| 01:39:06 |
l like going into their room. |
| 01:39:09 |
lt's full of so much love and warmth. |
| 01:39:13 |
l can.... |
| 01:39:16 |
l can picture them in there, playing... |
| 01:39:19 |
...having fun. |
| 01:39:23 |
You and l... |
| 01:39:27 |
...watching... |
| 01:39:31 |
...and laughing. |
| 01:39:35 |
You and l. |
| 01:39:42 |
We can start fresh. |
| 01:39:49 |
We can do this. |
| 01:39:54 |
What? What is it? |
| 01:39:57 |
l don't want to. |
| 01:40:05 |
l'm sorry. Those are our babies. |
| 01:40:08 |
-l know those are. |
| 01:40:10 |
These are James Costa's babies. |
| 01:40:13 |
l don't know who you are. |
| 01:40:24 |
Why would you say something like that? |
| 01:40:29 |
Why would you say something like that? |
| 01:40:32 |
-Take it back. |
| 01:40:37 |
All right. |
| 01:40:39 |
All right. Well, then stand up. Come on. |
| 01:40:47 |
Stand up. |
| 01:40:59 |
You okay? |
| 01:41:04 |
-Whose babies are they? |
| 01:41:06 |
They're mine? |
| 01:41:10 |
Give me a kiss. |
| 01:41:39 |
Kiss me. |
| 01:41:45 |
lt's all right. |
| 01:41:47 |
l'm not gonna kill you. |
| 01:41:51 |
You're probably getting light-headed |
| 01:41:56 |
lt's okay. |
| 01:42:02 |
Okay. All right, come. |
| 01:42:04 |
Give those to me. |
| 01:42:07 |
lt's all right. lt's all right. |
| 01:42:11 |
Hey, calm down. Give it to me. |
| 01:42:16 |
Calm down. |
| 01:42:19 |
Give it to me. All right? |
| 01:42:29 |
What are you doing? |
| 01:42:32 |
What is wrong with you? |
| 01:42:36 |
Okay! |
| 01:42:39 |
You gonna calm down? |
| 01:42:42 |
l don't want to hurt you. |
| 01:42:45 |
-Are you gonna calm down? |
| 01:43:17 |
Everything you saw... |
| 01:43:20 |
...l wanted you to see. |
| 01:43:31 |
Fuck you. |
| 01:44:21 |
Hello. lnspector Leclair. |
| 01:44:24 |
-Leclair. |
| 01:44:28 |
ls it done? |
| 01:44:30 |
-lt's over. |
| 01:44:35 |
They'll be there soon. |
| 01:49:02 |
[ENGLlSH] |
