Taking Woodstock
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Don't jump in the pool. |
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The water we put in |
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...in |
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The U.S. Command reports 148 |
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the lowest weekly figure in six |
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...they |
00:02:34 |
There |
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the Sea of Galilee and |
00:02:38 |
These exchanges and raids are |
00:02:42 |
and the country is |
00:02:44 |
NBC news correspondent, |
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In spite |
00:02:51 |
Israeli intelligence officers do |
00:02:55 |
unless the Arab |
00:02:57 |
And that's the |
00:02:59 |
that Arab frustration |
00:03:05 |
In a day |
00:03:06 |
Captain Neil Armstrong |
00:03:09 |
entered the final |
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for the July 16th |
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NASA officials report |
00:03:16 |
that the third and final day of |
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while inside |
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the astronauts performed simulated |
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What? Excuse me. I can't possibly stay. |
00:03:31 |
This establishment isn't |
00:03:34 |
Fine, go. Yes, well, here's your key. |
00:03:37 |
It didn't fit the lock, but |
00:03:41 |
You went into the room? |
00:03:43 |
And now I must insist |
00:03:45 |
After you already |
00:03:48 |
What kind of scam |
00:03:50 |
And besides... |
00:03:53 |
Well, this is ridiculous! |
00:03:55 |
The so-called air |
00:03:56 |
an empty plastic |
00:03:58 |
The room was filthy. Indeed, I |
00:04:03 |
There wasn't even |
00:04:06 |
Ma. |
00:04:07 |
Please, we're late already. |
00:04:09 |
My son, |
00:04:12 |
This man is threatening me for a refund! |
00:04:25 |
I'm sorry. You're over $5,000 |
00:04:29 |
The home office is |
00:04:31 |
Mr. Spiers, |
00:04:34 |
It's a resort now? |
00:04:36 |
...and Motel is my |
00:04:39 |
With the addition |
00:04:40 |
and these new town-wide |
00:04:42 |
Initiatives? |
00:04:45 |
As you know, I have been |
00:04:46 |
of the Bethel |
00:04:48 |
The youngest president |
00:04:50 |
We've decided to erect a tourist |
00:04:54 |
I have agreed, on behalf |
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to lease at no cost some |
00:04:57 |
which should coincidentally drive |
00:05:01 |
In addition... |
00:05:03 |
you know I do everything I can to help. |
00:05:05 |
We even bought one |
00:05:08 |
But don't try to sell me |
00:05:11 |
or the culture festival |
00:05:13 |
were supposed to dig |
00:05:15 |
We've decided to go classical |
00:05:18 |
maybe a string quartet, more |
00:05:21 |
Very avant-garde. And we've got |
00:05:24 |
You have a theater |
00:05:27 |
The Earthlight Players. |
00:05:32 |
They live in the barn? |
00:05:35 |
They do everything |
00:05:37 |
You haven't |
00:05:39 |
The sign in |
00:05:41 |
Mr. Spiers, my God, please. |
00:05:44 |
begging for mercy, |
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This fixation about the barn. |
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I was just... I'm an old woman, |
00:05:52 |
I walked here all the way |
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in 20-foot snow drifts, |
00:06:00 |
I escaped the pogroms, |
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with nothing but cold |
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Mrs. Teichberg, please... |
00:06:09 |
For more persecution! |
00:06:12 |
I know it, isn't it? |
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This is the Catskills. |
00:06:16 |
Half the summer colonies are |
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Until the day they need you, |
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Ma, |
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Jackson, just give us |
00:06:30 |
The summer season's coming up, I |
00:06:33 |
owed me from my interior |
00:06:38 |
Please? |
00:06:48 |
Mother-son ballroom class |
00:06:53 |
That's kinder-dancing for |
00:06:57 |
Dad, you gotta |
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the Nazi stuff and |
00:07:01 |
You think I can tell |
00:07:06 |
I gotta get back to the city. |
00:07:10 |
We'll get the money. |
00:07:12 |
Let them take |
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I'll die in peace, |
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Mr. Tiber. |
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I admitted your sister |
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And some gentlemen |
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Oh, yeah. |
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There you are. |
00:07:46 |
How did it go |
00:07:49 |
How do you think it went? Till |
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What about the money |
00:07:56 |
for that nightclub |
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They have a surprisingly strict |
00:08:03 |
They don't. |
00:08:05 |
You want some more paintings? |
00:08:08 |
No, I already have 10 of them. |
00:08:13 |
Of course you're broke, |
00:08:15 |
after all the money you've sunk |
00:08:18 |
And I bet Ma's never even |
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No, but I can sense it. |
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The special way she |
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with just her left eye, |
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Elliot. Now is your time |
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to go to California |
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to paint and design. Be free, stop |
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I can't give up on them now. Why not? |
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I'm the one they |
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I guess that means they |
00:08:52 |
That must be a great |
00:09:07 |
Dad, that's bleach |
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It kills the germs. |
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Elli? What? What are you |
00:09:23 |
They're dirty. |
00:09:26 |
Those two, they didn't do nothing |
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But, Ma... |
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who's paying |
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And you, theater girl, |
00:09:43 |
All of you! |
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Lazy people. |
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Let's call to order. |
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Last meeting, we all said we'd each |
00:10:04 |
Well, okay. |
00:10:07 |
We got a lot of dairy farms |
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And a fair number of bulls. |
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Okay, you've all |
00:10:16 |
of the bulls in |
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Pampoona. |
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Well, no one's doing |
00:10:23 |
Seems to be a big |
00:10:26 |
It would be very amusing |
00:10:30 |
from Levitsky's |
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you know, the ones with the |
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running for their lives |
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Wouldn't that be |
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We're writing it all down. |
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Any other ideas? |
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Marge, you can't bring |
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I've written |
00:10:57 |
but I think a letter from |
00:11:00 |
would be much |
00:11:02 |
A monorail linking downtown |
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would be a tremendous spur |
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Jesus. Look, people, I said I |
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if you could stay out of |
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We have some serious local |
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Such as? |
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For starters, |
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I need a permit |
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for a fish-toss |
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I knew it. I knew it. You're just |
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Now, come on, Marge. All right, |
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I got it here. |
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Yeah, that's all |
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Here you go. |
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And I've got my |
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El Monaco summer |
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which will also inaugurate |
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of the tourist |
00:11:57 |
Annie, if your grandson and his |
00:12:00 |
tell them to |
00:12:03 |
Okay. |
00:12:04 |
Do I hear a motion to |
00:12:07 |
I so move. |
00:12:13 |
Seconded? |
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Oh, for crying |
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Good night. |
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Good night, Annie. |
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See you, Elliot. |
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Bye, everyone. |
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Good night, Carol. Fuck! Fuck! |
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Jesus! |
00:12:46 |
What? |
00:12:50 |
Hey, Billy, you're back. |
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Yeah. |
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Staying with big brother Dan |
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till I get my own pad. |
00:13:02 |
Yeah, 'cause |
00:13:03 |
made a tiny little |
00:13:05 |
and blew all his Army pay. |
00:13:10 |
Bangkok, man. |
00:13:15 |
Come on, we gotta go. |
00:13:20 |
Great seeing you |
00:13:44 |
Hey, Elliot. |
00:13:45 |
The usual? |
00:13:47 |
Extra bacon, please. |
00:13:48 |
Hey, Elliot. |
00:13:50 |
I hear you've moved |
00:13:52 |
Just helping Mom and |
00:13:55 |
Well, I hope you have |
00:13:58 |
Miriam and I just love listening |
00:14:01 |
Sure, Max. This year, I'm going |
00:14:04 |
Looks like you're |
00:14:06 |
What, there's a recall vote |
00:14:09 |
This says here |
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gonna have |
00:14:12 |
Some hippie thing |
00:14:14 |
so they've set |
00:14:18 |
Wow, Janis Joplin. |
00:14:20 |
Guess that beats playing a |
00:14:23 |
Then again, it'll probably turn |
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Let Wallkill have them. |
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Extra bacon. |
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You want your receipt? |
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Thanks, Dave. |
00:14:34 |
See you later. |
00:14:52 |
No, no, no, |
00:14:56 |
Tonight's dinner |
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and for dessert, |
00:15:04 |
I killed it! |
00:15:06 |
That clock was |
00:15:09 |
Your mother. |
00:15:12 |
Maybe I didn't break it. Maybe |
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Maybe we only think we |
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Hi, Elliot. |
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Thank you, Elliot. |
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It hasn't been touched |
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in the Midwood |
00:15:37 |
How's the show shaping up? |
00:15:40 |
Great. Hope you guys |
00:15:44 |
You're probably gonna |
00:15:46 |
Only takes one extra soul |
00:15:50 |
And theater |
00:15:54 |
But it's hard, |
00:15:57 |
Concentrating on? |
00:15:59 |
We're just, |
00:16:03 |
Hungry? As in... |
00:16:04 |
Yeah, |
00:16:08 |
For, like, foodstuffs. |
00:16:13 |
You don't have any potatoes |
00:16:19 |
I can barter some |
00:16:23 |
Me and grass, |
00:16:26 |
But let me see what I |
00:16:29 |
and you guys can pay us |
00:16:32 |
Or not, I guess. |
00:16:34 |
Front row seats, man. |
00:16:38 |
I'm bored! I'm bored! I'm bored! |
00:16:42 |
That house was ours, |
00:16:44 |
But he took out |
00:16:45 |
and now his wife |
00:16:47 |
I can't take it any longer! |
00:16:50 |
Please throw me out, just |
00:17:12 |
Hello? |
00:17:16 |
Steven, hi. What are you |
00:17:21 |
I just made bail. |
00:17:23 |
The pigs raided the bar |
00:17:27 |
But you should come back. I think |
00:17:31 |
Come up here. You can start |
00:17:35 |
It would be wild. |
00:17:37 |
I was just calling, |
00:17:40 |
New York hasn't been |
00:17:42 |
I mean, it hasn't been as depressing, |
00:17:45 |
So, me and Marcus, we're hitching |
00:17:48 |
Do you remember him? |
00:17:49 |
The one with the doll |
00:17:52 |
We're moving to San |
00:18:00 |
Elliot? You there? |
00:18:03 |
Yeah, I'm still here. |
00:18:07 |
Hey, thanks for the call. |
00:18:12 |
And drop me a line |
00:18:16 |
Okay. |
00:18:39 |
Elli. There's something |
00:18:59 |
Take cover, man. |
00:19:02 |
What is it? |
00:19:05 |
Can't you feel it? |
00:19:07 |
It's like, when |
00:19:10 |
and we fragged |
00:19:13 |
so then they just |
00:19:16 |
But someone's gotta go back |
00:19:18 |
'cause I gotta |
00:19:19 |
He doesn't have |
00:19:23 |
It's okay, Billy. |
00:19:25 |
The radio's working |
00:19:27 |
I can call from there. |
00:19:32 |
And I'll do some |
00:19:35 |
they can send up |
00:19:39 |
and the VC |
00:19:42 |
And I can call in |
00:19:43 |
What the fuck you |
00:19:46 |
I don't know. |
00:19:50 |
I thought maybe I could be in |
00:19:54 |
If it made you |
00:19:57 |
That's cool. |
00:20:04 |
You all right? |
00:20:19 |
Man, I am fucked up. |
00:20:25 |
You think I should take those |
00:20:29 |
I should probably just |
00:20:31 |
but then I just |
00:20:34 |
and then there's the |
00:20:44 |
Never thought I'd end |
00:20:52 |
I'm thinking, maybe I |
00:20:56 |
That doesn't sound |
00:21:00 |
Over in 'Nam, I'm fucking normal. |
00:21:09 |
Hey, you should join up. |
00:21:10 |
Me? |
00:21:12 |
No. They wouldn't |
00:21:14 |
Yeah? |
00:21:18 |
Right. Feet. |
00:21:23 |
Fuck. |
00:21:25 |
Yeah, you're not fucking |
00:21:28 |
I guess not. |
00:21:35 |
All I know is we're |
00:21:56 |
Eat. |
00:22:24 |
Thank you, Elliot. |
00:22:26 |
For the backdrops you painted for |
00:22:30 |
It's like a Mandela. Actually, |
00:22:33 |
Well, the colors, |
00:22:38 |
You're welcome, Dev. |
00:22:40 |
Hey, you guys |
00:22:44 |
Uh... |
00:22:47 |
Maybe next time. |
00:22:51 |
No, I'm cool. |
00:22:54 |
Hey, man, |
00:22:56 |
The festival. |
00:22:58 |
They pulled the permit. |
00:23:00 |
In Wallkill? |
00:23:02 |
The Wallkillians killed it. |
00:23:06 |
We were all hoping to score |
00:23:11 |
Could have been beautiful. Joan |
00:23:15 |
Maybe even Dylan. |
00:23:18 |
Dylan. |
00:23:22 |
Can I get that |
00:23:27 |
Is everything |
00:23:34 |
Operator. |
00:23:36 |
Hi, Alice. Can you connect |
00:23:38 |
the Woodstock Ventures |
00:23:41 |
a gentleman by |
00:23:46 |
Elli! What is this |
00:23:49 |
What does it look like? I'm |
00:23:52 |
With the clean sheets? |
00:23:56 |
Making a Ku Klux Klan |
00:23:59 |
No, it's so they can find us. Who? |
00:25:08 |
Hey, man. Good to see you. Hi. |
00:25:14 |
You don't remember |
00:25:16 |
Do we know each other? |
00:25:19 |
I lived down the street from |
00:25:22 |
I'm Michael Lang, |
00:25:26 |
Yeah, yeah, I kind of |
00:25:29 |
Hey, it's Michael, from |
00:25:34 |
You! Cover your parts! |
00:25:38 |
In the barn. Get in the |
00:25:44 |
Get inside! |
00:25:47 |
So, here we are. |
00:25:50 |
Yes, as I mentioned |
00:25:52 |
You have a permit. |
00:25:58 |
It's a start. |
00:26:01 |
Very cool. |
00:26:04 |
Please. |
00:26:06 |
Mr. Teichberg. |
00:26:32 |
Hey, people! |
00:26:36 |
Hey, Elli, can we |
00:26:38 |
Of course, I'll show |
00:26:51 |
You've got some |
00:26:53 |
Absolutely, |
00:27:05 |
So... |
00:27:24 |
Shit! |
00:27:29 |
Michael, for Christ's sake, |
00:27:33 |
Maybe we could get some bulldozers |
00:27:36 |
You're kidding me. |
00:27:38 |
He's got a permit. He's the |
00:27:42 |
And because of that you wanna |
00:27:45 |
Look, honestly, you guys can |
00:27:47 |
That's fine |
00:27:49 |
You could... For example, |
00:27:51 |
an incredible amount |
00:27:52 |
and it would dry |
00:27:55 |
And then you could just compact |
00:27:57 |
and people could |
00:28:02 |
Radical thinking, Elliot. I assume |
00:28:09 |
Or... Okay, |
00:28:11 |
and hang, like, a parachute over the |
00:28:15 |
No? |
00:28:17 |
How about you just |
00:28:19 |
Hey, don't lose |
00:28:26 |
Jake, they are leaving! |
00:28:30 |
Elli, have you offered |
00:28:34 |
We may not have vacancy for |
00:28:36 |
Ma, they're not staying. |
00:28:41 |
My husband is |
00:28:44 |
Here. Thank you, Mrs. Teichberg. |
00:28:49 |
Here. Try some of this. |
00:28:52 |
It is the best chocolate milk in |
00:29:00 |
Have some water. |
00:29:06 |
What's his name? Or her. Lou. |
00:29:09 |
Wow. That is excellent |
00:29:13 |
Yeah, it comes from |
00:29:17 |
They eat local grass. That |
00:29:21 |
And there's a lot of it, |
00:29:24 |
just a couple of miles |
00:29:34 |
I've always been a big supporter |
00:29:37 |
and I always enjoy his |
00:29:40 |
That's why we're here. Miriam and |
00:29:47 |
It's fate. |
00:29:49 |
It's beautiful. |
00:29:51 |
Although some of the local |
00:29:56 |
can be a little trying, if |
00:29:59 |
Yeah, but it's the effort |
00:30:02 |
And they do |
00:30:04 |
There's a lot of joy |
00:30:07 |
And we'd love to bring that joy to |
00:30:16 |
Now, I know it's going to be |
00:30:19 |
but we're more than |
00:30:21 |
You say you want to |
00:30:24 |
Then you'll be needing the |
00:30:26 |
I'm guessing, |
00:30:29 |
And parking. |
00:30:30 |
Probably best |
00:30:33 |
I own the piece down the road, |
00:30:38 |
You'll probably want to |
00:30:42 |
And you'll clean up after |
00:30:46 |
Of course. |
00:30:49 |
Well, |
00:30:53 |
would $5,000 |
00:30:58 |
Five? |
00:30:59 |
But you'll have to tidy up, |
00:31:01 |
for any damaged crops, |
00:31:11 |
Sure, Max. |
00:31:15 |
Good. Wonderful. |
00:31:19 |
Well, why don't you all come into |
00:31:24 |
Far out. |
00:32:00 |
You know, we're gonna need |
00:32:02 |
while we prepare |
00:32:04 |
Your place looks |
00:32:05 |
How many vacant rooms do you |
00:32:10 |
Well, it depends on |
00:32:12 |
You know, how many |
00:32:14 |
What do you guys charge? |
00:32:15 |
Let's see. It's $8 a night, |
00:32:19 |
and we give a weekly |
00:32:21 |
Plus the cabins, you can |
00:32:25 |
about 150, I'd say. |
00:32:27 |
You can get about 200 people. |
00:32:30 |
Why don't we just buy the |
00:32:33 |
Just figure out the costs, write |
00:32:35 |
And if we don't |
00:32:37 |
you can rent out |
00:32:38 |
We need to keep some cleanup |
00:32:40 |
And if you've got |
00:32:41 |
for offices, |
00:32:43 |
We need to put in some phones and |
00:32:45 |
You know where we're going? |
00:32:50 |
There you go. |
00:32:53 |
Looks like we can work |
00:32:56 |
You know, I was thinking, I've got |
00:33:01 |
A theater troupe |
00:33:02 |
Yeah, the Earthlight Players. |
00:33:08 |
Maybe you guys could find some |
00:33:10 |
They could really |
00:33:13 |
They're all hired, man. Not |
00:33:18 |
And I hope you don't mind, |
00:33:24 |
in advance. |
00:33:35 |
And not only that, he made me a local |
00:33:37 |
and we're going to be the |
00:33:40 |
They think at least 5,000 people |
00:33:45 |
Five thousand coming |
00:33:49 |
Elli, you're an idiot. |
00:33:51 |
Twenty people, thirty, |
00:33:53 |
But 1,000, 5,000? |
00:33:55 |
Ma... We'll be sued in |
00:33:57 |
What kind of meshuga, hairy, barefoot |
00:34:01 |
that we should lay our good white |
00:34:03 |
and then plot and |
00:34:06 |
Ma, he pays cash. |
00:34:07 |
Everyone pays cash here, |
00:34:09 |
No, Ma, really. |
00:34:13 |
Open it. |
00:34:18 |
That's $5,000 for the rent, and another |
00:34:22 |
Plus, think of the money we're |
00:34:23 |
From the |
00:34:30 |
El Monaco International |
00:34:33 |
Elliot? |
00:34:35 |
Hi. Well, the phone hasn't |
00:34:39 |
And they're saying... |
00:34:40 |
...thousands of people might |
00:34:43 |
Well, you know, |
00:34:45 |
quite a bit to put |
00:34:47 |
and to get the cows situated and |
00:34:50 |
Now, Elliot, |
00:34:52 |
to mess up your festival. |
00:34:54 |
'Cause I think what was done to |
00:34:58 |
was just plain wrong. But |
00:35:02 |
and we think if you could just |
00:35:05 |
How much? Seventy-five |
00:35:10 |
Okay, I'll let them know. |
00:35:13 |
Okay, good. Bye-bye. |
00:35:19 |
What? |
00:35:21 |
Don't spend any of that money. |
00:35:24 |
What? Impossible! |
00:35:27 |
Ma. Ma. Ma. |
00:35:30 |
Elli, don't try to stop her. |
00:35:35 |
And I read in the papers, |
00:35:37 |
thousands of tickets, |
00:35:40 |
And so you'll be |
00:35:41 |
practically, my whole place |
00:35:45 |
Now, wait a second. |
00:35:48 |
I mean, I could buy a farm for the |
00:35:52 |
I could buy five farms. |
00:35:54 |
From what I read in |
00:35:56 |
you've already spent a |
00:35:58 |
and you've only got until |
00:36:01 |
Now, I'm sure a wealthy |
00:36:04 |
could, indeed, |
00:36:06 |
But that's neither here nor |
00:36:09 |
Yeah, all you're saying is that |
00:36:14 |
Well, if I didn't, you wouldn't |
00:36:15 |
of chocolate milk |
00:36:18 |
But I tell you this, fellas, when |
00:36:22 |
Okay? So long as you promise |
00:36:24 |
I'll stand by you 100%. |
00:36:26 |
These people |
00:36:28 |
and I know how |
00:36:29 |
I won't let them run you off |
00:36:33 |
'cause this is my land, |
00:36:37 |
Wow, Max, that is very |
00:36:41 |
We're going to |
00:36:42 |
come here and |
00:36:44 |
Michael, if I may, I wouldn't |
00:36:48 |
$5,000 is cool. |
00:36:49 |
Hey, it's your bread, guys. |
00:36:52 |
I'm just trying to put you |
00:36:56 |
Right. Look, Max, if we were |
00:37:01 |
you're really gonna have to |
00:37:03 |
Mike, listen, really, if this |
00:37:07 |
I'm sure we're |
00:37:09 |
John and Joel and Max, they're |
00:37:13 |
I can feel it. |
00:37:17 |
Good vibes. |
00:37:19 |
He won't let them near |
00:37:21 |
I don't own the property down |
00:37:24 |
I own this |
00:37:26 |
which reminds me, I'm sure you'll |
00:37:30 |
just in case there's damage. |
00:37:34 |
Fuck! |
00:37:38 |
Can I ask you a question? Please. |
00:37:41 |
Is Mike for real? |
00:37:46 |
Michael, yeah, |
00:37:52 |
so long as |
00:37:55 |
And the cash is real so long |
00:37:57 |
And I guess John and Joel |
00:38:01 |
between us, they've already |
00:38:07 |
And who wants 100,000 freaks |
00:38:13 |
So Mikey is trying |
00:38:15 |
It's got a lake? |
00:38:33 |
Hey, Dave. |
00:38:36 |
Geez, sorry, Elliot. I |
00:38:42 |
Out of the usual? |
00:38:47 |
For crying out loud, Elliot. |
00:38:53 |
Okay, then I'll try |
00:39:07 |
"To ensure three days of peace |
00:39:11 |
"and are now in |
00:39:13 |
"Certain people of Wallkill decided |
00:39:17 |
"Our new site, it's twice the |
00:39:23 |
You did this, Teichberg. |
00:39:25 |
You know what those hippies |
00:39:27 |
They'll be high on drugs. |
00:39:28 |
Robbing us by day and |
00:39:31 |
We ought to run you Jews out of town. |
00:39:35 |
We're gonna boycott Yasgur's milk. |
00:39:40 |
Get out of here, you |
00:39:47 |
You know what, Elliot? |
00:39:50 |
Elliot! God bless you. |
00:39:52 |
You can't imagine |
00:39:54 |
What? I'm fully booked! Every room! |
00:39:57 |
Yeah, me, too. |
00:39:59 |
since Herb died. |
00:40:01 |
You're welcome. |
00:40:09 |
Hi. |
00:40:15 |
Those motherfuckers in |
00:40:18 |
That seems to be |
00:40:20 |
Well, you're gonna have to carve |
00:40:27 |
Fry them on a stick |
00:40:29 |
and then sit down and eat |
00:40:33 |
do the aforesaid |
00:40:35 |
Billy, can you just stop |
00:40:37 |
and motherfucking that. |
00:40:42 |
Fuck. |
00:40:52 |
This could really |
00:40:54 |
My brother and his wife, they're |
00:40:57 |
Then what should I do? |
00:40:59 |
Get fucking organized |
00:41:03 |
Do I have troops? |
00:41:07 |
You got your mom, don't you? |
00:41:11 |
And the Chamber of Commerce. This |
00:41:15 |
Right on! |
00:41:20 |
I'm off to HQ. |
00:41:34 |
Go fry those fuckers. |
00:42:04 |
We were in Wallkill. |
00:42:06 |
Hanging with some friends, |
00:42:09 |
Rapping on each other. And |
00:42:12 |
So we rode our thumbs |
00:42:17 |
Elli, help. |
00:42:20 |
It's these two. |
00:42:23 |
To dig their thumbs. |
00:42:24 |
After they hit each other, |
00:42:29 |
What are they |
00:42:31 |
Just looking to score, |
00:42:35 |
Dad, get the tickets. |
00:42:55 |
Okay, Neil, we can see |
00:43:00 |
Heading back up |
00:43:02 |
But it's adequate |
00:43:06 |
Roger. We copy. Takes a |
00:43:20 |
Hey. Hi, Tisha. What is it? |
00:43:23 |
You've got |
00:43:39 |
Hello? What can |
00:43:41 |
Mr. Teichberg? |
00:43:42 |
Here. That's 47 citations. Wiring, |
00:43:46 |
Quite a place |
00:43:48 |
It's humble, but it's home. |
00:43:52 |
And here's 14 more fire code. |
00:43:56 |
You've got five days |
00:43:58 |
or else we're shutting |
00:44:00 |
Have a nice day. |
00:44:22 |
What's going on? |
00:44:24 |
Your mother says we |
00:44:26 |
Three times the rooms. |
00:44:28 |
You're kidding me. |
00:44:29 |
They don't seem to mind. Honest. |
00:44:35 |
I'm finished here, |
00:44:37 |
I don't know. White Lake |
00:44:40 |
Don't ask me why |
00:44:42 |
Everyone's gonna drive |
00:44:44 |
and be really bummed |
00:44:46 |
DOT's letting us put signage |
00:44:49 |
But we're working on it. |
00:44:51 |
all the way |
00:44:52 |
Can you trench here? |
00:44:53 |
No, man. Everything, |
00:44:56 |
all the cables |
00:44:58 |
I got the specs from |
00:45:00 |
That's a lot of juice. |
00:45:01 |
When Hendrix lights up, there won't |
00:45:04 |
Hey, I spoke to Wavy Gravy |
00:45:06 |
Wavy? |
00:45:07 |
His real name's Hugh. He's |
00:45:11 |
They've got a commune |
00:45:13 |
They drop more acid |
00:45:16 |
There's 80 of them coming |
00:45:18 |
Hey, man, I can't find |
00:45:21 |
Ask my mom. |
00:45:23 |
Hey, how's your room? |
00:45:26 |
Trip tents? Yeah, where |
00:45:28 |
From the trip. |
00:45:31 |
No, no. |
00:45:32 |
He and his people are willing |
00:45:35 |
You know, they really like your |
00:45:38 |
You know, they wanna |
00:45:41 |
Not sure how Fabbri's |
00:45:44 |
We're still going |
00:45:48 |
Hey, Mike, |
00:45:50 |
I'm just feeling |
00:45:51 |
Did Tisha tell you about |
00:45:53 |
Hey, Elliot. Just the |
00:45:54 |
You know, |
00:45:56 |
that we're really |
00:45:57 |
your community |
00:45:58 |
My what skills? |
00:46:00 |
Because, Elli, the rumors |
00:46:01 |
and we need to put a local |
00:46:04 |
And you, Elli, |
00:46:06 |
I'm a local face, yes, |
00:46:08 |
There's not a hotel around for |
00:46:10 |
Those inspector dudes? |
00:46:13 |
Tisha told me all about those |
00:46:17 |
We've got some |
00:46:21 |
Heavy lawyers. Right. |
00:46:23 |
Because right now, |
00:46:24 |
on the positive message |
00:46:26 |
You know, rapping with |
00:46:29 |
finding some time |
00:46:31 |
Wait, you mean like |
00:46:34 |
A press conference. Yeah. |
00:46:39 |
No, actually, you don't. |
00:46:41 |
I can guarantee you, |
00:46:44 |
I'm speaking from |
00:46:45 |
Hey, Michael. Hey. I |
00:46:48 |
Let me introduce |
00:46:49 |
He's helping with |
00:46:51 |
and he'd love it if |
00:46:52 |
get to know the locals. Hi. |
00:46:55 |
I don't know how |
00:46:56 |
but we're thinking |
00:46:57 |
a little free concert |
00:46:59 |
and we thought it |
00:47:01 |
include a scene from |
00:47:02 |
Do you think |
00:47:04 |
Yeah, they'd love that. But |
00:47:09 |
Because the play's |
00:47:12 |
Hey, hey, you guys, |
00:47:18 |
Mike. |
00:47:22 |
Hey, your dad wants you. |
00:47:44 |
I'll get some paint, but they're |
00:47:47 |
They set foot here again, |
00:47:50 |
Dad, let me call... |
00:47:52 |
Call who? That little |
00:47:56 |
he's the son of |
00:47:59 |
I could boil him and his |
00:48:02 |
Just, Dad, let's just get this |
00:48:06 |
Then you can start |
00:48:26 |
Thanks. |
00:48:27 |
Put some more of |
00:48:30 |
Dad, this is all we got. |
00:48:32 |
You didn't order more? |
00:48:33 |
I did. And I called Karpen's, |
00:48:35 |
I asked them all to |
00:48:37 |
Well, when they |
00:48:38 |
you tell them to |
00:48:40 |
No, 30 times. |
00:48:42 |
Where are we |
00:48:45 |
These people, they eat |
00:48:50 |
and there's more of |
00:48:54 |
It doesn't matter where we |
00:49:00 |
Yes? |
00:49:02 |
$2. Thank you. |
00:49:08 |
You got that thing working? Yeah. |
00:49:11 |
Don't touch those wires. |
00:49:12 |
Let's see what you got |
00:49:25 |
Judy Garland live. Haven't |
00:49:34 |
It's hard to |
00:49:38 |
Actually, I can believe |
00:49:40 |
Wow. Was she fun? |
00:49:43 |
She was brimming over. |
00:49:46 |
I'm Elliot. |
00:49:48 |
Hey. Paul. Construction. You |
00:49:52 |
No. |
00:49:54 |
Wow. Do you want |
00:49:57 |
No, thanks. |
00:49:59 |
with some Lebanese Red |
00:50:01 |
Your old man doesn't mind |
00:50:04 |
He can't smell. |
00:50:08 |
Cool. |
00:50:16 |
More. More, come on. |
00:50:20 |
Okay, okay. |
00:50:28 |
$40. |
00:50:30 |
Ma. Tisha says you're trying to charge |
00:50:36 |
We talked about this. |
00:50:38 |
Don't accuse me! |
00:50:40 |
I got nothing to sell anyway, |
00:50:42 |
Which leads me to ask, where |
00:50:44 |
you're renting space to are |
00:50:46 |
You've got to stop, Ma. |
00:50:49 |
We just paid |
00:50:51 |
Think about it! |
00:50:53 |
What're you doing? |
00:50:55 |
Hey! |
00:50:57 |
No shtupping in the bushes! Ma, come on. |
00:51:01 |
Come on. |
00:51:03 |
Excuse me, when |
00:51:05 |
Not yet! Soon! |
00:51:12 |
Good morning. You must be |
00:51:17 |
What's up, Dad? |
00:51:18 |
We were just |
00:51:20 |
it looks like you guys are |
00:51:23 |
Yeah? |
00:51:24 |
So, it looks like |
00:51:27 |
He's talking |
00:51:30 |
Something about exclusive |
00:51:39 |
I get it. No, you |
00:51:42 |
You got live entertainment |
00:51:46 |
Yeah. We cover the hotels around the |
00:51:51 |
And what if I say |
00:51:54 |
Charlie, what do we |
00:51:57 |
You're trespassers. Get |
00:52:01 |
Is that so? |
00:52:03 |
You hear this? |
00:52:05 |
Enough with these bums! |
00:52:09 |
Dad, what're you doing? Stop. |
00:52:11 |
Hey, come on. Hey! |
00:52:16 |
Come on, get... |
00:52:28 |
Go on. |
00:52:30 |
Jesus! You people |
00:52:34 |
Get out! |
00:52:39 |
I'll show you! |
00:52:42 |
Get off my property! |
00:52:45 |
Get out! Don't try |
00:52:48 |
Next time we |
00:52:54 |
My arthritis is killing me. I told |
00:52:57 |
Dad, Ma, |
00:53:01 |
Far out. |
00:53:02 |
You didn't |
00:53:03 |
How would you know what |
00:53:37 |
Hey, Elliot. |
00:53:39 |
What do you think |
00:53:42 |
It's... |
00:53:44 |
It is. Yeah, Max. |
00:53:47 |
I'm just sorry everyone |
00:53:49 |
Yours more than mine. |
00:53:52 |
Sorry? Hell, |
00:53:56 |
I've heard more thank yous and |
00:53:58 |
than I've heard in a |
00:54:02 |
And believe me, |
00:54:04 |
they're all trying to make |
00:54:07 |
I saw Bob charge |
00:54:10 |
with water for |
00:54:12 |
A dollar? |
00:54:13 |
A dollar. For water. Geez. |
00:54:50 |
Four extra. |
00:54:54 |
Four. |
00:55:03 |
Elliot. You're |
00:55:06 |
Yeah, that's me. |
00:55:08 |
How can I help you, Miss... Vilma. |
00:55:10 |
Vetty Von Vilma, |
00:55:13 |
Vilma. |
00:55:15 |
I'm supposed to |
00:55:18 |
Steve? |
00:55:20 |
Steven? |
00:55:23 |
Off to San Francisco with a flower |
00:55:26 |
Yeah. Actually, my ex-sugar daddy. |
00:55:30 |
Good riddance. He does |
00:55:33 |
doesn't he, our Steven? |
00:55:35 |
Anyhow, he said you might be starting |
00:55:39 |
Well, resorting as well as |
00:55:44 |
And as I was on my way to |
00:55:46 |
I thought I'd stop by. |
00:55:48 |
Look what I stumbled into. |
00:55:51 |
By the way, those clowns you and |
00:55:55 |
Not nice people. I know. |
00:55:58 |
I was playing the horses, |
00:56:01 |
over by the racetrack |
00:56:04 |
Nice bedroom community, |
00:56:05 |
until that bunch tried to |
00:56:08 |
You think they'll |
00:56:11 |
All I can say is you need |
00:56:21 |
Oh. Um... |
00:56:22 |
That's nothing. You should |
00:56:27 |
My God. |
00:56:29 |
But keeping to the subject |
00:56:31 |
you do need some real security |
00:56:37 |
What? |
00:56:40 |
Okay, I may be a grandfather, |
00:56:43 |
I married young, the night |
00:56:47 |
You were in Korea? Semper |
00:56:49 |
Sergeant, U.S. Marine Corps. |
00:56:52 |
No kidding. |
00:56:53 |
Wow. |
00:56:56 |
That's me with the cigar. The |
00:57:02 |
Killed. Sniper. |
00:57:05 |
I went out on patrol, found |
00:57:07 |
and broke his neck with |
00:57:10 |
Actually, I made |
00:57:11 |
But I would have if I'd gotten |
00:57:13 |
and I'd do it today |
00:57:17 |
Vilma, you're hired. |
00:57:21 |
Welcome aboard. |
00:57:25 |
Do you need some kind of |
00:57:37 |
Wow. |
00:57:46 |
Hey, Elliot. |
00:57:51 |
Great way to |
00:57:55 |
That's a nice suit. It's |
00:57:58 |
Sure. |
00:58:01 |
You okay? |
00:58:04 |
Got just the thing. |
00:58:09 |
You know, actually, I'm |
00:58:12 |
Hey, grass is a perfect |
00:58:17 |
Really? |
00:58:19 |
Well... |
00:58:23 |
Yeah. |
00:58:25 |
It's good shit. |
00:58:32 |
...and in these next few days |
00:58:34 |
we'll also provide |
00:58:36 |
and we're all here to |
00:58:39 |
But without further delay, |
00:58:42 |
the proprietor of |
00:58:44 |
President of the Bethel |
00:58:46 |
and a community liaison for |
00:58:55 |
Good afternoon, ladies |
00:58:57 |
Do you have a legal permit |
00:59:03 |
There will be a music and arts festival |
00:59:07 |
part of my ongoing yearly |
00:59:10 |
that have made White Lake the truly |
00:59:14 |
As evidenced by the fact that |
00:59:16 |
of the press are |
00:59:18 |
I have been proud to be the |
00:59:20 |
in its prior incarnations, |
00:59:22 |
Yes, but do you have a |
00:59:28 |
Of course. |
00:59:30 |
Need I remind you, |
00:59:32 |
I am the President of the |
00:59:35 |
Would a leading civic leader |
00:59:39 |
That doesn't make sense. |
00:59:41 |
Do you realize that the |
00:59:43 |
that perhaps as many as 100,000 |
00:59:48 |
What will your people here in |
00:59:51 |
and what they |
00:59:55 |
My people? |
00:59:59 |
Native White Lakians |
01:00:04 |
you know, |
01:00:09 |
Can you tell us something |
01:00:12 |
for the local community |
01:00:14 |
Will there be a cap on |
01:00:17 |
and how will you deal with |
01:00:24 |
You are asking |
01:00:27 |
The very essence |
01:00:29 |
of all enterprise, |
01:00:34 |
And freedom |
01:00:37 |
and is often considered, you know, to |
01:00:44 |
Therefore, there will be no train to |
01:00:51 |
How can the music be free when the |
01:00:56 |
Huh? |
01:00:58 |
If one song is not free, |
01:01:01 |
That is why we are going to |
01:01:05 |
Any idea what |
01:01:16 |
Wow, Elliot. |
01:01:19 |
That freedom rap, yeah. |
01:01:22 |
Thanks, Mike. You smell good. |
01:01:28 |
Far out. |
01:02:03 |
What's happening? |
01:02:04 |
Didn't you hear? |
01:02:08 |
Come on. |
01:02:15 |
Come on, let's go. |
01:02:19 |
That's it. |
01:02:22 |
Come on. Let's go. Let's |
01:02:29 |
Dad! |
01:02:32 |
Let's go. |
01:02:36 |
Come on. |
01:02:38 |
He's been out here two |
01:02:42 |
All right, come on. |
01:02:46 |
All right. Hold it! |
01:03:03 |
Your dad says |
01:03:06 |
When did he say that? |
01:03:08 |
I had him give me a tour of the property, |
01:03:15 |
He talked a lot about you, |
01:03:20 |
He showed me some of his favorite |
01:03:27 |
Nice. |
01:03:29 |
Wait. |
01:03:30 |
Are you sure that was my dad? |
01:03:38 |
I mean, he doesn't have any |
01:03:40 |
He doesn't talk. |
01:03:41 |
I didn't say it was therapy or |
01:03:46 |
Chatting? |
01:03:52 |
Don't worry, Elliot. |
01:03:56 |
If he starts to laugh or smile |
01:04:00 |
I'll let you know. |
01:04:04 |
Yeah. You do that. |
01:04:11 |
In fact, I have to go collect |
01:04:18 |
Vilma? |
01:04:23 |
Does my dad know, |
01:04:33 |
Elliot. |
01:04:36 |
I know what I am. |
01:04:38 |
That does make it easier for |
01:04:53 |
After the concert, we've got |
01:04:56 |
I understand your mother |
01:04:58 |
Cholent? Oh, no. |
01:05:00 |
And the Ladies Auxiliary |
01:05:02 |
We just have to make |
01:05:04 |
There's a lot of hungry |
01:05:06 |
Don, I just want to say, |
01:05:09 |
Feelings? |
01:05:11 |
Get over to the |
01:05:14 |
and round up all those... |
01:05:15 |
They don't really know where |
01:05:18 |
How many sunflower seeds |
01:05:23 |
How many sunflower seeds can you get into |
01:05:27 |
I'm not sure. I'm sorry. We |
01:05:30 |
Everybody's working hard for... |
01:05:32 |
Yes. Very hard. |
01:05:34 |
Hey, John. |
01:05:36 |
That's the prick who told |
01:05:38 |
Fuck the alfalfa... |
01:05:39 |
Considering that we haven't |
01:05:43 |
can't really |
01:05:44 |
It's incredible. Knocking down |
01:05:47 |
Well, we gotta make |
01:05:48 |
Doris? Doris, |
01:05:51 |
He doesn't even know |
01:05:53 |
I'm trying to help organize |
01:05:55 |
from here in the horseshoe |
01:05:57 |
Trucks, trailers, |
01:06:00 |
Gonna miss this place. |
01:06:02 |
Yeah, well, |
01:06:05 |
The one concern is the big |
01:06:08 |
They're not staying up? |
01:06:11 |
It's just that if there's rain, |
01:06:17 |
A little what? |
01:06:18 |
Electrical. |
01:06:20 |
Yeah, we don't wanna |
01:06:23 |
Yeah, that's a good point, |
01:06:25 |
Hey. It's August. |
01:06:29 |
Remember, okay? |
01:06:31 |
anything that's gonna |
01:06:33 |
Because I'm worried |
01:06:53 |
Now we're together |
01:06:57 |
Do wah diddy diddy |
01:07:00 |
We're so happy and that's |
01:07:04 |
Do wah diddy diddy |
01:07:06 |
No, no one stole the car, I just |
01:07:11 |
Sure, it's legal. |
01:07:12 |
Everything is fine, Mom. Don't worry. |
01:07:17 |
Whoa-oh |
01:07:18 |
Do wah diddy diddy |
01:07:22 |
Do wah diddy diddy |
01:07:36 |
Thank you. |
01:07:40 |
It's so great that you have |
01:07:42 |
with all your friends and your |
01:07:45 |
Now we would like |
01:07:47 |
the resident theater artists, |
01:07:50 |
the Earthlight Players, |
01:07:52 |
who have adapted Anton |
01:07:55 |
to a contemporary, |
01:07:59 |
and they would like now to share |
01:08:03 |
Ladies and gentlemen, |
01:08:17 |
Artifice and imagination! |
01:08:23 |
The players play! |
01:08:25 |
But you, the audience, |
01:08:29 |
You sit and judge. |
01:08:31 |
But the revolution requires |
01:08:36 |
The players |
01:08:39 |
Your revelry must end, and your |
01:08:45 |
Christ who died for you, |
01:08:49 |
Now we are Christ! |
01:08:51 |
Our nakedness |
01:08:55 |
Indecent legions of decency! |
01:08:59 |
Fascist pornographers! |
01:09:02 |
Racist warmongers! |
01:09:05 |
Republican cocksuckers! |
01:09:08 |
Indecent legions of decency! |
01:09:12 |
Fascist pornographers! |
01:09:17 |
Put your clothes back on. |
01:09:22 |
Billy. Billy. |
01:09:29 |
Racist warmongers! |
01:09:33 |
Fascist pornographers! |
01:09:39 |
Billy! |
01:09:41 |
Billy! |
01:09:44 |
Get your ass down here! |
01:09:50 |
Billy! |
01:10:54 |
Everything is gone... |
01:10:57 |
Elliot. Namaste. |
01:10:59 |
Hi, Elliot. |
01:11:08 |
Hey, Georgette. |
01:11:09 |
Hey, Elliot. |
01:11:13 |
Hey. |
01:11:15 |
Here. |
01:11:16 |
Thanks. |
01:11:18 |
Where we going with these? |
01:11:20 |
Stan and your theater guy set |
01:11:24 |
The combination of the bare |
01:11:27 |
Real. |
01:11:30 |
Anyway, I hope you don't mind, we |
01:11:34 |
And your mom gave me |
01:11:36 |
My mom? Gave? |
01:11:39 |
Yeah. She's cool. |
01:11:52 |
Hey. |
01:11:54 |
Hey, Dad? |
01:11:56 |
Dad. |
01:11:57 |
The New York State |
01:12:00 |
from the George Washington |
01:12:02 |
and from there, |
01:12:05 |
Police are now planning |
01:12:07 |
a first-ever emergency |
01:12:10 |
We go now to John Stevens, |
01:12:13 |
Ma, you okay? |
01:12:14 |
The nisht-gute... |
01:12:16 |
Evil! |
01:12:18 |
You seen the chicken legs |
01:12:21 |
Mom, they're kids, |
01:12:23 |
You don't know! |
01:12:25 |
They've made all the roads one-way |
01:12:29 |
God forbid, |
01:12:30 |
should have a heart attack |
01:12:32 |
He couldn't get |
01:12:35 |
You're really worried |
01:12:37 |
Him? It's you |
01:12:40 |
How will you live |
01:13:03 |
Hit him in the kisser, hit him |
01:13:16 |
Hey. Give me three. |
01:13:18 |
How you doing, Dad? |
01:13:19 |
How should I be doing? |
01:13:21 |
I haven't slept in three days, my hip |
01:13:26 |
So, you're good? Yeah, I'm |
01:13:32 |
You're ready for one? |
01:13:33 |
I thought you'd never ask. |
01:13:37 |
How you doing, kid? |
01:13:40 |
I haven't slept in three |
01:13:43 |
I'm actually not making this |
01:13:46 |
So, you're good? |
01:14:10 |
Come on, Elliot. |
01:15:15 |
I'm standing near |
01:15:18 |
where state authorities now estimate |
01:15:22 |
have already made it |
01:15:24 |
and there's another million trying to |
01:15:27 |
putting upstate communities in an |
01:15:34 |
Bob! |
01:15:37 |
What's this all about? |
01:15:39 |
We got the permit pulled, you idiot! |
01:15:43 |
But there's a half a million |
01:15:46 |
How do you think |
01:15:48 |
That's the same thing |
01:15:50 |
Before they laughed at us |
01:15:53 |
So we're doing it |
01:15:55 |
Right. |
01:15:59 |
Hi, Elliot! |
01:16:09 |
Come on. |
01:16:11 |
Not so tough anymore, |
01:16:13 |
Come on, you. |
01:16:15 |
Go to hell! |
01:16:19 |
Fuck you, old man! |
01:16:20 |
You get off my property, |
01:16:22 |
you thugs. |
01:16:29 |
Hippie lover! |
01:16:38 |
This is where |
01:16:46 |
Hey, brother. |
01:17:04 |
You hear that? |
01:17:07 |
It's starting. |
01:17:27 |
Elli, |
01:17:30 |
you should go. |
01:17:32 |
What? |
01:17:34 |
To Max's. |
01:17:36 |
I can't. |
01:17:37 |
We can take care |
01:17:40 |
Dad... |
01:17:44 |
Go see this thing. |
01:17:47 |
Go. |
01:17:49 |
See what the center |
01:18:00 |
Yeah, sure. |
01:18:25 |
Wow. |
01:18:27 |
Bet you thought you were just |
01:18:31 |
Actually, my family, |
01:18:33 |
The El Monaco, huh? |
01:18:35 |
So you're the guy they're all |
01:18:38 |
Governor just declared this |
01:18:42 |
Yeah, it's a disaster. I'm |
01:18:47 |
No kidding. I was looking |
01:18:51 |
and clubbing a bunch of |
01:18:54 |
But instead, |
01:18:56 |
I must be getting |
01:18:59 |
Peace, man. |
01:19:01 |
See what I mean? |
01:19:03 |
Groovy. |
01:19:05 |
I think I'm gonna head over |
01:19:08 |
On foot? It'll take you |
01:19:10 |
Here. |
01:19:12 |
Thanks. |
01:20:33 |
Officer. |
01:20:37 |
What do you say to all |
01:20:39 |
while you're here |
01:20:40 |
We're waging peace, |
01:20:44 |
You think they're gonna understand |
01:20:47 |
Why won't they... |
01:20:48 |
Find your buddy, girls! |
01:20:57 |
The innocent |
01:21:00 |
Bombs for peace! |
01:21:03 |
War bombs for peace! |
01:21:08 |
Yeah, |
01:21:10 |
Hey, it could happen. |
01:21:28 |
I know you can |
01:21:32 |
Okay, thank you. |
01:21:35 |
Peace to you. |
01:21:36 |
Thank you. |
01:21:37 |
God bless you. |
01:22:14 |
Come on, burn them, sisters! |
01:22:16 |
Burn your bras and read this! |
01:22:27 |
You've gotta join |
01:22:30 |
Stop the |
01:23:25 |
Hey, man. |
01:23:28 |
Hey. |
01:23:30 |
You look thirsty. |
01:23:32 |
I am. |
01:23:38 |
Thanks. |
01:23:49 |
Have you guys been down |
01:23:52 |
We're cool, |
01:23:55 |
We got to the top of the hill, |
01:23:58 |
and the tiny little people on stage |
01:24:02 |
Like ants making thunder, |
01:24:08 |
But you couldn't really tell |
01:24:10 |
And we left our trip |
01:24:12 |
And the shit they're passing |
01:24:17 |
Ours is beautiful. |
01:24:21 |
I see you have California |
01:24:25 |
There, and New Mexico... |
01:24:27 |
And Oregon. |
01:24:29 |
You're from everywhere. |
01:24:31 |
We're from everywhere. |
01:24:33 |
You're from everywhere. |
01:24:36 |
I'm from here. |
01:24:38 |
You're from here, man. |
01:24:40 |
That's so cool. |
01:24:43 |
I guess so. |
01:24:46 |
Man, |
01:24:54 |
Here, man, |
01:25:00 |
Eight miles high. |
01:25:05 |
I'm actually |
01:25:12 |
What the heck. |
01:25:33 |
Hey. |
01:25:34 |
Come on in, sit. |
01:26:11 |
So... |
01:26:14 |
Yeah? |
01:26:16 |
You sure that was acid? |
01:26:18 |
I didn't really taste any... |
01:26:20 |
It just takes a while. |
01:26:23 |
Hey, let's listen to some |
01:27:55 |
What? What's that? |
01:27:57 |
Hey, it's okay. |
01:27:59 |
Hey, it's okay, |
01:28:01 |
It's okay, just breathe. |
01:28:25 |
Hey, it's okay. |
01:28:29 |
It's okay. |
01:28:52 |
Just breathe. |
01:29:04 |
Where are my arms? |
01:29:05 |
Where's my arm? |
01:29:21 |
Just breathe. |
01:30:25 |
Hey. Let's go down to |
01:32:21 |
Elliot. You look well. |
01:32:26 |
I want you to meet the ladies |
01:32:28 |
They made 5,000 sandwiches! |
01:32:30 |
Vilma, |
01:32:32 |
We made 4,000. |
01:32:33 |
Honey, please. Anything more |
01:32:46 |
My God! Look at him! Where |
01:32:50 |
How was the concert? |
01:32:53 |
Well, I met some friends |
01:32:59 |
It was great. |
01:33:04 |
Are you hungry? |
01:33:06 |
I'm starving. |
01:33:23 |
So I was thinking, |
01:33:25 |
What a mess. |
01:33:27 |
It'll take months |
01:33:31 |
We can keep some of |
01:33:34 |
We can afford the help now. |
01:33:39 |
And with the place paid off, |
01:33:43 |
maybe it's time you thought |
01:33:48 |
Some people to help run the |
01:33:55 |
What are you talking about? |
01:34:03 |
I'm just saying. I was thinking when |
01:34:07 |
I could take a trip. And where |
01:34:10 |
You're not going anywhere |
01:34:21 |
We've made brownies. Wonderful |
01:34:29 |
We'll take a pass. |
01:34:34 |
Right. |
01:34:43 |
You see, Jake? |
01:34:45 |
He doesn't want dessert, but |
01:34:47 |
You know what? |
01:34:49 |
You know, I'm the only one here, |
01:34:54 |
and hundreds of thousands of people, |
01:35:01 |
Do you think Janis Joplin's mom is |
01:35:03 |
I don't know, her whiskey bottle |
01:35:06 |
Or Jimi Hendrix's mom is |
01:35:09 |
I'm gonna lie down, then I'm going |
01:35:12 |
And you know what? Go ahead. I'd |
01:35:15 |
You should have two! |
01:35:31 |
Elli! |
01:35:49 |
Hey, Elliot. |
01:35:51 |
See you guys later. |
01:36:10 |
Billy? |
01:36:15 |
Man, |
01:36:19 |
Remember remember, or, like, |
01:36:25 |
Remember remember, man. |
01:36:29 |
Homecoming. Senior year. We |
01:36:37 |
I caught like three touchdown |
01:36:44 |
And we fucking tipped |
01:36:48 |
man, right there, |
01:36:54 |
And Shirley Livingstone, |
01:36:58 |
man, right there, |
01:37:02 |
Wait a second. |
01:37:06 |
Was. |
01:37:12 |
Is. |
01:37:16 |
And that's |
01:37:20 |
the one who works |
01:37:26 |
Yeah. |
01:37:29 |
We were engaged, man. |
01:37:37 |
Come on, man. |
01:38:18 |
Billy! |
01:38:49 |
I love this hill! |
01:38:51 |
We love this hill! |
01:39:08 |
The prodigal son returns. |
01:39:15 |
Well, you know, |
01:39:19 |
I didn't quite, |
01:39:25 |
I got it. |
01:39:29 |
I'm happy to see you, |
01:39:33 |
I want you to meet some |
01:39:41 |
You gave them |
01:39:44 |
They told me |
01:39:47 |
How many? |
01:39:48 |
Four each. |
01:39:59 |
Elliot! My baby! |
01:40:04 |
Her baby! |
01:40:09 |
My little baby. My filthy baby |
01:42:23 |
Dad. |
01:42:26 |
She got up in her sleep, |
01:42:31 |
What's with the money? |
01:42:33 |
We've been depositing everything |
01:42:35 |
Where did |
01:42:52 |
Ma, what the hell? |
01:42:53 |
Don't come near me, |
01:42:55 |
But what... |
01:42:58 |
It's my savings |
01:43:02 |
It's my savings. |
01:43:04 |
Jesus, |
01:43:10 |
None of your business. |
01:43:19 |
$97,000. |
01:43:27 |
Dad, did you know |
01:43:28 |
You think she'd tell me? |
01:43:38 |
You'd have let |
01:43:43 |
Let me put all my earnings |
01:43:47 |
And you... |
01:43:53 |
Elli. |
01:43:56 |
Why does it matter? |
01:44:30 |
Elli, I was scared. |
01:44:38 |
Mom. |
01:44:45 |
I've got to fix your father his lunch. |
01:45:01 |
Hey, man. What |
01:45:03 |
I think it's great. I got one here |
01:45:08 |
and I wish he were |
01:45:22 |
Hey, Elliot. |
01:45:24 |
Just come around. |
01:45:35 |
Yeah, |
01:45:42 |
What are you up to? |
01:45:44 |
Thought I'd try to see |
01:45:49 |
Maybe later. They can't get |
01:45:53 |
There's too many shocks. |
01:45:55 |
That's a bummer. |
01:46:00 |
How's your day going? |
01:46:03 |
Uh... |
01:46:07 |
Yeah. |
01:46:09 |
No, no. |
01:46:13 |
Sorry. |
01:46:15 |
It's trivial compared to what |
01:46:21 |
Maybe it's the most important thing |
01:46:25 |
How do you know? |
01:46:27 |
I'm pretty sure it's trivial, |
01:46:32 |
Perspective is what |
01:46:37 |
Everyone with their |
01:46:41 |
It keeps the love out. |
01:46:47 |
I'm so tired. I'm starting to talk |
01:46:56 |
Far out. |
01:47:03 |
Anyway, I'll see you. |
01:47:45 |
Yes? |
01:47:56 |
Come on in. |
01:48:05 |
You're up early. |
01:48:08 |
I couldn't sleep. |
01:48:12 |
Hey, Dad. |
01:48:16 |
I was gonna come say |
01:48:22 |
Listen. |
01:48:26 |
Sit. |
01:48:44 |
A month ago, |
01:48:50 |
I would think to myself, "It's |
01:48:55 |
"to tend to a dying man." |
01:48:59 |
Who knows? |
01:49:05 |
But now, |
01:49:09 |
I'm alive. |
01:49:13 |
You understand? |
01:49:18 |
No. |
01:49:22 |
It's because of you. |
01:49:30 |
And what should I want now, but |
01:49:37 |
Huh? |
01:49:38 |
That's not so much to ask. |
01:49:43 |
No, it isn't. |
01:49:48 |
They're all starting to |
01:49:55 |
Who knows where? |
01:50:01 |
And now you're one of them. |
01:50:09 |
I'll stay in touch. |
01:50:17 |
Yeah, sure you will. |
01:50:24 |
Elliot. |
01:50:27 |
My hip, my... |
01:50:43 |
Elli, that business |
01:50:45 |
Don't worry about it. |
01:50:48 |
No. |
01:50:49 |
Dad, can you just |
01:50:54 |
What? |
01:50:56 |
How have you done it? |
01:50:58 |
I mean, how have you lived |
01:51:05 |
I love her. |
01:52:13 |
Hey, Mike. |
01:52:16 |
Yeah, finally. |
01:52:21 |
It's beautiful, isn't it? |
01:52:32 |
Hey, thanks for calling and welcoming |
01:52:36 |
The whole world came, and now |
01:52:41 |
Yeah. It's all just like |
01:52:47 |
Yeah, three days |
01:52:55 |
So what happens now? |
01:52:58 |
Man, who knows? |
01:53:01 |
Everybody's gotta chase |
01:53:03 |
Yeah. |
01:53:05 |
We're all probably gonna sue |
01:53:09 |
We'll figure it out. |
01:53:13 |
What about you? |
01:53:15 |
I don't know. |
01:53:20 |
Hey, that's a sign. |
01:53:31 |
If your car moves, come look me up. |
01:53:35 |
Me and Chip |
01:53:37 |
we're gonna help out |
01:53:40 |
It's gonna be even more |
01:53:42 |
Wow. |
01:53:46 |
The Rolling Stones. |
01:53:48 |
Rolling Stones? |
01:53:49 |
Yeah, Stones. |
01:53:56 |
Beautiful. |
01:54:05 |
Beautiful. |